The Longest Journey Archives

EM Forster – greatest works

September 18, 2009 by Roy Johnson

novels and stories by Bloomsbury modernist

E.M.Forster is often seen as a bridge between the nineteenth and the twentieth century novel. He documents the Edwardian and Georgian periods in a witty and elegant prose, satirising the middle and upper classes he knew so well. He was a friend of Virginia Woolf, with whom he worked out some of the ground rules of literary modernism. These included the concept of what they called ‘tea-tabling’ – making the substance of serious fiction the ordinary events of everyday life. He was also an inner member of The Bloomsbury Group. His novels grew in complexity and depth, and yet he suddenly gave up fiction in 1923. This was because he no longer felt he could write about the subject of heterosexual love which he did not know or feel. Instead, he turned to essays – which are well worth reading.

Where Angels Fear to Tread (1902) This is Forster’s first novel and very witty debut. A wealthy and spirited middle-class English girl goes to Italy and becomes involved with a penniless local man. The English family send out a party to ‘rescue’ her (shades of Henry James) – but they are too late; she has already married him. But when a baby is born, the family returns with renewed hostility. The clash between living Mediterranean spirit and deadly English rectitude is played out with amusing and tragic consequences. If you’ve not read Forster before, this is a good place to start.
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Where Angels Fear to Tread – DVD This film version is not a Merchant-Ivory production, although it’s done very much in their style. But it is accurate and entirely sympathetic to the spirit of the novel, possibly even stronger in satirical edge, well acted, and superbly beautiful to watch. Much is made of the visual contrast between the beautiful Italian setting and the straight-laced English capital from which the prudery and imperialist spirit emerges. The lovely Helena Bonham-Carter establishes herself as the perfect English Rose in this her breakthrough production. Helen Mirren is wonderful as the spirited Lilia who defies English prudery and narrow-mindedness and marries for love – with results which manage to upset everyone.
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A Room with a View (1905) This is another comedy of manners and a satirical critique of English stuffiness and hypocrisy. The impulsive and cultivated Lucy Honeychurch must choose between taklented but emotionally frozen Cecil Vyse and the impulsive George Emerson. The staid Surrey stockbroker belt is contrasted with the magic of Florence, where she eventually ends up on her honeymoon. Upper middle-class English tourists in Italy are an easy target for Forster in some very amusing scenes.
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A Room with a View – DVD This is a Merchant-Ivory production which takes one or two minor liberties with the original novel. But it’s still well acted, with the deliciously pouting Helena Bonham Carter as the heroine, Denholm Eliot as Mr Emerson, Daniel Day-Lewis as a wonderfully pompous Cecil Vyse, and Maggie Smith as the poisonous hanger-on Charlotte. The settings are delightfully poised between Florentine Italy and the home counties stockbroker belt. I’ve watched it several times, and it never ceases to be visually elegant and emotionally well observed. This film was nominated for eight Academy awards when it appeared, and put the Merchant-Ivory team on the cultural map.
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The Longest Journey (1907) is one for specialists, and is widely regarded as Forster’s ‘problem’ novel. That is, it deals with important personal issues, but does not seem so well executed as his other works. Rickie Elliot sets out from Cambridge with the intention of writing. In order to marry the beautiful but shallow Agnes, however, he becomes a schoolmaster instead. This abandonment of personal values for those of the world leads him gradually into a living death of conformity and spiritual hypocrisy from which he eventually redeems himself – but at a tragic price.
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Howards End (1910) is a State of England novel, and possibly Forster’s greatest work – though that’s just my opinion. Two families are contrasted: the intellectual and cultivated Schlegels, and the capitalist Wilcoxes. A marriage between the two leads to spiritual rivalry over the possession of property. Following on their social coat tails is a working-class would-be intellectual who is caught between two conflicting worlds. The outcome is a mixture of tragedy and resignation, leavened by hope for the future in the young and free-spirited.
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Howards End – DVD This is arguably Forster’s greatest work, and the film lives up to it. It is well acted, with very good performances from Emma Thompson and Helena Bonham Carter as the Schlegel sisters, and Anthony Hopkins as the bully Willcox. The locations and details are accurate, and it lives up to the critical, poignant scenes of the original – particularly the conflict between the upper middle-class Wilcoxes and the working-class aspirant Leonard Baskt. This is another adaptation which I have watched several times over, and always been impressed.
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A Passage to India, (1923) was started in 1913 then finished partly in response to the Amritsar massacre of 1919. Snobbish and racist colonial administrators and their wives are contrasted with sympathetically drawn Indian characters. Dr Aziz is groundlessly accused of assaulting a naive English girl on a visit to the mystic Marabar Caves. There is a set piece trial scene, where she dramatically withdraws any charges. The results strengthen the forces of Indian nationalism, which are accurately predicted to be successful ‘after the next European war’ at the end of the novel. Issues of politics, race, and gender, set against vivid descriptions of Chandrapore and memorable evocations of the surrounding landscape. This is generally regarded as Forster’s masterpiece.
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A Passage to India – DVD This adaptation by David Lean is something of a mixed bag. It’s well organised, reasonably true to the original, and has some visually spectacular scenes. James Fox is convincing as the central character Fielding. But it has tonal inconsistencies, and to cast Alec Guinness as the Indian mystic Godbole is verging on the ridiculous. Nevertheless there is some good cameo acting, particularly Edith Evans as Mrs Moore. Watch out for the Indian signpost half way through that looks as if it’s made out of cardboard.
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Maurice, (1967) is something from Forster’s bottom drawer. It was written in 1913-14, but not published until after his death. It’s an autobiographical novel of his gay university days which is explicit enough that couldn’t be published in his own lifetime. It’s light, amusing, and fairly inconsequential compared to the novels he wrote whilst pretending to be straight. This poses an interesting critical problem, when you would imagine he could have been more honest and therefore more successful.

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Aspects of the Novel (1927) was originally a series of lectures on the nature of fiction. Forster discusses all the common elements of novels such as story, plot, and character. He shows how they are created, with all the insight of a skilled practitioner. Drawing on examples from classic European literature, he writes in a way which makes it all seem very straightforward and easily comprehensible. This book is highly recommended as an introduction to literary studies.

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Collected Short Stories is like a glimpse into Forster’s workshop – where he tried out ideas for his longer fictions. This volume contains his best stories – The Story of a Panic, The Celestial Omnibus, The Road from Colonus, The Machine Stops, and The Eternal Moment. Most were written in the early part of Forster’s long career as a writer. Rich in irony and alive with sharp observations on the surprises in life, the tales often feature violent events, discomforting coincidences, and other odd happenings that throw the characters’ perceptions and beliefs off balance.
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E.M.Forster: A Life is a readable and well illustrated biography by P.N. Furbank. This book has been much praised for the sympathetic understanding Nick Furbank brings to Forster’s life and work. It is also a very scholarly book, with plenty of fascinating details of the English literary world during Forster’s surprisingly long life. It has become the ‘standard’ biography, and it is very well written too. Highly recommended.
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More on E.M. Forster
More on the novella
More on literary studies
More on short stories

The Longest Journey

January 25, 2013 by Roy Johnson

tutorial, commentary, study resources, and web links

The Longest Journey (1907) was Forster’s second novel, and one of which he said “I am most glad to have written”. But its reputation has not fared so well as his other novels. It is probably the least known of his major works, and unlike the other novels it has not be made into a film. In one sense, it is a Bildungsroman in ironic reverse, because the protagonist is wiser at the outset than he is at the end of the book.

E.M.Forster

The Longest Journey – critical commentary

The Second Novel

It is often observed that novelists who produce a successful first novel sometimes find it difficult to produce a follow-up work of similar quality. It is certainly true that the consensus of critical opinion on The Longest Journey is that it is regarded as something of a failure following Forester’s success with Where Angels Fear to Tread. It is certainly a more structurally ambitious work – but the problem is that its parts do not hang together successfully.

We are being offered Rickie’s story as a sort of positive lesson despite the fact that he is killed at its conclusion. He sees himself as a failure, but he has re-united meaningfully with his own brother; he has rejected the moral values of Sawston school and his brother-in-law; he has seen his own wife for the shallow creature that she is; and he has also restored the relationship with his bosom Cambridge friend Ansell. Moreover, the stories he has composed during his short life as an adult turn out to be successful after all – a posthumous tribute to the aesthetic values he worked out in his Cambridge days.

Death

The passage of events in novel depends upon an extraordinary number of deaths. Rickie’s uncle Mr Failing dies intestate, which leaves inheritance a large issue, and is certainly a source of conflict between Rickie and his wife. Agnes wants Rickie to befriend his eccentric aunt so that she will favour him in her will. Rickie is outraged at this greediness, and feels that Stephen should inherit the money.

Both Rickie’s parents die in rapid succession, leaving a convenient void to cover up the issue of Stephen’s parentage. And Stephen’s father (Robert) dies only seventeen days after eloping with Rickie’s mother.

Rickie and Agnes’s daughter dies shortly after being born, and Rickie himself is killed on the railway, which earlier in the novel has also claimed the life of a young child.

Spirit of place

Forster was quite interested in what we now call ‘spirit of place’ – the idea that certain geographic locations have a quasi-mystical aura which is detectable for people sensitive enough to make themselves receptive to it. His short stories feature this phenomenon, and his novel A Passage to India has at its centre the episode in the Marabar caves on which the plot turns.

In The Longest Journey it features largely in the scenes that take place in Wiltshire, particularly in Rickie’s exploration of the Salisbury Plain and the Fisbury (Cadbury) Rings where he feels he can sense the spirits of long dead ancestors.

He saw Old Sarum, and hints of the Avon Valley, and the land above Stonehenge. And behind him he saw the great wood beginning unobtrusively, as if the down tooneeded shaving; and into it the road to London slipped, covering the bushes with white dust. Chalk made the dust white, chalk made the water clear, chalk made the clear rolling outlines of the land, and favoured the grass and the distant coronals of trees. Here is the heart of our island: the Chilterns, the North Downs, the South Downs radiate hence. The fibres of England unite in Wiltshire, and did we condescend to worship her, here we should erect our national shrine.

The Longest Journey – study resources

The Longest Journey – Penguin Classics – Amazon UK

The Longest Journey – Penguin Classics – Amazon US

The Longest Journey – Amazon Kindle edition

The Longest Journey – eBook versions at Project Gutenberg

The Longest Journey – audioBook versions at LibriVox

The Cambridge Companion to E.M.Forster – Amazon UK

E.M.Forster at Wikipedia – biographical notes, links

E.M.Forster at Mantex – tutorials, web links, study resources

The Longest Journey – plot summary

Cambridge

Rickie Elliot is an orphan and an ex public schoolboy who is in his second year at Cambridge. He is visited by family friends Agnes Pembroke and her elder brother Herbert, who is a housemaster at a school. Agnes is engaged to Gerald Dawes, who does not yet have enough money to marry her. After seeing the engaged couple embracing, Rickie offers Gerald some of his own money so that he can enjoy happiness with Agnes. He does not think he will need the money himself, since he does not wish to marry, having a hereditary disability which he does not wish to pass on to any children. But his offer is spurned as insulting.

Rickie falls in love with Agnes, but idolises her, feels himself an inadequate lover, and keeps alive the notion that she shared an ideal love with Gerald. He announces his engagement to her at a breakfast party at college. Ansell predicts that Rickie has been duped by a scheming Agnes and advises him against her. But Rickie merely takes this as a sign of their deep friendship, because they can be so frank with each other.

Rickie is not quite so well off as he thought, and there is therefore to be another long engagement. He takes Agnes to meet his rather eccentric aunt Emily at her estate at Cadover in Wiltshire. There he meets her protege, Stephen Wonham, a semi-educated young man. Although they have very little interest in each other, his aunt wishes to promote their friendship.

The two young men go for an excursion on horseback to Salisbury, but Rickie becomes bored and turns back, leaving Stephen to go on, get drunk and fight with a soldier he encounters. Later Rickie walks amongst ancient earthworks and feels a kinship with what he sees as dead spirits there. His aunt reveals that Stephen is Rickie’s half brother, which sends Rickie into a faint. Even though he feels it is a symbolic and important revelation, Agnes persuades him not to tell Stephen and to keep the relationship secret.

Rickie passes a year trying to place his short stories with publishers, but doesn’t get anywhere. Instead he marries Agnes and becomes a teacher at Sawston School, where her brother Herbert is trying to impose public school traditions on what was originally a grammar school.

Sawston

The marriage gives him a limited degree of satisfaction, and he becomes embroiled in petty disputes over the way the school is run. His old Cambridge friend Ansell is disappointed in Rickie’s relationship with Agnes, and refuses to visit him.

Rickie’s daughter is born with an inherited deformity and dies in infancy. The marriage goes sour. Agnes tries to heal the rift between Rickie and his aunt Emily – but he realises that she is fortune-hunting, and it fuels his resentment towards Stephen, even though he thinks Stephen should inherit his aunt’s money.

When it emerges that Stephen has been behaving badly and is being sent to Canada, Rickie realises that Agnes has been stoking prejudice against him. In an argument, he reveals to Herbert the ‘truth’ (as he sees it) about Stephen’s relationship to the Elliot family.

Meanwhile, Ansell is visiting Sawston, where he meets Stephen, who has learnt that Rickie is his half brother during an argument with Mrs Failing. Ansell is very impressed with Stephen as a ‘child of nature’. Agnes tries to buy off Stephen, who takes offence and leaves. Ansell then reveals in the school dining hall that Stephen is in fact Rickie’s mother’s illegitimate child.

Wiltshire

At this dramatic crux, the narrative loops back in time to relate the circumstances of Stephen’s origins. A cultivated countryman falls in love with Mrs Elliot, and at a point where she realises that her husband no longer loves her, she runs away with him to Sweden, where he drowns in the sea. Stephen is born as a result of this brief liaison, his origins are hushed up, and he is raised by Emily Failing.

Back in the narrative present, Stephen leaves Sawston and wanders aimlessly for a while, then returns to see Rickie, who has in the meantime realised that he loves his brother and wants to help him – particularly to stop drinking. Rickie leaves Sawston with Stephen and they travel together to Salisbury then Cadover.

Rickie’s aunt Emily advises him to go back to his wife, even though they do not love each other. Rickie feels that to do so would be a sort of spiritual death, But when trying to recover Stephen from another night’s drinking, Rickie is killed by an oncoming train when pulling his brother off the tracks.

Stephen survives, gets married, and has a child. The last scene of the novel sees him haggling with Pembroke over money due to him for the publication of Rickie’s stories, which have become successful after his death.

Cambridge – King’s College

Principal characters

Frederick (Rickie) Elliot	parentless ex public schoolboy, with deformed foot, Cambridge undergraduate
Stewart Ansell	clever fellow student, Jewish
Tilliard	fellow student
Agnes Pembroke	young woman
Herbert Pembroke	her elder brother – housemaster at Sawston school
Gerald Dawes	her fiancé, a soldier
Mrs Aberdeen	Rickie’s bed-maker (domestic help)
Mr Elliot	Rickie’s cruel father
Mrs Elliot	Rickie’s remote mother
Mrs Lewin	chaperone to Agnes
Mr Failing	the original owner of Cadover – a socialist
Emily Failing	Rickie’s artistic and eccentric aunt
Stephen (Podge) Wonham	Mrs Failing’s protege and Rickie’s half-brother (19)
Mr Jackson	teacher of classics at Sawston School
Varnan	the bullied schoolboy at Sawston

manuscript page of Forster’s The Longest Journey

Other work by E.M. Forster