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Wharton – Stories

tutorials and critical studies of the stories of Edith Wharton

tutorials and critical studies of the stories of Edith Wharton

The Quicksand

August 3, 2018 by Roy Johnson

tutorial. study guide, interpretations, further reading

The Quicksand first appeared in Harper’s Magazine in the issue for June 1902. It was collected in The Descent of Man (1904) and currently forms part of the publication The New York Stories of Edith Wharton

The Quicksand

The Metropolitan Museum – Frank Waller (1842-1923)


The Quicksand – commentary

Structure

The story is essentially a tale of reversed expectations – but one with a very subtle construction and some interesting ironic effects. At the outset readers are given every reason to notice the relationship between Mrs Quentin and her son Alan. They are very close to each other emotionally – even to the point of ‘excessive intimacy’.

Everything in the narrative suggests Mrs Quentin’s taking her son’s side when he is refused by a potential fiancée, Hope Feddo, because of his ownership of the muck-raking newspaper the Radiator. There is even a hint of maternal jealousy and rivalry in the remark, ‘Mrs Quentin at first was kept silent by the mother’s instinctive anger that the girl she had not wanted for her son should have dared to refuse him.’

This suggestion of positive prejudice is reinforced by Mrs Quentin’s reaction during their discussion of what to do. She is relieved to observe: ‘He was with her against the girl then!’

At this point it is natural to suppose that the story is one of a woman’s loyalties being tested. She wants the best for her beloved son, but she has reservations about his choice of fiancée. Nevertheless, she agrees to speak to the girl on his behalf.

Mrs Quentin’s scepticism about Hope then seems to be confirmed by the drab furniture amongst which she finds her living, and which is even translated metaphorically into her state of mind:

The girl’s mind was like a large light empty place, scantily furnished with a few massive prejudices, not designed to add to anyone’s comfort but too ponderous to be easily moved.

Mrs Quentin argues that Hope should not prejudge the future, but give life a chance. She raises the problem they both face – but in a brief and ambiguous manner.

Six months later Alan is still pained by the rebuff, and Mrs Quentin’s relations with her son have cooled. She feels a vague discomfort that we might be forgiven for thinking is a sense of guilt at not trying harder to argue Alan’s case.

But when she meets Hope in the Metropolitan Museum the girl reveals that she too has been unhappy. She now feels that she made a mistake in rejecting Alan’s proposal, even accusing herself of self-righteousness and vanity in her former attitude.

She has come to feel that her love for Alan can be put to use in helping him. At the same time she has realised from Mrs Quentin’s example that it is possible to disattend to the nature of the Radiator.

It is at this point that the reversal of expectations is presented. Mrs Quentin reveals that it is precisely because she can see Hope is a person with intelligence and integrity that she doesn’t want her to face the same difficulties she herself has had as a young woman.

Mrs Quentin married Alan’s father, the owner of the Radiator. When she realised it was a gutter press publication she asked him to sell the newspaper. He agreed, but wanted to first build its circulation to make it a saleable proposition.

Time passed, the paper was not sold, and they became locked in a vicious circle. When Alan was born she needed the money to keep him in luxury to which both he and his mother became accustomed.

When Alan inherited the Radiator she hoped he would sell it – but he didn’t. Mrs Quentin feels that she became locked into a dishonourable bond with the son she loved. She hoped he would marry a simple and unquestioning girl – but having met a woman with ideas, Mrs Quentin fears that Hope will be dragged down into a similar dishonourable compact. For this reason, she is presenting a warning message. It is a dramatic and very convincing revelation – from which young Hope flees in shock.

An alternative reading

There is another way of interpreting the details of the story, which is to look at what results from the actions of the participants. This also involves speculating on psychological motivation which might be hidden even from the characters themselves.

Mrs Quentin has a very deep emotional bond with her son Alan. She has raised him with devoted concern for his ‘delicate’ nature. They have travelled abroad together, in warm climates during the winter and cruising aboard a yacht in summer. So Alan has certainly been kept away from the masculine influence of his father.

Mother and son have become like lovers to each other – and they address each other in the language of lovers (Dear’ and ‘dear mother’). You do not need to be a qualified psychoanalyst to realise that a mother with an almost incestuous relationship to her son will not welcome the attentions of a rival in the form of a potential daughter-in-law.

Mrs Quentin therefore is very reluctant to act as her son’s emissary to the obdurate Hope Fenno. When she does make the visit she views Hope in a hostile manner (‘The girl’s mind was like a large light empty place’) and puts forward a largely unconvincing argument in favour of her accepting Alan. The argument is unconvincing because secretly she doesn’t want Hope to be persuaded.

When some time later Hope changes her mind, Mrs Quentin is forced to deploy a more powerful set of reasons why the young couple should not be united. She presents Alan as a driven work-obsessive who will never change, and she delivers her own biography as a combination of addiction to luxury and tragic failure in the fight against muck-raking journalism.

These arguments are delivered (she claims) with the aim of ‘saving’ Hope Fenno from a similar fate – but unconsciously she has the ambition of driving the girl away from her much-beloved son – and she succeeds. In this reading the story is one of sexual rivalry between a possessive mother and her prospective daughter-in-law.


The Quicksand – study resources

The New York Stories – NYRB – Amazon UK

The New York Stories – NYRB – Amazon US

Edith Wharton Stories 1891-1910 – Norton Critical – Amazon UK

Edith Wharton Stories 1891-1910 – Norton Critical – Amazon US

A Historical Guide to Edith Wharton – Amazon UK

The Cambridge Introduction to Edith Wharton – Amazon UK

The Quicksand


The Quicksand – story synopsis

I   Young Alan Quentin’s proposal of marriage has been rejected by Hope Fenno because she disapproves of the muckraking newspaper the Radiator he has inherited from his father. His mother Mrs Quentin consoles him and promises to plead his case with the young woman.

II   Mrs Quentin interviews Hope and argues that her objections to the newspaper might dissolve with the passage of time. Hope remains unconvinced.

III   Six months later the two women meet again. Hope has changed her mind and wishes to ‘support’ Alan, as Mrs Quentin did when her husband was alive. However, Mrs Quentin reveals that she wanted to be rid of the newspaper, but became enmeshed in a lifelong betrayal of her own values because of the luxury its income provided. She wishes Hope to be spared a similar destiny. This information scares Hope away.

© Roy Johnson 2018


Edith Wharton – short stories
More on Edith Wharton
More on short stories


Filed Under: Wharton - Stories Tagged With: Edith Wharton, English literature, Literary studies, The Short Story

The Reckoning

June 6, 2014 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

The Reckoning first appeared in Harper’s Monthly Magazine, New York, 1902. The story was subsequently included in Edith Wharton’s collection of short fiction, The Descent of Man and Other Stories published by Charles Scribner’s in 1904. It is one of the many stories she wrote which featured the ‘new ethics’ emerging from the relaxation of the divorce laws in the United States.

The Reckoning


The Reckoning- critical commentary

This is an amazingly mature work for the relatively young Edith Wharton, and proof positive that she was thinking critically about the issues of personal liberty within marriage, the grounds for divorce, and the possible consequences of sexual liberty, long before her own affair with Morton Fullerton in 1908 and her eventual divorce from her husband Teddy Wharton in 1912.

In tone, subject, and style the story represents a transition between the nineteenth and the twentieth century tradition of short stories. It has the understated world weariness of Maupassant and Chekhov, and the incisive, critical realism which was to come in the same decade from James Joyce and Virginia Woolf.

Stucture

The story is very elegantly structured in three well balanced sections. The first introduces the Westall’s, their pact of individual liberty within marriage, and Julia’s first doubts when she sees her husband’s interest in a younger woman.

The second section provides a flashback to Julia’s first marriage to John Armant, in which she felt trapped by a relationship that to her had become stale. This explains the origins of her agreement with Clement that an individual must have the right to move on when the time comes. But now in the present, after ten years marriage to Clement, she feels threatened by the very agreement she has helped to generate between them.

The third section represents the lessons she learns. Feeling sure that Clement is leaving her for Una Van Sidern, she returns to her former home and realises that when she left her former husband John Arment, she took no account of his feelings at the time. He confirms that he was an unwilling participant in the divorce – but he forgives her in retrospect.


The Reckoning – study resources

The Reckoning The New York Stories – New York Review Books – Amazon UK

The Reckoning The New York Stories – New York Review Books – Amazon US

The Reckoning Edith Wharton Collected Stories – Norton Critical – Amazon UK

The Reckoning Edith Wharton Collected Stories – Norton Critical – Amazon US

The Reckoning The Descent of Man and Other Stories – Project Gutenberg

Red button A Historical Guide to Edith Wharton – Amazon UK

Edith Wharton The Cambridge Introduction to Edith Wharton – Amazon UK

The Reckoning


The Reckoning – story synopsis

Part I.   Clement Westall has been speaking on radical proposals for personal freedom within marriage to a gathering of New York socialites at the Saturday salon of the Van Siderns. His wife Julia previously shared his views but now feels uneasy about their being made known in public – especially when they are enthusiastically embraced by the twenty-six year old Una Van Sidern, to whom her husband admits being attracted.

Part II.   Julia felt trapped in her first marriage to John Armant, and she married Clement Westall on the understanding that individuals should be free to move on by mutual consent when they felt the marriage had served its useful purpose. But after ten years of marriage to Westall she has come to believe that these ideas no longer apply in her own case. So when he plans to go ahead with another speech at the Van Siderns she asks him not to go. He asserts their old agreement to move on when they wish to form a new relationship.

Part III.   When he leaves to join the Van Siderns she feels her whole world collapse, as if she had been caught out by a new rule of her own making. She wanders about New York all day, uncertain what to do with her tumultuous emotions. Finally she ends up at her old home where her first husband still lives. She explains to him that Clement Westall is about to leave her for a younger woman, which has forced her to realise that when one person wishes to leave a marriage, the other may not, and may not understand the need for separation. She realises that this might have been the situation when she divorced John Armant, which he confirms to have been the case. She asks his forgiveness – which he grants her.


Principal characters
Clement Westall a New York lawyer and socialite
Julia Westall his wife
John Armant Julia’s first husband
Una Van Sidern a 26 year old socialite

Edith Wharton's house - The Mount

Edith Wharton’s 42-room house – The Mount


Further reading

Louis Auchincloss, Edith Wharton: A Woman of her Time, New York: Viking, 1971,

Elizabeth Ammons, Edith Wharton’s Argument with America, Georgia: University of Georgia Press, 1982, pp.222. ISBN: 0820305138

Janet Beer, Edith Wharton (Writers & Their Work), New York: Northcote House, 2001, pp.99, ISBN: 0746308981

Millicent Bell (ed), The Cambridge Companion to Edith Wharton, Cambridge: Cambridge University Press, 1995, pp.232, ISBN: 0521485134

Alfred Bendixen and Annette Zilversmit (eds), Edith Wharton: New Critical Essays, New York: Garland, 1992, pp.329, ISBN: 0824078489

Eleanor Dwight, Edith Wharton: An Extraordinary Life, New York: Harry N. Abrams, 1994, ISBN: 0810927950

Gloria C. Erlich, The Sexual Education of Edith Wharton, California: University of California Press, 1992, pp.223, ISBN: 0520075838

Susan Goodman, Edith Wharton’s Women: Friends and Rivals, UPNE, 1990, pp.220, ISBN: 0874515246

Irving Howe, (ed), Edith Wharton: A collection of Critical Essays, London: University of North Carolina Press, 1986,

Jennie A. Kassanoff, Edith Wharton and the Politics of Race, Cambridge: Cambridge University Press, 2004, pp.240, ISBN: 0521830893

Hermione Lee, Edith Wharton, London: Vintage, new edition 2008, pp.864, ISBN: 0099763516

R.W.B. Lewis, Edith Wharton: A Biography, New York: Harper and Rowe, 1975, pp.592, ISBN: 0880640200

James W. Tuttleton (ed), Edith Wharton: The Contemporary Reviews, Cambridge: Cambridge University Press, 1992, pp.586, ISBN: 0521383196

Candace Waid, Edith Wharton’s Letters from the Underworld, London: University of North Carolina Press, 1991,

Sarah Bird Wright, Edith Wharton A to Z: The Essential Reference to Her Life and Work, Fact on File, 1998, pp.352, ISBN: 0816034818

Cynthia Griffin Wolff, A Feast of Words: The Triumph of Edith Wharton, New York: Perseus Books, second edition 1994, pp.512, ISBN: 0201409186


Edith Wharton's writing

Edith Wharton’s writing


Other works by Edith Wharton

Edith Wharton - The Custom of the CountryThe Custom of the Country (1913) is Edith Wharton’s satiric anatomy of American society in the first decade of the twentieth century. It follows the career of Undine Spragg, recently arrived in New York from the midwest and determined to conquer high society. Glamorous, selfish, mercenary and manipulative, her principal assets are her striking beauty, her tenacity, and her father’s money. With her sights set on an advantageous marriage, Undine pursues her schemes in a world of shifting values, where triumph is swiftly followed by disillusion. This is a study of modern ambition and materialism written a hundred years before its time.
Edith Wharton - The Custom of the Country Buy the book from Amazon UK
Edith Wharton - The Custom of the Country Buy the book from Amazon US

Edith Wharton - The House of MirthThe House of Mirth (1905) is the story of Lily Bart, who is beautiful, poor, and still unmarried at twenty-nine. In her search for a husband with money and position she betrays her own heart and sows the seeds of the tragedy that finally overwhelms her. The book is a disturbing analysis of the stifling limitations imposed upon women of Wharton’s generation. In telling the story of Lily Bart, who must marry to survive, Wharton recasts the age-old themes of family, marriage, and money in ways that transform the traditional novel of manners into an arresting modern document of cultural anthropology.
Edith Wharton - The House of Mirth Buy the book from Amazon UK
Edith Wharton - The House of Mirth Buy the book from Amazon US


Edith Wharton – web links

Edith Wharton at Mantex
Biographical notes, study guides to the major novels, tutorials on the shorter fiction, bibliographies, critiques of the shorter fiction, and web links.

The Short Stories of Edith Wharton
This is an old-fashioned but excellently detailed site listing the publication details of all Edith Wharton’s eighty-six short stories – with links to digital versions available free on line.

Edith Wharton at Gutenberg
Free eTexts of the major novels and collections of stories in a variety of digital formats – also includes travel writing and interior design.

Edith Wharton at Wikipedia
Full details of novels, stories, and travel writing, adaptations for television and the cinema, plus web links to related sites.

The Edith Wharton Society
Old but comprehensive collection of free eTexts of the major novels, stories, and travel writing, linking archives at University of Virginia and Washington State University.

The Mount: Edith Wharton’s Home
Aggressively commercial site devoted to exploiting The Mount – the house and estate designed by Edith Wharton. Plan your wedding reception here.

Edith Wharton at Fantastic Fiction
A compilation which purports to be a complete bibliography, arranged as novels, collections, non-fiction, anthologies, short stories, letters, and commentaries – but is largely links to book-selling sites, which however contain some hidden gems.

Edith Wharton’s manuscripts
Archive of Wharton holdings at the Beinecke Rare Book and Manuscript Library

© Roy Johnson 2014


Edith Wharton – short stories
More on Edith Wharton
More on short stories


Filed Under: Wharton - Stories Tagged With: Edith Wharton, English literature, Literary studies, The Short Story

The Touchstone

February 17, 2014 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

The Touchstone was published in 1900, and was Edith Wharton’s first novella. It’s an amazingly accomplished piece, considering that she did not think she had matured as a writer until more than a decade later, when she published Ethan Frome (1911), which she described as marking the end of her ‘apprenticeship’ as a writer.

The Touchstone

Margaret Aubyn’s letters


The Touchstone – critical commentary

Context

Edith Wharton was a great friend of Henry James, who had written a number of stories dealing with the relationship of authors to society in general, and the problems of biographical revelations in particular. James’s stories generally put the case for the right of authors to retain an autonomous degree of control over the details of their private lives, and he often depicts those who would reveal intimate aspects of a writer’s biography as sneaks, gossip-mongers, and prying busybodies. The most celebrated case of this kind is his novella The Aspern Papers (1888).

Edith Wharton follows this line of argument in The Touchstone. There is never any doubt in Glennard’s mind that by releasing Margaret Aubyn’s letters to the public, he is betraying both her and the one-sided relationship they had in the past. Moreover, he makes the decision to publish for rather dubious motives – because he needs the money in order to marry Alexa Trent, from whom he conceals the fact that the letters were written to him.

However, this view of publishing biographical materials is countered by Flamel’s view that to do so in the case of Margaret Aubyn would be a public service – because she is an important and renowned figure, and because no personal harm can be done to her since she is now dead. At first this appears to be a slippery, diabolical argument leading Glennard into a Faustian pact with his publisher, from which he profits again and again. Hence the dramatic significance of the royalty cheque he receives and his attempt to salve his conscience by paying Flamel a commission fee.

The reader is given ever reason to think that Flamel has underhand motives and is paving his way to seduce Alexa – but in fact he refuses the fee, and turns out to have acted honourably all along, even to the extent of going to live abroad, with the implication that he has been in love with Alexa but is sacrificing his own interests out of respect for hers.

The novella

The basic requirements of the novella form are that it should be short, concentrated, centred on a single theme, with few characters, and tightly focused in terms of time scale, characters, and location. The Touchstone fulfils all these requirements. It has three principal characters, the drama is centred upon Glennard’s moral struggle in his dealings with the other two – and his past relationship with Margaret Aubyn, who is a very good example of a character exerting influence from beyond the grave. And the letters themselves form an appropriate symbol of the central issue of the story – the revelation of biographical information about a well-known writer.

There is more than a hint that Margaret Aubyn is a thinly veiled portrait of Edith Wharton herself. And it’s also interesting to note that she publishes a volume with the title Pomegranate Seed – which Edith Wharton was to do herself when she wrote a story with that title thirty years later.


The Touchstone – study resources

The Touchstone Edith Wharton Stories 1891-1910 – Norton Critical – Amazon UK

The Touchstone Edith Wharton Stories 1891-1910 – Norton Critical – Amazon US

The Touchstone - eBook edition The Touchstone – eBook format at Project Gutenberg

The Touchstone - eBook edition The Touchstone – AudioBook format at Gutenberg

Edith Wharton - biography The Touchstone – paperback edition – Amazon UK

Red button A Historical Guide to Edith Wharton – Amazon UK

Edith Wharton The Cambridge Introduction to Edith Wharton – Amazon UK

The Touchstone


The Touchstone – plot synopsis

Part I.   New York lawyer Stephen Glennard sees a request for information relating to famous novelist Margaret Aubyn. He is in possession of hundreds of her letters written at a time when she was in love with him but when he was unable to reciprocate her feelings. He feels financially pinched and does not have enough money to marry Alexa Trent.

Part II.   He has been in love with Alexa for two years, and Margaret Aubyn has been dead for three. Glennard met Margaret Aubyn when he was at university, and after her husband died Glennard moved to work in New York, which is when her correspondence began. She decided to move to London, from where she continued her eloquent and vivid sequence of letters. Glennard realises that he is in possession of a rich seam of materials.

Part III.   Alexa reports that her aunt has invited her to live abroad in Europe for two years. This is to relieve the financial burden on her family which Alexa creates as the eldest unmarried daughter. Glennard tries to persuade her to marry him instead, and live frugally.

Part IV.   Glennard feels vaguely guilty that he has been standing in the way of Alexa finding a husband who can support her. His friend Flamel confirms that a collection of Margaret Aubyn’s letters would be very valuable to a publisher. Glennard plans to invest any money he might raise from such a sale.

Part V.   One year later Glennard is married to Alexa, they are living in the suburbs, and his investments are doing very well. Flamel has helped him to edit the letters, and their publication is a big success. Yet Glennard feels oppressed by a sense of regret that he has somehow betrayed Margaret Aubyn. He is worried that Alexa might discover his secret that the letters were written to him, and he is anxious about his pact with Flamel.

Part VI.   Margaret Aubyn’s letters are discussed by a group of people on Flamel’s yacht, following which Alexa asks Glennard to buy her a copy of the Letters. Alexa appears to have closer and closer ties with Flamel.

Part VII.   Alexa knows that Glennard was acquainted with Margaret Aubyn in his earlier university days. Glennard invites Flamel to dinner, where this connection is revealed. Glennard is anxious about how much his wife and Flamel know respectively about each other’s knowledge of the situation.

Part VIII.   Glennard is so worried about what Alexa might discover that he decides to move back into to New York so that he will have less personal contact with her because of social life in the city. A royalty cheque appears as a result of the publishing success, and he feels more guilty than ever. Friends report on a public reading of the Letters at the Waldorf Hotel. Glennard suspects that Flamel might have revealed his secret to Alexa.

Part IX.   Glennard gives Alexa the chance to discover his secret by letting her see a letter from his publisher. Alexa meanwhile continues to have more and more private meetings with Flamel.

Part X.   Time goes on, and Glennard still does not discuss his guilty secret with Alexa, as a consequence of which they begin to drift further and further apart. He sees a picture of Margaret Aubyn in a magazine and begins to imaginatively re-live their relationship.

Part XI.   Glennard goes to the cemetery and scatters flowers on Margaret Aubyn’s grave.

Part XII.   Glennard’s morbid connection with Margaret Aubyn continues and leads him into a solitary way of life. But he is suddenly shocked to encounter Alexa and Flamel together in an out-of-the-way part of Manhattan. He sends Flamel a cheque as commission for his part in placing the letters with a publisher. When Flamel pays him a surprise visit, Glennard reveals that the letters were written to him, and he lies to Flamel, claiming that Alexa was aware of the fact. Flamel rejects his arguments and his action as insulting, and tears up the cheque.

Part XIII.   Glennard wonders if Alexa does not realise the letters were written to him, and he begins to value her again. He challenges her in a jealous outburst over her meeting with Flamel, who she tells him is leaving for Europe. She also reveals her distaste for the letters and the ‘inheritance’ they provided for the establishment of their marriage. She argues that the money should be repaid. Glennard asks her if Flamel is leaving because he loves Alexa, and he admits that he has deceived Flamel, who has behaved honourably throughout the episode.

Part XIV.   Alexa makes sacrifices and they live frugally. Glennard calculates that it will take two years to repay the money. He is tortured by his inability to make amends to the dead Margaret Aubyn, and he wallows in self-pity. However, Alexa argues that Margaret Aubyn has given him the opportunity to ‘discover himself’, even if it was via a base action on his part.


The Touchstone – principal characters
Stephen Glennard a New York lawyer
Alexa Trent his fiancé, and later his wife
Mrs Margaret Aubyn a celebrated novelist, his former lover
Barton Flamel a rich aesthete and collector

Video documentary


Further reading

Louis Auchincloss, Edith Wharton: A Woman of her Time, New York: Viking, 1971,

Elizabeth Ammons, Edith Wharton’s Argument with America, Georgia: University of Georgia Press, 1982, pp.222. ISBN: 0820305138

Janet Beer, Edith Wharton (Writers & Their Work), New York: Northcote House, 2001, pp.99, ISBN: 0746308981

Millicent Bell (ed), The Cambridge Companion to Edith Wharton, Cambridge: Cambridge University Press, 1995, pp.232, ISBN: 0521485134

Alfred Bendixen and Annette Zilversmit (eds), Edith Wharton: New Critical Essays, New York: Garland, 1992, pp.329, ISBN: 0824078489

Eleanor Dwight, Edith Wharton: An Extraordinary Life, New York: Harry N. Abrams, 1994, ISBN: 0810927950

Gloria C. Erlich, The Sexual Education of Edith Wharton, California: University of California Press, 1992, pp.223, ISBN: 0520075838

Susan Goodman, Edith Wharton’s Women: Friends and Rivals, UPNE, 1990, pp.220, ISBN: 0874515246

Irving Howe, (ed), Edith Wharton: A collection of Critical Essays, London: University of North Carolina Press, 1986,

Jennie A. Kassanoff, Edith Wharton and the Politics of Race, Cambridge: Cambridge University Press, 2004, pp.240, ISBN: 0521830893

Hermione Lee, Edith Wharton, London: Vintage, new edition 2008, pp.864, ISBN: 0099763516

R.W.B. Lewis, Edith Wharton: A Biography, New York: Harper and Rowe, 1975, pp.592, ISBN: 0880640200

James W. Tuttleton (ed), Edith Wharton: The Contemporary Reviews, Cambridge: Cambridge University Press, 1992, pp.586, ISBN: 0521383196

Candace Waid, Edith Wharton’s Letters from the Underworld, London: University of North Carolina Press, 1991,

Sarah Bird Wright, Edith Wharton A to Z: The Essential Reference to Her Life and Work, Fact on File, 1998, pp.352, ISBN: 0816034818

Cynthia Griffin Wolff, A Feast of Words: The Triumph of Edith Wharton, New York: Perseus Books, second edition 1994, pp.512, ISBN: 0201409186


Edith Wharton's writing

Edith Wharton’s writing


Other works by Edith Wharton

Edith Wharton - The Custom of the CountryThe Custom of the Country (1913) is Edith Wharton’s satiric anatomy of American society in the first decade of the twentieth century. It follows the career of Undine Spragg, recently arrived in New York from the midwest and determined to conquer high society. Glamorous, selfish, mercenary and manipulative, her principal assets are her striking beauty, her tenacity, and her father’s money. With her sights set on an advantageous marriage, Undine pursues her schemes in a world of shifting values, where triumph is swiftly followed by disillusion. This is a study of modern ambition and materialism written a hundred years before its time.
Edith Wharton - The Custom of the Country Buy the book from Amazon UK
Edith Wharton - The Custom of the Country Buy the book from Amazon US

Edith Wharton - The House of MirthThe House of Mirth (1905) is the story of Lily Bart, who is beautiful, poor, and still unmarried at twenty-nine. In her search for a husband with money and position she betrays her own heart and sows the seeds of the tragedy that finally overwhelms her. The book is a disturbing analysis of the stifling limitations imposed upon women of Wharton’s generation. In telling the story of Lily Bart, who must marry to survive, Wharton recasts the age-old themes of family, marriage, and money in ways that transform the traditional novel of manners into an arresting modern document of cultural anthropology.
Edith Wharton - The House of Mirth Buy the book from Amazon UK
Edith Wharton - The House of Mirth Buy the book from Amazon US


Edith Wharton – web links

Edith Wharton at Mantex
Biographical notes, study guides to the major novels, tutorials on the shorter fiction, bibliographies, critiques of the shorter fiction, and web links.

The Short Stories of Edith Wharton
This is an old-fashioned but excellently detailed site listing the publication details of all Edith Wharton’s eighty-six short stories – with links to digital versions available free on line.

Edith Wharton at Gutenberg
Free eTexts of the major novels and collections of stories in a variety of digital formats – also includes travel writing and interior design.

Edith Wharton at Wikipedia
Full details of novels, stories, and travel writing, adaptations for television and the cinema, plus web links to related sites.

The Edith Wharton Society
Old but comprehensive collection of free eTexts of the major novels, stories, and travel writing, linking archives at University of Virginia and Washington State University.

The Mount: Edith Wharton’s Home
Aggressively commercial site devoted to exploiting The Mount – the house and estate designed by Edith Wharton. Plan your wedding reception here.

Edith Wharton at Fantastic Fiction
A compilation which purports to be a complete bibliography, arranged as novels, collections, non-fiction, anthologies, short stories, letters, and commentaries – but is largely links to book-selling sites, which however contain some hidden gems.

Edith Wharton’s manuscripts
Archive of Wharton holdings at the Beinecke Rare Book and Manuscript Library

© Roy Johnson 2014


Filed Under: The Novella, Wharton - Stories Tagged With: Edith Wharton, English literature, Literary studies, The Novella

The Triumph of Night

February 16, 2014 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

The Triumph of Night was first published in 1914, and was one of a number of ghost stories written by Edith Wharton in the first part of the twentieth century. She believed that a tale of the supernatural should have the ability to ‘send a cold shiver down one’s spine’, but she did not resort to conventional depictions of ghosts and the spirit world. Instead, she believed in evoking states of psychological mystery and terror – rather like her friend and fellow novelist Henry James, who shared her interest in supernatural stories.

The Triumph of Night

a New England winter scene


The Triumph of Night – critical commentary

It is difficult to offer a rational critical analysis of a ghost story unless you are prepared to suspend disbelief in the supernatural, but fortunately Edith Wharton does not make an understanding of The Triumph of Night dependent upon a belief in ghosts.

The story at a surface reading is seemingly mysterious, almost to the point of being inexplicable – but in fact Edith Wharton is employing a literary device she uses in some of her other stories. That is, the apparent omission of important information which only becomes available when the story has been subject to close reading and interpretation.

When stranded on a wintry night, George Foxon is treated to warm hospitality by John Lavington, a man who he has never met before; and yet despite being offered the comfort of a flower-filled bedroom, Foxon feels that there is something discomforting about the house:

Mr Lavington’s intense personality – intensely negative, yet intense all the same – must, in some occult way, have penetrated every corner of his dwelling.

Mr Lavington has a smile – but it is a fixed smile. And it becomes apparent that despite his superficial generosity, he does not have his nephew’s best interests at heart. Frank Rainer, who seems to be suffering from tuberculosis, has been advised for the sake of his health to go to a warmer, drier climate in New Mexico. Indeed, his state of being is so enfeebled that Mr Balch thinks he should go there ‘at once‘. But his uncle has kept him in New Hampshire, and he sends him out into the snow swept night to retrieve Foxon when he leaves the house in fear.

We do not need a supernatural explanation for the story. Young Frank Rainer is virtually murdered by his uncle John Lavington. But what is Lavington’s motive?

The business meeting Lavington has concluded with Grisben and Balch is the witnessing of Frank Rainer’s will, being made on the occasion of his having reached the age of twenty-one. The event is punctuated by rumours of an impending financial crisis – ‘the biggest crash since ’93’. And we learn later that Lavington was caught up in financial corruption on a ‘Gigantic’ scale – and yet he is able to come forward with a plan to bale out the cement company with a donation of ten million dollars of his own money.

The implication is that he has come by this money via Frank’s will, and that he is therefore responsible for Frank’s death. Underneath the fixed smile, that is his truly malevolent intention – and it is that which Foxon ‘sees’ in the double figure who appear behind Lavington’s chair in the business meeting and at dinner. The double is the truly and ‘intensely negative’ side of Lavington who represents that unsavoury and unprincipled side of American capitalism.

Foxon’s dilemma is that he was vaguely aware that something was wrong, but he did nothing to act – in time. He felt that he was ‘the instrument singled out to warn and save’ someone. He is with young Frank in his last moments and releases his fur collar – only to have his hands covered in blood – from Frank’s death by tuberculosis, brought on by the hostile climate of New England in which his uncle has kept him.


The Triumph of Night – study resources

The Triumph of Night Edith Wharton Collected Stories – Norton Critical – Amazon UK

The Triumph of Night Edith Wharton Collected Stories – Norton Critical – Amazon US

The Triumph of Night - eBook edition The Triumph of Night – eBook format at Project Gutenberg

Edith Wharton - biography The Triumph of Night – paperback edition – Amazon UK

Edith Wharton - biography Edith Wharton – biography

Edith Wharton - Wikipedia Edith Wharton at Wikipedia – biographical notes, links

Edith Wharton - tutorials Edith Wharton at Mantex – tutorials, biography, study resources

Edith Wharton - tutorials Edith Wharton’s Short Stories – publication details

Red button A Historical Guide to Edith Wharton – Amazon UK

Edith Wharton The Cambridge Introduction to Edith Wharton – Amazon UK

The Triumph of Night


The Triumph of Night – plot synopsis

Part I.   George Foxon has been employed by Mrs Culme as a secretary. He is travelling to join her in New Hampshire when he is stranded at a remote train station on a stormy mid-winter night. Frank Rainer, a friendly but emaciated young man offers him temporary lodgings at the house of John Lavington, his rich uncle, where Foxon is made very welcome.

Part II.   The house is warm and comfortable, yet Foxon detects something cold and unfriendly in its ambiance. His bedroom is full of flowers. He joins John Lavington and two business associates who are witnessing the will of Frank Rainer, who has just reached his majority of twenty-one. The group is joined briefly by a mysterious figure who casts hostile glances at Frank.

Part III.   The group of men go to dinner, where Frank’s health is discussed. He has been advised to leave for a drier and warmer climate in New Mexico, and is offered a free trip and accommodation there. Foxon sees the mysterious figure in the room again, standing behind John Lavington’s chair, looking malevolently at Frank, though nobody else appears to notice. They drink a toast to Frank, but Foxon is transfixed and terrified by the mystery figure.

Part IV.   He bolts to his room, anxious that he alone should be singled out to witness the figure. He rushes out of the house into the snow and dark, wondering if his social isolation has predisposed him to such visions. Frank Rainer catches up with him, and they start back to return to the house, but Foxon feels that he is leading Frank back to his doom. They stop at the lodge, where Frank collapses and dies.

Part V.   Foxon subsequently has a breakdown, then goes on a tour of Malaysia to recover. There he reads in old newspapers that John Lavington has been involved in a gigantic financial scandal, from which he has bought himself out with ten million dollars. Foxon regrets that he was given the chance to save someone, but did not act in time, and feels that he has ‘blood on his hands’.


Principal characters
George Foxon a Boston secretary
Mrs Culme his new employer, who he never meets
Frank Rainer a cheerful but sickly young man (21)
John Lavington his rich uncle
Mr Grisben business associate of Lavington
Mr Balch business associate of Lavington

Video documentary


Further reading

Louis Auchincloss, Edith Wharton: A Woman of her Time, New York: Viking, 1971,

Elizabeth Ammons, Edith Wharton’s Argument with America, Georgia: University of Georgia Press, 1982, pp.222. ISBN: 0820305138

Janet Beer, Edith Wharton (Writers & Their Work), New York: Northcote House, 2001, pp.99, ISBN: 0746308981

Millicent Bell (ed), The Cambridge Companion to Edith Wharton, Cambridge: Cambridge University Press, 1995, pp.232, ISBN: 0521485134

Alfred Bendixen and Annette Zilversmit (eds), Edith Wharton: New Critical Essays, New York: Garland, 1992, pp.329, ISBN: 0824078489

Eleanor Dwight, Edith Wharton: An Extraordinary Life, New York: Harry N. Abrams, 1994, ISBN: 0810927950

Gloria C. Erlich, The Sexual Education of Edith Wharton, California: University of California Press, 1992, pp.223, ISBN: 0520075838

Susan Goodman, Edith Wharton’s Women: Friends and Rivals, UPNE, 1990, pp.220, ISBN: 0874515246

Irving Howe, (ed), Edith Wharton: A collection of Critical Essays, London: University of North Carolina Press, 1986,

Jennie A. Kassanoff, Edith Wharton and the Politics of Race, Cambridge: Cambridge University Press, 2004, pp.240, ISBN: 0521830893

Hermione Lee, Edith Wharton, London: Vintage, new edition 2008, pp.864, ISBN: 0099763516

R.W.B. Lewis, Edith Wharton: A Biography, New York: Harper and Rowe, 1975, pp.592, ISBN: 0880640200

James W. Tuttleton (ed), Edith Wharton: The Contemporary Reviews, Cambridge: Cambridge University Press, 1992, pp.586, ISBN: 0521383196

Candace Waid, Edith Wharton’s Letters from the Underworld, London: University of North Carolina Press, 1991,

Sarah Bird Wright, Edith Wharton A to Z: The Essential Reference to Her Life and Work, Fact on File, 1998, pp.352, ISBN: 0816034818

Cynthia Griffin Wolff, A Feast of Words: The Triumph of Edith Wharton, New York: Perseus Books, second edition 1994, pp.512, ISBN: 0201409186


Edith Wharton's writing

Edith Wharton’s writing


Other works by Edith Wharton

Edith Wharton - The Custom of the CountryThe Custom of the Country (1913) is Edith Wharton’s satiric anatomy of American society in the first decade of the twentieth century. It follows the career of Undine Spragg, recently arrived in New York from the midwest and determined to conquer high society. Glamorous, selfish, mercenary and manipulative, her principal assets are her striking beauty, her tenacity, and her father’s money. With her sights set on an advantageous marriage, Undine pursues her schemes in a world of shifting values, where triumph is swiftly followed by disillusion. This is a study of modern ambition and materialism written a hundred years before its time.
Edith Wharton - The Custom of the Country Buy the book from Amazon UK
Edith Wharton - The Custom of the Country Buy the book from Amazon US

Edith Wharton - The House of MirthThe House of Mirth (1905) is the story of Lily Bart, who is beautiful, poor, and still unmarried at twenty-nine. In her search for a husband with money and position she betrays her own heart and sows the seeds of the tragedy that finally overwhelms her. The book is a disturbing analysis of the stifling limitations imposed upon women of Wharton’s generation. In telling the story of Lily Bart, who must marry to survive, Wharton recasts the age-old themes of family, marriage, and money in ways that transform the traditional novel of manners into an arresting modern document of cultural anthropology.
Edith Wharton - The House of Mirth Buy the book from Amazon UK
Edith Wharton - The House of Mirth Buy the book from Amazon US


Edith Wharton – web links

Edith Wharton at Mantex
Biographical notes, study guides to the major novels, tutorials on the shorter fiction, bibliographies, critiques of the shorter fiction, and web links.

The Short Stories of Edith Wharton
This is an old-fashioned but excellently detailed site listing the publication details of all Edith Wharton’s eighty-six short stories – with links to digital versions available free on line.

Edith Wharton at Gutenberg
Free eTexts of the major novels and collections of stories in a variety of digital formats – also includes travel writing and interior design.

Edith Wharton at Wikipedia
Full details of novels, stories, and travel writing, adaptations for television and the cinema, plus web links to related sites.

The Edith Wharton Society
Old but comprehensive collection of free eTexts of the major novels, stories, and travel writing, linking archives at University of Virginia and Washington State University.

The Mount: Edith Wharton’s Home
Aggressively commercial site devoted to exploiting The Mount – the house and estate designed by Edith Wharton. Plan your wedding reception here.

Edith Wharton at Fantastic Fiction
A compilation which purports to be a complete bibliography, arranged as novels, collections, non-fiction, anthologies, short stories, letters, and commentaries – but is largely links to book-selling sites, which however contain some hidden gems.

Edith Wharton’s manuscripts
Archive of Wharton holdings at the Beinecke Rare Book and Manuscript Library

© Roy Johnson 2014


Edith Wharton – short stories
More on Edith Wharton
More on short stories


Filed Under: Wharton - Stories Tagged With: Edith Wharton, English literature, Literary studies, The Short Story

The Verdict

June 24, 2014 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

The Verdict first appeared in Scribner’s Magazine, number 43 for June 1908. The story was subsequently included in Edith Wharton’s collection of short fiction, The Hermit and the Wild Woman and Other Stories published by Charles Scribner’s in 1908.

The Verdict

cover design by Parish Maxfield


The Verdict – critical comments

Like her good friend Henry James, Edith Wharton was very fond of writing stories about artists – particularly painters, sometimes writers, but very rarely musicians. And like James she was confronted by the difficulty of rendering an account of a visual medium such as painting in the very different medium of words. It is not easy to say why or how a painting is great or a failure by merely describing it.

This story is essentially a critique of bad art. Gisburn has been a popular success, but the implication is that his work is second rate. Rickham thinks him a ‘cheap genius’. In the absence of any other evidence, we are forced to take Rickham’s word for it that Gisburn is a bad painter:

all the hesitations disguised as audacities, the tricks of prestidigitation by which … he managed to divert attention from the real business of the picture to some pretty irrelevance of detail.

And eventually even Gisburn is forced to recognise his lack of genuine artistic talent when confronted by the (dead) Stroud and his donkey sketch. That is the ostensible subject of the story – the reason why Gisburn gave up painting. But the ironic twist to the tale is that instead of completing the commission to paint Stroud, he recommends another young artist, Victor Grindle – and thereby passes on to him the reputation of fashionable (and shallow) success. As he remarks to Rickham:

the irony of it is that I am still painting – since Grindle’s doing it for me. The Strouds stand alone, and happen once – but there’s no exterminating our kind of art.


The Verdict – study resources

The Verdict Edith Wharton Collected Stories – Norton Critical – Amazon UK

The Verdict Edith Wharton Collected Stories – Norton Critical – Amazon US

The Verdict - eBook edition The Descent of Man and Other Stories – Project Gutenberg

Red button A Historical Guide to Edith Wharton – Amazon UK

Edith Wharton The Cambridge Introduction to Edith Wharton – Amazon UK

The Verdict


The Verdict – story synopsis

The narrator Rickham hears that his friend Jack Gisburn has suddenly given up his successful career as a fashionable portrait painter. The move is regretted by his sitters, but not by fellow painters.

Three years later Rickham visits Gisburn on the Riviera to find out why he gave up painting. Gisburn has married a rich widow and enjoys collecting works of art. But none of his own work is on display in the villa. His wife attributes this to his modesty, but she shows Rickham a portrait of herself which Rickham describes as ‘false virtuosity’.

Gisburn then takes Rickham to his private study where there is a small painting (of a donkey) by a famous artist, Stroud. Gisburn explains it was a gift from the Mrs Stroud, presented to him when he went to paint Stroud’s portrait immediately following his death. Mrs Stroud wanted her husband’s reputation vindicated by a fashionable artist – which was pre-eminently Gisburn at the time.

However, whilst Gisburn was attempting the commission he felt as if Stroud was watching him critically, and he realised that his famous ‘technique’ was just a sham. This is the reason why he gave up painting. Mrs Stroud is disappointed, so Gisburn recommends an upcoming portrait painter Victor Grindle, who completes the commission successfully, and thus takes over Gisburn’s reputation where he has left off.


Principal characters
Mr Rickham the narrator
Jack Gisburn a fashionable portrait painter
Mrs Gisburn his wife
Victor Grindle the next young upcoming fashionable painter

The Verdict

first English edition – Macmillan 1908


Further reading

Louis Auchincloss, Edith Wharton: A Woman of her Time, New York: Viking, 1971,

Elizabeth Ammons, Edith Wharton’s Argument with America, Georgia: University of Georgia Press, 1982, pp.222. ISBN: 0820305138

Janet Beer, Edith Wharton (Writers & Their Work), New York: Northcote House, 2001, pp.99, ISBN: 0746308981

Millicent Bell (ed), The Cambridge Companion to Edith Wharton, Cambridge: Cambridge University Press, 1995, pp.232, ISBN: 0521485134

Alfred Bendixen and Annette Zilversmit (eds), Edith Wharton: New Critical Essays, New York: Garland, 1992, pp.329, ISBN: 0824078489

Eleanor Dwight, Edith Wharton: An Extraordinary Life, New York: Harry N. Abrams, 1994, ISBN: 0810927950

Gloria C. Erlich, The Sexual Education of Edith Wharton, California: University of California Press, 1992, pp.223, ISBN: 0520075838

Susan Goodman, Edith Wharton’s Women: Friends and Rivals, UPNE, 1990, pp.220, ISBN: 0874515246

Irving Howe, (ed), Edith Wharton: A collection of Critical Essays, London: University of North Carolina Press, 1986,

Jennie A. Kassanoff, Edith Wharton and the Politics of Race, Cambridge: Cambridge University Press, 2004, pp.240, ISBN: 0521830893

Hermione Lee, Edith Wharton, London: Vintage, new edition 2008, pp.864, ISBN: 0099763516

R.W.B. Lewis, Edith Wharton: A Biography, New York: Harper and Rowe, 1975, pp.592, ISBN: 0880640200

James W. Tuttleton (ed), Edith Wharton: The Contemporary Reviews, Cambridge: Cambridge University Press, 1992, pp.586, ISBN: 0521383196

Candace Waid, Edith Wharton’s Letters from the Underworld, London: University of North Carolina Press, 1991,

Sarah Bird Wright, Edith Wharton A to Z: The Essential Reference to Her Life and Work, Fact on File, 1998, pp.352, ISBN: 0816034818

Cynthia Griffin Wolff, A Feast of Words: The Triumph of Edith Wharton, New York: Perseus Books, second edition 1994, pp.512, ISBN: 0201409186


Edith Wharton's house - The Mount

Edith Wharton’s 42-room house – The Mount


Other works by Edith Wharton

Edith Wharton - The Custom of the CountryThe Custom of the Country (1913) is Edith Wharton’s satiric anatomy of American society in the first decade of the twentieth century. It follows the career of Undine Spragg, recently arrived in New York from the midwest and determined to conquer high society. Glamorous, selfish, mercenary and manipulative, her principal assets are her striking beauty, her tenacity, and her father’s money. With her sights set on an advantageous marriage, Undine pursues her schemes in a world of shifting values, where triumph is swiftly followed by disillusion. This is a study of modern ambition and materialism written a hundred years before its time.
Edith Wharton - The Custom of the Country Buy the book from Amazon UK
Edith Wharton - The Custom of the Country Buy the book from Amazon US

 

Edith Wharton - The House of MirthThe House of Mirth (1905) is the story of Lily Bart, who is beautiful, poor, and still unmarried at twenty-nine. In her search for a husband with money and position she betrays her own heart and sows the seeds of the tragedy that finally overwhelms her. The book is a disturbing analysis of the stifling limitations imposed upon women of Wharton’s generation. In telling the story of Lily Bart, who must marry to survive, Wharton recasts the age-old themes of family, marriage, and money in ways that transform the traditional novel of manners into an arresting modern document of cultural anthropology.
Edith Wharton - The House of Mirth Buy the book from Amazon UK
Edith Wharton - The House of Mirth Buy the book from Amazon US


Edith Wharton – web links

Edith Wharton at Mantex
Biographical notes, study guides to the major novels, tutorials on the shorter fiction, bibliographies, critiques of the shorter fiction, and web links.

The Short Stories of Edith Wharton
This is an old-fashioned but excellently detailed site listing the publication details of all Edith Wharton’s eighty-six short stories – with links to digital versions available free on line.

Edith Wharton at Gutenberg
Free eTexts of the major novels and collections of stories in a variety of digital formats – also includes travel writing and interior design.

Edith Wharton at Wikipedia
Full details of novels, stories, and travel writing, adaptations for television and the cinema, plus web links to related sites.

The Edith Wharton Society
Old but comprehensive collection of free eTexts of the major novels, stories, and travel writing, linking archives at University of Virginia and Washington State University.

The Mount: Edith Wharton’s Home
Aggressively commercial site devoted to exploiting The Mount – the house and estate designed by Edith Wharton. Plan your wedding reception here.

Edith Wharton at Fantastic Fiction
A compilation which purports to be a complete bibliography, arranged as novels, collections, non-fiction, anthologies, short stories, letters, and commentaries – but is largely links to book-selling sites, which however contain some hidden gems.

Edith Wharton’s manuscripts
Archive of Wharton holdings at the Beinecke Rare Book and Manuscript Library

© Roy Johnson 2014


Edith Wharton – short stories
More on Edith Wharton
More on short stories


Filed Under: Wharton - Stories Tagged With: Edith Wharton, English literature, Literary studies, The Short Story

Xingu

April 14, 2014 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

Xingu first appeared in the Scribner’s Magazine for December 1911. The story was subsequently included in Edith Wharton’s collection of short fiction, Xingu and Other Stories published in 1910. It is one of her most popular and most frequently anthologised stories – with good reason, because it’s very funny.

Xingu


Xingu – critical comments

This is a very amusing satire of cultural pretensions and snobbery amongst middle and upper class ladies as they attempt to keep abreast of intellectual life (whilst their husbands are at work making money).

The outsider Mrs Roby is considered unfashionable because she reads the works of Anthony Trollope; and it is a breach of club etiquette when she asks Mrs Plinth for her opinion of Osric Dane’s novel The Wings of Death:

To be questioned in detail regarding the contents of a volume seemed to her as great an outrage as being searched for smuggled laces at the Custom House.

The book of Appropriate Allusions which Mrs Leveret carries everywhere is another example of undigested ‘culture’:

though in the privacy of her own room she commanded an army of quotations, these invariably deserted her at the critical moment, and the only phrase she retained—Canst though draw out leviathan with an hook?— was one she had never yet found occasion to apply.

The most sustained and amusing thing about the story is Mrs Roby’s faux naive challenge to Osric Dane in claiming that the club have recently been absorbed in a study of ‘Xingu’. Neither the club members nor Osric Dane herself have the slightest idea what this means, yet they are obliged by their snobbish protocols to discuss it as if they were fully informed.

Even after Mrs Roby and Osric Dane have left the gathering, the club members continue to maintain the pretense between each other that they have all been absorbed in this fascinating subject – though they are unsure if Xingu is a language, a philosophy, a book, or some primitive rite. It is in fact a branch of the Amazon and the indigenous peoples who inhabit its shores – something which has been flagged up earlier in the story, because that’s where Mrs Roby has recently been travelling.


Xingu – study resources

Xingu The New York Stories – New York Review Books – Amazon UK

Xingu The New York Stories – New York Review Books – Amazon US

Xingu Edith Wharton Collected Stories – Norton Critical – Amazon UK

Xingu Edith Wharton Collected Stories – Norton Critical – Amazon US

Xingu - eBook edition Xingu – eBook format at Project Gutenberg

Red button A Historical Guide to Edith Wharton – Amazon UK

Edith Wharton The Cambridge Introduction to Edith Wharton – Amazon UK

Xingu


Xingu – story synopsis

Part I.   A group of middle class ladies are members of a lunch club. They competitively and snobbishly concern themselves with issues of ‘culture’ without any really serious understanding of the works they read.

Part II.   Mrs Leveret carries round a book of Appropriate Allusions which she vainly hopes to apply to situations as they arise; and Mrs Ballinger shows off with ‘the book of the day’ when they assemble to be addressed by novelist Mrs Osric Dane. They are flustered because they do not know what subject will be discussed. They try to impress her, but she answers all their observations with chillingly lofty questions which they cannot answer. Finally, the apparently naive Mrs Roby suggests that they have recently been studying Xingu, and asks Osric Dane what she thinks of it.

Nobody knows what the term Xingu means, but they discuss the concept in entirely abstract terms as if they do – treating it as if it were a philosophic treatise. Mrs Roby’s assumption of prominence annoys Mrs Ballinger, who insists that they discuss Osric Dane’s latest novel. But Mrs Roby excuses herself, saying that she hasn’t read any of Osric Dane’s works, and leaves – but Osric Dane leaves with her, and wants to hear more about Xingu – something ‘long’, and ‘deep’, with ‘difficult passages’.

Part III.   After the two women leave, the lunch club is torn between criticising Osric Dane and Mrs Roby, and a confused desire to inform themselves about Xingu – though they fear it might turn out to be a subject unsuitable for ladies. They don’t know if it is a philosophy or a language. But when they consult an encyclopedia it turns out to be a river, a branch of the Amazon, where Mrs Roby has been living. They reconstruct the conversation and realise that they have been duped and feel that the incident is a scandal. Mrs Ballinger, as president of the club, is morally pressured by the other members into writing to Mrs Roby, asking her to resign from the lunch club.


Xingu – principal characters
Mrs Ballinger founder of the lunch club
Mrs Plinth lunch club member
Miss Van Vluyck lunch club member
Mrs Leveret lunch club member
Mrs Osric Dane celebrity novelist, author of Wings of Death and The Supreme Instant
Miss Fanny Roby ‘naive’ Trollope enthusiast

Edith Wharton's house - The Mount

Edith Wharton’s 42-room house – The Mount


Further reading

Louis Auchincloss, Edith Wharton: A Woman of her Time, New York: Viking, 1971,

Elizabeth Ammons, Edith Wharton’s Argument with America, Georgia: University of Georgia Press, 1982, pp.222. ISBN: 0820305138

Janet Beer, Edith Wharton (Writers & Their Work), New York: Northcote House, 2001, pp.99, ISBN: 0746308981

Millicent Bell (ed), The Cambridge Companion to Edith Wharton, Cambridge: Cambridge University Press, 1995, pp.232, ISBN: 0521485134

Alfred Bendixen and Annette Zilversmit (eds), Edith Wharton: New Critical Essays, New York: Garland, 1992, pp.329, ISBN: 0824078489

Eleanor Dwight, Edith Wharton: An Extraordinary Life, New York: Harry N. Abrams, 1994, ISBN: 0810927950

Gloria C. Erlich, The Sexual Education of Edith Wharton, California: University of California Press, 1992, pp.223, ISBN: 0520075838

Susan Goodman, Edith Wharton’s Women: Friends and Rivals, UPNE, 1990, pp.220, ISBN: 0874515246

Irving Howe, (ed), Edith Wharton: A collection of Critical Essays, London: University of North Carolina Press, 1986,

Jennie A. Kassanoff, Edith Wharton and the Politics of Race, Cambridge: Cambridge University Press, 2004, pp.240, ISBN: 0521830893

Hermione Lee, Edith Wharton, London: Vintage, new edition 2008, pp.864, ISBN: 0099763516

R.W.B. Lewis, Edith Wharton: A Biography, New York: Harper and Rowe, 1975, pp.592, ISBN: 0880640200

James W. Tuttleton (ed), Edith Wharton: The Contemporary Reviews, Cambridge: Cambridge University Press, 1992, pp.586, ISBN: 0521383196

Candace Waid, Edith Wharton’s Letters from the Underworld, London: University of North Carolina Press, 1991,

Sarah Bird Wright, Edith Wharton A to Z: The Essential Reference to Her Life and Work, Fact on File, 1998, pp.352, ISBN: 0816034818

Cynthia Griffin Wolff, A Feast of Words: The Triumph of Edith Wharton, New York: Perseus Books, second edition 1994, pp.512, ISBN: 0201409186


Edith Wharton's writing

Edith Wharton’s writing


Other works by Edith Wharton

Edith Wharton - The Custom of the CountryThe Custom of the Country (1913) is Edith Wharton’s satiric anatomy of American society in the first decade of the twentieth century. It follows the career of Undine Spragg, recently arrived in New York from the midwest and determined to conquer high society. Glamorous, selfish, mercenary and manipulative, her principal assets are her striking beauty, her tenacity, and her father’s money. With her sights set on an advantageous marriage, Undine pursues her schemes in a world of shifting values, where triumph is swiftly followed by disillusion. This is a study of modern ambition and materialism written a hundred years before its time.
Edith Wharton - The Custom of the Country Buy the book from Amazon UK
Edith Wharton - The Custom of the Country Buy the book from Amazon US

Edith Wharton - The House of MirthThe House of Mirth (1905) is the story of Lily Bart, who is beautiful, poor, and still unmarried at twenty-nine. In her search for a husband with money and position she betrays her own heart and sows the seeds of the tragedy that finally overwhelms her. The book is a disturbing analysis of the stifling limitations imposed upon women of Wharton’s generation. In telling the story of Lily Bart, who must marry to survive, Wharton recasts the age-old themes of family, marriage, and money in ways that transform the traditional novel of manners into an arresting modern document of cultural anthropology.
Edith Wharton - The House of Mirth Buy the book from Amazon UK
Edith Wharton - The House of Mirth Buy the book from Amazon US


Edith Wharton – web links

Edith Wharton at Mantex
Biographical notes, study guides to the major novels, tutorials on the shorter fiction, bibliographies, critiques of the shorter fiction, and web links.

The Short Stories of Edith Wharton
This is an old-fashioned but excellently detailed site listing the publication details of all Edith Wharton’s eighty-six short stories – with links to digital versions available free on line.

Edith Wharton at Gutenberg
Free eTexts of the major novels and collections of stories in a variety of digital formats – also includes travel writing and interior design.

Edith Wharton at Wikipedia
Full details of novels, stories, and travel writing, adaptations for television and the cinema, plus web links to related sites.

The Edith Wharton Society
Old but comprehensive collection of free eTexts of the major novels, stories, and travel writing, linking archives at University of Virginia and Washington State University.

The Mount: Edith Wharton’s Home
Aggressively commercial site devoted to exploiting The Mount – the house and estate designed by Edith Wharton. Plan your wedding reception here.

Edith Wharton at Fantastic Fiction
A compilation which purports to be a complete bibliography, arranged as novels, collections, non-fiction, anthologies, short stories, letters, and commentaries – but is largely links to book-selling sites, which however contain some hidden gems.

Edith Wharton’s manuscripts
Archive of Wharton holdings at the Beinecke Rare Book and Manuscript Library

© Roy Johnson 2014


Edith Wharton – short stories
More on Edith Wharton
More on short stories


Filed Under: Wharton - Stories Tagged With: Edith Wharton, English literature, Literary studies, The Short Story

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