Interior design Archives - Page 2 of 2

Mediterranean Architecture

May 26, 2009 by Roy Johnson

glamorous contemporary European house designs

If you like looking at examples of beautiful mediterranean architecture, designer homes overlooking the sea, and experiments with shapes, materials, and domestic organisation – then this new book from Thames & Hudson is worth your consideration. It’s like A Place in the Sun on steroids. Dominic Bradbury has assembled mini-essays on twenty-five of the best in modern architect-designed houses.

They differ in their styles, but are united by their clean lines, open plan living, and a serious commitment to integration with their surroundings. The overall style, which might reflect the editor’s taste or might represent the movement of the current decade, is for buildings that are minimalist, rectangular, and low-rise. They must also blend sympathetically with their surroundings. Their materials have some relationship to the area in which they’re built, large plate-glass windows feature prominently, if possible reaching to the floor, and an infinity pool is a desirable extra.

A high proportion of the examples come from Spain. There’s quite a lot of cantilevering, flat roofing, sharp-edged, rectilinear profiles, and all the example shown rise to a maximum of three floors. There’s also a recurrent theme of contrasting textures – mahogany against raw concrete, polished steel and plate glass, water features and carefully arranged gravel pathways.

I liked the inclusion of small architectural plans, which help you to gain an overall perspective of the building in its geographical location. And visually, the book is a treat, with excellent photographs – even though their relatively small format made me hanker after something more grand.

Of course, it has to be said that most of these buildings are situated in completely idyllic locations, set amidst rolling pine forests, overlooking sun-drenched harbours, and untroubled by any neighbours or industrial blots on their landscapes. But having said that, they represent what’s possible when an architect is commissioned by a client with enough money and sufficient confidence to allow free imaginative rein.

The locations range from Morocco in the west, via Spain and the Balearics, through Greece, to Turkey in the east. Yet many of the designers of these buildings come from places as far away from the Mediterranean as Paris and Brussels – though I suppose any architects worth their salt must have their practices located in big cities.

This is part way between a coffee table book, the text of which nobody (except design anoraks) will ever read, and a serious review of modern architecture. Dominic Bradbury seeks to point out what the designers are doing that’s original, and he has a sensiitive regard for his subject. Full contact details of the architects are listed, and a trawl through their web sites is like getting a trip through another book for free.

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Dominic Bradbury, Mediterranean Modern, London: Thames & Hudson, 2006, pp.256, ISBN 050034227X

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Paris Interiors

July 18, 2009 by Roy Johnson

interior design French capital city style

This is another of the very stylish and amazingly good value photographic studies from Taschen Books. It features fifty imaginatively conceived apartments and houses, the homes of prominent people such as Isabelle Adjani, Helena Christensen, and Christian and Francoise Lacroix. What then characterises the Parisian interior? Well, there are lots of elegant nineteenth century apartment buildings; rooms with high ceilings and tall windows reaching almost to the floor; marble staircases with wrought-iron banisters; light, pale colours; touches of art-nouveau; and polished wooden or tiled floors (rarely carpets). However, it’s not all tradition.

There’s an apartment fashioned from an old warehouses, one with a vegetable garden on the roof, and another coaxed out of just two or three modest rooms. That’s another of the many good things about these books. They go beyond mere coffee table glamour by incorporating examples which demonstrate flair on a budget.

If you want to pick up some living tips from these pages, be prepared to use rooms for different purposes than they were originally intended. Bedrooms do not always need to be above living quarters. There are even examples of people putting buildings to different uses: there’s an excellent example of a stylish home on a Parisian barge, and another created from a converted attic.

Most of the owners (or occupants) whose homes are depicted tend to be fashion designers, couturiers, and visual consultants of one kind or another. In fact my favourite was an ultra minimalist art deco penthouse designed and owned by parfumier Thierry Mugler.

Two other things come through very strongly. First – lots of them offset whatever their taste and decorative arrangements with classical columns supporting a bust. No problems there: I’m a big fan of those myself. But second – many of them have rooms which are so piled up with books they look like auction rooms, ready for the bargain clearance sale. A few art books might look OK, but too many just looks very untidy – as if the owner has simply not yet tackled the issue of storage.

The other weakness here (which might simply reflect the taste of the author) is that rather a lot of the examples chosen are interesting for gimmicky reasons rather than for their good aesthetics. Rooms stuffed full of giant sized golliwogs or flea-market tat might be unusual, but they can easily make their owners look rather foolish.

But these are minor quibbles. Anyone interested in interior design will find something to stimulate their imagination here. Paris is still one of the most stylish cities in the world, and not just Capital of the Nineteenth Century as Walter Benjamin described it.

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Lisa Lovett-Smith, Paris Interiors, London: Taschen, 2007, p.320, ISBN 3822838055

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Tricia Guild Pattern

June 26, 2009 by Roy Johnson

interior design and furnishing with style and colour

Tricia Guild is an interior designer and the brand name behind a successful company which features a vivid array of fabrics and furnishings – all of which feature striking colours, bold pattern, and luxurious textures. To live with this style you have to be confident enough to choose wallpapers with huge floral designs, curtains which are multi-coloured and decorated with magnificent swags, and be prepared to upholster your three piece suites with fabrics which grab you by the lapels. You need to put turquoise silk next to hot red damask, and if you want to achieve some of the effects illustrated here your house needs to be spotlessly clean and full of marble.

Ornate gold mirrors, and fresh-cut flowers which offset the decor in every room would be a help too. She is inspired by fabrics, techniques, motifs and designs from all over the world and from every period of history – brocades and damasks from the Far East; the rich history of botanical illustration and flower painting; checks, plaids and stripes from northern Europe; vibrant ethnic prints from India and Central America; painterly designs from Chinese and European porcelain; the bold abstracts and geometric patterns of contemporary painters.

Not that it’s all entirely in-your-face colour and bold pattern. She also has some subtle and restrained examples of ticking used to create a cool, contemporary atmosphere. But those are the exception. Most of the book is filled with hot, passionate colours, and rich textures emphasised by extreme close-up photographs. There’s a whole chapter on the use of flowers in fabric patterns – tulips, poppies, roses, and chrysanthemums.

I feel a bit sorry for the people who supply the text for these books. They are competing for the reader’s attention against overwhelming odds. The visuals drown out everything. And yet Elspeth Thompson has some interesting things to say about the nature of pattern and she offers thoughtful analyses of the interiors illustrated in the examples shown.

Many of the pages are like Howard Hodgkin paintings. It’s difficult not to be seduced by the visual texture of it all. My recipe for these interior design style books is to look at the overall effect, then choose one element on each page which you could incorporate into your own home. It could be the colour scheme, the positioning of furniture, the lighting, or (in this case) the use of patterned fabrics to breathe life into a room.

The book itself is a bibliographic reflection of this torrid style. It’s printed on thick paper, with occasional translucent inserts, beautifully photographed and illustrated – and has a cover jacket that’s like flock wallpaper from an Indian restaurant.

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Tricia Guild and Elspeth Thompson, Pattern, London: Quadrille, 2006, pp.208, ISBN: 1844003264

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Working at Home

June 7, 2009 by Roy Johnson

combining your office with your home – elegantly

Working at Home is the second book on the interior design of home office space I have recently consulted as research for a move to new office premises. Like the first, Working Spaces, it offers a powerfully stimulating set of examples, generated by people with imagination, flair, and in some cases, courage. If the selection of examples are typical of interior design today, the cities pushing this trend are New York, London, Berlin, Barcelona, and Tokyo.

And the fashion is for old industrial spaces preserved for their high ceilings, big room spaces, and vast windows. In each case they have been transformed by adding luxury furnishings, yet the original features have been preserved – so that there at first appears to be a tension between domestic and commercial purposes. The examples show interior design solutions for writers, artists, musicians, architects, graphic designers, a printers, business people, and a textile designer. And in most cases the usual clutter which blights commercial offices has been purged – to good effect.

It has to be said that most of the samples illustrated are examples of minimalist design – plain walls and floors, no decoration, wood in teak or beech, lots of opaque tinted green glass, polished chrome fittings, simple halogen downlighters, chairs with tubular chrome legs, and giant settees in black leather.

There are architectural plans reproduced in each case which illustrate how the overall space has been used and how the parts relate to the whole.

One of the recurring features I spotted here was floors covered in epoxy resin – which results in a hard, shiny surface which is practical and easily cleaned. Not everybody would wish to settle down for a cozy evening in such surroundings – but the results look great.

What conclusions can be drawn from the examples on display? In almost all cases there are few decorations in the rooms: no pictures or shelves or decorative brackets. The rooms, with their pale walls and clutter-free surfaces are left to speak for themselves.

You might imagine that people working in the creative industries would want to decorate every inch of their surroundings with objects which expressed their tastes and cultural values. But the opposite appears to be the case. And these might indeed be shining examples illustrating Mies van der Rohe’s mantra – Less is More.

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Aurora Cuito, Working at Home, New York: Loftpublications, 2000, pp.175, ISBN 0823058700

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Working Spaces

July 17, 2009 by Roy Johnson

interior design glamour for the home office

Lots of people work from home today. In the world of an email address, a broadband connection, and a laptop on your coffee table, nobody knows you’re a consultant dog on the Internet. But if it gets more serious and you want to establish a grown-up home office, you might want to create a professional workspace. Many people start from a small study or working in a corner of the spare room, but if your business grows, I guarantee you’ll feel more professional with a proper office. Working Spaces is packed with examples of how it can be done.

This book is visual proof that you don’t need to be surrounded by empty cardboard boxes and metal filing cabinets. The examples illustrated include quite small family homes which have been adapted to the demands of creating a working space within a domestic environment. They also recognise that people working from confined spaces may need to put a single area to different uses at different times. A workaday meeting room might become a weekend lounge; or an office might need to be converted to accommodate guests from time to time.

What I admire about these Taschen publications is that although they have the outer glamour of coffee table luxury, they do in fact deal with real-life examples. There are plenty of cases here of one and two-roomed apartments which have been adapted to maximise space and preserve elegance, whilst at the same time functioning as proper offices with computers, storage for box files, and desks with telephones and wastebaskets.

The photography is superb throughout; the text is in English, French, and German; and every example is accompanied by architectural plans showing the floor layout. It’s also bursting with good space-saving ideas – foldaway beds; hinged partition screens; and lots of tables, chairs and bookshelves with wheels. Another common design feature if you’ve got the courage to try it is white floors. White everything in fact.

How can you make your own working space more pleasant, more aesthetically soothing? Well, ask yourself these questions. Do you really need ugly filing cabinets immediately to hand? Why not conceal them or put the contents somewhere else? Why not have bold decorative features in your workspace, to make it more individualised and humane? Large pictures and big pots of flowers will do the trick.

Most of the owners seem to be graphic and interior designers, and architects – which might be cheating somewhat. I know a number of professional writers who operate from spaces far less elegant (and that’s putting it mildly) . But this gives an idea of what is possible, and moreover attainable without a great deal of expense.

In fact I’ll summarise it all in one tip which is guaranteed to make your own working space more stylish and effective in one quick step: Get rid of all the clutter- now!

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Simone Schleifer, Working Spaces, London: Taschen, 2005, pp.384, ISBN: 3822841862

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glamorous contemporary European house designs

interior design French capital city style

interior design and furnishing with style and colour

combining your office with your home – elegantly

interior design glamour for the home office

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