The Trial Archives

Franz Kafka greatest works

September 19, 2009 by Roy Johnson

stories, novels, diaries

Beginners should start with the short stories of Franz Kafka before tackling his novels. Be prepared for writing which can be very philosophical, heavily symbolic, and full of strange images. In Franz Kafka’s greatest works there is often no plot or dramatic tension, but the prose style (even in translation) is truly original. Kafka’s work is also full of black humour; he often writes both about and from the point of view of animals; and some of his shorter pieces are in the form of parables, meditations, poetic fragments, and sketches.

Keep in mind that Kafka was one of many great writers who did not win the Nobel Prize for literature – along with Tolstoy, Joseph Conrad, Thomas Hardy, Virginia Woolf, D.H.Lawrence, and James Joyce. His work was hardly known outside his native Chzeckoslovakia during his lifetime, and yet it had immediate and enormous impact once it was translated in the late 1920s. He is now regarded as one of the giants of twentieth-century literature.

Metamorphosis (1915) is truly one of Kafka’s masterpieces – a stunning parable which lends itself to psychological, sociological, or existential interpretations. It’s the tale of a man who wakes up one morning and finds himself transformed into a giant insect. His family are horrified, gradually disown him, and he dies of neglect, with a rotting apple lodged in his side. Franz Kafka is one of the most important and influential fiction writers of the early twentieth century. He was a novelist and writer of short stories whose works came to be regarded as one of the major achievements of twentieth century literature. Metamorphosis is one of his most stunning and memorable works.
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The Trial is Kafka’s one indisputably successful novel – a haunting and original study in existential anxiety, paranoia, and persecution. Joseph K is accused one day of being guilty – but not told what crime he has committed. He wrestles hopelessly with legal officials and a nightmare-like court which acts on arbitrary rules and refuses to give explanations. He spends the entire novel striving to find justice. In the end he fails, only to be killed ‘like a dog’. Kafka gave expression to modern anxiety three decades before most people even started feeling it. This is a novel which stands outside literary norms – a superb achievement of literary modernism. Be prepared for black humour as well as mind-bending contradictions and deeply etched literary expressionism. Read the stories and The Trial as a start and a minimum.
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The Castle is Kafka’s last work – a long, rambling, and unfinished novel in which the castle itself operates as a huge metaphor for authority and bureaucracy. If The Trial is about a hopeless search for justice, The Castle is often said to be about the search for grace and forgiveness. The setting is a remote village covered almost permanently in snow and a community fraught with tensions and sexual predators. It lies like a magnificent ruin amongst the many other fragments in Kafka’s oeuvre. This is strictly for the advanced devotee. Tackle this one only when you have read the other shorter works.

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Amerika (also known as The Man who Disappeared) is Kafka’s first attempt at a novel. He is renowned for documenting the horrors of modern life, but Kafka also had a lighter and amusing side. This novel is incomplete, like so much else he wrote. It’s the story of Karl Rossmann who after an embarrassing sexual misadventure is expelled from his European home and goes to live in an imaginary United States (which of course Kafka had never visited). The story is deeply symbolic – as usual – and an interesting supplement to the central texts. In fact it’s a reverse ‘Rags to Riches’ story, because Karl starts his engagement with the American Dream quite successfully – but by the end of the novel he is destitute. The first chapter is frequently anthologised as ‘The Stoker’.
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The Complete Short Stories is an amazing bargain, because this includes not only the stories, but also Kafka’s fragments, parables, and sketches. Many of these – although sometimes no more than jottings – contain the germs of ideas and images which Kafka worked up later into his major works. Kafka wrote on the boundaries between fiction and philosophy, and very often he blurrs the distinction between the two.
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The Diaries Kafka wrote to himself almost as much as he did to other people, and he communicated some of his most subtle and revealing ideas in fragments and notes made in the margins of his tormented life. Here there are the wrestlings with guilt and personal inadequacy, plus the aspirations to a a higher spiritual life. They cover the period from 1910 to 1923 and reveal the inner world in which he lived. He also describes the father he worshipped but feared, and the woman he loved but could not bring himself to marry. It is sometimes difficult to see where his fiction ends and his biographical notes begin, but they form an interesting contrast if they are read in conjunction with the letters and the notebooks. They also need to be read with care, because they conceal almost as much as they reveal.
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Letters to Felice Many of Kafka’s surviving letters were written to women with whom he was ‘in love’. The qualification of this term is necessary because they reveal a fascinating ambiguity in his attitude to the recipients. Thousands of words are spent analysing his feelings, arranging meetings then cancelling them, deciding to get married and making all the necessary arrangements for where and how to live – and then changing his mind, and writing endless further letters explaining his reasons. Other letters reveal his painstaking sympathy and scrupulous kindness to friends, his neurotic fastidiousness over what most people would regard as trivialities, and his amazing modesty in dealing with other figures of the literary world.
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The Complete Novels is a handy, good value compilation which includes Amerika, The Trial, and The Castle. One Amazon reviewer complains that the print is very small, but you can hardly complain when three major works are rolled into one volume of nearly eight hundred pages for less than the price of two cocktails. The translation used is that by Edwin and Willa Muir written in the 1930s.

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Franz Kafka – web links

Franz Kafka at Mantex
Biographical notes, book reviews and study guides on the major works, video presentations and documentaries, adaptations for cinema and television, and links to Kafka archives.

Franz Kafka at Project Gutenberg
A major collection of free eTexts in a variety of formats – in both English and German.

Franz Kafka at Wikipedia
Biographical notes, social background, survey of the stories and novels, publishing history, translations, critical interpretation, and extensive bibliographies.

Franz Kafka at the Internet Movie Database
Adaptations for the cinema and television – in various languages. Full details of directors, actors, production features, box office, film reviews, and even quizzes.

Kafka in Love
Video photomontage featuring portraits of Kafka, his friends and family, and locations in Prague – with a rather schmaltzy soundtrack in Yiddish and English.

Kafka-Metamorphosis
A public Wiki dedicated to Kafka and his work, featuring the short stories, interpretations, and further web links.

Kafka Society of America
Academic group with annual meetings and publications. Also features links to other Kafka-related sites

Oxford Kafka Research Centre
Academic group based at Oxford University that tracks current research and meetings. [Doesn’t seem to have been updated since 2012.]

The Kafka Project
Critical editions and translations of Kafka’s work in several languages, plus articles, literary criticism, bibliographies.

Tribute to Franz Kafka
Individual fan site (created by ‘Herzogbr’) featuring a collection of texts, reviews, and enthusiast essays. Badly in need of updating, but contains some interesting gems.

Finding Kafka in Prague
Quirky compilation of photos locating Kafka in his home town – with surrealist additions and weird sound track.

Who Owns Kafka?
Essay by Judith Butler from the London Review of Books on the contentious issues of ownership of Kafka’s manuscripts where they are currently held in Israel – complete with podcast.

The Kafka Archive – latest news
Guardian newspaper report on the suitcase full of Kafka and Max Brod’s papers released by Israeli library.

Franz Kafka: an illustrated life
Book review of a charming short biography with some unusual period photos of Kafka and Prague.

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The Castle

August 10, 2009 by Roy Johnson

Kafka’s last major work

The Castle was Kafka’s last novel, and like most of his others (except The Trial) it was never completed. Indeed, it ends abruptly, breaking off half way through a sentence. But it towers like some sort of an unfinished masterpiece over the rest of his work. Anthea Ball, the translator of this new edition from OUP, makes the case that The Castle is unlike The Trial because it is set in the countryside and it is mainly concerned with a village community. This is what might be called a ‘charitable’ interpretation.

Others are likely to note that it has a very similar protagonist, with the same initial name (K) who seeks acceptance into the village and is condemned to failure in his attempts to gain admission to the Castle. This building dominates the entire locality and houses swarms of unseen officials and various bureaucrats representing authority in the absence of its real owner, who never appears.

The castle is also likened to a church or cathedral – and the villagers do in fact pay it religious devotions. Visitors to Kafka’s home town of Prague do not have to look far to see the likely origin of this powerful symbol. Prague Castle towers above every possible view from the surrounding city.

The villagers live in a state of what Marx called ‘rural idiocy’ because of their reverence for this unseen authority. Kafka’s other works are mainly set in a city – and he himself rarely left Prague where he was born, went to school and university, and worked – until the very end of his short life. But The Castle is world of shabby, overworked and undernourished peasants who live in hovels and endure brutish behaviour from everyone above them in the pecking order.

K does his best to challenge in a rational manner the benighted obeisance in which the villagers are held because of their irrational respect for the Castle’s authority – especially in the form of Klamm, an official of such awesome power that people are even afraid to say his name or look at him. But K is met with ambiguity, contradiction, and absurdity at every attempt to deal with the strange world in which he finds himself.

There is also the usual sexual ambiguity one comes to expect in Kafka’s work. When K arrives in the village, Frieda the barmaid is Klamm’s mistress, but she gives him up in favour of the newcomer K. The two of them consummate their passion on the floor of the bar room amongst beer puddles, unknowingly observed by the comic twins Artur and Jeremiah. This experience transports K into ‘another land’ – and yet he quickly gets fed up with her and spends all his time thinking about gaining access to the Castle.

Any number of possible interpretations of the novel have been discussed at length in the critical writing on Kafka. It has often been seen as a novel-length version of his parable ‘Before the Law’ in which a man seeks entry to the Law but is denied by a gatekeeper. The man decides to wait and only when he is dying asks why no other people have ever sought entrance. The gatekeeper replies “This entrance was assigned only to you. And now I am going to close it”.

The Castle is not for readers new to Kafka. Better to start with the short stories, such as Metamorphosis or his shorter novel The Trial. But for anything like a complete Kafka experience, this one is unmissable. It is also a surprisingly funny novel at times, despite its sombre overtones.

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Franz Kafka, The Castle, Oxford: Oxford University Press, 2009, pp.279, ISBN 0199238286

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The Trial

August 6, 2009 by Roy Johnson

Kafka’s one completed novel masterpiece

The Trial was the only novel Kafka ever more-or-less completed during his own lifetime. Most of his other work is renowned for being fragmentary and incomplete. But even so, its chapters were kept in separate folders and he gave no indication of the order in which they were to appear. The parts were assembled and published by his friend Max Brod in 1925, the year after Kafka’s death. It is a novel which seems to give an amazingly premonitory account of the horrors in the modern totalitarian world.

It deals with the arbitrary nature of power threatening the freedom of the individual and the crushing of every attempt to understand its workings. The novel opens with a sentence which has become famous – heralding the nightmare to come: “Somebody must have been telling lies about Joseph K, for one morning without having done anything wrong, he was arrested.” This is the ‘knock on the door’ which was to become an everyday experience for millions in the years that followed in the totalitarian worlds of Stalin’s Russia and the Nazi period of German’s history. Needless to say, it has also become commonplace throughout the world ever since – from Franco’s Spain and Pinochet’s Chile to China, North Korea, and today’s middle-East.

Joseph K’s offense is never explained to him, and the illogical nature of his helplessly vulnerable condition is pursued relentlessly throughout the narrative. Indeed, it gets worse with each of his efforts to understand or do anything about it. He appeals to all forms of bureaucratic authority for help and clarification, but gets nowhere.

Of course, no trial in the ordinary sense of that word takes place. He never discovers the precise charge which is made against him. Once he is arrested, an examining magistrate inquires into the case against him – and the process [Der Prozess is the German title of the novel] gradually merges into the verdict.

Joseph K visits a number of people and even the court itself in pursuit of his self defense. Every venue seems more bizarre than the last. A courtroom which is more like a madhouse; a lawyer’s office which seems more like a derelict cathedral; and a painter’s studio which is packed with lubricious young girls.

Many possible interpretations of the story have been discussed at length in the critical writing on Kafka. First there were the religious and existential approaches to explain why Joseph K feels guilty, even when he doesn’t seem to have done anything wrong. Then the psychoanalytic and biographical theories, based on guilt about his family or his fiancee Felice Bauer to whom he was twice engaged. Western Europeans favoured the existential approach, whereas the old Eastern bloc countries understandably read Kafka as expressing the fate of the individual denied freedom by bureaucratic tyrannies. Both approaches can be equally convincing, and more are possible.

These new editions of Kafka’s main works from Oxford University Press offer fresh translations, and they come with extended introductory essays, full explanatory notes, a bibliography, and both a biographical preface on Kafka and a chronology of his life. They also explain the very complex provenance of the text, and included as a bonus are fragments from the novel discovered amongst Kafka’s papers after his death. Generations of scholars have been unable to decide exactly where they belong in the novel, so they are offered as appendices.

This is one of the key texts in early twentieth century modernism. Kafka was unlike any other writer before or since (even though he has many pale imitators). If you have not read Kafka before, it’s probably better to start with some of his short stories – such as Metamorphosis. When you’re ready, this novel will be waiting for you – like a nightmare ready to happen.

1962 film version – directed by Orson Wells

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Franz Kafka, The Trial, Oxford: Oxford University Press, 2009, pp.191, ISBN: 0199238294

More on Franz Kafka
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The Trial

January 27, 2010 by Roy Johnson

tutorial, characters, video, resource materials

The Trial is Kafka’s one indisputably successful novel – a haunting and original study in existential anxiety, paranoia, and persecution. Joseph K is accused one day of being guilty – but not told what crime he has committed. He wrestles hopelessly with legal officials and a nightmare-like court which acts on arbitrary rules, striving to find justice. In the end he fails, only to be killed ‘like a dog’. Kafka gave expression to modern anxiety three decades before most people even started feeling it. This is a novel which stands outside literary norms – a superb achievement of literary modernism. Be prepared for black humour as well as mind-bending contradictions and deeply etched literary expressionism.

Franz Kafka

The Trial – plot summary

Joseph K is a senior bank clerk who lives in lodgings. On his thirtieth birthday he is unexpectedly arrested by two unidentified agents for an unspecified crime. The agents do not name the authority for which they are acting. He is not taken away, however, but left at home to await instructions from the Committee of Affairs.

K goes to visit the magistrate, but instead is forced to have a meeting with an attendant’s wife. Looking at the Magistrate’s books, he discovers a cache of pornography.

He returns home to find Fräulein Montag, a lodger from another room, moving in with Fräulein Bürstner. He suspects that this is to prevent him from pursuing his affair with the latter woman. Yet another lodger, Captain Lanz, appears to be in league with Montag.

Later, in a store room at his own bank, K discovers the two agents who arrested him being whipped by a flogger for asking K. for bribes, as a result of complaints K. previously made about them to the Magistrate. K. tries to argue with the flogger, saying that the men need not be whipped, but the flogger cannot be swayed. The next day he returns to the store room and is shocked to find everything as he had found it the day before, including the Whipper and the two agents.

K is visited by his uncle, who is a friend of a lawyer. The uncle seems distressed by K’s predicament. At first sympathetic, he becomes concerned K is underestimating the seriousness of the case. The uncle introduces K to an advocate, who is attended by Leni, a nurse, who K’s uncle suspects is the advocate’s mistress. K. has a sexual encounter with Leni, whilst his uncle is talking with the Advocate and the Chief Clerk of the Court, much to his uncle’s anger, and to the detriment of his case.

K visits the advocate and finds him to be a capricious and unhelpful character. He returns to his bank but finds that his colleagues are trying to undermine him.

K is advised by one of his bank clients to visit Titorelli, a court painter, for advice. Titorelli has no official connections, yet seems to have a deep understanding of the process. K learns that, to Titorelli’s knowledge, not a single defendant has ever been acquitted. He sets out what K’s options are, but they all consist merely of delaying tactics to stretch out his case as long as possible before the inevitable ‘Guilty’ verdict.

K decides to take control of his own life and visits his advocate with the intention of dismissing him. At the advocate’s office he meets a downtrodden individual, Block, a client who offers K some insight from a client’s perspective. Block’s case has continued for five years and he appears to have been virtually enslaved by his dependence on the advocate’s meaningless and circular advice. The advocate mocks Block in front of K for his dog-like subservience.

K is asked to tour an Italian client around local places of cultural interest, but the Italian client short of time asks K. to tour him around only the cathedral, setting a time to meet there. When the client doesn’t show up, K explores the cathedral which is empty except for an old woman and a church official. K decides to leave as a priest K notices seems to be preparing to give a sermon from a small second pulpit, lest it begin and K be compelled to stay for its entirety. Instead of giving a sermon, the priest calls out K’s name, although K has never known the priest. The priest works for the court, and tells K a fable, (which has been published separately as ‘Before the Law’) that is meant to explain his situation, but instead causes confusion, and implies that K’s fate is hopeless.

Over the course of the year, the stress of the case weighs on K He begins a gradual decline from confident to a nervous state similar to that of the client Block, and those of other broken defendants he meets in the explosively hot law offices. At the bank, he is humiliated by his inability to handle an important client as he is constantly exhausted from worry.

On the last day of K’s thirtieth year, two men arrive to execute him. He offers little resistance, suggesting that he has realised this as being inevitable for some time. They lead him to a quarry where he is expected to kill himself, but he cannot. The two men then execute him by plunging a knife into his heart.

Study resources

The Trial – Oxford World Classics – Amazon UK

The Trial – Oxford World Classics – Amazon US

The Trial – Penguin Modern Classics – Amazon UK

The Trial – Penguin Modern Classics – Amazon US

The Trial – Dover Thrift – Amazon UK

The Trial – Dover Thrift – Amazon US

The Trial – Everyman’s Library Classics – Amazon UK

The Trial – Everyman’s Library Classics – Amazon US

The Trial – eBook formats at Project Gutenburg

The Trial – Orson Welles’ 1967 film version – Amazon UK

The Trial – Cliffs Notes – Amazon UK

The Trial – audioBook at Project Gutenberg

The Trial – book review

The Trial – as a graphic novel

Kafka: A Short Introduction – book review

The Trial – 1992 film version by Harold Pinter

The Cambridge Companion to Kafka – Amazon UK

Principal characters

Joseph K	a senior bank clerk
Fraulein Burstner	a boarder in the same house as K
Fraulein Montag	a friend of Fraulein Burstner
Frau Grubach	proprietress of the house where K lives
Uncle Karl	K’s uncle and former guardian
Herr Huld	a pompous and pretentious lawyer
Leni	Herr Huld’s seductive nurse
Vice-President	K’s rival at the bank
President	the manager of the bank
Rudi Block	an accused man, former grain-dealer
Titorelli	a court painter

Kafka’s writing

a page of Kafka’s manuscript

Franz Kafka: Illustrated Life This is a photographic biography that offers an intimate portrait in an attractive format. A lively text is accompanied by over 100 evocative images, many in colour and some previously unpublished. They depict the author’s world – family, friends, and artistic circle in old Prague – together with original book jackets, letters, and other ephemera. This is an excellent starting point for beginners which captures fin de siecle Europe beautifully.

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The Trial – film version

Orson Welles wrote and directed (and acted in) a magnificent film version of The Trial in 1962. It’s a faithful dramatisation of the novel which captures perfectly the brooding, nightmarish world of the original. Much of it was filmed in the old French government buildings of the Quai d’Orsay before it was transformed into the present museum.

A young Anthony Perkins gives a superb, haunting performance as the angst-ridden protagonist, Joseph K. The rest of the cast features female icons from the 1960s including Jeanne Moreau, Elsa Martinelli, and Romy Schneider. Welles’ favourite actor Akim Tamiroff is also on hand, and Welles himself plays the Advocate. This is a film which is very faithful to the original novel. It begins with Orson Wells providing voice-over to a comic-book version of the parable ‘Before the Law’.

Film version cast list

Anthony Perkins	Joseph K
Jeanne Moreau	Fraulein Burstner
Romy Schneider	Leni
Elsa Martinelli	Hilda
Orson Welles	The Advocate
Akim Tamiroff	Bloch
Madeleine Robinson	Frau Grubach

See reviews of the film at the Internet Movie Database

Photomontage

Kafka, family photos, and old Prague

Other works by Franz Kafka

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Amerika (also known as The Man who Disappeared) is Kafka’s first attempt at a novel. He is renowned for documenting the horrors of modern life, but Kafka also had a lighter and amusing side. This is incomplete, like so much else he wrote. It’s the story of Karl Rossmann who after an embarrassing sexual misadventure is expelled from his European home and goes to live in an imaginary United States (which of course Kafka had never visited). In fact it’s a reverse ‘Rags to Riches’ story, because Karl starts his engagement with the American Dream quite successfully – but by the end of the novel he is destitute. The story is deeply symbolic – as usual – and an interesting supplement to the central texts. The first chapter is frequently anthologised as ‘The Stoker’.
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