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Leonard Woolf Autobiography – Vol II

July 5, 2009 by Roy Johnson

politics, life, and literature 1911-1969

Leonard Woolf is probably best known as the husband of Virginia Woolf, but in fact he had a remarkable life and set of achievements quite apart from his wife. He was a political activist and one of the founders of the League of Nations (which became the United Nations); he was a novelist and a journalist; and throughout the whole of his adult life he was a professional publisher, in charge of the very successful Hogarth Press, which he founded and ran successfully for fifty years.

Leonard Woolf: AutobiographyThe first volume of his autobiography dealt with his childhood in a prosperous upper middle-class Jewish family and his early memories of growing up in late Victorian London, then his intellectual flowering when he went to Cambridge. The are some wonderful character sketches of his contemporaries, who became luminaries of the Bloomsbury Group, including Saxon Sydney Turner, Lytton Strachey, and Clive Bell.

He comes across as a thoroughly decent, intelligent, hard-working man, with a particularly sharp eye for the underdog and a love of animals which makes him an animal liberationist before his time. His experiences in Ceylon made him increasingly anti-imperialist, so he quit the service in 1911 and married Virginia Woolf instead.

This second volume covers his astonishingly rich and varied life post 1912 – engagement with the co-operative movement, a gradual shift to the Left in political terms, and friendships with all the leading literary and political figures of the day – H.G.Wells, G.B.Shaw, Bertrand Russell, Ramsay MacDonald, and T.S.Eliot. There are also sustained portraits of Ottoline Morrell, Isobel Colefax, Sigmund Freud (whose complete works he published) and Ramsay MacDonald. He also provides an impassioned account of the political dark years of the 1930s.

Politically, he was a left-wing realist. He served on endless committees, fighting for causes in which he believed. Yet he realised that the people amongst whom he worked, and the mechanisms they pursued, were deadly boring. Unlike many fellow travellers of the inter-war years, he was also well aware that the communists (in Soviet terms) killed more people than they helped or saved.

He’s very revealing on the mechanics of running a small independent publishing company, and he presents the profits and balance sheets of the Hogarth Press with the very conscious aim of revealing what most other writers talk about but never confess – how much they make from their writing.

In the last part of his memoir, written when he was eighty-five, it has to be said that he rambles quite a lot, and goes over ground he has already covered earlier. But this does help to reinforce the tremendous variety in his life. He felt that all his political efforts amounted to nothing, and that the Hogarth Press had been successful because it had been kept small scale and independent. He’s probably a bit too hard on himself politically, and anybody with a CV half as long could hold their head up high.

However, this is not a memoir full of gossip or personal revelation. You would never know from this that his wife fell in love with another woman, or that he had a largely sexless relationship with her. Nor would you ever guess that for the last thirty years of his life he shared the wife of his business associate on a weekend-weekday basis.

As an autobiography, it’s long overdue for a reissue, but in the meantime, the two volume Oxford Paperbacks edition offers the full text with good indexes. Leonard Woolf went up in my estimation as a result of reading this memoir, and I am looking forward now to both his collected leters, and in particular to the letters he exchanged on almost a daily basis with his ‘lover’ Trekkie Parsons.

© Roy Johnson 2000

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Leonard Woolf, An Autobiography: 1911-1969 v. 2, Oxford: Oxford Paperbacks, 1980, pp.536, ISBN: 0192812904


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Leonard Woolf biography

September 19, 2009 by Roy Johnson

lifeline, literature, publishing, politics

Leonard Woolf biographyLeonard Sidney Woolf was born in London in 1880, the third of ten children of Solomon Rees Sydney and Marie (de Jongh) Woolf. When his father died in 1892, Woolf was sent to board at the Arlington House School, a preparatory school near Brighton. From 1894 to 1899 he studied on a scholarship as a day student at St. Paul’s, a London public school noted for its classical studies. In 1899 he won a classical scholarship to Trinity College, Cambridge.

At Cambridge, Woolf became part of a youthful group of intellectuals who were elected to an elite group called ‘The Apostles’. The members of this group included Lytton Strachey, Clive Bell, Thoby Stephen, John Maynard Keynes and E.M. Forster, who were students, and Bertrand Russell, who was a Fellow. These people eventually formed the core of the Bloomsbury Group.

In 1902 Woolf earned his B.A. degree but stayed on at Cambridge for a fifth year to study for the civil service examination. He left Trinity College in October 1904 to become a cadet in the Ceylon Civil Service. His professional progress was rapid. In August 1908 he was appointed an assistant government agent in the Southern Province, assigned to administer the District of Hambantota.

As part of the Bloomsbury Group, Woolf met Virginia Stephen, Thoby’s sister, and twice proposed marriage to her. He was twice refused. Woolf returned to England in May 1911 for a year’s leave, expecting to return to Ceylon later. In July, however, he proposed to Virginia yet again, and this time she accepted him.

Partly because he chose to marry Virginia and partly because of a growing distaste for colonialism, Woolf resigned from the Ceylon Civil Service early in 1912 (as George Orwell was to do over a decade later). It was at this time that the Bloomsbury Group began to gain momentum as an intellectual and artistic force, and Leonard Woolf was at the centre of it.

In 1913 Woolf published his first novel, The Village and the Jungle, based on his experiences in the colonial service. This was followed by The Wise Virgins in 1914.

Like most other members of the Bloomsbury Group, Woolf was a pacifist and an opponent of Britain’s involvement in the First World War. However, he was spared becoming a conscientious objector, because he was rejected by the military as unfit for duty.

With the outbreak of the war, Woolf turned his attention to politics and sociology. He joined the Labour Party and the Fabian Society and became a regular contributor to New Statesman. In 1916 he wrote International Government which outlined future possibilities for a international agency to enforce peace in the world. The book was incorporated by the British government in its proposals for a League of Nations at Geneva. Woolf was later active in the League of Nations Society and the League of Nations Union.

During the war years Woolf spent a lot of his time caring for his wife Virginia, who was then suffering extreme manic-depression. To provide her with a relaxing hobby they bought a small hand printing press in 1917 and set up the Hogarth Press – named after their home in Richmond. Their first project was a pamphlet containing a story by each of them, printed and bound by themselves.

Other small books followed, written by their friends including T.S. Eliot, Katherine Mansfield and E.M. Forster. Many of the book jackets were designed by Virginia’s sister, the designer and painter Vanessa Bell. Within ten years, the Hogarth Press was a full-scale publishing house and included on its list such seminal works as Eliot’s The Waste Land, Virginia Woolf’s Jacob’s Room and Freud’s Collected Papers, which were translated into English by Julian Strachey, Lytton Strachey’s brother. Leonard Woolf remained the main director of the publishing house from its beginning in 1917 until his death in 1969.

After the war, Leonard Woolf occupied himself more and more with political work. He became editor in 1919 of International Review, and edited the international section of Contemporary Review from 1920 through 1922. He was literary editor of Nation Athenaeum from 1923 to 1930 and joint editor of Political Quarterly from 1931-1959. Woolf also served during the period between the wars as secretary of the Labour Party’s advisory committees on international and colonial questions.

Leonard looked after his wife Virginia through all her periods of depression, right up to the point of her suicide in 1941. They remain a couple who typify the Bloomsbury Group through their personal lives and their prodigious creative output. What is less well known about Leonard Woolf however, is that the latter part of his life was no less radical at a personal level. Love Letters reveals the whole story of this extraordinary episode.

During the Second World War he began an affair with a painter and book illustrator Trekkie Parsons, who was married to a publisher – at that time on active military service. Leonard was 61, Trekkie 39. He wanted her to get a divorce and marry him, but instead she persuaded him to move into the house next door to her in London and she spent the weekends with him at Monk’s House in Rodmell.

When her husband came back from the war, their lives not surprisingly became more complex. She spent the weekends with her husband and the week with Leonard. She took holidays with the two men separately, and acted as hostess for them both. This arrangement worked smoothly for the next twenty-five years.

When Trekkie and Leonard were not together they talked through the post. Trekkie sealed up their correspondence, and it was only opened after her death. Linked by excerpts from her diary, the letters shine with details of daily life: of gardens and glow-worms, books and plays; of Leonard’s publishing and politics; of Trekkie’s struggle to balance her professional and personal life. This remarkable exchange of letters tells the story of two contrasting personalities, their love for one another and their unusual and creative domestic arrangement.

Among Woolf’s most important writings are After the Deluge (1931-51), a multi-volume modern political and social history, and his five-volume autobiography, Sowing (1960), Growing (1961), Beginning Again (1964), Downhill All The Way (1967) and The Journey Not The Arrival Matters (1969). He died August 14, 1969.


Leonard Woolf biography


Bloomsbury Group – web links

Bloomsbury Group - web links Hogarth Press first editions
Annotated gallery of original first edition book jacket covers from the Hogarth Press, featuring designs by Vanessa Bell, Roger Fry, and others.

Bloomsbury Group - web links The Omega Workshops
A brief history of Roger Fry’s experimental Omega Workshops, which had a lasting influence on interior design in post First World War Britain.

Bloomsbury Group - web links The Bloomsbury Group and War
An essay on the largely pacifist and internationalist stance taken by Bloomsbury Group members towards the First World War.

Bloomsbury Group web links Tate Gallery Archive Journeys: Bloomsbury
Mini web site featuring photos, paintings, a timeline, sub-sections on the Omega Workshops, Roger Fry, and Duncan Grant, and biographical notes.

Bloomsbury Group - web links Bloomsbury: Books, Art and Design
Exhibition of paintings, designs, and ceramics at Toronto University featuring Hogarth Press, Vanessa Bell, Dora Carrington, Quentin Bell, and Stephen Tomlin.

Bloomsbury Group - web links Blogging Woolf
A rich enthusiast site featuring news of events, exhibitions, new book reviews, relevant links, study resources, and anything related to Bloomsbury and Virginia Woolf

Bloomsbury Group - web links Hyper-Concordance to Virginia Woolf
Search the texts of all Woolf’s major works, and track down phrases, quotes, and even individual words in their original context.

Bloomsbury Group - web links A Mrs Dalloway Walk in London
An annotated description of Clarissa Dalloway’s walk from Westminster to Regent’s Park, with historical updates and a bibliography.

Bloomsbury Group - web links Women’s History Walk in Bloomsbury
Annotated tour of literary and political homes in Bloomsbury, including Gordon Square, University College, Bedford Square, Doughty Street, and Tavistock Square.

Bloomsbury Group - web links Virginia Woolf Society of Great Britain
News of events, regular bulletins, study materials, publications, and related links. Largely the work of Virginia Woolf specialist Stuart N. Clarke.

Bloomsbury Group - web links BBC Audio Essay – A Eulogy to Words
A charming sound recording of a BBC radio talk broadcast in 1937 – accompanied by a slideshow of photographs of Virginia Woolf.

Bloomsbury Group - web links A Family Photograph Albumn
Leslie Stephens’ collection of family photographs which became known as the Mausoleum Book, collected at Smith College – Massachusetts.

Bloomsbury Group - web links Bloomsbury at Duke University
A collection of book jacket covers, Fry’s Twelve Woodcuts, Strachey’s ‘Elizabeth and Essex’.

© Roy Johnson 2000-2014


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Filed Under: Bloomsbury Group, Leonard Woolf Tagged With: Biography, Bloomsbury Group, Cultural history, Leonard Woolf

Leslie Stephen biography

September 21, 2009 by Roy Johnson

Leslie Stephen (1832-1904) has every right to be considered the father of the Bloomsbury Group, since it was his sons and daughters who eventually formed the network of friends and lovers which came to be given that name. But he was equally distinguished in his own right – as an author, critic, and a mountaineer. He is perhaps best known as the editor and principal author of the Dictionary of National Biography. Born in Kensington, London, he was raised in a family which belonged to the Clapham sect of evangelical Christian social reformers. He was educated at Eton College, then at Trinity Hall, Cambridge where he remained for several years as a fellow and a tutor of his college.

Leslie Stephen biographyHe became an Anglican clergyman, but in 1865 renounced his religious beliefs and left the church. In 1869 he married Harriet Thackeray, the daughter of William Makepeace Thackeray. They had a daughter Laura (1870-1945) who developed a form of incurable brain disease and was institutionalised for the majority of her life. When his wife died rather suddenly in 1875 he married Julia Prinsep Jackson, the widow of Herbert Duckworth. She brought with her two sons, George and Gerald, the latter of whom went on to found the Duckworth publishing company.

Settling at Hyde Park Gate in Kensington, London, he made his living as a journalist, editing the Cornhill Magazine which published the work of Robert Louis Stevenson, Thomas Hardy, and Henry James. He also contributed to the Saturday Review. Macmillan, and other periodicals. In his spare time he became a famous mountaineer, and was the first person to climb a number of Alpine peaks. He was one of the first presidents of the Alpine Club and wrote The Playground of Europe which became a mountaineering classic.

With his second wife he had four children – two sons, Thoby and Adrian, and two daughters, Vanessa and Virginia who became Vanessa Bell the painter, and Virginia Woolf the writer. He was the first editor of the Dictionary of National Biography and he wrote The Science of Ethics which was widely adopted as a standard textbook on the subject.

When his second wife died in 1895, his daughter Vanessa took over the running of the Stephen household. He established what both his daughters describe as an emotionally demanding regime – but it has to be said that as a free-thinker, he also gave them free reign to pursue their artistic ambitions. In fact it is often observed that although Virginia, like other women of her time, did not go to university, she nevertheless received a first-class education at home, merely by being given free access to her father’s library.

When Leslie Stephen died in 1904 all four of the Stephen children lost no time in setting up home independently in what they saw as a more liberal and tolerant atmosphere. They even decorated their new premises in Gordon Square Bloomsbury in lighter colours, as a reaction to the dark tones of the Victorian period they were leaving. However, the politically liberal, free-thinking (non-religious) intellectual atmosphere their father left them as an inheritance was to form the basis of what they had created within a few years as founding members of the Bloomsbury Group.


Leslie Stephen


Bloomsbury Group – web links

Bloomsbury Group - web links Hogarth Press first editions
Annotated gallery of original first edition book jacket covers from the Hogarth Press, featuring designs by Vanessa Bell, Roger Fry, and others.

Bloomsbury Group - web links The Omega Workshops
A brief history of Roger Fry’s experimental Omega Workshops, which had a lasting influence on interior design in post First World War Britain.

Bloomsbury Group - web links The Bloomsbury Group and War
An essay on the largely pacifist and internationalist stance taken by Bloomsbury Group members towards the First World War.

Bloomsbury Group web links Tate Gallery Archive Journeys: Bloomsbury
Mini web site featuring photos, paintings, a timeline, sub-sections on the Omega Workshops, Roger Fry, and Duncan Grant, and biographical notes.

Bloomsbury Group - web links Bloomsbury: Books, Art and Design
Exhibition of paintings, designs, and ceramics at Toronto University featuring Hogarth Press, Vanessa Bell, Dora Carrington, Quentin Bell, and Stephen Tomlin.

Bloomsbury Group - web links Blogging Woolf
A rich enthusiast site featuring news of events, exhibitions, new book reviews, relevant links, study resources, and anything related to Bloomsbury and Virginia Woolf

Bloomsbury Group - web links Hyper-Concordance to Virginia Woolf
Search the texts of all Woolf’s major works, and track down phrases, quotes, and even individual words in their original context.

Bloomsbury Group - web links A Mrs Dalloway Walk in London
An annotated description of Clarissa Dalloway’s walk from Westminster to Regent’s Park, with historical updates and a bibliography.

Bloomsbury Group - web links Women’s History Walk in Bloomsbury
Annotated tour of literary and political homes in Bloomsbury, including Gordon Square, University College, Bedford Square, Doughty Street, and Tavistock Square.

Bloomsbury Group - web links Virginia Woolf Society of Great Britain
News of events, regular bulletins, study materials, publications, and related links. Largely the work of Virginia Woolf specialist Stuart N. Clarke.

Bloomsbury Group - web links BBC Audio Essay – A Eulogy to Words
A charming sound recording of a BBC radio talk broadcast in 1937 – accompanied by a slideshow of photographs of Virginia Woolf.

Bloomsbury Group - web links A Family Photograph Albumn
Leslie Stephens’ collection of family photographs which became known as the Mausoleum Book, collected at Smith College – Massachusetts.

Bloomsbury Group - web links Bloomsbury at Duke University
A collection of book jacket covers, Fry’s Twelve Woodcuts, Strachey’s ‘Elizabeth and Essex’.

© Roy Johnson 2000-2014


More on biography
More on the Bloomsbury Group
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Filed Under: Bloomsbury Group Tagged With: Biography, Bloomsbury Group, leslie Stephen, Literary studies

Love in Bloomsbury

July 14, 2009 by Roy Johnson

the memoirs of Frances Partridge

Beautiful, well read, and educated at Cambridge, Frances Partridge was a member of the Bloomsbury Group and until quite recently the last survivor of the group’s most famous love quadrangle. Love in Bloomsbury is a collection of her memoirs, which sketch out her childhood and adolescence, then focus on that celebrated quartet, two of whom were doomed, the other two survivors. Her story begins and ends in Bloomsbury, because she was raised in an upper middle-class Edwardian family in Bedford Square.

Love in Bloomsbury She was the youngest of a large family which also included her sister Ray Marshall, the painter (who later married David Garnett). They were friends of both the Stracheys and the Stephens (Virginia Woolf‘s family) and her education included school at Queen’s College, Harley Street (which Katherine Mansfield also attended) then Newnham College Cambridge, where she graduated in English and Philosophy.

Her introduction to the Bloomsbury set was via her job at David Garnett’s bookshop. She gives a vivid account of parties, dancing, and the heady artsy-Bohemian atmosphere which flourished after the first world war. There are character sketches of all the principal Bloomsberries, Virginia Woolf, her sister Vanessa Bell, and Roger Fry, though like most of them when it came to writing their memoirs, she is extremely discreet and gives little away about the background to what were in some cases quite extraordinary liaisons.

She formed a relation ship with Ralph Partridge, who was at that time married to Dora Carrington, who in her turn happened to be in love with Lytton Strachey, with whom Carrington lived – though there is no open acknowledgement of the complex sexual relationships between the principals. You would never know from this for instance that Dora Carrington had affairs with women as well as men.

Frances Partridge

There are some delightful vignettes: a long summer weekend at Charleston with Vanessa Bell and Duncan Grant, then a visit to Gerald Brenan‘s house in the Spanish Alpujarraras (which he describes in his classic, South from Granada).

Lots of famous names flit through the pages – Arnold Bennett, Princess Bibesco, Cyril Connolly, Maurice Chevalier, and even Ludwig Wittgenstein. At one point, once her relationship with Ralph Partridge has become established (there was a rather hurried marriage) a child appears – only to disappear seven words later.

In the second part of the book her account centres on the late 1920s, reaching its climax in the death of Lytton Strachey and the subsequent suicide of Dora Carrington. After that, the narrative comes to a quiet ending, celebrating the central Bloomsbury belief that friendship ought to be cherished and celebrated.

I actually enjoyed the earlier schoolgirl and student years of her account more than the later, though her confirmation of some of the famous Bloomsberry anecdotes that one has read elsewhere does help to authenticate their veracity.

It should also be said that the writing is very stylish and poised. Frances Partridge went on to become a prolific writer in her later years, translating from French and Spanish, including work by the Cuban Nobel prizewinner Alejo Carpentier, but mainly devoting herself to her memoirs of the years which follow these.

© Roy Johnson 2000

Love in Bloomsbury Buy the book at Amazon UK

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Frances Partridge, Love in Bloomsbury, Boston: Little, Brown, 1981, pp.244, ISBN: 0316692840


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Love Letters: Leonard Woolf and Trekkie Parsons

May 18, 2009 by Roy Johnson

Bloomsbury’s secret love affair

Everybody knows that Leonard Woolf nursed his wife Virginia Woolf through periods of mental and physical illness, right up to the point of her suicide in 1941. What is not so well known is that he did this at the same time as being a full time journalist and author, a Labour Party activist responsible for the development of the League of Nations, and a successful commercial publisher in charge of the Hogarth Press. Even less well known is the fact that within twelve months of his wife’s death he began a relationship with a woman which was to last for the rest of his life.

Love Letters: Leonard Woolf & Trekkie ParsonsNot that there was anything wrong with his forming a new relationship – but the woman happened to be married to someone else. She was Trekkie Parsons, an artist and book illustrator, and her second husband Ian Parsons eventually became Leonard Woolf’s business partner. The actual content of the letters is fairly inconsequential: arrangements for meeting; reflections on botanical matters; lots of endearments; the desire (on his part) for more contact; and occasional comments on their contemporaries. They had lots of shared interests – pet animals, horticulture, and even printing. He was after all an independent publisher, and she studied and practised all sorts of printing techniques.

Leonard is clearly the more enamoured: as a widower, living alone, he yearns for more time with her. But she warns against their relationship becoming passionate – using a form of words which would give anyone pause for thought: ‘I want you to love me you see – but not as an epidemic disease all covered in spots & then quite cured’.

When her husband was posted to France she went to live with Woolf at Monks House in Lewes (sleeping in Virginia Woolf’s old bed) – though it also has to be said that when Ian Parsons was demobbed in 1945 all three of them moved into the same house in London.

In fact for the near thirty years that their relationship existed, she split herself between the two men. She supported her husband in his business ventures and enjoyed their busy social life together. They were said to be a ‘well-oiled unit’. But she spent a large part of the working week with Leonard, and even went on holidays with him.

There is no evidence in the letters that her husband was at all worried about what was going on, but when Parsons started an affair of his own with his business partner Nora Smallwood, Trekkie was not impervious to jealousy.

The most amazing thing is that there is hardly a word in what they write to each other over a span of almost three decades about the oddity, ambiguity, or any tensions in their relationship. Even the footnotes remain silent on that score.

The question which anyone with an ounce of curiosity or a spoonful of blood in their veins will want to know is – was the relationship physically intimate? And the amazing thing is that there is not a jot of evidence either way so far as I could see – which makes it all the more curious.

The editing of the letters is quite scholarly. Whenever someone new is mentioned, an explanation of who they are is offered in a footnote. But there is little analysis or interpretation of events.

Leonard claimed that Trekkie was the best thing that had ever happened to him. He made her his executrix and principal legatee. And when his will was contested by members of his own family, these letters were adduced in court as evidence of merely a ‘literary and social friendship’. Moreover, Trekkie herself claimed (at the age of ninety) that the relationship had not been sexual.

If that is true, Leonard Woolf spent almost six decades devoted to two women, Virginia and Trekkie, with whom he had sexless relationships. It is no good going to his excellent Autobiography to discover more, because he is just as reserved about his private life there. One can only read and stand back, amazed at yet another facet of Bloomsbury life.

© Roy Johnson 2004

Leonard Woolf Love Letters Buy the book at Amazon UK

Leonard Woolf Love Letters Buy the book at Amazon US


Judith Adamson (editor), Love Letters: Leonard Woolf & Trekkie Parsons 1941-1968, London: Pimlico, 2002, pp.312, ISBN: 0712664734


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Filed Under: Bloomsbury Group, Leonard Woolf Tagged With: Biography, Bloomsbury Group, Hogarth Press, Leonard Woolf, Literary studies, Trekkie Parsons

Lytton Strachey biography

September 22, 2009 by Roy Johnson

life, works, and loves of a literary bohemian

Lytton Strachey biographyLytton Strachey (1880-1932) was born at Clapham Common and raised at Lancaster Gate, in central London. He was the eleventh of thirteen children, to General Sir Richard Strachey (an engineer) and his wife Jane Grant. Though he spent some years at boarding schools, including Abbotsholme and Leamington College, he received much of his education at home. His mother took an interest in literature and politics, and Strachey met many of the leading writers and thinkers of the day when they came to visit Lady Strachey. His secondary education was completed at University College in Liverpool where he studied Latin, Greek, mathematics, and English literature and history. It was there that he met and was influenced by Walter Raleigh, a professor of English literature and well known biographer.

After failing to receive a scholarship to Oxford in 1899, Strachey decided to attend Cambridge where he developed many friendships which lasted the rest of his life. At Trinity College Cambridge he met Clive Bell, Thoby Stephen (Virginia Woolf’s brother) John Maynard Keynes, and Leonard Woolf.

Along with many other future members of the Bloomsbury Group, he was elected to the Apostles Society, and he also won the Chancellor’s medal for his poem, ‘Ely: An Ode’. In 1903 fellow Apostle G.E.Moore’s Principia Ethica was published, producing a profound effect on the aspiring intellectuals. The Principia became a rationalizing factor in loosening the repression of homosexual tendencies among the Apostles and in Trinity and King’s College as well.

Strachey completed his work at Cambridge with a thesis on Warren Hastings but failed to receive a Trinity fellowship. He returned to his parents’ home in Lancaster Gate and sought to support himself as a journalist. Much of his social life centred on the Thursday night ‘at-homes’ of the Stephenses – Thoby, Adrian, Vanessa Bell, and Virginia Woolf.

He contributed book and drama reviews to The Spectator magazine, published poetry, and wrote an important work of literary criticism, Landmarks in French Literature (1912). During the First World War, he was a conscientious objector, and spent much time with like-minded people such as Lady Ottoline Morrell and other members of the Bloomsbury Group.

In 1915 Strachey met Dora Carrington, a graduate of the Slade School of Art and the woman who devoted herself to him for the rest of his life. In 1917 Strachey and Carrington moved into a cottage in Tidmarsh, Oxfordshire, and continued to carry on with their separate personal lives. Carrington maintained a relationship with fellow artist Mark Gertler before marrying Ralph Partridge, and Strachey moved through a series of relationships with a series of men.

Eminent VictoriansHis first great success, and his most famous achievement, was Eminent Victorians (1918) a collection of four short biographies of Victorian heroes. With a dry wit, he exposed the human failings of his subjects and what he saw as the hypocrisy at the centre of Victorian morality. His portraits of Cardinal Manning, Florence Nightingale, Thomas Arnold, and General Gordon changed perceptions of the Victorians for a whole generation.

This work was followed in the same style by Queen Victoria, a work which used elements of romantic fiction and melodrama to create a warm, humorous and very human portrait of an iconic figure. We see Victoria as a strong-willed child, as the 18-year-old girl queen, as a monarch, wife, mother and widow. Equally fascinating are her relationships with Peel, Gladstone and Disraeli, with her beloved Albert and her Highland servant John Brown, all of which show a different side of her staid, pious image.

Strachey’s literary style was becoming very popular and he began to achieve a measure of fame which allowed him to support himself and his household from the proceeds of his writing. In 1924 he purchased the lease to Ham Spray House and moved in along with Carrington and Ralph Partridge. He completed Elizabeth and Essex in 1928 and started editing The Greville Memoirs, a project which was completed posthumously by Ralph and Frances Partridge and Roger Fulford.

Though his frequent ill-health often made it difficult, Strachey enjoyed travelling and made several trips abroad between 1928 and 1931. One of these excursions is described very humorously in Gerald Brenan’s memoir, South from Granada. Late in 1931 he began to decline rapidly from an illness which doctors were unable to identify. He died January 21, 1932, of what was later found to be stomach cancer. His famous deathbed bon mot was: ‘If this is dying, then I don’t think much of it.’ Distraught at the loss of her soul-mate, Carrington made two attempts to commit suicide. The latter was successful when she borrowed a gun from her neighbour and shot herself.


The Letters of Lytton StracheyStrachey’s Letters This collection reveals the poignant love-affair between him and the painter Dora Carrington, plus his affairs with Roger Senhouse and his cousin Duncan Grant. He also wrote almost every day to Leonard Woolf on politics, literature, and life – and he correctly predicted to Maynard Keynes that their sexual proclivities and attitudes put them a hundred years ahead of their time. Includes new materials unknown to previous biographers, almost every item revealing Strachey as a witty, gossipy, and sparkling character.


Lytton Strachey biography


Bloomsbury Group – web links

Bloomsbury Group - web links Hogarth Press first editions
Annotated gallery of original first edition book jacket covers from the Hogarth Press, featuring designs by Vanessa Bell, Roger Fry, and others.

Bloomsbury Group - web links The Omega Workshops
A brief history of Roger Fry’s experimental Omega Workshops, which had a lasting influence on interior design in post First World War Britain.

Bloomsbury Group - web links The Bloomsbury Group and War
An essay on the largely pacifist and internationalist stance taken by Bloomsbury Group members towards the First World War.

Bloomsbury Group web links Tate Gallery Archive Journeys: Bloomsbury
Mini web site featuring photos, paintings, a timeline, sub-sections on the Omega Workshops, Roger Fry, and Duncan Grant, and biographical notes.

Bloomsbury Group - web links Bloomsbury: Books, Art and Design
Exhibition of paintings, designs, and ceramics at Toronto University featuring Hogarth Press, Vanessa Bell, Dora Carrington, Quentin Bell, and Stephen Tomlin.

Bloomsbury Group - web links Blogging Woolf
A rich enthusiast site featuring news of events, exhibitions, new book reviews, relevant links, study resources, and anything related to Bloomsbury and Virginia Woolf

Bloomsbury Group - web links Hyper-Concordance to Virginia Woolf
Search the texts of all Woolf’s major works, and track down phrases, quotes, and even individual words in their original context.

Bloomsbury Group - web links A Mrs Dalloway Walk in London
An annotated description of Clarissa Dalloway’s walk from Westminster to Regent’s Park, with historical updates and a bibliography.

Bloomsbury Group - web links Women’s History Walk in Bloomsbury
Annotated tour of literary and political homes in Bloomsbury, including Gordon Square, University College, Bedford Square, Doughty Street, and Tavistock Square.

Bloomsbury Group - web links Virginia Woolf Society of Great Britain
News of events, regular bulletins, study materials, publications, and related links. Largely the work of Virginia Woolf specialist Stuart N. Clarke.

Bloomsbury Group - web links BBC Audio Essay – A Eulogy to Words
A charming sound recording of a BBC radio talk broadcast in 1937 – accompanied by a slideshow of photographs of Virginia Woolf.

Bloomsbury Group - web links A Family Photograph Albumn
Leslie Stephens’ collection of family photographs which became known as the Mausoleum Book, collected at Smith College – Massachusetts.

Bloomsbury Group - web links Bloomsbury at Duke University
A collection of book jacket covers, Fry’s Twelve Woodcuts, Strachey’s ‘Elizabeth and Essex’.

© Roy Johnson 2000-2014


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Lytton Strachey by Himself

July 19, 2009 by Roy Johnson

diaries, journals, essays, and personal fragments

Lytton Strachey is best known through his letters, a voluminous outpouring which he maintained throughout his life. But those were written largely to amuse the recipients. This book gathers together his diaries, which he wrote in solitude for himself. It also contains autobiographical fragments, some travel journals, and two essays which were delivered to the Bloomsbury Memoir Club, plus occasional writings from periods of his life ranging from childhood to his last days. After a scene-setting opening which describes life at his family home at Lancaster Gate, the first entry is the journal of a holiday in Gibraltar, Cairo, and Capetown.

Lytton Strachey by HimselfThen we get a confessional fragment on the first of his schoolboy love affairs, followed by a journal of his time studying literature at Liverpool University College. Next come reflections on Cambridge life and his preoccupations with sex, then an essay that records the events – or rather the thoughts and feelings – of a single day ‘Monday 16 June 1916’. This piece, written amidst the horrors of the first world war, conjures up a languorous, privileged visit to Vanessa Bell’s house at Charleston, doing virtually nothing the whole day long except lounge around in the garden, making plans to seduce the postman.

As Michael Holroyd admits in his linking commentary between the entries, this piece is guaranteed to infuriate Bloomsbury critics, but for those who are more sympathetic it offers a first-hand glimpse of what life was like amidst this group.

It’s also remarkably similar in style to Virginia Woolf’s poetic meditations and her shorter experimental fictions. It hovers tentatively in the regions of what we now call Proustian ‘moments’, and it is interesting to note that like the Lancaster Gate piece, it ends on a note of erotic confession.

This is a fairly lightweight compilation, but it fills in some gaps left by both the letters and the biography. Strachey is a fascinating character – far more complex than the picture of him as an effete neurasthenic which is commonly circulated.

© Roy Johnson 2005

Lytton Strachey by Himself Buy the book at Amazon UK

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Michael Holroyd (ed) Lytton Strachey by Himself, London: Abacus, 2005, pp.248, ISBN 0349118124


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Marcel Proust Illustrated Life

June 8, 2009 by Roy Johnson

biographical notes, charming illustrations, and photos

This short biographical study offers an introduction to Proust’s strange life, and his unrelenting devotion to creativity. It’s written by an expert, and presented in a very attractive manner with archive photographs on almost every page. Mary Ann Caws admits from the outset that with so many other excellent biographies of Proust available [by George Painter, Ronald Hayman, and William Sansom] there’s no point in writing another.

Marcel Proust Illustrated LifeInstead, she produces an account of Proust which takes themes and motifs from his life as a starting point for meditations upon them – some of them not much longer than a single page, and others stretching out in more leisurely fashion to make well-informed reflections on the social context which gave rise to his work.

For those who don’t know Proust well, she includes a sufficient number of tantalizing biographical details to whet any appetite for more. He slept between eight in the morning and three in the afternoon, then worked late into the night, fueled (like Balzac) by strong coffee and a variety of drugs. He turned up to the best restaurants in the middle of the night and paid for special dinners to be laid on. He left some of his best furniture to a male brothel which he frequented.

Caws is steeped in knowledge about Proust and his background, and her account moves easily from his personal life to cultural issues. Her most extensive chapter is a lengthy analysis of Proust’s relationship to music, and the influence of the Ballets Russes on Paris and London in the early years of the last century. She also discusses the influence of the English art critic Ruskin on Proust’s literary style, and notes in addition his enthusiasm for the work of Thomas Hardy.

The beginner expecting a chronological introduction to the main events in Proust’s life might be disappointed, but by way of compensation it is the photographs and illustrations which make this book such a charming experience. The images of late nineteenth century Paris which inspired so much of his work are surrounded by sketches from his notebooks, paintings of the people who inspired his characters, and photographs that you rarely see elsewhere.

© Roy Johnson 2005

Marcel Proust   Buy the book at Amazon UK

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Mary Ann Caws, Marcel Proust: an illustrated life, New York: Overlook Press. 2005, pp.112, ISBN: 1585676489


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Memoirs of a Revolutionary

August 4, 2012 by Roy Johnson

an extraordinary life in radical left politics 1905-1941

Memoirs of a Revolutionary the autobiography of one of the most remarkable writers in the first half of the twentieth century, and yet his work is hardly known outside a small coterie of admirers. He was a novelist, a poet, a historian, and a political activist. His parents were Russian emigrees; he was born in Belgium; he wrote in French; and he died in political exile in Mexico in 1947. Memoirs of a Revolutionary is a new edition of his political autobiography, which stretches from his youth in Brussels, Lille, and Paris, to his participation in the Russian revolution. It covers his days as a Left Oppositionist, and his eventual exile at the hand of Stalin, to his last desperate years searching for escape on a ‘planet without a passport’ until he was finally able to record this deposition of courage and fortitude.


Memoirs of a Revolutionary
The first pages are filled with an account of his youthful ideals – mainly centred on a form of libertarianism and anarchism, though recollected from a politically mature point of view. There is remarkably little about his own personal life except his admiration for his father, the fact that he never went to school, and the poor life he eked out as a typesetter and a machine tool draughtsman.

His story really begins in Paris, where he lived amongst the poorest, giving language lessons, doing translation work, and writing articles for left-wing newspapers and magazines. It was 1909, and all sorts of political groups were active and (as was often the case) at war with each other – anarcho-syndicalists, Christian democrats, ‘illegalists’ (robbers) and exiled Russian revolutionaries, towards whom Serge felt drawn.

As the editor of a left-wing newspaper he was asked to give evidence against an anarchist gang who carried out a series of desperate raids in 1910. He refused, and was sent to jail for five years. He summarises this next half decade, since the details of his incarceration were transformed into the content of his first documentary novel Men in Prison.

It cannot be stressed too strongly how almost all of Serge’s writing was produced under enormous constraints of time and resources. He wrote whilst in exile, in hiding, and in transit. There were few opportunities for revision, fact-checking, or the sort of re-drafting that most authors take for granted. Everything was produced white-hot – which might account for his direct, compressed, and telegraphic style.

On release from jail he went to Barcelona and took part in the 1917 uprising (something he documents in his second novel, Birth of our Power), but feeling that the real revolution was taking place in Russia, he volunteered for ‘repatriation’ to a country in which he had never set foot, arriving in Petrograd in 1919.

Almost immediately he was recruited into the services of the Third Communist International because of his language skills and knowledge of western Europe, even though at this time he was not a member of the Communist Party.

He committed himself to the Bolsheviks, whilst at the same time being aware of their weaknesses and mistakes – the greatest of which he believed to be the creation of the Cheka, the secret police or state-within-a-state which changed its name frequently but not its pernicious effects.

He paints an unflinchingly honest picture of the Revolution and its aftermath – the disjuncture between official propaganda and the reality of mass starvation, the black market, failed production, and an economy run on useless banknotes.

After a failed attempt to create a self-sufficient commune amongst the famine and poverty in the countryside, he decided that the future of the Revolution lay in the West, and moved to work secretly for the Communist International in Berlin.

Victor Serge - portraitHe worked as a secret agent, using multiple identities and the cover of a job as journalist and editor. His real job there was to assist the promotion of the German Revolution ‘planned’ for October 1923. This was a period when Marxist orthodoxy thought that revolutions could be planned and organised according to theoretical principles, without troubling to analyse or face any social facts. When the revolution failed to take place, he de-camped to Prague. However, even though conditions there were less severe, he felt unable to act effectively, and so, as a Trotsky supporting oppositionist and at the worst possible time, he loyally returned to Leningrad in 1926.

The number of famous people he knew personally is astonishing – political figures such as Zinoviev, Maxim Gorky, Lenin, Trotsky, and Georg Lukacs, but also artists and poets such as Anna Akhmatova, her husband Nikolai Gumilev, plus Alexander Blok and Sergei Yesenin – all of whom he wrote about in his Literature and Revolution.

At times his account reads like a novel, which is not surprising since the narrative is composed of vivid character sketches, scenes recounted from participants’ points of view, sparkling atmospherics and mise en scene, sensational episodes, sudden murders or suicides, and all the time a dramatic tension created by his efforts to survive when all around him are being imprisoned and shot.

If there’s a chapter that’s less briskly paced than the rest, it’s that dealing with the expulsion of the Left-Oppositionists from the Party into exile, jail, and (later) extermination. But Serge’s justification is that of writing as ‘testament’. He passionately wished to place on record the tragic ‘betrayal of the revolution’ exactly as it unfolded.

This period (1926-1928) was followed by the first of the show trials – fabricated crimes in which nobody believed which were used as an excuse to eliminate any traces of criticism of the executive. The punishment for pre-determined outcomes was imprisonment and a bullet in the back of the head.

All of this repression was taking place at the same time as the central committee was responsible for more or less criminal levels of mismanagement of the economy . Famines were created through deliberate stupidity; millions of people were displaced from their land; millions more starved to death. This is the period which forms the background to what many people believe is Serge’s greatest novel, The Case of Comrade Tulayev

In 1933 Serge was finally arrested by the secret police, imprisoned, and when he refused to confess to his non-existent crimes was exiled to Kazakhstan for three years. He records this experience in the third volume of his first trilogy, Midnight in the Century.

He was saved from extinction by the reputation as a writer he had built up in western Europe – particularly France. In the literary conferences called in 1935 and 1936 his case was raised and calls made for his release. Eventually Romain Rolland made a personal appeal to Stalin, and Serge was released.

The police stole his manuscripts and his belongings, but he was deported to Belgium. Even there he was pursued by lies and slander propagated from Moscow. This vilification was accepted by European left-wing parties which were in the process of setting up the Popular Front in co-operation with Stalin against fascism.

Stalin repaid this gullibility with cynical betrayal in the Hitler-Stalin pact of 1939 (and its secret protocols) which was rapidly followed by the Nazi invasion of France. Hundreds of artists and intellectuals (as well as refugees from the Spanish Civil War) crowded into southern France hoping to gain visas for the Americas. Serge was in the company of people such as Alma Mahler, André Breton, Marcel Duchamp, Max Ernst, Leon Feuchtwangler, and Walter Benjamin (who committed suicide on the Spanish border).

Serge made it to Mexico in 1941 – and that’s where his memoir ends, though he was to live another six years in Mexico city – persecuted and shot at by the same agents of Stalin who had murdered Trotsky with an ice pick in 1940. Serge kept on writing until the very end, producing political analyses and also his two greatest novels The Case of Comrade Tulayev and Unforgiving Years. He died of a heart attack in 1947.

If you have never read this classic memoir before, make sure you get this new edition. When it was first released by Oxford University Press in the 1960s one eighth of it was cut on economy grounds. The missing sections have now been restored and the whole of Peter Sedgwick’s remarkable translation is now presented in its entirety for the first time.

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© Roy Johnson 2012


Victor Serge, Memoirs of a Revolutionary, New York: New York Review Books, 2012, pp.521, ISBN: 1590174518


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Mikhail Bulgakov biography

September 17, 2009 by Roy Johnson

Mikhail Bulgakov biographylife, works, political persecution

Mikhail Bulgakov (1891—1940) was born in Kiev in the Ukraine into a family of intellectuals. His father was a professor at the Theological Academy. From 1901 to 1904, Mikhail attended the First Kiev Gymnasium. The teachers of the Gymnasium exerted a great influence on the formation of Mikhail’s literary taste, and his favourite authors became Gogol, Pushkin, Dostoevsky, Saltykov-Shchedrin, and Dickens. He graduated as a doctor from Kiev University, specialising in venereology. In 1913 he married Tatyana Lappa, and moved into provincial villages, where he practised as an itinerant doctor. For a short time he became addicted to morphine, but his wife helped him kick the habit. During the revolution he was drafted by the White Army and worked as a field doctor, but then gave up medicine for literature. In his autobiography, Bulgakov recalls how he started writing : “Once in 1919 when I was travelling at night by train I wrote a short story. In the town where the train stopped, I took the story to the publisher of the newspaper who published the story”.

In 1921 he moved to Moscow and wrote for emigrée newspapers and worked for the literary department of the People’s Commissariat of Education. His journalism was also published in Berlin, which was the main centre for Russian emigration at the time. (Vladimir Nabokov lived and worked there at the same period.) In 1924 he divorced his first wife and married Liubov Evgenevna Belozerskaia. Bulgakov began writing the story about the Civil War in Ukraine in 1923, which he published in the journal Rossiia under the title The White Guard.

From 1925 onwards, Bulgakov was closely associated with the Moscow Arts Theatre, which was dominated by the figure of its founder Konstantin Stanislavsky and his theories of method acting. By 1928 he had three plays running in Moscow theatres, one of which — The Day of the Turbins — was a favourite of Stalin’s, even though it presented a sympathetic portrayal of White (counter-revolutionary) officers. Nevertheless, as Stalin’s reactionary grip on power tightened, Bulgakov’s work was increasingly criticised, and then banned. In 1929 he wrote a letter appealing for help to Maxim Gorky, who was in favour with the authorities:

All my plays have been banned; not a line of mine is being printed anywhere; I have no work ready, and not a kopeck of royalties is coming in from any source; not a single institution, not a single individual will reply to my applications…

He also wrote to the Soviet government requesting permission to emigrate, and as a result of this received a personal telephone call from Stalin. But he was never allowed out of the country, and never saw the rest of his family again. They had all settled in Paris – the ‘second’ centre of Russian emigration at that time.

Bulgakov began writing Master and Margarita in 1928, and the novel still shows some traces of its earliest drafts. But he burned the manuscript along with all his other works in progress in a Gogolian fit of despair in 1930. However, by 1933 he had resumed work on it.

In 1932 he married for the third time to Elena Sergeevna Shilovskaia. During the 1930s Bulgakov was employed as an assistant producer at the Moscow Arts Theatre, and he was also librettist and consultant at the Bolshoi Theatre. Stalin’s favour protected him from the worst of the arrests, torture, and executions which characterised the reign of terror at that time – but his works remained unpublished and banned.

In 1937 he diagnosed his own neurosclerosis and predicted that he would die in 1939. He was correct to within only three months. He spent the last years of his life working on what was to be his masterpiece, The Master and Margarita.

© Roy Johnson 2004


The Master and MargeritaThe Master and Margarita (1940/1973) is a wonderful mixture of realism and fantasy which offers a satirical view of communist Russia. The story involves the arrival of the Devil into Moscow, interspersed with chapters dealing with Pontius Pilate and the crucifixion of Jesus Christ, plus other sections related to an artist and his relationships with his art and his lover. All three layers of the story are blended with spellbinding imaginative force.
Mikhail Bulgakov biography - The Master and Margerita Buy the book here


Filed Under: Mikhail Bulgakov Tagged With: Biography, Literary studies, Mikhail Bulgakov, Modernism, Russian literature, The Master and Margerita

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