Mantex

Tutorials, Study Guides & More

  • HOME
  • REVIEWS
  • TUTORIALS
  • HOW-TO
  • CONTACT
>> Home / Archives for The novel

Victor Serge an introduction

May 13, 2010 by Roy Johnson

the life and work of a revolutionary and novelist

Victor Serge an introductionVictor Serge (1890-1947) wrote under the most difficult conditions, much of the time whilst living in exile – in his adopted homeland Russia, in France, and in Mexico. He frequently had to write in secret and he smuggled his work out of the Soviet Union to be published in France and Spain. His work was banned throughout the communist period in Russia, and it has only recently become available there. It also has to be said that his work goes in and out of print rather a lot in English-language publications. A gifted linguist, he chose to write in French. Besides being the preferred language of Russian intellectuals of his generation, French assured him an international audience.

He wrote in a great variety of literary forms – poetry, journalism, novels, and political history, as well as some very good literary criticism and an excellent autobiography. All his work is very political, but it is shot through with what might be called a militant humanism. That is, he never let political dogma over-rule his compassion for his fellow men.

Victor Serge an introduction -Memoirs of a RevolutionaryIf you have not read his work before, a good place to start is his autobiography, Memoirs of a Revolutionary 1901-1941 written when he was in exile in Mexico. It outlines his astonishing life in the first four decades of the twentieth century. He was active first as an anarchist, then as a socialist militant, as a typographer, a journalist, and then as a professional revolutionary. He spent time in poverty, in jail, and in armed struggle. And he seemed to know everybody who was important – people such as Leon Trotsky, Lenin, and Georgy Lukacs.

The pages of this memoir are packed with events and people, and he writes in a vivid, sparkling style which holds you gripped. His life is almost unbelievably dramatic, and he is not in the slightest self-pitying as he endures poverty, political persecution, jail, and exile. And all the time, not matter what the circumstances, he is being creative as a novelist, a historian, or a journalist. It is truly amazing that he survived a period which he himself called ‘Midnight of the Century’, and it’s a tribute to his creativity that this is what saved him, because his fame as a writer had spread so wide. He was sent into ‘internal exile’ by Stalin because of his oppositionist views, but a campaign for his release was launched in western Europe, and was eventually successful.

Victor Serge an introduction - Men in Prison The novels of Victor Serge fall into two sets of trilogies. The first deals with his early prison experiences, the failed Barcelona uprising, and the successful Bolshevik revolution. Men in Prison (1930) is based on his own life as a prisoner of the French during the first world war. Politically, it deals with his early anarcho-syndicalist beliefs, but in literary terms it belongs to the very Russian tradition of prison literature. More than anything, it is a heartfelt plea of human sympathy for the underdog, and a call to arms in favour of rebellion and resistance to all forms of repression and tyranny.

Victor Serge an introduction - Birth of Our Power Birth of Our Power (1931) is losely basd on Serge’s own experiences following his release from prison. It is centred on the events of the Barcelona uprising in 1918 and then after its failure moves on to the immediate aftermath of the successful Russian revolution in St Petersburg. Politically, these events trace the development of his allegiance from that of an anarcho-syndicalist to that of a Bolshevik, but a communist in the old sense – one with liberal-humanist values and a respect for democratic values.

Differences of opinion with the Stalinists who took over in the USSR led to him being sent into ‘internal exile’, where all of his writings and personal papers were confiscated by the secret police. There have been several attempts made to have these released, especially after the fall of communism in 1989, but they have still not been located.

Following a successful campaign in the west for his release, he returned to France in 1936 and resumed work on two books on Soviet communism, From Lenin to Stalin (1937) and Destiny of a Revolution (1937). He also published a volume of poetry, Resistance (1938) about his experiences in Russia. there was also a voluminous exchange of correspondence with Leon Trotsky, though the two oppositionists eventually agreed to disagree.

Victor Serge an introduction - Unforgiving YearsWhen the Germans invaded France in 1940, he left Paris and travelled to Marseilles, and in 1941 left on the same ship as Andre Breton and Claude Levi-Strauss. His destination was Mexico – the only place which would grant him a resident’s visa. As soon as he settled there he became the object of violent articles and threats to his life from Stalin’s agents – who had recently assassinated Leon Trotsky.

His last years were full of poverty, malnutrition, illness, police surveillance, slander and isolation. Yet he continued to publish novels such as The Long Dusk, Unforgiving Years, and his masterpiece, The Case of Comrade Tulayev. His autobiography, Memoirs of a Revolutionary, was first published in the United States in 1945. Serge’s health had been badly damaged by his periods of imprisonment in France and Russia. However, he continued to write until he died of a heart-attack in Mexico City on 17th November, 1947.

© Roy Johnson 2010


More on Victor Serge
Twentieth century literature
More on biography


Filed Under: Victor Serge Tagged With: Birth of Our Power, Cultural history, Literary studies, Men in Prison, The Case of Comrade Tulayev, The novel, Unforgiving Years, Victor Serge

Victor Serge web links

May 13, 2010 by Roy Johnson

a selection of articles, reviews, and resources

This collection of Victor Serge web links offers a selection of essays, book reviews, and articles related to the Russian novelist, historian, and revolutionary. Since his death in 1947, Serge’s work has been largely ignored outside a small coterie of enthusiasts, but his reputation has gradually spread internationally in the post cold war era.

Victor Serge web links Victor Serge and The Novel of Revolution – an essay by Richard Greeman, Serge scholar and translator (1991).

Victor Serge web links - Unforgiving Years Unforgiving Years – an extended book review by Roy Johnson of Serge’s last great novel (2009).

Victor Serge web links - Men in Prison Men in Prison – a book review by Roy Johnson, originally part of an essay which appeared in Literature and History

Victor Serge web links - The Cycle of Revolution The Cycle of Revolution: Men in Prison – an essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - Red Petrograd Red Petrograd: Conquered City – an essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - The Case of Comrade Tulayev The Case of Comrade Tulayev– an extended book review by Roy Johnson, (2010).

Victor Serge web links - The Journey into Defeat The Journey into Defeat: The Case of Comrade Tulayev– an essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - Midnight in the Century Midnight in the Century – extended book review by Roy Johnson (2010).

Victor Serge web links - The Zero Hour The Zero Hour: Midnight in the Century – an essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - Memoirs Memoirs of a Revolutionary – an extended book review by Richard Greeman of Susan Weissman’s The Course is Set on Hope. Originally published in Issue 94 of INTERNATIONAL SOCIALISM JOURNAL, Published Spring 2002 Copyright © International Socialism.

Victor Serge web links - Yale archive Victor Serge Papers – Yale University archive

Victor Serge web links - Biographical sketch Revolutionary & Novelist – a biographical sketch (2009).

Victor Serge web links - An Introduction Victor Serge – an introduction to his work – brief notes on Serge’s major fiction and non-fiction (2008).

Victor Serge web links - Mantex Victor Serge at Wikipedia – biographical notes, political ideas, works available in English, and web links.

Victor Serge web links - Essay Victor Serge and Socialism – an essay by Peter Sedgwick, first published in International Socialism (1st series), No.14, Autumn 1963, pp.17-23.

Victor Serge web links - Writing for the Future Writing for the Future – an essay by Pete Glatter, first published in International Socialism 2:76, September 1997. Copyright © 1997 International Socialism.

Victor Serge web links - The Long Dusk A Requiem for Paris: The Long Dusk – an essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - Birth of Our Power The City as Protagonist: Birth of Our Power – essay by Adam David Morton, part of his series relating literature to space, geography, and the city (2012).

Victor Serge web links - Birth of Our Power On Victor Serge as Vagabond Witness – a review by Adam Morton of Paul Gordon’s Vagabond Witness: Victor Serge and the Politics of Hope (2013).

Victor Serge web links - Birth of Our Power Victor Serge: A Political Biography – a review by Roy Johnson of Susan Weissman’s study of Serge’s politics as an intransigent Left Oppositionist (2013).

© Roy Johnson 2010


More on Victor Serge
Twentieth century literature
More on biography


Filed Under: Victor Serge Tagged With: Literary studies, The novel, Victor Serge

Victory

September 28, 2012 by Roy Johnson

tutorial, commentary, further reading, and web links

Victory (1915) was first conceived by Conrad as a short story to be called The Dollars. But like many of his planned fictions it expanded as soon as he started writing, and went on to become one of his longest novels. The original manuscript was much longer than the final work, which was first published in serial form in Munsey’s Magazine (New York).

Joseph Conrad - the author of Victory

Joseph Conrad


Victory – critical commentary

Narrative

Part I of the novel is introduced by an un-named outer narrator who recounts events largely passed on to him by Captain Davidson from his travels and knowledge of the region in which the novel is set. This type of indirect narrative strategy will be familiar to anyone who has read Conrad’s other works, such as Lord Jim (1900), Falk: A Reminiscence (1903), and Under Western Eyes (1911). It supplies what might be called the ‘back story’ to the events which will follow in Parts II-IV.

Readers are forced to conceptualise the portrait of Axel Heyst through the double filter of Davidson’s and the narrator’s point of view – whilst keeping in mind that both of these are fictional constructs created by Conrad himself.

But from Part II onwards, the outer-narrator disappears, and events are presented in a third person omniscient narrative mode. It is as if Conrad has forgotten his own original narrative structure and has reverted to the more traditional and flexible mode of story-telling. Davidson makes a credulity-straining re-appearance like some deus-ex-machina in the final pages of the novel – but the outer-narrator never re-appears.

In fact the last few pages of the novel are an account written in third-person omniscient mode of Davidson’s interview with a government official – so in logical terms Conrad does not supply any credible means by which this information is reaching the reader.

Even if the reader accepts this blurring of distinctions between a first and third-person narrator, there remain problems with the narrative logic. In Part I of the story Davidson is puzzled and curious regarding Lena, and a great deal is made of the fact that he doesn’t know what she looks like.

But either a third-person omniscient narrator must know what she looks like, or the disappearance of the un-named outer narrator needs to be explained.

More seriously, there is no plausible route (other than via a third person omniscient narrator) for information regarding Heyst’s and Lena’s feelings about each other, and their anxieties during the dramatic finale – since they are both dead at of the end of the novel.

This is a problem of narrative logic which affects many of Conrad’s major novels. Similar issues affect Chance, Lord Jim, and Under Western Eyes. Readers and serious critics of his work seem to accept these compositional flaws in exchange for the dramatic intensity of his stories.

Doubles

The central drama of the novel is provided by the battle of wills and war of nerves as Mr Jones and Ricardo invade Heyst’s secure retreat and corner him in an attempt to steal his ‘treasure’. Jones wants Heyst’s money (which doesn’t really exist), and Ricardo wants to steal Lena from him.

Yet Jones and Heyst are curiously similar. Both of them have been restless wanderers, detatched from society, and both have adopted a negative attitude to the world. Heyst wishes to escape into solitude, and Jones spends most of his time alone, nursing his febrile state of being. Jones has murdered Antonio, Pedro’s brother, and Heyst is (falsely) accused of ‘murdering’ his business partner Morrison when he sends him back to England.

In another sense they are the opposite of each other. Heyst is a robust, masculine figure whose physical presence is repeatedly emphasised. Jones on the other hand is thin, etiolated and feminised. He has ‘long, feminine eyelashes’, ‘beautifully pencilled eyebrows’, and he last appears ‘tightly enfolded in an old but gorgeous blue silk dressing gown’.


Victory – study resources

Victory - OUP edition Victory – Oxford World Classics – Amazon UK

Victory - OUP edition Victory – Oxford World Classics – Amazon US

Victory - Kindle edition Victory – Kindle eBook

Victory - DVD version Victory – DVD film adaptation at Amazon [Region 1]

Victory at Project Gutenberg Victory – eBook at Project Gutenberg

Conrad - complete works Complete Works of Joseph Conrad – Kindle £1.92

Victory at IMDB Victory – film details at International Movie Database

Red button The Cambridge Companion to Joseph Conrad – Amazon UK

Red button Routledge Guide to Joseph Conrad – Amazon UK

Red button Oxford Reader’s Companion to Conrad – Amazon UK

Victory


Victory – plot summary

Part I

As a sudden gesture of generosity, the Swedish recluse Axel Heyst pays the shipping fine incurred by Morrison, an Englishman he has only just met. They then go into a business partnership trading in coal for the newly developed steamships. Morrison returns to England but dies there. Heyst is appointed general manager of the Tropical Belt Coal Company, and at first prospers. But the company goes into liquidation, and disillusioned with life in general Heyst becomes almost a hermit on the remote island of Samburan.

VictoryHis colleague Captain Davidson passes on news of Heyst, then brings him in person to Schomberg’s hotel in Surabaya. When he returns to pick him up again, he learns from Mrs Schomberg that Heyst has run off with a young girl from a visiting all-female orchestra. When Davidson next visits Samburan, Heyst asks him to return Mrs Schomberg’s shawl with which she has aided their escape. Davidson returns the shawl but fails to learn anything further about the girl.

Part II

Heyst meets Lena playing in the orchestra at Schomberg’s hotel in Surabaya where she is being bullied by the leader’s wife and pursued by hotelier Schomberg. Heyst and Lena rendezvous in the garden at night where she pleads for his assistance and offers herself to him sexually. Schomberg is eaten up with jealousy regarding this liaison.

The two desperados Jones and Ricardo arrive at the hotel with their servant Pedro. They bully Schomberg into accepting their scheme for gambling on the premises. Ricardo eventually recounts their history to Schomberg – an account which involves deception, theft, and murder as the backdrop to their joint life as wandering gamblers. In order to get them out of his hotel, Schomberg tells them that Heyst has killed his business partner Morrison, stolen all his money, and is now a rich man living in vulnerable isolation on Samburan.

Part III

On Samburan Heyst recounts to Lena how he first set himself up on the island with his Chinese servant Wang. He also explains the powerful influence of his father, a writer-philosopher who has inculcated him with a defensive and rather negative attitude to life. When he also reveals to her his past business with Morrison, Lena tells him of the malicious lies Schomberg has been spreading amongst hotel guests. They discuss his pessimistic views and his inability to express the protective love he feels towards her.

Then Jones, Ricardo, and Pedro arrive at the island. Heyst gives them shelter, but immediately becomes apprehensive regarding their intrusion into his relationship with Lena. When his revolver disappears, he immediately suspects his servant Wang (which proves to be correct). Jones and Ricardo discuss the prospects for success in their venture to steal Heyst’s ‘treasure’.

Part IV

Ricardo sneaks around looking for Lena, then attacks her in the bungalow. She fights him off, then helps him to escape in order to protect Heyst. Meanwhile Wang, having witnessed the attack, announces to Heyst that he is leaving. Heyst holds inconclusive talks with Jones, who insists that Pedro become his servant. Heyst decides to look for Wang, whilst Jones plans to gamble with Heyst to secure all his money.

Heyst seeks Wang’s help, but it is refused. Heyst realises that he is powerless and is trapped. Ricardo arrives to invite Heyst to see Jones, who is feigning illness. Heyst urges Lena to escape to the other side of the island, then visits Jones, where he reveals the truth of their situation, including the presence of Lena. Since Jones is a profound misogynist, this turns him against Ricardo. When they return to Heyst’s bungalow, Jones shoots at Ricardo, but kills Lena who has remained to protect Heyst. At this very moment Davidson suddenly arrives. Jones tracks down Ricardo and kills him, then apparently commits suicide. Heyst creates a funeral pyre for himself and Lena by setting the bungalow on fire.


Principal characters
I the un-named outer narrator
Axel Heyst a Swedish former manager of the Tropical Belt Coal company
Morrison the English owner of trading ship Capricorn
Wilhelm Schomberg a German hotel proprietor in Surabaya (45)
Mrs Schomberg his ugly, wooden-like wife
Captain Davidson captain of the merchant vessel, the Sissie
Julius Tesman trading agent in Surabaya
Lena a beautiful violin player (20) (also called Alma and Magdalena)
Sgr Zangiacomo leader of the all-female orchestra
Sgra Zangiacomo his obnoxious and bullying wife
Mr Jones a gambler and murderer
Martin Ricardo his ‘secretary’ – a desperado
Pedro a Colombian alligator hunter, their servant
Antonio Pedro’s brother, who is shot by Jones
Wang Heyst’s Chinese servant

Biography


Setting

The first part of the novel is set in Surabaya, a provincial capital in East Java. The remainder and majority of the events take place on the ficticious island of Samburan, which is located somewhere in the Malaysian archipelago.


Joseph Conrad’s writing

Joseph Conrad - manuscript page

Manuscript page from Heart of Darkness


Further reading

Joseph Conrad - criticism Jacques Berthoud, Joseph Conrad: The Major Phase, Cambridge: Cambridge University Press, 1978.

Joseph Conrad - study Harold Bloom (ed), Joseph Conrad (Bloom’s Modern Critical Views, New York: Chelsea House Publishers, 2010

Joseph Conrad - modernism Daphna Erdinast-Vulcan, Joseph Conrad and the Modern Temper, Oxford: Oxford University Press, 1991.

Joseph Conrad - novelist John Dozier Gordon, Joseph Conrad: The Making of a Novelist, Cambridge, Mass: Harvard University Press, 1940

Joseph Conrad - identity Robert Hampson, Joseph Conrad: Betrayal and Identity, Basingstoke: Macmillan, 1992

Joseph Conrad - narrative Jeremy Hawthorn, Joseph Conrad: Narrative Technique and Ideological Commitment, London: Edward Arnold, 1990

Joseph Conrad - companion Owen Knowles, The Oxford Reader’s Companion to Conrad, Oxford: Oxford University Press, 1990

Joseph Conrad - Poland Gustav Morf, The Polish Shades and Ghosts of Joseph Conrad, New York: Astra, 1976

Joseph Conrad - biography Jeffery Myers, Joseph Conrad: A Biography, Cooper Square Publishers, 2001.

Joseph Conrad - morals George A. Panichas, Joseph Conrad: His Moral Vision, Mercer University Press, 2005.

Joseph Conrad - genre James Phelan, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008.

Joseph Conrad - criticism Allan H. Simmons, Joseph Conrad: (Critical Issues), London: Macmillan, 2006.

Joseph Conrad - several lives John Stape, The Several Lives of Joseph Conrad, Arrow Books, 2008.

Joseph Conrad - early works Ian Watt, Conrad in the Nineteenth Century, London: Chatto and Windus, 1980.


Joseph Conrad - writing table

Joseph Conrad’s writing table


Other works by Joseph Conrad

Joseph Conrad Lord JimLord Jim (1900) is the earliest of Conrad’s big and serious novels, and it explores one of his favourite subjects – cowardice and moral redemption. Jim is a ship’s captain who in youthful ignorance commits the worst offence – abandoning his ship. He spends the remainder of his adult life in shameful obscurity in the South Seas, trying to re-build his confidence and his character. What makes the novel fascinating is not only the tragic but redemptive outcome, but the manner in which it is told. The narrator Marlowe recounts the events in a time scheme which shifts between past and present in an amazingly complex manner. This is one of the features which makes Conrad (born in the nineteenth century) considered one of the fathers of twentieth century modernism.
Joseph Conrad Buy the book from Amazon UK
Joseph Conrad Buy the book from Amazon US

Joseph Conrad Heart of DarknessHeart of Darkness (1902) is a tightly controlled novella which has assumed classic status as an account of the process of Imperialism. It documents the search for a mysterious Kurtz, who has ‘gone too far’ in his exploitation of Africans in the ivory trade. The reader is plunged deeper and deeper into the ‘horrors’ of what happened when Europeans invaded the continent. This might well go down in literary history as Conrad’s finest and most insightful achievement, and it is based on his own experiences as a sea captain. This volume also contains ‘An Outpost of Progress’ – the magnificent study in shabby cowardice which prefigures ‘Heart of Darkness’.
Joseph Conrad Buy the book from Amazon UK
Joseph Conrad Buy the book from Amazon US

Oxford World Classics offers the best editions of Conrad’s work. They are largely based on the most accurate versions of the texts; and they feature introductory essays, a biography, explanatory notes, textual variants, a bibliography of further reading, and in some cases missing or deleted chapters. They are also terrifically good value.

Joseph Conrad NostromoNostromo (1904) is Conrad’s ‘big’ political novel – into which he packs all of his major subjects and themes. It is set in the imaginary Latin-American country of Costaguana – and features a stolen hoard of silver, desperate acts of courage, characters trembling on the brink of moral panic. The political background encompasses nationalist revolution and the Imperialism of foreign intervention. Silver is the pivot of the whole story – revealing the courage of some and the corruption and destruction of others. Conrad’s narration is as usual complex and oblique. He begins half way through the events of the revolution, and proceeds by way of flashbacks and glimpses into the future.
Joseph Conrad Buy the book from Amazon UK
Joseph Conrad Buy the book from Amazon US


Joseph Conrad links

Joseph Conrad - tutorials Joseph Conrad at Mantex
Biography, book reviews, study guides, videos, web links,

Joseph Conrad - eBooks Joseph Conrad at Project Gutenberg
A major collection of free eTexts

Joseph Conrad - further reading Joseph Conrad at Wikipedia
Biography, major works, further reading, and web links

Joseph Conrad - adaptations Joseph Conrad at the Internet Movie Database
Adaptations for the cinema and television – in various languages

Joseph Conrad - etexts Works by Joseph Conrad
HTML texts, digital scans, and eTexts versions

Joseph Conrad - journal The Joseph Conrad Society (UK)
Conradian journal, reviews. and scholarly resources

Joseph Conrad - concordance Hyper-Concordance of Conrad’s works
Locate a word or phrase – in context

© Roy Johnson 2012


More on Joseph Conrad
Twentieth century literature
More on Joseph Conrad tales


Filed Under: Joseph Conrad Tagged With: English literature, Joseph Conrad, Literary studies, The novel, Victory

Vile Bodies

March 11, 2018 by Roy Johnson

tutorial, study guide, commentary, web links

Vile Bodies (1930) was Evelyn Waugh’s second novel, published as a follow-up to the success of his first – Decline and Fall (1928). It uses the same formula of presenting a farcical and deeply satirical portrait of the 1920s and the Wild Young Things who became the upper-class celebrities of the decade. It also features other aspects of modern society which help to fuel the culture of fashionable excess – tabloid journalism, artificially cultivated publicity, and the cinema.

Vile Bodies

first edition – design by Evelyn Waugh


Vile Bodies – commentary

Narrative presentation

The most interesting thing about the narrative is the manner in which so much of it is presented via short and very rapidly changing scenes. The effect is almost like the abrupt editing of cinema film to produce ‘jump cuts’ – and probably reflects the influence of moving pictures at that time. It is a style perfectly suited to the frivolous and erratic behaviour of the characters in the story.

Waugh was setting out to capture the irresponsible and anarchic behaviour amongst the youthful offspring of a privileged elite in the 1920s – which in America was labelled ‘the Jazz Age’. This featured mis-spent wealth, reckless self-indulgence, warped ambitions, greed, and sexual libertinism – all fuelled on a heady mixture of alcohol and (some) drugs. It was also a culture in which Evelyn Waugh had plenty of first hand experience.

Indeed, crass and unprofessional film production becomes one of the objects of satire towards the end of the novel. And Waugh takes great delight in presenting the two people who own the production company (Mr Isaacs and Colonel Blount) as interested in little else except trying to get rid of what is obviously a financial loss-maker by selling the business on to somebody else.

Waugh treats newspaper journalism in a similar fashion – concentrating on the frivolous and inconsequential parts of popular newspaper gossip columns. The upper-class journalists merely record the names of so-called celebrities who have been ‘seen’ at fashionable events in society. And if they are stuck for news, they invent it. When Adam becomes ‘Mr Chatterbox’ on the Daily Excess, the paper is being sued by various celebrities for libel, and who therefore cannot be mentioned. (This is almost one hundred years before the Leveson Enquiry into phone hacking and the ethics of the British press.)

Adam spices up the flagging column with a series of ‘Notable Invalids’ – well known people who are deaf, bald, disabled, one-legged, and certified insane. When he has exhausted this line of entertainment, he begins to invent celebrities who do not actually exist. He creates the society beauty Imogen Quest and fills his column with her spectacular successes and designer clothes. Eventually she becomes so popular that the editor of The Daily Excess Lord Monomark wants to meet her. Adam is forced to despatch the Quest family to Jamaica the same day.

Waugh had worked as a journalist for Lord Beaverbrook, the Canadian-born owner of the Daily Express – and he used the joke about journalists inventing what we now call ‘fake news’ in his later novel Scoop (1938).

The ending

There are two curious features in the conclusion of the novel. The first is the fact that all the farcical goings-on of the plot are brought to an abrupt stop by the declaration of war. For a book published in 1930, the reader is forced to wonder ‘What war is that?’ The text does does not refer to the war of 1914-18, and the Second World War was still a decade away. It turns out to be an imaginary war, which does not sit easily with the essentially realistic mise en scene of the remainder of the novel.

The antics of the Bright Young Things might be comically exaggerated, but they are set in a credible world of London and the home counties – of Mayfair, Shepherd’s Market, Fitzrovia, and Manchester Races. But a war which had not taken place is a different fictional – and moral – universe altogether.

The second curiosity is the abrupt shift in tone – from frivolous satire to an almost apocalyptic vision of battleground Europe – largely constructed of images derived from the trench warfare of 1914-1918. It has often been remarked that Evelyn Waugh’s rather painful divorce from his first wife (who was also called Evelyn) occurred during the composition of Vile Bodies. This may be a reasonable biographical explanation for the sudden change of mood, but it does not repair the damage done to the novel’s structural coherence.


Vile Bodies – study resources

Vile Bodies – Penguin – Amazon UK

Vile Bodies – Penguin – Amazon US

Evelyn Waugh: A Life Revisited – Amazon UK

Vile Bodies

Evelyn Waugh – by Henry Lamb


Vile Bodies – plot summary

Returning from France, Adam Fenwick-Symes has the manuscript of his autobiography seized and burnt by the border customs officers. His publishers give him a new contract, but with crippling conditions. He cancels his engagement to Nina Blount, but then wins a thousand pounds in a hotel bar, so he renews the engagement.

He puts the money on a horse racing bet with a ‘Major’ who promptly disappears with the money. Adam goes to a fancy dress party where he meets Nina. They ‘go on’ afterwards to continue their revelries, staying with a girl who turns out to be the Prime Minister’s youngest daughter. The party-goers at Number 10 Downing Street are all reported in the morning newspapers.

Nina suggests that Adam ask her father for money to enable them to get married. Adam travels out beyond Aylesbury where the absent-minded Colonel Blount gives him an elaborate lunch and a cheque for one thousand pounds. Adam and Nina drive out and stay overnight at a pub in Arundel. In the morning, Nina point out that the cheque has been signed with the name ‘Charlie Chaplin’.

Gossip journalist Simon Balcairn wants to get into Margot Metroland’s party, but she refuses to admit him. Instead, he gets horsewhipped by the angry father of a girl he has written about. Lady Metroland gives her party, where she tries to recruit young girls for her nightclubs in South-America. Balcairn gatecrashes the party disguised in a false beard, but he is found out and expelled. He files completely invented stories about the guests to his newspaper, then commits suicide.

Adam replaces Balcairn as Mr. Chatterbox on the Daily Excess. He writes about famous people who are disabled, and then begins to invent ficticious celebrities. He meets ‘Ginger’ Littlejohn at Manchester Races and puffs him as a rich colonial in his column. They go to a party held in a tethered hot air balloon and then go on to a dingy night club. There are lots of complaints in society about the reckless behaviour of the Younger Generation.

Adam goes off to see Colonel Blount again. A cheap historical film is being shot at the house. Blount deliberately misunderstands Adam again, and thereby avoids giving him any money. Adam is fired from his job on the paper.

Adam and friends drive out to see some motor races. They stay at a boarding house and leave without paying. Amidst much confusion at the race, Adam meets the drunk Major, who claims he has got Adam’s winnings – at odds of thirty-five to one. The Major borrows money from him then disappears again. Miss Runcible drives a racing car whilst drunk, crashes it, and is taken to a nursing home.

Next day Nina announces that she is going to marry Ginger. The Young Things meet at the nursing home where Agatha Runcible is recovering. A party starts up in her room. When Nina has dinner with Adam, it makes Ginger jealous – so Adam offers to sell Nina to Ginger for £100. Agatha dies.

Nina returns from her honeymoon and Ginger is recalled to his regiment. She takes Adam to her father’s house for Christmas. Colonel Blount shows boring extracts from his film at the vicar’s house and causes an electrical power failure. He tries to sell the film company to Adam. Suddenly, war is declared.

During the war Nina returns to Ginger. As a soldier Adam is fighting in France. He meets the drunken Major. They share confiscated Champagne with one of Lady Metroland’s nightclub hostess girls, who has become a camp follower.


Vile Bodies – principal characters
Adam Fenwick-Symes a young would-be writer and journalist
Nina Blount Adam’s fiancee, a spoilt and frivolous young woman
Colonel Blount Nina’s father, a confused and confusing country gent
Lottie Crump the dipsomaniac landlady of Shepheard’s Hotel
The Drunken Major a confidence trickster and n’er do well
Ginger Littlejohn a friend of Adam’s and rival for Nina
Simon Balcairn an aggressive young journalist who commits suicide
The Honourable Agatha Runcible a drunken and raffish young woman who kills herself in a racing car
Mrs Melrose Ape an American evangelist with a troupe of girl followers
Lady Metroland (a recurrent figure in Waugh’s novels)
Mr Isaacs owner of The Wonderfilm Company

© Roy Johnson 2018


More on Evelyn Waugh
More on the novella
More on literary studies
More on short stories


Filed Under: Evelyn Waugh Tagged With: English literature, Evelyn Waugh, Literary studies, The novel

Vladimir Nabokov greatest works

September 27, 2009 by Roy Johnson

Vladimir Nabokov is one of the great twentieth-century writers. He wrote of himself: “I was born in Russia and went to university in England, then lived in Germany for twenty years before emigrating to the United States.” The first half of his oeuvre was written in Russian; then he switched briefly to French, and then permanently to English. He also spent a third period of exile living in Geneva, and translating his earlier works from Russian into English.

Nabokov loves word-play, stories that pose riddles, and games which keep readers guessing. Above all, he loves jokes. He produces witty and intellectual writing – and yet persistently draws our attention to moments of tenderness and neglected sadness in life. It is lyric, poetic writing, in the best sense of these terms.

Beginners should start with some of the short stories or the early novels, before tackling the challenges of his later work. Be prepared for black humour and unashamed tenderness – often on the same page. And be sure to keep a dictionary on hand.

 

Vladimir Nabokov greatest works -LolitaLolita (1955) is without doubt Nabokov’s masterpiece – a tour de force of fun and games in both character, plot, and linguistic artistry. And yet its overt subject is something now considered quite dangerous – paedophilia. A sophisticated European college professor goes on a sexual joy ride around the USA with his teenage step-daughter. He evades the law, but drives deeper and deeper into a moral Sargasso, and the end is a tragedy for all concerned. There are wonderful evocations of middle America, terrific sub-plots, and language games with deeply embedded clues on every page. You will probably need to read it more than once to work out what is going on, and each reading will reveal further depths.  

Lolita – a tutorial and study guide
Lolita – buy the book at Amazon UK
Lolita – buy the book at Amazon US

 

Vladimir Nabokov greatest works - Pale FirePale Fire is a very clever artistic joke. It’s a book in two parts – the first a long poem (quite readable) written by an American poet who we are encouraged to think of as someone like Robert Frost. The second half is a series of footnoted commentaries on the text written by his neighbour, friend, and editor. But as we read on the explanation begins to take over the poem itself, we begin to doubt the reliability – and ultimately the sanity – of the editor, and we end up suspended in a nether-world, half way between life and illusion. It’s a brilliantly funny parody of the scholarly ‘method’ – written around the same time that Nabokov was himself writing an extensive commentary to his translation of Pushkin’s Eugene Onegin.

Pale Fire – a tutorial and study guide
Pale Fire – buy the book at Amazon UK
Pale Fire – buy the book at Amazon US

 

PninPnin is one of his most popular short novels. It deals with the culture clash and catalogue of misunderstandings which occur when a Russian professor of literature arrives on an American university campus. Like many of Nabokov’s novels, the subject matter mirrors his life – but without ever descending into cheap autobiography. This is a witty and tender account of one form of naivete trying to come to terms with another. This particular novel has always been very popular with the general reading public – probably because it does not contain any of the dark and often gruesome humour that pervades much of Nabokov’s other work.  

Pnin – a tutorial and study guide
Pnin – buy the book at Amazon UK
Pnin – buy the book at Amazon US

 

Vladimir Nabokov greatest works - Collected StoriesCollected Stories Nabokov is also a master of the short story form, and like many writers he tried some of his literary experiments there first, before giving them wider reign in his novels. This collection of sixty-five complete stories is drawn from his entire working life. They range from the early meditations on love, loss, and memory, through to the later technical experiments, with unreliable story-tellers and the games of literary hide-and-seek. All of them are characterised by a stunning command of language, rich imagery, and a powerful lyrical inventiveness.  

Buy the book at Amazon UK
Buy the book at Amazon US

 

Vladimir Nabokov greatest works - Speak MemorySpeak Memory is supposed to be an autobiography, but if you are looking for frank confessions and concrete details, you will be disappointed. Nabokov was almost pathologically private, and he argued consistently that readers should not look into writer’s private lives. This ‘memoir’ covers Nabokov’s first forty years, up to his departure from Europe for America at the outset of World War II. The ostensible subject-matter is his emergence as a writer, his early loves and his marriage, his passion for butterflies and his lost homeland. But what he really offers is a series of meditations on human experience, the passage of time, and how the magic of art is able to transcend and encapsulate both.  

Buy the book at Amazon UK
Buy the book at Amazon US

 

Vladimir Nabokov greatest works - DespairDespair – is an early ‘Berlin’ novel which deals with the literary figure of ‘the double’. Chocolate manufacturer Herman Herman (see the point?) is being cuckolded by his vulgar brother-in-law and his sluttish wife. He meets a man who he believes to be his exact double, and plans a fake suicide to escape his torments. Everything goes horribly wrong, in a way which is simultaneously grotesque, amusing, and rather sad. All of this is typical of the way in which Nabokov manages to blend black humour with a lyrical prose style.

Despair – a tutorial and study guide
Despair – buy the book at Amazon UK
Despair – buy the book at Amazon US

 

Vladimir Nabokov greatest works - MaryMary (1923) is his first novel, in which he evokes the raptures of youthful pleasures, and the discovery of passion and loss. His lyrical prose records a young Russian exile’s recollections of his first love affair. But the woman in question clearly symbolises his relationship with Russia. Nabokov is also good at a creating a marvellous sense of awe in contemplating the quiet aesthetic pleasures in everyday events and special moments of being.  

Mary – a tutorial and study guide
Mary – buy the book at Amazon UK
Mary – buy the book at Amazon US

 

Vladimir Nabokov greatest works - Laughter in the DarkLaughter in the Dark and King, Queen, Knave show a much darker side to his nature, with its focus on adultery and deception. These traits are taken to an uncomfortable extreme in Laughter in the Dark (1932) which plots the downfall of a man who runs off with a young girl who, when he is rendered blind in a car accident, secretly moves her lover in to live under the same roof. The pair of them torment the protagonist in a particularly gruesome fashion – a theme Nabokov was to explore twenty years later in Lolita.

Laughter in the Dark – a tutorial and study guide
Laughter in the Dark – buy the book at Amazon UK
Laughter in the Dark – buy the book at Amazon US

 

Vladimir Nabokov greatest works - The GiftThe Gift (1936) is generally held to be the greatest of his Russian novels. It deals with the ironies and agonies of exile. It is the last of the novels Nabokov wrote in his native Russian and the crowning achievement of that period in his literary career. It’s also his ode to Russian literature, evoking the works of Pushkin, Gogol, and others in the course of its narrative: the story of Fyodor Godunov-Cherdyntsev, an impoverished émigré poet living in Berlin, who dreams of the book he will someday write – a book very much like The Gift itself. The novel also includes a deeply felt fictionalisation of the murder of Nabokov’s own father in 1922 whilst he was attempting to stop a political assassination.

Buy the book at Amazon UK
Buy the book at Amazon US

© Roy Johnson 2009


More on Vladimir Nabokov
More on literary studies
Nabokov’s Complete Short Stories


Filed Under: Vladimir Nabokov Tagged With: Despair, King, Knave, Laughter in the Dark, Literary studies, Lolita, Mary, Pale Fire, Pnin, Queen, Speak Memory, The Gift, The novel, The Short Story, Vladimir Nabokov

Vladimir Nabokov life and works

September 27, 2009 by Roy Johnson

Vladimir Nabokov life and works1899. Vladimir Nabokov was born in St Petersburg on April 23 [the same birthday as Shakespeare]. His father was a prominent jurist, liberal politician, and a member of the Duma (Russia’s first parliament). His mother was the daughter of a wealthy aristocratic family.

1900. Nabokov learned English and then French from various governesses. The Nabokov family spoke a mixture of French, English, and Russian in their household.

1904. The first national congress (zemstvo) was held in St Petersburg in November. Its final session took place in the Nabokov home.

1905. ‘Bloody Sunday’ in January when Tsar’s troops fired at demonstration of workers converging on the Winter Palace. There was a general strike throughout Russia in October.

1906. Nabokov’s father was elected to the first state Duma – then banned from politics for signing a manifesto opposing conscription and taxes.

1908. Nabokov’s father served three month sentence in Kresty Prison.

1911. Nabokov began attending the highly regarded Tenishev School – a noted liberal academy. He was driven to school each day in the family Rolls Royce.

1914. Nabokov writes his first poems. First World War begins.

1915. The start of his first love affair, with Valentina Shulgina.

1916. Nabokov privately publishes a collection of poems Stikhi in Petrograd. His uncle dies, leaving him a country house and estate, plus a substantial fortune.

1917. February revolution in Russia. Nabokov’s father was a member of the provisional government. Following the October revolution, the aristocratic Nabokov home comes under attack. The family moves to Crimea in the south.

1919. The family flees into exile from the Crimea on an old Greek ship carrying dried fruit. The family settles provisionally in London.

1919. His father moves the family to Berlin – the first centre of Russian emigration. Nabokov stays behind in England, studying French and Russian literature at Trinity College Cambridge. Some of these experiences appear in his first English-language novel, The Real Life of Sebastian Knight.

1922. His father is murdered while attempting to stop an assassination attempt on the politician Pavel Miliukov. This episode later appears in The Gift. Nabokov translates Alice in Wonderland into Russian. He becomes engaged to Svetlana Siewert in Berlin.

1923. Nabokov moves to Berlin, where he earns a living giving English and tennis lessons, and working as a walk-on extra in films. His engagement is broken off. He publishes poems, reviews, chess problems, and short stories in ‘Rul (The Rudder), a liberal newspaper founded by his father.

1925. Nabokov marries Vera Evseena Slonim.

1926. Publishes Mary, his first novel. It goes unnoticed.

1928. His second novel, King, Queen, Knave appears, and causes the first stirrings of interest and controversy in Russian emigré literary circles.

1929. His third novel, The Luzhin Defense is published serially. He develops a readership in Berlin and Paris – the ‘second’ centre of Russian emigration.

1930. Critical attacks on Nabokov’s writing begin in emigré circles. Publishes a novella The Eye.

1931. Publishes Glory, his fourth novel.

1932. Publishes Kamera Obskura – Laughter in the Dark.

1933. Begins work on The Gift. Hitler comes to power in Germany.

1934. Birth of Dmitri, Nabokov’s only son.

1935. Breaks off work on The Gift to write Invitation to a Beheading which appears serially, giving rise to much debate and controversy.

1936. Publication of Despair. A small circle of writers, critics, and readers begin to place VN’s work alongside other great modern Russian writers. Knowing he is likely to lose connection with his Russian emigre audience, he composes ‘Mademoiselle O’ – in French.

1937. The Gift begins to appear serially. The Nabokov’s move to Paris to escape the threat from Nazism. Nabokov becomes involved with La Nouvelle Revue Francaise, meets Jean Paulhan and James Joyce, and composes in French an essay on Pushkin entitled Pouchkine, ou le vrai et le vraisemblable. He begins an affair with Irina Guadanini.

1938. He writes two plays produced in Russian in Paris: Sobytia (The Event) and Izobretenie Wal’sa (The Waltz Invention). Begins writing The Real Life of Sebastian Knight – in English.

1939. Writes a novella The Enchanter, his first version of the Lolita story (which contradicts the account he gives in the introduction to Lolita).

1940. The Nabokovs leave for the United States on board the Champlain. He begins his lepidopteral studies at the Museum of Natural History in New York. Meets Edmund Wilson, who will introduce him to The New Yorker.

1941. One year appointment in comparative literature at Wellesley College. Publication of his first English novel, The Real Life of Sebastian Knight.

1942. Nabokov named researcher at Harvard University’s Museum of Comparative Zoology. Teaches Russian literature three days a week at Wellesley College.

1943. Nabokov receives a Guggenheim Award.

1944. Publication of Nikolai Gogol and Three Russian Poets – translations of Pushkin, Lermontov, and Tiutchev. Appointed lecturer at Wellesley College.

1945. Nabokov and his wife Véra become American citizens. His brother Sergey dies in Nazi concentration camp.

1947. Publication of Bend Sinister. Begins planning Lolita.

1948. Nabokov is offered and accepts a professorship of Russian literature at Cornell University in Ithaca, New York.

1951. He is a guest lecturer at Harvard. Publication of autobiography Conclusive Evidence.

1953. Second Guggenheim Award and American Academy of Arts and Letters Award. Finishes writing Lolita.

1954. Works on Pnin and his monumental translation of Eugene Onegin.

1955. Lolita, refused by four American publishers, is published in Paris by Olympia Press, run by Maurice Girodias, largely a pornographer.

1956. Publication of Vesna v Fial’te – 14 stories in Russian.

1957. Publication of Pnin.

1958. Publication of Dmitri and Vladimir Nabokov’s translation of Lermontov’s A Hero of Our Time, Nabokov’s Dozen (stories), and Lolita in the United States.

1959. Lolita becomes an international best-seller. Nabokov is able to resign from teaching in order to devote himself full time to creative writing. The family move to Switzerland, to be near Dmitri, who is studying opera in Italy.

1960. Publication of Nabokov’s translation of The Song of Igor’s Campaign. He writes a screenplay of Lolita for Stanley Kubrick. Begins Pale Fire.

1961. Moves into a suite of rooms in the Palace Hotel, Montreux – and stays there for the rest of his life.

1962. Publication of Pale Fire. The release of Stanley Kubrick’s film version of Lolita, starring James Mason, Shelley Winters, Peter Sellers, and Sue Lyon. Nabokov makes the cover of Newsweek.

1964. Publication of his mammoth translation with commentary of Pushkin’s Eugene Onegin – which becomes the subject of protracted controversy between Nabokov and Edmund Wilson.

1967. Publication of Speak, Memory. Publication of the first important critical works on Nabokov: Page Stegner’s Escape into Aesthetics and Andrew Field’s Nabokov, His Life in Art.

1969. Publication of Ada or Ardor: A Family Chronicle Nabokov makes the cover of Time magazine.

1972. Publication of Transparent Things.

1973. Publication of A Russian Beauty and Other Stories – 13 stories, some translated from the Russian, some written directly in English. Publication of Strong Opinions – interviews, criticism, essays, letters. Rift with his biographer Andrew Field.

1974. Publication of Lolita: A Screenplay, which was not used by Kubrick for the film. Publication of Look at the Harlequins.

1975. Publication of Tyrants Destroyed and Other Stories – 14 stories, some from the Russian, some written in English.

1976. Publication of Details of a Sunset and Other Stories – 13 stories, translated from the Russian.

1977. Nabokov dies July 2 in Lausanne. He is buried in Clarens, beneath a tombstone that reads ‘Vladimir Nabokov, écrivain.’

© Roy Johnson 2009


More on Vladimir Nabokov
More on literary studies
Nabokov’s Complete Short Stories


Filed Under: Vladimir Nabokov Tagged With: Biography, Literary studies, The novel, The Short Story, Vladimir Nabokov

Vladimir Nabokov web links

December 10, 2010 by Roy Johnson

a selection of web-based archives and resources

This short selection of Vladimir Nabokov web links offers quick connections to resources for further study. It’s not comprehensive, and if you have any ideas for additional resources, please use the ‘Comments’ box below to make suggestions.

Vladimir Nabokov - portrait

Vladimir Nabokov web links Vladimir Nabokov at Mantex
Biographical notes, book reviews, tutorials, study guides, videos, web links, and essays on the Complete Short Stories.

Vladimir Nabokov web links Vladimir Nabokov at Wikipedia
Biographical notes, list of major works, bibliography, and web links

Vladimir Nabokov web links Lolita USA
A ‘geographical scrutiny’ of Humbert and Lolita’s journey across America. Essay and photographic study by Dieter E. Zimmer.

Vladimir Nabokov - first editions Vladimir Nabokov Writings – First Appearance
An illustrated collection of first editions in English. Photographs with bibliographical notes compiled by Bob Nelson

Vladimir Nabokov at the Internet Movie Database
Adaptations for the cinema and television – in various languages. Full details of directors and actors, plot, box office, trivia, continuity errors, and quiz.

Red button Zembla
Biography, timeline, photographs, eTexts, sound clips, butterflies, literary criticism, online journal, scholarly essays, and an online annotated version of Ada – housed at Pennsylkvania State University Library.

Red button Nabokov Museum
A major collection housed in Nabokov’s old family home (now a museum) in St. Petersburg. – biography, photos, family home, videos in English and Russian.


Vladimir Nabokov Cambridge CompanionThe Cambridge Companion to Nabokov Vladimir Nabokov held the unique distinction of being one of the most important writers of the twentieth century in two separate languages, Russian and English. This volume offers a concise and informative introduction into the author’s fascinating creative world. Specially commissioned essays by distinguished scholars illuminate numerous facets of the writer’s legacy, from his early contributions as a poet and short-story writer to his dazzling achievements as one of the most original novelists of the twentieth century. Topics receiving fresh coverage include Nabokov’s narrative strategies, the evolution of his world-view, and his relationship to the literary and cultural currents of his day. The volume also contains valuable supplementary material such as a chronology of the writer’s life and a guide to further critical reading.
Cambridge Companion to Nabokov Buy the book here

© Roy Johnson 2010


More on Vladimir Nabokov
More on literary studies
Nabokov’s Complete Short Stories


Filed Under: Vladimir Nabokov Tagged With: English literature, Literary studies, The novel, Vladimir Nabokov

Washington Square

March 24, 2010 by Roy Johnson

tutorial, study resources, film version, and web links

Washington Square (1880) is a short novel originally published as a serial in Cornhill Magazine and Harper’s New Monthly Magazine. It is a structurally simple tragicomedy that recounts the conflict between a dull but sweet daughter and her brilliant, domineering father. She has a handsome young suitor – but the father disapproves of him. There is a battle of wills – all conducted within the confines of their elegant town house. Who wins out in the end? You will be surprised by the outcome. This is a masterpiece of social commentary, with a sensitive picture of a woman’s life. The plot of the novel is based upon a true story told to James by his close friend, the British actress Fanny Kemble. The book is often compared to Jane Austen’s work for the clarity and grace of its prose and its intense focus on family relationships.

Washington Square

first American edition 1880


Washington Square – plot summary

Dr. Austin Sloper is a rich and intelligent widower who lives in Washington Square, New York with his only surviving child, Catherine. She is a sweet-natured woman who is a great disappointment to her father, being physically plain and, he believes, mentally dull. Sloper’s beloved wife, along with a promising young son, died many years before. His busybody sister, the widowed Lavinia Penniman, is the only other member of the doctor’s household.

Washington SquareOne day, Catherine meets the charming Morris Townsend at a party and is swept off her feet. Morris courts Catherine, aided by Mrs. Penniman, who loves melodrama. Dr. Sloper strongly disapproves, believing him to be after Catherine’s money. When Catherine and Morris announce their engagement, he checks into Morris’s background and finds him to be penniless and parasitic. The doctor forbids his daughter to marry Townsend, and the loyal Catherine cannot bring herself to choose between her father and her fiancé.

Dr. Sloper understands Catherine’s strait and pities her a little, but also finds an urbane entertainment in the situation. In an effort to resolve the matter, he announces that he will not leave any money to Catherine if she marries Morris. He then takes her on a twelve month grand tour of Europe to distract her attention from Townsend.

During their months abroad, he mentions Catherine’s engagement only twice; once while they are alone together in the Alps, and again on the eve of their return voyage. On both occasions, Catherine holds firm in her desire to marry. After she refuses for a second time to give Morris up, Sloper sarcastically compares her to a sheep fattened up for slaughter. With this, he finally goes too far: Catherine recognises his contempt, withdraws from him, and prepares to bestow all her love and loyalty on Morris.

Upon their return however, when Catherine convinces her fiance that her father will never relent, Townsend breaks off the relationship. Catherine is devastated, then eventually recovers her equanimity, but is never able to forget the injury.

Many years pass. Catherine refuses two respectable offers of marriage and grows into a middle aged spinster. Dr. Sloper finally dies and leaves her a sharply reduced income in his will out of fear that Townsend will reappear. In fact, Morris – now fat, balding, cold-eyed, but still somewhat attractive – does eventually pay a call on Catherine, hoping to effect a reconcilation. But she calmly rebuffs his overtures. The novel concludes with “Catherine … picking up her morsel of fancy-work, had seated herself with it again — for life, as it were.”


Study resources

Washington Square Washington Square – Oxford World Classics – Amazon UK

Washington Square Washington Square – Oxford World Classics – Amazon US

RWashington Square Washington Square – Wordsworth Classics – Amazon UK

Washington Square Washington Square – Wordsworth Classics – Amazon US

Washington Square Washington Square – Brodie’s Notes

Washington Square Washington Square – York Notes

Washington Square Washington Square – 1998 film adaptation on DVD

Washington Square Washington Square – eBook versions at Project Gutenberg

Washington Square Washington Square – audioBook (unabridged) at Amazon UK

Washington Square Washington Square – audioBook at LibriVox

Red button The Cambridge Companion to Henry James – Amazon UK

Washington Square Henry James – biographical notes

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, web links, study resources

Washington Square


Principal characters
Dr Austin Sloper a successful, rich, and satirical doctor
Catherine Sloper his unmarried daughter
Lavinia Penniman Catherine’s intefering widowed aunt
Morris Townsend a handsome young fortune-hunter
Mrs Almond Sloper’s married sister
Marian Almond Mrs Almond’s vivacious daughter
Mrs Montgomery Morris Townsend’s impoverished sister

Washiongton Square – film version

1949 William Wyler screen adaptation

An all star cast of Olivia de Havilland as Catherine, Ralph Richardson as Doctor Sloper, and Montgomery Clift as Morris Townsend. Aaron Copland is credited with having composed the theme music, but he denied it.

See reviews of the film at the Internet Movie Database.


Film version

1949 William Wyler screen adaptation

An all star cast of Olivia de Havilland as Catherine, Ralph Richardson as Doctor Sloper, and Montgomery Clift as Morris Townsend. Aaron Copland is credited with having composed the theme music, but he denied it.

See reviews of the film at the Internet Movie Database.


Further reading

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US

Henry James Daisy MillerDaisy Miller (1879) is a key story from James’s early phase in which a spirited young American woman travels to Europe with her wealthy but commonplace mother. Daisy’s innocence and her audacity challenge social conventions, and she seems to be compromising her reputation by her independent behaviour. But when she later dies in Rome the reader is invited to see the outcome as a powerful sense of a great lost potential. This novella is a great study in understatement and symbolic power.
Daisy Miller Buy the book from Amazon UK
Daisy Miller Buy the book from Amazon US


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James web links Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.

© Roy Johnson 2010


More on Henry James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: Henry James Tagged With: English literature, Henry James, Literary studies, Study guides, The novel, Washington Square

What Maisie Knew

October 30, 2010 by Roy Johnson

tutorial, commentary, study resources, and web links

What Maisie Knew (1897) comes from the late period of Henry James’ long and prolific career as a novelist, and yet it is written in a relatively straightforward manner compared with The Wings of the Dove (1902), The Ambassadors (1903), and The Golden Bowl (1904). The narrative is split into mercifully short chapters, and since the protagonist is a young girl, the first part of the book at least is psychologically uncomplicated – by James’ standards. It’s also (rather unusually) quite funny.

Henry James portrait

Henry James – by John Singer Sargeant

As a subject, or as James would call it a donnée, the story is quite ahead of its time. It deals with what we would now call a ‘dysfunctional family’. Two adults behave appallingly both to each other and to their only child. Maisie is only six years old when the story begins, and she has to endure neglect of both a physical and emotional kind. She never receives any schooling – though that would not be altogether unusual for a girl at the end of the nineteenth century (even Virginia Woolf didn’t go to school) – and she is protected only by the presence of paid governesses.

The triumph of the novel is to persuade us that as she becomes older, Masie begins to understand what is happening around her and develops ‘a moral sense’. She is an entirely passive heroine – rather like Fanny Price in Jane Austen’s Mansfield Park. She can only sit tight and watch as adults manoeuvre around her, manipulating her vulnerability for their own ends. But eventually, as she becomes older (her age is always left vague) she is confronted with a situation in which she is able to make a moral choice which reveals her inner maturity.


What Maisie Knew – critical commentary

Social conventions

There are a number of forces at work in this novel that stem from conventions in the upper echelons of society in the nineteenth and early twentieth century. These might be difficult to understand for contemporary readers.

A married couple were free to do more or less what they wished – so long as the appearance of respectability was maintained. Married men could absent themselves from home on the pretext that they were visiting friends or staying at their club. A married woman could entertain single men in her home – but only if there were others present – either other single men, or in the case of What Masie Knew if a child was present, acting as a sort of under-age chaperone.

Most of these conventions were designed to preserve power structures and concentrations of wealth in the form of both capital and income. People marrying outside (that is beneath) their social class were endangering the accumulation of capital via inheritance. To marry into a higher class was desirable but rare.

Many of James’s novels are concerned with this connection between money and social prestige. This is often presented in the form of newly rich Americans seeking to establish social prestige with Europeans who have social caché but no money (The Golden Bowl). In Masie figures such as Mr Perriam and the ‘Countess’ perform this role. Mr Perriam is viewed with suspicion because he is newly rich – and might even be Jewish. The American ‘Countess’ (who is of course not a countess) is very rich but is black and is therefore unacceptable.

But this social phenomenon is complicated by the fact that there is also a great deal of prestige attached to the source of the capital. To marry into an old family with centuries of inherited wealth as the acme of success. But to accumulate capital via commerce or trade was simply not acceptable – unless of course the capital accumulation was so enormous as to either pay off the debts or buy a way into the upper class.

Many of James’s novels have these conventions as a basis of their morality, but they are unstated, as are many ideological constructs in society. They are taken for granted, as if part of the ‘natural’ order of things. The characters of his novels must know these conventions to survive socially, and part of the interest in Masie’s case is that being very young, she is only in the very early stages of developing this understanding.

Marriage

The novel sheds a very negative light on the state of marriage. It begins with the divorce of Beale Farange and Ida, who go on to despise each other. They then re-marry – both of them to younger people than themselves. These second marriages are no more successful than the first. Beale Farange marries Miss Overmore, but eventually spends most of his time away from the family house – in clubs (the Chrysanthemum) at Cowes yachting week, and eventually as the paid lover of the black American ‘Countess’. Ida has a succession of lovers (a City broker who goes bust, the Captain, and Lord Eric) and when last seen she is threatening to go abroad. Even Sir Claude’s relationship with Miss Overmore/Mrs Beale eventually turns sour.

It is also interesting to note the subtle relationship between geography and morals. In the late nineteenth century it was quite common for people (usually males) to travel outside Britain to indulge in what is today called sexual tourism. Once the physical border of the Channel had been crossed, the social and psychological landscape changed. Unconventional social and sexual relations were tolerated – partly because of less puritanical mores, and partly because any deviant behaviour was being conducted beyond the sharp-eyed scrutiny of British society.

Ida Farange, possibly the most raffish of the characters, goes to Florence and ‘picks up’ a gentleman en route; and when Sir Claude takes Maisie away to try and persuade her to live with him and Mrs Beale, they go to Boulogne. He proposes that they live together in the south of France, and even when Maisie is trying to persuade Sir Claude to accept her alone on her own terms, it is to Paris that she wants him to take her. They almost do make that journey, narrowly missing the train by just a few moments.

Point of view

James very cleverly gives the impression that he is telling the story from Maisie’s point of view. There are no scenes in which she is not present for instance, and the separate chapters invariably begin with an account of events as Maisie perceives them. But in fact the controlling point of view is that of James himself. From time to time he shows his hand as first person narrator – “We have already learned … on a certain occasion hereafter to be described … in the manner I have mentioned”.

She met at present no demand whatever of her obligation, she simply plunged, to avoid it, deeper into the company of Sir Claude. She saw nothing that she had seen hitherto – no touch in the foreign picture that had at first been always before her. The only touch was that of Sir Claude’s hand, and to feel her own in it was her mute resistance to time. She went about as sightlessly as if he had been leading her blindfold. If they were afraid of themselves it was themselves they would find at the inn.

The young girl is foregrounded, the detail of the hand is one she might realistically notice – but the controlling vision here is that of an outsider – James himself commenting on her position and that of her stepfather.

Motifs

Careful readers will have no difficulty recognising the repeated motifs that occur in the novel. Whenever Beale Farange makes an appearance in the narrative he is described in terms of his teeth. In Ida’s case it is her over-use of jewellery and cosmetics – her “huge painted eyes … like Japanese lanterns”. In Sir Claude’s case it is his addiction to cigarettes. After repeatedly blowing smoke into Masie’s face throughout the novel, there is one scene where James describes them as smoking together – in the plural. “After dinner she smoked with her friend – for that was exactly what she felt she did … they stood smoking together under the stars”.


What Masie Knew – study resources

What Maisie Knew What Maisie Knew – Oxford World Classics – Amazon UK

What Maisie Knew What Maisie Knew – Oxford World Classics – Amazon US

What Maisie Knew What Maisie Knew – Penguin Classics – Amazon UK

What Maisie Knew What Maisie Knew – Penguin Classics – Amazon US

What Maisie Knew What Maisie Knew – Dover Thrift – Amazon UK

What Maisie Knew What Maisie Knew – Dover Thrift – Amazon US

What Maisie Knew What Maisie Knew – Kindle eBook (includes 60 James books for £2.23)

What Maisie Knew What Maisie Knew – eBook version at Project Gutenberg

What Maisie Knew What Maisie Knew – Audio book edition at LibriVox

What Maisie Knew What Maisie Knew – 2012 film version – Amazon UK

What Maisie Knew What Maisie Knew – 2012 film version – Amazon US

Red button The Cambridge Companion to Henry James – Amazon UK

What Maisie Knew Henry James – biographical notes

What Maisie Knew Henry James at Wikipedia – biographical notes, links

Pointer Henry James at Mantex – tutorials, biography, study resources

What Masie Knew


What Maisie Knew – plot summary

Maisie is the young daughter of louche and divorced parents Beale and Ida Farange. She is looked after by two governesses – the attractive Miss Overmore at her father’s house and the unattractive Mrs Wix at her mother’s house in six monthly intervals. Both parents use Masie as a bargaining counter and neglect her emotionally whilst in pursuit of their own self-indulgent ends and their psychological war games against each other.

What Masie KnewBoth parents subsequently re-marry, to people much younger than themselves. Ida’s marriage to Sir Claude quickly deteriorates, and Ida takes up with other men, leaving Sir Claude to look after the interests of Masie and Mrs Wix.

Beale Farange meanwhile marries Miss Overmore (who becomes Mrs Beale) but spends most of his time living away from home. Sir Claude establishes a romantic liaison with Mrs Beale which enables him to place Maisie back in her (absent) father’s household.

Maisie is used (and abused) by most of these adults as a screen of respectability for conducting liaisons with other people. Sir Claude alone tries to maintain a degree of social respectability that will leave Maisie protected, but it becomes apparent that he is in thrall to Mrs Beale.

When both her natural parents abandon her completely, Sir Claude takes Maisie to France, and Mrs Wix follows. They are then joined by Mrs Beale. Maisie is confronted with the choice of living with Sir Claude and Mrs Beale (who are not married to each other) in the south of France, or staying with Mrs Wix in an indefinite future. Maisie is deeply enamoured with Sir Claude, but she chooses Mrs Wix, and the two of them return to England.


Principal characters
Beale Farange tall, handsome, lounge lizard – Maisie’s father
Ida Farange tall, attractive, billiard player – Maisie’s mother
Maisie Farange six years old at the start of the novel, a teenager at the end
Moddle Masie’s nurse at the original Farange household
Miss Overmore Maisie’s attractive first governess, later to become Mrs Beale Farange
Mrs Wix cross-eyed and unfashionable – Maisie’s governess at Ida’s
Clara Matilda Mrs Wix’s (possibly imaginary) dead daughter
Lisette Maisie’s french doll at Ida’s
Susan Ash an under-housemaid at Beale Farange’s
Sir Claude handsome, young, Ida’s second husband
Mr Perriam rich City businessman, a suitor of Ida’s who goes bust
Lord Eric a suitor of Ida’s who is mentioned but never appears in the novel
The Captain sun-tanned and short-lived suitor of Ida’s
The ‘Countess’ rich but ugly black woman who pays Beale Farange to be her lover

Henry James's Study

Henry James’s study


Literary criticism

Martha Banta, ‘The Quality of Experience in What Maisie ‘Knew, New England Quarterly, 42 (Dec 1969) 483-510.

Jean Frantz Blackall, ‘Moral Geography in What Maisie Knew‘, University of Toronto Quarterly, 48 (1978) 130-148.

Peter Coveney, The Image of Childhood, London: Penguin, 1967.

Randall Craig, ‘”Reading the Unspoken into the Spoken”: Interpreting What Maisie Knew‘ Henry James Review, 2/3 (1981), 204-212.

Lloyd Davis, Sexuality and Textuality: Reading Through the Virginal, New York, 1988.

Barbara Eckstein, ‘Unsquaring the Squared Route of What Maisie Knew‘, Henry James Review, 5/3 (1984), 207-215

James W. Gargano, ‘What Maisie Knew: The Evolution of a Moral Sense’, Nineteenth-Century Fiction, 16 (June 1961), 33-46.

F.R.Leavis, ‘What Maisie Knew: A Disagreement’, in Anna Karenina and Other Essays, London, 1967.

Juliet Mitchell, ‘What Masie Knew: Portrait of the Artist as a Young Girl’, in John Goode (ed), The Air of Reality: New Essays on Henry James, London, 1973.

Muriel Shine, The Fictional Children of Henry James< Chapel Hill, NC, 1969.

Harris W. Wilson, ‘What Did Maisie Know?’ College English, 17 (February 1956), 279-282.

Ward S. Worden, ‘A Cut Version of What Maisie ‘Knew, American Literature, 24/4 (September 1953), 493-504.


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book at Amazon UK
Henry James The Aspern Papers Buy the book at Amazon US

 

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book at Amazon UK
Henry James The Spoils of Poynton Buy the book at Amazon US

 

Henry James Daisy MillerDaisy Miller (1879) is a key story from James’s early phase in which a spirited young American woman travels to Europe with her wealthy but commonplace mother. Daisy’s innocence and her audacity challenge social conventions, and she seems to be compromising her reputation. But when she later dies in Rome the reader is invited to see the outcome as a powerful sense of a great lost potential. This novella is a great study in understatement and symbolic power.
Henry James Daisy Miller Buy the book at Amazon UK
Henry James Daisy Miller Buy the book at Amazon US


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James web links Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.

© Roy Johnson 2010


More on Henry James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: Henry James Tagged With: English literature, Henry James, Literary studies, Study guides, The novel, What Masie Knew

Where Angels Fear to Tread

February 27, 2010 by Roy Johnson

tutorial, characters, resources, video, further reading

Where Angels Fear to Tread, (1902) is Forster’s first novel and a witty debut. A spirited middle-class English girl goes to Italy and becomes involved with a local man. The English family send out a party to ‘rescue’ her (shades of Henry James) – but they are too late; she has already married him. But when a baby is born, the family returns with renewed hostility. The clash between living spirit and deadly rectitude is played out with amusing and tragic consequences.

E.M.Forster - portrait

E.M.Forster

E.M. Forster is a bridge between the nineteenth and the twentieth century novel. He documents the Edwardian and Georgian periods in a witty and elegant prose, satirising the middle and upper classes he knew so well. He was a friend of Virginia Woolf, with whom he worked out some of the ground rules of literary modernism. These included the concept of ‘tea-tabling’ – making the substance of serious fiction the ordinary events of everyday life. He was also a member of The Bloomsbury Group.

His novels grew in complexity and depth, until he eventually gave up fiction in 1923. This was because he no longer felt he could write about the subject of heterosexual love which he did not know or feel. Instead, he turned to essays – which are well worth reading.


Where Angels Fear to Tread – plot summary

Where Angels Fear to TreadLilia Herriton is a young woman whose huband has recently died. Leaving her daughter in the care of her in-laws (whose money she has inherited) she makes a journey to Tuscany with her young friend and traveling companion Caroline Abbott. She falls in love with both Italy and Gino Carella, a handsome Italian much younger than herself, and decides to stay. Furious, her dead husband’s family send Lilia’s brother-in-law to Italy to prevent a misalliance, but he arrives too late. Lilia has already married the Italian and in due course she becomes pregnant.

When she dies giving birth to a son, the Herritons learn that Lilia’s one-time traveling companion, Caroline Abbott, wishes to travel to Italy once again, this time to save the infant boy from an uncivilized life. Not wanting to be outdone – or considered any less moral or concerned than Caroline for the child’s welfare – Lilia’s in-laws try to take the lead in traveling to Italy. Philip is despatched again, but this time accompanied by his sister Harriet.

They make it known that it is both their right and their duty to travel to Monteriano to obtain custody of the infant so that he can be raised as an Englishman. Secretly, though, they have little regard for the child, only for public appearances. Both Italy and its inhabitants are presented as exuding an irresistible charm, to which eventually Caroline Abbott also succumbs.

The family manage to kidnap the child, but they bungle the event and the child is killed in an accident. Gino’s physical outburst toward Philip in response to the news makes Philip realize what it is like to truly be alive. The guilt felt by Harriet causes her to lose her mind. Finally, Philip realizes that he is in love with Caroline Abbott but that he can never have her, because she too admits to being in love with Gino.


Study resources

Where Angels Fear to Tread Where Angels Fear to Tread – Penguin Classics – Amazon UK

Where Angels Fear to Tread Where Angels Fear to Tread – Penguin Classics – Amazon US

Where Angels Fear to Tread Where Angels Fear to Tread – BBC audio books – Amazon UK

Where Angels Fear to Tread Where Angels Fear to Tread – film adaptation on DVD – Amazon UK

Where Angels Fear to Tread Where Angels Fear to Tread – eBook versions at Gutenberg

Where Angels Fear to Tread Where Angels Fear to Tread – audioBook version at LibriVox

Red button The Cambridge Companion to E.M.Forster – Amazon UK

Red button E.M.Forster at Wikipedia – biographical notes, links

Red button E.M.Forster at Mantex – tutorials, web links, study resources


Principal characters
Lilia Herriton a young widow
Caroline Abbott her friend and travelling companion
Mrs Herriton Lilia’s mother-in-law
Philip Herriton Lilia’s young brother-in-law
Gino Carella a handsome but poor Italian
Harriet Herriton Lilia’s sister-in-law
Irma Herriton Lilia’s young daughter

Where Angels Fear to Tread – film version

1991 Charles Sturridge film adaptation

This film version is not a Merchant-Ivory production, although it’s done very much in their style. But it is accurate and entirely sympathetic to the spirit of the novel, possibly even stronger in satirical edge, well acted, and superbly beautiful to watch. Much is made of the visual contrast between the beautiful Italian setting and the straight-laced English capital from which the prudery and imperialist spirit emerges. The lovely Helena Bonham-Carter establishes herself as the perfect English Rose in this production, and she carried it through to several more. Helen Mirren is wonderful as the spirited Lilia who defies English prudery and narrow-mindedness and marries for love – with results which manage to upset everyone.

Red button See reviews of the film at the Internet Movie Database


The novel title

The title Where Angels Fear to Tread is taken from Alexander Pope’s Essay in Criticism (1711). This is a verse essay written in the Horatian mode and is primarily concerned with how writers and critics behave in the new literary commerce of Pope’s contemporary age. The poem covers a range of good criticism and advice. It also represents many of the chief literary ideals of Pope’s age.

Part II of An Essay on Criticism includes a famous phrase A little learning is a dangerous thing, which is often misquoted as ‘a little knowledge is a dangerous thing’.

Part II is also the source of this famous line: To err is human, to forgive divine.


Further reading

Red button David Bradshaw, The Cambridge Companion to E.M. Forster, Cambridge University Press, 2007

Red button Richard Canning, Brief Lives: E.M. Forster, London: Hesperus Press, 2009

Red button G.K. Das and John Beer, E. M. Forster: A Human Exploration, Centenary Essays, New York: New York University Press, 1979.

Red button Mike Edwards, E.M. Forster: The Novels, London: Palgrave Macmillan, 2001

Red button E.M. Forster, Aspects of the Novel, London: Penguin Classics, 2005

Red button P.N. Furbank, E.M. Forster: A Life, Manner Books, 1994

Red button Frank Kermode, Concerning E.M. Forsterl, London: Weidenfeld and Nicolson, 2009

Red button Rose Macaulay, The Writings of E. M. Forster, New York: Barnes and Noble, 1970.

Red button Nigel Messenger, How to Study an E.M. Forster Novel, London: Palgrave Macmillan, 1991

Red button Wendy Moffatt, E.M. Forster: A New Life, London: Bloomsbury Publishing, 2010

Red button Nicolas Royle, E.M. Forster (Writers and Their Work), Northcote House Publishers, 1999

Red button Jeremy Tambling (ed), E.M. Forster: Contemporary Critical Essays, London: Palgrave Macmillan, 1995


Where Angels Fear to Tread

first edition – Blackwood 1905


Other work by E.M. Forster

A Room with a ViewA Room with a View (1905) This is another comedy of manners and a satirical critique of English stuffiness and hypocrisy. The impulsive and cultivated Lucy Honeychurch must choose between taklented but emotionally frozen Cecil Vyse and the impulsive George Emerson. The staid Surrey stockbroker belt is contrasted with the magic of Florence, where she eventually ends up on her honeymoon. Upper middle-class English tourists in Italy are an easy target for Forster in some very amusing scenes.

E.M.Forster greatest works Buy the book at Amazon UK
E.M.Forster greatest works Buy the book at Amazon US

 

Howards EndHowards End (1910) is a State of England novel, and possibly Forster’s greatest work – though that’s just my opinion. Two families are contrasted: the intellectual and cultivated Schlegels, and the capitalist Wilcoxes. A marriage between the two leads to spiritual rivalry over the possession of property. Following on their social coat tails is a working-class would-be intellectual who is caught between two conflicting worlds. The outcome is a mixture of tragedy and resignation, leavened by hope for the future in the young and free-spirited.

E.M.Forster greatest works Buy the book at Amazon UK
E.M.Forster greatest works Buy the book at Amazon US

© Roy Johnson 2010


More on E.M. Forster
More on the novella
More on literary studies
More on short stories


Filed Under: E.M.Forster Tagged With: E.M.Forster, English literature, Literary studies, study guide, The novel, Where Angels Fear to Tread

  • « Previous Page
  • 1
  • …
  • 17
  • 18
  • 19
  • 20
  • Next Page »

Get in touch

info@mantex.co.uk

Content © Mantex 2016
  • About Us
  • Advertising
  • Clients
  • Contact
  • FAQ
  • Links
  • Services
  • Reviews
  • Sitemap
  • T & C’s
  • Testimonials
  • Privacy

Copyright © 2025 · Mantex

Copyright © 2025 · News Pro Theme on Genesis Framework · WordPress · Log in