Mantex

Tutorials, Study Guides & More

  • HOME
  • REVIEWS
  • TUTORIALS
  • HOW-TO
  • CONTACT
>> Home / Archives for Mrs Dalloway

Mrs Dalloway

January 28, 2010 by Roy Johnson

tutorial, characters, video, criticism, study resources

Mrs Dalloway (1925) is probably the most accessible of Virginia Woolf’s great modernist novels. A day in the life of a London society hostess is used as the structure for her experiments in multiple points of view. The themes she explores are the nature of personal identity; memory and consciousness; the passage of time; and the tensions between the forces of Life and Death. The novel abandons conventional notions of plot in favour of a mosaic of events.

Virginia Woolf - portrait

Virginia Woolf

She gives a very lyrical response to the fundamental question, ‘What is it like to be alive?’ And her answer is a sensuous expression of metropolitan existence. The novel also features her rich expression of ‘interior monologue’ as a narrative technique, and it offers a subtle critique of society recovering in the aftermath of the first world war. This novel is now seen as a central text of English literary modernism.


Mrs Dalloway – plot summary

The novel covers one day from morning to night in a woman’s life – Clarissa Dalloway, an upper-class society wife. As the novel opens she walks through the streets of London in the morning, getting ready to host a party that evening. The pleasant day reminds her of her youth at Bourton and makes her wonder about her choice of husband. She married the reliable Richard Dalloway instead of the enigmatic and demanding Peter Walsh, and she had not the option to be with Sally Seton towards whom she felt a strong attraction. Peter reintroduces these conflicts by paying a visit that morning, having returned from India that day. After his visit, he wanders off into Regent’s Park.

Virginia Woolf Mrs DallowayThe point of view then shifts to Septimus Warren Smith, a veteran of World War I who is suffering from post traumatic stress (or ‘shell shock’ as it was first known). He is spending his day in the Park with his Italian-born wife, Lucrezia, waiting for an appointment with Sir William Bradshaw, a celebrated psychiatrist. Septimus is visited by frequent and indecipherable hallucinations, mostly concerning his dear friend Evans who died in the war. He cannot see anything of worth in the England he fought for, and he believes his lack of feeling is a crime. However, Sir William does not listen to him and diagnoses ‘a lack of proportion’. He proposes to send Septimus to a mental institution.

The scene switches again to conservative MP Richard Dalloway taking lunch with Hugh Whitbread and Lady Bruton, members of high society. After lunch, Richard returns home to Clarissa with a large bunch of roses. He intends to tell her that he loves her but finds that he cannot. Clarissa considers the void that exists between people, even between husband and wife.

Clarissa sees off her daughter Elizabeth and her history teacher, Miss Kilman, who are going shopping. The two older women dislike one another quite passionately, each believing the other to be an oppressive force over Elizabeth. Meanwhile, Septimus and Lucrezia are in their apartment, enjoying a moment of happiness together before the men come to take Septimus to the asylum. One of Septimus’s doctors, Dr. Holmes, arrives, and Septimus fears the doctor will destroy his soul. In order to avoid this fate, he jumps from a window to his death on the railings below.

In the evening, most of the novel’s characters (including people from her past) assemble for Clarissa’s party. It turns out to be a big success, but Clarissa cannot help feeling wistful about her friends and the fact that most of them have not achieved the dreams of their youth. She feels that even her daughter Elizabeth will be the same.

When Sir William Bradshaw arrives late his wife explains that one of his patients has committed suicide. Hearing this, Clarissa gradually identifies with Septimus, and feels that she understands his motives. She retires to reflect on the matter, seeing people such as Sir William Bradshaw antithetical to life, and admiring Septimus for his courage in resisting medical bullying.

The party nears its close, and the guests begin to leave, hereupon Clarissa re-enters the room and fills it with her ‘presence’. This fills Peter Walsh with awe, for despite his criticisms of Clarissa for leadingthe shallow life of a society hostess, he is forced to admit to himself that he admires her.


Video lecture

Part I of biographical documentary


Mrs Dalloway – study resources

Red button Mrs Dalloway – Oxford World Classics – Amazon UK

Red button Mrs Dalloway – Oxford World Classics – Amazon US

Red button Mrs Dalloway – Penguin Classics – Amazon UK

Red button Mrs Dalloway – Penguin Classics – Amazon US

Red button Mrs Dalloway – Everyman Library Classics – Amazon UK

Red button Mrs Dalloway – Everyman Library Classics – Amazon US

Red button Mrs Dalloway – York Notes – Amazon UK

Red button Mrs Dalloway – Cliffs Notes – Amazon UK

Red button Approaches to Teaching Mrs Dalloway – Amazon UK

Red button The Cornell Guide to Mrs Dalloway – Amazon UK

Red button Mrs Dalloway – free eBook edition

Red button Mrs Dalloway – 1998 dramatisation on DVD – Amazon UK

Red button Mrs Dalloway – a facsimile page from Woolf’s manuscript

Red button Mrs Dalloway – Virginia Woolf as a Modernist Writer – essay

Red button Virginia Woolf – biographical notes

Orlando The Complete Works of Virginia Woolf – Kindle edition – Amazon UK

Red button The Mrs Dalloway Reader – critical essays – Amazon UK

Red button Approaches to Teaching Mrs Dalloway – Amazon UK

Red button Selected Essays – by Virginia Woolf – Amazon UK

Red button The Cambridge Companion to Virginia Woolf – Amazon UK

Red button Virginia Woolf – Authors in Context – Amazon UK

Red button The Cambridge Introduction to Virginia Woolf – Amazon UK

Red button Virginia Woolf at Wikipedia – biographical notes, links

Red button Virginia Woolf at Mantex – tutorials, web links, study materials


Photomontage

Mrs Dalloway’s walk – through modern day London


Principal characters
Richard Dalloway a conservative Member of Parliament
Clarissa Dalloway his wife – a society hostess
Elizabeth Dalloway their 17 year old daughter
Septimus Warren Smith a shell-shocked WWI veteran
Lucrezia Smith his wife – an Italian millener
Peter Walsh a romantic admirer of Clarissa’s
Sally Seaton childhood close friend of Clarissa’s
Hugh Whitbread a vacuous English gentleman
Doris Kilman born-again Christian, Elizabeth’s teacher
Sir William Bradshaw renowned London psychiatrist
Dr Holmes Septimus’ unimaginative doctor
Lady Bruton society lady and do-gooder
Evans Septimus’s close friend in the war

Virginia Woolf podcast

A eulogy to words


Further reading

Red button Bell, Quentin. Virginia Woolf: A Biography. New York: Harcourt Brace Jovanovich, 1972.

Red button Bloom, Harold, ed. Modern Critical Interpretations: Virginia Woolf’s Mrs. Dalloway. New York: Chelsea House, 1988.

Red button Dowling, David. Mrs. Dalloway: Mapping Streams of Consciousness. Boston: Twayne, 1991.

Red button Lee, Hermione. Virginia Woolf. New York: Alfred A. Knopf, 1997.

Red button Marsh, Nicholas. Virginia Woolf, the Novels. New York: St. Martin’s Press, 1998.

Red button Mepham, John. Virginia Woolf. New York: St. Martin’s Press, 1992.

Red button Reinhold, Natalya, ed. Woolf Across Cultures. New York: Pace University Press, 2004.

Red button Rosenthal, Michael. Virginia Woolf: A Critical Study. New York: Columbia University Press, 1979.

Red button Sellers, Susan, The Cambridge Companion to Vit=rginia Woolf, Cambridge University Press, 2010.

Red button Showalter, Elaine. ‘Mrs. Dalloway: Introduction’. In Virginia Woolf: Introductions to the Major Works, edited by Julia Briggs. London: Virago Press, 1994.

Red button Woolf, Virginia. The Common Reader. New York: Harvest Books, 2002.

Red button Mrs. Dalloway’s Party: A Short Story Sequence. Edited by Stella McNichol. New York: Harcourt Brace Jovanovich, 1975.

Red button Zwerdling, Alex. Virginia Woolf and the Real World. Berkeley: University of California Press, 1986.


Virginia Woolf's handwriting

“I feel certain that I am going mad again.”


Mrs Dalloway – first edition

Mrs Dalloway - first edition

Virginia Woolf, Mrs. Dalloway (1925) Dust jacket designed by Vanessa Bell.

This appeared only a few weeks after the publication of The Common Reader and although the reviews were mixed, the book had sold 2,000 copies by the end of the year.

This is the first of Virginia Woolf’s three great masterpieces (along with To the Lighthouse and The Waves. In it, she developed the experimental literary techniques which had been tried out in Jacob’s Room and brought them to an achievement of a high order.

“The reviews when they came were mixed, and so was Bloomsbury’s reaction. E.M. Forseter praised Mrs Dalloway and Virginia, gallantly kissing her hand and telling her the novel was better than Jacob’s Room and he was very pleased; but Vita Sackville-West was doubtful; and Lytton Strachey, admiring The Common Reader more, thought the novel was a flawed stone. Readers bought the book, however, and the sales were brisk. By June 18, one month after publication, Virginia noted that 1,250 copies had been sold … Leonard issued a second impression of 1,000 copies in November 1925.”

J.H. Willis Jr, Leonard and Virginia Woolf as Publishers: The Hogarth Press 1917-1941

Vanessa Bell’s design for the jacket of the novel features a bouquet of flowers. Diane Gillespie notes that the “design in which first the white, then the black dominates, the cover anticipates, if only in a general way, the alternating exhilaration and fear, sanity and insanity, as well as life and death which pervade the book”.

Elizabeth Willson Gordon, Woolf’s-head Publishing: The Highlights and New Lights of the Hogarth Press


Mont Blanc pen - Virginia Woolf edition

Mont Blanc pen – the Virginia Woolf special edition


Other works by Virginia Woolf

Virginia Woolf To the LighthouseTo the Lighthouse (1927) is the second of the twin jewels in the crown of her late experimental phase. It is concerned with the passage of time, the nature of human consciousness, and the process of artistic creativity. Woolf substitutes symbolism and poetic prose for any notion of plot, and the novel is composed as a tryptich of three almost static scenes – during the second of which the principal character Mrs Ramsay dies – literally within a parenthesis. The writing is lyrical and philosophical at the same time. Many critics see this as her greatest achievement, and Woolf herself realised that with this book she was taking the novel form into hitherto unknown territory.
Virginia Woolf To the Lighthouse Buy the book at Amazon UK
Virginia Woolf To the Lighthouse Buy the book at Amazon US

 

Woolf - OrlandoOrlando (1928) is one of her lesser-known novels, although it’s critical reputation has risen in recent years. It’s a delightful fantasy which features a character who changes sex part-way through the book – and lives from the sixteenth to the twentieth century. Using this device (which turns out to be strangely credible) Woolf explores issues of gender and identity as her hero-heroine moves through a variety of lives and personal adventures. Orlando starts out as an emissary to the Court of St James, lives through friendships with Swift and Alexander Pope, and ends up motoring through the west end of London on a shopping expedition in the 1920s. The character is loosely based on Vita Sackville-West, who at one time was Woolf’s lover. The novel itself was described by Nigel Nicolson (Sackville-West’s son) as ‘the longest and most charming love-letter in literature’.
Virginia Woolf - Orlando Buy the book at Amazon UK
Virginia Woolf - Orlando Buy the book at Amazon US


The Bloomsbury GroupThe Bloomsbury Group is a short but charming book, published by the National Portrait Gallery. It explores the impact of Bloomsbury personalities on each other, plus how they shaped the development of British modernism in the early part of the twentieth century. But most of all it’s a delightful collection of portrait paintings and photographs, with biographical notes. It has an introductory essay which outlines the development of Bloomsbury, followed by a series of portraits and the biographical sketches of the major figures.

Ralph Partridge Buy the book at Amazon UK
Ralph Partridge Buy the book at Amazon US


Virginia Woolf – web links

Red button Virginia Woolf at Mantex
Biographical notes, study guides to the major works, book reviews, studies of the short stories, bibliographies, web links, study resources.

Virginia Woolf web links Blogging Woolf
Book reviews, Bloomsbury related issues, links, study resources, news of conferences, exhibitions, and events, regularly updated.

Virginia Woolf web links Virginia Woolf at Wikipedia
Full biography, social background, interpretation of her work, fiction and non-fiction publications, photograph albumns, list of biographies, and external web links

Virginia Woolf web links Virginia Woolf at Gutenberg
Selected eTexts of the novels The Voyage Out, Night and Day, Jacob’s Room, and the collection of stories Monday or Tuesday in a variety of digital formats.

Virginia Woolf web links Woolf Online
An electronic edition and commentary on To the Lighthouse with notes on its composition, revisions, and printing – plus relevant extracts from the diaries, essays, and letters.

Virginia Woolf web links Hyper-Concordance to Virginia Woolf
Search texts of all the major novels and essays, word by word – locate quotations, references, and individual terms

Red button Virginia Woolf – a timeline in phtographs
A collection of well and lesser-known photographs documenting Woolf’s life from early childhood, through youth, marriage, and fame – plus some first edition book jackets – to a soundtrack by Philip Glass. They capture her elegant appearance, the big hats, and her obsessive smoking. No captions or dates, but well worth watching.

Virginia Woolf web links Women’s History Walk in Bloomsbury
Tour of literary and political homes in Bloomsbury – including Gordon Square, Gower Street, Bedford Square, Tavistock Square, plus links to women’s history web sites.

Virginia Woolf web links Virginia Woolf Society of Great Britain
Bulletins of events, annual lectures, society publications, and extensive links to Woolf and Bloomsbury related web sites

Virginia Woolf web links BBC Audio Essay – A Eulogy to Words
Charming sound recording of radio talk given by Virginia Woolf in 1937 – a podcast accompanied by a slideshow of photographs.

Virginia Woolf web links A Family Photograph Albumn
Leslie Stephen compiled a photograph album and wrote an epistolary memoir, known as the “Mausoleum Book,” to mourn the death of his wife, Julia, in 1895 – an archive at Smith College – Massachusetts

Virginia Woolf web links Virginia Woolf first editions
Hogarth Press book jacket covers of the first editions of Woolf’s novels, essays, and stories – largely designed by her sister, Vanessa Bell.

Virginia Woolf web links Virginia Woolf – on video
Biographical studies and documentary videos with comments on Virginia Woolf and the Bloomsbury Group and the social background of their times.

Virginia Woolf web links Virginia Woolf Miscellany
An archive of academic journal essays 2003—2014, featuring news items, book reviews, and full length studies.

© Roy Johnson 2010


More on Virginia Woolf
Virginia Woolf – web links
Virginia Woolf – greatest works
Virginia Woolf – criticism
More on the Bloomsbury Group


Filed Under: Virginia Woolf Tagged With: English literature, Literary studies, Mrs Dalloway, study guide, The novel, Virginia Woolf

The Hours

June 14, 2009 by Roy Johnson

the film of a novel about a book

When it first appeared, Stephen Daldry’s film of Michael Cunningham’s best-selling novel was subject to a number of niggling criticisms which made me apprehensive when I sat down to watch it. But I needn’t have worried. Every doubt was completely swept away by the overwhelming visual and emotional power of the film. For those who don’t know, The Hours is inspired by Cunningham’s deep appreciation of Virginia Woolf, and the film itself is split into three apparently unconnected stories.

Virginia Woolf The HoursThe first of these is a fictionalised account of Virginia Woolf’s daily life working alongside her husband Leonard as she writes Mrs Dalloway, the story of a society hostess who is preparing to throw a party. We see her erratic behaviour and his patient attempts to deal with it; her addiction to cigarettes; a good account of her creativity; and eventually her suicide when she fills her pockets with stones and drowns herself in the river Ouse.

This narrative is intercut with the two others, the first of which is a John Cheever-like study of family life in a prosperous middle-class Los Angeles suburb in the 1950s. At the outset the only apparent connection is that the wife Laura Brown – superbly acted by Julianne Moore – is reading a copy of Mrs Dalloway. She bakes a cake for her husband’s birthday and plans his party.

However, it is made quite clear to us that she is deeply unhappy, and when she leaves her young son with a babysitter and checks into a hotel with a bottle of sleeping pills, it is seems she is going to commit suicide. But at the last minute she changes her mind. However, that’s not the end of the story.

In the third narrative, the connections are more obvious. The setting is contemporary New York, where an arty lesbian hostess called Clarissa (played by Meryl Streep) is arranging a party. This is to celebrate the successful publication of a book of poems by her close friend and ex-lover Richard who is dying of AIDS. He cannot enjoy the prospect of celebration because he knows what life has in store for him.

Clarissa goes to try to persuade him to come to the party, but he rejects her kindness, and as he starts hovering around the open window of his skyscraper apartment, readers of Mrs Dalloway know what is likely to follow.

These are just some of the many thematic links between the three narratives. Each one has its own tone, but they hang together beautifully, and the climax of the film is brought about by an amazing blending of all three into one.

As a drama it is wonderfully constructed, and as a film beautifully photographed. Despite the reservations of some critics, I thought the acting superb. Nicole Kidman generates a very convincing portrait of the nervy, clever bluestocking Woolf, and I was glad to see that there was little attempt to glamourise her.

Julianne Moore simply radiates the amazing tension which exists between her outer serenity and inner turmoil. Meryl Streep could be accused of over-egging her role as Clarissa, but not enough to knock the film off track. Ed Harris is very good as an anguished Richard, and there is a unusually persuasive portrait of Lara’s young son by Jack Rovello which will tug at your heart strings.

The film quite rightly gathered a whole swathe of awards; screenplay is by David Hare; and the accompanying music is by Philip Glass.

© Roy Johnson 2004

Buy the DVD at Amazon UK

Buy the DVD at Amazon US


Stephen Daldry, The Hours, 2003


More on Virginia Woolf
Virginia Woolf – web links
Virginia Woolf – greatest works
Virginia Woolf – criticism
More on the Bloomsbury Group


Filed Under: Bloomsbury Group, Virginia Woolf Tagged With: Bloomsbury Group, Cultural history, Literary studies, Mrs Dalloway, The Hours, Virginia Woolf

Virginia Woolf – Mrs Dalloway

October 4, 2009 by Roy Johnson

Hogarth Press first edition book jacket designs

 

Mrs Dalloway cover - first edition
Virginia Woolf, Mrs. Dalloway (1925) Dust jacket designed by Vanessa Bell.

This novel appeared only a few weeks after the publication of The Common Reader and although the reviews were mixed, the book had sold 2,000 copies by the end of the year.

This is the first of Virginia Woolf’s three great masterpieces (along with To the Lighthouse and The Waves. In it, she developed the experimental literary techniques which had been tried out in Jacob’s Room and brought them to an achievement of a high order.

“The reviews when they came were mixed, and so was Bloomsbury’s reaction. E.M. Forster praised Mrs Dalloway and Virginia, gallantly kissing her hand and telling her the novel was better than Jacob’s Room and he was very pleased; but Vita Sackville-West was doubtful; and Lytton Strachey, admiring The Common Reader more, thought the novel was a flawed stone. Readers bought the book, however, and the sales were brisk. By June 18, one month after publication, Virginia noted that 1,250 copies had been sold … Leonard issued a second impression of 1,000 copies in November 1925.”

J.H. Willis Jr, Leonard and Virginia Woolf as Publishers: The Hogarth Press 1917-1941

Vanessa Bell’s design for the jacket of the novel features a bouquet of flowers. Diane Gillespie notes that the “design in which first the white, then the black dominates, the cover anticipates, if only in a general way, the alternating exhilaration and fear, sanity and insanity, as well as life and death which pervade the book”.

Elizabeth Willson Gordon, Woolf’s-head Publishing: The Highlights and New Lights of the Hogarth Press

previousnext

 


Hogarth Press studies

Woolf's-head Publishing Woolf’s-head Publishing is a wonderful collection of cover designs, book jackets, and illustrations – but also a beautiful example of book production in its own right. It was produced as an exhibition catalogue and has quite rightly gone on to enjoy an independent life of its own. This book is a genuine collector’s item, and only months after its first publication it started to win awards for its design and production values. Anyone with the slightest interest in book production, graphic design, typography, or Bloomsbury will want to own a copy the minute they clap eyes on it.

Woolf's-head Publishing Buy the book at Amazon UK
Woolf's-head Publishing Buy the book at Amazon US

The Hogarth Press Leonard and Virginia Woolf as Publishers: Hogarth Press, 1917-41 John Willis brings the remarkable story of Leonard and Virginia Woolf’s success as publishers to life. He generates interesting thumbnail sketches of all the Hogarth Press authors, which brings both them and the books they wrote into sharp focus. He also follows the development of many of its best-selling titles, and there’s a full account of the social and cultural development of the press. This is a scholarly work with extensive footnotes, bibliographies, and suggestions for further reading – but most of all it is a very readable study in cultural history.

The Hogarth Press Buy the book at Amazon UK
The Hogarth Press Buy the book at Amazon US

© Roy Johnson 2005


Filed Under: Hogarth Press Tagged With: Art, Bloomsbury, Graphic design, Hogarth Press, Literary studies, Mrs Dalloway, Virginia Woolf

Virginia Woolf an MFS reader

August 26, 2009 by Roy Johnson

academic essays on Woolf and her major novels

For those who may not know, MFS is not some sort of DIY building material, but Modern Fiction Studies, a prestigious academic journal, and Virginia Woolf an MFS reader is a compilation of essays on Virginia Woolf drawn from its archives going back over the last half century of its publication. The chapters are arranged in three thematic sections, each arranged chronologically according to the text under consideration.

Virginia Woolf An MFS ReaderIt’s a book written by university teachers, designed to be read and (they hope) quoted by other teachers in the books that they write as part of seeking career promotion. That’s the nature of academic life today. In some instances it produces valuable results: for the main part it results in worthless dross. This system is the root of both the main strength and the weakness of this book.

Brenda Silvers’ introductory essay huffs and puffs about the adoption of Virginia Woolf into popular culture – but it’s mainly hot under the collar about Edward Albee’s play (Who’s Afraid..) and its possibly disguised gay theme. She also goes in for some quite bogus generalizing on the interpretation of photographs:

Woolf’s photographs [she means photographs of Woolf] in general … prove frightening to their viewers.

That will be news to the many people who buy and admire her portrait wherever it is on sale.

Susan Friedman offers an account of The Voyage Out which sees Rachel Vinrace as an example of Woolf’s ‘Common Reader’ – someone unprejudiced by formal academic experience and unburdened by the authority of criticism. This is quite a useful way of matching Wool’s theory with her fiction.

Charles Hoffmann traces the development of Mrs Dalloway from a short story (Mrs Dalloway in Bond Street) to a full length novel following the connections between notebooks, manuscripts, and drafts which are scattered in various collections on both sides of the Atlantic. This is an approach to literary scholarship which has the advantage of being unencumbered by lots of ‘theory’ and is rooted in the practicality of literary texts.

Tammy Clewell has a thoughtful piece on death, mourning, and grief in Jacob’s Room and Mrs Dalloway. This argues with persuasive supporting evidence that Woolf was promoting more radical views on these topics than is commonly supposed. She does not want her readers to relax any opposition to the barbarous mass slaughter behind every war memorial and slogans such as ‘their names shall live forever’:

In relation to these postwar forms of memorialization, Jacob’s Room stands out precisely for what it withholds: the text offers no faith in religious immortality, no applause for individual heroism, no celebration of male comradery, no stoical acceptance of fate, no aesthetic smoothing over of the war’s human cost of any kind.

The best-written essay in the collection (and unsurprisingly the most frequently quoted by others) is Karen deMeester’s on ‘Trauma and Recovery in Mrs Dalloway‘. This argues that Woolf gives accurate expression to the condition of psychological trauma – particularly of course in the case of Septimus Warren Smith, who has seen through the horrors upon which his society is based. But even more bravely, deMeester argues that Clarissa Dalloway is a social coward, because although she sees the same truths as Septimus, she chooses to re-unite with the world which has caused the horrors in the first place. As Peter Walsh says of her:

she frittered her time away, lunching, dining, giving these incessant parties of hers, talking nonsense, saying things she didn’t mean, blunting the edge of her mind, losing her discrimination

It’s not often one sees Peter Walsh (a lightweight figure) quoted with such approval. But he has a point – and so does deMeester.

Urmila Seehagiri desperately wants to offer a racial and post-colonial reading of Woolf’s work, and she digs and digs, hoping to come up with some suitable material. To the Lighthouse yields the fact that Lily Briscoe has ‘little Chinese eyes’; Woolf took part in the Dreadnought Hoax and attended the Ballets Russes. No distinction is made between fictional and biographical evidence. When To the Lighthouse is addressed in detail, broken teacups are the signal for an extended account of the history of the tea trade with India and China. Then, via a detour into the theories of art held by Roger Fry and Clive Bell, she concludes that Lily Briscoe’s ‘little Chinese eyes’

attain the ‘ultra-primitive directness of vision’ that Fry attributes to East Asian cultures, and her arrangement of forms is liberating because it is autotelic. Privileging the completion of Lily’s painting over mending broken familial structures, Woolf creates a racially differentiated model for modern English subjectivity that holds itself separate from patriarchal and imperialist hierarchies.

Many of the other essays suffer from this very dubious critical method. A single word or short phrase is seized upon; a tenuous connection with another text (fiction, biography, or theory) is made; and a literary critic’s comment upon some apparently similar phenomenon is noted. The flaw is that a logical and positive connection between the starting and finishing point is taken for granted without any critical examination or supporting evidence. The connections between these elements are at best loose, and more often mere fugitive verbal associations.

And that, I’m afraid, is the state of literary criticism in the university today. Some good solid textual scholarship, holding out against a tide of convoluted windbaggery masquerading as ‘critical theory’. Can you understand the last quote above?

Buy the book at Amazon UK

Buy the book at Amazon US

© Roy Johnson 2009


Maren Linnet, Virginia Woolf: An MFS Reader, Baltimore: Johns Hopkins University Press, 2009, pp.443, ISBN 0801891183


More on Virginia Woolf
Virginia Woolf – web links
Virginia Woolf – greatest works
Virginia Woolf – criticism
More on the Bloomsbury Group


Filed Under: Virginia Woolf Tagged With: Bloomsbury Group, Jacob's Room, Literary criticism, Literary studies, Mrs Dalloway, Theory, To the Lighthouse, Virginia Woolf

Virginia Woolf greatest works

September 24, 2009 by Roy Johnson

fictional works – plus some film versions

Virginia Woolf greatest works Jacob's RoomJacob’s Room (1922) was Woolf’s first and most dramatic break with traditional narrative fiction. It was also the first of her novels she published herself, as co-founder of the Hogarth Press. This gave her for the first time the freedom to write exactly as she wished. The story is a thinly disguised portrait of her brother Thoby – as he is perceived by others, and in his dealings with two young women. The novel does not have a conventional plot, and the point of view shifts constantly and without any signals or transitions from one character to another. Woolf was creating a form of story telling in which several things are discussed at the same time, creating an impression of simultaneity, and a flow of continuity in life which was one of her most important contributions to literary modernism.

Virginia Woolf greatest works Buy the book at Amazon UK
Virginia Woolf greatest works Buy the book at Amazon US

 

Virginia Woolf greatest works Mrs DallowayMrs Dalloway (1925) is probably the most accessible of her great novels. A day in the life of a London society hostess is used as the structure for her experiments in multiple points of view. The themes she explores are the nature of personal identity; memory and consciousness; the passage of time; and the tensions between the forces of Life and Death. The novel abandons conventional notions of plot in favour of a mosaic of events. She gives a very lyrical response to the fundamental question, ‘What is it like to be alive?’ And her answer is a sensuous expression of metropolitan existence. The novel also features her rich expression of ‘interior monologue’ as a narrative technique, and it offers a subtle critique of society recovering in the aftermath of the first world war. This novel is now seen as a central text of English literary modernism.

Virginia Woolf greatest works Buy the book at Amazon UK
Virginia Woolf greatest works Buy the book at Amazon US

 

Virginia Woolf greatest works To the LighthouseTo the Lighthouse (1927) is the second of the twin jewels in the crown of her late experimental phase. It is concerned with the passage of time, the nature of human consciousness, and the process of artistic creativity. Woolf substitutes symbolism and poetic prose for any notion of plot, and the novel is composed as a tryptich of three almost static scenes – during the second of which the principal character Mrs Ramsay dies – literally within a parenthesis. The writing is lyrical and philosophical at the same time. Many critics see this as her greatest achievement, and Woolf herself realised that with this book she was taking the novel form into hitherto unknown territory.

Virginia Woolf greatest works Buy the book at Amazon UK
Virginia Woolf greatest works Buy the book at Amazon US

 

Woolf - OrlandoOrlando (1928) is one of her lesser-known novels, although it’s critical reputation has risen in recent years. It’s a delightful fantasy which features a character who changes sex part-way through the book – and lives from the sixteenth to the twentieth century. Using this device (which turns out to be strangely credible) Woolf explores issues of gender and identity as her hero-heroine moves through a variety of lives and personal adventures. Orlando starts out as an emissary to the Court of St James, lives through friendships with Swift and Alexander Pope, and ends up motoring through the west end of London on a shopping expedition in the 1920s. The character is loosely based on Vita Sackville-West, who at one time was Woolf’s lover. The novel itself was described by Nigel Nicolson (Sackville-West’s son) as ‘the longest and most charming love-letter in literature’.

Virginia Woolf greatest works Buy the book at Amazon UK
Virginia Woolf greatest works Buy the book at Amazon US

 

Virginia Woolf greatest works The WavesThe Waves (1931) is her most experimental and most demanding novel. Rather like her exact contemporary James Joyce, she was pushing the possibilities of the novel to their furthest limit. She abandons conventional narrative and setting altogether, and substitutes the interior monologues of six different characters. They are friends (and lovers) whose lives are revealed by what they think about themselves and each other. The monologues that span the characters’ lives are broken up by nine brief third-person interludes detailing a coastal scene at varying stages in a day from sunrise to sunset. Readers have to work out who is ‘thinking’ at any moment – but assistance is provided by patterns of imagery and fragments of repeated ideas associated with each character. Not for the faint-hearted. Read the other novels first.

Virginia Woolf greatest works Buy the book at Amazon UK
Virginia Woolf greatest works Buy the book at Amazon US

 

Virginia Woolf greatest works Between the ActsBetween the Acts (1941) is her last novel, in which she returns to a less demanding literary style. Despite being written immediately before her suicide, she combines a playful wittiness with her satirical critique of English upper middle-class life. The story is set in the summer of 1939 on the day of the annual village fete at Pointz Hall. It describes a country pageant on English history written by Miss La Trobe, and its effects on the people who watch it. Most of the audience misunderstand it in various ways, but the implication is that it is a work of art which temporarily creates order amidst the chaos of human life. There’s lots of social comedy, some amusing reflections on English weather, and meteorological metaphors and imagery run cleverly throughout the book.

Virginia Woolf greatest works Buy the book at Amazon UK
Virginia Woolf greatest works Buy the book at Amazon US

 

Virginia Woolf greatest works Kew GardensKew Gardens is a collection of experimental short stories in which Woolf tested out ideas and techniques which she then later incorporated into her novels. After Chekhov, they represent the most important development in the modern short story as a literary form. Incident and narrative are replaced by evocations of mood, poetic imagery, philosophic reflection, and subtleties of composition and structure. The shortest piece, ‘Monday or Tuesday’, is a one-page wonder of compression. This collection is a cornerstone of literary modernism. No other writer – with the possible exception of Nadine Gordimer, has taken the short story as a literary genre as far as this.

Virginia Woolf greatest works Buy the book at Amazon UK
Virginia Woolf greatest works Buy the book at Amazon US

 

The Complete Shorter FictionThe Complete Shorter Fiction contains all the classic short stories such as The Mark on the Wall, A Haunted House, and The String Quartet – but also the shorter fragments and experimental pieces such as Mrs Dalloway in Bond Street. These ‘sketches’ (as she called them) were used to practice the techniques she used in her longer fictions. Nearly fifty pieces written over the course of Woolf’s writing career are arranged chronologically to offer insights into her development as a writer. This is one for connoisseurs – well presented and edited in a scholarly manner.

Virginia Woolf greatest works Buy the book at Amazon UK
Virginia Woolf greatest works Buy the book at Amazon US


Film versions

The HoursThe Hours DVD is an amazingly successful film adaptation of Michael Cunningham’s fictional take on Mrs Dalloway. Fragments of Virginia Woolf’s biography are interwoven with stories from 1950s Los Angeles and contemporary New York. It’s not a direct adaptation but a stunning interpretation of Woolf and her world, her themes, and even her narrative techniques. It is beautifully photographed, and the evocation of Woolf’s creative process is particularly impressive. Nicole Kidman creates a very sympathetic portrayal of Virginia Woolf, Julianne Moore glues the plot together with a magnificent performance as a woman at the end of her tether, and Meryl Streep is a slightly over-the-top but acceptable modern Clarissa. Music by Philip Glass. This is a film which no Woolf enthusiast should miss.

Virginia Woolf greatest works Buy the book at Amazon UK
Virginia Woolf greatest works Buy the book at Amazon US

 

Mrs Dalloway - DVDMrs Dalloway DVD is an excellent film version of Mrs Dalloway directed by Dutch filmmaker Marleen Gorris. It’s a visually low key rendering of the original, but it captures the spirit of the novel very well. Outstanding performance by Vanessa Redgrave in the principal role, and Natascha McElhone as her younger self and a young Kenneth Brannah as Charles Tansley. The screenplay was written by actor-author Eileen Atkins.

Virginia Woolf greatest works Buy the book at Amazon UK
Virginia Woolf greatest works Buy the book at Amazon US

 


Virginia Woolf: BiographyVirginia Woolf is a readable and well illustrated biography by John Lehmann, who at one point worked as her assistant at the Hogarth Press. It is described by the blurb as ‘A critical biography of Virginia Woolf containing illustrations that are a record of the Bloomsbury Group and the literary and artistic world that surrounded a writer who is immensely popular today’. An attractive and very accessible introduction to the subject.

Virginia Woolf greatest works Buy the book at Amazon UK
Virginia Woolf greatest works Buy the book at Amazon US

© Roy Johnson 2005


Virginia Woolf – web links

Red button Virginia Woolf at Mantex
Biographical notes, study guides to the major works, book reviews, studies of the short stories, bibliographies, web links, study resources.

Virginia Woolf web links Blogging Woolf
Book reviews, Bloomsbury related issues, links, study resources, news of conferences, exhibitions, and events, regularly updated.

Virginia Woolf web links Virginia Woolf at Wikipedia
Full biography, social background, interpretation of her work, fiction and non-fiction publications, photograph albumns, list of biographies, and external web links

Virginia Woolf web links Virginia Woolf at Gutenberg
Selected eTexts of her novels and stories in a variety of digital formats.

Virginia Woolf web links Woolf Online
An electronic edition and commentary on To the Lighthouse with notes on its composition, revisions, and printing – plus relevant extracts from the diaries, essays, and letters.

Virginia Woolf web links Hyper-Concordance to Virginia Woolf
Search texts of all the major novels and essays, word by word – locate quotations, references, and individual terms

Virginia Woolf web links Orlando – Sally Potter’s film archive
The text and film script, production notes, casting, locations, set designs, publicity photos, video clips, costume designs, and interviews.

Virginia Woolf web links Women’s History Walk in Bloomsbury
Tour of literary and political homes in Bloomsbury – including Gordon Square, Gower Street, Bedford Square, Tavistock Square, plus links to women’s history web sites.

Virginia Woolf web links Virginia Woolf Society of Great Britain
Bulletins of events, annual lectures, society publications, and extensive links to Woolf and Bloomsbury related web sites

Virginia Woolf web links BBC Audio Essay – A Eulogy to Words
Charming sound recording of radio talk given by Virginia Woolf in 1937 – a podcast accompanied by a slideshow of photographs.

Virginia Woolf web links A Family Photograph Albumn
Leslie Stephen compiled a photograph album and wrote an epistolary memoir, known as the “Mausoleum Book,” to mourn the death of his wife, Julia, in 1895 – an archive at Smith College – Massachusetts

Virginia Woolf web links Virginia Woolf first editions
Hogarth Press book jacket covers of the first editions of Woolf’s novels, essays, and stories – largely designed by her sister, Vanessa Bell.

Virginia Woolf web links Virginia Woolf – on video
Biographical studies and documentary videos with comments on Virginia Woolf and the Bloomsbury Group and the social background of their times.

Virginia Woolf web links Virginia Woolf Miscellany
An archive of academic journal essays 2003—2014, featuring news items, book reviews, and full length studies.


More on Virginia Woolf
Virginia Woolf – web links
Virginia Woolf – greatest works
Virginia Woolf – criticism
More on the Bloomsbury Group


Filed Under: Virginia Woolf Tagged With: Between the Acts, Bloomsbury, Kew Gardens, Literary studies, Modernism, Mrs Dalloway, Orlando, The Hours, The Waves, To the Lighthouse, Virginia Woolf

Get in touch

info@mantex.co.uk

Content © Mantex 2016
  • About Us
  • Advertising
  • Clients
  • Contact
  • FAQ
  • Links
  • Services
  • Reviews
  • Sitemap
  • T & C’s
  • Testimonials
  • Privacy

Copyright © 2025 · Mantex

Copyright © 2025 · News Pro Theme on Genesis Framework · WordPress · Log in