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major writers, biographical notes, and literary criticism

major writers, biographical notes, and literary criticism

Decline and Fall

March 24, 2018 by Roy Johnson

tutorial, study guide, commentary, web links

Decline and Fall (1928) was Evelyn Waugh’s first novel. It was very well received on first publication, and he followed it up with similar acerbic social satires in Vile Bodies (1930), A Handful of Dust (1934), and Scoop (1938). Waugh is probably best known for his later novel Brideshead Revisited (1945) which was the basis of a very successful television series. But Decline and Fall has the distinction of introducing what became a hallmark of Waugh’s style – the use of black comedy.

Decline and Fall


Decline and Fall – commentary

The novel is in the comic tradition of the naive young innocent who becomes the victim of ever increasing disasters. This is a theme that goes back to Voltaire’s Candide (1759). Paul Pennyfeather is an orphan who is punished for a misdemeanour he did not commit and is cast out into the world with virtually nothing.

He is the blameless victim of the Bollinger Club’s vandalism, then his guardian refuses to give him his rightful inheritance and expels him from home. All the people he then meets (with the exception of Peter Beste-Chetwynde) are frauds, liars, criminals, and social failures living in a world of deception, incompetence, and villany.

Dr Fagan, his employer, is a posturing academic fraud who runs a seedy private college (a ‘public school’) with no regard for the students education or welfare. Fagan has a ‘butler’ Philbrick who turns out to be a confidence trickster, and who is later arrested for fraud. The glamorous and wealthy Mrs Beste-Chetwynde might have poisoned her husband and lives off the earnings of prostitutes. The prison governor Sir Wilfred Lucas-Dockery is a naive penal reformist who is responsible for a prisoner being murdered.

Contemporary readers will have little difficulty in seeing this as a radically irreverent critique of what in the 1920s was politically correct. The targets for Waugh’s satire range from moral blindness to modernist architecture. But there are also some excruciating passages which reveal the astonishing levels of racism that were considered acceptable at that time.

Margot Beste-Chetwynde arrives at the school sports day accompanied by her black lover Sebastian ‘Chokey’ Chalmondley. The reactions of the other guests are voiced using expressions that seem quite shocking: ‘What price the coon?’, ‘I think it’s an insult bringing a nigger here’, and ‘to put it bluntly, they have uncontrollable passions … it’s just their nature. Animals, you know’.

These opinions might reflect the social blindness and narrow prejudices of the fictional characters in the scene, but Waugh also makes Sebastian himself a figure of fun. Whilst wishing to claim an appreciation of traditional English culture, he responds to most enquiries with the stock phrase ‘I sure am that’. He makes a perfectly articulate plea for tolerance and understanding, but it is difficult to escape the impression that Waugh to some extent shares the prejudices he is satirising. For a fuller discussion of this topic, see David Bradshaw’s excellent introduction to the Penguin Classics edition of Decline and Fall.

Black humour

In addition to the comically villanous characters, there are several instances of what we now call black humour scattered throuout the narrative. These often involve a certain amount of criminality or violence. Three years befor the story opens, the Bollinger Club dinner featured a caged fox that had been stoned to death with champagne bottles. At the school sports day, the young Lord Tangent is shot in the foot by the drunken Prendergast with his starting pistol. It is mentioned quite casually in a later chapter that his foot has been amputated.

Margot Beste-Chetwynde not only owns a chain of brothels in South America, she demolishes a listed Tudor building, to put in its place a monstrosity of plate glass, lifts, leather walls, and modernist furniture designed by a twenty-five year old ‘professor’ of foreign extraction. Moreover it is quite possible that she has poisoned her husband (with ground glass).

The governor of the first prison to which Paul is sent is a theoretical reformist who believes hardened criminals can be reformed by appealing to their ‘creative’ instincts. When a religious maniac reveals that he was formerly a cabinet-maker, the governor issues him with a set of carpenter’s tools – which he promptly uses to saw off a man’s head.

The scenes at the Llanabba College that feature locals are drenched in anti-Welsh sentiment. Waugh captures brilliantly the fractured syntax of the local stationmaster speaking in English, which for him is a foreign language:

‘To march about you would not like us? … We have a fine yellow flag look you that embroidered for us was in silks.’

The stationmaster divides his time between squeezing more money out of Dr Fagan and trying to sell his sister’s services as a prostitute at cut-price rates. Doctor Fagan then philosophises about the Welsh in general:

From the earliest times the Welsh have been looked upon as an unclean people. It is thus they have preserved their racial integrity. Their sons and daughters mate freely with the sheep but not with human kind except their blood relations … The Welsh are the only nation in the world that has produced no graphic or plastic art, no architecture, no drama. They just sing and blow down wind instruments of plated silver.

Waugh attributes these outrageous opinions to the foppish and incompetent Doctor Fagan, but once again it is difficult to escape the suspicion that he is hiding his own prejudices behind this literary strategy. When introducing the local brass band into the narrative he does so in third person mode that is just as insulting:

They advanced huddled together with the loping tread of wolves, peering about them furtively as they came, as though in constant terror of ambush; they slavered at their mouths, which hung loosely over their receding chins, while each clutched under his ape-like arm a burden of curious and unaccountable shape.

In fact the black humour and the comic potential of naively thwarted expectations are rather prescient of attitudes that only became more popularly widespread in Britain after the Second World War. Evelyn Waugh was well ahead of his time in this respect.


Decline and Fall – study resources

Decline and Fall – Penguin – Amazon UK

Decline and Fall – Penguin – Amazon US

Decline and Fall – York Notes – Amazon UK

Evelyn Waugh: A Life Revisited – Amazon UK

Decline and Fall – DVD film – Amazon UK

Decline and Fall

Evelyn Waugh – by Henry Lamb


Decline and Fall – plot synopsis

Prelude   Paul Pennyweather has his trousers removed by the Bollinger Club and is unjustly sent down from Oxford University for ‘indecent behaviour’.

Part One

I.   Paul is castigated by his guardian for this misadventure. He withholds Paul’s rightful inheritance and expels him from home. Paul secures a post as schoolmaster at a private college in Wales.

II.   Paul arrives at the inhospitable Llanabba Castle, where he meets Dr Fagan and his daughters. He is given as special subject something he knows nothing about.

III.   He meets student Peter Beste-Chetwynde and ex public school Captain Grimes, who regales him with stories of his failures. Grimes is engaged to the unappetising elder Fagan daughter.

IV.   Paul meets ex-clergyman Prendergast, who bores him with tales of his fundamental religious doubts.

V.   Paul tries to establish discipline with his form, and becomes popular. Doubts are cast about Philbrick.

VI.   Paul is offered £20 compensation from Oxford, thinks to refuse it on principle, but Grimes accepts it on his behalf. Paul will treat his colleagues to dinner with the money.

VII.   Dr Fagan makes grandiose arrangments for the sports day. The ‘butler’ Philbrick reveals his unsavoury (and imaginary) criminal connections to Paul, and reveals his intention to marry Diana Fagan.

VIII.   The sports events are a mis-managed farce. Prendergast, who is drunk, shoots a boy in the foot with his starting gun.

IX.   Mrs Margot Beste-Chetwyde arrives with her black lover Sebastian ‘Chokey’ Chalmondley. He is the object of virulent racist commentary from the guests.

X.   In the aftermath of the sports day, Paul has fallen for Mrs Beste-Chetwynde.

XI.   The butler Philbrick has given the staff various fantastic stories about his origins.

XII.   Dr Fagan disapproves of Grimes as a potential son-in-law. The staff go out to celebrate Grimes’ forthcoming marriage to the principal’s daughter. Grimes (who already has a wife) laments falling into the trap of matrimony.

XIII.   Grimes is depressed by his marriage, and resents being patronised by Dr Fagan. The police arrive to arrest Philbrick for fraud. Grimes stages his own disappearance.

Part Two

I.   Margot Beste-Chetwynde demolishes a historic Tudor building at King’s Thursday and has a modern replacement designed by young modernist ‘Professor’ Otto Silenus.

II.   In the Easter holidays Peter Beste-Chetwynde invites Paul back to his mother’s new house.

III.   There is a weekend party to show off Margot’s new modernist construction. She stays in bed, taking drugs. Paul proposes marriage to her, and he is accepted.

IV.   Grimes reappears, working for a Latin-American night club consortium owned by Margot.

V.   Margot is in London, interviewing hostess applicants for her Latin-American night club business (brothels).

VI.   Elaborate preparations are made for the wedding. Paul moves in to the Ritz. Paul’s friend Potts is working for the League of Nations. Paul goes to Marseilles to sort out visa problems for the hostesses. He returns to his much-publicised marriage day, but is arrested by the police.

Part Three

I.   Paul is sentenced to seven years imprisonment for white slave trafficking. At the trial Potts is chief witness for the prosecution. Margot flees to her villa in Corfu. The prison is run in a repressive and punitive manner. Paul meets Philbrick as a fellow prisoner and Prendergast is the prison chaplain.

II.   Paul wishes to remain in solitary confinement, which is against the rules, so the governor makes him the subject of a rehabilitation experiment.

III.   Paul exercises with a religious homicidal maniac, and complains to the governor. Since the man was formerly a cabinet maker, the governor issues him with a set of carpenter’s tools for ‘therapeutic rehabilitation’. The prisoner saws Prendergast’s head off.

IV.   Paul is transferred to Dartmoor prison, where he meets Grimes, who has been sent down for bigamy. Peter Beste-Chetwynde becomes an Earl. Margot visits to announce her forthcoming marriage to Miles Maltravers (son of the Home Secretary).

V.   Grimes escapes from Dartmoor but is thought to have perished in a mire. Paul thinks of him as inextinguishable.

VI.   The Home Secretary arranges for Paul’s removal to a nursing home owned by Dr Fagan. A fake death certificate is provided by a surgeon who is drunk. Paul is smuggled away to Margot’s villa in Corfu.

VII.   Paul recovers in Corfu, where he meets ‘Professor’ Silenus again. Paul returns to his old college at Oxford to study theology.

Epilogue   Peter Beste-Chetwynde, now Earl Pastmaster, visits Paul as an undergraduate at Oxford. Margot has married Maltravers and become Viscountess Metroland, with Alastair Digby-Vaine-Trumpington as her accepted lover.


Decline and Fall – principal characters
Paul Pennyweather a young student of theology
Dr Augustus Fagan foppish Llanabba Castle headmaster
Captain Grimes schoolmaster with wooden leg
Mr Prendergast ex-clergyman with a wig and religious doubts
Solomon Philbrick college ‘butler’ and fraudster
Professor Silenus a modernist architect (with no experience)
Margot Beste-Chetwynde rich and glamorous society woman
Peter Beste-Chetwynde Paul’s friend and student
Miles Maltravers marries Margot, and becomes Vicount Metroland
Alastair Digby-Vaine-Trumpington Margot’s lover

© Roy Johnson 2018


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Filed Under: Evelyn Waugh Tagged With: English literature, Evelyn Waugh, Literary studies, The novel

Despair

March 7, 2016 by Roy Johnson

tutorial, commentary, plot, and study resources

Despair was written in 1932 when Vladimir Nabokov was living in exile in Berlin and it was first serialized as Otchayanie in the émigré review Sovremennye Zapiski in Paris. It was then released in single volume book form by the publishing house Petropolis in Berlin in 1936. The following year Nabokov made a translation into English (his third language) which was then published by John Lane in London in 1937.

Despair

Nabokov re-translated the novel in 1965 as part of the post-Lolita refurbishment of his earlier works that had been written in Russian and were largely unknown to readers in the English-speaking world. In an author’s foreword he admits that “I have done more than revamp my thirty-year-old translation” – and it is certainly true that the current text bears a number of the hallmarks of Nabokov’s mannered later prose style.


Despair – critical commentary

The unreliable narrator

This is one of Nabokov’s many fictions in which a first person narrator is seriously deranged or neurotic almost to the point of madness. An early example is the self-obsessed Smurov in The Eye (1930); the most famous is Humbert Humbert, the confessional paedophile narrator of Lolita (1955), and in 1962 Charles Kinbote the fictional editor of Pale Fire turns his madness into a work of literary interpretation. All of these characters, despite their self-regard and even their crimes, remain grotesquely fascinating because of the entertaining prose style Nabokov gives them by which to transmit their stories.

Hermann is unreliable in the sense that his narrative is a novel-length study in self-justification. He has nursed the illusion of having met his own double, has murdered him both to collect on the insurance and as he believes, a creative work of artistry – the perfect crime. Hermann is vain, boastful, and even admits to being a liar; he misinterprets events; he is blind to his wife’s adultery, and he thinks himself superior to everyone else in the novel.

Nabokov’s literary skill is in creating a first person narrator through whose eyes all available information is relayed to the reader – who is nevertheless able to discern the ‘truth’ lying behind the events and opinions in the narrator’s account. Nabokov offers a playful and complex game of literary hide-and-seek to the reader, planting clues in his text for the reader to enjoy and decipher.

He always plays fair by the rules of narrative logic and gives readers a chance to work out the subtlest of clues. For instance Hermann is caught out in his crime because he leaves Felix’s walking stick (which also bears his name) in the car he has abandoned in the countryside – but both the stick and its signature have been mentioned previously, planted deep within the narrative for the attentive (or eagle-eyed) reader to spot.

Narrative mode

Even though it is not easy to see how much the original Russian version was ‘improved’ during its later translation, the narrative is clearly very sophisticated. Technically, Herman is delivering the story after its events have concluded. He has read newspaper reports of his crime and decides to compose his own account of what happened.

But throughout the novel Nabokov very skilfully combines a timescale that includes the narrative present, with Hermann’s reflections on his own account of events, plus flashes forward in time. Yet in order to retain the reader’s interest, Nabokov must not give away too much of the story which is yet to come – so Hermann’s ‘premonitions’ are masked as psychological curios or mere eccentricities. But they are actual pointers to the fact that he knows what will happen because he is giving his account in retrospect.

For example, early in the novel, when Hermann visits the countryside allotment with Lydia and Ardalion (Chapter Two) he feels that the locale is ‘familiar’. It is familiar to him, because it is where he has just killed Felix before starting to write his narrative. .

Conversational style

Nabokov exploits the full range of possibilities offered by a first person narrative mode and the quasi-conversational manner that he made famous. As the narrator, Hermann addresses the reader, he thinks aloud, interrupts himself, ( ‘Well, as I was saying’) and comments on the process of composition, often trailing off onto irrelevant topics:

‘but I am digressing, digressing—maybe I want to digress … never mind, let us go on, where was I?’

Built in to the narrative is a meta-critique of fictional techniques and novel clichés – many of which are clearly self-referential:

‘How shall we begin this chapter? I offer several variations to choose from. Number one (readily adopted in novels where the narrative is conducted in the first person by the real or substitute author):

He also criticises alternative conventions of literary presentation – including the epistolary novel:

‘it would be possible now to adopt an epistolic form of narration. A time-honored form with great achievements in the past. From Ex to Why — “Dear Why” — and above you are sure to find the date … The reader soon ceases to pay any attention whatever to the dates’

With almost predictable irony, Hermann himself abandons his sequence of chapters, and adopts a popular literary mode — “Alas, my tale degenerates into a diary … the lowest form of literature” — complete with dated entries, the last of which is April 1st.


Despair – study resources

Despair Despair – Penguin Classics – Amazon UK

Despair Despair – Penguin Classics – Amazon US

Despair Otchayanie – Russian original – Amazon UK

Despair Otchayanie – Russian original – Amazon US

Despair The Cambridge Companion to Nabokov Amazon UK

Despair Vladimir Nabokov: The Russian Years – Biography: Vol 1

Despair Vladimir Nabokov: American Years – Biography: Vol 2

Despair Zembla – the official Nabokov web site

Despair The Paris Review – Interview with Vladimir Nabokov

Despair Nabokov’s first English editions – Bob Nelson’s collection

Despair Vladimir Nabokov at Wikipedia – biographical notes, links

Despair Vladimir Nabokov at Mantex – tutorials, web links, study materials

Despair was also made into a film in 1978 by the German director Rainer Werner Fassbinder. It features Dirk Bogard in his last starring role as Hermann, and has a screenplay written by Tom Stoppard.

Despair Despair – film on DVD – Amazon UK

Despair


Despair – principal characters
Hermann a Russian of German descent living in Berlin (35)
Lydia his scatterbrained wife (30)
Felix Wohlfahrt a vagrant
Ardalion Lydia’s cousin, a would-be painter
Orlovious a bachelor friend of Hermann

Despair


Despair – chapter summaries

Chapter One   Herman is in Prague on chocolate factory business. Strolling on a local hill, he comes across Felix the tramp. Hermann is convinced he is his double.

Chapter Two   Hermann is a communist sympathiser, whilst Lydia is not. He starts growing a beard and avoids mirrors. He gives a self-centred account of Lydia and her scatter-brained attitudes , and then describes his experience of physical disassociation. Herman and Lydia visit an allotment her cousin Ardalion has bought in the countryside.

Chapter Three   Herman reflects on his childhood passion for writing, which he thinks of as ‘lying’. He introduces the character Orlovius, and mentions problems in the chocolate business. Meanwhile, he makes further visits to Ardalion’s countryside retreat.

Chapter Four   Herman writes to Felix with an offer of work and arranges to meet him. Lydia spends a lot of time with her wastrel cousin Ardalion. Herman visits the town where he is to meet Felix. Elements of the town remind him of other places he has visited.

Chapter Five   Herman meets Felix and pretends to be a film actor, then spins him a yarn about wanting an understudy. Felix doesn’t believe him and refuses the offer. Herman takes him back to his hotel room for the night and explains the real plan. He wants him as a visual alibi whilst he does something illegal. In the early morning, Herman leaves Felix asleep and goes back home.

Chapter Six   It is clear to the reader (but not to Hermann) that Lydia is having an affair with her obnoxious cousin Ardalion. Someone calls at the house asking for Hermann, who has him sent away, thinking it is Felix. But it turns out to be a friend of Ardalion, and Hermann suddenly wonders if Felix will write to him.

Chapter Seven   Hermann goes to the post office and collects letters left poste restante from Felix. They complain then menace him with vague threats of blackmail. He writes to Felix with instructions then tries to bribe Ardalion to go to Italy.

Chapter Eight   Ardalion borrows money and is much delayed in his departure for Italy. Hermann invents a story of discovering a long-lost brother for Lydia. He has a scheme of planting his own identity on Felix, killing him, then collecting the insurance money. He rehearses Lydia’s part in the plot, even though she is very reluctant to participate.

Chapter Nine   Hermann reflects on his literary enterprise. He has plans to send his manuscript to a famous Russian émigré writer. He drives into the countryside, where he meets Felix. He shaves Felix, exchanges their clothes, and then shoots him. He then escapes by train.

Chapter Ten   Hermann supplies his narrative with an ending in which all his plans are successful – but then returns to the truth. He goes to a quiet French hotel near the Spanish border. When the murder is reported in newspapers he goes into complete denial and is angry that they make no mention of the similarity of victim and murderer. He decides to write his own version of events.

Chapter Eleven   Hermann buys another newspaper and reads that his car has been discovered. He re-reads his manuscript and realises that Felix’s walking stick (which bears his name) was in the car. He picks up a pre-arranged letter from Lydia, but it turns out to be an offensive rebuke from Ardalion. He moves to rooms in a little village, but is immediately recognised, detected, and his account ends whilst he is awaiting arrest.


Vladimir Nabokov – web links

Despair Vladimir Nabokov at Mantex
Biographical notes, book reviews, tutorials, study guides, videos, web links, and essays on the Complete Short Stories.

Despair Vladimir Nabokov at Wikipedia
Biographical notes, list of major works, bibliography, and web links

Despair Lolita USA
A ‘geographical scrutiny’ of Humbert and Lolita’s journey across America. Essay and photographic study by Dieter E. Zimmer.

Despair Vladimir Nabokov Writings – First Appearance
An illustrated collection of first editions in English. Photographs with bibliographical notes compiled by Bob Nelson

Despair Vladimir Nabokov at the Internet Movie Database
Adaptations for the cinema and television – in various languages. Full details of directors and actors, plot, box office, trivia, continuity errors, and quiz.

Despair Zembla
Biography, timeline, photographs, eTexts, sound clips, butterflies, literary criticism, online journal, scholarly essays, and an online annotated version of Ada – housed at Pennsylvania State University Library.

Despair Nabokov Museum
A major collection housed in Nabokov’s old family home (now a museum) in St. Petersburg. – biography, photos, family home, videos in English and Russian.

© Roy Johnson 2016


DespairThe Cambridge Companion to Nabokov Vladimir Nabokov held the unique distinction of being one of the most important writers of the twentieth century in two separate languages, Russian and English. This volume offers a concise and informative introduction into the author’s fascinating creative world. Specially commissioned essays by distinguished scholars illuminate numerous facets of the writer’s legacy, from his early contributions as a poet and short-story writer to his dazzling achievements as one of the most original novelists of the twentieth century. Topics receiving fresh coverage include Nabokov’s narrative strategies, the evolution of his world-view, and his relationship to the literary and cultural currents of his day. The volume also contains valuable supplementary material such as a chronology of the writer’s life and a guide to further critical reading.   Despair Buy the book here


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Filed Under: Vladimir Nabokov Tagged With: English literature, Literary studies, The novel, Vladimir Nabokov

DH Lawrence and Cinema

May 28, 2016 by Roy Johnson

film adaptations of D.H. Larence’s novels and stories

Lawrence had a great deal of trouble getting his work to the public. Many of his major novels were first censored then banned for reasons that now seem ridiculous. He was one of the first major writers to bring honest and explicit consideration of human sexuality into the realms of literature, and he did so using language that was frank and realistic.

It is therefore slightly ironic that his work has been so readily and popularly adapted for film and television. (The same is true of plays he wrote, many of which were not performed during his own lifetime.) The selection listed below vary in both their quality and their fidelity to the original texts, but they are all good examples of translation from one medium to another.


Sons and Lovers (novel 1913 – TV film 2013)

Paul Morel is the sensitive son of a rough miner and an artistic mother living in the Nottingham coal fields. He is caught between the two worlds they represent. As he grows to maturity he tries to establish relationships with women, but he is hampered by his attachment to his mother. When she dies he is left with nothing.

Directed by Stephen Whittaker. Screenplay by Simon Burke. Starring – Sarah Lancashire, Hugo Speer, James Murray, Rupert Evans, Lyndsay Marshall, and Esther Hall. Filmed on the Isle of Man.

DH Lawrence and Cinema Sons and Lovers – film adaptation on DVD – Amazon UK

DH Lawrence and Cinema Details of the film – [different version] – IMDb

DH Lawrence and Cinema Sons and Lovers – Wordsworth Classics – Amazon UK

DH Lawrence and Cinema Sons and Lovers – Wordsworth Classics – Amazon US


Lady Chatterley’s Lover (novel 1928 – film 2006)

This is a French adaptation based on the second less well known version of the novel. Directed by Pascale Ferran. Screenplay by Ferran and Roger Bohbot. Starring – Marina Hands (Constance Chatterley), Jean-Louis Coulloch (Mellors), Hippolyte Giradot (Sir Clifford Chatterley), Helene Alexandridis (Mrs Bolton), Helene Filleres (Hilda). Filmed in Limousin, Correze, and Ambazac, France.

There is an earlier French version (1955) directed by Marc Allegret, and a version directed by Just Jaekin in 1981 which features the soft-porn actress Sylvia Kristel. Most recently, the BBC produced a TV film version directed by Jed Mercurio (2015).

DH Lawrence and Cinema Lady Chatterley’s Lover – 2006 adaptation on DVD – Amazon UK

DH Lawrence and Cinema Details of the film – Internet Movie Database

DH Lawrence and Cinema Lady Chatterley’s Lover – a tutorial and study guide

DH Lawrence and Cinema Lady Chatterley’s Lover – Collins Classics – Amazon UK

DH Lawrence and Cinema Lady Chatterley’s Lover – Collins Classics – Amazon US


The Rainbow (novel 1915 – film 1989)

This is Lawrence’s version of a family saga. The novel traces the history of three generations of Derbyshire farmers the Brangwens. Ken Russell’s film focuses attention on Ursula, the younger of two sisters. She dreams of emancipating herself, becomes entangled in a lesbian relationship with an older woman, then trains to be a teacher. She has a passionate affair with a Polish soldier, but in the end chooses to remain independent.

Directed and produced by English maverick Ken Russell (1989). Screenplay by Ken and Vivian Russell. Starring – Glenda Jackson (Anna Brangwen), Sammi Davis (Ursula Brangwen), Paul McGann (Anton Skrebensky), Amanda Donohoe (Winifred Inger), David Hemmings (Uncle Henry). Filmed in Borrowdale and Keswick, Lake District, England.

DH Lawrence and Cinema The Rainbow – film adaptation on DVD – Amazon UK

DH Lawrence and Cinema Details of the film – Internet Movie Database

DH Lawrence and Cinema The Rainbow – Wordsworth Classics – Amazon UK

DH Lawrence and Cinema The Rainbow – Wordsworth Classics – Amazon US


Women in Love (novel 1920 – film 1969)

This story is a continuation of The Rainbow, following the development of Ursula and Gudrun Brangwen. The sisters explore new types of relationships with two men who are good friends. The results are successful in essence but ambiguous in one case, and disastrous in the other. A very stylish and successful adaptation by maverick British director Ken Russell, with very good performances from an all-star cast.

Directed by Ken Russell. Screenplay by Larry Kramer. Starring – Alan Bates (Rupert Birkin), Oliver Reed (Gerald Critch), Glenda Jackson (Gudrun Brangwen), Jenny Linden (Ursula Brangwen), Eleanor Bron (Hermione Roddice), Vladel Sheybal (Loerke). Filmed in Derbyshire, Gateshead, Sheffield, England, and Zermatt, Switzerland.

DH Lawrence and Cinema Women in Love – film adaptation on DVD – Amazon UK

DH Lawrence and Cinema Details of the film – Internet Movie Database

DH Lawrence and Cinema Women in Love – a tutorial and study guide

DH Lawrence and Cinema Women in Love – Wordsworth Classics – Amazon UK

DH Lawrence and Cinema Women in Love – Wordsworth Classics – Amazon US


The Virgin and the Gipsy (novella 1926 – film 1970)

Yvette and Lucille are the daughters of a vicar in a drab and stifling village in the English West Midlands. Their home life is pervaded by a life-killing sense of meanness and puritanism, and they are dominated by their tyrannical grandmother. Yvette encounters a gypsy family who awaken her sense of rebellion and sensuality. When a flood engulfs the village Yvette is saved by the gypsy, who breathes life back into her, whilst her grandmother drowns nearby.

Directed by Christopher Miles. Screenplay by Alan Plater. Starring – Joanna Shimkus (Yvette), Franco Nero (The Gypsy), Honor Blackman (Mrs Fawcett), Maurice Denham (The Rector), Mark Burns (Major Eastwood). Filmed in Derbyshire and Lee International Studios, England.

DH Lawrence and Cinema The Virgin and the Gypsy – film adaptation on DVD – Amazon UK

DH Lawrence and Cinema Details of the film – Internet Movie Database

DH Lawrence and Cinema The Virgin and the Gypsy – collected novellas – Amazon UK

DH Lawrence and Cinema The Virgin and the Gypsy – collected novellas – Amazon US

© Roy Johnson 2016


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Filed Under: D.H.Lawrence Tagged With: D.H.Lawrence, English literature, Literary studies, The novel

DH Lawrence biographies and bibliographies

September 18, 2009 by Roy Johnson

arranged in chronological order of publication

DH Lawrence biographies
1. D.H.Lawrence – Bibliographies, Handbooks, Journals

Warren Roberts, A Bibliography of D.H. Lawrence, 1963; revised. [The revised edition of this important Lawrence bibliography includes a section on the criticism].

Graham Holderness, Who’s Who in D.H. Lawrence, 1976.

Keith Sagar, D.H.Lawrence: A Calendar of His Works, 1979.

Keith Sagar, A D.H.Lawrence Handbook, 1982.

James C Cowan, D.H.Lawrence: An Annotated Bibliography of Writings About Him, Vol I (1909-60) 1982; Vol II (1961-75) 1985.

Thomas Jackson Rice, D.H.Lawrence: A Guide to Research, 1983.

The D H Lawrence Review, founded in 1968 by James C Cowan at the University of Delaware, is published three times a year. DHLR includes regular bibliographical updates as well as essays on a wide range of subjects to do with Lawrence, and reviews of recent work. Etudes Laurentiennes, founded in 1985, is published by the University of Paris X [Nanterre].


The Complete Critical Guide to D.H.LawrenceThe Complete Critical Guide to D. H. Lawrence is a good introduction to Lawrence criticism. Includes a potted biography of Lawrence, an outline of the stories, novels, plays, and poetry, and pointers towards the main critical writings – from contemporaries T.S. Eliot and E.M. Forster to critics of the present day. Also includes a thorough bibliography which covers biography, criticism in books and articles, plus pointers towards specialist Lawrence journals.


2. Select Biography

R. West, D.H. Lawrence, London: Martin Secker, 1930.

A. Lawrence, Young Lorenzo: Early Life of D.H.Lawrence, Containing Hitherto Unpublished Letters and Articles and reproductions of Pictures, Florence: G. Orioli, 1931.

A. Lawrence and S.G. Gelder, Young Lorenzo: Early Life of D.H.Lawrence, Containing Hitherto Unpublished Letters and Articles and reproductions of Pictures, London: Martin Secker, 1932.

John Middleton Murry, Son of Woman: The Story of D.H.Lawrence, London: Jonathan Cape, 1931.

M. Dodge Luhan, Loenzo in Taos, New York: Knopf, 1932.

Aldous Huxley (ed), The Letters of D.H. Lawrence, London: Heinemann, 1932.

John Middleton Murry, Reminiscences of D.H. Lawrence, London: Jonathan Cape, 1933.

John Middleton Murry, Between Two Worlds: An Autobiography, London: Jonathan Cape, 1935.

D. Brett, Lawrence and Brett: A Friendship, Philadelphia: J.B. Lippincott, 1933.

Catherine Carswell, The Savage Pilgrimage: A Narrative of D.H.Lawrence, New York: Harcourt, Brace and Company, 1932.

Frieda Lawrence, Not I, But the Wind…, New York: Viking Press, 1934.

E.T. [Jessie Chambers], D.H. Lawrence: A Personal Record, London: Cape, 1935.

K. Merrild, A Poet and Two Painters, London: Routledge, 1938.

Frieda Lawrence, The Memoirs and Correspondence [ed Tedlock] 1964.

E. Brewster and A. Brewster, D.H. Lawrence: reminiscences and correspondence, London: Secker, 1934.

Piero Nardi, La Vita di D.H.Lawrence, 1947. [The first full biography of DHL]

Richard Aldington, D.H.Lawrence: Portrait of a Genius, But…, London: Heinemann, 1950.

Harry T. Moore, The Life and Works of D.H. Lawrence, London: Unwin Books, 1951.

E. Nehls (ed), D.H. Lawrence: A Composite Biography, 3 vols, Madison: University of Wisconsin Press, 1957.

Harry T. Moore, A D.H. Lawrence Miscellany, London: Heinemann, 1961.

Harry T. Moore (ed), The Collected Letters of D.H. Lawrence, London: Heinemann, 1962.

Harry T. Moore, The Priest of Love, Harmondsworth: Penguin Books, 1954, revised 1974.

H.D. [Hilda Doolittle], Bid Me To Live, New York: Grove Press, 1960.

E.W. Tedlock Jr (ed), Frieda Lawrence: the Memoirs and Correspondence, London: Heinemann, 1961.

H. Corke, D.H. Lawrence: The Croydon Years, Austin: University of Texas Press, 1965.

Harry T. Moore and Warren Roberts, D.H.Lawrence and his World [illustrated] 1966.

Edward Nehls (ed), D.H.Lawrence: A Composite Biography (3 vols, 1957-9).

Emile Delavenay, [trans. K.M. Delavenay] D.H.Lawrence: The Man and His Work. The Formative Years: [1885-1919], London: Heinemann, 1972.

Robert Lucas, Frieda Lawrence: The Story of Frieda von Richtofen and D.H.Lawrence, 1973.

H. Corke, In Our Infancy: An Autobiography Part I: 1882-1912, Cambridge: Cambridge University Press, 1975.

Paul Delany, D.H.Lawrence’s Nightmare: The Writer and his Circle in the Years of the Great War, Hassocks: Harvester, 1979.

Keith Sagar, The Life of D.H.Lawrence: An Illustrated Biography, 1980.

G. Neville (ed. C. Baron), A Memoir of D.H. Lawrence: (The Betrayal), Cambridge: Cambridge University Press, 1981.

Anthony Burgess, Flame Into Being: The Life and Works of D.H.Lawrence, 1985.

Keith Sagar, D.H.Lawrence: Life Into Art, 1985.

John Worthen, D.H.Lawrence: A Literary Life, 1989.

Jeffrey Meyers, D.H.Lawrence: A Biography, 1990.

John Worthen, D.H.Lawrence: The Early Years: 1885-1912: The Cambridge Biography of D.H. Lawrence, Cambridge: Cambridge University Press, 1991.

Elaine Feinstein, Lawrence’s Women: The Intimate Life of D.H. Lawrence, London: Harper Collins, 1993.

Peter Preston, A D.H.Lawrence Chronology, 1994.

R. Jackson, Frieda Lawrence, Including ‘Not I, But the Wind’ and other Autobiographical Writings, London: Pandora, 1994.

Brenda Maddox, The Married Man: A Biography of D.H.Lawrence, London: Sinclair Stevenson, 1994.

Janet Byrne, A Genius for Living: A Biography of Frieda Lawrence, London: Bloomsbury, 1995.

M. Kinkead-Weekes, D.H.Lawrence: Triumph to Exile: 1912-1922, The Cambridge Biography of D.H.Lawrence 1885-1930, vol. 2, Cambridge: Cambridge University Press, 1996.

J.T. Boulton (ed), The Selected Letters of D.H. Lawrence, Cambridge: Cambridge University Press, 1997.

D. Ellis, D.H. Lawrence: Dying Game 1922-1930, The Cambridge Biography of D.H.Lawrence 1885-1930, vol. 3, Cambridge: Cambridge University Press, 1998.

© Roy Johnson 2004 with thanks to Damian Grant


D.H.Lawrence – web links

D.H.Lawrence web links D.H.Lawrence at Mantex
Biographical notes, book reviews, study guides, videos, bibliographies, critical studies, and web links.

Project Gutenberg D.H.Lawrence at Project Gutenberg
A major collection of free eTexts of the novels, stories, travel writing, and poetry – available in a variety of formats.

Wikipedia D.H.Lawrence at Wikipedia
Biographical notes, social background, publishing history, the Lady Chatterley trial, critical reputation, bibliography, archives, and web links.

Film adaptations D.H.Lawrence at the Internet Movie Database
Adaptations of Lawrence’s work for the cinema and television – in various languages. Full details of directors, actors, production, box office, trivia, and even quizzes.

D.H.Lawrence D.H.Lawrence archive at the University of Nottingham
Biography, further reading, textual genetics, frequently asked questions, his local reputation, research centre, bibliographies, and lists of holdings.

Red button D.H.Lawrence and Eastwood
Nottinhamshire local enthusiast web site featuring biography, historical and recent photographs of the Eastwood area and places associated with Lawrence.

D.H.Lawrence The World of D.H.Lawrence
Yet another University of Nottingham web site featuring biography, interactive timeline, maps, virtual tour, photographs, and web links.

Red buttonD.H.Lawrence Heritage
Local authority style web site, with maps, educational centre, and details of lectures, visits, and forthcoming events.


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Filed Under: D.H.Lawrence Tagged With: Bibliography, Biography, D.H.Lawrence, Literary studies, Modernism

DH Lawrence critical essays

September 18, 2009 by Roy Johnson

DH Lawrence critical essayscriticism, novels, poetry, stories

These collections of essays and commentary often provide the best evidence of the state of D.H.Lawrence criticism at the time of their publication. The introductions in these works can also provide useful perspectives on Lawrence criticism – especially those in Hoffman/Moore (1953), Spilka (1963), Bloom (1986), and Jackson/Jackson (1988).

Collections of Essays

Frederick J Hoffman and Harry T Moore (eds), The Achievement of D.H.Lawrence, 1953.

Harry T Moore (ed), A D.H.Lawrence Miscellany, 1959.

Modern Fiction Studies 5, (1959) [DHL Number]

Mark Spilka (ed), D.H.Lawrence: A Collection of Critical Essays, 1963.

Ronald Draper (ed), D.H.Lawrence: The Critical Heritage, 1970.

W T Andrews (ed), Critics on D.H.Lawrence, 1971.

Harry Coombes (ed), D.H.Lawrence: A Critical Anthology, 1973.

Leo Hamalian (ed), D.H.Lawrence: A Collection of Criticism, 1973.

Stephen Spender (ed), D.H.Lawrence: Novelist, Poet, Prophet, 1973.

Andor Gomme (ed), D.H.Lawrence: A Critical Study of the Major Novels, 1978.

Anne Smith (ed), Lawrence and Women, 1978.

Robert B Partlow and Harry T Moore (eds), D.H.Lawrence: The Man Who Lived, 1979.

Peter Balbert and Phillip L Marcus (eds), D.H.Lawrence: A Centenary Consideration, 1985.

Jeffrey Meyers (ed), D.H.Lawrence and Tradition, 1985.

Harold Bloom (ed), D.H.Lawrence: Modern Critical Views, 1986.

Christopher Heywood (ed), D.H.Lawrence: New Studies, 1987.

Jeffrey Meyers, (ed) The Legacy of D.H.Lawrence: New Essays, 1987.

Dennis and Fleda Jackson (eds), Critical Essays on D.H.Lawrence, 1988.

Gamini Salgado and G K Das (eds), The Spirit of D.H.Lawrence: Centenary Studies, 1988.

Peter Preston and Peter Hoare (eds), Lawrence in the Modern World, 1989.

Keith Brown (ed), Rethinking Lawrence, 1990.

Michael Squires and Keith Cushman (eds), The Challenge of D.H.Lawrence, 1990.

Aruna Sitesh (ed), D.H.Lawrence: An Anthology of Recent Criticism, 1990.

Peter Widdowson (ed), D.H.Lawrence, [Longman Critical Readers] 1992.


The Complete Critical Guide to D.H.LawrenceThe Complete Critical Guide to D. H. Lawrence is a good introduction to Lawrence criticism. Includes a potted biography of Lawrence, an outline of the stories, novels, plays, and poetry, and pointers towards the main critical writings – from contemporaries T.S. Eliot and E.M. Forster to critics of the present day. Also includes a thorough bibliography which covers biography, criticism in books and articles, plus pointers towards specialist Lawrence journals.


Other genres

Tom Marshall, The Psychic Mariner…The Poems of D.H.Lawrence, 1970.

Sandra M Gilbert, Acts of Attention: The Poems of D.H.Lawrence, 1972.

M J Lockwood, Thinking In Poetry: A Study of the Poems of D.H.Lawrence, 1987. [This book contains a comprehensive bibliography of criticism of Lawrence’s poetry, in books, articles, and reviews]

A Banerjee, D.H.Lawrence’s Poetry: Demon Liberated, 1991.

Sylvia Sklar, The Plays of D.H.Lawrence, 1975.

INDIVIDUAL PROSE WORKS

Sons and Lovers

J.W.Tedlock (ed), Sons and Lovers: Sources and Criticism, 1965.

Julian Moynahan (ed), Sons and Lovers: Viking Critical Edition, 1968.

Gamini Salgado (ed), Sons and Lovers: A Casebook, 1969.

Judith Farr (ed) Twentieth-century Interpretations of Sons and Lovers, 1970.

Brian Finney, D.H. Lawrence: Sons and Lovers, Harmondsworth: Penguin Books, 1990.

Michael Black, D.H. Lawrence: Sons and Lovers, Cambridge: Cambridge University Press, 1992.

Rick Rylance (ed), Sons and Lovers: A New Casebook, 1996.

The Rainbow and Women in Love

Colin Clarke (ed), The Rainbow and Women in Love: A Casebook, 1969.

Stephen Miko (ed), Twentieth-century Interpretations of Women in Love, 1969.

Mark Kinkead-Weekes (ed), Twentieth-century Interpretations of The Rainbow, 1971.

P.T.Whelan, Myth and Magic in The Rainbow and Women in Love, 1988.

Duane Edwards, The Rainbow: A Search for New Life, 1990.

Charles L.Ross, Women in Love: A Novel of Mythic Realism, 1992.

[both these books appear in the Twayne Masterwork Series]

Lady Chatterley’s Lover

C.H.Rolfe, The Trial of Lady Chatterley, 1960.

Derek Britton, Lady Chatterley: The Making of the Novel, 1988.

The Short Stories

Kingsley Widmer, The Art of Perversity: D.H.Lawrence’s Shorter Fiction, 1962.

Keith Cushman, D.H.Lawrence at Work: The Emergence of the Prussian Officer Stories, 1978.

J.Temple, The definition of innocence: the short stories of D.H.Lawrence, 1979.

© Roy Johnson 2004 – with thanks to Damian Grant


D.H.Lawrence – web links

D.H.Lawrence web links D.H.Lawrence at Mantex
Biographical notes, book reviews, study guides, videos, bibliographies, critical studies, and web links.

Project Gutenberg D.H.Lawrence at Project Gutenberg
A major collection of free eTexts of the novels, stories, travel writing, and poetry – available in a variety of formats.

Wikipedia D.H.Lawrence at Wikipedia
Biographical notes, social background, publishing history, the Lady Chatterley trial, critical reputation, bibliography, archives, and web links.

Film adaptations D.H.Lawrence at the Internet Movie Database
Adaptations of Lawrence’s work for the cinema and television – in various languages. Full details of directors, actors, production, box office, trivia, and even quizzes.

D.H.Lawrence D.H.Lawrence archive at the University of Nottingham
Biography, further reading, textual genetics, frequently asked questions, his local reputation, research centre, bibliographies, and lists of holdings.

Red button D.H.Lawrence and Eastwood
Nottinhamshire local enthusiast web site featuring biography, historical and recent photographs of the Eastwood area and places associated with Lawrence.

D.H.Lawrence The World of D.H.Lawrence
Yet another University of Nottingham web site featuring biography, interactive timeline, maps, virtual tour, photographs, and web links.

Red buttonD.H.Lawrence Heritage
Local authority style web site, with maps, educational centre, and details of lectures, visits, and forthcoming events.


More on D.H. Lawrence
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Filed Under: D.H.Lawrence Tagged With: D.H.Lawrence, Literary criticism, Literary studies, Modernism

DH Lawrence critical studies

September 18, 2009 by Roy Johnson

in chronological order of publication

D.H.Lawrence critical studies
Books on D.H.Lawrence

Stephen Potter, D.H.Lawrence: A First Study, 1930.

John Middleton Murry, Son of Woman: The Story of D.H.Lawrence, 1931.

Catherine Carswell, The Savage Pilgrimage: A Narrative of D.H.Lawrence, 1932.

Frederick Carter, D.H.Lawrence and the Body Mystical, 1932.

Anais Nin, D.H.Lawrence: An Unprofessional Study, Paris: Edward W. Titus, 1932.

Horace Gregory, Pilgrim of the Apocalypse: A Critical Study of D.H.Lawrence, 1933.

William York Tindall, D.H.Lawrence and Susan His Cow, 1939.

William Tiverton [Martin Jarrett-Kerr], D.H.Lawrence and Human Existence, 1951.


The Complete Critical Guide to D.H.LawrenceThe Complete Critical Guide to D. H. Lawrence is a good introduction to Lawrence criticism. Includes a potted biography of Lawrence, an outline of the stories, novels, plays, and poetry, and pointers towards the main critical writings – from contemporaries T.S. Eliot and E.M. Forster to critics of the present day. Also includes a thorough bibliography which covers biography, criticism in books and articles, plus pointers towards specialist Lawrence journals.


Mary Freeman, D.H.Lawrence A Basic Study of His Ideas, 1955.

F.R.Leavis, D.H.Lawrence: Novelist, London: Chatto and Windus, 1955.

Mark Spilka, The Love Ethic of D.H.Lawrence, 1955.

Graham Hough, The Dark Sun: A Study of D.H.Lawrence, New York: Capricorn Books, 1956.

Eliseo Vivas, D.H.Lawrence: The Failure and the Triumph of Art, 1960.

Kingsley Widmer, The Art of Perversity: D.H.Lawrence’s Shorter Fiction, 1962.

Eugene Goodheart, The Utopian Vision of D.H.Lawrence, 1963.

Julian Moynahan, The Deed of Life: The Novels and Tales of D.H.Lawrence, 1963.

George Panichas, Adventure in Consciousness: Lawrence’s Religious Quest, 1964.

Helen Corke, D.H. Lawrence: The Croydon Years, Austin (Tex): University of Texas Press, 1965.

George Ford, Double Measure: A Study of D.H.Lawrence, 1965.

H M Daleski, The Forked Flame: A Study of D.H.Lawrence, Evanston (Ill): Northwestern University Press, 1965.

Keith Sagar, The Art of D.H.Lawrence, 1966.

David Cavitch, D.H.Lawrence and the New World, 1969.

Colin Clarke, River of Dissolution: D.H.Lawrence and English Romanticism, 1969.

Baruch Hochman, Another Ego: Self and Society in D.H.Lawrence, 1970.

Keith Aldritt, The Visual Imagination of D.H.Lawrence, 1971.

R E Pritchard, D.H.Lawrence: Body of Darkness, 1971.

John E Stoll, The Novels of D.H.Lawrence: A Search for Integration, 1971.

Frank Kermode, D.H. Lawrence, London: Fontana, 1973.

Scott Sanders, D.H.Lawrence: The World of the Major Novels, 1973.

F.R.Leavis, Thought, Words, and Creativity in Lawrence, 1976.

Marguerite Beede Howe, The Art of the Self in D.H.Lawrence, 1977.

Keith Cushman, D.H. Lawrence at Work: The Emergence of the ‘Prussian Officer’ Stories, Hassocks: Harvester Press, 1978.

Alastair Niven, D.H.Lawrence: The Novels, 1978.

Anne Smith, Lawrence and Women, London: Vision Press, 1978.

R.P. Draper (ed), D.H. Lawrence: The Critical Heritage, London: Routledge & Keegan Paul, 1979.

John Worthen, D.H.Lawrence and the Idea of the Novel, London: Macmillan, 1979.

Aidan Burns, Nature and Culture in D.H.Lawrence, 1980.

L D Clark, The Minoan Distance: Symbolism of Travel in D.H.Lawrence, 1980.

Roger Ebbatson, D.H.Lawrence and the Nature Tradition, 1980.

Alastair Niven, D.H.Lawrence: The Writer and His Work, 1980.

Philip Hobsbaum, A Reader’s Guide to D.H.Lawrence, 1981.

Kim A.Herzinger , D.H.Lawrence in His Time: 1908 – 1915, 1982.

Graham Holderness, D.H.Lawrence: History, Ideology and Fiction, Dublin: Gill & Macmillan, 1982.

Hilary Simpson, D.H.Lawrence and Feminism, London: Croom Helm, 1982.

Gamini Salgado, A Preface to D.H. Lawrence, London: Longman, 1983.

Judith Ruderman, D.H.Lawrence and the Devouring Mother, 1984.

Anthony Burgess, Flame Into Being: The Life and Work of D.H.Lawrence, 1985.

Sheila McLeod, Men and Women in D.H.Lawrence, 1985.

Henry Miller, The World of Lawrence: A Passionate Appreciation [1930] 1985.

Keith Sagar, D.H.Lawrence: Life Into Art, 1985.

Mara Kalnins (ed), D.H. Lawrence: Centenary Essays, Bristol: Classical Press, 1986.

Michael Black, D.H. Lawrence: The Early Fiction, London: Macmillan, 1986

Peter Scheckner, Class, Politics, and the Individual: A Study of D.H.Lawrence, 1986.

Cornelia Nixon, D.H.Lawrence’s Leadership Novels and the Turn Against Women, 1986.

Colin Milton, Lawrence and Nietzsche, 1988.

Peter Balbert, D.H.Lawrence and the Phallic Imagination, 1989.

Wayne Templeton, States of Estrangement: the Novels of D.H.Lawrence 1912-17, 1989.

Janet Barron, D.H.Lawrence: A Feminist Reading, 1990.

Keith Brown (ed), Rethinking Lawrence, Milton Keynes: Open University Press, 1990.

James C Cowan, D.H.Lawrence and the Trembling Balance, 1990.

John B Humma, Metaphor and Meaning in D.H.Lawrence’s Later Novels, 1990.

G M Hyde, D.H.Lawrence, London: Macmillan, 1990.

Allan Ingram, The Language of D.H. Lawrence, London: Macmillan, 1990.

Nancy Kushigian, Pictures and Fictions: Visual Modernism and D.H.Lawrence, 1990.

Tony Pinkney, Lawrence Hemel Hempstead: Harvester Weatsheaf, 1990.

Leo J.Dorisach, Sexually Balanced Relationships in the Novels of D.H.Lawrence, 1991.

Nigel Kelsey, D.H.Lawrence: Sexual Crisis, 1991.

Barbara Mensch, D.H.Lawrence and the Authoritarian Personality, 1991.

John Worthen, D H Lawrence, London: Arnold, 1991.

Michael Bell, D.H.Lawrence: Language and Being, 1992.

Michael Black, D.H. Lawrence: Sons and Lovers, Cambridge: Cambridge University Press, 1992.

Virginia Hyde, The Risen Adam: D. H. Lawrence’s Revisionist
Typology
, University Park: Pennsylvania State University Press, 1992.

James B.Sipple, Passionate Form: life process as artistic paradigm in D.H.Lawrence, 1992.

Kingsley Widmer, Defiant Desire: Some Dialectical Legacies of D.H.Lawrence, 1992.

Anne Fernihough, D.H.Lawrence: Aesthetics and Ideology, 1993.

Linda R Williams, Sex in the Head: Visions of Femininity and Film in D.H.Lawrence, 1993.

Katherine Waltenscheid, The Resurrection of the Body: Touch in D.H.Lawrence, 1993.

Robert E.Montgomery, The Visionary D.H.Lawrence: Beyond Philosophy and Art, 1994.

James C Cowan, Lawrence, Freud, and Masturbation, 1995.

Leo Hamalian, D.H.Lawrence and Nine Women Writers, 1996.

© Roy Johnson 2004 – with thanks to Damian Grant


D.H.Lawrence – web links

D.H.Lawrence web links D.H.Lawrence at Mantex
Biographical notes, book reviews, study guides, videos, bibliographies, critical studies, and web links.

Project Gutenberg D.H.Lawrence at Project Gutenberg
A major collection of free eTexts of the novels, stories, travel writing, and poetry – available in a variety of formats.

Wikipedia D.H.Lawrence at Wikipedia
Biographical notes, social background, publishing history, the Lady Chatterley trial, critical reputation, bibliography, archives, and web links.

Film adaptations D.H.Lawrence at the Internet Movie Database
Adaptations of Lawrence’s work for the cinema and television – in various languages. Full details of directors, actors, production, box office, trivia, and even quizzes.

D.H.Lawrence D.H.Lawrence archive at the University of Nottingham
Biography, further reading, textual genetics, frequently asked questions, his local reputation, research centre, bibliographies, and lists of holdings.

Red button D.H.Lawrence and Eastwood
Nottinhamshire local enthusiast web site featuring biography, historical and recent photographs of the Eastwood area and places associated with Lawrence.

D.H.Lawrence The World of D.H.Lawrence
Yet another University of Nottingham web site featuring biography, interactive timeline, maps, virtual tour, photographs, and web links.

Red buttonD.H.Lawrence Heritage
Local authority style web site, with maps, educational centre, and details of lectures, visits, and forthcoming events.


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DH Lawrence greatest works

September 18, 2009 by Roy Johnson

DH Lawrence greatest worksnovels, novellas, stories, poems

D.H.Lawrence is a writer who excites great passions – which is entirely appropriate, since that is how he wrote. He is the first really great writer to come from the working class, and much of his work deals with issues of class, as well as other fundamentals such as the relationships between men, women, and the natural world. At times he becomes mystic and visionary, and his prose style can be poetic, didactic, symbolic, and bombastic all within the space of a few pages. He also deals with issues of sexuality and politics in a manner which is often controversial. Critical opinion tends to be divided between those who believe that he provides illuminating insights into the human psyche, and others who believe that closer study reveals a profound misogyny and some crackpot ideas – particularly in the fields of social and political matters.

 

Sons and LoversSons and Lovers is Lawrence’s first great novel. It’s a quasi-autobiographical account of a young man’s coming of age in the early years of the twentieth century. Set in working class Nottinghamshire, it focuses on class conflicts and gender issues as young Paul Morrell is torn between a passionate relationship with his mother and his attraction to other women. He is also engaged throughout the novel in an Oedipal struggle with his father. If you are new to Lawrence and his work, Sons and Lovers is a good place to start.

D.H.Lawrence greatest works Buy the book at Amazon UK
D.H.Lawrence greatest works Buy the book at Amazon US

 

The RainbowThe Rainbow is Lawrence’s version of a social saga, spanning three generations of the Brangwen family. It is the women characters in this novel who remain memorable as they strive to express their feelings. The story concludes with the struggle of two sisters, Ursula and Gudrun, to liberate themselves from the stifling pressures of Edwardian English society. They also feature in his next and some say greatest novel, Women in Love – so it’s a good idea to read this first.

D.H.Lawrence greatest works Buy the book at Amazon UK
D.H.Lawrence greatest works Buy the book at Amazon US

 

Women in LoveWomen in Love begins where The Rainbow leaves off and features the Brangwen sisters as they try to forge new types of liberated personal relationships. The men they choose are trying to do the same thing – so the results are problematic and often disturbing. Many regard this as his finest novel, where his ideas are matched with passages of superb writing. The locations combine urban Bohemia with a symbolic climax which takes place in the icy snow caps of the Alps.

D.H.Lawrence greatest works Buy the book at Amazon UK
D.H.Lawrence greatest works Buy the book at Amazon US

 

Lady Chatterley's LoverLady Chatterley’s Lover is Lawrence’s most controversial novel, and perhaps the first serious work of literature to explore human sexuality in explicit detail. It features some of his most lyrical and poetic prose style alongside the theme of class conflict – acted out between the aristocratic Constance Chatterley, and her gamekeeper-lover Mellors. Some feminist critics now claim the novel to be deeply misogynistic, because part of its argument is that women will reach true fulfillment only by submitting themselves to men. Lawrence wrote the novel three times, and it made important historical impacts twice over: one when it was first published in 1928, and the second in the famous obscenity trial in 1960.

D.H.Lawrence greatest works Buy the book at Amazon UK
D.H.Lawrence greatest works Buy the book at Amazon US

 

D.H.Lawrence - The Collected Short StoriesThe Complete Short Stories Lawrence contributed to the development of the modern short story by following the post Chekhov approach, which excludes high drama and easy snap endings. Instead, he focuses on moments of personal revelation in the same way as James Joyce did with his ‘epiphanies’. He also features symbolism and a flexible prose style which changes according to its subject. His central theme is personal and sexual relationships and dramas acted out in those parts of the English class system which had been previously left unexamined.

D.H.Lawrence greatest works Buy the book at Amazon UK
D.H.Lawrence greatest works Buy the book at Amazon US

The Penguin versions of Lawrence reproduce the scholarly editions originally published by Cambridge University Press. They are based on the most accurate versions of the texts, and they include a critical essay of introduction; bibliography of criticism; explanatory notes; alternative and missing chapters; plus glossaries of dialect terms where required. Very good value.

D.H.Lawrence - The Short NovelsThe Short Novels Lawrence was especially fond of the short novel or novella as a literary form. These feature his usual subjects and characters but, as with most successful novellas, they operate at a deeply symbolic level. For example, they feature cosmic elements – as in The Woman Who Rode Away (the sun) The Fox (animal nature) and The Virgin and the Gypsy (flood). Many of these have been successfully translated to the cinema.

D.H.Lawrence greatest works Buy the book at Amazon UK
D.H.Lawrence greatest works Buy the book at Amazon US

 

D.H.Lawrence - The Collected PoemsThe Complete Poems Many people believe that Lawrence was just as successful a poet as he was a writer of prose. He writes in a very free verse form, unbounded by traditional structures. The results are fresh, arresting, and full of verbal dexterity. He was especially fond of writing about animals, flowers, and other aspects of nature – usually in a deeply symbolic manner. This collection includes all the poems from the incomplete Collected Poems of 1929 and from the separate smaller volumes issued during Lawrence’s lifetime; uncollected poems; an appendix of juvenilia and another containing variants and early drafts; and all Lawrence’s critical introductions to his poems. It also includes full textual and explanatory notes.

D.H.Lawrence greatest works Buy the book at Amazon UK
D.H.Lawrence greatest works Buy the book at Amazon US

 

The Complete Critical Guide to D.H.LawrenceThe Complete Critical Guide to D. H. Lawrence is a good introduction to Lawrence criticism. Includes a potted biography of Lawrence, an outline of the stories, novels, plays, and poetry, and pointers towards the main critical writings – from contemporaries such as T.S. Eliot and E.M. Forster to critics of the present day. Also includes a thorough bibliography which covers biography, criticism in books and articles, plus pointers towards specialist Lawrence journals.

D.H.Lawrence greatest works Buy the book at Amazon UK
D.H.Lawrence greatest works Buy the book at Amazon US


D.H.Lawrence – web links

D.H.Lawrence web links D.H.Lawrence at Mantex
Biographical notes, book reviews, study guides, videos, bibliographies, critical studies, and web links.

Project Gutenberg D.H.Lawrence at Project Gutenberg
A major collection of free eTexts of the novels, stories, travel writing, and poetry – available in a variety of formats.

Wikipedia D.H.Lawrence at Wikipedia
Biographical notes, social background, publishing history, the Lady Chatterley trial, critical reputation, bibliography, archives, and web links.

Film adaptations D.H.Lawrence at the Internet Movie Database
Adaptations of Lawrence’s work for the cinema and television – in various languages. Full details of directors, actors, production, box office, trivia, and even quizzes.

D.H.Lawrence D.H.Lawrence archive at the University of Nottingham
Biography, further reading, textual genetics, frequently asked questions, his local reputation, research centre, bibliographies, and lists of holdings.

Red button D.H.Lawrence and Eastwood
Nottinhamshire local enthusiast web site featuring biography, historical and recent photographs of the Eastwood area and places associated with Lawrence.

D.H.Lawrence The World of D.H.Lawrence
Yet another University of Nottingham web site featuring biography, interactive timeline, maps, virtual tour, photographs, and web links.

Red buttonD.H.Lawrence Heritage
Local authority style web site, with maps, educational centre, and details of lectures, visits, and forthcoming events.

© Roy Johnson 2004


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Filed Under: D.H.Lawrence Tagged With: D.H.Lawrence, Lady Chatterley's Lover, Literary studies, Modernism, Sons and Lovers, The Rainbow, Women in Love

Discourse and Ideology in Nabokov’s Prose

July 3, 2009 by Roy Johnson

Routledge Harwood Studies in Russian Literature

Vladimir Nabokov’s work has been widely regarded as an elaborate series of linguistic games in which a variety of clever and seductive narrators invite readers to collude in a system of aesthetic and moral beliefs which are held so firmly that to dissent from them would seem like heresy or not playing the game. Editor David Larmour explains the title of this collection of essays as an exploration of the ‘system of power relations in which the author, text, and reader are enmeshed’. In other words, Nabokov’s strategies are seen as open to challenge, with the clear implication that he has been getting away with it for far too long.

Discourse and Ideology in Nabokov's ProseHe is well known for his ‘strong opinions’, and some of his subject matter and authorial attitudes are very often seen as dubious – especially in Lolita, which gets special extended treatment here. Galya Diment starts the collection with her best efforts to defend Edmund Wilson from the damage inflicted on him by Nabokov in their now famous friendship-turned-dispute over the translation of Pushkin’s Eugene Onegin. Then Brian Walter makes a lengthy criticism of Bend Sinister to say not much more than that it is not one of his best novels.

Galina Rylkova reveals a literary precedent for The Eye in a novel by Mikhail Kuzmin called Wings published in 1906. She has no problem in establishing the parallels between the two texts, but most of her lofty interpretive claims are undermined by her failure to see that Nabokov’s narrator Smurov is a self-deceiving liar and a totally unreliable narrator. He is a comic-pathetic character who is a vehicle for one of Nabokov’s most brilliant experiments in narrative – an experiment which was only matched in subtlety by his later Spring in Fialta.

David Larmour contributes an essay which looks at the relationship between sex and sport in Glory. But like many of the other contributors he accepts almost at face value what Nabokov has to say in his introductions – which were written at a later date. There is no acknowledgement of ‘Trust the tale, not the teller’, or ‘Death of the author’, whichever you prefer.

Paul Miller offers a chapter which demonstrates that Kinbote, narrator of Pale Fire is a homosexual – something which I would have thought any reader above the age of fifteen would realise without being told. There are some perceptive analyses of the American crewcut, but not much more than can be accessed by any reasonably attentive reader.

What struck me was how long it takes these writers to say so little. They come from what is now the bygone age of pre-Internet writing – one which persists in the modern world only thanks to the requirements of tenure in the US and the Research Assessment Exercise in the UK.

Tony Moore makes a valiant attempt to offer what he calls a feminist reading of Lolita, even enlisting the help of Camille Paglia, but his argument that Humbert Humbert changes his moral stance and his prose style at the end of the novel doesn’t seem very convincing, especially when it simply ignores the fact that Humbert is guilty of murder.

There’s also a full-on rad fem reading of Lolita from Elizabeth Patnoe which combines personal testimony and high moral outrage in a very unprofessional manner, ignoring any distinction between the worlds of fiction and reality. At the end of a long tortuous argument, one is left wondering why she bothers reading the novel.

She also has an annoying habit of describing almost every narrative twist as ‘doubling’ – a term she uses indiscriminately as a synonym for ‘ambiguous’, ‘dubious’, ‘disingenuous’, ‘devious’, ‘evasive’, and other related terms.

Fortunately the collection is rounded off by two sensible chapters by Donald Johnson and Suellen Stringer-Hye which place Nabokov in the context of popular culture and America in the 1960s. The collection is based on papers given at an academic conference. It’s obviously one for the literary specialist, but Nabokov enthusiasts will not want to miss it – even if it’s to sharpen their own critical analysis against the views being expressed.

© Roy Johnson 2004

Buy the book at Amazon UK

Buy the book at Amazon US


David H.J.Larmour (ed), Discourse and Ideology in Nabokov’s Prose, London: Routledge, 2002, pp.176, ISBN 0415286581


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Filed Under: Literary Studies, Vladimir Nabokov Tagged With: Discourse & Ideology in Nabokov's Prose, Literary criticism, Literary studies, Vladimir Nabokov

Dubliners – a study guide

June 16, 2010 by Roy Johnson

tutorial, summaries, study resources, further reading

Dubliners (1914) is James Joyce’s first major work – a ground-breaking collection of short stories dealing with the moribund lives of a cast of mostly lower-middle-class characters through pointedly undramatic events chosen to illustrate the crippling effects of family, religion, and nationality. He spent seven years working on them, even though he suspected publishing them might be difficult at the time – and he was right. He submitted the stories to seventeen publishers over the space of many years before they were finally accepted.

Dubliners First EditionThis collection of vignettes features both real and imaginary figures in Dublin life around the turn of the century, ending with the most famous of all Joyce’s stories – ‘The Dead’. The book caused controversy when it first appeared, and was banned in Ireland almost immediately upon publication, the first of many of Joyce’s works to be censored or banned in his native country. Dubliners is now widely regarded as a seminal collection of modern short stories.

Contemporary readers may wonder what all the fuss was about; but one hundred years ago at the start of the twentieth century any references to body functions, sexuality, and anti-religious sentiment was more or less unthinkable in Ireland – which is the principal reason why Joyce left his homeland in 1906, never to return.

Dubliners is a carefully arranged set of miniatures in which he strips away all the decorations and flourishes of late Victorian prose. What remains is a sparse yet lyrical exposure of small moments of revelation – which he called ‘epiphanies’. Like other modernists, such as Katherine Mansfield and Virginia Woolf, Joyce minimised the dramatic element of the short story in favour of symbolic meaning and a more static aesthetic. Instead of the surprise endings and dramatic twists of the typical nineteenth-century short story, Joyce offers subtle, understated character studies, revelations of mood and atmosphere, and small moments in life which reveal something about larger issues.

James Joyce – portrait


Dubliners – structure

Joyce gave his publisher Grant Richards the following account of his ideas for the structure of his collection:

“My intention was to write a chapter of the moral history of my country, and I chose Dublin for the scene because that city seemed to me the centre of paralysis. I have tried to present it to the indifferent public under four of its aspects: childhood, adolescence, maturity, and public life. The stories are arranged in this order. I have written it for the most part in a style of scrupulous meanness and with the conviction that he is a very bold man who dares to alter in the presentment, still more to deform, whatever he has seen and heard.”

Section I, Childhood contains – The Sisters, An Encounter, and Araby (the most anthologised of the stories).

Section II, Adolescence is made up of – Eveline, After the Race, Two Gallants, and The Boarding House.

Section III, Maturity is also made up of four stories – A Little Cloud, Counterparts, Clay, and A Painful Case.

Section IV, Public Life is made up of – Ivy Day in the Committee Room, A Mother, Grace, and the structurally different The Dead.


Sackville Street Dublin


Study resources

Dubliners Dubliners – Penguin Modern Classics – Amazon UK

Dubliners Dubliners – Penguin Modern Classics – Amazon US

Dubliners Dubliners – Oxford World’s Classics – Amazon UK

Dubliners Dubliners – Oxford World’s Classics – Amazon US

Dubliners Dubliners – Norton Critical Editions – Amazon US

Dubliners Dubliners – eBook version at Project Gutenberg

Dubliners The Dead – 1987 film version by John Huston on DVD – Amazon UK

Dubliners Dubliners – Naxos audio CD version – Amazon UK

Dubliners Dubliners – audioBook version at LibriVox

Dubliners Dubliners – York Notes (Advanced) – Amazon UK

Dubliners Dubliners – Cliffs Notes study guide – Amazon UK

Pointer James Joyce: A Critical Guide – Amazon UK

Red button The Cambridge Companion to James Joyce – Amazon UK

Red button James Joyce: Texts and Contexts – Amazon UK


Dubliners – chapter summaries

The Sisters – After the priest Father Flynn dies, a young boy who was close to him and his family deal with it only superficially. The events force him to examine their relationship and cause him to see himself as an individual for the first time.

An Encounter – Two schoolboys playing truant from school encounter an elderly man, who turns out to be a pervert.

Araby – A boy falls in love with the sister of his friend, but fails in his quest to buy her a worthy gift from the Araby bazaar. He becomes aware of the pain and unfulfilled dreams of the adult world.

Eveline – A young woman abandons her plans to leave Ireland with a sailor, and faces instead the prospect of remaining with her abusive father in order to help raise her younger siblings.

After the Race – College student Jimmy Doyle tries to fit in with his wealthy friends, and fails.

Two Gallants – Two con men, Lenehan and Corley, find a maid who is willing to steal from her employer.

The Boarding House – Mrs. Mooney successfully manoeuvres her daughter Polly into an upwardly mobile marriage with her lodger Mr. Doran.

A Little Cloud – Little Chandler’s dinner with his old friend Ignatius Gallaher casts fresh light on his own failed literary dreams. The story reflects also on Chandler’s mood upon realizing his baby son has replaced him as the centre of his wife’s affections.

Counterparts – Farrington, a lumbering alcoholic Irish scrivener, takes out his frustration in pubs and on his son Tom.

Clay – The old maid Maria, a laundress, celebrates Halloween with her former foster child Joe Donnelly and his family.

A Painful Case – Mr. Duffy rebuffs Mrs. Sinico, then four years later realizes he has condemned her to loneliness and death.

Ivy Day in the Committee Room – Minor Irish politicians fail to live up to the memory of Charles Stewart Parnell.

A Mother – Mrs. Kearney tries to win a place of pride for her daughter, Kathleen, in the Irish cultural movement, by starring her in a series of concerts, but ultimately fails.

Grace – After Mr. Kernan injures himself falling down the stairs in a bar, his friends try to reform him through Catholicism.

The Dead – Gabriel Conroy attends a party his wife, has an epiphany about the nature of life and death.


Dubliners – video short


Epiphanies

When Joyce wrote Dubliners it was at a time when he was seeking to strip bare what he saw as the smugness and hypocrisy which Britain had inherited from its Victorian epoch. To do this he felt that a new sense of realism and honesty was necessary, and in literary terms this meant dealing with subjects which were not always particularly pleasant or uplifting, but might on the contrary be concerned with the sadder and negative aspects of life. Even these, he felt, should be depicted with scrupulous honesty and objectivity.

He postulated the notion (as did Virginia Woolf only a few years later) that revelations about the truths of life are available to us in special moments – fleeting episodes, snatches of conversation, or a sudden dawning of awareness which as he said, was like ‘the revelation of the whatness of a thing’. To describe these experiences he borrowed the term ‘epiphanies’ from his religious background. It means ‘a manifestation’ or ‘showing forth’ – but he gave it a secular meaning. The sometimes negative and transient nature of these moments are underscored by Richard Ellman, Joyce’s biographer:

The unpalatable epiphanies often include things to be got rid of, examples of fatuity or imperceptiveness, caught deftly in a conversational exchange of two or three sentences.

But Joyce also believed that the author of a work should not be present in his story – nudging the reader’s elbow, telling him what to think and feel – but should scrupulously remove himself from the work and let it speak for itself. [This was a notion he had inherited from Flaubert.] Consequently these epiphanies when they occur are often understated: Joyce does not specially draw our attention to what is going on but leaves us to work out or sense the implications for ourselves.

To make matters even more subtle, the revelations, when they occur, are not always fully evident to the fictional character undergoing the experience – but they are nonetheless available to the attentive reader.


Balscadden Bay, Howth

Howth, Dublin


The short story

Joyce was well aware of developments in the modern short story. He was an admirer of Flaubert, whose precision of style was influential in the late nineteenth century. He also knew the work of Maupassant and Checkhov, who had done a great deal to bring realistic, everyday subjects to prose fiction – often featuring raw, painful, and frank exposures of negative aspects of daily life. Joyce followed these tendencies by removing suspense or any overt drama from his stories. Instead, he focused his attention on what he called ‘epiphanies’.

The stories in Dubliners are arranged in rising order of length and complexity, and also in the age of the central character. They are best read in that sequence by first time readers. The early stories are brief character sketches, studies in mood, and revelations of desperation and failure. The sequence ends with the longest and very celebrated story, The Dead, which combines Irish culture and politics with a poignant study in personal weakness and disappointment.

Joyce writes in a spare, undecorated, almost Spartan style. As he said of this approach himself: ‘I have written it for the most part in a style of scrupulous meanness.’ There are very few figures of speech, no exaggeration, and no rhetorical flourishes – until the very last story in the collection. Most of the time Joyce shows events from the point of view of the principal character in each story – and in fact his style and choice of vocabulary closely reflects their consciousness.

more on the short story


Trinity College Dublin

Trinity College Dublin (TCD)


Further reading

Pointer Anthony Burgess, Joysprick: An Introduction to the Language of James Joyce, Andre Deutsch, 1973.

Pointer Robert H. Deming (ed), James Joyce: The Critical Heritage, 2 Vols, Routledge and Keegan Paul, 1970.

Pointer Richard Ellmann, James Joyce, Oxford University Press, 1959.

Pointer Richard Ellmann and Stuart Gilbert (eds), The Letters of James Joyce, 3 Vols, Faber, 1957-66.

Pointer Seon Givens, James Joyce: Two Decades of Criticism, New York: Vanguard Press, 1963.

Pointer Suzette A. Henke, James Joyce and the Politics of Desire, Routledge and Keegan Paul, 1990.

Pointer Harry Levin, James Joyce: a Critical Introduction, New York: New Directions, 1960.

Pointer Colin MacCabe (ed), James Joyce: New Perspectives, Harvester, 1982.

Pointer W.J. McCormack and Alistair Stead (eds), James Joyce and Modern Literature, Routledge and Keegan Paul, 1982.

Pointer Dominic Maganiello, Joyce’s Politics. London: Routledge & Kegan Paul, 1980.

Pointer Patrick Parrinder, James Joyce, Cambridge University Press, 1984.

Pointer C.H. Peake, James Joyce: The Citizen and the Artist, Arnold, 1977.

Pointer Jean-Michel Rabaté, Joyce Upon the Void, Macmillan, 1991.

Pointer Lee Spinks, James Joyce: A Critical Guide, Edinburgh: Edinburgh University Press, 2009

Pointer W.Y. Tindall, A Reader’s Guide to James Joyce, Thames and Hudson, 1959.


Dublin 1915

Dublin 1915


Major works by James Joyce

James Joyce greatest works A Portrait of the Artist as a Young ManA Portrait of the Artist as a Young Man is Joyce’s first complete novel – a largely autobiographical account of a young man’s struggle with Catholicism and his desire to forge himself as an artist. It features a prose style whose complexity develops in parallel with the growth of the hero, Stephen Dedalus. The early pages are written from a child’s point of view, but then they quickly become more sophisticated. As Stephen struggles with religious belief and the growth of his sexual feelings as a young adult, the prose become more complex and philosophical. In addition to the account of his personal life and a critique of Irish society at the beginning of the last century, it also incorporates the creation of an aesthetic philosophy which was unmistakably that of Joyce himself. The novel ends with Stephen quitting Ireland for good, just as Joyce himself was to do – never to return.
James Joyce greatest works A Portrait of the Artist as a Young Man Buy the book at Amazon UK
James Joyce greatest works A Portrait of the Artist as a Young Man Buy the book at Amazon US

James Joyce greatest works UlyssesUlysses (1922) is one of the greatest novels of the twentieth century, and it is certainly Joyce’s most celebrated work. He takes Homer’s Odyssey as a structural framework and uses it as the base to create a complex story of characters moving around Dublin on a single day in June 1904. Each separate chapter is written in a different prose style to reflect its theme or subject. The novel also includes two forms of the ‘stream of consciousness’ technique. This was Joyce’s attempt to reproduce the apparently random way in which our perceptions of the world are mixed with our conscious ideas and memories in an unstoppable flow of thought. There is a famous last chapter which is an eighty page unpunctuated soliloquy of a woman as she lies in bed at night, mulling over the events of her life and episodes from the previous day.
James Joyce greatest works Ulysses Buy the book at Amazon UK
James Joyce greatest works Ulysses Buy the book at Amazon US


The Cambridge Companion to James JoyceThe Cambridge Companion to James Joyce contains eleven essays by an international team of leading Joyce scholars. The topics covered include his debt to Irish and European writers and traditions, his life in Paris, and the relation of his work to the ‘modern’ spirit of sceptical relativism. One essay describes Joyce’s developing achievement in his earlier works (Stephen Hero, Dubliners, and A Portrait of the Artist as a Young Man). Another tackles his best-known text, asking the basic question ‘What is Ulysses about, and how can it be read?’ The issue of ‘difficulty’ raised by Finnegans Wake is directly addressed, and the reader is taken through questions of theme, language, structure and meaning, as well as the book’s composition and the history of Wake criticism.
The Cambridge Companion to James Joyce Buy the book at Amazon UK
The Cambridge Companion to James Joyce Buy the book at Amazon US


James Joyce – web links

James Joyce web links James Joyce at Mantex
Biographical notes, study guides to the major works, book reviews, studies of the short stories, bibliographies, web links, study resources.

James Joyce web links James Joyce at Project Gutenberg
A limited collection of free eTexts in a variety of digital formats.

James Joyce web links James Joyce at Wikipedia
Full biography, social background, interpretation of the major works, religion, music, list of biographies, and external web links.

James Joyce on film James Joyce at the Internet Movie Database
Adaptations for the cinema and television – in various languages. Full details of directors and actors, plus box office, technical credits, and quizzes.

James Joyce exhibition James Joyce Centre in Dublin
Exhibition centre, walking tours, lectures, and newsletter. The latest addition is a graphic novel version of ‘Ulysses’.

James Joyce web links The James Joyce Scholars’ Collection
University of Wisconsin – digitised scans of Finnegans Wake and out-of-print studies on Joyce’s language, plus rare critical studies.

James Joyce web links An Annotated Ulysses
An online version of Ulysses with hyperlinks giving explanations of obscure and classical references in the text.

James Joyce web links Cornell’s James Joyce Collection
Cornell University – a collection of letters, manuscripts, and books documenting the life and work of James Joyce on exhibition in 2005. Particularly strong on Joyce’s early life.

James Joyce web links A Bibliography of Scholarship and Criticism
Slightly dated but still useful web-based compilation of criticism and commentary – covers Joyce himself, plus the stories and novels.

© Roy Johnson 2010


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Filed Under: James Joyce Tagged With: Dubliners, James Joyce, Literary studies, Modernism, study guide, The Short Story

E.M.Forster – biographical notes

September 27, 2009 by Roy Johnson

E.M.Forster - portrait1879. E.M.Forster (Edward Morgan) born in London. His father dies the following year.

1887. Inherits £8,000 from his great-aunt Marianne Thornton.

1890. Educated at private schools in Eastbourne and Tonbridge Wells, where he was very unhappy and developed a lasting dislike of the public school system.

1897. Studies classics and history at King’s College, Cambridge. Influenced by philosopher G.E. Moore and the notion that the purpose of life is to love, create, to contemplate beauty in art, and to cultivate friendships. Becomes a member of the Apostles, which was later to form the nucleus of the Bloomsbury Group. He was a contemporary of Leonard Woolf, Lytton Strachey, Thoby Stephen, and Maynard Keynes.

1901. One year’s tour of Italy and Austria with his mother. Begins writing seriously.

1902. Teaches at the Working Men’s College and Cambridge Local Lectures Board (extra-mural department).

1904. Begins contributing stories to the Independent Review, launched by a group of Cambridge friends, including G.M.Trevelyan. ‘The Story of a Panic’ his first published work.

1905. Where Angels Fear to Tread is published. Spends some time in Germany as tutor to the children of Countess Elizabeth von Arnim (first cousin of Katherine Mansfield).

1906. Works as a private tutor to Syed Ross Masood, a colonial Indian patriot, for whom he develops a passionate attachment.

1907. The Longest Journey published. Forster is a member of the Bloomsbury Group and a friend of Virginia Woolf, Leonard Woolf, Lytton Strachey, and Roger Fry.

1908. A Room with a View.


E.M.Forster: A Life is a readable and well illustrated biography by P.N. Furbank. This book has been much praised for the sympathetic understanding Nick Furbank brings to Forster’s life and work. It is also a very scholarly book, with plenty of fascinating details of the English literary world during Forster’s surprisingly long life. It has become the ‘standard’ biography, and it is very well written too. Highly recommended.
 


1910. Howard’s End: his first major success, which established his reputation as a writer of importance.

1911. Publishes a collection of rather light and whimsical short stories, The Celestial Omnibus.

1912. Visits India and travels with Masood. Begins writing A Passage to India.

1913. Visits Edward Carpenter (an early evangelist for gay rights) and as a result begins writing Maurice, a novel about homosexual love which is not published until 1971, after Forster’s death.

1915. Begins working for the Red Cross in Alexandria.

1919. Returns to England.

1921. Second visit to India. Becomes private secretary to the Maharajah of Dewas.

1924. A Passage to India widely acclaimed. But gives up writing novels because he felt he could not write openly and honestly about sexual relations.

1927. Elected Fellow of King’s College, Cambridge. Gives the Clark lectures which are published as Aspects of the Novel.

1934. First president of the National Council for Civil Liberties.

1936. Abinger Harvest: a collection of his essays and reviews.

1945. Death of his mother. Elected Honorary Fellow at King’s and takes up entitlement to live there.

1947. Lecture tours in the United States.

1969. Awarded the Order of Merit.

1970. Dies in the home of friends.

© Roy Johnson 2009


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Filed Under: Bloomsbury Group, E.M.Forster Tagged With: Biography, E.M.Forster, Literary studies, The novel

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