Examinations Archives

Analysis of a Shakespeare sonnet

October 31, 2009 by Roy Johnson

sample answer to an examination question

This analysis of a shakespeare sonnet is an example of literary analysis at third year undergraduate level. It’s also an example of an answer to an essay question set for a final-year exam paper. It poses the fairly standard test of analysing one of the sonnets. This is one of three questions to be answered in three hours. So – allowing ten minutes for making notes and maybe an outline plan, this shows what can be done in fifty minutes!

Question
Write an essay on the following sonnet. Your answer should:

briefly summarize the argument of the sonnet
comment on the language Shakespeare employs and the way that language reflects the sonnet’s argument

You may wish to refer to other sonnets in your answer, but any references to other texts must be relevant to your broader argument.

Sonnet XXII
My glass shall not persuade me I am old,
So long as youth and thou are of one date;
But when in thee time’s furrows I behold,
Then look I death my days should expiate.
For all that beauty that doth cover thee
Is but the seemly raiment of my heart,
Which in thy breast doth live, as thine in me;
How can I then be elder than thou art?
O therefore, love, be of thyself so wary,
As I not for myself but for thee will;
Bearing thy heart, which I will keep so chary
As tender nurse her babe from faring ill.
Presume not on thy heart when mine is slain;
Thou gav’st me thine, not to give back again.

Answer

In Sonnet 22, the speaker contemplates the difference in age between himself and his beloved, and asserts that he obtains youth through his relationship with the young man. In the second quatrain the speaker explains that the reason for this is the love between the himself and the young man which is portrayed as a mutual exchange of hearts, with the implication that the two have become one flesh. The speaker urges the young man to take care of himself and promises to be faithful to the young man. In the couplet, the motivating factor for the poem becomes clear, with the speaker acknowledging that he is afraid that his heart may be broken by the young man.

Although there are no personal pronouns which can confirm the sex of the addressee of the sonnet, the first 126 sonnets are assumed by critics to have been written to a young man. Sonnet 22 appears shortly after the early group of poems which urged the young man to have a child, and is one of the first sonnets to focus upon the speaker’s feelings.

The structure of the sonnet is 4-4-4-2, although there is a change of emphasis and tone after the 8th line which means that the sonnet has a distinguishable octave and sestet.

In the first quatrain, the speaker focuses upon youth and age and the disparity in age between himself and the young man. The opening line shows the speaker looking at himself in a mirror or ‘glass’ and is an echo of the opening line of sonnet 3 in which the young man was urged to look at himself in a mirror as a warning against growing old and remaining childless. The imagery of Q1 emphasises the disparity with ‘old’, ‘youth’, ‘date’, ‘death’ and the metaphor of ‘times furrows’ which effectively describes the wrinkles that the speaker has now and which the young man will have in the future’. The emphasis of this quatrain is on outward, physical appearance. The quatrain ends with the speaker looking forward to his own death which he hopes will be peaceful.

In the second quatrain, the emphasis changes and the poet uses an extended metaphor of the exchange of hearts to describe the mutual love between himself and the young man. The exchange of hearts was and still is a common motif of love poetry. However in this sonnet it is examined in a more literal way with the speaker suggesting that the two have actually exchanged hearts with the outward beauty of the young man being but ‘the seemly raiment of my heart’. Here the clothing imagery and the reference to the young man’s beauty link back to Q1 and the stress on external appearance.

Line 7, ‘which in thy breast doth live as thine in me’ is an allusion to the marriage service in which it is suggested that man and woman become one flesh. This, together with the opening lines which make the same suggestion, have convinced some critics that the relationship between the speaker and the young man is a consummated love affair. This however, is a contentious issue and one upon which critics remain divided.

The final line of Q2 links back to the opening line, with the speaker again referring to the age difference, this time asking the rhetorical question ‘How can I then be elder than thou art?’ again suggesting that the two have become one.

In the 3rd quatrain there is a change of tone, with the speaker making a direct exhortation to his beloved. ‘O therefore love, be of thyself so wary’. The heart imagery continues and the speaker uses similes of ‘nurse’ and ‘babe’ to describe himself and the young man’s heart. These similes have a two fold effect. Firstly, despite the speakers assertions to the contrary, they emphasis the difference in age between the speaker and the young man. However, they also change the imagery of the poems from those of old age such as ‘times furrows’ which was present in Q1, to ones of youth. In his way, the poem moves from age to youth. The structure of the sonnet therefore demonstrates the rejuvenation that the speaker is claiming to receive because of his relationship with the young man.

In the couplet, the motivation for the sonnet becomes clear. The poet is concerned that the young man will leave him and this will break his heart. He uses the word ‘slain’ which suggests murder and is in contrast to the peaceful death of old age that the speaker was wishing for in the first quatrain. The ‘heart’ is again the focus of the couplet, thus linking back to the 2nd and 3rd quatrains. Here however, there is the suggestion that the young man may want to take his heart back or leave the speaker. The poet warns him ‘presume not on thy heart when mine is slain’. The implication is that if the young man breaks the speaker’s heart, he will not get his own heart back – leaving him heartless – with the suggestion of cruelty.

In his sonnet, just as the imagery moves backwards from death to birth but with a final reference to death in the couplet, the quatrains take on new meanings in light of those that follow. Q1 is an assertion that the speaker is not old, Q2 explains the reasons for this assertion. Q3 is an exhortation to the speaker and the couplet explains the fear of being left broken hearted which is the underlying reason for the sonnet.

More on language
More on literary studies
More on writing skills
More on creative writing
More on grammar

Exam tips and shortcuts

September 29, 2009 by Roy Johnson

guidance notes for success

These exam tips and shortcuts are techniques that anybody can use, without any special preparation or knowledge. They are practical, common-sense approaches to any kind of written exam. Even if you only adopt some of them, you will improve your chances of success.

An extract from our eBook — Revision and Examinations

Before you start

1. Take a selection of differently shaped pens.

2. These can ease the pressure on your fingers and thumbs when writing.

3. Take spares, a ruler, rubber, and any instruments you might need.

4. Settle in as quickly as possible, and avoid distractions.

5. Check the instructions and questions on the exam paper.

6. Confirm that the structure is what you expect [number of questions to be answered, time allocated].

7. Remember that the time allowed includes the time for reading the paper and preparing answers.

The paper

1. Make your choices and get started as quickly as possible.

2. Begin with an overview of the paper.

3. Identify those questions you can answer or prefer to attempt.

4. Eliminate any you can’t answer or prefer to avoid.

5. When you have eliminated questions, you have less material to deal with.

6. Analyse the questions as you would for course work – but do it quickly.

7. Some choices can be made [almost unconsciously] whilst you are writing.

8. Stick to those topics you have revised: don’t try something new.

9. Leave room for making changes as you go along.

Making choices

1. The easiest strategy is to start with your favourite topic.

2. This will give you a sense of confidence, and get your creatives juices flowing.

3. You can also gain marks easily this way.

4. However, you might start with a more difficult question, and save your favourite as a ‘reward’ for later.

5. This strategy has the advantage that you are tackling the more difficult question in a fresher state.

6. Remember that you might have ideas about one topic whilst writing about another.

Making plans

1. Make an outline plan or brief notes for your answer(s) in the exam booklet.

2. This provides guidance and a reminder you can refer to whilst writing.

3. Exam markers might give you credit for a plan if your answer is unfinished.

4. If possible, prepare brief plans for all your answers.

5. You can then add notes or examples as you are going along.

Rules and regulations

1. Some exam booklets might specify that notes should only be written on the outside and inside covers – as in the following example.

“For rough work unruled pages are provided on the cover of the book. If you require more than these, use a ruled page but cross the rough work through before handing the book in.”

2. If regulations permit, write your answers only on right-hand pages.

3. Leave left-hand pages blank for notes, corrections, or later additions.

Under way

1. Write as much as possible on each question.

2. If you finish a question early, either think up more to say or go on to the next question.

3. If you go on to the next question, leave blank space on the page for possible later additions.

4. Firm and concise answers are better than those that wander aimlessly just to fill up the page.

5. Keep an eye on the time allocated for each question.

General

1. Write as clearly as possible: examiners are easily annoyed by untidy writing.

2. It is easier to score the first half of the marks for any question than the second half.

3. A firm structure will help to clarify your arguments.

4. If you finish the paper early, use the time left to check and edit your work.

Answer the question

1. The examiner wants you to answer the question in a clear and simple manner.

2. A plain, direct answer with no frills is easier to mark than one which is ornate or flowery.

3. Getting straight to the point creates a favourable impression.

4. The more concise your answer, the easier it is to mark.

Misconceptions

1. There will not be any ‘hidden traps’ in the questions to catch you out.

2. There isn’t some magical key to unlock the secret of exam success.

3. You don’t have to ‘please’ the examiner – except by answering the question!

4. There isn’t a ‘knack’ to exam success. It’s a combination of hard work, preparation, and clear thinking.

Examiners are human too

1. Marking exam scripts is a very boring task.

2. Judging grades is a subjective and difficult matter.

3. Yes – some exam questions are occasionally hard to understand.

4. [But that means that they are hard for everybody.]

5. Poor writing makes scripts difficult to read.

What examiners DON’T want

1. Untidy work which is difficult to read.

2. Longwinded answers which drift on and off the subject.

3. Answers which have been written to ‘impress’, filled with lots of ill-digested jargon.

4. Too much personal opinion, name-dropping, and generalisation.

How to gain extra credit

1. Get straight to the point. No lengthy introductions.

2. Stay on the subject. No digressions, waffling, or ‘packing’.

3. Relate all parts of your answer to the original question.

4. Show evidence of your knowledge of the subject.

5. Wherever possible, give concrete examples as evidence.

Check your answers

1. Spend the last few moments glancing over what you have written.

2. Check for possible mistakes of fact, grammar, and punctuation.

3. Correct mistakes as neatly as possible. Don’t scribble.

4. Write any additions on the left-hand page, and show insertion points clearly.

5. Make sure your name, ID, and other details are on the cover sheet.

An extract from our eBook — Revision and Examinations

More on How-To
More on study skills
More on writing skills

Examination essays

August 23, 2009 by Roy Johnson

sample from HTML program and PDF book

1. Examination essays are a very common form of writing exercise in further and higher education. During most examinations you will have to produce written responses to a number of questions in a very limited time. This might mean writing as many as three complete essays in rapid succession, each one in as little as forty-five minutes or an hour.

2. Because of this time limitation in exams, you don’t need to write out the essay question in full on your examination script, (otherwise you will be using up valuable time). But you must indicate clearly which question you have chosen to answer.

3. Read each of your chosen questions in very close detail, paying attention to their principal topic(s). You should check the rubric for any key terms, and such instruction terms as either-or options. Pay particularly close attention to the number of examples it requires you to consider in your answer.

4. Write a brief plan or a list of topics you will cover on the left-hand page of the examination booklet. This will show the examiner what you are setting out to consider. Such a layout has the advantage that you can change it or make additions whilst you are writing the essay. If you do not complete your answer, you might be given some credit for your plan.

5. Write your answers to the questions on the right-hand pages of the booklet only (unless you are instructed to do otherwise). Leave the left-hand pages blank. These blank pages can be used for making any later additions or alterations to your answer if necessary, giving some indication of where the extra material should be inserted.

6. You will not be expected to produce work of the depth or quality required in a normal coursework essay. However, you should make every effort to write clearly and concisely. Try to give your answer a firm structure.

7. You will not be expected to quote from memory extensive details of the texts and materials you have been studying. However, you should be as precise as possible. Avoid any impression of sloppiness or uncertainty.

8. If you make any mistakes of fact or grammar, do not be afraid to correct them. Do this as neatly and clearly as possible. If you find that you have wandered from the point of the argument for instance, it is quite acceptable to cross out a whole paragraph.

9. If you discover that you have missed out a vital earlier part of your argument, it is possible to go back, write out the missing part on a left-hand page, and indicate with an arrow where it belongs.

10. In ‘open book’ examinations you are allowed to take texts or course materials with you into the examination room. Do not spend too much time searching for information or suitable quotations. Quite apart from the valuable time this may consume, it is far more important that you construct your own argument. The secondary material is only used as supportive evidence or illustration.

11. If you do locate suitable quotations, you should avoid quoting them at too great a length. They might seem very relevant as a support for your case, but remember that the general requirement of most examinations is that you should produce your own argument in response to a question.

12. When you have finished answering the questions, even if there is time to spare, avoid the temptation to hand in your work and leave the examination room. Such time is much better used in checking through your work. Correct any factual errors and slips in punctuation or grammar.

Buy Writing Essays — eBook in PDF format
Buy Writing Essays 3.0 — eBook in HTML format

More on writing essays
More on How-To
More on writing skills

The Student’s Guide to Exam Success

July 20, 2009 by Roy Johnson

revision and exam skills, stress and time management

The Student’s Guide to Exam Success combines essential study skills guidance with counselling on overcoming exam fears. It offers practical information on the most effective study and exam techniques: organising your revision, how to write essays, speed reading, taking effective notes, mind-mapping, and improving your memory. Eileen Tracy explores the attitudes and emotional states that can cause you not to deliver your best, and she shows you how to improve. You can learn how to understand your nervousness, how to avoid panicking, and how to develop a balanced mental approach to your work. She takes a supportive, understanding, and very personal approach to her readers.

If you feel nervous, under-confident, or overwhelmed by the prospect of exams, she knows how you feel, and has plenty of remedies on offer. The advice she gives is sensible, and she’s not a killjoy. Your revision and study should be organised and disciplined – but it should be punctuated by breaks and rewards. There are two particularly good chapters on mnemonics (strategies for memorising) and on writing essays – particularly under exam conditions.

There are plenty of examples to support her arguments, and the chapters are packed with mind maps, notes, diagrams, graphs, and checklists of what to do and avoid.

This guide offers advice on developing emotional strength in response to the increasingly heavy demands that are made on students in the modern world. The variety of strategies include: developing self-awareness; finding out how to stop procrastinating and worrying about results; learning about the dangers of swotting; developing the necessary confidence to handle reading lists, coursework, presentations and practicals; learning to deal with tutors, lecturers and examiners.

Buy the book at Amazon UK

Buy the book at Amazon US

Eileen Tracy, The Student’s Guide to Exam Success, Buckingham: Open University Press, 2nd edition 2006, pp.208. ISBN: 0335220487

More on study skills
More on writing skills
More on online learning