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Grades in essay results

August 23, 2009 by Roy Johnson

sample from HTML program and PDF book

1. There are two systems of essay grades commonly used in further and higher education [in the UK]. One is the numerical percentages system of grades (from 0 up to 100) and the other is the alphabetical letter system (from A to E, F, and G).

2. Older, traditional universities sometimes employ a similar system, but using the initial letters of the Greek alphabet – Alpha, Beta, Gamma, and Delta.

3. Those using the English and Greek letter system often employ the further refinement of a plus and minus system to provide a greater degree of discrimination. In this system, the grades Beta-plus (B+) and Alpha-minus (A-) represent incremental grades between Beta and Alpha.

4. Although these systems are in widespread use, there might be minor local variations. An example of the other common [sixteen-point] marking scheme is given below. See also the section on assessment.

5. In numerical percentages especially, there is sometimes a sense of fuzziness about the distinctions between one grade and the next. It is also quite common not to award percentages over eighty.

6. The percentage and letter grades, corresponding to the standard university degree classification, are as follows:

CLASS PERCENT LETTER
First class (I) 70% or over A
Upper second (II.i) 60-69% B
Lower second (II.ii) 50-59% C
Third class (III) 40-49% D
Pass/Fail 34-39% E
Fail Below 34% F

7. For most courses, the boundary between a pass and a fail will be forty percent. Below this there can be different levels of failure. A tutor might award thirty-five to record a near miss. This could permit a student to re-submit a piece of work or maybe to re-sit an examination. The band of marks between thirty and forty is sometimes called a ‘compensatory pass’.

8. A mark as low as twenty-five suggests a basic misunderstanding or a serious lack of achievement. Below this, there are further possible degrees of failure. These marks may sometimes be designated as E, F, and G in the letter grading system – though some institutions stop registering grades at D.

9. Low marks for individual pieces of work might nevertheless be significant depending on the system for calculating an overall course grade. One single low essay grade on a course might bring down an average score – or it might be disregarded as an aberration if all other grades were high.

10. Above forty percent there is a band of ten marks which designate a ‘bare pass’. The question has been considered, but that is all. The answer might be weak and hesitant, either in the arrangement of its ideas or in the quality of its arguments and evidence. The manner of expression might also be shaky. This band corresponds to the D grade in the letter system or a third (III) or pass mark in the traditional university system.

11. Work which scrapes through the pass mark will usually suffer from a number of weaknesses. The answers might have been very short, the focus of the argument might have wandered on and off the required subject. It might lack coherence and structure, and the expression may have been hesitant or clumsy. In work of this calibre there is often no indication that the student knows which is the more and which the less relevant part of the argument.

12. The higher the grade awarded to an essay, the greater must be the proportion of material it contains which is directly related to the question. Conversely, there should be as little as possible which is not relevant. The success of the work, in almost all cases, is directly related to the ability to focus single-mindedly on the question topic(s).

13. Next comes the band between fifty and sixty percent. Grades at this level represent a greater degree of competence, both in terms of handling the issues and the manner in which they are expressed. There may be a greater degree of fluency in the written style, and the generation of ideas. More supporting evidence may have been offered, or examples discussed. However, there will still be weak patches, and possibly mistakes or omissions which dilute the overall effect of the essay. This band corresponds to the C grade or the lower second (II.ii) in the other grading systems.

14. Grades between fifty and sixty are perfectly respectable. They represent rising degrees of competence in handling the issues raised by the question. These grades reflect an average ability in the subject at this level – yet they often seem to cause more problems than any other grades. Many students imagine that such results represent a humiliating failure to succeed, when in fact they demonstrate competence and success – albeit at a moderate level.

15. In the next band, between sixty and seventy, there will be a rise in the quality of written expression, argument and evidence. There will also be far less extraneous material and usually a greater degree of self-confidence in the writing. The essay will demonstrate an ability to focus attention on the question. This is a standard which shows a well informed and firm grasp of the issues involved, and the intellectual capability to deal with them. This band corresponds to the B grade or the upper second (II.i) in the other systems.

16. Students often want to know (quite rightly) what constitutes the difference in quality between two results, one of which might score 59 and the other 62 percent. This is a gap of only three marks, but enough to make the distinction between a lower and upper second level pass. The answer is that the better work probably has a stronger sense of focus and structure, presents more concrete evidence, or makes a closer engagement with the details of the question.

17. The regions beyond seventy or seventy-five are normally reserved for work which is clearly outstanding in its quality, intellectual breadth, and fluency of articulation. Answers pitched at this level are likely to be very confidently presented, and they will demonstrate a breadth of knowledge and reading in the subject which make it especially praiseworthy. Marks in this band are often awarded to work which not only answers the question but say something insightful or original about it as well. This band corresponds to the A grade or first class award (I) in the other systems.

18. Keep in mind however that essay questions do not require you to be dazzlingly original. Your tutors will be perfectly happy to award good grades to work which shows that you have studied the course material and answered the question.

19. Most institutions use similar standards of assessment, even though many of them do not make the criteria explicit. Here is one which does.

SIXTEEN-POINT MARKING SCHEME
Grade Degree     Guide to interpretation
90/85 1 Outstanding work
78 1 Work of exceptional merit, in terms of coherence, clarity of presentation, comprehensive coverage and critical analytic discourse.
73 1 Excellent command of relevant material, clearly expressed, with a high level of perception and critical insight.
68/63 2.i Based on wide reading and critical analysis of material. Work is logically structured, is expressed clearly, offers broad coverage of the topic, and is accurate in points of detail.
58/53 2.ii Work is satisfactory in structure and expression, and is based on a fair range of reading. The student has thought through the subject, tackled most relevant issues with reasonable accuracy, and has attained an acceptable level of understanding.
48 3 Work has some merits, but is deficient in one or more significant respects. For example, structure and expression are poor; certain issues are misunderstood; factual errors creep in; insufficient reading; lack of evidence of independent thought.
43 Pass Work is deficient in several respects or badly deficient in one of them, but nontheless has some recognisable merit.
33 Fail Some awareness of the dimensions of the question/issue, but the communication of knowledge and understanding is limited and/or error-prone. Alternatively, the communication of knowledge and understanding is of a related subject, which represents a misreading or misunderstanding of the question/issue as set.
25 Fail Sufficient knowledge to indicate a minimal level of understanding, but knowledge based unacceptably weak.
15 Fail No coherent response to the question/issue, but a few relevant points made.
8 Fail Virtually no relevant response to the question or issue.
0 Fail No relevant response to the question or issue.

© Roy Johnson 2003

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Grammar checkers for essay writing

August 23, 2009 by Roy Johnson

sample from HTML program and PDF book

1. Grammar checkers will help you to avoid some of the most common stylistic pitfalls. These include over-long sentences, cloudy grammar, unrelated clauses, bad punctuation, and dangling participles [which can be very painful].

2. These programs are generally designed to encourage clear, plain prose. This is a good model to follow for most forms of writing. Be prepared to split up over-long sentences or to simplify the syntax of chained clauses.

3. Most checkers give you the option to adjust settings for different types of writing. For instance, they will allow you to select a formal style, in which any mistakes in conventional grammar are corrected. Alternatively, you might choose an informal style as acceptable [not a good idea]. You could even choose to accept more jargon if you were writing for a specialist readership.

4. For academic writing, you should choose a formal writing style. This will throw up queries on anything which is shaky or unorthodox. It will also put a limit of something like twenty or thirty words on sentence length.

5. The checker will present alternate choices of words for what it regards as ‘mistakes’. Do not blindly accept them. The near-synonyms offered may be drawn from different contexts. If necessary, take the trouble to look up the meanings of these words in a dictionary.

6. Some grammar-checkers incorporate spelling-checkers. Use these in the same way – with a combination of patience and scepticism.

7. Grammar-checkers are a fairly recent development. They are not yet very sophisticated. Moreover, grammar and syntax are subtle and complex matters. It is not always possible for a machine to make sensitive distinctions between linguistic usages which represent tasteful or even accurate discrimination.

8. It has to be said that they are also notoriously unpopular, because they seem to be throwing up ‘mistakes’ in your work. But if you can overcome your irritation, you are very likely to improve the clarity of your writing by using one.

© Roy Johnson 2003

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Grammar in essays

August 23, 2009 by Roy Johnson

sample from HTML program and PDF book

1. Grammar in essays (and elsewhere) is the system of rules which govern the formal use of written language. You should follow these conventions as closely as possible. In writing, poor grammar creates a bad effect.

2. Don’t try to remember lots of grammatical ‘rules’ (many of which are anyway not absolute). Instead, you should simply take care with your choice of vocabulary, your construction of sentences, and the use of simple syntax.

3. You can usually improve your grammar by writing in short, clear sentences. These should follow the syntax of a normal statement in English:

Subject — Verb — Object

The man — was — very tall

4. Double check the following guidance notes. They will help you to create a clear and trouble-free style.

grammar in essays Sentences

grammar in essays Punctuation

grammar in essays Case agreement

grammar in essays Paragraphs


Checklist

  • Avoid a casual or a chatty tone
  • Avoid very long sentences
  • Develop a simple and clear style
  • Be consistent in use of tenses
  • Check for full case agreement in your sentences
  • Punctuate your writing clearly and simply
  • Take special care with the apostrophe
  • Be careful with the semicolon and the colon
  • Re-write and edit your work
  • Eliminate anything vague or over-complex
  • Use a spelling-checker and a grammar-checker

© Roy Johnson 2003

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Grammatical tense in essays

August 25, 2009 by Roy Johnson

sample from HTML program and PDF book

1. The grammatical tense in which an essay is written should be chosen according to academic conventions. If your subject is connected with an earlier historical period, then the past tense will probably be suitable. If it is contemporary, then the present tense might be preferred.

2. When dealing with a literary text, the easiest manner of discussing its events and characters is to use the present rather than the past tense. The present tense is less cumbersome to deal with, and you are less likely to become grammatically confused when dealing with topics from different points in the chronology of events.

3. The following example illustrates a perfectly acceptable manner of presenting an argument in an essay on Charles Dickens’s novel, Great Expectations:

When Pip leaves Joe and the forge to enjoy his newfound expectations in London, he feels a momentary twinge of doubt as he notices that …

4. The present tense is a ‘neutral’ mode of discussion from which you can easily move back momentarily into the past and even forward into the future tense when necessary:

When Pip leaves Joe and the forge … whereas earlier he had been closer to him, just as he will later become again when they are reconciled following the novel’s denouement …

5. This may seem slightly odd at first, because most fictional narratives are themselves written in the past tense. The logic of this procedure however is that your essay is dealing with a text that will never change. Pip will always leave the forge, just as he and Joe will always be reconciled.

6. Essays dealing with history or political issues of the past are normally and most logically written in the past tense:

Within six weeks of the revolution Cossack armies and other ‘white’ forces were already mustering in south-eastern Russia; the Ukraine, egged on by French and British promises, was in a state of all but open hostilities against the Soviet power; the Germans, in spite of the armistice, were a standing threat in the west.

E.H. Carr, The Bolshevik Revolution 1917-1923: Volume One, London: Penguin: 1984, p.167

7. Some people try to give a sense of vividness or urgency to their writing by casting their narratives in what’s called the ‘dramatic present’ tense. The result is often modish and posturing. This should be avoided in academic writing.

Within six weeks of the revolution Cossack armies and other ‘white’ forces are already mustering in south-eastern Russia; the Ukraine, egged on by French and British promises, is in a state of all but open hostilities against the Soviet power; the Germans, in spite of the armistice, are a standing threat in the west.

8. When writing scientific reports, the past tense is generally to be preferred. ‘The solubility of potassium dichromate in chloroform was measured’. However, when the item at issue is a fact or a constant, it may be spoken of in the present tense because it will not change: ‘The dipole moment of hydrogen chloride is 1.05 Debye’.

© Roy Johnson 2003

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Harvard referencing in essays

August 23, 2009 by Roy Johnson

sample from HTML program and PDF book

1. Some subjects adopt the Author-Date method of referencing – which is also known as the Harvard referencing system. Full details of the texts you have quoted are placed in a bibliography at the end of an essay. These details are recorded in the following order:

Author – Date – Title – Place – Publisher

Smith, John. (1988) The Weavers’ Revolt, Chicago, Blackbarrow Press.

2. References in your text give the surname of the author, plus the publication date of the work to which reference is being made. This information is placed in brackets – thus:

Some research findings (James and Smith 1984; Brown 1987) have argued that these theories are not always reliable.

3. When you wish to draw attention to a particular page, this is done by simply adding the page number directly after the date of publication:

The development of these tendencies during the 1960s have been discussed by Brown (1977,234) and others (Smith 1992,180 and Jones 1993,88-90).

4. Note that when the author’s name is given in your text, it should not be repeated in the reference. You should simply give the date, then the page number(s). When you give the author’s name, the reference should either follow it directly, or it may come at some other point in the same sentence:

Smith (1987,166) argues that this was …
Smith, who is more positive on this issue, argues (1987,166) that …

5. If two or more works by the same author have the same publication date, they should be distinguished by adding letters after the date. (This can be quite common with journal articles.):

Some commentators (Mansfield 1991b and Cooper 1988c) have argued just the opposite case, that …

6. The list of texts which appears at the end of your essay should be arranged in alphabetical order of the author’s surname. The list differs from a normal bibliography in that the date of publication follows the author’s name:

Mansfield, M.R.1991a. ‘Model Systems of Agriculture in Early Britain’ Local History Journal Vol XX, No 6 ,112-117.

Mansfield, M.R.1991b. ‘Agriculture in Early Britain’, History Today Vol 12, No 3, 29-38.


Bibliography

Beeton, I. 1991 Beeton’s Book of Household Management, Chancellor Press.

Best, G. 1979 Mid-Victorian Britain 1851-75, Fontana.

Burman, S. 1979 (ed), Fit Work for Women, Croom Helm.

Darwin, E. 1890 ‘Domestic Service’, The Nineteenth Century, Vol.28, August.

Davidoff, L. 1973 The Best Circles, Croom Helm.

Davidoff, L. 1974 ‘Mastered for Life: Servant and Wife in Victorian and Edwardian England’, Journal of Social History, Vol.7.

Davidoff, L. 1987 and Hall, C., Family Fortunes, Hutchinson.

[…and so on]

© Roy Johnson 2003

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Hot Text: Web Writing That Works

July 15, 2009 by Roy Johnson

new writing  techniques for web communication

If you’re thinking of putting some of your writing on line, keep this rule of thumb in mind. Write 50% less than you would in print – otherwise people will not read it. This is one of the hundreds of tips and guidelines packed into Jonathan and Lisa Price’s new book, Hot Text. They start with a chapter of advice on writing for an audience, and getting closer to the reader, then they move on to something I found fascinating – the concept of ‘writing objects’. This is the practice of splitting up documents into small re-useable parts. It’s basically a plea for applying XML principles during the authoring process. This will enable you to produce Web documents which can be used for any number of purposes.

Hot Text: Web Writing That WorksThis is intermediate to advanced level stuff – not for beginners – and you will need to be patient. There’s a lot of important technological data before they get round to any advice on writing skills. But when they do, it comes in bucketloads. Another important point they make is that text has a double function on the web. It conveys content, but it also acts as an aid to navigation, because we do not have the physical aids provided by printed books. For this reason they advise writers to use plenty of typographical guidance.

They also emphasise the need for brevity and chunking. You should use short sentences, short paragraphs, and make the structure of all documents stand clear in a self-explanatory manner.

Once they get under way, every point is illustrated with before and after examples – 200 words of exposition reduced to 50, for instance. They even deal with issues such as reducing punctuation and moving any statistical data into tables or charts.

The centre of the book is packed with good examples of how to produce efficient writing – leading with punch lines; reducing ambiguity; how to write menus; creating the right tone; how to arrange bulleted lists; and where to place links grammatically for best effect.

They use case studies of sites such as AltaVista, Microsoft, and Amazon to discuss the requirements of writing for eCommerce, and they are particularly good at the special requirements of writing Help files and FAQs.

For commercial sites they are relentlessly on the side of the customer – and the suggestions they offer will allow any honest trader to get closer to customers and win their trust. The formula is simple – be honest, put the customer first, and don’t waffle.

They cover a wide range of digital genres – web marketing copy, news releases, email newsletters, webzine articles, personal resumes, Weblogs – and they even provide tips for would-be job seekers.

Ignore the cheesy photos of the authors which punctuate their chapters. This book is packed with good advice on web writing and modern communication skills – and it’s a must-have for any web content developers, documentation authors, online course constructors, and e-Commerce editors.

© Roy Johnson 2002

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Jonathan and Lisa Price, Hot Text: Web Writing that Works, Indianapolis (IN): New Riders, 2002, pp.507, ISBN: 0735711518


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House Style

October 31, 2014 by Roy Johnson

an explanation and guidance notes

House Style is a term used to describe the rules laid down by a business or organisation to regularise the presentation of its written communications and documents. In some cases these rules might be summarised formally in a published Style Guide or Style Manual.

The purpose of codifying what can be written may vary from a desire to control a corporate image (business documents); a need to maintain standards and follow established conventions (academic writing); or a need for accuracy and precision (technical manuals).

Many different types of institutions, businesses, publishers, or public bodies will establish a house style in order to maintain their corporate or brand image.

International United Nations, European Union
Corporations Lockheed, General Motors, Microsoft
Publications New York Times, The Economist
Institutions University of London, Department of Transport
Retailers Amazon, Marks and Spencer, IKEA

The origins of house style lie in the realm of printing, where newspapers and book publishers originally sought to establish guidelines for standardising their productions. The best known of these guides is Hart’s Rules, first written at the end of the nineteenth century for the Oxford University Press. In the twenty-first century, house style is also likely to include writing and presentation guidelines for what will appear on computer screens.

There are differences of approach in the rules of these various style guides. This should alert us to the fact that they are not only dealing with matters of fact and correctness – but are offering a series of conventions which should be followed by their authors.

They are likely to have policies governing such matters as

  • Spelling
  • Grammar
  • Capitalisation
  • Use of acronyms
  • Vocabulary
  • Punctuation
  • Headlines
  • Spacing

The notes given below provide illustrative examples. For detailed information on any topic, follow the links to the online style guides and the newspaper house style sites. Some of their guides are the size of small encyclopedias.


House Style – a real example

Microsoft Manual of StyleMicrosoft’s Manual of Style illustrates the company’s rules for both print and screen writing, as well as their requirements for visual presentation and language use.

For instance, each topic they discuss is illustrated by an example of ‘Microsoft style’ and then an example of ‘Not Microsoft style’.

They also specify such fine details as how to present numbers; how to choose the names for toolbars and buttons; how to punctuate lists; how to size titles, sub-headings, and paragraph spaces; and where to use quotation marks.

The following is their table of contents for the topics covered in their house style guide – many of them in extremely fine detail.

  • Microsoft style and voice
  • Writing for web delivery
  • Writing for a worldwide audience
  • Accessibility issues
  • The user interface
  • Technical procedures
  • Practical issues of style
  • Grammar
  • Punctuation
  • Indexing and keywords
  • Acronyms and abbreviations

Style guides might now make distinctions between house style for print and for online purposes – because the two mediums are considered quite distinct, and may have different readerships and purposes.

Reading on a computer screen is more tiring than reading from a printed document. For this reason, style guides for digital use may specify shorter sentences and paragraphs, wider margins, and the inclusion of graphics.

House style manuals very often specify how the various departments and personnel in an organisation should be described. They are also likely to specify such details as the size and spacing of titles, headings, and sub-headings.


Spelling

Some words (in English) have more than one spelling. The term judgement can also be spelled judgment. House style rules help to create consistency throughout a document. And consistency is a key principle in creating ease of comprehension.

Newspapers also strive to use consistent spellings for foreign names such as Reykjavik (the capital of Iceland) and Nizhni Novgorod (a port in European Russia).

They are also likely to specify the spelling of names of important people – such as Ban Ki-Moon (Secretary General of the United Nations) and Aung San Suu Kyi (opposition leader in Myanmar – formerly Burma). This shows respect for the person.

American English and British English have minor differences in spelling, so documents aimed at both audiences need to be consistent.

British centre, harmonise, travelling
American center, harmonize, traveling

Printed style guides

This is a selection of book reviews featuring style guides published by a variety of organisations.

House Style MLA Style Guide
English – Modern Languages Association – Academic

House Style Microsoft Manual of Style
American – Microsoft Corporation – Business

House Style The Chicago Manual of Style
American – Chicago University – Academic

House Style New Hart’s Rules
English – Oxford University Press – Publishing

House Style The Economist Style Guide
English – Economist Magazine – Journalism


Note of interest — it is said that the complete printed maintenance manuals for the Boeing 737 jet weighed more than the aircraft itself.


Vocabulary

The choice of vocabulary is important because it reflects the nature and the attitude of the organisation. The language you choose needs to be understood by the audience(s). It should be clear, unambiguous, and consistent.

It is now very common for organisations to specify the terms used to describe people with disabilities, ethnic minorities, and issues related to gender.

For instance, the BBC specifies that people with learning disabilities should be used – not mentally handicapped. It specifies Muslim instead of Moslem.

The Guardian newspaper used to prohibit the use of the term regime to describe a government – because the term is clearly derogatory and suggests a bias against a government which might become legitimate in a few week’s time.

The Telegraph newspaper has a list of ‘banned words’ in its house style guide. These are not ideologically taboo words so much as lists of journalistic clichés used in tabloid newspapers – terms such as bloodbath, clampdown, jaw-dropping, and prestigious.


Online style guides

BBC News style guide
Detailed guidelines for print, online, plus radio and television broadcasting. Also includes rules on pronunciation and spelling of foreign names.

English Grammar
Comprehensive grammar guide, with downloadable lessons, interactive exercises, grammar checker, videos, and daily updates.

Purdue On-line Writing Lab
Purdue’s famous OWL, useful for general writing concerns, with links to American academic style guides and how to avoid plagiarism.

The Elements of Style
William Strunk, Jr.’s original 1918 classic. The ‘bare bones’ approach to common problems, with illustrative examples.

On-Line Study Resources
Style, grammar, essay-writing, citations and footnotes, plagiarism and presentation from the University of New South Wales.

alt.usage.english – Style FAQ
Mark Israel’s Frequently Asked Questions covers common English usage questions, word etymology, online and offline references, and more.

WebGrammar
Judy Vorfeld’s excellent site covers some of the most common writing mistakes, including spelling, grammar and homonym errors.


Capitalization

The correct use of capital letters is not quite so straightforward as it might seem. It is not always immediately clear if someone, somewhere, or something warrants a capital or not. The following are some of the more common instances.

days of the week Wednesday, Friday
places Scotland, East Anglia
rivers the river Mersey
buildings the Tate Gallery
institutions the Catholic Church
firms British Aerospace
organisations the National Trust
months of the year April, September

However, when such terms are used as adjectives or in a general sense as common nouns, no capital is required:

the King James Bible / a biblical reference

Oxford University / a university education

the present Government / governments since 1967

Capitals are used when describing intellectual movements or periods of history:

Freudian – Platonism – Cartesian – the Middle Ages
the Reformation – the Enlightenment

They are also used in the titles of books, plays, films, newspapers, magazines, songs, and works of art in general. The normal convention is to capitalise the first word and any nouns or important terms. Smaller words such as ‘and’, ‘of’, and ‘the’ are left uncapitalised:

A View from the Bridge
The Mayor of Casterbridge
North by Northwest
The Marriage of Figaro


UK journalism style guides

Online style guides The Guardian

Online style guides The Economist

Online style guides Reuters

Online style guides Associated Press

Online style guides The Telegraph

Online style guides Financial Times Lexicon

© Roy Johnson 2014


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How to avoid jargon

December 15, 2011 by Roy Johnson

how to recognise and avoid using jargon terms

What is jargon?

Jargon is defined as ‘the specialized language or the technical vocabulary of a profession or group’.

Jargon terms act as a sort of shorthand between one person and another in their group. Special terms eliminate the need for lengthy explanations – because both parties to the communication understand what the terms mean

For instance a solicitor might use a term such as probate, The word ‘probate’ means ‘the legal process of administering the estate of a deceased person by resolving all claims and distributing the deceased person’s property under a valid will’.

Most people probably wouldn’t know what the term probate means, but two solicitors can use one word instead of twenty-five in their dealings with each other.

Jargon exists in all groups and occupations – from carpenters to brain surgeons, and from printers to astronauts. The most important thing is that jargon terms should only be used when communicating with people in the same group.


The problem of jargon

Jargon becomes a problem when it is used by specialists communicating with non-specialists – such as the general public. This is how the term jargon has come to acquire such a negative sense.

Here is an example, taken from a letter sent from the government Revenue (the tax office) to an ordinary member of the public.

The basis of assessment for Schedule D Case I and II, other than commencement and cessation, is what is termed a previous year basis.

There is no way an ordinary person could know what Schedule D Case I and II actually means, and at the end of the ‘explanation’ the term previous year basis is still completely obscure.

The person writing this letter has used specialist terms (jargon) which most ordinary people will not understand. That is bad manners and poor communication. It also illustrates another negative feature of jargon, which is that some people use it in order to maintain positions of influence or power. They exclude other people from the group to which they belong by using language which will not be understood.

Teenagers do the same thing when they invent their own slang and jargon terms in order to exclude parents and teachers.


Acceptable uses of jargon

It is perfectly reasonable to use jargon when discussing the technical aspect of a subject with a fellow specialist. The following are all examples of specialist, technical language

Law probate, conveyance, intestate
Computing download, Megabyte, serial port
Engineering sprocket, crankshaft, centrifuge
Gardening mulch, perennial, phlox

There is nothing wrong when jargon is used amongst members of the same group. It often acts as a sort of shorthand, which eliminates the need for lengthy explanations. For instance, the foreman in a garage does not need to write on a mechanic’s worksheet:

Please regulate the device which provides a constant supply of petrol to the inlet manifold of the engine.

He uses jargon and simply writes ‘Adjust the carburettor’ – or even ‘Fix the carb’. Both the foreman and the mechanic know what a ‘carburettor’ – and that ‘carb’ is a shortened form of the word.


How jargon abuse happens

Jargon becomes abusive when it is used by people to inflate the importance of what they are doing or when trying to appear impressive for dubious reasons.

For instances if a town council advertises for Environmental recycling engineers when the job is actually emptying dustbins, they are creating a form of bureaucratic jargon – at the same time as trying to glamourise a fairly humble job.

Sometimes a technical term might pass into common use – such as the salary paid for a particular job. Jargon abuse occurs again when the finance or the human resources department refers to this as a personal remuneration package.

It is abusive for two reasons. First, three unnecessarily complex words are used where one short and simple word will do. And second, the three words actually obscure the thing being described – which is how much the applicant will get paid for doing the job.


How to avoid jargon

The simplest way to avoid using jargon is to keep two things in mind whilst speaking or writing:

  • your audience – the people with whom you are communicating
  • your vocabulary – the terms you use to convey your message

If your audience is the general public, you should avoid using any specialised or technical terms. All the terms you use should be plain and simple which most people will be able to understand. The following example shows the difference between a statement made in technical and non-technical form:

Technical — Chlorophyll makes food by photosynthesis.

Non-technical — Green leaves build up food with the aid of light.

Both of these statements are valid. Using them in the appropriate context is the main issue.

Only use the specialised terms of your subject if you are quite sure of their meaning. Never use jargon to show off or impress your reader. It is likely to create the opposite effect.

Do not use a jargon term where perfectly ordinary terms will be just as effective. There is not much virtue in using terms such as aerated beverages instead of fizzy drinks. These simply cause disruptions in tone and create a weak style.

Jargon abuse is a form of bad manners in writing, and it often goes along with bureaucratic over-complications. For this reason, another good way to avoid jargon is to write in short, clear sentences. If you put a limit of (say) twenty words on the length of a sentence, it will help you to express your ideas clearly.


Acronyms

An acronym is an abbreviation created from the initial letters of a phrase or title – such as BBC = British Broadcasting Corporation.

Some are very well known, such as NATO, IBM, and AGM – but they become jargon when the original expression or name is not well known. A general reader cannot be expected to know that CASM means Community Action Selection Meeting.

The golden rule with acronyms is that names and titles should be spelled out in full the first time they are used – like this:

The committee elected four new members to the Corporate Affairs Steering Group (CASG) who will report immediately before the annual general meeting (AGM) at the end of July.

Use acronyms as little as possible, and only if they are convenient for your readers. You should use full words – Vice President, not VP – and use a shortened word form – each camera, not each CCTV unit.

Red button More on acronyms


Jargon buster

Jargon circulates so widely that certain terms actually become fashionable. They are then classed as buzzwords and are used almost as a substitute for clear thinking and expression.

This practice seem to be particularly widespread in local government, business management, advertising, marketing, political parties, and the military.

Here are some examples. You will notice that these terms overlap with the realms of cliché, inflation, pretentiousness, and sheer gobbledygook.


JARGON What it actually means
as it were completely meaningless filler
at this point in time now
blue sky thinking inventive, imaginative
due diligence research
economically marginalized unemployed
focussed around centred on
friendly fire killing your own troops
going forwards ongoing, in future
granularity detail
joined-up thinking logical, coherent
negative economic growth recession
outside the box imaginative
paradigm shift radical change
proactive active
re-focussing the company’s skill set firing staff
so to speak completely meaningless filler

© Roy Johnson 2012


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How to avoid plagiarism

September 16, 2009 by Roy Johnson

how to understand plagiarism – and avoid it

Plagiarism – definition

1. Plagiarism is defined as “Passing off someone else’s work as your own”.

2. It happens if you copy somebody else’s work instead of doing your own.

3. It also happens in those cases where people actually buy essays instead of doing the work themselves.

4. Schools, colleges, and universities regard this as a serious offence – and they often have stiff penalties for anyone found guilty.

5. Most people at school level call this ‘cheating’ or ‘copying’ – and they know it is wrong.

6. The problem is that at college or university, you are expected to use and write about other people’s work – so the issue of plagiarism becomes more complex.

7. There are also different types and different degrees of plagiarism – and it is often difficult to know whether you are breaking the rules or not.

8. Let’s start off by making it clear that all the following can be counted as plagiarism.

  • Copying directly from a text, word-for-word
  • Using text downloaded from the Internet
  • Paraphrasing the words of a text very closely
  • Borrowing statistics from another source or person
  • Copying from the essays or the notes of another student
  • Downloading or copying pictures, photographs, or diagrams without acknowledging your sources
  • Using an attractive phrase or sentence you have found somewhere
Why is this so complex?

9. The answer is – because in your work at college or university level you are supposed to discuss other people’s ideas. These will be expressed in the articles and books they have written. But you have to follow certain conventions.

10. Plus – at the same time – you will be asked to express your own arguments and opinions. You therefore have two tasks – and it is sometimes hard to combine them in a way which does not break the rules. Many people are not sure how much of somebody else’s work they can use.

11. Sometimes plagiarism can happen by accident, because you use an extract from someone else’s work – but you forget to show that you are quoting.

12. This is the first thing you should learn about plagiarism – and how to avoid it. Always show that you are quoting somebody else’s work by enclosing the extract in [single] quotation marks.

In 1848 there was an outbreak of revolutionary risings throughout Europe, which Marx described as ‘the first stirrings of proletarian defiance‘ in a letter to his collaborator, Frederick Engels.

13. This also sometimes happens if you are stuck for ideas, and you quote a passage from a textbook. You might think the author expresses the idea so well, that you can’t improve on it.

14. This is plagiarism – unless you say and show that you are quoting someone else’s work. Here’s how to do it:

This painting is generally considered one of his finest achievements. As John Richardson suggests: ‘In Guernica, Picasso lifts the concept of art as political propaganda to its highest level in the twentieth century‘.

Academic conventions

15. Why do colleges and universities make such a big fuss about this issue? The answer to this is that they are trying to keep up important conventions in academic writing.

16. The conventions involve two things at the same time. They are the same as your two tasks:

  • You are developing your own ideas and arguments and learning to express them.
  • You are showing that you have learned about and can use other people’s work.

17. These conventions allow you to use other people’s work to illustrate and support your own arguments – but you must be honest about it. You must show which parts are your own work, and which parts belong to somebody else.

18. You also need to show where the information comes from. This is done by using a system of footnotes or endnotes where you list details of the source of your information.

19. The conventions of referencing and citation can become very complex. If you need guidance on this issue, have a look at our detailed guidance notes on the subject. What follows is the bare bones.

20. In an essay on a novel by D.H. Lawrence for example, you might argue that his work was influenced by Thomas Hardy. You could support this claim by quoting a literary critic:

Lawrence’s characters have a close relationship with their physical environment – showing possibly the influence of Hardy, who Walter Allen points out was ‘his fundamental precursor in the English tradition‘ (1)

21. Notice that you place a number in brackets immediately after the quotation. The source of this quotation is given as a footnote at the bottom of the page, or as an endnote on a separate sheet at the end of your essay.

22. The note gives full details of the source – as follows:

Notes

1. Walter Allen, The English Novel, London: Chatto and Windus, 1964, p.243


A bad case of plagiarism

This video clip features the case of Ann Coulter. She is a best-selling American writer and social critic who has extremely right-wing views.

The film raises several plagiarism issues:

  • failure to acknowledge sources
  • failure to quote accurately
  • changing the nature of a quotation
  • misleading references (citations)
  • definitions of plagiarism
  • plagiarism detection software
  • legitimate quotation


Do’s and Don’ts

23. You should avoid composing an essay by stringing together accounts of other people’s work. This occurs when an essay is written in this form:

Critic X says that this idea is ‘ … long quotation …‘, whereas Commentator Y’s opinion is that this idea is ‘ … long quotation …‘, and Critic Z disagrees completely, saying that the idea is ‘ … long quotation …‘.

24. This is very close to plagiarism, because even though you are naming the critics and showing that you are quoting them – there is nothing of your own argument being offered here.

25. If you are stuck for ideas, don’t be tempted to copy long passages from other people’s work. The reason is – it’s really easy to spot. Your tutor will notice the difference in style straight away.

Copyright and plagiarism

26. Copyright can be quite a complex issue – but basically it means the ‘right to copy’ a piece of work. This right belongs to the author of the work – the person who writes it – or a publisher.

27. When a piece of writing is published in a book or on the Web, you can read it as much as you wish – but the right to copy it belongs to the author or the author’s publisher.

28. Nobody will worry if you quote a few words, or a few lines. This is regarded as what is called ‘fair use’. People in the world of education realise that because quotation is so much a part of academic writing, it would be ridiculous to insist that you should seek permission to quote every few words.

29. In fact there is an unwritten convention that you can quote up to 5% of a work without seeking permission. If this was from a very long work however, you would still be wise to seek permission.

30. This permission is only for your own personal study purposes – as part of your course work or an assignment. If you wished to use the materials for any other purpose, you would need to seek permission.

31. Copyright also extends beyond writing to include diagrams, maps, drawings, photographs, and other forms of graphic presentation. In some cases it can even include the layout of a document.


The Johann Hari case

A recent case which has drawn attention to subtle forms of plagiarism is that of British journalist Johann Hari. He writes articles and conducts interviews for The Independent newspaper. It was revealed that in many articles (and particularly his interviews) he had inserted quotations from the previous writings of the interviewee, or from interviews written by other journalists. In both cases the quotations were unacknowledged. .

He was criticised in particular for creating the impression that the words had been used in his own face-to-face interviews by sewing together the quotations with apparently on-the-spot dramatic context – as in “puffing nervously on a cigarette, she admitted to me that …” and that sort of thing.

When it was revealed that his prime quotations were lifted from written sources up to five years old, Hari was forced to issue an apology. He claimed that interviewees were sometimes less articulate in speech writing than in writing, and that he merely wanted to present their arguments in the best light.

This feeble ‘explanation’ ignores three of the principal issues in plagiarism. He did not produce his own paraphrases of the interviewee’s ideas, but used their words from other sources. He went out of his way to conceal his sources and create the entirely bogus impression of a first-hand interview. (Some people have wondered if his interviews actually took place.) And he used the work of other journalist, from work they had published previously, without acknowledgement.

So how exactly was Hari guilty of plagiarism?

  • He quoted other people’s words as if they were his own.
  • He didn’t acknowledge his sources.
  • He concealed the cut and paste origins of his composition.

A number of his essays and interviews have been analysed, and he has been shown to be guilty of systematic plagiarism. The majority of Internet comments point to the fact that he acted unprofessionally. All his previous work was scrutinised, and it has been suggested that he return the 2008 George Orwell Prize that he was awarded for distinguished reporting.

He began to edit his personal Wikipedia entry, inserting flattering comments on his own work and abilities. But to make matters doubly worse, he then resorted to something even more underhand. Using a false identity (‘David Rose’) he began making pejorative edits to the Wikipedia entries of anybody who had criticised him. When challenged, he denied all this, but was eventually forced to admit the truth and apologise.

Guido Fawkes on the Hari issue and here

Detailed analysis of Hari’s plagiarism


Plagiarism and the Web

32. The World Wide Web has made millions and millions of pages of information available to anybody with access to the Internet. But even though this appears to be ‘free’ – copyright restrictions still apply. If someone writes and publishes a Web page, the copyright belongs to that person.

33. If you wish to use material you have located on the Web, you should acknowledge your sources in the same way that you would material quoted from a printed book.

34. Keep in mind too that information on a Web page might have been put there by someone who does not hold copyright to it.


What follows is the rather strictly-worded code on plagiarism from a typical university handbook.

Plagiarism

Plagiarism is the theft or appropriation of someone else’s work without proper acknowledgement, presenting the materials as if they were one’s own. Plagiarism is a serious academic offence and the consequences are severe.

a) Course work, dissertations, and essays submitted for assessment must be the student’s own work, unless in the case of group projects a joint effort is expected and indicated as such.

b) Unacknowledged direct copying from the work of another person, or the unacknowledged close paraphrasing of somebody else’s work, is called plagiarism and is a serious offence, equated with cheating in examinations. This applies to copying both from other student’s work and from published sources such as books, reports or journal articles.

c) Use of quotations or data from the work of others is entirely acceptable, and is often very valuable provided that the source of the quotation or data is given. Failure to provide a source or put quotation marks around material that is taken from elsewhere gives the appearance that the comments are ostensibly one’s own. When quoting word-for-word from the work of another person quotation marks or indenting (setting the quotation in from the margin) must be used and the source of the quoted material must be acknowledged.

d) Paraphrasing when the original statement is still identifiable and has no acknowledgement, is plagiarism. A close paraphrase of another person’s work must have an acknowledgement to the source. It is not acceptable to put together unacknowledged passages from the same or from different sources link these together with a few words or sentences of your own and changing a few words from the original text: this is regarded as over-dependence on other sources, which is a form of plagiarism.

e) Direct quotation from an earlier piece of the student’s own work, if unattributed, suggests that the work is original, when in fact it is not. The direct copying of one’s own writings qualifies as plagiarism if the fact that the work has been or is to be presented elsewhere is not acknowledged.

f) Sources of quotations used should be listed in full in a bibliography at the end of the piece of work and in a style required by the student’s department.

g) Plagiarism is a serious offence and will always result in imposition of a penalty. In deciding upon the penalty the University will take into account factors such as the year of study, the extent and proportion of the work that has been plagiarised and the apparent intent of the student. the penalties that can be imposed range from a minimum of zero mark for the work (without allowing resubmission) through to downgrading of degree class, the award of a lesser qualification (eg a Pass degree rather than Honours, a certificate rather than a diploma) to disciplinary measures such as suspension or expulsion.

Quoted with the permission of Manchester University

© Roy Johnson 2004


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How to cite electronic sources

September 15, 2009 by Roy Johnson

academic conventions for the digital age

Referencing

1. More and more data is now stored electronically in a variety of forms.

2. When quoting, your sources may be in some digital form.

3. The information might be stored in different types of location.

4. Many of these locations are known as Internet ‘sites’ or ‘addresses’.

5. The sources you are most likely to encounter are as follows:

  • FTP site
  • Web site
  • Newsgroup
  • CD-ROM
  • E-mail

Accuracy

1. Details of addresses should be recorded with complete accuracy.

2. All use of capital and lower case letters must be respected.

3. All punctuation must be recorded exactly as given.

4. No punctuation should be added.

5. For instance, don’t put a full stop at the end of an address:

https://mantex.co.uk – not – https://mantex.co.uk.

6. Typographic symbols (#,@,!,~) should be incorporated accurately.

7. You should also include a record of the date the site was visited.

8. Electronic documents may easily be updated at any time.


FTP (File Transfer Protocol) Sites

1. When giving reference to sources located via FTP, you should provide the following information. The electronic ‘address’ of the document is enclosed in angle brackets (which are optional).

  • the author’s name (if known)
  • the full title of the document in quotation marks
  • the date of publication (if available)
  • the abbreviation ftp
  • the address of the ftp site, with no closing punctuation
  • the full path to the paper, with no closing punctuation
  • the date of access in parentheses

Example:

Bruckman, Amy. “Approaches to Managing Deviant Behavior in Virtual
Communities.”

<ftp://ftp.media.mit.edu/pub/asb/papers/deviance-chi-94>
(4 Dec. 1994).


World Wide Web (WWW) Sites

1. To cite files available for viewing or downloading via the World Wide Web by means of Firefox, Internet Explorer, or other Web browsers, you should provide the following information:

  • the author’s name (if known)
  • the full title of the document in quotation marks
  • the title of the complete work if applicable in italics
  • the date of publication or last revision (if available)
  • the full http address (URL) enclosed within angle brackets
  • the date of visit in parentheses

[ HTTP = HyperText Transfer Protocol ]
[ URL = Uniform Resource Locator ]

Example:

Burka, Lauren P. “A Hypertext History of Multi-User Dimensions.”
MUD History. 1993.
<http://www.ccs.neu.edu/home/1pb/mud-history.html>
(5 Dec. 1994).


Newsgroup (USENET) messages

1. When citing information posted by participants in newgroup discussions, you should provide the following information:

  • the author’s name (if known)
  • the author’s e-mail address, enclosed in angle brackets
  • the subject line from the posting in quotation marks
  • the date of publication
  • the name of the newsgroup, enclosed in angle brackets
  • the date of access in parentheses

Example:

Slade, Robert. <res@maths.bath.ac.uk> “UNIX Made Easy.”
26 Mar. 1996. <alt.books.reviews> (31 Mar. 1996).


E-mail messages

1. When citing electronic mail correspondence, you should provide the following information:

  • the author’s name
  • the author’s e-mail address, enclosed in angle brackets
  • the subject line from the posting in quotation marks
  • the date of publication
  • the kind of communication
  • the date of access in parentheses

Example:

Franke, Norman. <franke1@llnl.gov> “SoundApp 2.0.2.” 29 Apr. 1996. Personal e-mail. (3 May 1996).


CD-ROM disk

1. When citing information located on a CD-ROM disk, the source is treated as if it were a normal (print) publication, and you should provide the following information:

  • the author’s name (if known)
  • the full title of the document in quotation marks
  • the full title of the CD-ROM
  • the publisher
  • the date of publication (if available)

Example:

Norman Higginbottam, “The Sounds of Muzak”, Beethoven Revisited,
Digital Resources, 1996.


Details gratefully quoted and adapted with permission from Andrew Harnack and Gene Kleppinger, online! a reference guide to using internet sources, St Martin’s Press, 1997.

© Roy Johnson 2004


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