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Student Writing in Higher Education

July 3, 2009 by Roy Johnson

essays on problems and solutions for academic writing

Student Writing in Higher Education is a collection of academic research papers which reflect the work being done in what the editors call the ‘new contexts’ of higher education. By this they mean the writing which goes on in non-traditional subjects such as dance or computer conferencing, as well as the new types of writing such as ‘journals of learning’ and ’empathetic writing’ which are now used in a number of subjects.

Student Writing in Higher EducationThe essays deal with many of the problems faced by typical students – the unspecified audiences for which they are expected to write; the debate about skills-based writing tuition versus ‘writing in context’; and the new problems created by the collapse of traditional subject boundaries.

There is an interesting paper which analyses tutor feedback on students’ written work. This includes some scandalous examples of marking which offer nothing more than marginal ticks and an overall grade. As the authors chillingly observe:

Those tutors who give minimal responses perhaps see the task of reading students’ writing as largely administrative, and/or do not consider students to have the sort of role in the academic community which merits engaging in dialogue with them.”

This chapter should be required reading for departmental heads and anybody with a responsibility for training tutors in marking skills.

A chapter on academic writing in the study of dance throws up the fundamental problem that not all subjects make the same types of intellectual demand. Terpsichoreans are allowed to describe their own practice and reflect upon the Self in a way which would be unthinkable in traditional disciplines. The same seems to be true of ‘Reflective Learning Journals’ in anthropology [which includes the example of a Death Journal!] – though at least these have as a primary function encouraging students to think about interdisciplinary studies and ‘map’ their experiences of learning.

There’s also an interesting chapter on the new use of computer conferencing, with two Open University courses as examples. This throws up the problems of asynchronous and informal academic discourse, as well as the potentially ambiguous role of tutors, who can act as ‘fellow participants’ or as ‘knowledge holders’.

One of the persistent weaknesses of these papers is that they often don’t seem to reach any conclusion or have very much to offer by way of insight. As one contributor observes: ‘I am aware that this chapter has raised questions which have not been answered’. I was also surprised by the amount of heavy signposting – such as a chapter whose final paragraphs begin ‘To conclude this chapter I turn finally to issues of pedagogy…’. The other surprise is that so few – almost none – of the studies actually deal with or quote any of the very subject under consideration – student writing itself.

One of the most interesting chapters is – perhaps strategically – the last, in which Barry Stierer describes the plurality of writing demands in the Open University’s MA in Education. It’s interesting that a careful explanation of the pedagogic requirements of a well-constructed course are more interesting than any amount of strangulated theorising about ‘epistemic modality’ and ‘intrinsic and embodied readings’.

The editors make it clear that they concentrate specifically on the implications of their research for the work of teachers rather than students. In fact this collection will be of most interest to those in the field of educational research striving to generate publications for the next Research Assessment Exercise. But there are also some practical lessons and observations which might actually help those tutors interested in improving students’ writing skills.

© Roy Johnson 2000

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Mary R. Lea and Barry Stierer, Student Writing in Higher Education, Buckinghamshire: Open University Press, 2000, pp. 205, ISBN: 0335204074


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Filed Under: Study skills Tagged With: Academic writing, Education, Student Writing in Higher Education, Writing skills, Writing Theory

Supervising the Doctorate

June 14, 2009 by Roy Johnson

good practice for supporting research projects

Now that supervisor training is compulsory, this practical, no-nonsense handbook is essential reading for both the novice and the experienced higher degree supervisor. But I suspect it will be just as useful for the serious postgraduate research student as well. It is reassuring to know that the book is based on the experiences of a postgraduate research skills workshop run at Cardiff University, and the authors illustrate the procedures and problems with real life examples – all of which ring convincingly true to me.

Supervising the Doctorate They start out by recommending that firm guidelines should be established for the nature and structure of the relationship between supervisor and student. Everything needs to be made explicit, and in my experience students need to be made aware of exactly what they are undertaking. Next comes drawing up some sort of schedule of work which is loose enough to give the student flexibility, but firm enough to prevent wasteful ‘drift’. It’s also essential at the outset to establish if the project is feasible. Can it be done? Are any ethical issues raised?

They then go on to the literature review. How to find the literature; how to read it; and how to write about it, including the all important issue of accurate referencing and citation. If you are a supervisor, they offer some good exercises: if you are a student, this section tells you what you should be doing.

They include advice on what is often the laborious issue of data collection. This includes the interesting phenomenon of using post-doctoral researchers as a bridge between supervisor and student.

There are also personal matters to take into account – isolation, poverty, and low morale- all of which can easily develop in the three years or more of doctoral research. They provide useful and realistic advice on these matters, as well as on what they see as the core issue – developing the student’s sense of judgement and good taste.

Of course for most people the hardest part of doing a PhD is writing up to 100,000 words. It’s not something you do often. Their key advice is good: ‘write early and write often’. And they also offer some useful tips on helping to overcome writer’s block.

Probably the most frightening part is the PhD viva, and since it’s something that only happens once for the candidate, it’s not easy to prepare for. But the supervisor can prepare, and they show some case studies to prove the point.

Finally they offer the bonus of advice for activity beyond the degree – that is, helping successful post-docs to advance their careers through networking, teaching, attending conferences, and publishing their work.

This is a very thorough and a thoroughly decent guide to what is often a long and complex process. It’s written for supervisors, but it’s worth reading, whichever side of the examination process you are on.

© Roy Johnson 2005

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Sara Delamont, Paul Atkinson, and Odette Parry, Supervising the Doctorate: a guide to success, Berkshire: Open University Press, 2nd edn, 2004, pp.220, ISBN 0335212638


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Filed Under: Study skills Tagged With: Academic writing, Doctorate, Education, PhD, Research, Study skills, Supervising the Doctorate

Teaching Academic Writing

June 8, 2009 by Roy Johnson

a toolkit for writing skills in further and higher education

No matter what subjects students engage with in further and higher education, they will be required to produce written work on which they will be assessed. This could be the formal academic essay, a lab report, a project, a case study, or even a reflective journal. Teaching Academic Writing is designed to assist subject lecturers and writing skills tutors whose job it is to help students develop their written work and grasp the conventions of academic argument and expression.

Teaching Academic Writing The need for this assistance has arisen as larger and larger numbers of students enter F & HE – often from non-traditional backgrounds, and sometimes with `English as a second language. The authors (a group of tutors from the Open University) start off by suggesting that teachers should make explicit the writing tasks they set for students. It can no longer be assumed that students will already know what an academic essay requires them to do – or that they will pick up the idea as they go along.

Next comes making them conscious of the appropriate academic register, as well as eradicating grammatical errors. There’s no quick fix for this: it requires a lot of intensive marking and supportive feedback. But I was surprised they didn’t spot the time-saving device of putting guidance notes on line.

However, their suggestions on pre-writing (notes), brainstorming, and planning should be useful as tools for teaching students that almost no form of successful writing comes fully-formed, straight from the head of the writer.

At a time when modular degrees are becoming more popular, it’s important that students are aware of the differing conventions which obtain in various subjects. These can vary from the ‘hard evidence’ required in sciences to the ‘well-informed opinion’ which is accepted as persuasive argument in the arts. Somewhere in between are the social sciences which attempt to combine the two. Once again, they argue very sensibly that these conventions should be made explicit to students if they are to have any chance of succeeding in their work.

They also show examples of such work and offer exercises which are designed to raise students’ awareness of what’s required. The close examination of a case study in business studies reveals the particular difficulty of writing for two audiences at the same time.

The next chapter deals explicitly with the issue of assessment. Once again the advice is to make the assessment criteria clear to both students and tutors alike. And their advice on providing feedback on assessed work is excellent. It would be good to see the marking pro-formas and guidance notes in more widespread general use.

However, what they don’t take into account is the important factor that making assignments thoroughly is a time-intensive activity, and many tutors can skimp on this part of their duties because they know their work will not be closely monitored. Moreover, since much direct teaching and assignment marking in F & HE is now done by hourly paid post-graduates, they are place in the invidious position of working for the rates of a domestic cleaner, exploiting themselves in order to stay in employment. [This is a subject close to my heart, which I discuss in my own book on Marking Essays.]

They finish with a first rate chapter on academic writing in an electronic environment. This covers all the digital tools available – from word-processors and email, to conferencing and discussion forums, and online writing laboratories (OWLs) and the strategies by which materials located on line can be evaluated for their usefulness.

Tutors at any level of F & HE would do themselves a favour by rehearsing the issues raised in this book. It might be written by what is almost a committee, but it’s got a collective’s combined experience written into it.

© Roy Johnson 2005

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Caroline Coffin et al, Teaching Academic Writing, London: Routledge, 2003, pp.175, ISBN 0415261368


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Filed Under: Study skills, Writing Skills Tagged With: Academic writing, Education, Marking Essays, Teaching Academic Writing, Writing skills

The Designer

July 17, 2009 by Roy Johnson

fifty years of change in image, training, and techniques

Rosemary Sassoon is a distinguished authority on typography, writing, and education – with publications as diverse as Computers and Typography, Signs, Symbols and Icons, and Handwriting of the Twentieth Century. What marks her out from many other writers on these issues is that she tends to test her ideas in the classroom – either by designing fonts to assist children’s reading [Sassoon Primary] or researching how children learn to write. It was she who came up with the observation that the way children hold a pen has no relation to or effect on the clarity of their writing.

The DesignerHer latest book is about the development and training of designers over the last half century. She begins just after the end of the second world war, when although design was harnessed to promote post-war recovery, designers were regarded as second-class citizens. The Festival of Britain (1951) did little to change matters, even though the exhibition was successful. Designers were labelled ‘commercial artists’. Now, fifty-odd years on, some designers are better known than [‘fine’] artists. How times change.

She considers the neglect of drawing skills in design training and sees this as a sad loss which began with the encouragement of ‘conceptual’ design in the 1970s – one which has accelerated with the arrival of computer-assisted deign (CAD).

Much of the evidence she produces for the changes in design education comes from interviews with professional designers and teachers who look back on their own educational history. Common themes include regret at the demise of the apprenticeship system; scepticism regarding the use of computers in the teaching of typography; regret that design students often avoid theory; and despair over class sizes which during this period have risen from 15-20 to 100+ – a phenomenon which results in such practices as ‘hot-desking’ and ‘elearning’ to cope with these numbers and spread scarce resources further and further.

The second part of the book is a series of essays on contemporary issues and prospects for the future written by distinguished practitioners. They reflect on their own professional development and the manner in which teaching design has changed all over the world in the last fifty years.

Then in the third part of the book (and I have to say its the best-written and illustrated) Rosemary Sassoon reflects on her own experience and practice as a designer. She went through quite a random but eminently practical training as a calligraphist and a textile designer. She gives a first hand account of what practical commercial design involved – working with different types of printing and reproduction, then negotiating with clients and sales representatives.

In a quite amazing career where one thing led to another, she became a regularly published writer on typography, a teacher, a government consultant on writing, with particular reference to children and stroke victims, and a book designer. And one supposes she will go on this way until one day she joins the Big Design Studio in the sky.

© Roy Johnson 2008

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Rosemary Sassoon, The Designer: half a century of change in image, training, and techniques, Bristol: Intellect, 2008, pp.144, ISBN: 1841501956


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The Digital University

June 26, 2009 by Roy Johnson

academic essays on the e-Learning revolution

The Digital University is a collection of academic position papers and reports dealing with the relationship between information technology and teaching in universities. From my experience of IT awareness in higher education, it should be compulsory reading in most departments.

The Digital UniversityUniversity education is currently being revolutionised by the use of Web-based teaching and learning systems. Everybody wants online learning systems – at least as a supplement to conventional teaching methods. This compilation looks at the impact which this revolution is having on all aspects of university life, including research, student support, teaching, and course management.

It covers authoring tools, multimedia learning systems, collaborative environments, distance learning, and course management.Some of the papers even discuss such small but important details as the spatial layout of computer labs, and using ready-made systems such as Lotus Notes for collaborative learning projects.

Most of the accounts are reports of practical projects and ongoing developments, and they include items such as checklists, questionnaires, and diagrams which other practitioners will undoubtedly find useful.

This is likely to be of most use to departmental heads, managers, administrators, or anyone else involved in the rapidly expanding world of online learning in higher education.

© Roy Johnson 2001

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Reza Hazemi, Stephen Hailes, and Steve Wilbur (eds) The Digital University: Reinventing the Academy, London: Springer Verlag, 1998, pp.307, ISBN 1852330031


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The Doctoral Examination Process

July 20, 2009 by Roy Johnson

This is an ambitious book with three separate audiences. It’s main strength is that it is based on research at twenty British universities – eleven ‘old’ and nine ‘new’. Tinkler and Jackson’s approach assumes that the research has been done and the work has been submitted. So it begins withe the Viva – which the Burnham committee described as ‘one of the best kept secrets in British higher education’. They seek to de-mystify the process by looking at what the viva is for, what the expectations of students and examiners are, and what rules (if any) surround the process.

The Doctoral Examination ProcessThese are more varied (or non-existent) than you might imagine. It turns out rather surprisingly that at the University of Glamorgan for instance, you can pass the viva even if you are dead. Next comes what examiners might be looking for in the thesis which will be discussed during the viva – followed by advice on how to prepare for the experience, short and long term.

Their suggestions are that you should be presenting papers in the department or conferences, attending training courses, and even publishing your own work.

Next come observations on the selection of examiners. Who chooses them? What are their qualifications? And should your supervisor attend the viva as well?

Despite the mystique which still surrounds this part of PhD examination, there are a lot more open regulations these days. Both students and newly appointed supervisors and examiners would do well to read these chapters.

There are also some fascinating case studies illustrating practices in foreign universities, as well as some cautionary tales from the UK where the ‘flexibility’ in the system sometimes means things go wrong.

They then offer something I have never come across before – guidance to examiners on how to assess a doctoral thesis. They even cover a number of different disciplines in doing so. Then it’s a return to support and preparation for the student – using mock vivas and last minute revision.

Finally, they deal with what happens behind the closed doors of the viva itself. (More case studies of horror stories and triumphs.) How to deal with the questions; how to create a confident impression; how to overcome nervousness.

They are right to stress the range of possible outcomes for which candidates should be prepared. If the result is not what you had hoped for, they even cover the appeals process – as well as how to celebrate afterwards if it’s a success.

I think students will find the quotations and real life case studies really interesting. New supervisors and examiners will get an informative overview with some useful comparative studies from a variety of institutions.

© Roy Johnson 2005

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Penny Tinkler and Carolyn Jackson, The Doctoral Examination Process, Maidenhead: Open University Press, 2004, pp.228, ISBN: 0335213057


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The Online Educator

July 5, 2009 by Roy Johnson

complete guide to designing and teaching online courses

Online courses are big business in further and higher education right now. You know the reason why. Governments cut back funding, whilst colleges and universities are told to take in more students. The answer is – put courses on line, and let the students teach themselves. Well, it’s not quite as simple as that, and for those people charged with the ‘challenge’ of designing courses, Marguerita Lynch has a great deal of practical wisdom and experience to impart. The Online Educator offers detailed explanations of common terms and concepts; a practical, step-by-step format with useful checklists; guidance for both teachers and students; and links to useful web sites and other online resources. She starts from the three cardinal rules for online learning.

The Online EducatorFirst – we must push beyond our own comfort zones. Second – plan, plan, plan. And third – interactive communication is paramount. She outlines the need for careful planning, for support and training for both students and tutors, and the need to cater for different learning styles. There is plenty of discussion of the hardware and the course management systems (or virtual learning environments) necessary to run such courses – and she reveals the questions to ask in helping you to choose the best system.

Her argument insists on the need for backup and support – for both tutors and students. This means that course developers need to do much more than simply convert teaching notes into web pages. She deals with all the problems associated with putting courses on line: security, scripts, anti-virus issues, passwords, as well as the basics of page design and navigation, plus the thorny issues such as tutor overload and student plagiarism.

In this system the tutor is transformed from classroom instructor to eMentor – and the pedagogic focus moves from spoon-fed to self-directed learning. If the courses are well designed and properly supported, everybody can profit from the results.

There is full consideration of Web-based tools needed in the online environment, and full listings of the free programs available, as well as self-assessment quiz and course management software.

She ends by presenting a variety of software for assessment and evaluation. There’s an exploration of copyright problems and interesting solutions to them that will be of keen interest to the many teachers currently engaged in creating courses for their institutions. The good news is that most institutions are now leaving copyright with the authors, in return for reciprocal exploitation rights.

This is an amazingly thorough and comprehensive guide to all aspects of online learning. Anyone who is even remotely connected with the world of online course design, delivery, or management ought to have a copy of this book on their desk.

© Roy Johnson 2002

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Marguerita McVay Lynch, The Online Educator: A guide to creating the virtual classroom, New York/London: Routledge, 2002, pp.170, ISBN: 0415244226


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Understanding Virtual Universities

July 15, 2009 by Roy Johnson

course design and construction for online learning

Teachers in higher education are under increasing pressure to develop novel methods of learning, to understand the latest developments in IT, and to make their courses available on line. The purpose of Understanding Virtual Universities is to help them gain an overview of what is involved. Roy Rada is very good at giving the overall picture – explaining the architecture of a university-wide learning program. He also describes in detail the courseware production cycle, and the role that individuals play in the process. He arranges his contents into four parts: virtual learning in relation to the student, the teacher, the administrator, and society in general. He explains the benefits of group and collaborative learning.

Understanding Virtual UniversitiesThis is undoubtedly fine in theory, but I sometimes felt that he didn’t take much account of real practice. My own experience suggests that students are often reluctant to engage in collaborative projects – particularly with people they hardly know. The most convincing example he describes is the group hypertext project on Tennyson’s In Memoriam – the long Victorian poem divided into sections to which are linked related documents, commentary, and criticism. This leaves behind a project which can still be accessed at the University of Virginia.

The experiments on which he reports make it quite clear that IT is most effective when it is combined with other, mixed learning activities in what he calls ‘studio’ classes. In this respect, I was rather surprised that he doesn’t cover any of the better-known Virtual Learning Environments (VLEs) such as WebCT, Blackboard, and Learnwise.

For any teachers thinking of developing such courseware there are some detailed reports on the testing and results achieved – in courses ranging from Geography to ‘Design and Analysis of Algorithms.’ There’s a chapter on the history of teaching methods which I feared might be boring but which offered a fascinating survey, ranging from ancient Egypt to Web-based archives in the modern university.

He also includes a consideration of which subjects are best served by online courses – and he even looks the funding and cost-benefits of online learning, as well as the consequences of pursuing these innovations at the same time as maintaining quality assurance.

This leads into a consideration of the IT systems educational organisations need to have in place to deal with student records, finance, and administration. He then explores the partnerships and collaborative schemes between education and businesses which are providing courses for employees in the workplace. This also includes a consideration of revenue opportunities in the form of consultancies, franchises, and specialist publishing.

His range is wide, and he is very well informed. If there’s a weakness it’s that he flits around from one topic to another rather quickly, never exploring any issue in depth. But that’s also the strength of the book, because he cover all aspects of running Web-based learning in an institution. Many people might have a deep knowledge of one aspect of Web-based learning, but few people have an overview.

© Roy Johnson 2002

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Roy Rada, Understanding Virtual Universities, Bristol: Intellect, 2001, pp.122, ISBN: 1841500526


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Using Moodle (second edition)

June 8, 2009 by Roy Johnson

open source software for online learning courses

Two or three years ago, attempts to put educational courses on line were stuck with using programs such as Blackboard and WebCT, which were costly, cumbersome, and deeply unpopular with the teachers who were being urged to use them. Now these programs are being swept away by the arrival of Moodle, the open source Content Management System (CMS), or Virtual Learning Environment (VLE), which has one killer feature: it’s free.

Using MoodleActually, it also has more technical features than its commercial rivals, but that’s not the only reason it’s being taken up by schools, universities, and colleges. In the jargon of educationalists, this is a ‘constructivist’ program. That is, it allows people to learn through building their own experience of learning, possibly in contact with other students. It is student-oriented, rather than teacher-led, and it promotes learning through doing rather than just passive reception. This is the second edition of a basic introduction to Moodle’s features – and it’s a big improvement over the first edition.

Jason Cole and Helen Foster start off quite rightly by taking you on a tour of the user interface – what you see when you start using Moodle. That is – how to log in and edit your user profile; how to navigate through the sections of a course using the breadcrumb trail; and how to explore all the tools and support information buttons which surround the main working area on screen.

Moodle allows you to arrange your courses chronologically, conceptually by topics, or socially according to the people using it. For tutors there is an amazing degree of control over every aspect of a course – its start date, duration, enrolments, course materials, quizzes, email forums, activities, reports, and student grades.

The heart of Moodle is the huge variety of interactive engagements it will support. These range from chatrooms, forums, and discussion boards, to collective activities such as building glossaries, journals, surveys, and (perhaps most novel of all) an option for student peer assessment.

The book’s basic assumption is that you are using what’s called ‘blended learning’ – that is, a combination of face-to-face tuition such as lectures or seminars, plus online course materials and lecture notes, email support, instant messaging – and anything else that will empower the student and enhance the learning process. It is also assuming a fairly mature and serious attitude to eLearning from the student.

From my experience of online teaching, they seem a bit over-optimistic about participation rates in discussion forums, but Moodle certainly does have some sophisticated features to help promote debate. For instance, the latest version allows participants to rate each other’s contributions (though you might have doubts about that being a good thing).

There are many other features that teachers will welcome. Add a news item for your group, and every member of it will automatically be sent an email informing them of the update. There are also handy tips such as reducing file sizes and saving PowerPoint presentations as Rich Text File format to save space.

They confront head on the issue of possible cheating in online tests, and provides a number of strategies for counteracting twisters. The most advanced current feature of Moodle is workshops – which allow students to see good and bad examples of coursework, and to offer critiques of each other’s work prior to formal submission.

That comes with the additional feature of what’s called an exercise. This is a piece of work the student submits along with a self-assessed grade. Their final grade is a combination of the tutor’s score and how well the student’s assessment matches it. This is an example of what struck me as verging on Utopian.

The journals feature is a tool that encourages students to reflect on their own learning process. Glossaries offers a similar property in that they can be created collaboratively. Lessons is a system of developing multiple-choice enquiries. That is, if you answer a question correctly, you move on the next topic; if you do not, you move back to check you understand the course materials.

Moodle even has its own built-in Wiki, so tutor and students can assemble basic information about their subject. Various levels of permissions for editing and access are also available so that the results can be safeguarded.

This is an excellently clear user’s guide, and almost every topic is illustrated with a screenshot. Full technical software documentation is available at Moodle, but if you’re anything like me, you will feel far more secure with a book to hand.

In this second edition there’s far more detail on how Moodle tools and features can be used to meet teaching objectives as techniques for the equivalent of classroom activity. This is getting closer to the book on constructing online learning courses which still needs to be written.

There are descriptions of how various IT champions are using Moodle to develop new forms of collaborative, blended and social learning . Some of these will seem rather advanced to even to even the most ambitious elearning tutor. Peer assessment, messaging and chat facilities could easily be seen as distractions for younger learners, but could be more appropriate for adults.

There’s still room for improvement in future editions. I would like to see some examples of course design and structure for instance. But for now, this is still the best guide to Moodle available in book form.

© Roy Johnson 2007

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Jason Cole & Helen Foster,Using Moodle, Sebastopo (CA): O’Reilly, 2007, pp.266, ISBN: 059652918X


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Filed Under: CMS, Online Learning, Open Sources Tagged With: CMS, Education, eLearning, Moodle, Online learning, Technology, Using Moodle

Writing at University

June 13, 2009 by Roy Johnson

gentle advice to students on academic writing skills

“We believe that writing for your studies and learning for your studies are so integrally related that they cannot be separated from each other. Writing essays is fundamentally about learning.” That’s the credo here, and this book sets out to help students develop academic writing skills at university level. Creme and Lea start out by exploring the problems associated with getting started. That is, how to remove writer’s block by the techniques of practice writing, brainstorming, and generating your own questions.

Academic writing skills They explain why writing is difficult, then they discuss the early approaches to producing an assignment. This involves becoming aware of the protocols of the subject, and the type of assignment. The next step should be a close analysis of the question title, its key terms and any instructions. They offer some excellent worked examples of analysing assignments and showing what’s required, and they also discuss the note-taking, mind-mapping, and various types of reading which should go into any preparation.

The central strategic issue in academic writing skills is matching your own writing techniques to the requirements of the task in hand. You may be a ‘patchwork’ or a ‘grand plan’ type of writer – but how is this strategy to be matched with a project which might require what they call chronological, descriptive, analytic, or evaluative writing? They explore what might be involved in each of these approaches. There are more good examples – along with neat tips, such as the idea that you should develop your skills by assembling a glossary of terms for your subject as you go along.

They also explore one of the issues which many students find difficult – making the transition from everyday personal or subjective writing to developing a more objective mode which adopts the appropriate ‘language of discourse’. They end with tips for editing your work – including the details of grammar and punctuation – which are wisely left to the last.

The newly expanded second edition includes sections on report writing, electronic writing, learning journals, and using the Internet. This is a writing guide for someone who is prepared to sit down and read about the process of writing and who prefers the support of a sympathetic tutor rather than a source of reference or a compendium of rules. It’s the sort of book which holds you by the hand and talks you gently through the issues.

© Roy Johnson 2008

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Phyllis Creme and Mary R. Lea, Writing at University, 3rd edition, Buckingham: Open University Press, 2008, pp.208, ISBN: 0335213251


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