|
|
|
Custom Search
|
|
BohemiansThe Glamorous OutcastsWhat is a Bohemian? Is it somebody who chooses poverty in order to produce works of art - or somebody who dresses flamboyantly, takes drugs, and parades up and down Kings Road in Chelsea, hoping to become famous? Well it appears it can be either or both of those things - and more besides.
But at least this does have the virtue of suggesting that what she calls Bohemia can exist at any time and in any place. She speaks of it in the past tense, and yet there's every reason to believe that this sort of world still exists - though as Malcolm Cowley, speaking of Greenwich Village in the 1920s observed, "Bohemia is always yesterday". She's particularly good on the role of women in relation to Bohemianism - whether as muse to a male artist (Elizabeth Siddall, Alma Mahler) or as long-suffering wife-supporter (Dorelia John, Caitlin Thomas). But I think she's stretching her notion of Bohemia rather for including relatively successful female artists such as Louise Colet and George Sand. Despite her scholarly approach, her prose style occasionally slides into a poetic mode, as in her comments on the relationship between cafe life and smoking:
Her chapters are packed with interesting characters and rich in social history. She covers the surrealists, Parisian night life, and the cult of negritude in the 1920s, symbolised so magnificently by Josephine Baker. Yet despite several attempts, she never gets round to defining bohemianism successfully. She simply chains together various types of outsider or larger-than-life figures. Sometimes her subjects are members of a quasi-artistic sub class, but often they are just alcoholics, scroungers, and hangers-on. There's a big difference between someone who produces great works of art but dies young (Modigliani) and someone who does very little (except drugs) and becomes no more than a well-known talentless has-been, like Marianne Faithful, who crops up here more than once. Her book could do with a different title. Many of the people she describes were not really bohemian - just famous, dissipated, or so rich they could do as they pleased. Other were neither glamorous nor outcast. Some were fat, ugly, and badly dressed, and others cast themselves out simply by choosing not to work. But it's a fascinating collection of portraits nevertheless. © Roy Johnson 2007 [more LITERATURE books] Elizabeth Wilson, Bohemians: The Glamorous Outcasts, London: Tauris, 2003, pp.275, ISBN 1860647820
|
|
|
|