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Victor Serge an introduction

May 13, 2010 by Roy Johnson

the life and work of a revolutionary and novelist

Victor Serge an introductionVictor Serge (1890-1947) wrote under the most difficult conditions, much of the time whilst living in exile – in his adopted homeland Russia, in France, and in Mexico. He frequently had to write in secret and he smuggled his work out of the Soviet Union to be published in France and Spain. His work was banned throughout the communist period in Russia, and it has only recently become available there. It also has to be said that his work goes in and out of print rather a lot in English-language publications. A gifted linguist, he chose to write in French. Besides being the preferred language of Russian intellectuals of his generation, French assured him an international audience.

He wrote in a great variety of literary forms – poetry, journalism, novels, and political history, as well as some very good literary criticism and an excellent autobiography. All his work is very political, but it is shot through with what might be called a militant humanism. That is, he never let political dogma over-rule his compassion for his fellow men.

Victor Serge an introduction -Memoirs of a RevolutionaryIf you have not read his work before, a good place to start is his autobiography, Memoirs of a Revolutionary 1901-1941 written when he was in exile in Mexico. It outlines his astonishing life in the first four decades of the twentieth century. He was active first as an anarchist, then as a socialist militant, as a typographer, a journalist, and then as a professional revolutionary. He spent time in poverty, in jail, and in armed struggle. And he seemed to know everybody who was important – people such as Leon Trotsky, Lenin, and Georgy Lukacs.

The pages of this memoir are packed with events and people, and he writes in a vivid, sparkling style which holds you gripped. His life is almost unbelievably dramatic, and he is not in the slightest self-pitying as he endures poverty, political persecution, jail, and exile. And all the time, not matter what the circumstances, he is being creative as a novelist, a historian, or a journalist. It is truly amazing that he survived a period which he himself called ‘Midnight of the Century’, and it’s a tribute to his creativity that this is what saved him, because his fame as a writer had spread so wide. He was sent into ‘internal exile’ by Stalin because of his oppositionist views, but a campaign for his release was launched in western Europe, and was eventually successful.

Victor Serge an introduction - Men in Prison The novels of Victor Serge fall into two sets of trilogies. The first deals with his early prison experiences, the failed Barcelona uprising, and the successful Bolshevik revolution. Men in Prison (1930) is based on his own life as a prisoner of the French during the first world war. Politically, it deals with his early anarcho-syndicalist beliefs, but in literary terms it belongs to the very Russian tradition of prison literature. More than anything, it is a heartfelt plea of human sympathy for the underdog, and a call to arms in favour of rebellion and resistance to all forms of repression and tyranny.

Victor Serge an introduction - Birth of Our Power Birth of Our Power (1931) is losely basd on Serge’s own experiences following his release from prison. It is centred on the events of the Barcelona uprising in 1918 and then after its failure moves on to the immediate aftermath of the successful Russian revolution in St Petersburg. Politically, these events trace the development of his allegiance from that of an anarcho-syndicalist to that of a Bolshevik, but a communist in the old sense – one with liberal-humanist values and a respect for democratic values.

Differences of opinion with the Stalinists who took over in the USSR led to him being sent into ‘internal exile’, where all of his writings and personal papers were confiscated by the secret police. There have been several attempts made to have these released, especially after the fall of communism in 1989, but they have still not been located.

Following a successful campaign in the west for his release, he returned to France in 1936 and resumed work on two books on Soviet communism, From Lenin to Stalin (1937) and Destiny of a Revolution (1937). He also published a volume of poetry, Resistance (1938) about his experiences in Russia. there was also a voluminous exchange of correspondence with Leon Trotsky, though the two oppositionists eventually agreed to disagree.

Victor Serge an introduction - Unforgiving YearsWhen the Germans invaded France in 1940, he left Paris and travelled to Marseilles, and in 1941 left on the same ship as Andre Breton and Claude Levi-Strauss. His destination was Mexico – the only place which would grant him a resident’s visa. As soon as he settled there he became the object of violent articles and threats to his life from Stalin’s agents – who had recently assassinated Leon Trotsky.

His last years were full of poverty, malnutrition, illness, police surveillance, slander and isolation. Yet he continued to publish novels such as The Long Dusk, Unforgiving Years, and his masterpiece, The Case of Comrade Tulayev. His autobiography, Memoirs of a Revolutionary, was first published in the United States in 1945. Serge’s health had been badly damaged by his periods of imprisonment in France and Russia. However, he continued to write until he died of a heart-attack in Mexico City on 17th November, 1947.

© Roy Johnson 2010


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Filed Under: Victor Serge Tagged With: Birth of Our Power, Cultural history, Literary studies, Men in Prison, The Case of Comrade Tulayev, The novel, Unforgiving Years, Victor Serge

Victor Serge biography

September 22, 2009 by Roy Johnson

novelist, historian, revolutionary

Victor Serge - portraitVictor Serge (1890-1947) (real name Victor Lvovich Khibalchich) was born in Brussels, the son of Russian-Polish exiles. His father was an officer in the Imperial Guard who fled the country after the assassination of Alexander II in 1881. His mother was a Polish aristocrat and a teacher. Serge’s father found work as a teacher at the Institute of Anatomy in Brussels, and then moved to France where he became involved in the radical Russian emigre community. As a child he often went hungry, he never went to school, and his younger brother died at the age of nine. He began work at the age of 15 as an apprentice photographer, then went on to work as a designer and a typographist, learning this trade in an anarchist printing works. Serge suffered privation and hardship throughout his life and spent over ten years of it in prisons.

He was strongly influenced by the works of the Russian anarchist Kropotkin and became an active journalist and translator in the revolutionary press. In 1912 he was wrongly accused of participating in the Bonnot Gang, a group of bohemian bank robbers. Several of his comrades were executed: Serge was given a five year jail sentence in solitary confinement, followed by five year’s exile.

Freed in 1917, he went to Barcelona to work as a typographer, and also took part in the popular insurrection there. In 1918 he volunteered for service in Russia, but was arrested and imprisoned without trial in Paris, because of the ban on his staying there. Then he was exchanged for an officer of the French military mission being held in Russia.


Memoirs of a RevolutionaryThe whole sweep of his life as a writer, intellectual, historian, and revolutionary is covered in his autobiographical Memoirs of a Revolutionary. This covers the period between 1900 and 1940 and includes his early affiliations with the anarchists, his participation in the Russian revolution, and his fight against Stalinism. But it is much more than just a historical chronicle. It follows his intellectual and artistic development, and his dealings with lots of the major figures of the Left during this period – Trotsky, Zinoviev, Radek, and Georgy Lukacs.


Arriving in Petrograd in February 1919, he joined the Bolshevik Party and worked on the executive of the Third Communist International with Gregory Zinoviev, travelling to Moscow, Berlin, and Vienna. Meanwhile he also worked as a journalist for L’Humanité and Le Monde in Paris.

In 1923 he took part in the communist insurrection in Germany. Around this time he became increasingly critical of Soviet government. He joined with Emma Goldman and Alexander Berkman to complain about the way the Red Army treated the sailors involved in the Kronstadt Uprising. A libertarian socialist, Serge protested against the Red Terror that was organized by Felix Dzerzhinsky and the Cheka.

Following this he joined the Left Opposition group along with people such as Leon Trotsky and Karl Radek. Serge was an outspoken critic of the authoritarian way that Joseph Stalin governed the country and is believed to be the first writer to describe the Soviet government as ‘totalitarian’. Because of this, Serge was expelled from the Communist Party in 1928.

He was now unable to work for the government and over the next few years he spent his time writing Year One of the Russian Revolution (1930) and two novels Men in Prison (1930) and Birth of Our Power (1931). These books were banned in the Soviet Union but were published in France and Spain. He wrote in French: besides being the preferred language of Russian intellectuals of his generation, French assured him an international audience.


The Course is Set on HopeSusan Weissmann’s The Course is Set on Hope is the first full-length biography of Victor Serge. It draws on some of the recently-opened Comintern archives and shows Serge’s principled struggle to maintain socialist principles in his fight against the grip of totalitarianism. This covers the period from 1919 when Serge first went to take part in the Russian revolution, until his death in poverty and exile in Mexico in 1947.


In May 1933, he was arrested by the secret police (the GPU) and sentenced without trial to three year’s exile in the village of Orenburg in the Urals – an early outpost of what would become the Gulag Archipelago. Most of his colleagues in the Left Opposition that were arrested were executed, but as a result of protests made by leading politicians in France, Belgium and Spain, Serge was kept alive.

Protests against Serge’s imprisonment took place at several International Conferences. The case caused the Soviet government considerable embarrassment and in 1936 Joseph Stalin announced that he was considering releasing Serge from prison. Pierre Laval, the French prime minister, refused to grant Serge an entry permit. Emile Vandervelde, the veteran socialist, and a member of the Belgian government, managed to obtain Serge a visa to live in Belgium.

Serge’s relatives were not so fortunate: his sister, mother-in-law, sister-in-law (Anita Russakova) and two of his brothers-in-law, died in prison. All of his writings and personal papers were confiscated by the secret police. There have been several attempts made to have these released, especially after the fall of communism in 1989. They have still not been located.


The Case of Comrade TuleyevThe Case of Comrade Tulayev is without doubt Serge’s masterpeice, and the finest novel written about the Stalinist purges of the 1930s. A government official is shot at random by a disgruntled Moscow youth, and this sets in motion a repressive crack-down in search of a ‘political conspiracy’ which does not really exist but which gives the forces of repression an excuse to eliminate their rivals. The youth goes free, even though he confesses, whilst completely innocent officials are forced to ‘confess’ to crimes they have not committed. The story is closely related to Stalin’s organisation of the murder of Kirov, the popular head of the Leningrad party district.


He returned to France in 1936 and resumed work on two books on Soviet communism, From Lenin to Stalin (1937) and Destiny of a Revolution (1937). He also published several novels and a volume of poetry, Resistance (1938) about his experiences in Russia. there was a voluminous exchange of correspondence with Leon Trotsky, though the two oppositionists eventually agreed to disagree.

When the Germans invaded France in 1940, he left Paris and travelled to Marseilles, and in 1941 left on the same ship as Andre Breton and Claude Levi-Strauss. His destination was Mexico – the only place which would grant him a resident’s visa. As soon as he settled there he became the object of violent articles and threats to his life from refugee Stalinists – who had recently assassinated Leon Trotsky.


Victor Serge - Collected WritingsIt is astonishing to realise that alongside all his political activities and his time spent as a historian and novelist, Serge also found time to write on literary theory. His Collected Writings on Literature and Revolution offer reflections on modernist literary theory, Russian experimental writing, and the nature of the relationship between literature and politics. It gathers together for the first time the bulk of his literary criticism from the 1920s to the 1950s, giving an invaluable contemporary account of the debates about the production of literature in a socialist society, the role of intellectuals, the theory of ‘proletarian’ literature, as well as assessments of Soviet writers: Mayakovsky, Gorky, Alexei Tolstoy, Alexander Blok, and the less well known Korolenko, Pilnyak, Fedin, Bezymensky, Ivanov, amongst others.


His last years were full of poverty, malnutrition, illness, police surveillance, slander and isolation. Yet he continued to publish novels such as Unforgiving Years, The Long Dusk and his masterpiece, The Case of Comrade Tulayev. His autobiography, Memoirs of a Revolutionary, was first published in the United States in 1945. He continued to write until he died of a heart-attack in Mexico City on 17th November, 1947.


Victor Serge – web links

Victor Serge web links Victor Serge and The Novel of Revolution – an essay by Richard Greeman, Serge scholar and translator (1991).

Victor Serge web links - Unforgiving Years Unforgiving Years – an extended book review by Roy Johnson of Serge’s last great novel (2009).

Victor Serge web links - Men in Prison Men in Prison – a book review by Roy Johnson, originally part of an essay which appeared in Literature and History

Victor Serge web links - The Cycle of Revolution The Cycle of Revolution: Men in Prison – an essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - Red Petrograd Red Petrograd: Conquered City – an essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - The Case of Comrade Tulayev The Case of Comrade Tulayev– an extended book review by Roy Johnson, (2010).

Victor Serge web links - The Journey into Defeat The Journey into Defeat: The Case of Comrade Tulayev– an essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - Midnight in the Century Midnight in the Century – extended book review by Roy Johnson (2010).

Victor Serge web links - The Zero Hour The Zero Hour: Midnight in the Century – an essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - Memoirs Memoirs of a Revolutionary – an extended book review by Richard Greeman of Susan Weissman’s The Course is Set on Hope. Originally published in Issue 94 of INTERNATIONAL SOCIALISM JOURNAL, Published Spring 2002 Copyright © International Socialism.

Victor Serge web links - Yale archive Victor Serge Papers – Yale University archive

Victor Serge web links - Biographical sketch Revolutionary & Novelist – a biographical sketch (2009).

Victor Serge web links - An Introduction Victor Serge – an introduction to his work – brief notes on Serge’s major fiction and non-fiction (2008).

Victor Serge web links - Mantex Victor Serge at Wikipedia – biographical notes, political ideas, works available in English, and web links.

Victor Serge web links - Essay Victor Serge and Socialism – an essay by Peter Sedgwick, first published in International Socialism (1st series), No.14, Autumn 1963, pp.17-23.

Victor Serge web links - Writing for the Future Writing for the Future – an essay by Pete Glatter, first published in International Socialism 2:76, September 1997. Copyright © 1997 International Socialism.

Victor Serge web links - The Long Dusk A Requiem for Paris: The Long Dusk – an essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - Birth of Our Power The City as Protagonist: Birth of Our Power – essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - Birth of Our Power On Victor Serge as Vagabond Witness – a review by Adam Morton of Paul Gordon’s Vagabond Witness: Victor Serge and the Politics of Hope (2013).

Victor Serge web links - Birth of Our Power Victor Serge: A Political Biography – a review by Roy Johnson of Susan Weissman’s study of Serge’s politics as an intransigent Left Oppositionist (2013).

© Roy Johnson 2005-2010


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Victor Serge web links

May 13, 2010 by Roy Johnson

a selection of articles, reviews, and resources

This collection of Victor Serge web links offers a selection of essays, book reviews, and articles related to the Russian novelist, historian, and revolutionary. Since his death in 1947, Serge’s work has been largely ignored outside a small coterie of enthusiasts, but his reputation has gradually spread internationally in the post cold war era.

Victor Serge web links Victor Serge and The Novel of Revolution – an essay by Richard Greeman, Serge scholar and translator (1991).

Victor Serge web links - Unforgiving Years Unforgiving Years – an extended book review by Roy Johnson of Serge’s last great novel (2009).

Victor Serge web links - Men in Prison Men in Prison – a book review by Roy Johnson, originally part of an essay which appeared in Literature and History

Victor Serge web links - The Cycle of Revolution The Cycle of Revolution: Men in Prison – an essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - Red Petrograd Red Petrograd: Conquered City – an essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - The Case of Comrade Tulayev The Case of Comrade Tulayev– an extended book review by Roy Johnson, (2010).

Victor Serge web links - The Journey into Defeat The Journey into Defeat: The Case of Comrade Tulayev– an essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - Midnight in the Century Midnight in the Century – extended book review by Roy Johnson (2010).

Victor Serge web links - The Zero Hour The Zero Hour: Midnight in the Century – an essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - Memoirs Memoirs of a Revolutionary – an extended book review by Richard Greeman of Susan Weissman’s The Course is Set on Hope. Originally published in Issue 94 of INTERNATIONAL SOCIALISM JOURNAL, Published Spring 2002 Copyright © International Socialism.

Victor Serge web links - Yale archive Victor Serge Papers – Yale University archive

Victor Serge web links - Biographical sketch Revolutionary & Novelist – a biographical sketch (2009).

Victor Serge web links - An Introduction Victor Serge – an introduction to his work – brief notes on Serge’s major fiction and non-fiction (2008).

Victor Serge web links - Mantex Victor Serge at Wikipedia – biographical notes, political ideas, works available in English, and web links.

Victor Serge web links - Essay Victor Serge and Socialism – an essay by Peter Sedgwick, first published in International Socialism (1st series), No.14, Autumn 1963, pp.17-23.

Victor Serge web links - Writing for the Future Writing for the Future – an essay by Pete Glatter, first published in International Socialism 2:76, September 1997. Copyright © 1997 International Socialism.

Victor Serge web links - The Long Dusk A Requiem for Paris: The Long Dusk – an essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - Birth of Our Power The City as Protagonist: Birth of Our Power – essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - Birth of Our Power On Victor Serge as Vagabond Witness – a review by Adam Morton of Paul Gordon’s Vagabond Witness: Victor Serge and the Politics of Hope (2013).

Victor Serge web links - Birth of Our Power Victor Serge: A Political Biography – a review by Roy Johnson of Susan Weissman’s study of Serge’s politics as an intransigent Left Oppositionist (2013).

© Roy Johnson 2010


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Victorian Literature and Culture

July 10, 2009 by Roy Johnson

historical context + survey of all literary genres

This is a guidance book for students or general readers who want to know more about literary studies in the Victorian period. It’s in four parts: the historical and intellectual background; the literature of the period considered in separate genres; critical approaches; and a set of resources for independent study. After a quick overview of what is in fact a long period of history (1837-1901) Maureen Moran goes straight into the themes and issues that constitute the substance of Victorian Literature and Culture

Victorian Literature and Culture She starts by introducing the historical, cultural, and scientific developments of what is normally considered three separate periods – early, high, and late Victorian society. The main theme to emerge is that of conflicting ideologies beneath what is often thought of as a rather smug and conservative society.

On the one hand there is an unshakeable belief in progress and Britain’s supremacy based on notions of Christian predestination, on the other a critical analysis of the nation’s conflicts, shortcomings, and its failure to remove social inequality.

It’s a pity the book isn’t illustrated, because her analyses of famous paintings (The Stag at Bay, The Monarch of the Glen) demonstrate well how art works with one ostensible purpose and can carry additional meanings which may not be apparent to the first time viewer.

While she deals with all the major writers and artists as you might expect (the Brontes, the Brownings, Collins, Dickens, Eliot, Gaskell, Hardy, Rossetti, Shaw, Swinburne, Tennyson and Wilde) it is interesting to note her inclusion of the best-sellers of the Victorian age – Mrs Humphrey Ward’s Robert Elsmere and Charlotte Yonge’s The Heir of Radcliffe. She also demonstrates the importance of the establishment of the circulating library which simultaneously established both best-sellers and a type of informal censorship.

She is particularly good at explaining the religious controversies of the period, and it struck me that any young student reading in 2007 is likely to be quite surprised if not shocked by the amount of anti-Catholicism that the orthodox Protestant church promoted.

The second part of the book presents what was probably something of a challenge to the author – for she sets out to cover all the main literary titles in poetry, drama, fiction, and non-fictional prose. This could easily have become not much more than a shopping list – had she not split the materials into recognisable sub-topics: the lyric poem, the dramatic monologue, the ‘condition of England novel’ and so on.

She has something of a problem with Victorian drama, for it is not until the late years of the era that G.B.Shaw and Oscar Wilde came along to provide any substance. The incidence and influence of non-fictional prose is covered in writers such as John Ruskin, J.S.Mill, Henry Mayhew, Harriet Martineau, and Thomas Carlyle.

I found her explanation of the Pre-Raphaelite Brotherhood, and the Aesthetic and Decadent movements very helpful – because I have never quite understood what held together these movements comprising both writers and painters.

So – if you are doing A level literature, studying as an undergraduate, or a general reader who wants to know more about nineteenth century English literature, this will point you in the right direction. The further resources alone offer a timeline of major events, a glossary of key terms, bibliographies of further reading, and a list of scholarly references that should keep you busy for years.

© Roy Johnson 2006

Victorian Literature and Culture   Buy the book at Amazon UK

Victorian Literature and Culture   Buy the book at Amazon US


Maureen Moran, Victorian Literature and Culture, London: Continuum, 2006, pp.184, ISBN: 0826488846


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Filed Under: 19C Literature, Literary Studies Tagged With: Cultural history, Literary studies, Victorian Literature and Culture

Victorian Women Writers – 00

December 3, 2009 by Roy Johnson

a guide to electronic texts

Contents

Elizabeth Gaskell

Elizabeth Gaskell

  • Introduction
  • Major E-Text Archives
  • Encoding and Text Formats
  • British Victorian Women Writers
  • E-Texts – Authors – A-B
  • E-Texts – Authors – C-D
  • E-Texts – Authors – D-E
  • E-Texts – Authors – F-G
  • E-Texts – Authors – K-M
  • E-Texts – Authors – N-P
  • E-Texts – Authors – Q-S
  • E-Texts – Authors – T-W
  • E-Texts – Authors – X-Z
  • Conclusion
  • Bibliography

 

© Kathryn Abram 2002

 


contents – archives – encoding – authors – bibliography


Filed Under: 19C Literature Tagged With: 19C Literature, Cultural history, eTexts, Literary studies, Victorian Women Writers

Victorian Women Writers – 01

December 3, 2009 by Roy Johnson

a guide to electronic texts

Introduction

In recent years, there has been an explosion in the amount of electronic primary texts that are available on the Internet. Whilst copyright restrictions prevent this form of publication for many of the latest works, a large proportion of texts written by British women in the Victorian period are now out of copyright and, thanks to the work of various institutions and enthusiasts, have been made freely available.

Whilst only the most fervent supporters of E-Texts would suggest that they will eventually replace printed books or even advocate that students and academics can rely on them to the extent that they need never visit a library, there are certain advantages that E-Texts have over their codex counterparts. Perhaps the most obvious of these is one of accessibility. Once a text is published on the Internet, it is available to anyone with a computer and an Internet connection. There are no opening hours and none of the frustration of finding that someone else got there first! Moreover, some of the texts listed in this bibliography are not widely available in any other format.

However, the main advantage that E-Texts have is that they are searchable. E-Texts are machine readable, which means that they are made up of a series of 0s and 1s that can be read by a computer and displayed on a monitor. Like word processors, all web browsers are capable of performing various kinds of searches in a matter of seconds. The advantages of being able to search a long Victorian novel for a certain phrase or perform stylistic analyses of texts are beginning to be recognised, and computers are increasingly becoming accepted as an invaluable research tool.

Despite their advantages however, using E-Texts can be problematic because of the lack of restrictions that are placed upon the material that is available on the Internet. It is conceivable that anyone could upload a text and suggest that it is authoritative when the reality could be, and often is, very different. Many of the E-Texts that are currently available on the Internet have been digitised by volunteers and it is not uncommon for them to contain errors. Moreover, even those that are error-free can be rendered not viable for academic purposes if the edition that has been used to create the electronic version is not documented. In order to raise standards and provide the highest possible quality of texts, the Text Encoding Initiative was launched in 1987. It produced a set of guidelines that stipulate how texts intended for use in the humanities should be digitised, and there are many reputable sites that adhere to the guidelines that they advocate.

A large proportion of the texts listed in this bibliography are available at one or more of four sites which offer extensive E-Text archives. These sites are evaluated below and there is an explanation of the forms of encoding which are commonly used in creating digital texts.

 

© Kate Abram 2009next

 


contents – archives – encoding – authors – bibliography


Filed Under: 19C Literature Tagged With: 19C Literature, Cultural history, eTexts, Literary studies, Victorian Women Writers

Victorian Women Writers – 02

December 3, 2009 by Roy Johnson

a guide to electronic texts

Major E-Text Archives

Electronic Text Centre at The University of Virginia

http://etext.lib.virginia.edu/

This site is aimed at, and maintained by members of the academic community. It contains some public domain texts and some that are commercially licensed. All texts are accompanied by a TEI header, which contains approximately two pages of information about the text itself, the text used as a copy-text, the identity of the transcriber and any errors and corrections that have been made. In addition, there is an explanation of any conventions that might have been used in transcription.

Some of the texts at this site are illustrated and / or include photographs of the covers of the edition used. For some works, it is possible to choose to download the entire work or receive individual chapters or illustrations.

This site is well run. It follows the TEI guidelines and the texts that it offers are of a high standard. The following screen shot is of its “Modern English Collection”, which contains a wide selection of texts written by women writers, including many British women who published material in the Victorian period.

University of Virginia

 


Oxford Text Archive

http://www.hcu.ox.ac.uk/ota/public/index.shtml

The Oxford Text Archive is a British site, which in itself is unusual as much of the work being done to provide digitised texts it taking place in the USA. Like the Electronic Text centre at Virginia, it is aimed at the academic community and is part of the Arts and Humanities Data Service. It is supported by the University of Oxford, the Joint Systems Community and the Arts and Humanities Research Board all of which adds to the site’s authority and reliability.

The texts on offer here are available in a range of different formats, the majority of which are encoded. They are clearly documented and accompanied by a TEI header. The site includes the usual search facility or there is the option to look up an individual author and see which texts are held. There is also a downloadable and regularly updated catalogue in PDF form. The majority of texts are available for immediate download, although some are only released following a written request to the transcriber.

The site contains many texts written by Victorian women writers, although they are, in practise, restricted to those writers who are traditionally perceived as canonical. George Eliot and Mrs Gaskell are particularly well represented. The following screen shot shows a selection taken from the Oxford Text Archive’s catalogue of E-Texts of works written by Mrs Gaskell. At the time of writing, twenty-four texts by this author are on offer. Seventeen of these are freely available, with the further seven available only after a written request has been submitted.

Oxford Text Archive

 


Project Gutenberg

http://www.gutenberg.net/

Project Gutenberg was one of the first collections of E-Texts to be established. It is one of the largest archives and is probably the one that is most well known. Originally the brainchild of Michael Hart at the Carnegie Mellon University, it is made up entirely of either out of copyright or copyright cleared texts.

Unlike the two previous sites, it is aimed at the general public with the stated aim of maximum accessibility. The texts chosen are the ones considered to have the widest appeal and they are digitised by volunteers. The only format available is that of ASCII or plain text and typographical errors are not uncommon. The texts are of a varying standard and this is largely down to the skill and acuracy of the individual transcribers. In the majority of cases there is no way of ascertaining which edition has been used as a copy-text and indeed, the site includes a disclaimer to this effect.

Despite these drawbacks however, Project Gutenberg texts are available without charge for research and teaching purposes and the site contains a vast selection of texts written by Victorian Women Writers.

 


Victorian Women Writers Project

http://www.indiana.edu/~letrs/vwwp/

The three sites discussed so far have been examples of archives that hold a variety of texts of different genres and from different periods. This site however, as its name suggests, is a specialized one, compiled and held at the University of Virginia. It contains a wide range of texts and the focus seems to be on the works of lesser known writers. Perry Willett, the general editor, sets out the aims of the project:

The goal of the Victorian Women Writers Project is to produce highly accurate transcriptions of works by British women writers of the 19th century, encoded using the Standard Generalized Markup Language (SGML). The works, selected with the assistance of the Advisory Board, will include anthologies, novels, political pamphlets, religious tracts, children’s books, and volumes of poetry and verse drama. Considerable attention will be given to the accuracy and completeness of the texts, and to accurate bibliographical descriptions of them.

Texts downloaded from the VWWP are accompanied by a TEI header of which the site provides a sample and an explanation.The Texts themselves are of a consistently high standard, are well documented with any corrected errors clearly marked, and the editors provide an explanation of the conventions used during transcription. This site is a extremely useful resource for anyone with an interest in the works of Victorian Women Writers and many of their texts feature in the following bibliography. Further information about the project is available in the following article:

Willett, Perry. “The Victorian Women Writers Project: The Library as a Creator and Publisher of Electronic Texts,” Public-Access Computer Systems Review 7.6 (1996): 5-16
Available at:<http://info.lib.uh.edu/pr/v7/n6/will7n6.html>

Accessed 14 May 2002.

 

© Kate Abram 2009next

 


contents – archives – encoding – authors – bibliography


Filed Under: 19C Literature Tagged With: 19C Literature, Cultural history, eTexts, Literary studies, Victorian Women Writers

Victorian Women Writers – 03

December 3, 2009 by Roy Johnson

a guide to electronic texts

Encoding and Text Formats

‘The purpose of encoding within a text’ writes Susan Hockey, ‘is to provide information which will assist a computer program to perform functions on that text’. [1] The E-Texts listed in the following bibliography are available in a variety of different formats – some are encoded and some are not.

Plain Text or ASCII Files

Plain Text files – or ASCII Files – are not encoded. Documents in this format will consist, as the name suggests, of plain text. This means that there will be no underlining, no boldface or italics, text will be of uniform size and without any variety of font styles. The following example shows the first stanza of The Runaway Slave at Pilgrim’s Point , by Elizabeth Barret Browning, in ASCII form:

ascii file[2]

The main advantage of ASCII text is that is widely available. It can be read by the vast majority of software and in 1972 it was adopted as international standard. It is possible to perform simple searches on documents written in plain text and many E-Texts are available in this form. A text in ASCII form however will appear less sophisticated than a word processed document and any formatting will be lost. This is in important consideration in poetry for example where the form and layout of the text can often make a significant contribution to the meaning.

 

HTML

HTML stand for hypertext markup language and this is the language that most Internet browsers currently read and the language that is used to control the appearance of many web pages. HTML consists of ‘tags’ which a browser reads and then arranges the appearance of the text on the screen accordingly. HTML tags can be used to instruct a browser to display visual features such as bold or italics. The following shows an example of HTML code and the effect that it has upon the text on the screen:

<B>George Eliot</B>’s sixth novel is entitled <I>Middlemarch</I>.

George Eliot’s sixth novel is entitled Middlemarch.

HTML files are therefore more visually appealing than ASCII files and attempts can be made to maintain a sense of the original formatting of a document. Long documents are often easier to read on screen in HTML form than are text files.

 

SGML

SGML stands for Standardized Markup Language, which is the parent language of HTML. There are, however, important distinctions between them.Whereas HTML uses tags to specify the way text appears on screen, SGML uses tags to describe the structure of the text and the separate units that make up this text – for example <title>, <poem>,<stanza> etc.

SGML is the markup language recommended by the TEI as it allows for greater control of a text and enables scholars to perform much more complex and precise searches of a text. A search on document in ASCII or HTML form could find all the examples of a certain word in the entire text but a search performed on an SGML encoded document could limit that search to lines spoken by an individual character. Institutions that adhere to the TEI guidelines will produce texts that are encoded in SGML. However, it should be noted that whereas most web browsers can read these files, to perform additional searches and sophisticated textual analyses, additional software will be required.

 

PDF

PDF stands for Portable Document Files, and there are a few E-Texts in this format listed in the following bibliography. A PDF file reader is required in order to view a PDF file. The most commonly used program is Adobe’s Acrobat Reader – which is now available free of charge at http://www.adobe.com/acrobat


[1] Hockey, Susan. Electronic Texts in the Humanities (Oxford: Oxford University Press, 2000), p. 24.

[2] Barret Browning, Elizabeth. ‘The Runaway Slave at Pilgrim’s Point’. Available at gopher://dept.english.upenn.edu/00/Courses/Curran202/Barrett/slave.

Accessed 15 May 2002.

 

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contents – archives – encoding – authors – bibliography


Filed Under: 19C Literature Tagged With: 19C Literature, Cultural history, eTexts, Literary studies, Victorian Women Writers

Victorian Women Writers – 04

December 3, 2009 by Roy Johnson

redbtn Belloc, Bessie Raynor (1829-1925)
redbtn Bevington, Louisa Sarah (1845-1895)
redbtn Bird, Isabella Lucy [Isabella Bishop] (1831-1904)
redbtn Blind, Mathilde [Claude Lake] (1841-1896)
redbtn Bodichon, Barbara Leigh Smith (1827-1891)
redbtn Booth, Catherine Mumford (1829-1890)
redbtn Braddon, Mary Elizabeth (1837-1915)
redbtn Bronte, Anne [Acton Bell] (1820-1849)
redbtn Bronte, Charlotte [Charlotte Nicholls; Currer Bell] (1816-1855)
redbtn Bronte, Emily [Ellis Bell] (1818-1848)
redbtn Broughton, Rhoda (1840-1920)
redbtn Browning, Elizabeth Barrett (1806-1861)
redbtn Butler, Josephine (1829-1906)

redbtn Caird, Mona (1854-1932)
redbtn Cambridge, Ada [Ada Cross] (1844-1926)
redbtn Cholmondeley, Mary (1859-1925)
redbtn Clive, Caroline (1801-1873)
redbtn Cobbe, Fancis Power (1822-1904)
redbtn Corelli, Marie [Mary Mills Mackay] (1855-1924)
redbtn Craik, Dinah Maria Mulock (1826-1887)
redbtn Cross, Victoria (1868-1952)

redbtn Dixon, Ella Hepworth (1855-1932)

redbtn Eliot, George [Mary Ann Evans] (1819-1880)
redbtn Ellis, Sarah Stickney (1812-1872)

redbtn Gaskell, Elizabeth Cleghorn (1810-1865)
redbtn Guiney, Louise Imogen (1851-1920)

redbtn Keary, Elixa
redbtn Keary, Maud

redbtn Lee, Vernon [Violet Paget] (1856-1935)
redbtn Levy, Amy (1861-1889)
redbtn Linton, E. Lynn (1822-1898)

redbtn Malet, Lucas (1852-1931)
redbtn Martineau, Harriet (1802-1876)
redbtn Meynell, Alice Christiana Thompson (1847-1922)

redbtn Naden, Constance Caroline Woodhill (1858-1889)
redbtn Nesbit, Edith (1858-1924)
redbtn Nightingale, Florence (1820-1910)
redbtn Norton, Caroline (1808-1877)

redbtn Radford, Dollie
redbtn Robins, Elizabeth [C.E. Raimond] (1862-1952)
redbtn Rossetti, Christina Georgina (1830-1894)

redbtn Schreiner, Olive Emilie Albertina [Ralph Iron] (1855-1920)
redbtn Skene, Felicia (1821-1899)
redbtn Steel, Flora Annie (1847-1929)

redbtn Taylor, Helen (1831-1907)

redbtn Ward, Mrs Humphrey [Mary Augusta Arnold] (1851-1920)
redbtn Webster, Augusta (1837-1894)
redbtn Wilde, Lady Jane (1826-1896)
redbtn Wood, Ellen [Ellen Price] (1814-1887)

redbtn Yonge, Charlotte Mary (1823-1901)

 

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Filed Under: 19C Literature Tagged With: 19C Literature, Cultural history, eTexts, Literary studies, Victorian Women Writers

Victorian Women Writers – 05

December 3, 2009 by Roy Johnson

a guide to electronic texts

Bibliography

Browner, Stephanie, and others. Literature and the Internet: A Guide for Students, Teachers, and Scholars, New York: Garland, 2000.

Barret Browning, Elizabeth. ‘The Runaway Slave at Pilgrim’s Point’.
Available at http://dept.english.upenn.edu/00/Courses/Curran202/Barrett/slave.
Accessed 15 May 2002.

Butler, C. Computers in Linguistics, Oxford: Blackwell, 1985.

Butler, C. Computers and Written Texts, Oxford: Blackwell, 1992.

Byatt, A. S. and Nicholas Warren, George Eliot: Selected Essays, Poems and Other Writings, London: Penguin, 1990.

David, Deirdre The Cambridge Companion to the Victorian Novel, Cambridge: Cambridge University Press, 2000, pp.287, ISBN 0521646197.

Dorner, Jane, The Internet: A Writers Guide, London: A & C Black, 2000.

Flint, Kate, The Woman Reader,1837-1914 , Oxford: Oxford University Press, 1995, pp.378, ISBN 0198121857

Guy, Josephine M. The Victorian Age : An Anthology of Sources and Documents, London: Routledge, pp.632, ISBN 0415271142.

Hockey, Susan M. A Guide to Computer Applications in the Humanities, London: Duckworth, 1980.

Hockey, Susan M. Electronic Texts in the Humanities: Principles and Practice, Oxford: Oxford University Press, 2000.

Hughes, Linda K., and Michael Lund, Victorian Publishing and Mrs Gaskell’s Work, Charlottesville and London: University of Virgina Press,1999.

Martindale, Colin and Anne Martindale, ‘Historical Evolution of Content and Style in Nineteenth- and Twentieth-Century American Short Stories’, Poetics: International Review for the Theory of Literature, 17.4-5, Siegen: FRG, 1988.

Miall, David S. (ed), Humanities and the Computer: New Directions, Oxford: Oxford University Press, 1990.

Oakman, R.L. Computer Methods for Literary Research, South Carolina: University of South Carolina Press, 1980.

Potter, R.G. (ed), Literary Computing and Literary Criticism: Theoretical and Practical Essays on Theme and Rhetoric, Philadelphia: University of Pennsylvania Press, 1989.

Regan, Stephen, (ed) The Nineteenth Century Novel: A Critical Reader London: Routledge, 2001.

Robinson, Peter M. W. The Digitization of Primary Textual Sources, Oxford: Office for Humanities Communication Publications, 1993.

Sutherland, John, Victorian Novelists and Publishers, Chicago: The University of Chicago Press, 1976.

Sutherland, Kathryn, (ed) Electronic Text: Investigations in Method and Theory, Oxford: Clarendon Press, 1997.

Thompson, Nicola Diane, Victorian Women Writers and the Woman Question, Cambridge: Cambridge University Press, 1999, pp.274, ISBN 0521641020.

Truman, Myron C. Literacy Online: The promise (and peril) of reading and writing with computers, University of Pitsburgh Press, 1993.

Unglow, Jenny, Elizabeth Gaskell, London: Faber and Faber, 1994.

Willett, Perry. ‘The Victorian Women Writers Project: The Library as a Creator and Publisher of Electronic Texts’, Public-Access Computer Systems Review 7.6 (1996): 5-16
Available at:<http://info.lib.uh.edu/pr/v7/n6/will7n6.html>
Accessed 14 May 2002

Willet, Perry. ‘VWWP Guidelines’.
Available at: <http://www.indiana.edu/~letrs/vwwp/vwwp-about.html>

Accessed 14 May 2002.

 

© Kate Abram 2009next

 


contents – archives – encoding – authors – bibliography


Filed Under: 19C Literature Tagged With: 19C Literature, Cultural history, eTexts, Literary studies, Victorian Women Writers

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