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literary studies, cultural history, and study skill techniques

A Laodicean

October 19, 2017 by Roy Johnson

tutorial, study guide, commentary, further reading, web links

A Laodicean (1860-1861) was first published as a serial in Harper’s New Monthly Magazine and subsequently in novel form by Sampson Low in 1881. It bears two sub-titles – The Castle of the de Stancys and A Story of To-Day. It is one of Thomas Hardy’s lesser-known novels, but it incorporates many of his personal interests – particularly architecture and the effects of modern technology. It is one of the earliest novels you are likely to come across that features electrical telegraphy (the telegram) as part of the plot.

A Laodicean


A Laodicean – commentary

The sensation novel

Hardy wrote in the wake of the ‘sensation novel’ that had been popularised by writers such as Wilkie Collins and Mary Elizabeth Braddon in the middle of the nineteenth century. Hardy never exploited to a similar extent the sensationalist elements of plotting that they had developed – but neither was he averse to including them as an obvious encouragement to gain readers and popular acclaim.

These elements show up more obviously in his weaker novels that do not have the compensating powerful psychological insights and credible dramas that pervade his greatest works.

A Laodicean includes the following typical elements of the sensation novel in its plotting:

  • sex outside marriage
  • illegitimacy
  • personation
  • theft
  • blackmail
  • forgery

William de Stancy has had an illicit sexual relationship in his earlier life. This has led to the birth of his son, who is therefore illegitimate. But the son goes under the name of William Dare (with ‘De Stancy’ tattooed on his chest) which is a form of ‘personation’ – someone masquerading under a false identity.

Dare steals George Somerset’s correspondence in order to become his assistant on the castle restoration project. He then steals the plans to form an alliance with the rival architect Havill. Meanwhile he is blackmailing his own father. He not only drains de Stancy of money to fund his self-indulgent life style, but he threatens to reveal the truth of their relationship, which would ruin Captain de Stancy’s social reputation and marriage prospects (which is eventually what happens).

On top of all that, Dare is guilty of forgery on two counts. He sends a telegram to Paula Power demanding money which purports to come from George Somerset. Then he forges a photograph that is constructed to show Somerset in a state of intoxication.

These are the stock-in-trade elements of the sensation novel, and it is interesting to note that Hardy relies on them more extensively than he does in his more serious novels, for which he is quite rightly better known.

Plotting

There are a number of issues and details in the narrative that are either unexplained or not followed up, once having been introduced. For instance there are two related issues at opposite ends of the novel.

In the first, George Somerset falls into the tower pit on one of his early visits to the castle. Whilst there he notices carvings in the wall:

Among these antique inscriptions he observed two bright and clean ones, consisting of the words ‘De Stancy’ and ‘W. Dare’ crossing each other at right angles. From the state of the stone they could not have been cut more than a month before

There are only two people in the novel who know the relationship between De Stancy and Dare, and those are the two individuals themselves. At that point neither of them have had access to the castle. Hardy clearly inserts George’s observation into the text to create a little mystery, but no subsequent explanation is given for how the names got there. Moreover, the incident and its implications are never mentioned again throughout the whole of the novel.

We know that as a result of an illness, Hardy was forced to complete the novel by dictation rather than longhand composition, and he may have simply forgotten this detail.

But in the second example at the other end of the novel Abner Power threatens to expose William Dare and his creation of a bogus telegram and a faked photograph to smear the reputation of George Somerset. Dare counters this attack by saying he will reveal Power’s role in the fabrication of an explosive device for a group of revolutionaries.

The result of this confrontation is a stalemate which does not affect the plot in any way. More importantly however, no explanation is given for how either of these characters came to have detailed knowledge of the other’s doings.

There are also ambiguities or elisions in the plot that seem to suggest that Hardy himself was not sure about the logic and coherence of his story. The destruction by fire of the castle contents at the close of the novel are the work of an arsonist described as a ‘flitting’ figure, who is not named.

This term ‘flitting’ immediately suggests a female – who might be Charlotte, putting an end to the burden of family history before she retires into a convent. But this would be uncharacteristic of such an honest, principled, and self-effacing young woman.

The other suspect – with a powerful motive of resentment – would be Dare, who we know has been denied his ambition to become a genuine de Stancy, and is still in the vicinity at the time. But it is hard to believe that a penniless and unscrupulous confidence trickster would burn paintings by Vandyck, Kneller, Tintoretto, Titian, and Giorgione when he could just easily steal and sell them.

Hardy does not seem to have made up his mind on this issue, and is content to leave an ambiguous, unresolved mystery hovering over the uncharacteristically ‘happy ending’ to the novel.

The basic plot is quite reasonable. An indecisive young woman is caught between competing interests – her instinct for love and a desire for social advancement. But the events of the narrative are stretched out to aesthetically unacceptable lengths. Perhaps this is a case where serial magazine publication worked against the best interests of the author. Hardy met his monthly quotas, but the net result is a novel that very few people bother to read – and one cannot blame them.

Wessex

Hardy makes very little effort to root the events of A Laodicean in a realistic manner. It seems that the location of de Stancy castle might be anywhere in southern England. It is certainly within easy reach of London by train.

But the local town of Markton in the novel is not mentioned in any of the other ‘Wessex’ works that constitute his essential oeuvre. Hardy was of course at liberty to produce fiction which stood independently of his other major productions. But the fictional world of ‘Wessex’ that he created in novels stretching from Under the Greenwood Tree (1872) to Jude the Obscure (1895) is of such power and is so vividly realised that it forms a gravitational field of an enduring intensity that affects judgements of all his works.

Structure

There are at least three major structural weaknesses in the narrative. The first is that the sub-plot of the villainous William Dare is set up successfully enough in the opening part of the story. Dare infiltrates George Somerset’s professional and romantic endeavours; he steals his designs for the rival architect Havill; and he has a secret desire to become a legitimate de Stancy. Indeed, he even has the name tattooed on his chest.

Yet in the middle sections of the novel, this Dare sub-plot disappears completely. The story switches to Somerset’s frustrations in trying to wring an emotional response out of the seemingly coquettish Paula Power. This section of the novel also embodies another subsidiary plot weakness – the over-elaborated passages of the theatricals and George’s adolescent torments of jealousy.

But these weaknesses pale into insignificance compared with the endlessly repetitive will-she-won’t-she pursuit of Paula by de Stancy during their excursion around Europe.

It is clear that Hardy wishes to show Paula under enormous pressure. George Somerset has been maligned by both Dare’s bogus telegram asking for money and the faked photograph apparently showing him in a state of intoxication. Paula is also being offered marriage into a family of pedigree. She will become Lady de Stancy if only she says “Yes”.

Dramatically, this is a credible plot, but de Stancy’s pursuit of Paula and her refusal to yield to his entreaties goes on and on, from one town to another, with no change, no development, and no new arguments – until the reader could be excused for losing the will to live.

It is astonishing to realise that only a few years before, Hardy had written a work as psychologically insightful as The Return of the Native (1878) and only a few years hence he was to produce his all-inclusive masterpiece The Mayor of Castebridge (1886) which bears fruitful comparison with King Lear in terms of universal scope and tragic intensity.


A Laodicean – study resources

A Laodicean A Laodicean – Penguin Classics – Amazon UK

A Laodicean A Laodicean – Penguin Classics – Amazon US

A Laodicean A Laodicean – Wordsworth Classics – Amazon UK

A Laodicean A Laodicean – Wordsworth Classics – Amazon US

A Laodicean The Complete Works of Thomas Hardy – Kindle eBook

Cambridge Companion to Thomas Hardy – Amazon UK

A Laodicean


A Laodicean – plot summary

Book the First. George Somerset

I.   George Somerset is refreshing his studies of English Gothic architecture under pressure from his father, a painter and academician.

II.   George comes across a modern chapel built in an ugly style. A baptism ceremony is taking place, but the attractive young celebrant refuses to go into the pool. He follows a telegraph wire that leads him to an old castle.

III .   Next day he looks over Castle de Stancy and its ancient contents. The ancestral portraits are decaying.

IV.   Charlotte de Stancy shows him round the castle and relates its history. It was bought by engineer John Power and is now being restored by his daughter. Paula Power has had a telegraph line installed and has contact with contemporary culture. The two young women are close friends.

V .   Next day George is invited to lunch with Sir William de Stancy (the previous owner) in his modern suburban villa. Sir William is obsessed with frugality and ‘luck’ He has lost all his money by extravagance and bad investments.

VI.   The following day George meets William Dare who wishes to photograph the castle. He then encounters the Baptist minister who is berating Paula theologically.

VII .   George debates biblical niceties with the minister, who gives up the argument. Paula speaks positively on Mr Woodwell’s behalf, and afterwards the two men are reconciled.

VIII.   George has lunch at the castle. He gets into an argument with fellow architect Mr Havill. There is general agreement that Mr Dare is an unreliable entity.

IX.   George falls into a pit in the castle turret, where he sees Dare’s name recently carved into the wall. Paula asks him to supervise the castle restoration. He proposes a competition with Mr Havill.

X.   Paula takes him round the castle whilst they discuss plans – without Havill. George moves to lodge in local village Markton.

XI.   Paula creates a studio for George in the castle. He feels more powerfully drawn to her – even though she appears enigmatic and even contradictory.

XII.   George goes to inspect Mr Power’s famous railway tunnel. He meets Paula there, and they are frightened by trains travelling up and down the line. Dare steals George’s correspondence and puts himself forward as his assistant.

XIII.   Paula holds a dinner party which George does not attend. She changes her mind about creating a Greek courtyard – then invites him to a garden party.

XIV.   An anonymous newspaper article appears, accusing Paula of desecrating the castle and its historic value. She tells George she wishes she were a de Stancy. They are spied on by Dare.

XV.   At the garden party George sacks Dare for idleness, then shelters from a rainstorm in a hut with Paula, to whom he declares his love.

Book the Second. Dare and Havill

I.   Dare finds Havill’s notebook containing the draft of the newspaper article. They then spy on George and Paula in the hut. Dare proposes a pact between them to steal George’s designs and cause trouble between George and Paula..

II.   Dare calls at Havill’s office and helps to bamboozle one of his creditors. Dare and Havill copy George’s designs in his studio. They then dine together, staying overnight at an inn.

III.   Havill wakes in the night and discovers Dare is carrying a gun. Dare then takes a close interest in an army brigade that arrives in the town.

IV.   George meets Charlotte with her brother Captain de Stancy and gives him Dare’s photo to show to the police. De Stancy is shocked on recognising Dare, and burns the photo.

V.   Captain de Stancy meets Dare, his illegitimate son, who is blackmailing him. Dare proposes that de Stancy should marry Paula and reclaim the castle and estates for the de Stancy family – of which he considers himself a member. However, de Stancy has taken a vow of adult celibacy.

VI .   The architecture competition is a tie. Dare explains to Havill his plan to bring Paula and de Stancy together. He discovers that Paula will look her most attractive when taking morning exercises in her private gymnasium.

VII.   Dare takes de Stancy to the gymnasium, where he is enchanted by the sight of Paula exercising.

Book the Third. De Stancy

I.   William de Stancy immediately becomes a changed man. He abandons his vows of teetotalism and avoiding women. He wants his sister Charlotte to help him in his pursuit of Paula, and he takes a sudden interest in the family history.

II.   William visits the castle and shows off his (very recently acquired) knowledge of the de Stancy family to Paula. Dare arrives, and they plan to make copies of all the family portraits.

III.   The copying begins, but William wants a portrait of Paula herself, which she refuses. Havill goes bankrupt and his wife dies. Paula is persuaded to split the project into two parts out of sympathy for Havill.

IV.   Havill has pangs of conscience and resigns from the project. Dare and de Stancy fear that the return of Somerset will spoil their plans.

V.   George wonders if his own family has a ‘pedigree’. When he goes to recover a genealogical document from the bank he sees Paula collecting a jewelled necklace.

VI.   George follows Paula to the Markton Hunt Ball. Charlotte is taken home in a faint when she sees Somerset. George learns that there are to be theatricals (Love’s Labour’s Lost) for which he designed the costumes.

VII.   George returns to the castle, but he jealously objects to Paula taking an active part in the theatricals.

VII.   He is further distressed when parts are changed and romantic scenes from Romeo and Juliet are interpolated.

IX.   A mysterious stranger enters, makes enquiries about Paula and de Stancy, then pays people to applaud them. George reproaches Paula for taking part in the final love scene in the play.

X.   Next day Paula hires a professional actress to take her part. After the performance she introduces the mysterious stranger as her uncle Abner Power – which gives George further cause for jealous worry.

XI.   Paula’s engagement is announced in a newspaper – but she denies it to George. She plans a trip to Nice. George discovers that the newspaper announcement was placed there by her uncle Abner.

Book the Fourth. Somerset, Dare, and de Stancy

I.   George and Paula exchange telegraph messages and letters. He continues to plead for signs of affection, and she continues to refuse.

II.   Abner Power wishes to influence his niece. George wants to visit her in Nice. She eventually stops writing to him – so he sends a message demanding to know what is happening.

III.   When he learns that de Stancy is also visiting Nice, George is inflamed with jealousy and immediately sets off to join them. The party has moved on to Monte Carlo, so he follows them there.

IV.   In the Casino George meets William Dare who tries to borrow money from him, which he refuses to do. Dare despatches a bogus telegram to Paula, claiming to be from Somerset and asking for money to pay a gambling debt.

V.   Paula despatches de Stancy with the money for Somerset. Dare turns up to collect it, but de Stancy refuses to hand it over.

Book the Fifth. De Stancy and Paula

I.   De Stancy joins Paula in Strazbourg where he returns the money. He declares his passion for her.

II.   They move on to Baden where de Stancy pesters Paula for attention and the reciprocation of his feelings. She refuses him, but he is supported by her uncle Abner.

III.   Dare catches up with de Stancy in Karlsruhe, flush with a recent gambling success. De Stancy advises him to return to England.

IV.   Paula asks to see Dare, who smears Somerset by implication then produces the doctored photograph apparently showing Somerset drunk.

V.   Somerset arrives and is treated coldly by Paula, who now accepts de Stancy as a potential suitor instead. Dare departs for England.

VI.   Somerset and Paula meet again by accident in Heidelberg, and they part with cold misunderstanding of each other.

VII.   Paula chooses to walk up a long hill with de Stancy, who continues to harass her with emotional demands. She continues to equivocate.

VIII.   The party sail down the Rhein on a pleasure boat. Paula and de Stancy discuss their relationship, and there are further supplications and equivocations.

IX.   De Stancy continues to court Paula as they journey through northern Europe. Somerset writes to say that he wishes to resign from the castle restoration project.

X.   Charlotte becomes ill in Amiens. Abner Power arrives from Paris saying that the proposed marriage must not go ahead. De Stancy harasses Paula yet again, then receives notice of his father’s death. Paula finally accepts him.

XI.   Dare checks on the marriage preparations and makes veiled blackmail threats. Abner Power arrives to expose the truth about Dare. But Dare counter-attacks with a history of Power’s making an explosive device for revolutionaries. They threaten each other with guns, then agree to call it quits. Abner Power disappears again.

XII.   Somerset meets Charlotte, who tells him about about the fake telegram. He goes next day to challenge Dare, but en route hears that the marriage has just taken place. He goes on holiday to Normandy.

XIII.   Charlotte is suspicious regarding Dare and uncovers the truth about the bogus photograph. Although she is in love with Somerset herself, she feels she ought to give the information to Paula.

XIV.   Charlotte reveals the truth to Paula on her wedding day. Paula threatens to have Dare arrested. When. De Stancy protests he is forced to admit that Dare is his son. The marriage is called off.

Book the Sixth. Paula

I.   Paula sets off for Normandy in search of Somerset. She traces him to Lisieux, where she just misses his departure for Caen.

II.   In the next town she meets Somerset’s father. When they move on to Etretat, George is seen in a dance hall. Paula feels she has been humiliating herself, and vows to go back home.

III.   Next day the two parties meet by accident. Paula re-appoints Somerset as architect, but does not reveal what she knows. George becomes ill. Paula visits him they are reconciled, and agree to marry.

IV.   A few weeks later Paula and Somerset return to Markton. De Stancy meets Dare, and they bemoan their separate lots.

V.   Charlotte retreats to a nunnery, and a fire consumes the contents of the castle. Paula and Somerset agree to build a new home alongside the ruins.


A Laodicean – characters
George Somerset a young architect
John Power railway engineer, who bought the de Stancy estate
Paula Power his daughter, current owner of the estate
Captain William de Stancy a middle-aged bachelot
Charlotte de Stancy Paula’s friend
William Dare de Stancy’s illegitimate son
Mr Woodwell a local Markston minister
Mr Havill a local Markston architect
Mrs Goodman Paula’s aunt and chaperon
Abner Power Paula’s uncle

© Roy Johnson 2017


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Filed Under: Thomas Hardy Tagged With: English literature, Literary studies, The novel, Thomas Hardy

A Life

April 8, 2016 by Roy Johnson

tutorial, commentary, study resources, and web links

A Life (Una vita) was the first novel written by Italo Svevo, and like all his other works it was published at his own expense. He wrote it in 1888 and originally gave it the title Un inetto (A Bungler). Svevo submitted his manuscript to the publishing house Treves, where it was turned down. Eventually it was accepted by Vram and published in 1892, with the stipulation that the title be changed and Svevo pay for the printing. Once published, it was completely ignored. Not until twenty years later did Svevo find any degree of literary success, following the support and encouragement of his English language teacher, the young James Joyce, who was living in exile in Trieste at the time.

A Life

Italo Svevo


A Life – critical commentary

Setting

Although it is not explicitly named in the text, there is no reason for thinking that the location of events is anywhere other than Trieste. Svevo set all his major novels in his native city. Characters go for walks along the Corso; the city is located on the sea; and the bank of Maller & Company has commercial relationships with Italy, Germany, and France – all of which were close geographic and political connections with Trieste, the fourth largest city of the Hapsburg Empire and its only Mediterranean sea port in the late nineteenth century.

The main theme

As its original title implies (Un inetto – An Inept One) the novel is a study in social alienation and personal failure. Alfonso is in one sense a precursor of the modern and existential anti-hero. He acts from the best motives and strives for honourable and spiritually elevated relationships with those around him, but he is defeated by petty bureaucracy on one hand and his own emotional weakness on the other.

Svevo repeatedly dwells on the ironic twists of fate that beset his protagonist. At the start of the novel Alfonso feels that he is not well regarded in his lowly position of correspondence clerk, yet his boss and head of the bank Signor Maller specifically assures him that he respects his work, and proves it by inviting him to his home.

This gives Alfonso the opportunity to meet Annetta, the attractive daughter of his boss – yet it is significant that having socially recognised Alfonso with an invitation to his own house, Signor Maller absents himself on the occasion of his visit, and Alfonso is left to the frosty reception provided by Annetta and the housekeeper Francesca (who is also Maller’s ex-mistress).

Alfonso is in an ambiguous position in terms of social position – from a lower middle-class family, with enough education to escape his rural native village and to secure a clerk’s job in the city, but not enough status or capital to mix easily with those he sees as his peers. He inherits money from the sale of his family home following the death of his mother – but he improvidently sells it for below its market value. He is yearning ambitiously for connections that are socially beyond his means. His relationship with his boss’s daughter Annetta only exposes him to suspicions of fortune hunting, as well as being emotionally calamitous.

He is noble and self-sacrificing in nursing his dying mother , and with his inheritance he provides a dowry for the unlovely daughter of his landlady – only to have his generosity misunderstood and even held against him.

Alfonso is similar to one of Kafka’s characters – Franz Kafka being a writer who Svevo clearly prefigures. Alfonso’s plight would be one of comic misunderstanding if it were not so painful and ultimately tragic. The scene where his feckless landlord Lanucci tries to sell him a personal insurance policy he neither needs nor can afford is like a passage from another tragedian of the comic grotesque – Samuel Beckett.

Pre post-modernism

There are elements of post-modern meta-fiction in the text. Annetta suggests writing a novel collaboratively with a plot which is Alfonso’s own story of a provincial boy who falls in love with a rich woman. This is also the plot of Una vita in which they are both characters. This theme is not explored or developed any further, since once Alfonso returns to his native village and his dying mother, the subjects of his literary collaboration and his relationship with Annetta are both abandoned.

Tightness of structure is not one of Svevo’s strong points as a novelist. He follows the day to day events of Alfonso’s life in an almost naturalistic manner, which renders the account tedious. Apart from the slow-moving development of Alfonso’s relationship with Annetta, there is a noticeable absence of any narrative tension or drama. Instead, the narrative comprises a detailed account of the minutiae of psychological processes – the relentless analysis of people’s conversations, their possible and actual motivations, and the cataloguing of trivial events. Svevo’s interest seems to be mainly in the shifting, contradictory, and sometimes paradoxical nature of human consciousness – something he was to explore in even further detail in Confessions of Zeno (1925).

The only evidence of formal structure to the novel is the fact that it begins and ends with two letters. The first is from Alfonso to his mother expressing his homesickness, and the second is from the bank to the family solicitor disclaiming any financial responsibility following Alfonso’s suicide.


A Life – study resources

A Life A Life – Secker & Warburg- Amazon UK

A Life A Life – Secker & Warburg – Amazon US

A Life As A Man Grows Older – NYRB Classics – Amazon UK

A Life As A Man Grows Older – NYRB Classics – Amazon US

A Life Confessions of Zeno – Penguin Classics – Amazon UK

A Life Confessions of Zeno – Penguin Classics – Amazon US

A Life Italo Svevo: A Double Life – Clarendon Press – Amazon UK

A Life Italo Svevo: A Double Life – Clarendon Press – Amazon US

A Life Svevo’s London Writings – Troubador Press – Amazon UK

A Life Svevo’s London Writings – Troubador Press – Amazon US


A Life – chapter summaries

1   Alfonso Nitti writes a letter to his mother back home in the countryside. He is poor, homesick, and feels inferior in his work at the bank.

2   The clerks at Maller and Company are kept late copying letters. Signor Maller knows that Alfonso has written home complaining and reassures him that he is well regarded. Alfonso has ambitions, but they are daydreams.

3   Alfonso lodges with the impoverished Lanucci family. Signor Lanucci gauchely tries to sell Alfonso life insurance that he cannot afford and does not need.

4   Alfonso is invited to Signor Maller’s house. He is impressed by his boss’s wealth, but Signor Maller leaves him with his housekeeper Francesca and daughter Annetta, who treats him very rudely. Annetta’s cousin Macario later explains that she is snobbishly disdainful towards her father’s employees.

5   Alfonso and his work colleagues are trapped in a routine of petty rivalries and bureaucratic divisions of responsibility – as a result of which Alfonso receives a promotion.

6   Alfonso finds his new work very demanding. To relieve his sense of alienation he takes up the study of philosophy and criticism.

7   Driven by romantic desire, Alfonso takes to following women in the street – but he is too timid to make any serious contact with any of them. He gives lessons in Italian grammar to Lucia Lanucci, but she is not a good student. They quarrel, and Alfonso believes Signora Lanucci is trying to snare him into a relationship with her daughter.

8   Alfonso falls ill and takes up walking every day as a cure. He also launches an ambition to write a philosophic thesis, but gets nowhere with it. He meets Macario in the library: they discuss literature and both read Balzac’s Louis Lamberrt.

9   Alfonso pays a second visit to the Maller family home, where he finds Annetta very friendly and encouraging. But Francesca is rather distant with him.

10   Francesca asks Alfonso’s mother for a room in her house, but Signor Maller countermands this request. Alfonso decides he is in love with Annetta, but when he attends her Wednesday salon he feels no desire for her.

11   When Alfonso visits Annetta on his own, she has the idea of writing a novel in collaboration, and she suggests a plot which is exactly Alfonso’s own story. They describe to each other ‘previous works’ that they haven’t actually written. But Alfonso doesn’t know how to begin writing.

12   They collaborate enthusiastically, but Annetta asks Alfonso to re-write his drafts because she claims they are dull. Writing the novel becomes as burdensome to him as working at the bank, but he suppresses his criticisms of the novel because of his rapture for Annetta. He discovers that Fumigi is also in love with Annetta and has plans to marry her. Annetta turns down Fumigi’s offer, but she reproaches Alfonso for compromising her social reputation. Fumigi later appears in an agitated state, which Prarchi diagnoses as incipient paralysis.

13   The Lanucci family become further impoverished. Alfonso is encouraged to bring friends home to pay court to Lucia. Finally, the printer Mario Gralli is prepared to marry her.

14   Francesca advises Alfonso to win Annetta by feigning coldness, but he finds it very difficult. They start work on the novel again, and eventually they spend a night together and become lovers.

15   The next day Alfonso feels disappointed. Annetta is going to tell her father, and advises Alfonso to leave Trieste for a while, before the marriage. Francesca advises him not to leave. Next day he is given a fortnight’s leave from the bank.

16   When Alfonso returns to his native village he discovers that his mother is dying. He feels ashamed of his dalliance with Annetta. A letter from Francesca tells him that all will be lost unless he returns, but the bank grant him an additional two weeks’ leave. He nurses his mother through to her death, then he himself gets typhoid fever. He sells the house for much less than its value, and returns to Trieste.

17   On return he learns that Annetta is now engaged to marry Macario, and Lucia has been jilted by Gralli. He is received in a cool manner at the bank, and the Lanucci family is beset by anxieties following Lucia’s problems.

18   Alfonso works hard at the bank and eventually finds some satisfaction from his job. There are rivalries over the appointment of a branch manager for the Venice office. Alfonso preaches stoicism to Lucia but cannot suppress the jealousy aroused by his rival Macario.

19   Lucia has been made pregnant by Gralli, who refuses to marry her. Alfonso offers to pay Lucia’s dowry, and Gralli changes his mind. The Lanucci family are reluctantly grateful, but Lucia does not love Gralli, so Alfonso’s generous gesture is wasted.

20   The bank clerks are given their annual bonuses, but Alfonso is demoted to the counting room. He protests to Maller, but to no effect. Feeling unjustly persecuted, he appeals to Annetta for a meeting. However, at the appointed hour Annetta’s brother appears and challenges him to a duel. Alfonso goes home and commits suicide.


A Life – principal characters
Alfonso Nitti a bank correspondence clerk (22)
Signora Carolina Nitti his widowed mother
Maller & Co the bank where Alfonso works
Signor Maller his austere boss
Annetta Maller his attractive daughter
Frederico Maller Annetta’s brother
Signor Lanucci Alfonso’s feckless landlord, a sales representative
Signora Lucinda Lanucci a friend of Alfonso’s mother
Gustavo Lanucci their son (18)
Lucinda Lanucci their unattractive daughter (16)
Signora Francesca Barrini Maller’s housekeeper and his ex-mistress
Avvocato Macario Maller’s nephew, and lawyer
Signor Fumigi a maths enthusiast and inventor
Doctor Prarchi a member of Annetta’s salon
Signor Gralli a printer, suitor to Lucia
Signor Marotti notary to the Nitti family

© Roy Johnson 2016


More on Italo Svevo
Twentieth century literature


Filed Under: Italo Svevo Tagged With: Italo Svevo, Literary studies, The novel

A Light Man

June 28, 2013 by Roy Johnson

tutorial, commentary, study resources. plot, and web links

A Light Man first appeared in The Galaxy magazine in July 1869. Its first appearance (heavily revised) in book form was in the collection Stories by American Authors published in New York by Scribner in 1884.

A Light Man


A Light Man – critical commentary

It is interesting that the quotation at the head of this tale is from Robert Browning – who is famous both for his dramatic monologues and his use of dubious ‘narrators’. One thinks for instance of the Duke in My Last Duchess who is explaining away with apparent sang froid the fact that he has had his former wife murdered.

First person narrators may be honest; they may be misguided; and they may be outright liars. Henry James was alert to the possibilities of this literary device from the earliest days of his writing career, and is famous for the use he made of it in his later works, such as the very complex situation he creates in The Turn of the Screw.

A Light Man seems to be a study in both ambiguity and the unreliable narrator. – but one which does not quite resolve itself to any satisfactory conclusion.

At one level, Max is quite honest in revealing that he is both hypocritical and insincere. He is an empty man emotionally and spiritually, and yet he tells us so. He has no ambition, and eventually thinks he ought to marry a rich woman just for something to do. He describes himself as an ‘adventurer’.

But his account of Sloane reveals his most disgusting characteristics. Whilst accepting the comforts of his host’s hospitality, he unleashes a torrent of criticism belittling and criticising him. .

Yet in his final dealings with Theodore in the conflict over Sloane’s will, he expresses a wish to remain friendly with Theodore. This is either completely insincere or yet another level of his duplicity. The narrative offers few clues about how this should be interpreted.

And of course at the end of the story he is waiting for Miss Meredith – the woman who has inherited from her wealthy relative Sloane and who will fit the template for a rich wife Max has created for himself.

The only way the story makes more sense and these inconsistencies and contradictions can be resolved, is to see it as a lightly coded study of Sloane as an aged homosexual paying for the attention of two much younger men who are vying with each other to be his favourite. The extensive revisions made to the text after its first publication support this reading.


A Light Man – study resources

A Light Man The Complete Works of Henry James – Kindle edition – Amazon UK

A Light Man The Complete Works of Henry James – Kindle edition – Amazon US

A Light Man Complete Stories 1864—1874 – Library of America – Amazon UK

A Light Man Complete Stories 1864—1874 – Library of America – Amazon US

A Light Man A Light Man – paperback reprint – Amazon UK

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

A Light Man


A Light Man – plot summary

The narrative takes the form of a diary written by Maximus (Max) Austin, who has returned to his native America after living in Europe. He receives a letter from his friend Theodore Lisle inviting him to spend a month with Frederick Sloane at his house in the country. Sloane is old and infirm, but a bon viveur, and he has embarked on writing his memoirs.

Max recounts the story of his friend Theodore, who returned from living in Europe to look after his sisters. He then became ill, and finally got the job of amanuensis to Sloane, which Max sees as a demeaning role.

Sloane invites Max to stay on at the house. Max gives an account of his own nature, which reveals him as complacent, uncreative, and self-congratulatory. He can think of nothing to do with his life, and decides he might as well look for a rich wife.

He provides a hypocritical summary of his host’s life: Sloane married a rich woman who died young; he has spent most of his life (and fortune) living in Europe, and has returned to America to restore his present home. He has had a succession of hangers-on living with him. Max’s account becomes a vituperative character assassination of his host.

When Theodore falls ill, Sloane implores Max to stay with him as a form of surrogate son, and he begins to be critical of Theodore, whose role Max takes over. Theodore receives letters from his sister, which Sloane uses as a pretext to get rid of him. Theodore discusses his insecurity with Max, who thinks of his friend as merely a vulgar fortune hunter.

Max tells Sloane he must leave to find employment in New York, because he has no money – at which Sloane offers to alter his will if Max will stay (the implication being that the will is currently made in Theodore’s favour). When slightly recovered, Sloane asks Max to retrieve his will, with a view to destroying it.

But when Max goes to fetch the will, Theodore has it. They discuss its contents without actually reading it. Theodore burns the will, then the two men challenge each other. Theodore believes that Max has usurped his position and hoped to gain the property: Max unconvincingly claims innocence and says he wishes to remain friends.

Meanwhile, Sloane dies. His estate will go to a distant niece, Miss Meredith, for whom Max is waiting at the end of the story.


Principal characters
Maximus Austin the American narrator (32)
Theodore Lisle his old friend
Frederick Sloane a rich widower (72)

Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James Washington SquareWashington Square (1880) is a superb early short novel, It’s the tale of a young girl whose future happiness is being controlled by her strict authoritarian (but rather witty) father. She is rather reserved, but has a handsome young suitor. However, her father disapproves of him, seeing him as an opportunist and a fortune hunter. There is a battle of wills – all conducted within the confines of their elegant New York town house. Who wins out in the end? You will probably be surprised by the outcome. This is a masterpiece of social commentary, offering a sensitive picture of a young woman’s life.
Henry James Washington Square Buy the book from Amazon UK
Henry James Washington Square Buy the book from Amazon US

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US

© Roy Johnson 2013


Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

A London Life

March 6, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

A London Life first appeared in Scribner’s Magazine, vols 3—4 (June—September 1888). It is one of the longest of James’s tales – in fact it belongs in the category he particularly admired which we now call the nouvelle or novella. In subject matter it is fairly close to What Masie Knew (1897) and The Awkward Age (1899) in dealing with the issue of problematic marriages and their effect on children, relatives, and friends.

A London Life

The Strand – John Atkinson Grimshaw (1836-1893)


A London Life – critical commentary

This is a curiously uneven piece of work by James’s usual standards, marred by what seem like a fractured spine and an absence of resolution. The first half of the novella, set on the Berrington estate at Mellows, is leisurely and establishes the triangulation of the family conflict quite evenly. Laura is the protagonist and the focaliser of events, whilst her sister and brother-in-law provide the dramatic conundrum, and Lady Davenant is like the Greek chorus, offering Laura humane wisdom as she faces her personal dilemma.

At the end of this period there is a lull in the drama when Lionel and Selina cease feuding and get on better together. Laura even reconciles herself to accepting the state of affairs. This is credible enough in terms of a realistic account of the ebb and flow of human relationships, but it doesn’t seem to serve any dramatic purpose, because there is not going to be any harmonising resolution in the plot.

In the second part of the tale, when the scene moves to London, there is a distinct shift in tone. A new character is introduced – Mr Wendover – who provides the romantic interest for Laura. But he proves to be an odd mixture. He declares his love to Laura, tells Lady Davenant he is leaving London, and then pursues Laura to America.

Laura’s climactic scene at the opera has all the hallmarks of a passage in which her hyperventilating view of events suggests that she might have an unreliable understanding of what is going on around her. There is no evidence in the text that her interpretation of events is sound – yet it proves to be the case that Selina does use the occasion to elope with Captain Crispin.

We are given no further account of events from Selina’s point of view, only her husband’s outrage and desire to pursue the divorce. Therefore the only dramatic point of interest remains with Laura – who decides to follow her sister with some vague idea of bringing her back.

She follows her to Brussels, but we do not learn what happens there, and can only conclude that the pursuit was fruitless, since Laura then goes back to America, pursued herself by Mr Wendover. There is therefore no satisfactory dramatic resolution to the strands of the plot that James establishes in the earlier parts of the story. All we know is that the divorce case has reached the courts.

Marriage, money, and inheritance

The story reveals some interesting details about social conventions amongst the English and American upper-classes in the late nineteenth century. Under the ‘laws’ (conventions) of primogeniture Lionel Berrington has inherited the family estate at Mellows on the death of his father. This inheritance even takes precedence over his own mother, who has been moved out of the family home and settled in a separate dower house on the estate at Plash.

Laura’s family have paid money to the Berrington family in the form of a dowry on the marriage of their eldest daughter Selina to Lionel. This has two important social consequences. First – it means there is no money left for Laura, so she is living on the charity of her sister and brother in law. This leaves her both socially and existentially anxious – because she has no independence and no social status unless she herself marries.

Moreover, if there is a scandal between Lionel and Selina (as proves to be the case) this will attach a negative social reputation to the Berrington family, which will make Laura’s chances of finding a suitable husband even more difficult.

On top of this, in the divorce court case of ‘Berrington Vs Berrington and others’, if Selina is found guilty (as seems likely) she will lose her social status and more importantly the capital invested in her marriage. Thus Laura’s future prospects will be undermined even further.

The novella

Any claims that this is a successful example of the novella form must stand up against the observation that it lacks unity of theme, location, or any consistency of preoccupation. Even the title of the story seems eccentric, since the first half of the narrative is located at a country estate, and none of the drama is essentially related to the capital.

Certainly the second half of the story is located in London – but both Laura Wing and Mr Wendover are Americans, and they are not affected by anything to do with London, so much as the bad behaviour of Selina and her husband, who could be living anywhere.

The ending of the story also leaves many of its elements unresolved. We do not know what happened when Laura reached Brussels, but can only infer that her mission to retrieve Selina was unsuccessful. We do not know what she will do back in America, or what becomes of her. We do not know if Mr Wendover’s on-off pursuit of Laura will be successful or not. These are loose ends – not the tight construction of a successful novella.


A London Life – study resources

A London Life The Complete Works of Henry James – Kindle edition – Amazon UK

A London Life The Complete Works of Henry James – Kindle edition – Amazon US

A London Life Complete Stories 1884—1891 – Library of America – Amazon UK

A London Life Complete Stories 1884—1891 – Library of America – Amazon US

A London Life A London Life – Classic Reprint edition

A London Life A London Life – World’s Classics edition

A London Life A London Life – the original magazine publication

A London Life A London Life – eBook formats at Gutenberg

Red button The Cambridge Companion to Henry James – Amazon UK

Henry James Henry James at Wikipedia – biographical notes, links

Henry James Henry James at Mantex – tutorials, biography, study resources

A London Life


A London Life – plot summary

Part I. A young American woman Laura Wing discusses the issue of her ‘poverty’ and prospects in life with her older English friend Lady Davenant. The money in Laura’s family has gone to her elder sister Selina, with whom Laura is now living in England on a charitable basis. Selina is married to Lionel Berrington, who has inherited the Mellows estate following his father’s death. Lionel’s mother Mrs Berrington has been moved to live in a dower house at Plash, on the estate. Laura senses problems in her sister’s marriage, since the couple spend almost no time together, and she fears that her sister might create a scandal. She also feels insecure about her own lack of social status or any meaningful purpose in life.

Part II. The Berrington children are neglected by both parents, and Laura feels sympathetically drawn to Miss Steet, their governess, even though her sister snobbishly disapproves of social contacts with the family’s employees. Lionel returns unexpectedly from one of his absences to report that Selina has been seen in Paris with a friend Lady Ringrose, of whom he disapproves. He has clearly been drinking, and both Miss Steet and Laura are embarrassed by his vulgar behaviour and the unsavoury details of the family conflict he is revealing.

Part III. Lionel reappears once again later to reveal that Selina is in fact in Paris with her latest lover Captain Crispin, and that he intends to divorce her. He wants Laura’s help, but she is appalled and distressed by the idea of a scandal in the family.

Part IV. When Selina returns from Paris Lionel challenges her with this information. There is savage conflict between them, but to Laura she completely denies being with Captain Crispin, and in retaliation defames her husband’s own character.

Part V. Following this however Lionel and Selina appear to return to a tolerant attitude towards each other, which leaves Laura feeling apprehensive. She thinks of escaping, but learns to live in the morally ambiguous atmosphere which prevails at Mellows.

Part VI. When the Berrington family return from the country to lives in their various London homes for the ‘season’ Laura meets Mr Wendover, a fellow American who appeals to her because his open and forthright manner reminds her of ‘home’. He is naively eager to absorb the best of English society and manners, so Laura takes him to meet her friend Lady Davenant, where they all get on well together.

Part VII. Laura and Wendover explore London together, and she begins to reflect meanwhile more charitably on her sister’s possible innocence – since Selina is spending time with a friend in need in Weybridge. But whilst they are in the Soane Museum they bump into Selina in the company of Captain Crispin – which plunges Laura into renewed consternation.

Part VIII. Laura debates with herself the possible explanations for her sister’s socially reckless behaviour, but when they go out to dinner it is Selina who reproaches Laura for breaking the rules of social etiquette. She points out that it is not acceptable for a single woman to go sightseeing on her own with a bachelor.

Part IX. Laura contemplates revealing to Lionel that she has seen Selina with the man he suspects to be her lover. She sits up late into the night, waiting for her sister to come home. When Selina finally arrives, she bursts into tears and appeals to Laura to remain and help to ‘save’ her, promising never to see Captain Crispin again.

A London LifePart X. Laura subsequently forms a closer bond with her sister, and takes her out to concerts and galleries. She reports all this to her friend Lady Daventry, who still encourages Laura to take an interest in Mr Wendover. When Laura and her sister accept an invitation from Mr Wendover to his box at the opera, Selina goes to join Lady Ringrose in another box and doesn’t return. Laura suddenly feels exposed and betrayed again. She feels sure Selina is secretly meeting Captain Crispin, and even though Mr Wendover declares that he loves her, she doubts his sincerity.

Part XI. Selina disappears, leaving Laura to appeal to Lady Davenant for help. Her friend takes her in and sends for Mr Wendover, who reveals that he has no money and no intention of marrying Laura. He says that he is shortly due to leave London

Part XII. Laura is ill for a few days. Lionel visits her but refuses to reveal her sister’s whereabouts, because he wishes to recruit Laura to his own cause in divorce proceedings. Mr Wendover comes back again – but Laura rejects him and extracts from Lionel the fact that Selina has gone to Brussels.

Part XIII. Laura follows her sister to Brussels, and from there travels on to America, where Mr Wendover follows her, as the divorce case of ‘Berrington Vs Berrington and others’ gets under way in London.


Principal characters
Laura Wing a young American woman living in England
Selina Berrington Laura’s elder sister
Mrs Berrington a widow living in a dower house
Lionel Berrington her son, who has inherited the Mellows estate
Lady Davenant a friend of Mrs Berrington and confidante to Laura
Miss Steet governess to the Berrington children
Scratch/Geordie son of Berringtons
Parson/Ferdy son of Berringtons
Lady Ringrose friend of Selina’s
Captain Charley Crispin Selina’s lover
Lord Deepmere a previous lover of Selina’s
Mr Wendover an American bachelor
Mr Booke his opera-loving friend

Henry James's Study

Henry James’s study


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James Washington SquareWashington Square (1880) is a superb early short novel, It’s the tale of a young girl whose future happiness is being controlled by her strict authoritarian (but rather witty) father. She is rather reserved, but has a handsome young suitor. However, her father disapproves of him, seeing him as an opportunist and a fortune hunter. There is a battle of wills – all conducted within the confines of their elegant New York town house. Who wins out in the end? You will probably be surprised by the outcome. This is a masterpiece of social commentary, offering a sensitive picture of a young woman’s life.
Henry James Washington Square Buy the book from Amazon UK
Henry James Washington Square Buy the book from Amazon US

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US

© Roy Johnson 2013


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James web links Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales, The Novella Tagged With: A London Life, English literature, Henry James, Novella

A Most Extraordinary Case

July 16, 2013 by Roy Johnson

tutorial, commentary, web links, and study resources

A Most Extraordinary Case first appeared in The Atlantic Monthly for April 1868. The first book text was in the collection Stories Revived published in London and New York by Macmillan in 1885.

A Most Extraordinary Case

The American Civil War 1861-1865


A Most Extraordinary Case – critical commentary

In 1861 Henry James injured his back helping to pump water during a fire at Newport (RI). His father Henry James Snr had him examined by Dr Bigelow, an eminent physician at Harvard Medical School, who pronounced that there was nothing organically wrong with the young man. Nevertheless, by the time Henry James’s name was selected for military service in the Union Army in 1863, he was excused service because of what he described as ‘that obscure hurt’.

James was very ambiguous regarding his affliction, and yet he used it as a personal metaphor to identify himself with the war and the pain and suffering that he witnessed at first hand amongst the combatants he visited in field hospitals after battles. It is therefore perhaps not fanciful to see the curiously undefined illness from which Colonel Ferdinand Mason is suffering as both a parallel to James’s own condition and a metaphor for public suffering because of the war.

Perhaps the really most extraordinary thing about the story is the amazing episode when Mason comes close to making a full declaration of his feelings to Caroline whilst they are on their countryside excursion. The two characters are circling round each other emotionally when she detaches herself to explore some rocks by the water’s edge. She returns with a torn dress:

“You have torn your dress,” said Mason.
Miss Hoffmann surveyed her drapery. “Where, if you please?”
“There, in front.” And Mason poked out his walking-stick, and inserted it into the injured fold of muslin. There was a sudden unexpected violence in the movement which attracted Miss Hofmann’s attention. She looked at her companion, and, seeing that his face was discomposed supposed that he was annoyed at having been compelled to wait …
Mason had planted his stick where he had let it fall on withdrawing it from contact with his companion’s skirts, and stood leaning against it, with his eyes on the girl’s face.

It is unusual for James to use such very explicit symbolism: he is normally much more subtle. But it should perhaps be borne in mind that he was only twenty-five when he wrote this story, and it is even possible that he was unconscious of the suggestive nature of this episode. Not that this matters: we should ‘Trust the tale, not the teller’.


A Most Extraordinary Case – ptudy resources

A Most Extraordinary Case The Complete Works of Henry James – Kindle edition – Amazon UK

A Most Extraordinary Case The Complete Works of Henry James – Kindle edition – Amazon US

A Most Extraordinary Case Complete Stories 1864—1874 – Library of America – Amazon UK

A Most Extraordinary Case Complete Stories 1864—1874 – Library of America – Amazon US

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

A Most Extraordinary Case


A Most Extraordinary Case – principal characters
Colonel Ferdinand Mason a young American ex-Civil War invalid
Mrs Maria Mason his aunt, a childless widow
Miss Caroline Hofmann her beautiful and talented niece (25)
Dr Horace Knight a former army surgeon
Dr Gregory old-school practitioner
George Stapleton young, handsome, and rich friend of Caroline
Edith Stapleton friend of Caroline

Henry James's Study

Henry James’s study


A Most Extraordinary Case – plot summary

Part I.   In 1865 at the end of the American Civil War, Colonel Ferdinand Mason is recovering in a seedy New York hotel when he is visited by his aunt Mrs Maria Mason. She wishes to help him recuperate in her own home. The next day he arrives there.

Part II.   Mason is looked after by Dr Knight, to who he describes his state of demoralisation. He has spent years in scholarship, then three years of arduous war service. He becomes more domesticated under the influence of his aunt.

Part III.   Caroline Hofmann is a beautiful and well-educated young woman who has toured Europe and turned down a number of offers of marriage. His aunt asks him not to fall in love with her. Mason spends his time going for drives, reading, and admiring Caroline.

Part IV.   Mason and Dr Knight listen to Caroline playing the piano, then discuss his prospects of recovery. The doctor advises him to allow a full year for the process. Mason is thin and weak, and feels pessimistic about his future.

Part V.   Mason assists his aunt and Caroline to get ready for a party, and then suddenly feels faint. Next day the doctor enthuses about Caroline’s energy at the dance and her good looks.

Part VI.   Mason doesn’t think he has the human resources that Caroline would require from a man. He is in love with her, but acts with consummate restraint. She takes him on an excursion into the countryside, where he comes very close to revealing his true feelings about her.

Part VII.   But the next day he is ill again, and remains so for the next three weeks. Caroline moves out to live with some friends the Stapletons, and returns slightly changed, possibly because of the attentions of her friend, George Stapleton.

Part VIII.   But following another visit from doctor Knight Mrs Mason reveals to Ferdinand that Caroline and the doctor are engaged. Mason is pained by the news, but feels he ought to face the blow stoically. Nevertheless, when Caroline goes to stay with her future mother-in-law, Mason misses her terribly. He reads voraciously to distract his attention, and Mrs Mason helps him to plan a future in Europe, where she intends to live.

Part IX.   Mason finally has enough strength to attend a party, where he is a big social success in the company of Caroline and her friend Edith Stapleton. However, this episode is followed by another collapse of his health. He changes his will in favour of his friend doctor Knight, and dies shortly afterwards.


Henry James portrait

Henry James – portrait by John Singer Sargeant


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US

Henry James Daisy MillerDaisy Miller (1879) is a key story from James’s early phase in which a spirited young American woman travels to Europe with her wealthy but commonplace mother. Daisy’s innocence and her audacity challenge social conventions, and she seems to be compromising her reputation by her independent behaviour. But when she later dies in Rome the reader is invited to see the outcome as a powerful sense of a great lost potential. This novella is a great study in understatement and symbolic power.
Daisy Miller Buy the book from Amazon UK
Daisy Miller Buy the book from Amazon US

© Roy Johnson 2013


Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

A New England Winter

June 1, 2013 by Roy Johnson

tutorial, commentary, and study resources

A New England Winter first appeared in magazine form in The Century Magazine for August—September 1884. It was then reprinted in book form amongst Tales of Three Cities in England and America in 1884. The setting for this tale is the New England capital of Boston, Massachusetts: the other two cities in the collection were New York and London.

New England Winter

A New England winter scene


A New England Winter – plot summary

Part I.   Susan Daintry, a fastidious Boston widow, is awaiting a visit from her son Florimond, who has been studying art in Paris for six years. She is intensely concerned with the moral issues arising from microscopic niceties of protocols regarding her servant girl.

Part II.   She visits her sister-in-law Lucretia, whose furnishings she inspects in a critical manner. The two women are subtly competitive with each other in terms of social ‘correctness’. Susan wants Lucretia to accept Rachel Torrence (Florimond’s cousin) as a lodger over the winter months in order to tempt him to stay at home – even though she would not wish Florimond to marry her. Lucretia thinks it would be wrong to make use of Rachel in this way.

Part III.   In the days that follow however, both women change their minds, feeling that they have been in the wrong. Lucretia writes to Susan, offering alternative accommodation for Rachel. The letter crosses with a message from Susan apologising for having asked for the favour.

Part IV.   When Florimond arrives at his mother’s house, he becomes increasingly critical of the disruption caused by his sister’s children. There are serious social protocols considered about the order of precedence in which people should visit each other. Florimond walks through a wintry Boston landscape to his aunt’s house.

Part V.   Florimond egotistically tells his aunt all about his life in Paris, in an affected manner. She recommends that he meet Rachel, secretly hoping that the girl’s influence will challenge his pretensions, because Rachel is a spirited girl. Lucretia also secretly hopes that Florimond will fall in love with Rachel and be snubbed by her.

Part VI.   Florimond becomes a habitué of a relative Mrs Pauline Mesh, and falls under the spell of Rachel, who becomes the celebrity of the winter season. He begins to see positives in Boston life and society. However, Mrs Mesh starts to tire of Rachel’s company. Susan Daintry arrives at Mrs Mesh’s house to find her son there, and feels guilty for what might be perceived as ‘spying’ on him. She is still in the dark regarding Florimond’s intentions. Rachel turns up and jousts verbally with Florimond. Later, his mother questions him about Rachel, but he is non-committal in his responses.

Part VII.   Florimond increasingly appreciates the visual life of Boston, and travels to Cambridge. Lucretia worries about the relationship between Florimond and Rachel, but Rachel suddenly declares that she is due to go back to Brooklyn. She explains that she has been keeping Florimond occupied from a sense of duty whilst he is secretly enamoured of Pauline Mesh. Lucretia insists that Rachel come to stay with her.

Susan Daintry arrives at Lucretia’s with the stale news that Rachel is going back to New York – and all her winter’s worries are over. Lucretia reveals to her the latest true state of affairs. Florimond continues to visit Pauline Mesh’s house, and nothing changes – until Susan Daintry decides to go to Europe for the summer, and takes Florimond with her.


Principal characters
Mrs Susan Daintry a Boston widow
Beatrice her servant
Florimon Daintry a young impressionist painter who lives in Paris
Joanna Merriman Susan’s daughter-in-law with six children
Miss Lucretia Daintry Susan’s sister-in-law
Rachel Torrance Florimond’s cousin, a poor would-be painter from New York
Mrs Pauline Mesh a relative of the Daintry family from Baltimore

Study resources

A New England Winter The Complete Works of Henry James – Kindle edition – Amazon UK

A New England Winter The Complete Works of Henry James – Kindle edition – Amazon US

A New England Winter Complete Stories 1884—1891 – Library of America – Amazon UK

A New England Winter Complete Stories 1884—1891 – Library of America – Amazon US

A New England Winter A New England Winter – paperback edition – Amazon UK

A New England Winter A New England Winter – paperback edition – Amazon US

A New England Winter A New England Winter – read the original publication

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

A New England Winter


A New England Winter – further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The BostoniansThe Bostonians (1886) is a novel about the early feminist movement. The heroine Verena Tarrant is an ‘inspirational speaker’ who is taken under the wing of Olive Chancellor, a man-hating suffragette and radical feminist. Trying to pull her in the opposite direction is Basil Ransom, a vigorous young man from the gallant South to whom Verena becomes more and more attracted. The dramatic contest to possess her is played out with some witty and often rather sardonic touches, and as usual James keeps the reader guessing about the outcome until the very last page.

A New England Winter Buy the book at Amazon UK
A New England Winter Buy the book at Amazon US

Henry James What Masie KnewWhat Masie Knew (1897) A young girl is caught between parents who are in the middle of personal conflict, adultery, and divorce. Can she survive without becoming corrupted? It’s touch and go – and not made easier for the reader by the attentions of an older man who decides to ‘look after’ her. This comes from the beginning of James’s ‘Late Phase’, so be prepared for longer and longer sentences. In fact it’s said that whilst composing this novel, James switched from writing longhand to using dictation – and it shows if you look carefully enough – part way through the book.
Henry James What Masie Knew Buy the book at Amazon UK
Henry James What Masie Knew Buy the book at Amazon US

Henry James The AmbassadorsThe Ambassadors (1903) Lambert Strether is sent from America to Paris to recall Chadwick Newsome, a young man who is reported to be compromising himself by an entanglement with a wicked woman. However, Strether’s mission fails when he is seduced by the social pleasures of the European capital, and he takes Newsome’s side. So a second ambassador is dispatched in the form of the more determined Sarah Pocock. She delivers an ultimatum which is resisted by the two young men, but then an accident reveals unpleasant truths to Strether, who is faced by a test of loyalty between old Europe and the new USA. This edition presents the latest scholarship on James and includes an introduction, notes, selected criticism, a text summary and a chronology of James’s life and times.
Longstaff's Marriage Buy the book at Amazon UK
Longstaff's Marriage Buy the book at Amazon US

© Roy Johnson 2013


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James web links Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

A Pair of Blue Eyes

October 6, 2013 by Roy Johnson

tutorial, commentary, web links, and study resources

A Pair of Blue Eyes was Thomas Hardy’s fourth novel, the first to be published under his own name, and the first to be serialised. It was published in Tinsleys’ Magazine in eleven monthly instalments between September 1872 and July 1873. Then it was produced as a novel in three volumes by Tinsley Brothers later the same year. The three-volume novel was very popular during the nineteenth century – a publishing format largely dictated by the rise of the commercial circulating libraries. It is the most heavily revised of all Hardy’s novels.

A Pair of Blue Eyes

Thomas Hardy


A Pair of Blue Eyes – critical commentary

The principal features of interest in this early Hardy novel are its three main characters – Stephen Smith, Elfride Swancourt, and Henry Knight. It is fairly obvious that Hardy divided the two ‘sides’ of his own aspirations between Stephen and Knight. Stephen is the would-be architect – the profession which Hardy himself actually practised. But whilst working as a draftsman in London, Hardy also aspired to literature as a career – without knowing at first which would be successful. And interestingly enough, Henry Knight also has two occupations – as a barrister and as a literary editor, though we see precious little evidence of practical application in the first, and only vague reports of the second.

Stephen Smith

The main driving force behind Stephen is his desire for self-improvement. He comes from a humble, but reasonably respectable background. His parents are workers on the Luxellian estate. He has been educated at a National school – institutions which were established for the education of the poor in the early part of the nineteenth century. After that his learning has been conducted by correspondence with his friend Henry Knight – which leaves Stephen with no practical knowledge of how to hold chess pieces or how to pronounce words in Latin.

Although Stephen has embarked on a career in architecture, it is worth noting that he has done so as an ‘improver’ – what we would today call an ‘intern’. That is, his parents have paid for him to gain experience in the hope of future employment in the profession. This explains Stephen’s secrecy and mysterious movements in the early part of the novel. He is moving in circles well above his own class background and feels insecure about being found out. Reverend Swancourt has assumed that Stephen is a young professional, which explains the reversal in his opinions and his ban on Stephen when he discovers that he is from humble origins. It of course illustrates at the same time the arriviste snobbery of Reverend Swancourt, who goes on to marry an ugly woman he doesn’t love for the sake of her wealth.

Henry Knight

Knight is the epitome of academic book-learning with no comparable emotional development. He is university educated, presumably has qualifications in law since he practises as a barrister (theoretically) and is an editor on The Present which has the reputation of a leading intellectual journal. But emotionally he is a possessive child who cannot tolerate the idea that his chosen love object has any connection with previous admirers. He also subjects Elfride to an extensive bombardment of self-righteous emotional bullying to extract information about her ‘past’. As J.M.Barrie observed, he is “simply the most insufferable prig in fiction”.

Elfride Swancourt

Elfride is a typical Hardy heroine – and it must be said something of a fictional construct rather than a realistic piece of characterisation. She is a very talented young woman: she plays the piano (and the organ); she sings; she plays chess; she writes a novel; and she holds quasi-philosophic conversations with Henry Knight. These talents might endear her to readers (and especially critics) seeking early examples of ‘the New Woman’ in Victorian fiction – but they do not add up to an entirely credible character.

It has to be said that she is in summary rather inconstant. Within the timespan of the novel she has four lovers. First Felix Jethway, who dies of love for her, according to his mother. Then Stephen Smith, with whom she is prepared to elope – but then changes her mind at the last minute. Next comes Henry Knight, overlapping with Stephen emotionally, but who eventually wins the higher ground. But when he withdraws his attentions on an emotionally costive principle, she fairly soon switches her attentions to the untalented Lord Luxellian – then marries him. Psycho-analytic interpretations of the novel might well then observe that she is ‘punished’ by dying in childbirth.

Structure

The twinning, repetition, and parallelism in the novel should be fairly evident.

Elfride plays chess twice – first with Stephen, then with Henry Knight. She loses an ear ring when kissing Stephen on the cliff; she later accepts Knight’s gift of ear rings; and then recovers the lost ear ring when with Knight in the same location.

Elfride walks on the parapet of the church tower – and falls off it – whilst she is with Knight. He then falls off the cliff whilst he is with Elfride. She also sits on the grave of Felix Jethway when she is with Stephen, then later when she is with Knight.

Coincidence

Many of Hardy’s plots rely on coincidence to an extent that some modern readers find rather taxing to their credulity. The use of this literary device was fairly common in the fiction of the late nineteenth century (and had been since Dickens was so popular in the middle of the century).

When Stephen and Elfride return from their failed elopement to Plymouth and London, their surreptitious arrival together is witnessed by none other than Mrs Jethway. She is the one person who has a motive for exposing Elfride’s reputation to public scrutiny – since her son was Elfride’s first lover, and died because of it – according to her.

This secret knowledge creates an element of suspense in the plot until Mrs Jethway is crushed by the collapse of the church tower – but only immediately after having written the letter to Knight exposing what she knows, and enclosing proof in the form of Elfride’s letter pleading for secrecy.

The example is important because a great deal of the tension and suspense in the plot rests on the possible disclosure of this knowledge. Mrs Jethway flits in and out of events, appearing at crucial moments, but withholding her information until the last minute.

A less important example, because nothing vital in the development of events rests upon it, is the coincidence that not only do Stephen and Knight get on the same train to revisit Endelstow, but the carriage transporting Elfride’s corpse is attached to it on the journey.

Similarly, there is a tension between probability and plot symmetry when Stephen and Knight visit the crypt to pay their last respects to Elfride – only to find Lord Luxellian there mourning his dead wife. So – all three of her lovers are brought together for the final scene, and the fourth is quite near too, in the graveyard outside. This is strained plotting on Hardy’s part, but nothing further in the story depends upon the melodramatic conjunction.

Loose ends

The issue of Elfride’s novel and Knight’s subsequent review of it brings the two characters together for the second dramatic strand of the novel – but once she has rescued him from hanging on the cliff, her literary skills appear to be forgotten. They form no further part of the drama.

Henry Knight has barrister’s offices in the City and a home out in Richmond. We are led to believe that he has been a reviewer on the magazine The Present but has risen to be something like a senior editor. His offices are littered with the impedimenta of an active editor – but there isn’t the slightest scrap of evidence that he practises as a man of law anywhere in the novel. It’s almost as if Hardy conceived Knight with one profession, changed his mind, and forgot to erase traces of his first choice.


Study resources

A Pair of Blue Eyes A Pair of Blue Eyes – Oxford World Classics edition – Amazon UK

A Pair of Blue Eyes A Pair of Blue Eyes – Oxford World Classics edition – Amazon US

A Pair of Blue Eyes A Pair of Blue Eyes – Wordsworth Classics edition – Amazon UK

A Pair of Blue Eyes A Pair of Blue Eyes – Wordsworth Classics edition – Amazon US

A Pair of Blue Eyes The Complete Works of Thomas Hardy – Kindle eBook

A Pair of Blue Eyes A Pair of Blue Eyes – eBook formats at Project Gutenberg

A Pair of Blue Eyes A Pair of Blue Eyes – audiobook version at LibriVox.org

Red button The Cambridge Companion to Thomas Hardy – Amazon UK

Red button The Complete Critical Guide to Thomas Hardy – Amazon UK

Red button Authors in Context – Thomas Hardy – Amazon UK

Red button Oxford Reader’s Companion to Hardy – Amazon UK

A Pair of Blue Eyes


A Pair of Blue Eyes – story synopsis

Chapter I.   Elfride Swancourt is in Endelstow, nervously awaiting the arrival of Stephen Smith from London.

Chapter II.   Stephen arrives at the rectory to make a survey of the church aisle and its tower for a restoration project.

Chapter III.   The rector Christopher Swancourt is very enthusiastic about Stephen and thinks he must have aristocratic family connections (which is not true). Elfride sings for Stephen, and they are both very impressed with each other.

Chapter IV.   Stephen surveys the church with Swancourt and his helper William Worm. Stephen promises to signal Elfride from the tower, but fails to do so.

Chapter V.   Stephen receives news that he ought to be back in London, and Swancourt is asked to retrieve a document for the local landowner Lord Luxellian. Stephen, Swancourt, and Elfride go to Endelstow House, where she is the favourite of Mary and Kate, the Luxellian children. Stephen disappears briefly but mysteriously, and appears to meet a woman.

Chapter VI.   Elfride is mystified by Stephen, who appears to be hiding something. She tries to extract the secret from him without success. Stephen departs, promising to return.

A Pair of Blue EyesChapter VII.   At his next visit to the rectory, Stephen plays chess with Elfride, which he has taught himself from books. He has also learned Latin by post from his friend Mr Knight. Stephen tells Elfride that he loves her. They go together up onto the cliffs to continue their flirtations. They exchange their first kiss, she loses an ear ring, and they declare their love for each other. But Stephen suggests that there is something which will prevent their marrying.

Chapter VIII.   They return to the rectory. Stephen is due to ask the reverend Swancourt for permission to marry Elfride, but he changes his mind and delays. Instead, he reveals his humble family origins: his mother and father are workers on the Luxellian estate, and his education has been via National school and his friend Henry Knight.

Chapter IX.   Stephen’s father is injured in an accident at the church restoration. Whilst Stephen visits his family home, the reverend Swancourt upbraids Elfride for forming an attachment to a commoner and forbids any engagement.

Chapter X.   Stephen visits his parents and spars with his mother about marriage and social class. She does not approve of Elfride. As he prepares to leave the rectory, he and Elfride hatch a plan to marry in secret.

Chapter XI.   Elfride discovers that he father has been conducting a secret correspondence, and he has a plan in mind for making them rich. She leaves the rectory secretly and travels indecisively to Plymouth to be married. But Stephen has registered the marriage in London – so they travel on there.

Chapter XII.   As soon as they reach London, Elfride changes her mind and they travel back to Endelstow – observed as they arrive together by Mrs Jethway. When she reaches home, Elfride is met by her father, who has married Mrs Troyton, a rich and plain widow who has bought the neighbouring estate. He claims it was done for Elfride’s sake. Mrs Troyton is old and rather flamboyant.

Chapter XIII.   Two months later Stephen visits his old friend Henry Knight in his London offices and asks his advice about accepting a job offer in India in order to save up to get married. Knight thinks the decision turns on the issue of the fidelity of the individuals during such a prolonged absence. He also has Elfride’s romantic novel to review.

Chapter XIV.   Some months later Elfride is living in Kensington and mixing in upper-class society because of the wealth and connections of her new step-mother. Her romantic novel is being reviewed. Mrs Troyton (now Mrs Swancourt) meets her distant relative Henry Knight in Hyde Park and invites him to visit them in Cornwall.

Chapter XV.   Elfride reads Henry Knight’s review of her romantic novel, which contains some strong criticism.

Chapter XVI.   Elfride writes to the journal The Present and receives a reply from Knight, who is shortly to visit Endelstow.

Chapter XVII.   Henry Knight arrives at Endelstow and engages in some (rather improbable) philosophic discussions with Elfride, stemming from his review of her novel.

Chapter XVIII.   Elfride shows Knight the local church and walks round the parapet of its tower, where she falls off. She then plays chess with him, and is beaten. She flirts with him and tries to extract compliments, but he refuses to flatter her and will only tell her about his preferences and the truth as he sees it.

Chapter XIX.   Knight reads from the Bible in the local church service whilst Elfride plays the organ – both of them observed from the back of the congregation by Mrs Jethway. Elfride asks the rather pompous Knight for guidance on vanity and women’s nature – subjects on which he has lots of theory but no practical knowledge.

Chapter XX.   Knight travels to Ireland and realises that he has fallen in love with Elfride. He buys her some ear rings, but she feels that she should refuse to accept them. Meanwhile Stephen sends her £200 he has saved towards their marriage, and is then despatched on a visit back to England to make building procurements for his work.

Chapter XXI.   Elfride goes onto the cliffs to watch for Stephen’s arrival back in England. There she meets Knight, and they become trapped on the cliff top. Elfride climbs up Knight to safety, but he remains stuck on a ledge.

Chapter XXII.   Knight clings to the cliff edge expecting to die, but Elfride saves him by tearing up her underclothes and making a rope with which he is hauled to safety – after which they embrace passionately with relief.

Chapter XXIII.   Stephen lands ashore and walking home sees Elfride and Knight in retreat from the cliff. He arrives at his family house to be greeted by conversations amongst his family and locals about flowers and pig-killing. He feels snobbishly resentful of the company.

Chapter XXIV.   Elfride fails to turn up to a planned meeting with Stephen, and she returns the £200 he has sent. Next day he travels to Birmingham to order his procurements.

Chapter XXV.   On return from Birmingham Stephen sees Elfride with Knight. He is also intercepted by Mrs Jethway who warns him against Elfride. As he makes his way home in a state of desolation, he learns that Lady Luxellian has died.

Chapter XXVI.   There is a discussion in the Luxellian family crypt regarding family history, questions of inheritance, and Elfride’s personal history.

Chapter XXVII.   Elfride’s change of heart in choosing Knight is explained whilst they are out riding. They visit the Luxellian crypt and meet Stephen. Elfride is worried about not having told Knight about her past relationship with Stephen.

Chapter XXVIII.   Elfride plans to reveal the truth about her past to Knight, but cannot face it when the time comes. They ride out to a watery glade where she now accepts his gift of the ear rings. Mrs Jethway turns up to reveal that she has damaging information – but will not use it just yet.

Chapter XXIX.   The Swancourts go on holiday to Europe, returning from London to Cornwall via a boat journey in the Channel. Mrs Jethway makes an appearance, which worries Elfride. She discusses the subject of ‘previous romantic experience’ with Knight who has none and assumes she has none either.

Chapter XXX.   Elfride finally reveals in discussion with Knight that she has previously had a ‘lover’. She delivers a note to Mrs Jethway, pleading with her not to reveal details of her liaison with Stephen. Knight begins to put together fragments of her previous comments, and his suspicions make him unhappy.

Chapter XXXI.   Elfride and Knight go up onto the cliffs, where she finds her lost ear ring. Knight continues to harass her for information about her past and wants to know what she is keeping secret from him. He admits that he is jealous and can only accept a wife who has absolutely no previous experience. Meanwhile, the church tower collapses.

Chapter XXXII.   Knight and Elfride go into the churchyard and sit on Felix Jethway’s gravestone. Knight pesters her further about her past. She first of all she hides behind an ambiguous blend of information about Stephen and Felix Jethway. Then eventually she is forced to admit that there were two former lovers. Knight badgers her into giving him the full story.

Chapter XXXIII.   Stephen finds Mrs Jethway crushed in the tower ruins. Lord Luxellian turns up, and they take the body back to her house, where Stephen sees that she has been writing a warning letter to someone.

Chapter XXXIV.   Next day Knight receives the latter Mrs Jethway was writing, plus Elfride’s pleading note to Mrs Jethway. He challenges Elfride again, and she admits to having been away overnight with Stephen on her journey to London. Knight immediately breaks off their engagement and goes back to his chambers in London.

Chapter XXXV.   Next morning Elfride turns up at his offices, begging him not to leave her – but her father then appears and takes her away again. Knight is in deep conflict over his feelings for Elfride, but he ends up closing his offices and going abroad.

Chapter XXXVI.   Some time passes. Stephen’s parents move to St Launce’s where they hear news of his architectural success in India.

Chapter XXXVII.   Knight travels extensively but pointlessly in Europe. More than a year later Stephen and Knight meet by accident in London. They compare notes about the fact that neither of them is married; but they are very reserved with each other.

Chapter XXXVIII.   The two men meet again in the evening, and eventually Stephen reveals the whole story of his romance with Elfride to Knight. This rekindles the interest of both men in Elfride: Stephen still loves her and thinks Knight has been rejected; Knight ‘forgives’ Elfride retrospectively and thinks Stephen is no serious rival.

Chapter XXXIX.   The two men claim to have urgent business, but in fact they give each other the slip in order to get to Elfride as soon as possible. They meet on the same train, and admit that they are both en route to ask for her hand in marriage. They continue to argue about who has the more valid claim to Elfride. Meanwhile, the train has a ‘death coach’ attached to it. When they reach their destination, they are met by a hearse – and they discover it is for Elfride.

Chapter XL.   They then learn after the death of Lady Luxellian, Elfride became the ‘little mother’ to the two Luxellian children, as a result of which she eventually married Lord Luxellian. But after travelling abroad she died of a miscarriage in London. Stephen and Knight decide to visit the Luxellian vault in the church, but when they get there they find Lord Luxellian grieving for his dead wife – so they both leave.


A Pair of Blue Eyes – principal characters
Reverend Swancourt a deaf, widowed, and largely bankrupt rector
Elfride Swancourt his pretty and clever young daughter
John Smith a master-mason on the Luxellian estate
Stephen Smith his young son, working in a London architect’s office
William Worm a bumpkin, with noises in his head
Henry Knight a barrister, literary editor, and distant relative of Mrs Troyton
Lord Spencer Hugo Luxellian local landowner, with ‘no talent’
Mary and Kate his two young daughters
Mrs Gertrude Jethway a poor and embittered widow, mother of Elfride’s first lover
Felix Jethway Elfride’s first lover
Mrs Charlotte Troyton a rich but plain widow who buys an estate next to Swancourt
Robert Lickpan a pig-killer
Martin Cannister a sexton

A Pair of Blue Eyes – bibliography

Laura Green, ‘”Strange [In]difference of Sex”: Thomas Hardy, the Victorian Man of Letters and the Temptations of Androgyny’, Victorian Studies 38/4 (1995), 523-50.

John Halperin, ‘Leslie Stephen, Thomas Hardy, and A Pair of Blue Eyes‘, Modern Language Review, 75 (1980), 738-45.

Rosemarie Morgan, Women and Sexuality in the Novels of Thomas Hardy, (London, Routledge, 1988).

Angelique Richardson, ‘”Some Science Underlies All Art”: The Dramatization of Sexual Selection and Racial Biology in A Pair of Blue Eyes and The Well-Beloved‘, Journal of Victorian Culture, 3/2 (1998), 302-38.

Mary Rimmer, ‘Club Laws: Chess and Construction of Gender in A Pair of Blue Eyes‘, in Margaret R. Higonnet (ed), The Sense of Sex: Feminist Perspectives on Hardy (Urbana: University of Illinois Press, 1993), 203-20.

Robert Schweik, ‘”Life and Death are Neighbours Nigh”: Hardy’s A Pair of Blue Eyes and the Uses of Incongruity, Philological Quarterly, 76/1 (1997), 87-100.

Rosemary Sumner, A Route to Modernism: Hardy, Lawrence, Woolf (Basingstoke: Macmillan, 1999).

Richard H. Taylor, The Neglected Hardy: Thomas Hardy’s Lesser Novels (Basingstoke: Macmillan 1982).

Jane Thomas, Thomas Hardy, Femininity and Dissent: Reassessing the Minor Novels (Basingstoke: Macmillan, 1999).


Map of Wessex

Hardy’s WESSEX


Further reading

Red button John Bayley, An Essay on Hardy, Cambridge: Cambridge University Press, 1978.

Red button Penny Boumelha, Thomas Hardy and Women: Sexual Ideology and Narrative Form, Brighton: Harvester, 1982.

Red button Kristin Brady, The Short Stories of Thomas Hardy, London: Macmillan, 1982.

Red button L. St.J. Butler, Alternative Hardy, London: Macmillan, 1989.

Red button Raymond Chapman, The Language of Thomas Hardy, London: Macmillan, 1990.

Red button R.G.Cox, Thomas Hardy: The Critical Heritage, London: Routledge and Keegan Paul, 1970.

Red button Ralph W.V. Elliot, Thomas Hardy’s English, Oxford: Basil Blackwell, 1984.

Red button James Gibson (ed), The Complete Poems of Thomas Hardy, London, 1976.

Red button Florence Emily Hardy, The Life of Thomas Hardy, London: Macmillan, 1962. (This is more or less Hardy’ s autobiography, since he told his wife what to write.)

Red button P. Ingham, Thomas Hardy: A Feminist Reading, Brighton: Harvester, 1989.

Red button P.Ingham, The Language of Class and Gender: Transformation in the English Novel, London: Routledge, 1995,

Red button Michael Millgate, Thomas Hardy: His Career as a Novelist, London: Bodley Head, 1971.

Red button Michael Millgate, Thomas Hardy: A Biography Revisited, Oxford: Clarendon Press, 2006. (This is the definitive biography.)

Red button Michael Millgate and Richard L. Purdy (eds), The Collected Letters of Thomas Hardy, Oxford: Clarendon Press, 1978-

Red button R. Morgan, Women and Sexuality in the Novels of Thomas Hardy, London: Routledge, 1988.

Red button Harold Orel (ed), Thomas Hardy’s Personal Writings, London, 1967.

Red button F.B. Pinion, A Thomas Hardy Companion, London: Macmillan, 1968.

Red button Norman Page, Thomas Hardy, London: Routledge & Keegan Paul, 1977.

Red button Rosemary Sumner, Thomas Hardy: Psychological Novelist, London: Macmillan, 1981.

Red button Richard H. Taylor, The Personal Notebooks of Thomas Hardy, London, 1978.

Red button Merryn Williams, A Preface to Hardy, London: Longman, 1976.


Hardy’s study

Thomas Hardy's study

reconstructed in Dorchester museum


Other works by Thomas Hardy

Thomas Hardy Tess of the d'UrbervillesTess of the d’Urbervilles (1891) is probably the most popular of Hardy’s late, great novels. The sub-title is ‘A Pure Woman’, and it is a story which explores the tragic consequences of a young milkmaid who becomes the victim of the men she encounters. First she falls for the spiritual but flawed Angel Clare, and then the physical but limited Alec Durberville takes advantage of her. This novel has some of the most beautiful and the most harrowing depictions of rural working conditions which reveal Hardy as a passionate advocate for those who work the land. It also has a wonderfully symbolic climax at Stonehenge on Salisbury Plain. There is poetry in almost every page.
Thomas Hardy Tess of the d'Urbervilles Buy the book at Amazon UK
Thomas Hardy Tess of the d'Urbervilles Buy the book at Amazon US

 

The WoodlandersThe Woodlanders (1887) Giles Winterbourne, an honest woodsman, suffers with the many tribulations of his selfless love for Grace Melbury, a woman above his station in this classic tale of the West Country. She marries the new doctor, Edred Fitzpiers, but leaves him when she learns he has been unfaithful. She turns instead to Giles, who nobly allows her to sleep in his house during stormy weather, whilst he sleeps outside and brings on his own death. It’s often said that the hero of this novel is the woods themselves – so deeply moving is Hardy’s account of the timbered countryside which provides the backdrop for another human tragedy and a study of rural life in transition.
Thomas Hardy The Woodlanders Buy the book at Amazon UK
Thomas Hardy The Woodlanders Buy the book at Amazon US

 

Wessex TalesWessex Tales Don’t miss the skills of Hardy as a writer of shorter fictions. None of his short stories are really short, but they are beautifully crafted. This is the first volume of his tales in which he was seeking to record the customs, superstitions, and beliefs of old Wessex before they were lost to living memory. Yet whilst dealing with traditional beliefs, they also explore very modern concerns of difficult and often thwarted human passions which he developed more extensively in his longer works.
Thomas Hardy Wessex Tales Buy the book at Amazon UK
Thomas Hardy Wessex Tales Buy the book at Amazon US


Thomas Hardy – web links

Thomas Hardy at Mantex
Biographical notes, study guides to the major novels, book reviews. bibliographies, critiques of the shorter fiction, and web links.

The Thomas Hardy Collection
The complete novels, stories, and poetry – Kindle eBook single file download for £1.29 at Amazon.

Thomas Hardy at Project Gutenberg
A major collection of free eTexts in a variety of digital formats.

Thomas Hardy at Wikipedia
Biographical notes, social background, the novels and literary themes, poetry, religious beliefs and influence, biographies and criticism.

The Thomas Hardy Society
Dorset-based site featuring educational activities, a biennial conference, a journal (three times a year) with links to the texts of all the major works.

The Thomas Hardy Association
American-based site with photos and academic resources. Be prepared to search and drill down to reach the more useful materials.

Thomas Hardy on the Internet Movie Database
Adaptations for the cinema and television – in various languages. Full details of directors, actors, production features, box office, film reviews, and even quizzes.

Thomas Hardy – online literary criticism
Small collection of academic papers and articles ‘favoring signed articles by recognized scholars and articles published in peer-reviewed sources’.

Thomas Hardy’s Wessex
Evolution of Wessex, contemporary reviews, maps, bibliography, links to other web sites, and history.

© Roy Johnson 2013


More on Thomas Hardy
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Filed Under: Thomas Hardy Tagged With: English literature, Literary studies, The novel, Thomas Hardy

A Passionate Pilgrim

June 25, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

A Passionate Pilgrim first appeared in The Atlantic Monthly during March—April 1871. Its first presentation in book form was in A Passionate Pilgrim and Other Tales published by Osgood in Boston 1875.

A Passionate Pilgrim

Oxford University


A Passionate Pilgrim – critical commentary

Travelogue

Quite apart from the subject of this tale, the settings are like a snapshot albumn of Henry James’s love affair with England – a relationship which was to culminate with his taking out British citizenship in 1915, shortly before his death.

The scenes are all very traditional – the English city inn (pub) with its mahogany snugs; Hampton Court Palace and its gardens; an English country estate with stately home and portraits of ancestors; Oxford University with ancient grey buildings and lawned courtyards.

Ghost story

The tale has an on-off relationship with conventional listings of James’s ghost stories – but it certainly qualifies as a variation on his exploration of this genre. Sloane is a person who is in a feverish state, somewhere between life and death. And whilst in this state, confronted with concrete evidence of his connections with the family, he both identifies with the ghost of an ancestor and imagines himself to be one ghost who can haunt another. Shortly after this he ‘encounters’ the vision of his ancestor.

As he approaches death, he believes that he has attended Oxford University in the form of his historical relative, and can ‘remember’ how things were then. Since Oxford clings to its traditions so fiercely, very little will have changed in the intervening hundred years or so.

Parallels

When Sloane takes to his Bath chair, he is pushed around by the old man who turns out to have a very similar life history. He too was once prosperous, but has fallen from grace. He too has a well-to-do relative who is not helping him. Searle’s gift of his last five pounds seals the bond between them.


Study resources

A Passionate Pilgrim The Complete Works of Henry James – Kindle edition – Amazon UK

A Passionate Pilgrim The Complete Works of Henry James – Kindle edition – Amazon US

A Passionate Pilgrim Complete Stories 1864—1874 – Library of America – Amazon UK

A Passionate Pilgrim Complete Stories 1864—1874 – Library of America – Amazon US

A Passionate Pilgrim A Passionate Pilgrim – eBook formats at Gutenberg

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

A Passionate Pilgrim


A Passionate Pilgrim – plot summary

Part I.   An un-named narrator is staying in London, en route from Europe to America. He describes the traditional interior of an old city-centre inn. Two fellow Americans dine in an adjacent cubicle. Mr Searle is lean, sickly, and disappointed regarding a claim on some property in England. Mr Simmons has been making enquiries on his behalf, and failed. He offers to take Searle back to the USA at his own expense, but the offer is refused. Searle says he will stay in England until his last remaining money runs out, and he dies.

Next day the narrator goes to Hampton Court where he meets Mr Searle. They have lunch together, and Searle relates his story. He was a young man of fine tastes who fell on hard times. Knowing that there was an old family claim to an English estate, he dispatched Simmons who at first gave him hope, but the previous night has revealed that he has no claim at all. Searle is now bankrupt, and the property is owned by Richard Searle, a distant relative. The narrator offers to help him double-check his claim.

Part II.   They travel to Lackley Park in a picture-book English setting and visit the Hall. The housekeeper shows them round. Searle spots a portrait of an older relative Clement Searle who he closely resembles, and reveals himself as a member of the family. They also meet Miss Searle, his distant cousin. Searle feels himself at home, and even the household dogs take a liking to him. The narrator makes romantic connections between the two cousins.

Part III.  The two visitors are enthusiastically invited to stay, but when they then meet the owner Richard Searle he is not sympathetic to either of them. Richard Searle tells them the history of his ancestor Clement. He had a secret lover, a clergyman’s daughter, who was with child which died when the Searle family rejected her. Clement Searle died at sea, en route to America. The house is haunted by the ghost of the clergyman’s daughter. Feeling a very close family connection, Searle proposes himself as the ghost of Clement Searle to haunt her in return. He becomes tipsy and unguarded.

The narrator promotes Searle to his cousin, but they are challenged by Richard Searle about the claim on his property which solicitors have revealed to him. There is a general argument, and Richard Searle accuses his relative of making false claims and trying to corrupt his sister. The narrator and Searle are thrown out, and on their way back to the inn Searle reveals that his cousin has offered to marry him. Later that night Searle sees the ghost of his relative Margaret. Next morning he believes he has the distinction of being a man who is also a ghost.

Part IV.  The two men travel to Oxford where Searle begins to imagine that he is Clement Searle, who attended the University a hundred years or more previously. He goes into raptures about the buildings, grounds, and traditions as if he knows them all well. He begins to fraternise with the current undergraduate students and starts to drink heavily. Searle grows weaker and takes to a Bath chair. They hire an old man to push him round: he too has fallen socially. He has a well-to-do brother and wishes he could go to America, where he thinks he could make good. Searle advises him that they are both failures in life, and gives him his last five pounds.

Searle appears to be near death. The narrator sends a note to his cousin Miss Searle. He gives Searle’s few remaining effects to the old man to pay for his passage to America. Miss Searle arrives with the news that her brother has been killed in a fall from his horse. Searle thinks she is wearing mourning clothes on his own behalf, and dies.


Principal characters
I the un-named outer-narrator
Clement Searle a lean and sickly American
John Simmons his associate
Richard Searle the owner of Lackley Hall
Miss Searle Searle’s distant cousin
Rawson a down and out old man

A Passionate Pilgrim - Henry James portrait

Henry James – portrait by John Singer Sargeant


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The BostoniansThe Bostonians (1886) is a novel about the early feminist movement. The heroine Verena Tarrant is an ‘inspirational speaker’ who is taken under the wing of Olive Chancellor, a man-hating suffragette and radical feminist. Trying to pull her in the opposite direction is Basil Ransom, a vigorous young man from the South to whom Verena becomes more and more attracted. The dramatic contest to possess her is played out with some witty and often rather sardonic touches, and as usual James keeps the reader guessing about the outcome until the very last page.

A Passionate Pilgrim Buy the book at Amazon UK
A Passionate Pilgrim Buy the book at Amazon US

Henry James What Masie KnewWhat Masie Knew (1897) A young girl is caught between parents who are in the middle of personal conflict, adultery, and divorce. Can she survive without becoming corrupted? It’s touch and go – and not made easier for the reader by the attentions of an older man who decides to ‘look after’ her. This comes from the beginning of James’s ‘Late Phase’, so be prepared for longer and longer sentences. In fact it’s said that whilst composing this novel, James switched from writing longhand to using dictation – and it shows if you look carefully enough – part way through the book.
Henry James What Masie Knew Buy the book at Amazon UK
Henry James What Masie Knew Buy the book at Amazon US

Henry James The AmbassadorsThe Ambassadors (1903) Lambert Strether is sent from America to Paris to recall Chadwick Newsome, a young man who is reported to be compromising himself by an entanglement with a wicked woman. However, Strether’s mission fails when he is seduced by the social pleasures of the European capital, and he takes Newsome’s side. So a second ambassador is dispatched in the form of the more determined Sarah Pocock. She delivers an ultimatum which is resisted by the two young men, but then an accident reveals unpleasant truths to Strether, who is faced by a test of loyalty between old Europe and the new USA. This edition presents the latest scholarship on James and includes an introduction, notes, selected criticism, a text summary and a chronology of James’s life and times.
Longstaff's Marriage Buy the book at Amazon UK
Longstaff's Marriage Buy the book at Amazon US

© Roy Johnson 2013


Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

A Problem

June 28, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

A Problem first appeared in The Galaxy magazine in June 1868. It was not reprinted during his lifetime, and next appeared in the collection Eight Uncollected Stories of Henry James published by Rutgers University Press in 1950.

A Problem


A Problem – critical commentary

This tale is not much more than a sentimental anecdote, told in very general terms with very little attempt to provide concrete historical detail or even a realistic setting. James was only twenty-five years old and in his apprenticeship phase, writing for popular magazines such as The Galaxy. Even he seemed to be aware of the shortcomings in his work at that time:

I write little & only tales, which I think it likely I shall continue to manufacture in a hackish manner, for that which is bread. They cannot of necessity be very good; but they shall not be very bad.

The tales was illustrated in the magazine (as was quite common at that time) by a sentimental engraving by popular illustrator W. J. Hennessy. It depicts the moment Emma and David are reconciled observed by the rather vacuous clergyman, Mr Clark.

The only other point of note is the manner in which James depicts the two native American Indians in the tale. One is a rather squalid young woman, and the other is her even more negatively portrayed mother, who David believes has been drinking. When the mother addresses the daughter she “said something in her barbarous native gutterals”. It is interesting to see how James portrays native Americans, Afro-Americans, and Jews in his work: he certainly does not win any prizes for political correctness.


A Problem – study resources

A Problem The Complete Works of Henry James – Kindle edition – Amazon UK

A Problem The Complete Works of Henry James – Kindle edition – Amazon US

A Problem Complete Stories 1864—1874 – Library of America – Amazon UK

A Problem Complete Stories 1864—1874 – Library of America – Amazon US

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

A Problem


A Problem – plot summary

On the last day of her honeymoon, newlywed Emma has her fortune told by an Indian squaw. She predicts that Emma will have a child within a year – and that it will die. Emma does have a child which falls ill – but then revives.

She then tells her husband David about an earlier prediction that she would marry twice. He in his turn tells her of a prediction made earlier in his career that he would marry twice. Both of them begin to worry more and more about the congruence of the two prophecies.

Emma starts to become jealous, whilst David becomes more nervous and anxious. He becomes friendly with a single woman called Julia and confides in her about the prophecies. Julia thinks she will help by going to visit Emma, but Emma resents the intrusion of another woman into her affairs.

She leaves David and goes back with their child to live with her mother. Six months later David receives word that his daughter has died. When he visits the house, he and Emma are reconciled by a visiting clergyman – and are thus ‘married’ twice.


Principal characters
Davi a young American man
Emma a young American woman, his wife
Julia a single friend of David’s
Mr Clark a clergyman

Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James Washington SquareWashington Square (1880) is a superb early short novel, It’s the tale of a young girl whose future happiness is being controlled by her strict authoritarian (but rather witty) father. She is rather reserved, but has a handsome young suitor. However, her father disapproves of him, seeing him as an opportunist and a fortune hunter. There is a battle of wills – all conducted within the confines of their elegant New York town house. Who wins out in the end? You will probably be surprised by the outcome. This is a masterpiece of social commentary, offering a sensitive picture of a young woman’s life.
Henry James Washington Square Buy the book from Amazon UK
Henry James Washington Square Buy the book from Amazon US

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US

© Roy Johnson 2013


Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.


More tales by James
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Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

A Room with a View

February 23, 2010 by Roy Johnson

tutorial, characters, resources, video, further reading

A Room with a View (1905) is a comedy of manners and a satirical critique of English stuffiness and hypocrisy. Lucy Honeychurch must choose between cultured but emotionally frozen Cecil Vyse and the impulsive George Emerson. The Surrey stockbroker belt is contrasted with the magic of Florence, where she eventually ends up on her honeymoon. Upper middle-class English tourists in Italy are an easy target for Forster in some very amusing scenes.

E.M.Forster - portrait

E.M.Forster

E.M. Forster is a bridge between the nineteenth and the twentieth century novel. He documents the Edwardian and Georgian periods in a witty and elegant prose, satirising the middle and upper classes he knew so well. He was a friend of Virginia Woolf, with whom he worked out some of the ground rules of literary modernism. These included the concept of ‘tea-tabling’ – making the substance of serious fiction the ordinary events of everyday life. He was also a member of The Bloomsbury Group.

His novels grew in complexity and depth, until he eventually gave up fiction in 1923. This was because he no longer felt he could write about the subject of heterosexual love which he did not know or feel. Instead, he turned to essays – which are well worth reading.


A Room with a View – plot summary

A Room with a ViewLucy Honeychurch, a young upper middle class woman, visits Italy under the charge of her older cousin Charlotte. At their guesthouse, in Florence, they are given rooms that look into the courtyard rather than out over the river Arno. Mr. Emerson, a fellow guest, generously offers them the rooms belonging to himself and his son George. Lucy is an avid young pianist. Mr. Beebe an English clergyman guest, watches her passionate playing and predicts that someday she will live her life with as much gusto as she plays the piano.

Lucy’s visit to Italy is marked by several significant encounters with the Emersons. George explains that his father means well, but always offends everyone. Mr. Emerson tells Lucy that his son needs her in order to overcome his youthful melancholy. Later, Lucy comes in close contact with two quarreling Italian men. One man stabs the other, and she faints, to be rescued (and kissed) by George.

On a country outing in the hills, Lucy again encounters George, who is standing on a terrace covered with blue violets. George kisses her again, but this time Charlotte sees him and chastises him and leaves with Lucy for Rome the next day.

The second half of the book centers on Lucy’s home in Surrey, where she lives with her mother and her brother, Freddy. A man she met in Rome, the snobbish Cecil Vyse, proposes marriage to her for the third time, and she accepts him. He disapproves of her family and the country people she knows. There is a small, ugly villa available for rent in the town, and as a joke, Cecil offers it to the Emersons, whom he meets by chance in a museum. They take him up on the offer and move in, much to Lucy’s initial horror.

George plays tennis with the Honeychurches on a Sunday when Cecil is at his most intolerable. Cecil reads from a book by Miss Lavish, a woman who also stayed with Lucy and Charlotte in Florence. The novel records a kiss among violets, so Lucy realizes that Charlotte let the secret out. In a moment alone, George kisses her again. Lucy tells him to leave, but George insists that Cecil is not the right man for her. Lucy sees Cecil in a new light, and breaks off her engagement that night.

However, Lucy will not believe that she loves George; she wants to stay unmarried and travel to Greece with some elderly women she met in Italy. She meets old Mr. Emerson by chance, who insists that she loves George and should marry him, because it is what her soul truly wants. Lucy realizes he is right, and though she must fly against convention, she marries George, and the book ends with the happy couple staying together in the Florence pension again, in a room with a view.


Study resources

A Room with a View A Room with a View – Penguin Classics – Amazon UK

A Room with a View A Room with a View – Penguin Classics – Amazon US

A Room with a View A Room with a View – unabridged classics Audio CD – Amazon UK

A Room with a View A Room with a View – BBC audio books edition – Amazon UK

A Room with a View A Room with a View – Merchant-Ivory film on VHS – Amazon UK

A Room with a View A Room with a View – eBook version at Project Gutenberg

A Room with a View A Room with a View – audioBook version at LibriVox

Red button The Cambridge Companion to E.M.Forster – Amazon UK

Red button E.M.Forster at Wikipedia – biographical notes, links

Red button E.M.Forster at Mantex – tutorials, web links, study resources


Principal characters
Lucy Honeychurch a musical and spirited girl
Mrs Honeychurch her mother, a widow
Freddy her brother
Charlotte Bartlett Lucy’s older, poorer cousin and an old maid
Mr Emerson a liberal, plain-speaking widower
George Emerson his truth-seeking son
Cecil Vyse an over-cultivated snob
Mr Beebe the rector in Lucy’s home town
Miss Lavish lady novelist with strident, commonplace views
Mr Eager self-righteous British chaplain in Florence

A Room with a View – film version

Merchant-Ivory 1985 film adaptation

This is a production which takes one or two minor liberties with the original novel. But it’s beautifully acted, with the deliciously pouting Helena Bonham Carter as the heroine Lucy, plus Denholm Eliot as Mr Emerson, Daniel Day-Lewis as a wonderfully pompous Cecil Vyse, and Maggie Smith as the poisonous hanger-on Charlotte. The settings are delightfully poised between Florentine Italy and the home counties stockbroker belt. I’ve watched it several times, and it never ceases to be visually elegant and emotionally well observed. This film was nominated for eight Academy awards when it appeared, and put the Merchant-Ivory team on the cultural map.

Red button See reviews of the film at the Internet Movie Database


Further reading

Red button David Bradshaw, The Cambridge Companion to E.M. Forster, Cambridge University Press, 2007

Red button Richard Canning, Brief Lives: E.M. Forster, London: Hesperus Press, 2009

Red button G.K. Das and John Beer, E. M. Forster: A Human Exploration, Centenary Essays, New York: New York University Press, 1979.

Red button Mike Edwards, E.M. Forster: The Novels, London: Palgrave Macmillan, 2001

Red button E.M. Forster, Aspects of the Novel, London: Penguin Classics, 2005

Red button P.N. Furbank, E.M. Forster: A Life, Manner Books, 1994

Red button Frank Kermode, Concerning E.M. Forsterl, London: Weidenfeld and Nicolson, 2009

Red button Rose Macaulay, The Writings of E. M. Forster, New York: Barnes and Noble, 1970.

Red button Nigel Messenger, How to Study an E.M. Forster Novel, London: Palgrave Macmillan, 1991

Red button Wendy Moffatt, E.M. Forster: A New Life, London: Bloomsbury Publishing, 2010

Red button Nicolas Royle, E.M. Forster (Writers and Their Work), Northcote House Publishers, 1999

Red button Jeremy Tambling (ed), E.M. Forster: Contemporary Critical Essays, London: Palgrave Macmillan, 1995


A Room with a View – film interview

Daniel Day Lewis on Cecil Vyse


Other works by E.M. Forster

Where Angels Fear to TreadWhere Angels Fear to Tread (1902) is Forster’s first novel and a very witty debut. A spirited middle-class English girl goes to Italy and becomes involved with a local man. The English family send out a party to ‘rescue’ her (shades of Henry James) – but they are too late; she has already married him. But when a baby is born, the family returns with renewed hostility. The clash between Mediterranean living spirit and deadly English rectitude is played out with amusing and tragic consequences.

Forster greatest works Buy the book at Amazon UK
Forster greatest works Buy the book at Amazon US

 

Howards EndHowards End (1910) is a State of England novel, and possibly Forster’s greatest work – though that’s just my opinion. Two families are contrasted: the intellectual and cultivated Schlegels, and the capitalist Wilcoxes. A marriage between the two leads to spiritual rivalry over the possession of property. Following on their social coat tails is a working-class would-be intellectual who is caught between two conflicting worlds. The outcome is a mixture of tragedy and resignation, leavened by hope for the future in the young and free-spirited.

Forster greatest works Buy the book at Amazon UK
Forster greatest works Buy the book at Amazon US

 


E.M.Forster: A LifeE.M.Forster: A Life is a readable and well illustrated biography by P.N. Furbank. This book has been much praised for the sympathetic understanding Nick Furbank brings to Forster’s life and work. It is also a very scholarly book, with plenty of fascinating details of the English literary world during Forster’s surprisingly long life. It has become the ‘standard’ biography, and it is very well written too. Highly recommended.

E.M. Forster Buy the book here

 

© Roy Johnson 2010


More on E.M. Forster
More on the novella
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Filed Under: E.M.Forster Tagged With: A Room with a View, E.M.Forster, English literature, Literary studies, study guide, The novel

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