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Dictionary of Modern Quotations

July 29, 2009 by Roy Johnson

famous quotes, sayings, film lines, slogans, catchphrases

The Dictionary of Modern Quotations is a collection of quotes which offers a vivid picture both of the world today, and of the landmark events and key voices leading up to it. From Scott’s Antarctic Expedition in 1912 to the attack on the World Trade Centre in 2001, it charts watersheds such as two World Wars, as well as the ebbs and flows of popular culture. The new second edition now also includes Soundbites of 2002-3.

Dictionary of Modern Quotations It contains more than five thousand quotations from authors as diverse as Elizabeth Arden, Billy Connolly, Bertolt Brecht, Linda Evangelista, Eddie Izzard, Alison Lurie, Carl Sagan, William Shatner, and Desmond Tutu. The dictionary is author-organized with generous cross-referencing and indexed by both keywords and themes.

This latest edition also contains new categories for film taglines and cartoon captions which have been added to accompany misquotations. It is designed to answer the questions, ‘Who said that…and when…and why?’ And to tell the truth, is also answers questions such as ‘Did he really say that!?

My favourites are still wisecracks from the likes of Woody Allen:

If only God would give me some clear sign. Like making a large deposit in my name in a Swiss bank.

or Grouch Marx, earlier in the same tradition:

I’ve been around so long, I knew Doris Day before she was a virgin.

Some entries make you want to read more – as in the case of the now almost forgotten Hilaire Belloc:

I’m tired of Love: I’m still more tired of Rhyme.
But money gives me pleasure all the time.

Or this from James Elroy Flecker, an English poet whose name I had not come across before:

I have seen old ships sail like swans asleep
Beyond the village which men still call Tyre,
With leaden age o’ercargoed, dipping deep
For Famagusta and the hidden sun
That rings black Cyprus with a lake of fire.

OK, it has a ring of John Masefield’s Cargoes about it, but it tweaked my appetite for more.

Some of the entries now seem amazingly prescient, such as the remark made by Albert Einstein in 1931:

I am not only a pacifist but a militant pacifist. Nothing will end war unless the people themselves refuse to go to war.

and even more so, this from French general Foch on the Treaty of Versailles in 1919:

This is not a peace treaty, it is an armistice for twenty years.

Spot on, general.

This latest updated edition now also includes famous soundbites as well as memorable quotes from the famous (and infamous); it also includes advertising slogans, catchphrases, lines from films, misquotations, newspaper headlines, and political sayings.

If you like these anthologies, either as a serious reference or a rich source of pleasant browsing, this is a good example of its kind.

© Roy Johnson 2008

Dictionary of Modern Quotations   Buy the book at Amazon UK

Dictionary of Modern Quotations   Buy the book at Amazon US


Elizabeth Knowles (ed) Dictionary of Modern Quotations, 3rd edition, Oxford: Oxford University Press, 2008, pp.496, ISBN: 0199547467


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How to use quotations

September 16, 2009 by Roy Johnson

the conventions and techniques of quotation

Quotations

1. There are in general two instances when you may wish to use quotations from other writers’ work:

Evidence – when quoting from other sources to support your own argument(s)

Reference – when a text is itself the subject of your essay and you need to refer to it in your discussion.

2. The conventions of accurate quotation and referencing are relatively simple, and they are based on the need for accuracy, consistency, and clarity. There are a number of slightly different systems of notation. The two most widely used are:

  • a quotation, with an endnote giving the source
  • the Harvard system (described separately)

3. The whole purpose of both systems is that tutors marking your work should be able, if they wish, to check the accuracy of the quotations you use.

Evidence

4. In a discussion of the development of Marx’s philosophy for example, you might argue that his work was a natural development of his predecessors, supporting your assertion by quoting David McLellan. He points out that

Marx began by paying tribute to the achievements of Feuerbach, particularly in having shown that Hegel’s philosophy was no more than a rationalisedtheology. (1)

5. A bracketed number is added immediately after the quotation, and the source of your quotation is given as an endnote on a separate sheet at the end of your essay. (You might wish to place the information as a footnote at the bottom of the page, though this system can become rather complicated.)

NOTES

1. David McLellan, The Thought of Karl Marx, London: Macmillan, 1971, p.26.

6. Note that this information is given in the following order, and you should remember to indicate the titles of books by using italics.

Author – Book Title – Publisher – Date – Page

7. The material you quote is placed between two single quotation marks if it is run in as part of your text:

this is what David McLellan calls a ‘rationalised theology’ (1) in his discussion of the relationship between Marx and Hegel

8. If the length of the quote amounts to more than three lines of your own text however, it should be indented separately, and no quote marks are necessary:

Marx began by paying tribute to the achievements of Feuerbach, particularly in having shown that Hegel’s philosophy was no more than a rationalised theology, and having discovered the true materialist approach by starting from the social relationship of man to man. (1)

9. Your own argument should normally be offered first, and you then reinforce it with quotation from an authoritative source. You are using this secondary evidence from acknowledged specialists to support your own views. Do not offer the quotation first, otherwise what should be your own argument will tend to be come more a ‘commentary’ upon it.

10. The quotations you offer should be as brief as possible to make their point. Don’t be tempted to offer long quotations from other people’s work in the hope that this will act as a substitute for your own argument. Nor should you stitch together a patchwork of quotations from a variety of sources with a few words of your own. This creates the impression that you are relying too heavily on other people’s work.

11. Sometimes in more advanced essays it might be necessary to quote longer passages. You would do this if you were going to analyse the author’s arguments in detail and at quite some length. This should only be done occasionally.

12. Each main point of your argument should be made and discussed in its own separate paragraph. This should not normally need more than one quotation to support it. Too many quotations can create the impression that you are relying too heavily on secondary sources.

Reference

13. When the subject of your essay is the discussion of a text (say, criticism of a novel or an article) you should follow the same system of notation. Directly after the first quotation you should give a full bibliographic description of the text you are discussing.

14. This information could be given within brackets in the body of your essay, but you will be developing good academic habits if you place the information as an endnote after the conclusion of your essay.

15. If your essay is predominantly concerned with just one text, all subsequent quotations from it may simply be followed by page references. Simply add an explanation to the first endnote, saying – all subsequent page references are to this edition.

16. If you will be quoting from a variety of other sources in the same essay, you should number the quotations and give the sources accurately as a series of endnotes.

17. It is also possible to mix these two forms of referencing, so long as the distinctions are made clear. If your piece of work was a long essay on Bleak House for instance, it would be acceptable to identify all your quotations from the novel with page references. Quotations from other critics or sources would numbered and their sources identified as separate endnotes.

18. There must be grammatical continuity and sense maintained between any quotation and your own argument. To arrange this, it might be necessary to add or delete words from the material quoted, or to change the tense of the original. Whenever you do this, any changes should be very small. They must also be properly acknowledged.

[It was] as if she were truly loved by him, but notwithstanding this impression she regarded the man as no more than a casual acquaintance who occasionally made her laugh (p.7)

19. Square brackets are used to indicate any words which you have added in order to make the quotation fit grammatically or otherwise within your own argument.

20. If you wish to draw attention to a particular word or some part of the quotation, you should provide the emphasis by using italics. You should then immediately admit the fact ‘as if she were loved by him’ [p.7 – my emphasis] and then carry on with what you wish to say in the remainder of your argument.

21. In order to shorten a quotation or to remove some part of it which is not relevant to your argument, you may wish to omit a number of words. To denote this omission (which is called an ellipsis) you should use the convention of the three dots ‘…’ in the space which is left:

He had even a kind of assurance on his face … the assurance of a common man filled with pride. (p.7)

22. This device should not be used to change the sense of the original in any way, or to misrepresent its spirit: such practices are regarded as academically fraudulent.

23. The three dots denoting an ellipsis do not need to be placed at the beginning or the end of your quotation, even if you are quoting a few words from within a sentence.

24. The general convention for indicating quotation is to use single quote marks (‘unmitigated’) and to reserve double quotes marks for indicating speech (“Good gracious!” cried the duchess.)

25. When quoting conversation, follow these rules, but if it makes things easier put the words spoken within double quote marks even if they were in single quote marks in the original:

Kayerts is being even more hypocritical and self-deceiving when he ‘observe[s] with a sigh: “It had to be done”‘ (p.39)

26. If you are quoting more than once from a number of works in an essay, you can avoid confusion and save yourself the trouble of giving a full reference each time. Use either the op. cit. and ibid. or the short title convention.

27. Different subjects have their own conventions in this respect – but the short title system is becoming more widely used and is easier to follow. However, an enormous number of academic books have been produced using the older system, so it is worth understanding how it operates, even if you decide not to use it.

28. Using the system of Latin abbreviations, the first quotation from a text is referenced fully with an endnote. In the case of any references which follow, just give the author’s name followed by op. cit. (which means ‘in the work already quoted’) and then the page number – as follows:

11. J.D. Bryant, The Origins of Mythology, London: Carfax Press, 1971, p.234.

12. History Today, Vol XXXIV, No 18, p.123.

13. Bryant, op. cit., p. 387.

29. If the very next quotation is again from the same work, the abbreviation ibid. (which means ‘in the same place’) is followed by a page reference. You do not need to give the author’s name. The sequence just given would therefore be extended:

11. J.D. Bryant, The Origins of Mythology, London: Carfax Press, 1971, p.234.

12. History Today, Vol XXXIV, No 18, p.123.

13. Bryant, op. cit., p. 387.

14. ibid., p. 388.

30. The short title system is particularly useful for longer essays which might deal with a number of texts or different books by the same author. Second and third year undergraduate studies often require a lengthy piece of work such as this. The principle is the same one of giving full bibliographical details in the first reference. Subsequent quotations are given a reference which is composed of the author’s surname, a shortened form of the book title, and the page number. The examples shown above would therefore appear as follows:

11. J.D. Bryant, The Origins of Mythology, London: Carfax Press, 1971, p.234.

12. History Today, Vol XXXIV, No 18, p.123.

13. Bryant, Mythology, p. 387.

31. The conventions of quoting from poetry and plays are exactly
the same, but for the convenience of the reader, line numbers are given.

32. There are a number of widespread misunderstandings about the use of quotation and systems of referencing. It is worth taking the trouble to follow the conventions outlined above (or use the Harvard system). Once you have brought simplicity and clarity to the presentation of your quotations it will help to improve the appearance and credibility of your work.

Some do’s and don’ts
  • You should not put page references in margins: they are placed immediately after the quotation, within your text.
     
  • You should not locate references as part of your own argument with expression such as ‘and we see this on page 27 where he collapses slowly … then later in the paragraph where he recovers’.
     
  • Ellipses are shown by three dots only [ … ] not a random
    number scattered across the page.
     
  • References and note numbers should form part of the text of your argument. They should not be added to the essay at a later stage and written into the margins or squeezed above the text as superscripts.

33. You should avoid using too many quotations and references to secondary material. In some subjects this can sometimes be required (as in a ‘review of the literature’) but in most it is not. Packing your essay with references to other people’s ideas creates the impression that you are unable to create an argumentof your own. Remember that your own evidence or points should come first. Quotation should normally be offered after you have established your own argument.

34. Some people use quotations as a means of starting an introduction or rounding off the conclusion to an essay. This can give your work a touch of sparkle if the quote is well chosen. However, you should minimise the use of this strategy in the body of the essay itself. Paragraphs which begin with a quotation can weaken your argument – for two reasons.

  • First, you are not leading with your own ideas in the form of a topic sentence directly related to the question.
     
  • Second, the substance of your argument in what follows might give the impression of being a commentary on the secondary source quoted, rather than an answer to the original question.

© Roy Johnson 2004


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Online! a guide to using Internet sources

November 20, 2009 by Roy Johnson

academic referencing and writing style guide

This is a handy spiral-bound pocketbook which offers a compact guide to academic writing and its relation to the Internet. It presents standards for accessing, evaluating, and quoting Net sources. Most importantly, it shows you how to present digital referencing in academic writing. These are issues facing many students [and tutors] in the sudden eruption of the digital world into what was a bibliographic tradition dating back to the early Renaissance.

Digital referencingThe orientation is entirely American, but it includes models for citation in four different systems: the Modern Languages Association (MLA), American Psychological Association (APA), Council of Biology Editors (CBE) and Chicago University Press styles. Any of these could be adapted by European readers. They go into all the nit-picking details of where colons and angled brackets should be placed, where to use mono-spaced fonts to indicate addresses, and how best to break long URLs across consecutive lines.

The guide also includes tips for writing and publishing on the Net, and a directory of Net sources in the major academic disciplines. There is a rather good glossary, imaginatively placed at the front of the book; it has a full index, and the contents pages are well-designed. It includes some very helpful tips by the way – such as examples of lesser-know but useful URLs, and it even includes a brief chapter on how to create your own Web site.

In a bibliographic world where locations are ever-shifting, and where files can be updated on the hour, it includes important details on the dating and updating of files for the purposes of academic accuracy, and the evaluation of sources.

There has been some discussion in mailing list groups recently which has criticized the obsession with accuracy on these issues as an arm of the academic establishment’s concern with form at the expense of content. (This seems to be an issue which is more prevalent in the US than the UK it seems.) However, anybody who anticipates referencing digital sources in academic writing will find this a useful resource – and terrific value at the price.

citing Internet sources   Buy the book at Amazon UK

citing Internet sources   Buy the book at Amazon US

© Roy Johnson 2009


Andrew Harnack and Eugene Kleppinger, Online! a reference
guide to using Internet sources
, New York: St Martin’s Press, 1997, pp.162, ISBN: 0312150237


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Quotations in essays

August 24, 2009 by Roy Johnson

sample from HTML program and PDF book

1. There are in general two instances when you may wish to use quotations from other writers’ work:

  • Evidence – when quoting from other sources to support your own argument(s)
  • Reference – when a text is itself the subject of your essay and you need to refer to it in your discussion

2. The conventions of accurate quotation and referencing are relatively simple, and they are based on the need for accuracy, consistency, and clarity. There are a number of slightly different systems of notation. The two most widely used are:

  • the traditional combination of numbered quotation, plus an endnote giving the source
  • the Harvard system (described separately)

3. The whole purpose of both systems is that tutors marking your work should be able, if they wish, to check the accuracy of the quotations you use.

Evidence

4. In a discussion of the development of Marx’s philosophy for example, you might argue that his work was a natural development of his predecessors, supporting your assertion by quoting David McLellan. He points out that

Marx began by paying tribute to the achievements of Feuerbach, particularly in having shown that Hegel’s philosophy was no more than a rationalised theology. (1)

5. A bracketed number is added immediately after the quotation, and the source of your quotation is given as an endnote on a separate sheet at the end of your essay. (You might wish to place the information as a footnote at the bottom of the page, though this system can become rather complicated.)

NOTES
1. David McLellan, The Thought of Karl Marx, London: Macmillan, 1971, p.26.

6. Note that this information is given in the following order, and you should remember to indicate the titles of books by using italics.

Author-Title-Publisher-Date-Page

7. The material you quote is placed between two single quotation marks if it is run in as part of your text:

this is what David McLellan calls a ‘rationalised theology’ (1) in his discussion of the relationship between Marx and Hegel

8. If the length of the quote amounts to more than three lines of your own text however, it should be indented separately, and no quote marks are necessary:

Marx began by paying tribute to the achievements of Feuerbach, particularly in having shown that Hegel’s philosophy was no more than a rationalised theology, and having discovered the true materialist approach by starting from the social relationship of man to man. (1)

9. Your own argument should normally be offered first, and you then reinforce it with quotation from an authoritative source. You are using this secondary evidence from acknowledged specialists to support your own views. Do not offer the quotation first, otherwise what should be your own argument will tend to be come more a ‘commentary’ upon it.

10. The quotations you offer should be as brief as possible to make their point. Don’t be tempted to offer long quotations from other people’s work in the hope that this will act as a substitute for your own argument. Nor should you stitch together a patchwork of quotations from a variety of sources with a few words of your own. This creates the impression that you are relying too heavily on other people’s work.

11. Sometimes in more advanced essays it might be necessary to quote longer passages. You would do this if you were going to analyse the author’s arguments in detail and at quite some length. This should only be done occasionally.

12. Each main point of your argument should be made and discussed in its own separate paragraph. This should not normally need more than one quotation to support it. Too many quotations can create the impression that you are relying too heavily on secondary sources.

Reference

13. When the subject of your essay is the discussion of a text (say, criticism of a novel or an article) you should follow the same system of notation. Directly after the first quotation you should give a full bibliographic description of the text you are discussing.

14. This information could be given within brackets in the body of your essay, but you will be developing good academic habits if you place the information as a note at the end of the essay.

15. If your essay is predominantly concerned with just one text, all subsequent quotations from it may simply be followed by page references. Simply add an explanation to the first endnote, saying – all subsequent page references are to this edition.

16. If you will be quoting from a variety of other sources in the same essay, you should number the quotations and give the sources accurately as a series of endnotes.

17. It is also possible to mix these two forms of referencing, so long as the distinctions are made clear. If your piece of work was a long essay on Bleak House for instance, it would be acceptable to identify all your quotations from the novel with page references. Quotations from other critics or sources would numbered and their sources identified as separate endnotes.

18. There must be grammatical continuity and sense maintained between any quotation and your own argument. To arrange this, it might be necessary to add or delete words from the material quoted, or to change the tense of the original. Whenever you do this, any changes should be very small. They must also be properly acknowledged.

[It was] as if she were truly loved by him, but notwithstanding this impression she regarded the man as no more than a casual acquaintance who occasionally made her laugh (p.7)

19. Square brackets are used to indicate any words which you have added in order to make the quotation fit grammatically or otherwise within your own argument.

20. If you wish to draw attention to a particular word or some part of the quotation, you should provide the emphasis by using italics (or underlining). You should then immediately admit the fact ‘as if she were loved by him’ [p.7 – my emphasis] and then carry on with what you wish to say in the remainder of your argument.

How to shorten a quote

21. In order to shorten a quotation or to remove some part of it which is not relevant to your argument, you may wish to omit a number of words. To denote this omission (which is called an ‘ellipsis’) you should use the convention of the three dots ‘…’ in the space which is left:

He had even a kind of assurance on his face … the assurance of a common man filled with pride. (p.7)

22. This device should not be used to change the sense of the original in any way, or to misrepresent its spirit: such practices are regarded as academically fraudulent.

23. The three dots denoting an ellipsis do not need to be placed at the beginning or the end of your quotation, even if you are quoting a few words from within a sentence.

24. The general convention for indicating quotation is to use single quote marks (‘unmitigated’) and to reserve double quotes marks for indicating speech (“Good gracious!” cried the duchess.)

25. When quoting conversation, follow these rules, but if it makes things easier put the words spoken within double quote marks even if they were in single quote marks in the original:

Kayerts is being even more hypocritical and self-deceiving when he ‘observe[s] with a sigh: “It had to be done”‘ (p.39)

26. If you are quoting more than once from a number of works in an essay, you can avoid confusion and save yourself the trouble of giving a full reference each time. Use either the abbreviations op. cit.. and ibid. or the short title convention.

27. Different subjects have their own conventions in this respect – but the short title system is becoming more widely used and is easier to follow. However, an enormous number of academic books have been produced using the older system, so it is worth understanding how it operates, even if you decide not to use it.

28. Using the system of Latin abbreviations, the first quotation from a text is referenced fully with an endnote. In the case of any references which follow, just give the author’s name followed by op. cit.. (which means ‘in the work already quoted’) and then the page number – as follows:

11. J.D. Bryant, The Origins of Mythology, London: Carfax Press, 1971, p.234.
12. History Today, Vol. XXXIV, No 18, p.123.
13. Bryant, op. cit., p. 387.

29. If the very next quotation is again from the same work, the abbreviation ibid.. (which means ‘in the same place’) is followed by a page reference. You do not need to give the author’s name. The sequence just given would therefore be extended:

11. J.D. Bryant, The Origins of Mythology, London: Carfax Press, 1971, p.234.
12. History Today, Vol. XXXIV, No 18, p.123.
13. Bryant, op. cit., p. 387.
14. ibid., p. 388.

30. The short title system is particularly useful for longer essays which might deal with a number of texts or different books by the same author. Second and third year undergraduate studies often require a lengthy piece of work such as this. The principle is the same one of giving full bibliographical details in the first reference. Subsequent quotations are given a reference which is composed of the author’s surname, a shortened form of the book title, and the page number. The examples shown above would therefore appear as follows:

11. J.D. Bryant, The Origins of Mythology, London: Carfax Press, 1971, p.234.
12. History Today, Vol. XXXIV, No 18, p.123.
13. Bryant, Mythology, p. 387.

31. The conventions of quoting from poetry and plays are exactly the same, but for the convenience of the reader, line numbers are given.

32. There are a number of widespread misunderstandings about the use of quotation and systems of referencing. It is worth taking the trouble to follow the conventions outlined above (or use the Harvard system). Once you have brought simplicity and clarity to the presentation of your quotations it will help to improve the appearance and credibility of your work.


What to avoid

  • You should not put page references in margins: they are placed immediately after the quotation, within your text.
  • You should not locate references as part of your own argument with expression such as ‘and we see this on page 27 where he collapses slowly … then later in the paragraph where he recovers’.
  • Ellipses are shown by three dots only [ … ] not a random number scattered across the page.
  • References and note numbers should form part of the text of your argument. They should not be added to the essay at a later stage and written into the margins or squeezed above the text as superscripts.

33. You should avoid using too many quotations and references to secondary material. In some subjects this can sometimes be required (as in a ‘review of the literature’) but in most it is not. Packing your essay with references to other people’s ideas creates the impression that you are unable to create an argument of your own. Remember that your own evidence or points should come first. Quotation should normally be offered after you have established your own argument.

34. Some people use quotations as a means of starting an introduction or rounding off the conclusion to an essay. This can give your work a touch of sparkle if the quote is well chosen. However, you should minimize the use of this strategy in the body of the essay itself. Paragraphs which begin with a quotation can weaken your argument – for two reasons.

  • First, you are not leading with your own ideas in the form of a topic sentence directly related to the question.
  • Second, the substance of your argument in what follows might give the impression of being a commentary on the secondary source quoted, rather than an answer to the original question.

© Roy Johnson 2003

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Treasury of Sayings and Quotations

July 29, 2009 by Roy Johnson

origins of quotes, proverbs, and expressions

This Treasury of Sayings and Quotations is a compilation of phrases, bon mots, and observations from sources all over the world. Some are well known, and others are novelties drawn out of the data-bank of human wisdom from all over the world which you are invited to enjoy or send into further circulation. Oxford University Press do a lot of these quotation dictionaries: their Humorous Quotations, Catchphrases, Idioms, Literary Quotations, and Modern Quotations are all very popular.

Treasury of Sayings and Quotations The distinctive feature in this compilation is that it has multiculturalism writ large in its selection of materials. They range from the folk-like African proverb When the spiders unite, they can tie up a lion, to the more obviously urban Russian maxim, We pretend to work, they pretend to pay us. The categories are arranged alphabetically – from Ability and Africa, through Marriage and Memory, to Women, Words, Writing and Youth. Then the entries under each topic are arranged chronologically – so, under Writing we go from II Maccabees in the Bible, to Derek Walcott in the Guardian of 1997.

I come from a backward place: your duty is supplied by the life around you. One guy plants bananas; another plants cocoa; I’m a writer, I plant lines. There’s the same clarity of occupation, and the same sense of devotion.
Derek Walcott 1930

Shakespeare of course crops up in more categories than you can shake a stick at [which is not listed]: The course of true love never did run smooth (Midsummer Night’s Dream) and Is it not strange that desire should so many years outlive performance? (Henry IV, Part 2).

It’s been brought up to date with entries such as shock and awe, dodgy dossier, and the mother of battles which cast a chilling light on the people who used them in the last few years.

It includes well-chosen words from Biblical times to the present day, proverbs from around the world, and well-known phrases and quotations, giving their sources and revealing the contexts from which they emerged. There are even explanations of terms as unlikely as this from the world of recreational drug use:

chase the dragon
take heroin by heating it on a piece of kitchen tin foil and inhaling the fumes. The term is said to be translated from Chinese, and to arise from the fact that the fumes and the molten heroin powder move up and down the piece of tin foil with an undulating movement resembling the tail of the dragon in Chinese myths.

More than a thousand new items have been added to the latest (fourth) edition. I am never quite sure what use people make of these compilations, but once you open them, they are very difficult to close. It’s the easy browsing I suppose – plus the fact that every entry is a gem of condensed human experience.

© Roy Johnson 2011

Treasury of Sayings and Quotations   Buy the book at Amazon UK

Treasury of Sayings and Quotations   Buy the book at Amazon US


Oxford Treasury of Sayings and Quotations, Oxford: Oxford University Press (4th edn) 2011, pp.720, ISBN: 0199609128


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