Hogarth Press first edition book jacket designs

Virginia Woolf, Kew Gardens (1919)
This publication contained only ten pages of text, with illustrations by Vanessa Bell.
“In 1918 we printed two small books: Poems by T.S. Eliot and Kew Gardens by Virginia. Of Kew Gardens we printed about 170 copies (the total sold of the first edition was 148). We published it on 12 May 1919 at 2s. When we started printing and publishing with our Publication No. 1, we did not send out any review copies, but in the case of Prelude, Tom’s Poems, and Kew Gardens we sent review copies to The Times Literary Supplement. By 31 May we had sold forty-nine copies of Kew Gardens On Tuesday 27 May, we went to Asham and stayed there for a week, returning to Richmond on 3 June. In the previous week a review of Kew Gardens had appeared in the Literary Supplement giving it tremendous praise. When we opened the door of Hogarth House, we found the hall covered with envelopes and postcards containing orders from booksellers all over the country. It was impossible for us to start printing enough copies to meet these orders, so we went to a printer, Richard Madely, and got him to print a second edition of 500 copies, which cost us £8 9s. 6d. It was sold by the end of 1920 and we did not reprint.”
Leonard Woolf, An Autobiography
Hogarth Press studies
Woolf’s-head Publishing is a wonderful collection of cover designs, book jackets, and illustrations – but also a beautiful example of book production in its own right. It was produced as an exhibition catalogue and has quite rightly gone on to enjoy an independent life of its own. This book is a genuine collector’s item, and only months after its first publication it started to win awards for its design and production values. Anyone with the slightest interest in book production, graphic design, typography, or Bloomsbury will want to own a copy the minute they clap eyes on it.
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Leonard and Virginia Woolf as Publishers: Hogarth Press, 1917-41 John Willis brings the remarkable story of Leonard and Virginia Woolf’s success as publishers to life. He generates interesting thumbnail sketches of all the Hogarth Press authors, which brings both them and the books they wrote into sharp focus. He also follows the development of many of its best-selling titles, and there’s a full account of the social and cultural development of the press. This is a scholarly work with extensive footnotes, bibliographies, and suggestions for further reading – but most of all it is a very readable study in cultural history.
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© Roy Johnson 2005

Mrs Dalloway
To the Lighthouse
Orlando (1928) is one of her lesser-known novels, although it’s critical reputation has risen in recent years. It’s a delightful fantasy which features a character who changes sex part-way through the book – and lives from the sixteenth to the twentieth century. Using this device (which turns out to be strangely credible) Woolf explores issues of gender and identity as her hero-heroine moves through a variety of lives and personal adventures. Orlando starts out as an emissary to the Court of St James, lives through friendships with Swift and Alexander Pope, and ends up motoring through the west end of London on a shopping expedition in the 1920s. The character is loosely based on Vita Sackville-West, who at one time was Woolf’s lover. The novel itself was described by Nigel Nicolson (Sackville-West’s son) as ‘the longest and most charming love-letter in literature’.
The Waves
Between the Acts
Kew Gardens
The Complete Shorter Fiction

Virginia Woolf is a readable and well illustrated biography by John Lehmann, who at one point worked as her assistant at the Hogarth Press. It is described by the blurb as ‘A critical biography of Virginia Woolf containing illustrations that are a record of the Bloomsbury Group and the literary and artistic world that surrounded a writer who is immensely popular today’. An attractive and very accessible introduction to the subject.