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An Outcast of the Islands (1896) is Joseph Conrad’s second novel, following closely on his first, Almayer’s Folly which was published the previous year. In fact An Outcast has a close relationship to Almayer, because it deals with some of the same characters and events.
In fact it is part of what might be called a ‘trilogy in reverse’. An Outcast deals with events that take place in 1872, whereas Almayer’s Folly is set about 1887. An Outcast provides what might in modern media terms be called a ‘back story’ to the first novel. There is also a third volume in the series called The Rescue that deals with events set even earlier in the 1850s – but this was not published until 1920.
Conrad first conceived An Outcast as a short story called Two Vagabonds, but like many of his planned fictions it expanded as soon as he started writing it.
Joseph Conrad – portrait
An Outcast of the Islands – plot summary
Peter Willems is a conceited bully who works as a ‘confidential’ clerk for Hudig & Co in Macassar in Malaysia. He has secured the job through the kindness of Tom Lingard, a sea captain who has rescued him as a youth. As the story opens, Willems is embezelling money of Hudig’s to finance a deal he hopes will make him a partner in the company.
But Willems’ illegal doings are revealed, and he is expelled by Hudig, who has only tolerated Willems because he was prepared to marry his daughter. Willems is on the point of complete despair when Lingard sails into port, bails him out financially, and recruits him to work in a commercial outpost at Sambir where he has commercial dominance. However, Willems does not get on with Almayer, the chief at the outpost. He is also unaware of a plot to cause trouble being hatched by Babalatchi, a louche character at the outpost. Willems is sinking back towards despair when he meets a young woman Aissa and is completely overwhelmed by her beauty. He leaves the outpost and goes to live with her and her blind father, Omar.
Five weeks later he returns to Almayer with the warning that plots are being hatched against the trading outpost. He asks Almayer for a loan to set up as an independent trader – a request that Almayer scornfully refuses, correctly surmising that Willems has been expelled from Hudig & Co for embezellement.
Meanwhile Babalatchi conspires with Omar against Willems, plotting to bring in outside help from rich trader Abdulla, who wishes to displace Lingard in the area. Abdulla visits Sambir, and is negatively briefed by Babalatchi Abdulla negotiates with Omar and with Willems (who he knows from Hudig & Co) and leaves with plans to return two days later.
Willems feels trapped and humiliated by his overwhelming desire for Aissa and despairs because he realises they are from completely different cultures. Aissa wish to know what has passed between Willems and Abdulla. She is conscious of her power over him but resents the trouble he brings as an outsider.
Willems has the sole objective of running away with Aissa but she refuses. Whilst they are consoling each other Omar attempts to kill Willems and it seems to Willems as if the daughter might even be helping him.
Almayer gives Captain Lingard a lengthy and somewhat confused account of Abdulla’s attack on the trading post. There is a conflict caused by both Dutch and British flags being raised over the outpost. All Almayer’s gunpowder is thrown into the river and Willems has Almayer sewn into his own hammock, before making off.
Captain Lingard has lost his ship Flash and proposes a new scheme for prospecting upriver for alluvial gold. He has brough Willems’ wife and child to Sambir, still feeling he has a responsibility for them.
Lingard is smarting from the unusually bad state of his affairs (lost ship, lost supremacy on the river). He receives notes of invitation from both Willems and Abdulla. Almayer urges him to act against their rivals.
Lingard arrives in Sambir apparently with the intention of killing Willems. He is met by Babalatchi, who urges him against Willems. Then he is intercepted by Aissa, who is distraught because Willems has become distant from her.
When Lingard confronts Willems, he punches him severely, but thinks he is not worth shooting. Willems wants Lingard to ‘rescue’ him from his plight. But Lingard does the opposite – and condemns him to remain in permanent exile with Aissa. He regards Willems as his ‘mistake’, and his ‘shame’.
Almayer feels a rancorous anxiety at what he sees as Lingard’s tolerant attitude to Willems, and he is apprehensive about his own position. He thinks of killing Willems, but then persuades Mrs Willems to ‘rescue’ her husband. He then sets off with a group of men in a boat, which through his ineptness runs aground.
Willems feels an existential dread at having been abandoned by Lingard. He thinks of himself as deracinated, cut off from all civilized help, and without any human resources to survive the ordeal – even though he has Aissa with him and Lingard is supplying him with food. Eventually his wife Joanna arrives with their son. Willems feels doubly oppressed and thinks of killing both women – but Aissa gets to the gun first and shoots him.
An Outcast of the Islands – Oxford World Classics – Amazon UK
An Outcast of the Islands – Oxford World Classics – Amazon US
An Outcast of the Islands – Kindle eBook
An Outcast of the Islands – DVD film adaptation at Amazon UK
An Outcast of the Islands – eBook at Project Gutenberg
Joseph Conrad: A Biography – Amazon UK
An Outcast of the Islands – DVD film adaptation at MovieMail
An Outcast of the Islands – film details at IMD
The Cambridge Companion to Joseph Conrad – Amazon UK
Routledge Guide to Joseph Conrad – Amazon UK
Oxford Reader’s Companion to Conrad – Amazon UK
|Peter Willems||a Dutch confidential clerk at Hudig & Co|
|Joanna da Souza||his wife – a half-caste|
|Louis Willems||his pasty son|
|Leonard da Souza||his brother-in-law|
|Mr Vinck||cashier at Hudig & Co|
|Tom Lingard||an experienced sea captain with a monopolistic knowledge of river navigation|
|Kaspar Almayer||Lingard’s Dutch business partner, married to his adopted daughter|
|Babalatchi||a one-eyed vagabond|
|Lakamba||trader-cultivator and war-lord|
|Patalolo||local leader in Sambir|
|Omar el Badavi||blind Arab chief|
|Aissa||his beautiful daughter|
|Sambir||trading post town in Borneo|
|Syed Abdulla bin Selim||prosperous Muslim trader and distant relative of Omar|
|Ali||Almayer’s Malaysian assistant|
The first part of the novel is set in Macassar, a provincial capital in southern Indonesia. The remainder and majority of the events take place in the fictional town of Sambir, which is losely based on Berau in north-east Borneo (today called Kalimantan) very close to the equator.
The river Pantai on which it is based plays an important part in the story. Captain Lingard has established his prosperous trading business based on his monopoly of navigational skills on the river which is the source of much annoyance to his business rivals.
first edition – New York, D. Appleton, 1896
Jacques Berthoud, Joseph Conrad: The Major Phase, Cambridge: Cambridge University Press, 1978.
Harold Bloom (ed), Joseph Conrad (Bloom’s Modern Critical Views, New Yoprk: Chelsea House Publishers, 2010
Daphna Erdinast-Vulcan, Joseph Conrad and the Modern Temper, Oxford: Oxford University Press, 1991.
John Dozier Gordon, Joseph Conrad: The Making of a Novelist, Cambridge, Mass: Harvard University Press, 1940
Robert Hampson, Joseph Conrad: Betrayal and Identity, Basingstoke: Macmillan, 1992
Jeremy Hawthorn, Joseph Conrad: Narrative Technique and Ideological Commitment, London: Edward Arnold, 1990
Owen Knowles, The Oxford Reader’s Companion to Conrad, Oxford: Oxford University Press, 1990
Gustav Morf, The Polish Shades and Ghosts of Joseph Conrad, New York: Astra, 1976
Jeffery Myers, Joseph Conrad: A Biography, Cooper Square Publishers, 2001.
George A. Panichas, Joseph Conrad: His Moral Vision, Mercer University Press, 2005.
James Phelan, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008.
Allan H. Simmons, Joseph Conrad: (Critical Issues), London: Macmillan, 2006.
John Stape, The Several Lives of Joseph Conrad, Arrow Books, 2008.
Ian Watt, Conrad in the Nineteenth Century, London: Chatto and Windus, 1980
Joseph Conrad’s writing table
Other works by Joseph Conrad
Under Western Eyes (1911) is the story of Razumov, a reluctant ‘revolutionary’. He is in fact a coward who is mistaken for a radical hero and cannot escape from the existential trap into which this puts him. This is Conrad’s searing critique of Russian ‘revolutionaries’ who put his own Polish family into exile and jeopardy. The ‘Western Eyes’ are those of an Englishman who reads and comments on Razumov’s journal – thereby creating another chance for Conrad to recount the events from a very complex perspective. Razumov achieves partial redemption as a result of his relationship with a good woman, but the ending, with faint echoes of Dostoyevski, is tragic for all concerned.
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Chance is the first of Conrad’s novels to achieve a wide commercial success, and one of the few to have a happy ending. It tells the story of Flora de Barral, the abandoned daughter of a bankrupt tycoon, and her long struggle to find happiness and dignity. He takes his techniques of weaving complex narratives to a challenging level here. His narrator Marlow is piecing together the story from a mixture of personal experience and conversations with other characters in the novel. At times it is difficult to remember who is saying what to whom. This is a work for advanced Conrad fans only. Make sure you have read some of the earlier works first, before tackling this one.
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Victory (1915) is set in the legendary port of Surabaya and in an outpost of the Malayan archipelago. It is the story of Swedish recluse Axel Heyst, who rescues Lena, a young woman from a touring orchestra and runs off to live in remote seclusion, influenced by the pessimistic philosophy of his father. But he is pursued by two lying and scheming English gamblers, who believe he is concealing ill-gotten wealth. They corner him in his retreat, and despite the efforts of Lena to shield Heyst from their plans, there is a tragic confrontation which brings destruction into their island paradise.
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© Roy Johnson 2012
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