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How to structure an essay

November 21, 2009 by Roy Johnson

What is structure?

Structure is the underlying framework which holds something together. You might not be able to see it, but it’s underneath the outer shape – like the skeleton of a body or the steel girders under the surface of a skyscraper.

The most suitable structure for an essay will depend upon the subject, the title of the essay, or the question to which it is an answer. So the structure for any given piece of work will grow naturally out of these factors. But you can learn about the process fo creating structure by following these guidance notes. Your essays need to be well structured, and this is one simple way of understanding what that means and what is required.

The simplest structure or plan for any essay is as follows:

  1. introduction
  2. main contents
  3. conclusion

This is the basic minimum. Keep in mind that it must start with an introduction and end with a conclusion. Of course, that is rather simplistic, but it’s important that you grasp this basic shape or arrangement of parts.

You could think of it like a sandwich. The introduction and conclusion are like the outer layers of bread, and the main contents are the filling – the meaty or more serious part. You will still need to arrange the main contents in some way – but we’ll come to that next.

Arranging the parts – 1

The first thing to recognise is that the body of the essay – the main arguments – need to be arranged in some way. The arrangement of these parts will depend upon the subject, but it may be any of the following:

  • logical progression
  • increasing significance
  • equal significance
  • chronological order
  • narrative sequence
  • category groupings

Imagine you were writing an essay about French wine. You have decided to discuss four red wines and four white wines. The structure for this essay could be as shown here.

Essay structure

1. Introduction

2. Red wines

  • wine 1
  • wine 2
  • wine 3
  • wine 4

3. White wines

  • wine 1
  • wine 2
  • wine 3
  • wine 4

4. Conclusion

This is clear, simple, and uncomplicated. The red wines have been kept separate from the white wines, so the essay structure is in four distinct parts. There are also four separate examples under red wine and white wine – so the essay is nicely balanced, with equal weight given to each category.

If you are in any doubt, it’s always a good idea to create a clear and simple structure of this kind. But if you felt more ambitious, you could arrange the same elements with a different structure. Let’s see how that can be done.

Arranging the parts – 2

The last example created structure by dividing the wines into reds and whites. But you could just as easily create structure by arranging the wines by region. This could be done using arrangement shown here.

Essay structure

1. Introduction

2. Loire

  • red wine
  • white wine

3. Bordeaux

  • red wine
  • white wine

4. Cotes du Rhone

  • red wine
  • white wine

5. Bugundy

  • red wine
  • white wine

6. Conclusion

It’s the same number of examples, but the arrangement is slightly more complex. Notice that there are now six parts to the essay structure, and an example of red wine and white wine is discussed for each region

This arrangement might also make the essay more interesting to read. Notice how each item is kept separate in the essay plan – so they don’t get mixed up. And each example might be discussed in a paragraph of its own. Next we’ll see how this process can be taken one step further.

Creating essay structure

You might often be asked to write an essay considering the arguments for and against some topic or proposition. For instance – “Consider the arguments for and against congestion charges in city centres.” This is a very common form of writing exercise, because it is forcing you to look at an issue from different points of view.

There are two ways you can arrange the structure for an essay of this type. Here’s the first, which we’ll call Strategy A.

Essay plan – Strategy A

1. Introduction

2. Arguments in favour of congestion charges

  • [traffic] reduces volume
  • [ecology] less air pollution
  • [economy] generates local income
  • [politics] positive social control

3. Arguments against congestion charges

  • [traffic] public transport alternatives
  • [ecology] transfers problem elsewhere
  • [economy] reduces profitable activity
  • [politics] punishes tax-payers

4. Conclusion

The structure is simple, clear, and uncomplicated. The essay is in four parts, and the arguments in favour of congestion charges are kept separate from the arguments against.

Notice that the same topics (traffic, ecology, economy, and politics) are covered in both the case ‘for’ and ‘against’. This gives the essay some structual balance, and it shows that an effort is being made to match the substance of the arguments ‘for’ and ‘against’.

Essay structure – Strategy B

Strategy A kept all the arguments for separate from those against. But here’s Strategy B – which is the most sophisticated essay structure of all.

You can see that in this example the structure is arranged in the form of TOPICS – and each one contains an argument for and against the proposal.

Essay plan

Introduction to congestion charges

TOPIC 1 – Traffic

  • [for] reduces volume
  • [against] public transport alternatives

TOPIC 2 – Ecology

  • [for] less air pollution
  • [against] transfers problem elsewhere

TOPIC 3 – Economy

  • [for] generates local income
  • [against] reduces profitable activity

TOPIC 4 – Politics

  • [for] positive social control
  • [against] punishes tax-payers

Conclusion

The topics are kept separate, and each one is used as the basis for an argument for and against the proposition (of introducing congestion charges).

It’s important if you are using this essay structure to keep the arguments ‘for’ and ‘against’ clearly distinguished and firmly related to the question. And the topics must be clearly identified and matched. That is, you must not put an argument for economy alongside one against traffic.

This strategy should only be used if you are experienced, but the result is a more sophisticated essay. This approach demonstrates that you are able to think clearly, organise your arguments, and produce a piece of writing which delivers what the question is designed to call forth.

© Roy Johnson 2009


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Information Architecture

July 16, 2009 by Roy Johnson

large-scale Web site structure, navigation, and usability

When it first appeared in 1998, Information Architecture became an instant classic amongst information architects. It now appears in its third edition, much enlarged and updated. The new edition reflects the rapid expansion and technical sophistication of large interactive web sites in the last few years. Rosenfeld and Morville deal with all the issues raised in organising information and navigational systems in the design of large-scale sites. Their important starting point is a recommendation that big sites should use three types of information organisation, which they identify as hierarchical, database, and hypertext.

Information Architecture Visitors to a site should have more than one possible route to the same piece of information. They ask some quite fundamental and interesting questions in their updated chapters. These cover issues of organisation, labelling, navigation, and searching – plus new chapters on thesauruses and meta-data.

The new edition has been given many more case studies, and lists of resources on IA have been added, many of which did not exist at the time of the first edition, and there’s a very good bibliography which painlessly blends print and web-based information. Navigation has been expanded into global, local, and contextual systems, and there is a lot more detail on search engines.

Another section which has been considerably expanded is that on classification systems and ‘knowledge management’. That is – where to put things, how to arrange, label and store information.

There’s also a much-enlarged section on the management of web development projects – from the initial strategy meetings through content analysis and mapping, to delivery and maintenance.

They present real life case studies, including one which details how a strategy report was written for Weather.com. Anybody who needs help with report writing will profit from reading this chapter. ‘Information Architecture’ was a relatively new term only a few years ago, but now as you can probably guess, it is of use to anybody who needs to organise information, ideas, or even physical objects – such as books in a library.

There’s an excellent account of how to draw up site maps and flow diagrams which help to explain the deep level architecture of sites to those who are going to populate them with content.

The same is true for page layout diagrams – which they call ‘wireframes’. These test the arrangement of items on main pages before they are passed on to a graphic designer. Architecture and usability are tested before the application of a graphic. It’s rather like designing the layout of a web page with table borders switched on – before setting them to zero.

They take an enthusiastic line on the use of navigational metaphors (the shop, the office, the library) about which other commentators such as Barbara Fleming and Jakob Nielsen are more cautious. The argument against this approach is that the metaphor of an office or a library will not mean much to people who are not familiar with them. And of course the same is true for icons and symbols.

This is a book for serious designers, project managers, and of course information architects. It is also a contribution to design theory which, en passant, makes librarians into the heroes of the information age. The valuable experience embedded within it will make useful reading for anybody organising information, designing a site, or providing content for it. If you read the first or second edition, it’s worth reading the third for the wealth of new material.

© Roy Johnson 2006

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Louis Rosenfeld and Peter Morville, Information Architecture for the World Wide Web, Sebastopol (CA): O’Reilly, third edition, 2006, pp.461, ISBN: 0596527349


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Structure – how to understand it

September 13, 2009 by Roy Johnson

free pages from our English Language software program

Structure in grammar – definition

structure in grammar The term ‘structure’ refers to the basic construction or the arrangement of parts in a communication — spoken or written.

structure in grammar In the study of language, the term is being used metaphoricaly.


Examples

redbtn The events of a novel or a play may be arranged in a linear, chronological order to reflect the passing of time. They might on the other hand be arranged so that the end reflects the beginning, presenting a cyclic structure.

redbtn The structure of the English language is its grammar system with discernable patterns such as that of word-order and rules for forming tenses.

redbtn The structure of a conversation might be fairly random or planned, depending on the level of formality and the purpose of the discourse.

redbtn An interview might follow the chronology of a candidate’s curriculum vitae, or it might be structured by a series of questions.

redbtn The structure of a business document might be determined by the route taken by information as it passes through an organisation. On the other hand, it might reflect the stages of a manufacturing process.

redbtn The structure of a poem can often be seen in its rhyme scheme and the arrangement of its verses.


Use

redbtn People structure the content of their speech spontaneously, without any need for deliberate planning.

redbtn The same is not true for writing, where conscious effort is required.

redbtn An awareness of the concept of structure in language use is essential to the speaker or the writer, the listener or the reader.

redbtn Structure can be based on such elements as chronology, alphabetical order, recurring themes, logical sequence of content, and visual layout.

redbtn NB! Readers and speakers are affected by structure, even though they may not be conscious of it.

redbtn The structure of a text or of a spoken item is its foundation. Structure when applied to the English language as a system is its grammar.

redbtn It might be useful to distinguish structure from form in terms of linguistic analysis. The term ‘form’ refers to the finished article as a recognisable artifact such as a novel, report, letter, recipe, sermon, statement, or greeting.

redbtn A letter, for example, has a structure based on the patterning of both its content and its layout. The content is structured according to the convention of giving information in the following order:

  • sender’s address
  • date of writing
  • vocative opening (‘Dear Sir’)
  • content in order of importance
  • conventional salutation (‘Best wishes’)
  • signature of writer

redbtn The structure of the content is complemented by the layout in a conventional letter. The content is organised on the page in a well known pattern.

redbtn Even if a person were twelve feet away from the text it would be recognisable as a letter form — because of the structure of the layout.

redbtn In any text, the content must be organised according to some logical premise. Information which is not consciously structured is disjointed, haphazard, and therefore usually incomprehensible. Efficient communication in speech and writing depends to a great extent on the existence of structure.

Self-assessment quiz follows >>>

© Roy Johnson 2004


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Structure in essay plans

August 25, 2009 by Roy Johnson

sample from HTML program and PDF book

1. The structure of a piece of writing is the (sometimes underlying) order of its parts. Good structure usually means that a persuasive or logical sequence of these parts has been created. This is often best established by creating the structure in essay plans.

2. The basic structure of most essays can be very simple:

  • Introduction
  • Argument(s)
  • Conclusion

3. Provided that the individual topics of your argument(s) are arranged in a clear and meaningful order, this basic model should create a firm structure.

4. The order of the parts is often determined by the nature of the subject in question. This order might be created by:

  • logical progression
  • increasing significance
  • equal significance
  • chronological order
  • narrative sequence
  • category groupings

Arranging the parts

5. Imagine you were writing an essay about French wine. You have decided to discuss four red wines and four white wines. The structure for this essay is created by diving the examples into white wines and red wines – as shown here.

Introduction

Part One – Red wines
* wine 1
* wine 2
* wine 3
* wine 4

Part Two – White wines
* wine 1
* wine 2
* wine 3
* wine 4

Conclusion

6. This is clear, simple, and uncomplicated. But you could also create a slightly more interesting structure by arranging the wines by region. This is the arrangement shown here.

Introduction

Loire
* red wine
* white wine

Bordeaux
* red wine
* white wine

Cotes du Rhone
* red wine
* white wine

Bugundy
* red wine
* white wine

Conclusion

7. It’s the same number of examples, but the arrangement is slightly more complex. This might also make the essay more interesting. Notice how each item is kept separate – so they don’t get mixed up. And each one would be discussed in a paragraph of its own.

8. Next – this process can be taken one step further with a slightly more complex question. You might often be asked to write an essay considering the arguments for and against some topic or proposition. For instance – “Consider the arguments for and against congestion charges in city centres.”

9. There are two ways you can arrange the structure for an essay of this type. Here’s the first, which we’ll call Strategy A.

Introduction

Part One – In favour of congestion charges
* [traffic] reduces volume
* [ecology] less air pollution
* [economy] generates local income
* [politics] positive social control

Part Two – Against congestion charges
* [traffic] public transport alternatives
* [ecology] transfers problem elsewhere
* [economy] reduces profitable activity
* [politics] punishes tax-payers

Conclusion

10. The arguments in favour of congestion charges are kept separate from the arguments against. The structure is simple, clear, and uncomplicated. Notice that the same topics (traffic, ecology, economy, and politics) are covered in both the case ‘for’ and ‘against’. Next – look at an alternative strategy, Strategy B.

11. You can see that in this example the structure is arranged in the form of TOPICS – and each one contains an argument for and against the proposal.

Introduction to congestion charges

TOPIC 1
* [traffic] reduces volume
* [traffic] public transport alternatives

TOPIC 2
* [ecology] less air pollution
* [ecology] transfers problem elsewhere

TOPIC 3
* [economy] generates local income
* [economy] reduces profitable activity

TOPIC 4
* [politics] positive social control
* [politics] punishes tax-payers

Conclusion

12. It’s fairly important if you are using this structure to keep a balance. And the topics must be clearly identified and matched. That is, you must not put an argument FOR economy alongside one AGAINST traffic

13. If there is no natural order for your topics, you might deal with them in order of their importance. You could deal with the smaller, less important items first. This leaves the larger, more important issues until the end of the essay. Discussing the detail first in this way leaves the larger items for general consideration in approaching your conclusion.

14. On the other hand you might wish to deal with the major item(s) first, then turn to a consideration of the detailed evidence which supports the argument you are making. Using this approach, you could then return to your main points again and give them further general consideration as your conclusion.

© Roy Johnson 2003

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