Mantex

Tutorials, Study Guides & More

  • HOME
  • REVIEWS
  • TUTORIALS
  • HOW-TO
  • CONTACT
>> Home / 2009 / Archives for September 2009

Archives for September 2009

Leonard Woolf biography

September 19, 2009 by Roy Johnson

lifeline, literature, publishing, politics

Leonard Woolf biographyLeonard Sidney Woolf was born in London in 1880, the third of ten children of Solomon Rees Sydney and Marie (de Jongh) Woolf. When his father died in 1892, Woolf was sent to board at the Arlington House School, a preparatory school near Brighton. From 1894 to 1899 he studied on a scholarship as a day student at St. Paul’s, a London public school noted for its classical studies. In 1899 he won a classical scholarship to Trinity College, Cambridge.

At Cambridge, Woolf became part of a youthful group of intellectuals who were elected to an elite group called ‘The Apostles’. The members of this group included Lytton Strachey, Clive Bell, Thoby Stephen, John Maynard Keynes and E.M. Forster, who were students, and Bertrand Russell, who was a Fellow. These people eventually formed the core of the Bloomsbury Group.

In 1902 Woolf earned his B.A. degree but stayed on at Cambridge for a fifth year to study for the civil service examination. He left Trinity College in October 1904 to become a cadet in the Ceylon Civil Service. His professional progress was rapid. In August 1908 he was appointed an assistant government agent in the Southern Province, assigned to administer the District of Hambantota.

As part of the Bloomsbury Group, Woolf met Virginia Stephen, Thoby’s sister, and twice proposed marriage to her. He was twice refused. Woolf returned to England in May 1911 for a year’s leave, expecting to return to Ceylon later. In July, however, he proposed to Virginia yet again, and this time she accepted him.

Partly because he chose to marry Virginia and partly because of a growing distaste for colonialism, Woolf resigned from the Ceylon Civil Service early in 1912 (as George Orwell was to do over a decade later). It was at this time that the Bloomsbury Group began to gain momentum as an intellectual and artistic force, and Leonard Woolf was at the centre of it.

In 1913 Woolf published his first novel, The Village and the Jungle, based on his experiences in the colonial service. This was followed by The Wise Virgins in 1914.

Like most other members of the Bloomsbury Group, Woolf was a pacifist and an opponent of Britain’s involvement in the First World War. However, he was spared becoming a conscientious objector, because he was rejected by the military as unfit for duty.

With the outbreak of the war, Woolf turned his attention to politics and sociology. He joined the Labour Party and the Fabian Society and became a regular contributor to New Statesman. In 1916 he wrote International Government which outlined future possibilities for a international agency to enforce peace in the world. The book was incorporated by the British government in its proposals for a League of Nations at Geneva. Woolf was later active in the League of Nations Society and the League of Nations Union.

During the war years Woolf spent a lot of his time caring for his wife Virginia, who was then suffering extreme manic-depression. To provide her with a relaxing hobby they bought a small hand printing press in 1917 and set up the Hogarth Press – named after their home in Richmond. Their first project was a pamphlet containing a story by each of them, printed and bound by themselves.

Other small books followed, written by their friends including T.S. Eliot, Katherine Mansfield and E.M. Forster. Many of the book jackets were designed by Virginia’s sister, the designer and painter Vanessa Bell. Within ten years, the Hogarth Press was a full-scale publishing house and included on its list such seminal works as Eliot’s The Waste Land, Virginia Woolf’s Jacob’s Room and Freud’s Collected Papers, which were translated into English by Julian Strachey, Lytton Strachey’s brother. Leonard Woolf remained the main director of the publishing house from its beginning in 1917 until his death in 1969.

After the war, Leonard Woolf occupied himself more and more with political work. He became editor in 1919 of International Review, and edited the international section of Contemporary Review from 1920 through 1922. He was literary editor of Nation Athenaeum from 1923 to 1930 and joint editor of Political Quarterly from 1931-1959. Woolf also served during the period between the wars as secretary of the Labour Party’s advisory committees on international and colonial questions.

Leonard looked after his wife Virginia through all her periods of depression, right up to the point of her suicide in 1941. They remain a couple who typify the Bloomsbury Group through their personal lives and their prodigious creative output. What is less well known about Leonard Woolf however, is that the latter part of his life was no less radical at a personal level. Love Letters reveals the whole story of this extraordinary episode.

During the Second World War he began an affair with a painter and book illustrator Trekkie Parsons, who was married to a publisher – at that time on active military service. Leonard was 61, Trekkie 39. He wanted her to get a divorce and marry him, but instead she persuaded him to move into the house next door to her in London and she spent the weekends with him at Monk’s House in Rodmell.

When her husband came back from the war, their lives not surprisingly became more complex. She spent the weekends with her husband and the week with Leonard. She took holidays with the two men separately, and acted as hostess for them both. This arrangement worked smoothly for the next twenty-five years.

When Trekkie and Leonard were not together they talked through the post. Trekkie sealed up their correspondence, and it was only opened after her death. Linked by excerpts from her diary, the letters shine with details of daily life: of gardens and glow-worms, books and plays; of Leonard’s publishing and politics; of Trekkie’s struggle to balance her professional and personal life. This remarkable exchange of letters tells the story of two contrasting personalities, their love for one another and their unusual and creative domestic arrangement.

Among Woolf’s most important writings are After the Deluge (1931-51), a multi-volume modern political and social history, and his five-volume autobiography, Sowing (1960), Growing (1961), Beginning Again (1964), Downhill All The Way (1967) and The Journey Not The Arrival Matters (1969). He died August 14, 1969.


Leonard Woolf biography


Bloomsbury Group – web links

Bloomsbury Group - web links Hogarth Press first editions
Annotated gallery of original first edition book jacket covers from the Hogarth Press, featuring designs by Vanessa Bell, Roger Fry, and others.

Bloomsbury Group - web links The Omega Workshops
A brief history of Roger Fry’s experimental Omega Workshops, which had a lasting influence on interior design in post First World War Britain.

Bloomsbury Group - web links The Bloomsbury Group and War
An essay on the largely pacifist and internationalist stance taken by Bloomsbury Group members towards the First World War.

Bloomsbury Group web links Tate Gallery Archive Journeys: Bloomsbury
Mini web site featuring photos, paintings, a timeline, sub-sections on the Omega Workshops, Roger Fry, and Duncan Grant, and biographical notes.

Bloomsbury Group - web links Bloomsbury: Books, Art and Design
Exhibition of paintings, designs, and ceramics at Toronto University featuring Hogarth Press, Vanessa Bell, Dora Carrington, Quentin Bell, and Stephen Tomlin.

Bloomsbury Group - web links Blogging Woolf
A rich enthusiast site featuring news of events, exhibitions, new book reviews, relevant links, study resources, and anything related to Bloomsbury and Virginia Woolf

Bloomsbury Group - web links Hyper-Concordance to Virginia Woolf
Search the texts of all Woolf’s major works, and track down phrases, quotes, and even individual words in their original context.

Bloomsbury Group - web links A Mrs Dalloway Walk in London
An annotated description of Clarissa Dalloway’s walk from Westminster to Regent’s Park, with historical updates and a bibliography.

Bloomsbury Group - web links Women’s History Walk in Bloomsbury
Annotated tour of literary and political homes in Bloomsbury, including Gordon Square, University College, Bedford Square, Doughty Street, and Tavistock Square.

Bloomsbury Group - web links Virginia Woolf Society of Great Britain
News of events, regular bulletins, study materials, publications, and related links. Largely the work of Virginia Woolf specialist Stuart N. Clarke.

Bloomsbury Group - web links BBC Audio Essay – A Eulogy to Words
A charming sound recording of a BBC radio talk broadcast in 1937 – accompanied by a slideshow of photographs of Virginia Woolf.

Bloomsbury Group - web links A Family Photograph Albumn
Leslie Stephens’ collection of family photographs which became known as the Mausoleum Book, collected at Smith College – Massachusetts.

Bloomsbury Group - web links Bloomsbury at Duke University
A collection of book jacket covers, Fry’s Twelve Woodcuts, Strachey’s ‘Elizabeth and Essex’.

© Roy Johnson 2000-2014


More on Leonard Woolf
Twentieth century literature
More on the Bloomsbury Group


Filed Under: Bloomsbury Group, Leonard Woolf Tagged With: Biography, Bloomsbury Group, Cultural history, Leonard Woolf

Leslie Stephen biography

September 21, 2009 by Roy Johnson

Leslie Stephen (1832-1904) has every right to be considered the father of the Bloomsbury Group, since it was his sons and daughters who eventually formed the network of friends and lovers which came to be given that name. But he was equally distinguished in his own right – as an author, critic, and a mountaineer. He is perhaps best known as the editor and principal author of the Dictionary of National Biography. Born in Kensington, London, he was raised in a family which belonged to the Clapham sect of evangelical Christian social reformers. He was educated at Eton College, then at Trinity Hall, Cambridge where he remained for several years as a fellow and a tutor of his college.

Leslie Stephen biographyHe became an Anglican clergyman, but in 1865 renounced his religious beliefs and left the church. In 1869 he married Harriet Thackeray, the daughter of William Makepeace Thackeray. They had a daughter Laura (1870-1945) who developed a form of incurable brain disease and was institutionalised for the majority of her life. When his wife died rather suddenly in 1875 he married Julia Prinsep Jackson, the widow of Herbert Duckworth. She brought with her two sons, George and Gerald, the latter of whom went on to found the Duckworth publishing company.

Settling at Hyde Park Gate in Kensington, London, he made his living as a journalist, editing the Cornhill Magazine which published the work of Robert Louis Stevenson, Thomas Hardy, and Henry James. He also contributed to the Saturday Review. Macmillan, and other periodicals. In his spare time he became a famous mountaineer, and was the first person to climb a number of Alpine peaks. He was one of the first presidents of the Alpine Club and wrote The Playground of Europe which became a mountaineering classic.

With his second wife he had four children – two sons, Thoby and Adrian, and two daughters, Vanessa and Virginia who became Vanessa Bell the painter, and Virginia Woolf the writer. He was the first editor of the Dictionary of National Biography and he wrote The Science of Ethics which was widely adopted as a standard textbook on the subject.

When his second wife died in 1895, his daughter Vanessa took over the running of the Stephen household. He established what both his daughters describe as an emotionally demanding regime – but it has to be said that as a free-thinker, he also gave them free reign to pursue their artistic ambitions. In fact it is often observed that although Virginia, like other women of her time, did not go to university, she nevertheless received a first-class education at home, merely by being given free access to her father’s library.

When Leslie Stephen died in 1904 all four of the Stephen children lost no time in setting up home independently in what they saw as a more liberal and tolerant atmosphere. They even decorated their new premises in Gordon Square Bloomsbury in lighter colours, as a reaction to the dark tones of the Victorian period they were leaving. However, the politically liberal, free-thinking (non-religious) intellectual atmosphere their father left them as an inheritance was to form the basis of what they had created within a few years as founding members of the Bloomsbury Group.


Leslie Stephen


Bloomsbury Group – web links

Bloomsbury Group - web links Hogarth Press first editions
Annotated gallery of original first edition book jacket covers from the Hogarth Press, featuring designs by Vanessa Bell, Roger Fry, and others.

Bloomsbury Group - web links The Omega Workshops
A brief history of Roger Fry’s experimental Omega Workshops, which had a lasting influence on interior design in post First World War Britain.

Bloomsbury Group - web links The Bloomsbury Group and War
An essay on the largely pacifist and internationalist stance taken by Bloomsbury Group members towards the First World War.

Bloomsbury Group web links Tate Gallery Archive Journeys: Bloomsbury
Mini web site featuring photos, paintings, a timeline, sub-sections on the Omega Workshops, Roger Fry, and Duncan Grant, and biographical notes.

Bloomsbury Group - web links Bloomsbury: Books, Art and Design
Exhibition of paintings, designs, and ceramics at Toronto University featuring Hogarth Press, Vanessa Bell, Dora Carrington, Quentin Bell, and Stephen Tomlin.

Bloomsbury Group - web links Blogging Woolf
A rich enthusiast site featuring news of events, exhibitions, new book reviews, relevant links, study resources, and anything related to Bloomsbury and Virginia Woolf

Bloomsbury Group - web links Hyper-Concordance to Virginia Woolf
Search the texts of all Woolf’s major works, and track down phrases, quotes, and even individual words in their original context.

Bloomsbury Group - web links A Mrs Dalloway Walk in London
An annotated description of Clarissa Dalloway’s walk from Westminster to Regent’s Park, with historical updates and a bibliography.

Bloomsbury Group - web links Women’s History Walk in Bloomsbury
Annotated tour of literary and political homes in Bloomsbury, including Gordon Square, University College, Bedford Square, Doughty Street, and Tavistock Square.

Bloomsbury Group - web links Virginia Woolf Society of Great Britain
News of events, regular bulletins, study materials, publications, and related links. Largely the work of Virginia Woolf specialist Stuart N. Clarke.

Bloomsbury Group - web links BBC Audio Essay – A Eulogy to Words
A charming sound recording of a BBC radio talk broadcast in 1937 – accompanied by a slideshow of photographs of Virginia Woolf.

Bloomsbury Group - web links A Family Photograph Albumn
Leslie Stephens’ collection of family photographs which became known as the Mausoleum Book, collected at Smith College – Massachusetts.

Bloomsbury Group - web links Bloomsbury at Duke University
A collection of book jacket covers, Fry’s Twelve Woodcuts, Strachey’s ‘Elizabeth and Essex’.

© Roy Johnson 2000-2014


More on biography
More on the Bloomsbury Group
Twentieth century literature


Filed Under: Bloomsbury Group Tagged With: Biography, Bloomsbury Group, leslie Stephen, Literary studies

Lytton Strachey biography

September 22, 2009 by Roy Johnson

life, works, and loves of a literary bohemian

Lytton Strachey biographyLytton Strachey (1880-1932) was born at Clapham Common and raised at Lancaster Gate, in central London. He was the eleventh of thirteen children, to General Sir Richard Strachey (an engineer) and his wife Jane Grant. Though he spent some years at boarding schools, including Abbotsholme and Leamington College, he received much of his education at home. His mother took an interest in literature and politics, and Strachey met many of the leading writers and thinkers of the day when they came to visit Lady Strachey. His secondary education was completed at University College in Liverpool where he studied Latin, Greek, mathematics, and English literature and history. It was there that he met and was influenced by Walter Raleigh, a professor of English literature and well known biographer.

After failing to receive a scholarship to Oxford in 1899, Strachey decided to attend Cambridge where he developed many friendships which lasted the rest of his life. At Trinity College Cambridge he met Clive Bell, Thoby Stephen (Virginia Woolf’s brother) John Maynard Keynes, and Leonard Woolf.

Along with many other future members of the Bloomsbury Group, he was elected to the Apostles Society, and he also won the Chancellor’s medal for his poem, ‘Ely: An Ode’. In 1903 fellow Apostle G.E.Moore’s Principia Ethica was published, producing a profound effect on the aspiring intellectuals. The Principia became a rationalizing factor in loosening the repression of homosexual tendencies among the Apostles and in Trinity and King’s College as well.

Strachey completed his work at Cambridge with a thesis on Warren Hastings but failed to receive a Trinity fellowship. He returned to his parents’ home in Lancaster Gate and sought to support himself as a journalist. Much of his social life centred on the Thursday night ‘at-homes’ of the Stephenses – Thoby, Adrian, Vanessa Bell, and Virginia Woolf.

He contributed book and drama reviews to The Spectator magazine, published poetry, and wrote an important work of literary criticism, Landmarks in French Literature (1912). During the First World War, he was a conscientious objector, and spent much time with like-minded people such as Lady Ottoline Morrell and other members of the Bloomsbury Group.

In 1915 Strachey met Dora Carrington, a graduate of the Slade School of Art and the woman who devoted herself to him for the rest of his life. In 1917 Strachey and Carrington moved into a cottage in Tidmarsh, Oxfordshire, and continued to carry on with their separate personal lives. Carrington maintained a relationship with fellow artist Mark Gertler before marrying Ralph Partridge, and Strachey moved through a series of relationships with a series of men.

Eminent VictoriansHis first great success, and his most famous achievement, was Eminent Victorians (1918) a collection of four short biographies of Victorian heroes. With a dry wit, he exposed the human failings of his subjects and what he saw as the hypocrisy at the centre of Victorian morality. His portraits of Cardinal Manning, Florence Nightingale, Thomas Arnold, and General Gordon changed perceptions of the Victorians for a whole generation.

This work was followed in the same style by Queen Victoria, a work which used elements of romantic fiction and melodrama to create a warm, humorous and very human portrait of an iconic figure. We see Victoria as a strong-willed child, as the 18-year-old girl queen, as a monarch, wife, mother and widow. Equally fascinating are her relationships with Peel, Gladstone and Disraeli, with her beloved Albert and her Highland servant John Brown, all of which show a different side of her staid, pious image.

Strachey’s literary style was becoming very popular and he began to achieve a measure of fame which allowed him to support himself and his household from the proceeds of his writing. In 1924 he purchased the lease to Ham Spray House and moved in along with Carrington and Ralph Partridge. He completed Elizabeth and Essex in 1928 and started editing The Greville Memoirs, a project which was completed posthumously by Ralph and Frances Partridge and Roger Fulford.

Though his frequent ill-health often made it difficult, Strachey enjoyed travelling and made several trips abroad between 1928 and 1931. One of these excursions is described very humorously in Gerald Brenan’s memoir, South from Granada. Late in 1931 he began to decline rapidly from an illness which doctors were unable to identify. He died January 21, 1932, of what was later found to be stomach cancer. His famous deathbed bon mot was: ‘If this is dying, then I don’t think much of it.’ Distraught at the loss of her soul-mate, Carrington made two attempts to commit suicide. The latter was successful when she borrowed a gun from her neighbour and shot herself.


The Letters of Lytton StracheyStrachey’s Letters This collection reveals the poignant love-affair between him and the painter Dora Carrington, plus his affairs with Roger Senhouse and his cousin Duncan Grant. He also wrote almost every day to Leonard Woolf on politics, literature, and life – and he correctly predicted to Maynard Keynes that their sexual proclivities and attitudes put them a hundred years ahead of their time. Includes new materials unknown to previous biographers, almost every item revealing Strachey as a witty, gossipy, and sparkling character.


Lytton Strachey biography


Bloomsbury Group – web links

Bloomsbury Group - web links Hogarth Press first editions
Annotated gallery of original first edition book jacket covers from the Hogarth Press, featuring designs by Vanessa Bell, Roger Fry, and others.

Bloomsbury Group - web links The Omega Workshops
A brief history of Roger Fry’s experimental Omega Workshops, which had a lasting influence on interior design in post First World War Britain.

Bloomsbury Group - web links The Bloomsbury Group and War
An essay on the largely pacifist and internationalist stance taken by Bloomsbury Group members towards the First World War.

Bloomsbury Group web links Tate Gallery Archive Journeys: Bloomsbury
Mini web site featuring photos, paintings, a timeline, sub-sections on the Omega Workshops, Roger Fry, and Duncan Grant, and biographical notes.

Bloomsbury Group - web links Bloomsbury: Books, Art and Design
Exhibition of paintings, designs, and ceramics at Toronto University featuring Hogarth Press, Vanessa Bell, Dora Carrington, Quentin Bell, and Stephen Tomlin.

Bloomsbury Group - web links Blogging Woolf
A rich enthusiast site featuring news of events, exhibitions, new book reviews, relevant links, study resources, and anything related to Bloomsbury and Virginia Woolf

Bloomsbury Group - web links Hyper-Concordance to Virginia Woolf
Search the texts of all Woolf’s major works, and track down phrases, quotes, and even individual words in their original context.

Bloomsbury Group - web links A Mrs Dalloway Walk in London
An annotated description of Clarissa Dalloway’s walk from Westminster to Regent’s Park, with historical updates and a bibliography.

Bloomsbury Group - web links Women’s History Walk in Bloomsbury
Annotated tour of literary and political homes in Bloomsbury, including Gordon Square, University College, Bedford Square, Doughty Street, and Tavistock Square.

Bloomsbury Group - web links Virginia Woolf Society of Great Britain
News of events, regular bulletins, study materials, publications, and related links. Largely the work of Virginia Woolf specialist Stuart N. Clarke.

Bloomsbury Group - web links BBC Audio Essay – A Eulogy to Words
A charming sound recording of a BBC radio talk broadcast in 1937 – accompanied by a slideshow of photographs of Virginia Woolf.

Bloomsbury Group - web links A Family Photograph Albumn
Leslie Stephens’ collection of family photographs which became known as the Mausoleum Book, collected at Smith College – Massachusetts.

Bloomsbury Group - web links Bloomsbury at Duke University
A collection of book jacket covers, Fry’s Twelve Woodcuts, Strachey’s ‘Elizabeth and Essex’.

© Roy Johnson 2000-2014


More on Lytton Strachey
Twentieth century literature
More on the Bloomsbury Group


Filed Under: Bloomsbury Group, Lytton Strachey Tagged With: Biography, Bloomsbury Group, Eminent Victorians, Literary studies, Lytton Strachey

Marcel Proust translations

September 21, 2009 by Roy Johnson

a comparison of the three generally available versions

Marcel Proust - portraitMost English-speaking readers will choose to read Marcel Proust in translation. And his literary style is quite demanding. His sentences are long, the paragraphs are huge, and his great novel is one of the longest ever – at a million and a half words. But the effort is worthwhile – and the benefits are enormous. Proust offers gems of psychological perception on every page, and his characters come alive in a way which makes you feel they become your personal friends. There is very little in the way of plot, suspense, or even story in a conventional sense. This modern classic is one which depicts an entire world of upper-class fin de siècle French characters circling round each other before and shortly after the First World War.

The greatest depths of insight he offers are in the form of profound reflections on some of the most important issues any novelist can approach – love, desire, memory, time, and death. These are presented in the form of extended aphorisms, embedded as part of his narrative in such a way that you will hardly be aware where one ends and the other begins.

Other people are, as a rule, so immaterial to us that, when we have entrusted to any one of them the power to cause so much suffering or happiness to ourselves, that person seems at once to belong to a different universe, is surrounded with poetry, makes of our lives a vast expanse, quick with sensation, on which that person and ourselves are ever more or less in contact.

Marcel Proust translations - Scott-MoncrieffEventually, it comes down to which translation should you read – and in English there are three options currently in print. My favourite is the oldest by C.K. Scott Moncrieff. It was first to appear as the original volumes were published, and it even had Proust’s own blessing. Although it is based on a version of the French original which was not complete, it has a charm all of its own. There may be technical errors here and there, but it will take a long time for any of the subsequent translations to supersede its elegance and the powerful influence it has had. It is still held in high regard as a work of literary interpretation.

Marcel Proust translations Buy the book at Amazon UK
Marcel Proust translations Buy the book at Amazon US

Marcel Proust - six-pack The second option is an edition which is based on the Scott Moncrieff original translation, but which was revised and re-translated by Terrence Kilmartin in the 1990s. This version is also informed by updated versions of the original text in French, including new material which has come to light since the author’s death. Kilmartin’s work was then itself edited by D.J.Enright. So this version comes to us with a guarantee of completeness and accuracy, but with the traces of three different translators’ hands since the original work. Each volume contains its own notes, addenda, and a synopsis, so readers new to Proust can feel supported by this additional material.

Marcel Proust translations Buy the book at Amazon UK
Marcel Proust translations Buy the book at Amazon US

This same tanslation by Kilmartin and Enright is now also available in Everyman’s Library Classics edition. It’s available in both hardback and paperback versions, and they have the advantage of being presented in just four volumes, which keeps down the cost of the complete work.

Marcel Proust translations Buy the book at Amazon UK
Marcel Proust translations Buy the book at Amazon US

Marcel Proust translations - box setThe most recent version was produced by seven different translators. This has the advantage of being the most up to date. It is based on the latest version of a text with a very tangled provenance, and each translator writes a preface on the problems of translation. This version got a mixed reception when it first appeared. Some people argue that it removes a certain prissiness which had clung to the English version of Proust since Scott Moncrieff’s translation. Others have claimed that it introduces new problems and lacks a unifying voice. Perhaps the best reason for choosing it is that it’s now generally available at a cut-down price in a handy boxed set.

Marcel Proust translations Buy the book at Amazon UK
Marcel Proust translations Buy the book at Amazon US


The Cambridge Companion to Proust The Cambridge Companion to Proust provides essays on the major features of Marcel Proust’s great work. These investigate such essential areas as the composition of the novel, its social dimension, the language in which it is couched, its intellectual parameters, its humour, its analytical profundity and its wide appeal and influence. This is suitable for those who want to study Proust in depth. The discussion is illustrated by textual quotation (in both French and English) and close analysis. This is the only volume of its kind on Proust currently available. It contains a detailed chronology and bibliography.

Marcel Proust translations Buy the book at Amazon UK
Marcel Proust translations Buy the book at Amazon US

Marcel Proust: BiographyMarcel Proust is the definitive biography, by George Painter. This study has become famous in its own right, because it combines deep insights with scholarly rigour – and it is also written in a very stylish manner. Painter sketches in the background to Parisian society, which provides a historical context for what follows. He then traces Proust’s singular life (the neurasthenia, the ‘job’ he kept for one day, the cork-lined bedroom) up to his death in 1922 – where he was still revising his masterpiece in bed, which is where he had written most of it. This is regarded as a classic of modern biography, and in 1965 it was awarded the Duff Cooper Memorial Prize.

Marcel Proust translations Buy the book at Amazon UK
Marcel Proust translations Buy the book at Amazon US


Marcel Proust – web links

Marcel Proust web links Marcel Proust at Mantex
Biographical notes, study guide to ‘In Search of Lost Time’. comparison of the English translations, book reviews, web links, study resources.

Marcel Proust web links Marcel Proust at Project Gutenberg
A collection of free eTexts in a variety of digital formats, mainly in French.

Marcel Proust web links Marcel Proust at Wikipedia
Biographical notes, early works, bibliography, further reading, and web links.

Marcel Proust web links Marcel Proust at the Internet Movie Database
Adaptations for the cinema and television – in various languages. Full details of directors and actors, plus production notes, box office, trivia and quiz.

Marcel Proust web links Temps Perdu.com
Translations, collector’s editions, Proust chronology, characters in the novel, film audio and music, online version of the novel, and discussion groups.

Marcel Proust web links The Kolb-Proust Archive
An online searchable database of Proust’s correspondence in French and English, plus further study resources and related web sites. – located at University of Illinois at Urbana-Champaign.

Marcel Proust web links Proust’s In Search of Lost Time
Picture gallery, bibliography, who’s who, video and audio files, and web links.

Marcel Proust web links Marcel Proust – Ephemera Site
Juvenilia, articles, pastiches, poetry, letters – materials unavailable elsewhere.

© Roy Johnson 2004


More on Marcel Proust
Twentieth century literature
More on biography


Filed Under: Marcel Proust Tagged With: French Literature, Literary studies, Marcel Proust, Modernism

Mark Gertler biography

September 20, 2009 by Roy Johnson

the only working-class Bloomsbury artist

Mark Gertler - portraitMark Gertler (1896—1939) was born in Spitalfields in London’s East End, the youngest son of Jewish immigrant parents. When he was a year old, the family was forced by extreme poverty back to their native Galicia (Poland). His father travelled to America in search of work, but when this plan failed the family returned to London in 1896. As a boy he showed a marked talent for drawing, and on leaving school in 1906 he enrolled in art classes at Regent Street Polytechnic, which was the first institution in the UK to provide post-school education for working people.

Once again, because of his family’s poverty, he was forced to drop out after only a year and take up work as an apprentice in a stained glass company. However, he continued with his interest in art, and after gaining third place in a competition he submitted his drawings to the Slade and was granted a scholarship by Sir William Rothenstein.

His contemporaries during four years at the Slade included David Bomberg, Paul Nash, Edward Wadsworth, Christopher Nevinson and Stanley Spencer. More fatefully for his private life, he also met and fell in love with Dora Carrington. They had a turbulent and anguished relationship which lasted a number of years.

Meanwhile, he won prizes and scholarships, then left the Slade in 1912 to paint full time. He was patronised by Lady Ottoline Morrell who introduced him to Walter Sickert, Augustus John, and the Bloomsbury Group. He became moderately successful as a society portrait painter, but suffered in such company because of his relative poverty, his working-class origins, and his Jewishness.

Mark Gertler - Merry-go-RoundIn 1914 he was also taken up by Edward Marsh an art collector who was later to become secretary to Winston Churchill. Even this relationship became difficult, since Gertler was a pacifist, and he disapproved of the system of patronage. He broke off the relationship, and around this time painted what has become his most famous painting – The Merry-Go-Round.

In 1915 he became the love object of Lytton Strachey, but he continued his own pursuit of Dora Carrington for five years before she finally agreed to have a sexual relationship with him. For a time, he shared her with Strachey, with whom Carrington had meanwhile fallen in love. When she eventually left him to set up home with Strachey, Gertler was crushed and mortified.

As a young man, he projected a personal magnetism which fascinated many of his contemporaries. He is the model for the sinister sculptor Loerke in D.H. Lawrence’s novel Women in Love, the dashing Byronic hero of Aldous Huxley’s Chrome Yellow, and the egotistical painter of Katherine Mansfield’s story Je ne parle pas Francais.

The first symptoms of tuberculosis appeared in 1920, and he was forced to enter a sanatorium. Nevertheless, despite his poor health, he continued to have yearly exhibitions at the Goupil Gallery in Regent Street.

In 1930 Gertler married Marjorie Hodgkinson, and they had a son in 1932. Their marriage was often difficult, and Gertler suffered from the same feelings of ill-ease that undermined relationships with his patrons. Edward Marsh continued to buy Gertler’s paintings, even though he admitted that he no longer liked or understood them. But in order to supplement his intermittent income from painting, Gertler was forced to become a part-time teacher at the Westminster School of Art .

Throughout the 1930s he had difficulty in selling his paintings, even though he had a few loyal supporters such as J.B. Priestly and Aldous Huxley. But depressed by what he saw as his own failure, his ill-health, and the fear of another imminent world war, he committed suicide in June 1939. He is buried in Willesden Jewish Cemetery.

© Roy Johnson 2006


Mark Gertler - biographyThis biography of Mark Gertler reappraises an extraordinary artist. Gertler was admired and encouraged by Walter Sickert, Vanessa Bell, Roger Fry and Henry Moore. His magnificent and haunting pictures were keenly collected by London society and yet at 48, feeling alienated, he killed himself. Sarah MacDougall explores the life of this complex man, whose powerful images, like the “Merry-go-round” or the “Creation of Eve” have lost none of their disturbing eloquence.

Mark Gertler – But the book at Amazon UK

Mark Gertler – Buy the book at Amazon US


Sarah McDougall, Mark Gertler, London: John Murray, 2002, pp.413, ISBN: 0719557992


Bloomsbury Group – web links

Bloomsbury Group - web links Hogarth Press first editions
Annotated gallery of original first edition book jacket covers from the Hogarth Press, featuring designs by Vanessa Bell, Roger Fry, and others.

Bloomsbury Group - web links The Omega Workshops
A brief history of Roger Fry’s experimental Omega Workshops, which had a lasting influence on interior design in post First World War Britain.

Bloomsbury Group - web links The Bloomsbury Group and War
An essay on the largely pacifist and internationalist stance taken by Bloomsbury Group members towards the First World War.

Bloomsbury Group web links Tate Gallery Archive Journeys: Bloomsbury
Mini web site featuring photos, paintings, a timeline, sub-sections on the Omega Workshops, Roger Fry, and Duncan Grant, and biographical notes.

Bloomsbury Group - web links Bloomsbury: Books, Art and Design
Exhibition of paintings, designs, and ceramics at Toronto University featuring Hogarth Press, Vanessa Bell, Dora Carrington, Quentin Bell, and Stephen Tomlin.

Bloomsbury Group - web links Blogging Woolf
A rich enthusiast site featuring news of events, exhibitions, new book reviews, relevant links, study resources, and anything related to Bloomsbury and Virginia Woolf

Bloomsbury Group - web links Hyper-Concordance to Virginia Woolf
Search the texts of all Woolf’s major works, and track down phrases, quotes, and even individual words in their original context.

Bloomsbury Group - web links A Mrs Dalloway Walk in London
An annotated description of Clarissa Dalloway’s walk from Westminster to Regent’s Park, with historical updates and a bibliography.

Bloomsbury Group - web links Women’s History Walk in Bloomsbury
Annotated tour of literary and political homes in Bloomsbury, including Gordon Square, University College, Bedford Square, Doughty Street, and Tavistock Square.

Bloomsbury Group - web links Virginia Woolf Society of Great Britain
News of events, regular bulletins, study materials, publications, and related links. Largely the work of Virginia Woolf specialist Stuart N. Clarke.

Bloomsbury Group - web links BBC Audio Essay – A Eulogy to Words
A charming sound recording of a BBC radio talk broadcast in 1937 – accompanied by a slideshow of photographs of Virginia Woolf.

Bloomsbury Group - web links A Family Photograph Albumn
Leslie Stephens’ collection of family photographs which became known as the Mausoleum Book, collected at Smith College – Massachusetts.

Bloomsbury Group - web links Bloomsbury at Duke University
A collection of book jacket covers, Fry’s Twelve Woodcuts, Strachey’s ‘Elizabeth and Essex’.

© Roy Johnson 2000-2014


More on art
More on biography
More on the Bloomsbury Group
Twentieth century literature


Filed Under: Art, Biography, Bloomsbury Group Tagged With: Art, Bloomsbury Group, Mark Gertler, Modernism

Metaphors – how to understand them

September 9, 2009 by Roy Johnson

free pages from our English Language software program

Metaphors – definition

metaphors Metaphors are figures of speech in which one thing is compared to another — either directly or by implication.


Examples

redbtn Common metaphors in speech:

  • Those people are the salt of the earth.
  • She worked her fingers to the bone.
  • It was a real pea soup morning.
  • They were inundated with orders.

redbtn Well known literary metaphors:

  • Now is the winter of our discontent
  • Life’s but a walking shadow
  • I am the way, the truth and the life
  • The girl with kaleidoscope eyes

Use

redbtn A metaphor often demands that the listener or reader make a powerful leap of the imagination.

redbtn Some metaphors are commonly recognised whilst others are uniquely and even spontaneously created.

redbtn Imaginative writing such as poetry, prose, and drama often create their special effects by use of metaphor.

redbtn Metaphors are often used in advertising and in political speeches.

redbtn One important feature of metaphor is that a significant and comprehensive image may be created by a few key words.

redbtn A metaphor can be created by the article, noun, verb, adjective or any other part of speech.

redbtn NB! In a metaphor two things are said to be the same, whereas in a simile they are only like each other.

redbtn It’s useful to see the concept of metaphor as part of a scale which runs from the literal to the non-literal use of language.

redbtn A literal statement is one which refers to the actual material world in plain terms. For instance — ‘This table is made of wood’.

redbtn At the other extreme, and in the words of a popular song, we find the statement:

‘The sun is a big yellow duster, polishing the blue, blue sky’

redbtn This makes a much bigger demand on our imagination and on our willingness to step outside the rational, literal world.

redbtn This metaphor can be analysed as follows. The sun is being compared to a duster. This idea is interesting because dusters are often yellow like the sun. Further, just as the sun appears to move in the sky, removing grey clouds, a duster moves to polish a surface and clear it of dust. In the context of a pop song, the idea is witty and entertaining in a lighthearted way.

redbtn Contrast this more serious metaphor:

Now does he feel
His filthy murders sticking on his hands

redbtn This is from Macbeth. The image is extremely vivid as the murderer’s sense of guilt is conveyed to the audience by combining the abstract guilt and the material sticky blood.

redbtn Metaphor is extremely economic communication. Several layers of meaning can be conveyed at the same time.

redbtn Advertisers make effective use of metaphor and other images because they have a restricted amount of space, and this space is very costly. A phrase such as ‘the sunshine breakfast’ is more effective than a statement which might read: ‘Have our cereal for your breakfast and you’ll enjoy it. It will give you energy and nutrition because the corn’s been grown in a sunny climate.’

Self-assessment quiz follows >>>

© Roy Johnson 2003


English Language 3.0 program
Books on language
More on grammar


Filed Under: English Language Tagged With: English language, Figurative language, Figures of speech, Metaphors

Metonymy – how to understand it

September 9, 2009 by Roy Johnson

free pages from our English Language software program

Metonymy – definition

metonymy Metonymy is a figure of speech in which an attribute or a suggestive word is substituted for the name of something.


Examples
Metonym Thing represented
The Stage the acting profession
Shakespeare the plays of Shakespeare
The Crown the monarchy
Whitehall the civil service

Use

redbtn Metonymy is part of everyday speech. It is usually used quite unconsciously.

redbtn It is often used in imaginative writing such as fiction and poetry to clarify and enhance an image.

redbtn NB! If you find it difficult to remember the difference between metonymy and synecdoche — you’re not alone.

redbtn Metonymy can be seen as a specific kind of symbolism by which the most essential component of the subject is abstracted to represent it. This component acts as a single symbol for something larger and usually more complex.

redbtn For instance, a crown is the most essential material component of the trappings of royalty, and so it serves well in representing the whole system of monarchy.

redbtn Similarly, the stage is a material component of acting as a profession. This too serves to represent symbolically something abstract and dynamic.

redbtn The ‘cloth’ symbolises the religious profession, and the ‘bar’ represents the legal profession. Both these items are essential material objects and are used to refer to the abstract concept of a profession.

redbtn In a statement such as ‘Shakespeare depicts monarchs as human’ the name is actually symbolising the total collection of his works. This form of metonymy is useful as a very graphic kind of shorthand.

redbtn This pragmatic explanation could also apply to the example of ‘Whitehall announced today …’, although we could ascribe more political and even ulterior functions to this usage. [Remember, ‘Whitehall’ represent the civil service in the UK.]

redbtn To refer to Whitehall as having issued a statement is to generalise the source of the communication. This may be in the political interest of the Establishment. It is a form of social control to promote an image of a corporate mass of civil servants, rather than suggesting that one person or even a small hierarchical group makes significant and powerful decisions.

redbtn Whitehall as a material location stands for something abstract, in this case an institution. This symbolic use depersonalises the source of the statement, perhaps thereby giving it more authority.

redbtn This political interpretation is merely speculation, but the mechanical analysis of metonymy as a symbolic device stands on firmer ground.

redbtn [Pedants who collect terms enjoy distinguishing metonymy from synechdoche, which is its figurative bedfellow.]

Self-assessment quiz follows >>>

© Roy Johnson 2003


English Language 3.0 program
Books on language
More on grammar


Filed Under: English Language Tagged With: English language, Figurative language, Metonymy

Mikhail Bulgakov – a guide

September 17, 2009 by Roy Johnson

major works in English translation

Apart from the relatively straightforward and restrained Checkhovian style of his early work, A Country Doctor’s Notebook, most of Mikhail Bulgakov’s writing is characterised by a florid prose style, rich images, and startling metaphors. He also plays freely with science fiction, political allegory, and sudden shifts into the absurd.

You might keep in mind that almost all of what he wrote was either censored, banned, or simply not published in his own lifetime. Even though some of his work was popular when it appeared in the 1920s, his reputation as a major Russian writer has only been established since his writing has been gathered together and published in the post-1960s.

 

Mikhail Bulgakov - Heart of a DogThe Heart of a Dog (1925) A rich, successful Moscow professor befriends a stray dog and attempts a scientific experiment by transplanting into it the testicles and pituitary gland of a recently deceased man. A worryingly human animal is then turned on the loose, and the professor’s hitherto respectable life becomes a nightmare beyond endurance. An absurd and superbly comic story, this classic novel can also be read as a fierce parable of the Russian Revolution.

Mikhail Bulgakov Buy the book from Amazon UK
Mikhail Bulgakov Buy the book from Amazon US

 

Mikhail Bulgakov Black Snow - Click for details at Amazon Black Snow: A Theatrical Novel (1920s) When Maxudov’s bid to take his own life fails, he dramatises the novel whose failure provoked the suicide attempt. To the resentment of literary Moscow, his play is accepted by the legendary Independent Theatre and he plunges into a vortex of inflated egos. With each rehearsal more sparks fly and the chances of the play being performed recede. This is a back-stage novel and a brilliant satire on his ten-year love-hate relationship with Stanislavsky and the Moscow Arts Theatre.
Mikhail Bulgakov Buy the book from Amazon UK
Mikhail Bulgakov Buy the book from Amazon US

 

Mikhail Bulgakov A Country Doctor's Notebook - Click for details at AmazonA Country Doctor’s Notebook (1925) With the ink still wet on his diploma, the twenty-five year old Dr Mikhail Bulgakov was flung into the depths of rural Russia which, in 1916-17, was still largely unaffected by such novelties as the motor car, the telephone or electric light. How his alter-ego copes (and fails to cope) with the new and often appalling responsibilities of a lone practitioner in a vast country practice – in blizzards, pursued by wolves and on the eve of Revolution – is described in Bulgakov’s delightful blend of candid realism and imaginative exuberance.
Mikhail Bulgakov Buy the book from Amazon UK
Mikhail Bulgakov Buy the book from Amazon US

 

Mikhail Bulgakov The Fatal Eggs - Click for details at AmazonThe Fatal Eggs (1924) Professor Persikov discovers a new form of light ray whose effect is to accelerate growth in primitive organisms. But when this ray is shone on the wrong batch of eggs, the Professor finds himself both the unwilling creator of giant hybrids, and the focus of a merciless press campaign. For it seems the propaganda machine has turned its gaze on him, distorting his nature in the very way his ‘innocent’ tampering created the monster snakes and crocodiles that now terrorise the neighbourhood. An inspired work of science fiction and a biting political allegory.
Mikhail Bulgakov Buy the book from Amazon UK
Mikhail Bulgakov Buy the book from Amazon US

 

Mikhail Bulgakov The Master and Margerita - Click for details at AmazonThe Master and Margarita (1940/1973) is a wonderful mixture of realism and fantasy which offers a satirical view of communist Russia. The story involves the arrival of the Devil into Moscow, interspersed with chapters dealing with Pontius Pilate and the crucifixion of Jesus Christ, plus other sections related to an artist and his relationships with his art and his lover. All three layers of the story are blended with spellbinding imaginative force. The novel is a multilayered critique of the Soviet society in general and its literary establishment specifically. It begins with Satan visiting Moscow in 1935, joining a conversation of a critic and a poet, busily debating the existence of Jesus Christ and the Devil. It then evolves into a whole scale indictment of the corruption, greed, narrow-mindedness, and widespread paranoia of Stalinist Russia. Banned but widely read, the novel firmly secured Bulgakov’s place among the pantheon of the greatest of Russian writers.
Mikhail Bulgakov Buy the book from Amazon UK
Mikhail Bulgakov Buy the book from Amazon US

© Roy Johnson 2004


Filed Under: Mikhail Bulgakov Tagged With: Literary studies, Mikhail Bulgakov, Modernism, Russian literature

Mikhail Bulgakov biography

September 17, 2009 by Roy Johnson

Mikhail Bulgakov biographylife, works, political persecution

Mikhail Bulgakov (1891—1940) was born in Kiev in the Ukraine into a family of intellectuals. His father was a professor at the Theological Academy. From 1901 to 1904, Mikhail attended the First Kiev Gymnasium. The teachers of the Gymnasium exerted a great influence on the formation of Mikhail’s literary taste, and his favourite authors became Gogol, Pushkin, Dostoevsky, Saltykov-Shchedrin, and Dickens. He graduated as a doctor from Kiev University, specialising in venereology. In 1913 he married Tatyana Lappa, and moved into provincial villages, where he practised as an itinerant doctor. For a short time he became addicted to morphine, but his wife helped him kick the habit. During the revolution he was drafted by the White Army and worked as a field doctor, but then gave up medicine for literature. In his autobiography, Bulgakov recalls how he started writing : “Once in 1919 when I was travelling at night by train I wrote a short story. In the town where the train stopped, I took the story to the publisher of the newspaper who published the story”.

In 1921 he moved to Moscow and wrote for emigrée newspapers and worked for the literary department of the People’s Commissariat of Education. His journalism was also published in Berlin, which was the main centre for Russian emigration at the time. (Vladimir Nabokov lived and worked there at the same period.) In 1924 he divorced his first wife and married Liubov Evgenevna Belozerskaia. Bulgakov began writing the story about the Civil War in Ukraine in 1923, which he published in the journal Rossiia under the title The White Guard.

From 1925 onwards, Bulgakov was closely associated with the Moscow Arts Theatre, which was dominated by the figure of its founder Konstantin Stanislavsky and his theories of method acting. By 1928 he had three plays running in Moscow theatres, one of which — The Day of the Turbins — was a favourite of Stalin’s, even though it presented a sympathetic portrayal of White (counter-revolutionary) officers. Nevertheless, as Stalin’s reactionary grip on power tightened, Bulgakov’s work was increasingly criticised, and then banned. In 1929 he wrote a letter appealing for help to Maxim Gorky, who was in favour with the authorities:

All my plays have been banned; not a line of mine is being printed anywhere; I have no work ready, and not a kopeck of royalties is coming in from any source; not a single institution, not a single individual will reply to my applications…

He also wrote to the Soviet government requesting permission to emigrate, and as a result of this received a personal telephone call from Stalin. But he was never allowed out of the country, and never saw the rest of his family again. They had all settled in Paris – the ‘second’ centre of Russian emigration at that time.

Bulgakov began writing Master and Margarita in 1928, and the novel still shows some traces of its earliest drafts. But he burned the manuscript along with all his other works in progress in a Gogolian fit of despair in 1930. However, by 1933 he had resumed work on it.

In 1932 he married for the third time to Elena Sergeevna Shilovskaia. During the 1930s Bulgakov was employed as an assistant producer at the Moscow Arts Theatre, and he was also librettist and consultant at the Bolshoi Theatre. Stalin’s favour protected him from the worst of the arrests, torture, and executions which characterised the reign of terror at that time – but his works remained unpublished and banned.

In 1937 he diagnosed his own neurosclerosis and predicted that he would die in 1939. He was correct to within only three months. He spent the last years of his life working on what was to be his masterpiece, The Master and Margarita.

© Roy Johnson 2004


The Master and MargeritaThe Master and Margarita (1940/1973) is a wonderful mixture of realism and fantasy which offers a satirical view of communist Russia. The story involves the arrival of the Devil into Moscow, interspersed with chapters dealing with Pontius Pilate and the crucifixion of Jesus Christ, plus other sections related to an artist and his relationships with his art and his lover. All three layers of the story are blended with spellbinding imaginative force.
Mikhail Bulgakov biography - The Master and Margerita Buy the book here


Filed Under: Mikhail Bulgakov Tagged With: Biography, Literary studies, Mikhail Bulgakov, Modernism, Russian literature, The Master and Margerita

Mikhail Bulgakov web links

September 17, 2009 by Roy Johnson

Mikhail Bulgakov web links

redbtnMikhail Bulgakov at Mantex
Biography, study notes, and web links

redbtnThe Master and Margarita
Stylish web site in English, Dutch, French, and Russian featuring all aspects of the novel, its themes and interpretation – plus multimedia links, including even pop video clips

redbtn Bulgakov’s The Master and Margarita
Web study featuring illustrations, maps, characters, themes, bibliography, and chapter notes with introductory essay and notes

redbtn Mikhail Afanasjevitch Bulgakov
Works, timeline, excerpts, links – in English, Russian & German

redbtn Bulgakov on Wikipedia
Life history, historical background, works, materials, and links

redbtn BBC Bulgakov Wiki
Biographical notes

redbtn Library of Congress Bibliography
Extensive records of biography, works, criticism, and commentary


Heart of a DogThe Heart of a Dog (1925) A rich, successful Moscow professor befriends a stray dog and attempts a scientific experiment by transplanting into it the testicles and pituitary gland of a recently deceased man. A distinctly worryingly human animal is then turned on the loose, and the professor’s hitherto respectable life becomes a nightmare beyond endurance. An absurd and superbly comic story, this classic novel can also be read as a fierce parable of the Russian Revolution.

 

A Country Doctor's NotebookA Country Doctor’s Notebook (1925) With the ink still wet on his diploma, the twenty-five year old Dr Mikhail Bulgakov was flung into the depths of rural Russia which, in 1916-17, was still largely unaffected by such novelties as the motor car, the telephone or electric light. How his alter-ego copes (and fails to cope) with the new and often appalling responsibilities of a lone practitioner in a vast country practice – in blizzards, pursued by wolves and on the eve of Revolution – is described in Bulgakov’s delightful blend of candid realism and imaginative exuberance.

 

The Fatal EggsThe Fatal Eggs (1924) Professor Persikov discovers a new form of light ray whose effect is to accelerate growth in primitive organisms. But when this ray is shone on the wrong batch of eggs, the Professor finds himself both the unwilling creator of giant hybrids, and the focus of a merciless press campaign. For it seems the propaganda machine has turned its gaze on him, distorting his nature in the very way his ‘innocent’ tampering created the monster snakes and crocodiles that now terrorise the neighbourhood. An inspired work of science fiction and a biting political allegory.

 

The Master and MargeritaThe Master and Margarita (1940/1973) is a wonderful mixture of realism and fantasy which offers a satirical view of communist Russia. The story involves the arrival of the Devil into Moscow, interspersed with chapters dealing with Pontius Pilate and the crucifixion of Jesus Christ, plus other sections related to an artist and his relationships with his art and his lover. All three layers of the story are blended with spellbinding imaginative force.

The novel is a multilayered critique of the Soviet society in general and its literary establishment specifically. It begins with Satan visiting Moscow in 1935, joining a conversation of a critic and a poet, busily debating the existence of Jesus Christ and the Devil. It then evolves into a whole scale indictment of the corruption, greed, narrow-mindedness, and widespread paranoia of Stalinist Russia. Banned but widely read, the novel firmly secured Bulgakov’s place among the pantheon of the greatest of Russian writers.

 

Black SnowBlack Snow: A Theatrical Novel (1920s) When Maxudov’s bid to take his own life fails, he dramatises the novel whose failure provoked the suicide attempt. To the resentment of literary Moscow, his play is accepted by the legendary Independent Theatre and he plunges into a vortex of inflated egos. With each rehearsal more sparks fly and the chances of the play being performed recede. This is a back-stage novel and a brilliant satire on his ten-year love-hate relationship with Stanislavsky and the Moscow Arts Theatre

© Roy Johnson 2004


Filed Under: Mikhail Bulgakov Tagged With: A Country Doctor's Notebook, Black Snow, Heart of a Dog, Literary studies, Mikhail Bulgakov, Russian literature, The Fatal Eggs, The Master and Margerita

  • « Previous Page
  • 1
  • …
  • 12
  • 13
  • 14
  • 15
  • 16
  • …
  • 22
  • Next Page »

Get in touch

info@mantex.co.uk

Content © Mantex 2016
  • About Us
  • Advertising
  • Clients
  • Contact
  • FAQ
  • Links
  • Services
  • Reviews
  • Sitemap
  • T & C’s
  • Testimonials
  • Privacy

Copyright © 2025 · Mantex

Copyright © 2025 · News Pro Theme on Genesis Framework · WordPress · Log in