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The writer’s marketplace

October 2, 2009 by Roy Johnson

a selection of resources

You’ve written a short story, a novel, poems, your memoirs, or even an article on goldfish or steam engines. The problem is, how to get your work published? How can you find a publisher who will accept what you have produced? You need to be aware of the writer’s marketplace.

If you’ve had a preliminary stab at this, you’ve no doubt received a few rejection slips. Don’t be put off. Everybody gets them. It is not necessarily to do with the quality of your work. It’s much more likely to be a question of matching what you have to offer with what a publisher is looking for. Publishers have audiences and markets. They want to supply these markets with the products which sell.

Some publishers specialise in antiques, travel, or local history; others concentrate on modern fiction, historical fiction, or science fiction. You need to match what you have to offer with what they are looking for. It’s no good sending your family saga to a publisher who specialises in chic lit or travel guides. And if the latest fad in publishing is for Running Over Lemons from a House in Provence – that’s what they will be looking for.

However, many long term best-sellers have been written for niche audiences – such as Walter Wainwright’s walking guides to the Lake District, or Elizabeth David’s cookbooks. So the first thing to do is get to know your market. Fortunately, this problem has been around so long that there are now several excellent books on the market to help you with all the issues involved.

Writer's MarketplaceThe Writers’ & Artists’ Yearbook
Without doubt, this is the most successful. It’s a number one best-seller which offers details of publishers, agents, and outlets in the US and UK. It tells you what they are looking for, where to contact them, and how to submit your work. But the real value for beginners is in the short essays offering advice to would-be writers and media workers which punctuate the listings. They cover fiction and poetry; drama scripts for TV, radio, theatre, and film; graphic illustration and design; plus photography and music.

The other features which make it particularly useful are general information on publishing methods, copyright and libel, income tax and allowances, and a list of annual competitions and their prizes. Recent editions have also included lists of the year’s bestsellers – including both the number of copies sold and the amount of money they’ve made. It is issued annually, and gets bigger each year.
Buy the book from Amazon UK
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writer's marketplaceThe Writer’s Handbook
Barry Turner’s rival book does much the same thing – but focuses its attention on writers, and covers a slightly broader spread of media. In addition to the key areas of UK and US book publishers and agents, magazines, screen writing, TV and radio, theatre, film and video and poetry, this edition contains features on the appeal of biography; the uses and abuses of the English language; the challenges and rewards of self-publishing; writing poetry; and media contracts. This is well worth considering as an alternative.

Both of these books have extensive listings of all the outlets for creative work – fiction, journalism, sound broadcasting, photography, reporting, and editing. They also include mini-essays on various aspects of the publishing business, advising you how to place your work, where to find agents, and even how to sort out your tax problems after you hit the jackpot.
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writer's marketplaceThe Guardian Media Directory
If your writing is more geared to the mainstream media – newspapers, magazines, radio, and television, the Guardian annual directory is establishing itself as the major source of advice. It lists the addresses, phone numbers, websites and key personnel for companies in every sector of the media, from digital television to magazines, regional newspapers to publishing houses, think tanks to charities. This edition contains over 10,000 contacts and has been redesigned throughout.

There are lots of resources for writers on the Internet: the problem is knowing where to find them. Even trawling through search engine results can be time-consuming, and sometimes a dispiriting experience. Thank goodness then when somebody else has done all the research and written up the results.
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writer's marketplaceThe Internet: A Writer’s Guide
The main strength of Jane Dorner’s guide is that she is a professional writer who practices what she writes about. She writes for print and screen, and promotes her work via a personal web site. This book explores both the new opportunities for writers created by the Internet and the practicalities of publishing on your own site.

She touches on writing groups which exist in the form of mailing lists, websites, newsletters, chat groups, and conferences, and she also deals with eBooks plus annotated lists of all the sources a writer could possibly wish for – from libraries to bookshops, dictionaries to writing circles, newspapers to writing style guides, electronic publishers to free Internet service providers.
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Writer’s Market
This provides no-nonsense advice and authoritative guidance you need to get published and to get paid. With updated listings and ‘need-to-know’ publishing advice, Writer’s Market gives writers over 4,000 listings for consumer magazines, book publishers, trade journals, and contests and awards. It also includes complete contact information for fifty top literary agents.

There are dynamic interviews with established writers, plus publishers, editors and successful freelancers. This is essential publishing information and advice, including pay rates, a guide to book publisher imprints and valuable self-marketing tips. If you want to find out what’s available, or if you are really serious about placing what you have written with a commercial publisher – then sooner or later you will need one of these books. There are others, but these are the best; and every professional writer I have known has one or more of them on the shelf.
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writer's marketplaceWriters’ Questions and Answers
Writers who wish to publish their work are often baffled by some of the mysteries of the publishing process itself. How can you get the attention of a publisher? Do you need an agent? How much can you expect to get paid? Should you submit an outline – or the complete work? Gordon Wells’ book answers these question, plus lots more which are frequently asked by people trying to get a foothold in the world of published writing.

The press always seems to have stories of first-time authors who have been paid a five or six-figure advance for their first novel. But those who have tried to do the same thing know that it’s a far more common experience to be dealing with rejection slips. How do you break into this seemingly charmed world?

Well, these guidance notes certainly tell you how to learn from rejection – and what to do about it. The advice is all practical, realistic, and based on the clear-eyed realisation that if you wish to succeed in this extremely competitive world – you need to know how it works.

Wells tackles all the most frequently asked questions – Who is the best person to approach with your masterpiece? Does vanity publishing work? What makes a best-seller? What if somebody poaches your ideas? Which publishers pay best?

If you want to move beyond the comforts of your local writers’ circle into the world of commercial publishing, you should read what he has to say. Keep dreams of success in mind by all means, but take the trouble to learn how professional writers actually work.
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The Writer's MarketWriter’s Market UK 2009
This is a huge, 1,000 page compendium of advice, resources, and detailed information on how writers can locate markets and get their work into print. It has feature articles written by well-known authors giving advice on breaking into print. These are surrounded by listings of publishers, magazines, literary agents, and broadcast outlets. Then come specialized resources such as prizes and competitions, bursaries and fellowships, writers groups, and web sites.

The feature articles are precisely the sort of advice that aspirant writers are most likely to want and need. How to tackle the various genres of fiction writing: the short story, children’s writing, crime, and the novel. What agents and publishers are looking for – and how to approach them. Writing for radio, the Web, newspapers and magazines are all covered well,

There are essays on how books are designed, financed, and marketed, plus why you should know about contracts and legal issues. There are articles on the odd but very profitable field of ghost writing, and when you have made lots of money how to deal with agents, and how to promote your work once it’s published.

There are huge listings of bursaries, prizes, competitions, writers’ foundations, and all sorts of support to help the struggling want-to-be. And testing it out for being up to date, I found all sorts of on line resources for would-be writers: magazines, forums, self-help groups, web sites full of resources, writing software, plus competitions and prizes.

Given the differences in page and font sizes, it’s difficult to do a direct quantitative comparison with its two main rivals, but having looked through all three recently, I’d say that this gives the other two a very good run for their money.
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© Roy Johnson 2009


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Typography bibliography

October 30, 2009 by Roy Johnson

Typography bibliography   Gavin Ambrose & Paul Harris, The Fundamentals of Typography, Lausanne: AVA, 2006, pp.176, ISBN 2940373450.

Typography bibliography   Tom Arah, Web Type: Start Here!, Lewes: ILEX, 2004, pp.192, ISBN: 1904705189.

Typography bibliography   Jeff Bellantoni and Matt Woollman, Type in Motion: Innovations in Digital Graphics, 2nd edn, London: Thames and Hudson, 2005, pp.176, ISBN 0500512434

Typography bibliography   John D. Berry, dot-font: talking about fonts, New York: Mark Batty Publishing, 2006, pp.126, ISBN: 0977282708

Typography bibliography   Charles Bigelow, Paul Hayden Duensing, and Linnea Gentry (eds) Best of Fine Print on Type and Typography, San Francisco: Fine Print/Bedford Arts, 1988.

Typography bibliography   Lewis Blackwell, Twentieth Century Type, Rizzoli International Publications/Calmann & King, 1992, pp.256, ISBN 084781596X

Typography bibliography   Lewis Blackwell, 20th Century Type: Remix, London: Lawrence King, 1998, pp.191, ISBN 1856691160. New edition of a historical survey of 100 years of innovation in typographic design – presented in elegantly publication which has become a favourite amongst designers.

Typography bibliography   Lewis Blackwell and David Carson, The End of Print: The Graphic Design Of David Carson, Chronicle, 1995, pp.160, ISBN: 0811811999. California dreaming. Father of ultra-distressed type. Carson came to fame by designing Raygun and has remained popular with the avant garde ever since.

Typography bibliography   Lewis Blackwell and David Carson, David Carson: 2nd Sight: Grafik Design After the End of Print, Universe Books, 1997, pp.176, ISBN: 0789301288. Follow-up to best-selling title above. More of Carson’s influential work – where type and graphics begin to merge with each other.

Typography bibliography   Joseph Blumenthal, The Printed Book in America, Boston: David R. Gondine, 1997.

Typography bibliography   Alexander Branczyk et al, Emotional Digital: A sourcebook of contemporary typographics, London: Thames & Hudson, 2001, pp.312, ISBN 0500283109. Showcase presentation of modern type design from the best of today’s studios – both traditional and avant-gard. Examples shown in wide range of applications. Beautifully produced book.

Typography bibliography   Robert Bringhurst, The Elements of Typographic Style (2nd edn), Vancouver: Hartley & Marks, 1996, pp.351, ISBN 0881791326. The Bible of typography. Beautifully designed and poetically written encyclopedia of all things typographic. Impossible to recommend this book too highly.

Typography bibliography   Christopher Burke, Paul Renner: the art of typography, London: Hyphen Press, 1999, pp.223, ISBN 1568981589. Scholarly biography of the designer of the Futura typeface. Mixes graphic design issues with politics and social history. Elegantly produced and well illustrated.

Typography bibliography   Sebastian Carter, Twentieth Century Type Designers, New York: W.W.Norton, (new edition) 1995.

Typography bibliography   Warren Chappell, A Short History of the Printed Word, New York: Alfred A. Knopf, 1970.

Typography bibliography   Carl Dair, Design With Type, Toronto: University of Toronto Press, 1982.

Typography bibliography   Geoffrey Dowding, Finer Points in the Spacing and Arrangement of Type, (Revised edition), Vancouver: Hartley & Marks, 1995, pp.96, ISBN 0881791199. Does what it says on the tin. Dowding reflects on the more subtle points of punctuation and letter spacing. Elegant, restrained, and well-produced.

Typography bibliography   William Addison Dwiggins, Layout in Advertising, New York: Harper and Brothers, 1948.

Typography bibliography   James Felici, The Complete Manual of Typography, Berkeley (CA): Peachpit Press, 2003, pp.360, ISBN 0321127307.

Typography bibliography   Adrian Frutiger, Type, Sign, Symbol, Zurich: ABC Verlag, 1980.

Typography bibliography   Simon Garfield, Just My Type, London: Profile Books, 2010, pp.352, ISBN: 1846683025

Typography bibliography   Eric Gill, An Essay on Typography, London, 1936, reissued Boston: David R. Godine 1993, pp.144, ISBN: 0879239506. Gill’s essay is a slightly quirky plea for the aesthetics and morals of good design principles. This has become a design classic. Produced in Gill’s own typeface – Johanna.

Typography bibliography   Bob Gordon and Maggie Gordon, The Complete Guide to Digital Graphic Design, London: Thames and Hudson, 2002, pp.224, ISBN 050028315X. Typography is only one part of this survey of contemporary design – but the book is so beautifully illustrated and produced, it acts as an excellent example of page structure and layout.

Typography bibliography   Bob Gordon, Making Digital Type Look Good, London: Thames and Hudson, 2001, pp.192, ISBN 0500283133. Beautifully designed and elegantly printed study. Includes the anatomy of type, rendering, technology, and fine tuning. Clarifies all the complexities of font technology in a very straightforward manner – showing how tracking, kerning, and hyphenation can be used to good effect.

Typography bibliography   Nicolette Gray, A History of Lettering: Creative Experiment and Letter Identity, Boston: David R. Gondine, 1986.

Typography bibliography   Robert Harling, The Letter Forms and Type Designs of Eric Gill, Boston: David R. Gondine, 1977.

Typography bibliography   New Hart’s Rule for Compositors and Readers, London: Oxford University Press, 1999, pp.182, ISBN 019212983X. Compact style guide to typographical and presentational niceties – from punctuation and spacing, to hyphenation, foreign words, symbols, and proof-correction.

Typography bibliography   Oldrich Hlavsa, A Book of Type and Design, New York: Tudor Publishing, 1960.

Typography bibliography   Richard Hollis, Graphic Design: a concise history, London: Thames and Hudson, 1994, pp.224, ISBN: 0500202702. Compact, well-illustrated, and good-value history of twentieth century design – including graphics and typography.

Typography bibliography Sally Hughes, Design and Typography, Computer Step, 1998, pp.193, ISBN 1840780045. Well-illustrated and simple introduction to typography and desk top publishing – every point illustrated by examples.

Typography bibliography   Indie Fonts, Buffalo, NY: P-Type Publications, 2002, pp.408, ISBN: 0963108220. Beautifully produced collection of over 2000 fonts from eighteen of the most innovative independent type designers.

Typography bibliography   W. Pincus Jaspert, W. Turner Berry, and A.F. Johnson, The Encyclopaedia of Type Faces, New York: Blandford Press, 1986.

Typography bibliography   Rob Roy Kelly, American Wood Type, New York: Van Nostrand Rheinhold, 1969.

Typography bibliography   Robin Kinross, Modern Typography: An Essay in Critical History, Chronicle Books/Princeton Architectural Press, 1996, pp.208, ISBN 0907259057.

Typography bibliography   Alexander Lawson, Anatomy of a Typeface, London: Hamish Hamilton, 1990, pp.428, ISBN 0241132673.

Typography bibliography   Alexander Lawson, Printing Types: An Introduction, Boston: Beacon Press, 1971.

Typography bibliography   Ellen Lupton, Thinking with Type: A critical guide for designers, editors, and students, New York: Princeton Architectural Press, 2004, pp.176, ISBN 1568984480

Typography bibliography   Mac McGrew, American Metal Typefaces of the Twentieth Century, New Castle Delaware: Oak Knoll Press, 1993.

Typography bibliography   Ruari McLean, The Thames and Hudson Manual of Typography, Thames and Hudson, 1980, ISBN 0500680221. Popular, good-value, and well illustrated general introduction to typography. Covers all aspects of the craft, but ends with focus on book design.

Typography bibliography   Ruari McLean, Jan Tschichold: Typographer, Boston: David R. Gondine, 1975.

Typography bibliography   Stanley Morison, Letterforms, Montreal: Hartley and Marks, 1997, pp.128, ISBN 0881791369

Typography bibliography   Stanley Morrison, First Principles of Typography, New York: The Macmillan Company, 1936.

Typography bibliography   Stanley Morrison, A Tally of Types, Cambridge: Cambridge University Press, 1973.

Typography bibliography   Robert Norton, Types Best Remembered/Types Best Forgotten, Parsimony Press, 1993, ISBN 1884606008. Collection of well-known typefaces, complemented by negative and positive criticism.

Typography bibliography   Bruce Rogers, Paragraphs on Printing, New York: Dover Publications, 1979.

Typography bibliography   Julian Rothenstein and Mel Gooding (eds), 130 Alphabets and Other Signs, London: Thames and Hudson, 1993, pp.183, ISBN 0500277419. A charming sample book of signs, symbols, alphabets, rules, swashes, and pictograms. Highly recommended.

Typography bibliography   Julian Rothenstein and Mel Gooding (eds), A B Z: More Alphabets and Other Signs, London: Redstone Press, 2003, pp.221, ISBN:1870003330. Another charming sample book of font sets, signs, symbols, alphabets, rules, swashes, and pictograms. Highly recommended.

Typography bibliography   Rosemary Sassoon, Computers and Typography, Oxford: Intellect, 1993, pp.164, ISBN 1871516234. Articles on text massage; layout and readability; new alphabets using bitmapped fonts; the history of typography and its effects; the visual analysis of a page of text; and Sassoon’s essay on perception and type design related to writing for children.

Typography bibliography   Rosemary Sassoon, Handwriting of the Twentieth Century, London: Routledge, 1999, pp.208, ISBN 0415178827. Developments in the teaching and study of handwriting over the course of the 20th century. A historical record of techniques, styles and methods. Beautifully illustrated with examples – from guidance manuals, schoolbooks, clerks’ registry entries, and personal handwriting.

Typography bibliography   Erik Spiekermann & E.M. Ginger, Stop Stealing Sheep and find out how type works, Adobe Press/Hayden Books, 1993, ISBN 0672485435. Very popular introduction to the general principles of typography. Well designed and illustrated.

Typography bibliography   Walter Tracy, Letters of Credit: A View of Type Design, Boston: David R. Godine, 1986, ISBN 0879236361.

Typography bibliography   Jan Tschichold, Asymmetric Typography, London: Faber & Faber, 1967.

Typography bibliography   Jan Tschichold, The Form of the Book: Essays on the Morality of Good Design, Vancouver: Hartley & Marks, 1991, pp.181, ISBN 0881791164. Short essays from Tschichold’s ‘late’ period on some of the most fundamental issues of arranging type on paper. Eloquent opinions on page shape, margins, text spacing, and even blank pages.

Typography bibliography   Jan Tschichold, The New Typography: A Handbook for Modern Designers, Berkeley: University of California Press, 1995, pp.236, ISBN: 0520071476. Manifesto of the modernist movement. Tschichold’s ‘early’ period, politically committed argument for ‘form follows function’. Original illustrations, and printed in period style.

Typography bibliography   Jan Tschichold, Treasury of Alphabets and Lettering: A Source Book, W.W. Norton, 1995, pp.236, ISBN 0393701972.

Typography bibliography   D.B. Updike, Printing Types: Their History, Forms and Use, New York: Dover Publications, 1980.

Typography bibliography   Hugh Williamson, Methods of Book Design: The Practice of an Industrial Craft, New haven: Yale University Press, 1985.

Typography bibliography   Adrian Wilson, The Design of Books, San Francisco: Chronicle Books, 1995, pp.159, ISBN 081180304X.

Typography bibliography   Jon Wozencroft, The Graphic Language of Neville Brody, London: Thames & Hudson, 1988, pp.160, ISBN 0500274967. Comprehensive survey of Brody’s graphics and typography – in two very popular and well-illustrated volumes. Best-seller.

© Roy Johnson 2009


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Web Essay 1 – Contents page

November 23, 2009 by Roy Johnson

This essay comes from a short first year undergraduate course on the history of the Internet. The course had a couple of face-to-face seminar meetings, but was mainly taught on line. Coursework essays [US – term papers] were submitted in the form of ‘web essays’. Students were asked to create pages with hyperlinks, and although marks were given principally for the content of the essay, the final grade also took into account their web design skills.


Assignment question

The Internet has expanded very rapidly in the years between 1990 and 2000, but its origins go back to the post-war years.

Discuss the earlier phases of the development of the Net, and in particular consider the outstanding figures who have made significant technological contributions. Does any one of them seem to warrant the description of ‘creator of the Internet’?

Web Essay

Student: James Higginson

Course: An Introduction to the Internet

redbtn   Introduction

redbtn   What is the Internet?

redbtn   Internet evolution

redbtn   Father of the Internet?

redbtn   Assignment resources

redbtn   Plan for this assignment

redbtn   Definition of terms

redbtn   Tutor comment



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Web Essay 2 – Introduction

November 23, 2009 by Roy Johnson

Student: James Higginson
Course: An Introduction to the Internet


Introduction
It is very true that the world’s media and Internet users are beginning
to label specific individuals as the ‘father of the internet’. Indeed, whilst
researching this assignment, there were no less than 4,000 matches on a web search engine for the phrase “father of the internet”, and suggestions ranging from Marconi (inventor of the telephone) to Al Gore (Presidential Candidate in the U.S.A.). But what do these people mean when using the term ‘father of the Internet’, are they talking about an inventor, a guardian or even promoter. The Oxford Dictionary of Current English, defines the word ‘father’ to be:

Forefather; founder or originator; early leader;

Through detailing the historical development of the Internet in the
following sections, I hope to ascertain which people have a claim to be the ‘father of the internet.’



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Web Essay 3 – What is the Internet?

November 23, 2009 by Roy Johnson

Student: James Higginson
Course: An Introduction to the Internet


What is the Internet?

There are many different definitions of the Internet and many people
often confuse the Internet with some of the applications, which run on it, such as E-Mail, World Wide Web and File Transfer Protocol (FTP).

So what is the Internet? In general terms, the Internet is a system of
computer networks, a network or networks that allow users of the Internet to exchange information, files or even talk directly to users of other computers around the world, through the use of set protocols.

To give you an indication of the size of the Internet, the following map
shows the number of hosts on the Internet throughout the world as at July 1999.

web_map - image

 

Copyright © 1999 MIDAS

 



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Web Essay 4 – Internet evolution

November 24, 2009 by Roy Johnson

Student: James Higginson
Course: An Introduction to the Internet


The Internet was not an overnight development, it has evolved over thirty years and can be traced back to the first computer networking projects, the key developments & personalities of which will be explained in this section.

Following the launch of Sputnik (the first artificial earth satellite) by the USSR in 1957, the US Department of Defense formed the Advanced Projects Research Agency (ARPA) to establish a lead in world technology for the USA.

The first head of this organisation was J.C.R. Licklider, who wrote a series of memos in 1962 discussing his ideas of a “Galactic Network”, a global set of computers that were interconnected and allowed users to access data and programs from any site. He promoted his networking theory to his successors at ARPA, Ivan Sutherland, Bob Taylor and Lawrence G Roberts.

In 1965, Lawrence Roberts directly connected a TX-2 computer at MIT in Massachusetts to a Q-32 computer in California via a dedicated phone line. This experiment was the first-ever Wide Area Network (WAN), (the first Local Area Network (LAN) was developed some years later by Bob Metcalfe at Xerox PARC, using the Ethernet protocol, which is probably the dominant network technology on today’s Internet).

The experiment proved that time-sharing computers could network but it also proved that the circuit switching was not adequate and he approached ARPA to develop the computer network concept further. The result was his plan for the ARPANET, a number of individual computers connected by leased lines using packet switching. Roberts had been convinced on the theory of using packet switching by Leonard Kleinrock, who wrote the first paper on packet-switching theory in 1961, although three independent bodies worked on this concept, the National Physical Laboratory (NPL), RAND and MIT.

The first four nodes of ARPANET were at UCLA, Stanford Research Institute, UC Santa Barbara and University of Utah and these formed the initial ARPANET in 1969. The Network Working Group, headed by Steve Crocker, finished the initial ARPANET Host-to-Host protocol in 1970 which was called the Network Control Protocol (NCP). The implementation of this protocol enabled the network users to develop applications.

Bob Kahn, who had been working at Bolt Beranek & Newman (BBN), the company which had built the Interface Message Processors (IMPs) of the ARPANET, posed the problem of how computers could interwork without any knowledge of the characteristics of the underlying networks as there were more than one packet switched network. Bob Kahn employed the skills of Vint Cerf (previously involved in the design of NCP and the measurement of ARPANET) to establish a solution to getting these to “internetwork”. They concluded that the following key features were needed:

  • Using computers as gateways or routers between different networks
  • Making hosts responsible for end-to-end transmission of packets together with error correction and retransmission if necessary
  • Devising the protocols necessary to make the first two points happen

In 1974 Bob Kahn and Vint Cerf published “A Protocol for Packet Network Interconnection” which specified the Transmission Control Protocol (TCP). This new protocol, TCP, was eventually split into Transmission Control Protocol/Internet Protocol (TCP/IP) to make it even more efficient. In the early 1980s, TCP/IP was established as the protocols on the ARPANET, replacing the NCP.

Through the 1980’s ARPANET was revised, and new networks were established including NSFNET, but TCP/IP was essential to them all. More and more networks have interconnected to form the Internet. Vint Cerf has stated in an online interview:

“Today, there are an unknown number of networks interconnected to form the Internet – certainly in excess of 200,000 around the world and likely more than that. There are at least 60 million computers on the Internet and possibly as many as 200 Million.”

As the Internet and its capabilities has developed, more protocols have been added in a layered approach in addition to TCP/IP, such as the Domain Name System (DNS), the email protocols POP3, IMAP, and SMTP) and the World Wide Web protocols (HTTP, HTML, and XML).

One of the keys to the rapid growth of the Internet has been the availability of basic documents and specifications of the protocols. These were available as Requests for Comments (RFCs). Jon Postel acted as the RFC Editor; in addition to his role as director of the Internet Assigned Numbers Authority, a non-profit body that administers the required protocol number assignments.

 



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Web Essay 5 – Father of the Internet?

November 24, 2009 by Roy Johnson

It could be claimed that J.C.R. Licklider was a forefather of the Internet, as his ideas of a “Galactic Network” do have a resemblance to the current Internet. He promoted the theories of networking to his successors at ARPA, without whose funding the development of ARPANET and hence Internet could be called into question.

Robert Kahn was responsible for the system design of the ARPANET whilst at Bolt Beranek and Newman (BBN). After joining ARPA, he conceived the idea of open-architecture networking, the underlying principle of the Internet, which led him to co-develop the protocols required to make the Internet a reality, namely TCP/IP.

Through working for Leonard Kleinrock, Vint Cerf helped to develop the host level protocols of the ARPANET and then on software for the Network Measurement Centre, which measured the performance of the ARPANET. His work led him to work with Robert Kahn in co-developing the protocols, TCP/IP.

Jon Postel is often touted as a father of the Internet. Indeed, he had a significant part to play in the development of the Internet, through his control of the Requests for Comments and founder of the Internet Assigned Numbers Authority.

For the Internet to exist there had to be a method of embracing open-architecture networking, this was only possible through the introduction of TCP/IP. I therefore believe that Robert Kahn and Vint Cerf have the strongest claims to be called father(s) of the Internet, In fact Vint Cerf maybe more so, he has continued to nurture and promote the Internet (as any father would do) through his roles as President of the Internet Society (the closest thing the Internet has to a governing body), Chairman of the Internet Societal Task Force and his work at the Jet Propulsion Laboratory to design an interplanetary Internet. Kahn and Cerf received the U.S. National Medal of Technology from President Clinton in December 1997, for founding and developing the Internet.

However, if we the use concept of Systems Thinking, i.e. looking at the whole, then the development of the Internet has relied on more than just the development of TCP/IP, developments such as packet-switching were vital, the freedom of information provided by Jon Postel enabled rapid growth, and support of Government in providing an envirnoment & funding for it to have been developed. In fact, Vice President of USA, Al Gore, has even claimed his role:

"During my service in the Unites States Congress,
I took the initiative in creating the Internet"

The Internet may have two father figures in Vint Cerf and Robert Kahn but there are many more who have a valid claim to its birth. The media will always look for an inventor or creator, but in this instance there is a whole family who are responsible for the fatherhood of the Internet.

 



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Web Essay 6 – assignment resources

November 24, 2009 by Roy Johnson

Student: James Higginson
Course: An Introduction to the Internet


Click HERE to view my plan for this assignment

Katie Hafner, Matthew Lyon, Where Wizards stay up late – Touchstone Publications – 1998

Katz, John, “Mourning the Father of the Internet” – 27/10/98 –
(visited 30 August 2000)

Rodriguez, Karen, “Plenty deserve credit as ‘father’ of the Internet” – 25/10/99
http://www.bizjournals.com/sanjose/stories/1999/10/25/newscolumn2.html
(visited 30 August 2000)

The Corporation for National Research Initiatives, “Robert E Kahn biography” – 18/08/00
<http://www.cnri.reston.va.us/bios/kahn.html>
(visited 30 August 2000)

Worldcom, “Vinton G Cerf – Personal Prospective”
(visited 30 August 2000)

The Internet Engineering Task Force
<http://www.itef.org>

Vint Cerf & Robert Kahn, “A Protocol for Packet Network Intercommunication” – May 1974 –
(visited 30 August 2000)

The Internet Society (ISOC)
<http://www.isoc.org>

Robert Hobbes’ Zakon, “Hobbes’ Internet Timeline v5.1” – 01/07/00
(visited 30 August 2000)

Worldcom, “Cerfs Up: Internet History”
(visited 30 August 2000)

Whatis.com
<http://www.whatis.com>

Open University – T171 Course Material
<http://www.open.ac.uk>

N.B. I did email Vint Cerf at http://www.worldcom.com to find out if he is comfortable with the title “father of the Internet”. Unfortunately, as of 01/09/2000, I have not received a reply.

Tutor’s note: Vint Cerf’s very generous reply arrived a few days after the assignment went into the Open University’s inflexible assessment system – but I had already given the student extra points for this initiative. Both of us were justified when Vint Cerf’s assessment turned out to be almost identical to the ‘conclusion’ of the assignment.

 



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Introduction – What is the Internet? – Internet evolution – Father of the Internet
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Copyright © James Higginson 2000


Filed Under: How-to guides, Study Skills Tagged With: Internet history, Study skills, Technology, Web essay, Writing skills

Web Essay 7 – essay plan

November 24, 2009 by Roy Johnson

Essay plan as a mind map

 

mindmap - graphic

 



Home
Introduction – What is the Internet? – Internet evolution – Father of the Internet
Assignment resources – Essay plan – Definition of terms – Tutor comment
 

Copyright © James Higginson 2000


Filed Under: How-to guides, Study Skills Tagged With: Internet history, Study skills, Technology, Web essay, Writing skills

Web Essay 8 – definition of terms

November 24, 2009 by Roy Johnson

Student: James Higginson
Course: An Introduction to the Internet


Definitions

WAN
A WAN is a network that covers a large geographical area. Each node in a WAN may be located in a different town. A mainframe or minicomputer will usually be involved somewhere in a WAN.

LAN
A LAN is a network that covers a smaller area than a WAN. Typically a LAN will serve the needs of one institution at one site. For example a university will have their own LAN, as may an individual bank. LANs often connect to other LANs and to WANs to allow communication between them. These interconnected LANs and WANs form a network of networks commonly known as the Internet.

Ethernet
Ethernet is a network protocol for LANs. It operates on a bus network topology. It was developed by Bob Metcalfe at Xerox PARC and is the most popular method of LAN protocol. Its popularity is a result of its reliability, speed and relative cheapness.

Networks
The public telephone network is officially known as the Public Switched Telephone Network (PSTN). While switchboard operators were replaced by mechanical, and later by computerized switching equipment, and optical (glass) fibre has replaced much of the copper wiring, the function of the network is still simply to connect the wires of two telephones (or compatible devices such as fax machines or modems), so that sounds coming from one end are transmitted to the other. This is called a ‘circuit-switched’, or more simply ‘switched’, network architecture.

Switching - graphic

Circuit Switching
While this system is very reliable, it is also extremely inefficient and expensive because the connection is made at the beginning of a conversation, fax transmission, or modem ‘session’, and is maintained until the connection is terminated – meaning a certain portion of the network is reserved exclusively for that conversation whether or not communication is taking place at the moment. If one party puts down the phone or is silent, or neither computer is sending or receiving data for a period of time (as is the case when using the Internet), that circuit as well as the ‘ports’ on the phone switches between the two devices are still unavailable for other activity even though they are not being used at the moment. Since it is estimated that up to 50% of a typical voice conversation is actually silence, clearly a tremendous amount of network capacity is wasted. (Put another way: a company must build double the network it really needs for a given number of simultaneous calls at double the cost.)

Packet Switching
Packet networks break the digital stream of ones and zeros into chunks of the same length. These chunks, or ‘packets’, are then put in the computer equivalent of an envelope, with some information such as the origin and destination, or ‘addresses’, of the packet, and a serial number that indicates the sequence number of the packet – its ‘place in line’. In the place of switches which merely connect and disconnect circuits, packet networks use routers – computers that read the address of a packet and pass it to another router closer to the destination. At the destination, a few thousandths of a second later, the packets are received, reassembled in the correct order, and converted back into the original message. Here is an illustration of how it works:

Packet-switching - graphic

Packet Switching – How it works
The routers in a packet-switched network are permanently connected via high-speed lines. This may seem expensive at first sight, but it makes sense economically (and technically) if the network is heavily used, i.e. effectively flooded with packets.

TCP/IP
The Internet works by breaking long messages into smaller chunks called packets which can then be switched through routers until they reach their destinations. The software associated with the TCP/IP family of protocols takes care of the assembly, disassembly and addressing of packets.

Packet anatomy - graphic

Anatomy of a Packet

Essentially, a packet is a string of bits divided into different segments. At its core is a Data segment (the chunk of the original message) which is sometimes referred to as the payload. In order to arrange for the passage of the payload through the Internet, extra information is added to it in the form of headers or (occasionally) trailers

TCP was eventually split into two protocols – one (IP) to handle addressing of packets, the other (TCP) to deal with their assembly and disassembly. The design philosophy behind this was the belief that it was better to have specialised protocols which each did one job and co-operated with one another rather than trying to design one, all-embracing monolithic protocol which tried to do everything.

DNS
The Domain name system (DNS) is the way that internet domain names are
located and translated into Internet Protocol addressess. A domain name is a
meangingful and easy-to-remember “handle” for an internet address.

POP3
POP3 (Post Office Protocol 3) is the most recent version of a standard protocol for receiving e-mail. POP3 is a client/server protocol in which e-mail is received and held for you by your Internet server. Periodically, you (or your client e-mail receiver) check your mail-box on the server and download any mail. POP3 is built into the Netmanage suite of Internet products and one of the most popular e-mail products, Eudora. It’s also built into the Netscape and Microsoft Internet Explorer browsers.

IMAP
IMAP (Internet Message Access Protocol) is a standard protocol for accessing e-mail from your local server. IMAP (the latest version is IMAP4) is a client/server protocol in which e-mail is received and held for you by your Internet server. You (or your e-mail client) can view just the heading and the sender of the letter and then decide whether to download the mail. You can also create and manipulate folders or mailboxes on the server, delete messages, or search for certain parts or an entire note. IMAP requires continual access to the server during the time that you are working with your mail.

SMTP
SMTP (Simple Mail Transfer Protocol) is a TCP/IP protocol used in sending and receiving e-mail. However, since it’s limited in its ability to queue messages at the receiving end, it’s usually used with one of two other protocols, POP3 or Internet Message Access Protocol, that let the user save messages in a server mailbox and download them periodically from the server. In other words, users typically use a program that uses SMTP for sending e-mail and either POP3 or IMAP for receiving messages that have been received for them
at their local server.

HTTP
The Hypertext Transfer Protocol (HTTP) is the set of rules for exchanging files (text, graphic images, sound, video, and other multimedia files) on the World Wide Web. Relative to the TCP/IP suite of protocol, HTTP is an application protocol. Essential concepts that are part of HTTP include (as its name implies) the idea that files can contain references to other files whose selection will elicit additional transfer requests.

HTML
HTML (Hypertext Markup Language) is the set of “markup” symbols or codes inserted in a file intended for display on a World Wide Web browser. The markup tells the Web browser how to display a Web page’s words and images for the user.

XML
XML (Extensible Markup Language) is a flexible way to create common information formats and share both the format and the data on the World Wide Web, intranets, and elsewhere. For example, computer makers might agree on a standard or common way to describe the information about a computer product (processor speed, memory size, and so forth) and then describe the product information format with XML. Such a standard way of describing data would enable a user to send an intelligent agent (a program) to each computer maker’s Web site, gather data, and then make a valid comparison. XML can be used by any individual or group of individuals or companies that wants to share information in a consistent way.

 



Home
Introduction – What is the Internet? – Internet evolution – Father of the Internet
Assignment resources – Essay plan – Definition of terms – Tutor comment
 

Copyright © James Higginson 2000


Filed Under: How-to guides, Study Skills Tagged With: Internet history, Study skills, Technology, Web essay, Writing skills

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