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How to use and in a sentence

January 31, 2013 by Roy Johnson

And – definition

How to use andMany people have difficulties knowing how to use and in a sentence. That’s possibly because it is such a common word.

The term ‘and’ is a conjunction – which is a word used to connect other words or clauses that are to be taken jointly.

The term ‘and’ occurs regularly in expressions such as –

  • bread and butter
  • fish and chips
  • two hundred and forty

Lists

The term ‘and’ is commonly used when describing a number of objects or listing characteristics.

  • She gave me an apple, an orange, and a banana.
  • There were three articles on the table: a hat, a scarf, and a penknife.
  • She is a tall, blonde, and attractive woman.

The use of the comma after the final item in a list is optional. However, using the final comma is never wrong, and it always helps to remove possible ambiguities. The following example is confusing.

  • The cafe offers a full range of snacks, meat and vegetable pies and sandwiches.

This suggests that the sandwiches contain meat and vegetables – which is probably not true. The statement should be punctuated as follows, keeping meat and vegetable pies as a distinct unit.

  • The cafe offers a full range of snacks, meat and vegetable pies, and sandwiches.

The final comma is often called the ‘serial comma’ or the Oxford comma. That’s because the Oxford University Press has traditionally insisted on its use as part of their famous house style.


Clauses

‘And’ is used to connect separate clauses that have a logical connection:

  • We crossed the road and then went into the park.
  • They have a large house and a cottage in the country.
  • I like apples and I’m very fond of bananas.

Incorrect use

When the separate clauses are not connected by logic, sequence, or topic, using ‘and’ to establish a connection is wrong.

  • Jane is twenty years old, blue-eyed and has red hair.
  • It was a rainy day, very windy and soon we felt tired.
  • Given training, workers can acquire the skills and interest in other jobs.

The ampersand

The ampersand (&) is a symbol that is often used as a substitute for the word ‘and’.

It often appears in company titles: Webster & Co – instead of writing Webster and Company.

It should not be used in any formal writing, such as academic essays, reports, or business letters.

The ampersand is actually a symbol that has evolved from the Latin word et, which means ‘and’. It combines the letters e and t into one shape.


Grammar rules

There is a traditional notion that it is incorrect to start a sentence with ‘and’. This is somewhere between a myth and a superstition. There are many cases where it might be appropriate.

However – unless you are experienced in writing, it is often dangerous to start a sentence with a conjunction (and, but, or, although). This can easily lead to the production of sentence fragments and grammatically incorrect expressions – such as this:

Although the weather was appalling, with arctic temperatures, a howling blizzard, and a solid sheet of sleet-covered ice over all the roads, which made it difficult to keep upright.

Actually three conjunctions (Although, with, and) combine in this example to kill off the creation of a proper subject and principal verb.

When ‘and’ is used as a conjunction to link together names, no comma is required.

  • London and Paris are major European cities.
  • Hemingway and Scott-Fitzgerald were once popular American writers.

The word ‘and’ is often used as a conjunction in expressions of emphasis.

  • “I’ve told you time and time again not to do that.” [repeatedly]
  • There are holidays and holidays. [different kinds]
  • This new exhibition should run and run. [last a long time]

Poetry

The technique of using ‘and’ to start a sentence is often used for poetic or dramatic effect. For instance, in John Betjeman’s poem, Christmas, four of the last stanzas begin with ‘And …’ to represent a child-like form of expression.

And London shops on Christmas Eve
Are strung with silver bells and flowers
As hurrying clerks the City leave
To pigeon-haunted classic towers,
And marbled clouds go scudding by
The many-steepled London sky.

And girls in slacks remember Dad,
And oafish louts remember Mum,
And sleepless children’s hearts are glad.
And Christmas-morning bells say ‘Come!’
Even to shining ones who dwell
Safe in the Dorchester Hotel.

The first part of the King James Bible begins with an account of the creation of the world which uses ‘and’ to generate a sense of magisterial force, logic, and inevitability.

In the beginning God created the heaven and the earth.

And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters.

And God said, Let there be light: and there was light.

And God saw the light, that it was good: and God divided the light from the darkness.

And God called the light Day, and the darkness he called Night. And the evening and the morning were the first day.


Puzzle

Can you add the necessary stress to make sense of the following statement?

“The sign is OK, but there should be more space between Marks and and and and and Spencer.”

If you can’t work that out, maybe this will help:

“The sign is OK, but there should be more space between Marks and &, and & and Spencer.”

© Roy Johnson 2013


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How to use Harvard referencing

September 15, 2009 by Roy Johnson

standard system of academic citation and quotation

1. Some subjects adopt the Author-Date method of referencing – which is also known as the Harvard referencing system. Full details of the texts you have quoted are placed in a bibliography at the end of an essay or a report. These details are recorded in the following order:

Author – Date – Title – Place – Publisher

Smith, John. (1988) The Weavers’ Revolt, Chicago, Blackbarrow Press.

2. References in your text give the surname of the author, plus the publication date of the work to which reference is being made. This information is placed in brackets – thus:

Some research findings (James and Smith 1984; Brown 1987) have argued that these theories are not always reliable.

3. When you wish to draw attention to a particular page, this is done by simply adding the page number directly after the date of publication:

The development of these tendencies during the 1960s have been discussed by Brown (1977,234) and others (Smith 1992,180 and Jones 1993,88-90).

4. Note that when the author’s name is given in your text, it should not be repeated in the reference. You should simply give the date, then the page number(s). When you give the author’s name, the reference should either follow it directly, or it may come at some other point in the same sentence:

Smith (1987,166) argues that this was …

Smith, who is more positive on this issue, argues (1987,166) that …

5. If two or more works by the same author have the same publication date, they should be distinguished by adding letters after the date. This can be quite common with articles in journals.

Some commentators (Mansfield 1991b and Cooper 1988c) have argued just the opposite case, that …

6. The list of texts which appears at the end of your essay should be arranged in alphabetical order of the author’s surname. The list differs from a normal bibliography in that the date of publication follows the author’s name:

Mansfield, M.R.1991a. ‘Model Systems of Agriculture in Early Britain’, Local History Journal Vol XX, No 6 ,112-117.

Mansfield, M.R.1991b. ‘Agriculture in Early Britain’, History Today Vol 12, No 3, 29-38.

7. Don’t list works you have not consulted or from which you have not quoted. Doing this creates the impression that you are trying to claim credit for work you have not actually done.

8. You might find that your bibliography repeats much of the information given in your endnotes or footnotes. Don’t worry about this: these two separate lists have different functions. In addition, your bibliography may contain works from which you have not directly quoted.

Bibliography

Beeton, I. 1991 Beeton’s Book of Household Management,
Chancellor Press.

Best, G. 1979 Mid-Victorian Britain 1851-75, Fontana.

Burman, S. 1979 (ed), Fit Work for Women, Croom Helm.

Darwin, E. 1890 ‘Domestic Service’, The Nineteenth Century, Vol.28,
August.

Davidoff, L. 1973 The Best Circles, Croom Helm.

Davidoff, L. 1974 ‘Mastered for Life: Servant and Wife in Victorian
and Edwardian England’, Journal of Social History,
Vol.7.

Davidoff, L. 1987 and Hall, C., Family Fortunes, Hutchinson.

[…and so on]

© Roy Johnson 2004


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How to use quotation marks

July 13, 2011 by Roy Johnson

Quotation marks

quotation marks Quotation marks or quote marks are the single or double raised commas used at the beginning and the end of a written quotation.

quotation marks Single quote marks are shown ‘thus’.

quotation marks Double quote marks are shown “thus”.

quotation marks There are a number of instances where they are used.

quotation marks The simplest case to remember is that double quote marks should be reserved to show speech

“Good gracious!” exclaimed the duchess.

quotation marks The next most common use is when discussing somebody else’s writing:

In his recent account of the phone hacking scandal, Guardian journalist David Pallister mentions the ‘deep-seated culture of corruption’ shared by the police and the tabloid press.

quotation marks The words quoted are put into single quote marks for two reasons:

  • to show them distinct from the author’s own discussion
  • to respect the original and avoid any charge of plagiarism

quotation marks Remember that when a statement is ‘opened’ with a quote mark, it must be ‘closed’ at some point. It must not be left open.

quotation marks There are very few universally agreed conventions on the use of quote marks. Practice varies from one house style manual to another. The following are some general suggestions, based on current usage.


Emphasis

quotation marks In a detailled discussion, quote marks can be used as a form of emphasis, drawing attention to particular terms or expressions:

Internet users have developed their own specialist language or jargon. People ‘download’ software, use ‘file transfer protocols’, and run checks to detect ‘viruses’.

quotation marks An acceptable alternative would be to display these terms in italics.

quotation marks This distinction becomes important in academic writing where it is necessary to show a difference between the titles of articles and the journals or books in which they are published:

Higham, J.R., ‘Attitudes to Urban Delinquency’ in Solomons, David, Sociological Perspectives Today, London: Macmillan, 1998.


Quotes within quotes

quotation marks It is sometimes necessary to include one quotation within another. In such cases, a distinction must be shown between the two items being quoted.

The Express reported that ‘Mrs Smith claimed she was “deeply shocked” by the incident’.

quotation marks In this example, what Mrs Smith said is put in double quote marks (sometimes called ‘speech marks’) and the extract from the Express is shown in single quote marks.

quotation marks It’s very important that the order and the logic of such sequences is maintained – because this can affect the integrity of what is being claimed.

quotation marks Care should be taken with punctuation both within and around quotation marks.

The Express also pointed out that ‘At the meeting, Mrs Smith asked the minister “How could we as a family defend ourself against these smears?”‘


Titles

quotation marks Quote marks are commonly used to indicate the titles of books, films, operas, paintings, and other well-known works of art. An alternative is to show these in italics.

Charles Dickens’s novel ‘Bleak House’

Francis Ford Coppola’s film ‘Apocalypse Now!’

Benjamin Britten’s opera The Turn of the Screw

Pablo Picasso’s painting Guernica

quotation marks Quote marks can also be used to indicate the title of anything else which has a known existence, separate from the discussion:

photographs, exhibitions, television programmes, magazines, newspapers

quotation marks Quote marks are not necessary when indicating the titles of organisations.

Senator Jackson yesterday reported to the Public Accounts Committee of the House of Representatives.


History

quotation marks The quotation mark started its life as a raised comma. It was used at a time when typogrphical marks available to a printer were rather limited.

quotation marks With the advent of the typewriter, a single and a double raised stroke were added to the marks available – and are still present on most keyboards.

quotation marks But typographical purists have now invented what are called ‘smart quotes’. These are single and double raised commas which are automatically arranged and inverted at the start and the end of a quotation:

"Good gracious!" cried the duchess.

© Roy Johnson 2011


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How to use quotations

September 16, 2009 by Roy Johnson

the conventions and techniques of quotation

Quotations

1. There are in general two instances when you may wish to use quotations from other writers’ work:

Evidence – when quoting from other sources to support your own argument(s)

Reference – when a text is itself the subject of your essay and you need to refer to it in your discussion.

2. The conventions of accurate quotation and referencing are relatively simple, and they are based on the need for accuracy, consistency, and clarity. There are a number of slightly different systems of notation. The two most widely used are:

  • a quotation, with an endnote giving the source
  • the Harvard system (described separately)

3. The whole purpose of both systems is that tutors marking your work should be able, if they wish, to check the accuracy of the quotations you use.

Evidence

4. In a discussion of the development of Marx’s philosophy for example, you might argue that his work was a natural development of his predecessors, supporting your assertion by quoting David McLellan. He points out that

Marx began by paying tribute to the achievements of Feuerbach, particularly in having shown that Hegel’s philosophy was no more than a rationalisedtheology. (1)

5. A bracketed number is added immediately after the quotation, and the source of your quotation is given as an endnote on a separate sheet at the end of your essay. (You might wish to place the information as a footnote at the bottom of the page, though this system can become rather complicated.)

NOTES

1. David McLellan, The Thought of Karl Marx, London: Macmillan, 1971, p.26.

6. Note that this information is given in the following order, and you should remember to indicate the titles of books by using italics.

Author – Book Title – Publisher – Date – Page

7. The material you quote is placed between two single quotation marks if it is run in as part of your text:

this is what David McLellan calls a ‘rationalised theology’ (1) in his discussion of the relationship between Marx and Hegel

8. If the length of the quote amounts to more than three lines of your own text however, it should be indented separately, and no quote marks are necessary:

Marx began by paying tribute to the achievements of Feuerbach, particularly in having shown that Hegel’s philosophy was no more than a rationalised theology, and having discovered the true materialist approach by starting from the social relationship of man to man. (1)

9. Your own argument should normally be offered first, and you then reinforce it with quotation from an authoritative source. You are using this secondary evidence from acknowledged specialists to support your own views. Do not offer the quotation first, otherwise what should be your own argument will tend to be come more a ‘commentary’ upon it.

10. The quotations you offer should be as brief as possible to make their point. Don’t be tempted to offer long quotations from other people’s work in the hope that this will act as a substitute for your own argument. Nor should you stitch together a patchwork of quotations from a variety of sources with a few words of your own. This creates the impression that you are relying too heavily on other people’s work.

11. Sometimes in more advanced essays it might be necessary to quote longer passages. You would do this if you were going to analyse the author’s arguments in detail and at quite some length. This should only be done occasionally.

12. Each main point of your argument should be made and discussed in its own separate paragraph. This should not normally need more than one quotation to support it. Too many quotations can create the impression that you are relying too heavily on secondary sources.

Reference

13. When the subject of your essay is the discussion of a text (say, criticism of a novel or an article) you should follow the same system of notation. Directly after the first quotation you should give a full bibliographic description of the text you are discussing.

14. This information could be given within brackets in the body of your essay, but you will be developing good academic habits if you place the information as an endnote after the conclusion of your essay.

15. If your essay is predominantly concerned with just one text, all subsequent quotations from it may simply be followed by page references. Simply add an explanation to the first endnote, saying – all subsequent page references are to this edition.

16. If you will be quoting from a variety of other sources in the same essay, you should number the quotations and give the sources accurately as a series of endnotes.

17. It is also possible to mix these two forms of referencing, so long as the distinctions are made clear. If your piece of work was a long essay on Bleak House for instance, it would be acceptable to identify all your quotations from the novel with page references. Quotations from other critics or sources would numbered and their sources identified as separate endnotes.

18. There must be grammatical continuity and sense maintained between any quotation and your own argument. To arrange this, it might be necessary to add or delete words from the material quoted, or to change the tense of the original. Whenever you do this, any changes should be very small. They must also be properly acknowledged.

[It was] as if she were truly loved by him, but notwithstanding this impression she regarded the man as no more than a casual acquaintance who occasionally made her laugh (p.7)

19. Square brackets are used to indicate any words which you have added in order to make the quotation fit grammatically or otherwise within your own argument.

20. If you wish to draw attention to a particular word or some part of the quotation, you should provide the emphasis by using italics. You should then immediately admit the fact ‘as if she were loved by him’ [p.7 – my emphasis] and then carry on with what you wish to say in the remainder of your argument.

21. In order to shorten a quotation or to remove some part of it which is not relevant to your argument, you may wish to omit a number of words. To denote this omission (which is called an ellipsis) you should use the convention of the three dots ‘…’ in the space which is left:

He had even a kind of assurance on his face … the assurance of a common man filled with pride. (p.7)

22. This device should not be used to change the sense of the original in any way, or to misrepresent its spirit: such practices are regarded as academically fraudulent.

23. The three dots denoting an ellipsis do not need to be placed at the beginning or the end of your quotation, even if you are quoting a few words from within a sentence.

24. The general convention for indicating quotation is to use single quote marks (‘unmitigated’) and to reserve double quotes marks for indicating speech (“Good gracious!” cried the duchess.)

25. When quoting conversation, follow these rules, but if it makes things easier put the words spoken within double quote marks even if they were in single quote marks in the original:

Kayerts is being even more hypocritical and self-deceiving when he ‘observe[s] with a sigh: “It had to be done”‘ (p.39)

26. If you are quoting more than once from a number of works in an essay, you can avoid confusion and save yourself the trouble of giving a full reference each time. Use either the op. cit. and ibid. or the short title convention.

27. Different subjects have their own conventions in this respect – but the short title system is becoming more widely used and is easier to follow. However, an enormous number of academic books have been produced using the older system, so it is worth understanding how it operates, even if you decide not to use it.

28. Using the system of Latin abbreviations, the first quotation from a text is referenced fully with an endnote. In the case of any references which follow, just give the author’s name followed by op. cit. (which means ‘in the work already quoted’) and then the page number – as follows:

11. J.D. Bryant, The Origins of Mythology, London: Carfax Press, 1971, p.234.

12. History Today, Vol XXXIV, No 18, p.123.

13. Bryant, op. cit., p. 387.

29. If the very next quotation is again from the same work, the abbreviation ibid. (which means ‘in the same place’) is followed by a page reference. You do not need to give the author’s name. The sequence just given would therefore be extended:

11. J.D. Bryant, The Origins of Mythology, London: Carfax Press, 1971, p.234.

12. History Today, Vol XXXIV, No 18, p.123.

13. Bryant, op. cit., p. 387.

14. ibid., p. 388.

30. The short title system is particularly useful for longer essays which might deal with a number of texts or different books by the same author. Second and third year undergraduate studies often require a lengthy piece of work such as this. The principle is the same one of giving full bibliographical details in the first reference. Subsequent quotations are given a reference which is composed of the author’s surname, a shortened form of the book title, and the page number. The examples shown above would therefore appear as follows:

11. J.D. Bryant, The Origins of Mythology, London: Carfax Press, 1971, p.234.

12. History Today, Vol XXXIV, No 18, p.123.

13. Bryant, Mythology, p. 387.

31. The conventions of quoting from poetry and plays are exactly
the same, but for the convenience of the reader, line numbers are given.

32. There are a number of widespread misunderstandings about the use of quotation and systems of referencing. It is worth taking the trouble to follow the conventions outlined above (or use the Harvard system). Once you have brought simplicity and clarity to the presentation of your quotations it will help to improve the appearance and credibility of your work.

Some do’s and don’ts
  • You should not put page references in margins: they are placed immediately after the quotation, within your text.
     
  • You should not locate references as part of your own argument with expression such as ‘and we see this on page 27 where he collapses slowly … then later in the paragraph where he recovers’.
     
  • Ellipses are shown by three dots only [ … ] not a random
    number scattered across the page.
     
  • References and note numbers should form part of the text of your argument. They should not be added to the essay at a later stage and written into the margins or squeezed above the text as superscripts.

33. You should avoid using too many quotations and references to secondary material. In some subjects this can sometimes be required (as in a ‘review of the literature’) but in most it is not. Packing your essay with references to other people’s ideas creates the impression that you are unable to create an argumentof your own. Remember that your own evidence or points should come first. Quotation should normally be offered after you have established your own argument.

34. Some people use quotations as a means of starting an introduction or rounding off the conclusion to an essay. This can give your work a touch of sparkle if the quote is well chosen. However, you should minimise the use of this strategy in the body of the essay itself. Paragraphs which begin with a quotation can weaken your argument – for two reasons.

  • First, you are not leading with your own ideas in the form of a topic sentence directly related to the question.
     
  • Second, the substance of your argument in what follows might give the impression of being a commentary on the secondary source quoted, rather than an answer to the original question.

© Roy Johnson 2004


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How to Win as a Final-year Student

July 15, 2009 by Roy Johnson

writing, study, and life skills for undergraduates

This is a book of skills and strategies for students facing their last year of undergraduate studies. It covers the problems of writing longer essays, reports, and dissertations, passing exams, and preparing for future employment. A final-year student faces a particular set of challenges. What you do in your final year is critical to your future. You must cope with revision for final exams, as well as completing course-work and sometimes working on extended dissertations or projects. At the same time you need to be taking strategic decisions about your future career. You might also be handling job applications and interviews, or going though the selection process for entry into postgraduate study.

Final-year StudentPhil Race has produced a guide which covers all these problems. His basic approach is very practical. The book is packed with checklists, action plans, and self-assessment exercises. All the advice is sensible and realistic, and it is geared to help you work out your best solutions. What I particularly liked was the fact that it recognises the uncertainties of the final year. You often need to plan for two or three different eventualities, depending on the outcome of your exam results. This is very stressful – and Race recognises the fact, then provides solutions for coping.

In the latter part of the book, Race even looks ahead to preparing you for job interviews. How to assemble a curriculum vitae; how to prepare for interviews; and how to get through tests. However, not all final year students want to go into business, so he also covers what should be taken into account if you are contemplating post-graduate research.

This is a good addition to the excellent series of study skills guides from Open University Press. I only wish books like this had been available when I was in my final year.

© Roy Johnson 2005

How to Win as a Final-year Student   Buy the book at Amazon UK

How to Win as a Final-year Student   Buy the book at Amazon US


Phil Race, How to win as a final-year student: essays, exams and employment, Buckingham, UK: Open University Press, 2005, pp.181, ISBN: 0335205119


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How to write a thesis abstract

July 6, 2012 by Roy Johnson

tutorial – guidance notes – example – tips

A thesis abstract – definition

A thesis abstract is a digest or a shorter version of the whole thesis. The abstract draws out in summary what’s in the complete thesis. It might also be known as a précis or a synopsis. The term abstract derives from the Latin ab— (away from) and tract— (to draw).


Purpose of an abstract

The original purpose of an abstract is to give an overview of the whole work. This enables a reader to determine the relevance of the thesis for their own purposes.

For instance, a librarian might read the abstract in order to know how to catalogue the thesis. Specialist researchers would read the abstract to see if the work as a whole covered the same topic on which they were working.

The function of the abstract is to prepare the reader for the full document. This is why the substance of the abstract must reflect the essence of the research in terms of —

  1. topic
  2. focus of the hypothesis
  3. methodology
  4. results
  5. rationale

For a supervisor, it sets the work in a useful context of overview. For a fellow student it facilitates research by indicating the content in summary and therefore making selection of resources more efficient.


Form

The abstract is a detachable, unbound section of the thesis normally comprising a single A4 page.


Length

The abstract should be very concise – maybe as little as a single paragraph of (say) 500 words. That’s why an abstract is quite difficult to write. You need to compress the whole of the thesis into an abbreviated series of statements, omitting illustrative details. There is no room for any padding. It requires good summarizing skills.


Example

Here’s an example of an abstract from a study of fire in plant-mammal interactions. Below it is an edited version showing that the abstract follows the criteria enumerated above.

The Latitudinal Defense Hypothesis predicts that levels of defense are highest near the equator and decrease toward the poles. This hypothesis is based mainly on insect herbivory that occurs during the summer. Mammilian herbivory in the winter is a more likely driver of plant defense levels in northern latitudes. Early successional trees such as birches are favored by fire and provide an important food source for mammals like snowshoe hares. In order to test the Latitudinal Defense Hypothesis, we collected birch seeds from eight locations in northwestern Canada and grew seedlings in a common garden. We assessed levels of defense by counting resin glands because resin glands are negatively correlated with snowshoe hare preference. This research will provide valuable information regarding the biogeography of defense and address the role of fire in plant-mammal interactions on a continental scale.


Analysis of an example abstract

1. Initial statement of the overall topic.

The Latitudinal Defense Hypothesis predicts that levels of defense are highest near the equator and decrease toward the poles. This hypothesis is based mainly on insect herbivory that occurs during the summer.

2. Brief statement of the specific focus of the hypothesis.

Mammilian herbivory in the winter is a more likely driver of plant defense levels in northern latitudes. Early successional trees such as birches are favored by fire and provide an important food source for mammals like snowshoe hares.

3. Explanation of the methodology

In order to test the Latitudinal Defense Hypothesis, we collected birch seeds from eight locations in northwestern Canada and grew seedlings in a common garden. We assessed levels of defense by counting resin glands because resin glands are negatively correlated with snowshoe hare preference.

4. Indication of the results

We found that the number of resin glands from the seedlings raised in a common garden was less than those collected in the eight locations chosen for our study….

4. Rationale of research

This research will provide valuable information regarding the biogeography of defense and address the role of fire in plant-mammal interactions on a continental scale.


Structure of the abstract

The chronological structure of the abstract is not as important as the crucial need to include the four topics exemplified in the example given above.

In some cases, ‘Rationale’ might precede ‘Results’. But it does make obvious sense to begin with the ‘Initial statement of the topic’.


How to write the abstract

Your abstract should be written after you’ve finished your thesis. The difficult part is to summarise in one page a substantial research project which might have taken up to two years to complete.

Preparation

  1. Tell one of your enlightened peers what your thesis is about
  2. Ask if they’ve understood your account
  3. If they have understood, write down what you said as quickly as possible in rough draft
  4. If they haven’t understood, tell them again in a different way
  5. Write down that version in rough draft form

Writing process

  • Write the title of your thesis then add the word ‘abstract’
  • Type the numbered headings shown above.
  • Use your notes to fill in the content in each case.
  • Read the abstract through.
  • Remove the headings but keep the separate paragraphs
  • Tidy up the expression so that the prose is fluent

Notes

Make sure that you –

  • Write your abstract in the same style and tone as the thesis
  • Remember it’s just a taster to the main event – but like a menu it has to show what’s there
  • Include all four elements shown in the sample
  • Don’t boast about your research or your achievements in the abstract. Let the work speak for itself.
  • Don’t be tempted to rush the abstract, thinking it’s less important than the thesis. It’s all part of the same project
  • Don’t use personal references or colloquial expressions. This is a professional document.
  • Don’t include sentimental acknowledgements in the abstract.

Details

The abstract is normally written in the past tense. That’s because it is written when the research has been completed and the thesis has already been written. The abstract should also be written last.

Do not use headings in an abstract. For instance – Introduction, Objectives, Methods, Results, and Conclusions. Your explanation of the thesis should be written in continuous prose.

The abstract should be written using the third person passive mode. ‘Samples of the oxides were analysed by …’. It’s possible that the thesis itself is written using the first person – ‘I (or we) collected samples using …’ – but the abstract needs to be more impersonal and objective.

Don’t use abbreviations, contractions, and acronyms in the abstract. If this is unavoidable, you should write out the term in full the first time it is used, followed by the abbreviation in brackets. For example – “Magnetic Photo-Scanning (MPS) was used to …”

© Roy Johnson 2012


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How to zip and unzip files

September 15, 2009 by Roy Johnson

what to do with compressed files

Zip files

redbtn Some files are compressed to make them smaller.

redbtn This process is also known as ‘zipping’ the files.

redbtn It also makes them quicker to download.

redbtn You can also zip up a number of different files into one – which is called an ‘archive’.

Zip Utilities

1. To deal with zipped files, you need a special program called a ‘utility’.

2. Two of the best known are UltimateZip and WinZip

3. They are often available free on magazine cover disks.

4. Alternatively, you can download from a free software site.

5. Go to tucows for instance. Look for ‘Compression Utilities’.

6. I use UltimateZip, which is free.

Downloading

1. Zipped files will have a .zip filename extension.

2. Click on the item you want to download.

3. Your browser will open a dialogue box.

4. You should then save the file – for example

C:TEMPfilename.zip

5. This puts the file into a folder called TEMP.


Unzipping files

1. Start up your zip utility program.

2. Choose FILEOPEN, and locate your zipped file.

3. In our example it’s C:TEMPfilename.zip

4. Choose EXTRACT FILES from the menu bar.

5. Extract files to C:SOMENAME

6. It all happens very quickly!

7. Then open a program which will read your files.

8. This could be a web browser for .htm files.

9. It could be MS Word for .doc files.

10. Don’t worry if anything goes wrong…just repeat the steps above.

Zipping files

1. First put your file(s) into a folder.

C:DEMO file-01.htm
file-02.htm
file-03.htm

2. This collection is sometimes called an ‘archive’.

3. Start up your zip utility program.

4. Select FILE/NEW – or FILE/New Archive.

5. Create a name for your zipped files.

newfiles.zip

6. Decide where to save your zipped files.

7. You can create a new folder, or use the existing.

C:DEMO

8. Then select and add all the files you wish to place in the zipped archive.

9. Press OK – and newfiles.zip is created.

10. The originals – file-01.htm, file-02.htm, and file-03.htm – are still in their folder C:DEMO

11. But you also have a copy of them, compressed into newfiles.zip

12. Have fun!

© Roy Johnson 2004


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Hyphens in essays

August 23, 2009 by Roy Johnson

sample from HTML program and PDF book

1. Hyphens in essays are most commonly used to join words when forming compounds:

mother-in-law     president-elect

matter-of-fact     author-critic

2. They are also used after prefixes – especially where it is necessary to avoid an awkward or confusing sequence of letters:

re-enter    co-operation    pre-ignition

3. Notice the difference between a compound word and the same terms used separately:

a fifteenth-century manuscript     in the fifteenth century

4. Hyphens should be used where it is necessary to avoid ambiguity:

two-year-old cats   — two year-old cats

In the first case, all the cats are two years old. In the second case, two cats are each one year old.

5. Hyphens should also be used to distinguish terms which are spelled identically, but which have different meanings:

reformation  re-formation
recover   re-cover
resign   re-sign

6. Hyphens are used when new terms are formed from compounds, but they are dropped when the compound is accepted into common usage. (This process is usually more rapid in the USA than in Europe.)

bathtub —   was once bath-tub

bookshelf —   was once book-shelf

clubhouse —   was once club-house

7. This phenomenon is currently visible in computer technology,where all three forms of a term may co-exist:

Word processor —   Word-processor —   Wordprocessor

© Roy Johnson 2003

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Instruction terms in essay questions

August 23, 2009 by Roy Johnson

sample from HTML program and PDF book

1. Instruction terms are words commonly used in essay questions. They instruct or direct you in the approach you should take towards the proposition of the question.

2. The exact meaning of these terms will vary depending upon the subject being studied. The following give some idea of what they normally mean for essays and examination questions.

3. Think carefully about the meaning of these terms in relation to the remainder of the question. Even though you might feel confident, do not become blasé or inattentive. Sometimes even experienced students forget the important difference between Compare and Contrast.

4. Try to understand exactly what an instruction is asking you to do – but be reasonable. Don’t look for problems where they might not exist. If in doubt, ask your tutor.


GLOSSARY

account for
Explain the reasons for, giving an indication of all relevant circumstances. Not to be confused with ‘Give an account of’ which asks only for a detailed description.

analyse
Study in depth, identifying and describing in detail the main characteristics.

argue
Put forward a proposition, then illustrate it, discuss its significance, and defend it against possible counter-charges.

assess
Examine closely, with a view to ‘weighing up’ a particular situation. Consider in a balanced way the strengths and weaknesses or points for and against a proposition. In conclusion, state your judgement clearly.

comment
State clearly and in moderate fashion your opinions on the material in question. Support your views with reference to suitable evidence or explanations.

compare
Look for similarities and differences between two or more things.

contrast
Deliberately single out and emphasise the differences and dissimilarities between two or more things.

criticise
Give your judgement about a statement or a body of work; explore its implications, discussing all the evidence which is available. Be specific in your examination.

define
Set down the precise meaning of something. Be prepared to state the limits of the definition. Take note of multiple meanings if they exist.

describe
Give a detailed and comprehensive account of something.

discuss
Investigate and examine by careful argument. Explore the implications and the advantages or disadvantages. Debate the case and possibly consider any alternatives. This is probably the most common instruction term. It is inviting you to say something interesting in response to the topic in question. You can choose your own approach.

evaluate
Make an appraisal of the worth of something in the light of its truth or utility. Emphasise the views of authorities as well as your personal estimation.

explain
Make plain. Account for. Clarify, interpret, and spell out the material you present, giving reasons for important features or developments.

how far …
Similar to questions which begin ‘To what extent…‘. You are expected to make your case or present your argument, whilst showing an awareness that alternate or even contradictory explanations may exist. Careful assessment and weighing of evidence are called for.

identify
Pick out what you regard as the key features of something, perhaps making clear the criteria you use in doing so.

illustrate
Make clear and explicit by the discussion of concrete examples.

justify
Show adequate grounds for decisions or conclusions. Answer or refute the main objections likely to be made against them.

outline
Give the main features or the general principles of a subject, omitting minor details and emphasising structure or arrangement.

relate
Show how things are connected, and how they possibly affect, cause, or resemble each other.

review
Make a survey of, examining the subject critically.

state
Present the main points in brief, clear form.

summarise
Give a concise account of the main points of a matter, omitting details and examples.

to what extent … Similar to questions which begin ‘How far …‘. This term is used in questions asking you to show your own judgement. It’s unlikely that there will be a black or white answer. You are expected to argue your case, offering evidence to support your view(s). It also gives you the opportunity to discuss both weaknesses and strengths for a case.

trace
Follow the development or history of a topic from some point of origin.

© Roy Johnson 2003

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Introductions in essays

August 23, 2009 by Roy Johnson

sample from HTML program and PDF book

1. The introductions to essays should address directly the question or topic(s) you have been asked to discuss. Introductions which are clear and direct usually signal the start of essays which will be addressing the relevant issues.

2. You should aim for a bright and crisp opening statement which will be interesting and seize the reader’s attention. The statement should also be directly relevant to the question topic.

3. Do not merely restate the question, and try to avoid repeating the same terms in which it is posed. You may however wish to translate the question into your own words, paraphrasing it as a demonstration that you understand what it calls for.

4. Unless the question specifically calls for it, avoid long-winded ‘definitions’ in which the key terms of the question are explored for all their possible meanings. Your understanding of what the question means should usually be clear from your introductory remarks.

5. The introduction should not normally occupy more than five to ten percent of the total length of the essay. Two hundred words on the first page should normally be enough. More than this might be taking too long to get to the point.

6. If in doubt, go straight to your answer. Some tutors argue that having no introduction at all is better than producing one which is rambling, cloudy, or vague. If all your arguments are directly relevant to the question, your approach to the question will quickly become apparent.

7. Even if you think the question is especially difficult or that it embraces complex issues, you should avoid saying so as part of the introduction. This can create the impression that you are making excuses in advance of your answer.

8. Questions are set to pose problems: your task is to answer them. You might however wish to name or outline any difficulties – so long as you go on to tackle them.

9. Some people use an appropriate quotation as a means of starting the introduction. (This strategy can also be used to round off conclusions).

10. If you use this approach, you should follow the quotation with some interesting observations of your own. Do not give the impression that you are using somebody else’s work as a substitute for your own.

11. The following offers an introductory paragraph in response to a first year undergraduate philosophy question: ‘Are there universals?’

Plato was the first philosopher to deal comprehensively with the concept of universals, and he did so in such a compelling manner that his ideas still have an influential force today. His general method is to set himself questions (through the mouthpiece of Socrates). He begins The Republic by asking ‘What is Justice?’ and goes on in pursuing this question to ask ‘What is the Good?’. This method, it will be seen, somewhat predetermines the nature of his answers.

12. Many people find introductions difficult to write, particularly if this is the first part of the essay assignment they attempt. Don’t feel surprised by this. The reason is likely to be that –

  • You are not sure what you are going to say
  • You may not be sure what it is you are introducing
  • You can’t summarise an argument which doesn’t yet exist

13. The solution to this problem may be to leave the introduction until the essay has been finished – in its first draft. It will be much easier to compose introductory remarks after the first attempt has been produced. You will then have a grasp of your overall argument and maybe some idea of its structure.

14. In some subjects [principally the sciences] you might be required to declare in an introduction the approach your essay will take. You might even give some account of the structure or the sequence of information. If this is the case, the composition of an introduction should create no problems.

© Roy Johnson 2003

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