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Twentieth Century – literary timeline – part 2

September 28, 2009 by Roy Johnson

a chronicle of events, literature, and politics

1920. League of Nations established; Oxford University admits women;
D.H. Lawrence, Women in Love; Nobel prize – K. Hamsun (N).

1921. Irish Free State proclaimed; extreme inflation in Germany; Fatty Arbuckle scandal in US; Nobel prize – Anatole France (F).

1922. Fascists march on Rome under Mussolini; Kemel Ataturk founds modern Turkey; T.S. Eliot, The Waste Land; James Joyce, Ulysses; Katherine Mansfield, The Garden Party; Ludwig Wittgenstein, Tractatus Logico-Philosophicus; John Galsworthy, The Forsyth Saga; Nobel prize – J. Benavente (Sp).

1923. Charleston craze; BBC begins radio broadcasting in the UK; William Walton Facade; Nobel prize – W.B. Yeats (Ir).

1924. First UK Labour government formed under Ramsey MacDonald (lasts nine months); Deaths of Lenin, Franz Kafka, and Joseph Conrad; Thomas Mann, The Magic Mountain; E.M. Forster, A Passage to India; Nobel prize – W. Raymont (P).

1925. John Logie Baird televises an image of a human face; Webern Wozzeck; Adolf Hitler, Mein Kampf; Virginia Woolf, Mrs Dalloway; Nobel prize – George Bernard Shaw (UK).

1926. UK General Strike; first demonstration of television in UK; Fritz Lang, Metropolis; Nobel prize – G. Deledda (I).

1927. Lindbergh flies solo across Atlantic; first talkie film – Al Jolson in ‘The Jazz Singer’; Virginia Woolf, To the Lighthouse; Nobel prize – Henri Bergson (Fr).


Oxford Companion to Twentieth Century Literature - Click for details at AmazonOxford Companion to Twentieth Century Literature in English is a new reference guide to English-language writers and writing throughout the present century, in all major genres and from all around the world – from Joseph Conrad to Will Self, Virginia Woolf to David Mamet, Ezra Pound to Peter Carey, James Joyce to Amy Tan. Includes entries on literary movements, periodicals, and over 400 individual works, as well as articles on some 2,400 authors, plus a good introduction by John Sutherland.


1928. Women in UK get same voting rights as men; Death of Thomas Hardy; first Oxford English Dictionary published; penicillin discovered;
D.H. Lawrence, Lady Chatterley’s Lover; Evelyn Waugh, Decline and Fall; Nobel prize – S. Undset (N).

1929. Slump in US, followed by collapse of New York Stock Exchange; Start of world economic depression; Second UK Labour government under MacDonald;
Virginia Woolf, A Room of One’s Own; first experimental television broadcast; Kurt Weil The Threepenny Opera; Nobel prize – Thomas Mann (G).

1930. Mass unemployment in UK; Death of D.H. Lawrence.
William Faulkner, As I Lay Dying; Nobel prize – Sinclair Lewis (US).

1931. Resignation of UK Labour government, followed by formation of national coalition government; Empire State building completed in New York; Virginia Woolf, The Waves; Nobel prize – R.A. Karfeldt (S).

1932. Hunger marches start in UK; scientists split the atom; air conditioning invented; Aldous Huxley, Brave New World; Nobel prize – John Galsworthy (UK).

1933. Adolf Hitler appointed Chancellor of Germany; first Nazi concentration camps; prohibition ends in US; Radio Luxembourg begins commercial broadcasts to UK; George Orwell, Down and Out in Paris and London;Jean Vigo, L’Atalante; Nobel prize – Ivan Bunin (USSR).

1934. Hitler becomes Dictator; Evelyn Waugh, A Handful of Dust; Samuel Beckett, More Pricks than Kicks; Nobel prize – Luigi Pirandello (I).

1935. Germany re-arms; Italians invade Abyssinia (Ethiopia); Prokofiev Romeo and Juliet; Nobel prize – not awarded.

1936. Death of George V in UK, followed by Edward VIII, who is forced to abdicate; Stalinist show trials in USSR; Civil War in Spain begins; Germany re-occupies the Rheinland; BBC begins television transmissions; Aaron Copland El Salon Mexico; Nobel prize – Eugene O’Neil (USA).

1937. Neville Chamberlain UK prime minister; Destruction of Guernica;
George Orwell, The Road to Wigan Pier; Nobel prize – Roger Martin du Gard (Fr).


Twentieth Century Britain - Click for details at AmazonTwentieth-century Britain is an account of political, industrial, commercial, and cultural development in England, Wales, Ireland, and Scotland. It’s particularly strong on the changing face of government, and it also relates issues of the day to the great writers and artists of the period. This ‘very short introduction’ series offers a potted account of the subject in handy pocket-book format, with plenty of suggestions for further reading.


1938. Germans occupy Austria; Chamberlain meets Hitler to make infamous Munich ‘agreement’ to prevent war; Samuel Beckett, Murphy; John Dos Passos, USA; Nobel prize – Pearl S. Buck (USA).

1939. Fascists win Civil War in Spain; Stalin makes pact with Hitler; Germany invades Poland; Britain and France declare war on Germany; helicopter invented;
James Joyce, Finnegans Wake; Nobel prize – F.E. Silanpaa (Fi).

1940. Germany invades north-west Europe; Fall of France; British troops evacuated from Dunkirk; Battle of Britain; Start of ‘Blitz’ bombing raids over London; Churchill heads national coalition government; assassination of Trotsky; Nobel prize – not awarded.

1941. Germany invades USSR; Japanese destroy US fleet at Pearl Harbour; USA enters the war; siege of Leningrad; Deaths of James Joyce and Virginia Woolf; Orson Wells, Citizen Kane; Nobel prize – not awarded.

1942. Battle of Stalingrad; Battle of Midway; Beveridge report establishes basis of modern Welfare State; T-shirt invented; Nobel prize – not awarded.

1943. Anglo-American armies invade Italy; Warsaw uprising; Nobel prize – not awarded.

1944. D-Day invasion of France; ball-point pens go on sale; German V1 and V2 rockets fired; R.A. Butler’s Education Act; Aaron Copland Appalachian Spring; Nobel prize – J.V. Jensen (Da).

1945. End of war in Europe; Atomic bombs dropped on Japan; first computer built; microwave oven invented; United Nations founded; huge Labour victory in UK general election; Atlee becomes prime minister, George Orwell, Animal Farm; Nobel prize – G. Mistral (Ch).

1946. Churchill’s ‘Iron Curtain’ speech; Nuremberg war trials; bikinis introduced; United Nations opens in New York; Nobel prize – Herman Hesse (Sw)

1947. Marshall Plan of aid to Europe; Jewish refugees turned away by UK; Polaroid camera invented; coal and other industries nationalised in UK; transfer of power to independent India, Pakistan, and Burma. Thomas Mann, Doktor Faustus; Nobel prize – A. Gide (Fr)

1948. Berlin airlift; state of Israel founded; Railways and electricity nationalised in UK; Bevan launches National Health Service in UK. Nobel prize – T.S. Eliot (UK)

1949. East Germany created; Mao Tse Tung declares Republic of China; NATO founded; Simone de Beauvoir, The Second Sex; George Orwell, Nineteen Eighty Four; Nobel prize – W. Faulkner (USA)

The Twentieth Centurynext

© Roy Johnson 2009


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Filed Under: 20C Literature, Literary studies Tagged With: Cultural history, History, Literary studies, Reference, Twentieth century

Twentieth Century – literary timeline – part 3

September 28, 2009 by Roy Johnson

a chronicle of events, literature, and politics

1950. India declares itself a republic; UK and USA attack Korea; first credit cards; first organ transplant; Billy Wilder, Sunset Boulevard; Nobel prize – Bertrand Russell (UK)

1951. Festival of Britain; first colour TV; Conservatives defeat Labour in UK general election; Churchill becomes prime minister; UK troops seize Suez Canal zone; Benjamin Britten Billy Budd; Samuel Beckett, Malloy; Nobel prize – P. Lagerkvist (S)

1952. Death of George V. Accession of Queen Elizabeth II at 25;
Ralph Ellison, Invisible Man; Nobel prize – F. Mauriac (Fr)

1953. DNA discovered; conquest of Everest; Death of Stalin – and Prokofiev on same day; Nobel prize – Winston Churchill (UK)

1954. British troops withdrawn from Egypt; Four-minute mile broken; Nobel prize – E. Hemingway (USA)

1955. European Union created; Warsaw Pact founded; V. Nabokov, Lolita; Patrick White, The Tree of Man; Nobel prize – H. Laxness (Ic)

1956. Khruschchev denounces Stalin at Communist Party Conference; Anglo-French invasion of Suez, followed by withdrawal; Hungarian uprising crushed by Soviets; Samuel Beckett, Malone Dies; Nobel prize – J. Ramon Jiminez (Sp)


Oxford Companion to Twentieth Century Literature - Click for details at AmazonOxford Companion to Twentieth Century Literature in English is a new reference guide to English-language writers and writing throughout the present century, in all major genres and from all around the world – from Joseph Conrad to Will Self, Virginia Woolf to David Mamet, Ezra Pound to Peter Carey, James Joyce to Amy Tan. Includes entries on literary movements, periodicals, and over 400 individual works, as well as articles on some 2,400 authors, plus a good introduction by John Sutherland.

 


1957. European Economic Community established; Homosexuality decriminalised in UK; Patrick White, Voss; Nobel prize – A. Camus (Fr)

1958. Orson Wells, Touch of Evil; Nobel prize – B. Pasternak (USSR) [forced to refuse it]

1959. Castro overthrows Batista regime in Cuba; first motorway opened in UK; Nobel prize – S. Quasimodo (I)

1960. Sharpville massacres in S Africa; new republics declared in Africa; Lady Chatterley’s Lover cleared of charges of obscenity in UK; J.F. Kennedy elected US president; Alfred Hitchcock, Psycho; Nobel prize – A. St. Leger (Fr)

1961. Adolf Eichman on trial for role in Holocaust; USSR makes first manned space flight; USA-backed Bay of Pigs attack in Cuba fails; Berlin Wall erected; Patrick White, Riders in the Chariot; Samuel Beckett, Happy Days; Nobel prize – L. Andric (Y)

1962. US sends troops to Vietnam; Cuban missile crisis; Nelson Mandela jailed; Please Please Me first Beatles hit; Nobel prize – J. Steinbeck (USA)

1963. French veto Britain’s application to join European Common Market; Martin Luther King’s ‘I Have a Dream’ speech; Profumo scandal in UK; Kennedy assassination in USA; Nobel prize – G. Seferis (Gr)

1964. Khruschchev deposed by Breshnev in USSR; Vietnam attacks US destroyer in Gulf of Tonkin; Labour party gains power in UK under Harold Wilson; Saul Bellow, Herzog. Nobel prize – J-P. Sartre (Fr) [prize not accepted]

1965. Malcolm X assassinated; India invades Pakistan; US air raids in Vietnam; anti-war protests in US and Europe; Harold Pinter, The Homecoming; Nobel prize – M. Sholokov (USSR) [authorship subsequently disputed]

1966. Black Panthers established in US; Cultural revolution under Mao in China; Britain wins Wold Cup in football; Nobel prize – Samuel Agnon, Nelly Sachs (Il)

1967. Israel seizes land in 6 day war; first heart transplant; first colour TV transmissions in UK; Stalin’s daughter defects to west; ‘Summer of Love’ hippy demonstrations in San Francisco; decriminalisation of homosexuality in UK; Gabriel Garcia Marquez, One Hundred Years of Solitude; Nobel prize – Miguel Angel Asturias (Gu)

1968. Martin Luther King assassinated; student protests in Paris; USSR invades Czechoslovakia; theatre censorship abolished in UK after 23 years; Tet offensive in Vietnam; Nobel prize – Yasunari Kawabata (Jp)

1969. UK troops sent into N Ireland; US puts first men on the moon; death penalty abolished in UK; precursor of the Internet, ARPANET created; Woodstock music festival; Monty Python’s Flying Circus first broadcast; Nobel prize – Samuel Beckett (Ire)

1970. My Lai massacre; Rubber bullets used in N Ireland; Allende elected socialist president in Chile; anti-government demonstrations in Poland; age of majority lowered to 18 in UK; invention of computer floppy disks; Germaine Greer, The Female Eunuch; Patrick White, The Vivesector; Nobel prize – Alexander Solzhenitsyn (USSR)

1971. Open University begins in UK; internment without trial in N Ireland; China joins UN; Nixon resumes bombing of Vietnam; video recorders introduced; Britain negotiates entry into EU; Nobel prize – Pablo Neruda (Ch)

1972. Miners strike in UK; Bloody Sunday in N Ireland; Watergate scandal begins in US; Nobel prize – Heinrich Böll (Gr)

1973. Allende government overthrown by Pinochet in Chile; industrial strikes in UK; Arab-Israeli war; abortion legalised in US; US pulls out of Vietnam; Britain enters the European Common Market; Nobel prize – Patrick White (Aus)

1974. Miners strike in UK; Impeachment and resignation of president Nixon in US; Nadine Gordimer, The Conservationist; Nobel prize – Eyvind Johnson, Harry Martinson (Sw)

1975. Margaret Thatcher elected leader of Tories in UK; Vietnam war ends with hasty retreat of US troops; first elections in Portugal for 50 years; Microsoft founded; Nobel prize – Eugenio Montale (It)

1976. Jeremy Thorpe resigns as UK liberal leader following sex scandal; Britain found guilty of torture in N Ireland; Jimmy Carter elected president in US; Patrick White, A Fringe of Leaves; Nobel prize – Saul Bellow (USA)

1977. First democratic elections in Spain since 1936; student activist Steve Biko tortured to death in S Africa; Punk rock fashionable; Nobel prize – Vicente Aleixandre (Sp)

1978. World’s first test tube baby; Nobel prize – Isaac Bashevis Singer (USA)

1979. Shah leaves Iran; Ayatollah Khomeni returns from exile in Paris; Islamic republic declared; Margaret Thatcher elected first woman PM in UK; first heart transplant; Pol Pot convicted of murdering 3 million in Cambodia; Francis Ford Coppola, Apocalypse Now; Nobel prize – Odysseus Elytis (Gk)


Twentieth Century Britain - Click for details at AmazonTwentieth-century Britain is an account of political, industrial, commercial, and cultural development in England, Wales, Ireland, and Scotland. It’s particularly strong on the changing face of government, and it also relates issues of the day to the great writers and artists of the period. This ‘very short introduction’ series offers a potted account of the subject in handy pocket-book format, with plenty of suggestions for further reading.


1980. USSR Nobel peace prizewinner Sakharov sent into internal exile; Mugabe’s establishes one-party ZANU(PF) state in Zimbabwe; outbreak of Iran-Iraq war; Solidarity trade union recognised by Polish government; Ronald Regan elected US president; John Lennon shot in New York; Nobel prize – Czeslaw Milosz (Po)

1981. Greece joins EEC; Social Democrats launched in UK – merges with Liberals; Peter Sutcliffe convicted of Yorkshire Ripper murders; Prince Charles marries Lady Diana Spencer; first reports of AIDS; Salman Rushdie, Midnight’s Children; Nobel prize – Elias Canetti (UK!)

1982. Argentina invades Malvinas (Falklands); UK re-takes islands; General Galtieri resigns; Polish government abolishes Solidarity; death of Breshnev; Nobel prize – Gabriel García Márquez (Co)

1983. Demonstrations in 20 Polish cities; IRA prisoners escape from Maze prison; US-backed invasion of Grenada; Cruise missiles installed in UK; Nobel prize – William Golding (UK)

1984. UK miners strike against pit closures; USSR boycotts Olympics in LA; Mrs Gandhi assassinated; Nobel prize – Jaroslav Seifert (Cz)

1985. USSR reforms of Glasnost and Perestroika called for by Gorbachev; Greenpeace ship sunk by French agents in NZ; Nobel prize – Claude Simon (Fr)

1986. Westland scandal in UK government; press disputes lead to move from Fleet Street to Wapping in UK; legal independence for Australia; US bomb Benghazi and Tripoli; Chernobyl nuclear disaster; 180-day detention without trial in S Africa; US and Commonwealth impose sanctions on South Africa; Nobel prize – Wole Soyinka (Ni)

1987. Gorbachev begins critique of Breshnev in USSR; white-only elections in S Africa; Gestapo chief Klaus Barbie guilty of crimes against humanity; Iran attacks US tanker in Persian Gulf; DNA first used to convict criminals; Nobel prize – Joseph Brodsky (USA)

1988. IRA members shot by UK in Gibraltar; first Gulf war begins; Gorbachev proposes democratic reforms in USSR; George Bush Snr president in US; Nobel prize – Naguib Mahfouz (Eg)

1989. Khomeini issues fatwa on Salman Rushdie’s Satanic Verses; Tiananamen Square massacre; elections, protests, and shakeups in Communist block; E Germany closes borders after demonstrations for reform; Iron Curtain begins to be removed; Romanian leader Ceausescu executed; playwright Vaclav Havel becomes Czech president; Tim Berners-Lee invents the World Wide Web; Nobel prize – Camilo José Cela (Sp)

1990. Lech Walesa becomes first president of Poland; Nelson Mandela freed after 27 years in jail; John Major replaces Margaret Thatcher as UK prime minister; Derek Walcott, Omeros; Nobel prize – Octavio Paz (Mx)

1991. Collapse of the Soviet Union; Apartheid laws repealed in S Africa; Iraq invades Kuwait; first Gulf war begins with Operation desert Storm; Satellite-based communications become established for TV and Internet; Nobel prize – Nadine Gordimer (SA)

1992. Official end of Cold War; Nobel prize – Derek Walcott (SL)

1993. Bosnian civil war; Use of the Internet grows exponentially; Nobel prize – Toni Morrison (USA)

1994. Channel tunnel opens in UK; Mandela elected president of S Africa; Rawandan genocide; Nobel prize – Kenzaburo Oe (Jp)

1995. Nobel prize – Seamus Heaney (Ire)

1996. Prince Charles divorces Princess Diana in UK; Mad cow disease hits UK; Nobel prize – Wislawa Szymborska (Po)

1997. Hong Kong returns to China; Princess Diana dies in car crash in Paris; Tony Blair wins landslide victory in UK with New Labour Party; Nobel prize – Dario Fo (It)

1998. India and Pakistan test nuclear weapons; US President Clinton in sex scandal; use of mobile phones and Internet becomes commonplace; digital technology widely introduced into broadcast media; Nobel prize – José Saramago (Pt)

1999. New Euro currency introduced; NATO forces in Serbia; hereditary peers abolished in UK House of Lords; Nobel prize – Gunter Grass (Gr)

2000. First elected Mayor of London in UK; Legal age for consensual gay sex reduced to 16;Nobel prize – Gao Xingjian (Fr)

2001. Labour Party re-elected with huge majority; Twin Towers attacked and destroyed in New York; Britain joins US in Afghanistan war; Nobel prize – V.S. Naipaul (UK)

2002. Nobel prize – Imre Kertész (Hu)

2003. Nobel prize – J.M.Coetzee (SA)

2004. Nobel prize – Elfriede Jelinek (Au)

2005. Nobel prize – Harold Pinter (UK)

2006. Nobel prize – Orhan Pamuk (Tk)

2007. Nobel prize – Doris Lessing (UK)

2008. Nobel prize – J.M.G Le Clezio (Fr)

2009. Nobel prize – Herta Mueller (Gr)

2010. Nobel Prize – Mario Vargas Llosa (Pe)

2011. Nobel Prize – Thomas Transtroemer (Sw)

2012. Nobel Prize – Mo Yan (Cn)

2013. Nobel Prize – Alice Munro (Ca)

2014. Nobel Prize – Patrick Modiano (Fr)

2015. Nobel Prize – Svetlana Alexievich (By)

2016. Nobel Prize – Bob Dylan (USA)

2017. Nobel Prize – Kasuo Ishiguro (UK)

2018. Nobel Prize – not awarded

The Twentieth Century

© Roy Johnson 2009


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Twentieth Century Neglected Classics

October 2, 2009 by Roy Johnson

recommended lesser-known novels

This is a selection of neglected classics – lesser-known novels from the twentieth century. Great writers such as James Joyce, Franz Kafka, Virginia Woolf, and D.H.Lawrence are covered elsewhere on this site. Here you might find some pleasant surprises.

Neglected classics - Le Grand MeaulnesLe Grand Meaulnes (1913) Alain Fournier’s semi-autobiographical gem (usually translated into English as The Lost Domain) is an idyllic evocation of boyhood and adolescence. It’s a novel of teenage self-discovery and enormous charm. Two schoolboys stumble upon a semi-mythical realm set deep in the French countryside and fall in love with a girl who they can never later re-trace. This is a lyrical and atmospheric novel which evokes a fin de siécle innocence and romanticism which would be wiped out by the first world war – which was hovering just around the corner and cost Fournier his life fighting on the Meuse in 1914.
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Neglected classics - We - ZamyatinWe (1920) Yevgeny Zamyatin’s tale is a very original and futuristic dystopia which prophesies Stalinism and the failure of the revolution to be truly revolutionary. It is set in a totally regulated society where people are known by numbers, and in which two lovers embody irrational urges towards which the state is hostile. It’s written in a dazzlingly poetic and experimental style, influenced by the early developments of Russian modernism. The novel was reviewed by George Orwell and heavily ‘influenced’ his novel Nineteen Eighty-Four. This is the original, and you”ll be pleased to discover that it’s far superior.
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Neglected classics - Manhattan TransferManhattan Transfer (1925) John dos Passos is an unjustly neglected master of American experimental realism from the modernist period. He writes in a manner which combines multiple characters and perspectives, fragmented narratives running in parallel, stream-of-consciousness passages, the insertion of contemporary newspaper reports, potted biographies, popular songs, flash-backs and flash-forwards. The result is an expressionistic mosaic which captures the speed and chaos of modern life. His story is always one of ordinary working people struggling to make a living and a life in the modern city, which is under the control of monopoly capitalists. And his setting is almost always the city – New York City. Start with Manhattan Transfer, which is less demanding and more coherent. If you like that, move on to his chef d’oeuvre USA, which is three novels rolled into one.
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Neglected classics - Auto da FeAuto da Fe (1935) Elias Canetti’s only novel is the story of Peter Kien, a distinguished scholar and obsessive bibliophile who ends up setting fire to his own library. The novel was inspired by the burning of the Palace of Justice in Vienna in 1927, and is partly a parable of Nazi book burning. The figure of Kien is loosely based on Immanuel Kant, the German philosopher who was famous for his invariable habits. Kien deviates from his own spartan routines with disastrous results. Canetti wrote the novel when he was only twenty-five, and wrote little else except memoirs until he was awarded the Nobel Prize in 1981.
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Neglected classics - Nathaniel West's novels Miss Lonelyhearts (1933) Nathaniel West’s novel concerns a newspaper columnist who deals with the problem letters from readers – most of them bordering on the humanly tragic. He innocently and for the best motives begins to take them seriously, and tries to help the people who send them. He is destroyed as a result. West is a much underrated master of black comedy. The Day of the Locust (1939) is his greatest novel – a searing critique of the movie business in which West briefly worked. It focuses on the lonely misfits and cranks drawn by Hollywood and the American Dream, and ends in an apocalyptic frenzy of hatred, self-destruction, and the burning of Los Angeles. Both novels, plus A Cool Million and The Dream Life of Balso Snell in one volume.
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Neglected classics - Darkness at NoonDarkness at Noon (1940) Arthur Koestler’s novel is one of the classics capturing all the madness and tyranny of the Stalinist purges in the 1930s. Comrade Rubashov, an old Bolshevik, is accused of betraying the State he helped to create. The novel follows his physical and psychological torture until he finally agrees to make a false confession against himself, and following a completely corrupt show trial he is executed as a traitor. Grim; not for the faint-hearted; and politically spot-on in the light of everything we have learned since. It profits from being dramatically concentrated in time and place on Rubashov in his prison cell, but for a more wide-ranging novel which shows the madness of stalinism in a much wider social perspective, try Victor Serge’s The Case of Comrade Tulayev.
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Neglected classics - The Master and MargaritaThe Master and Margarita (1940/1973) Mikhail Bulgakov’s greatest novel is a wonderful mixture of realism and fantasy which offers a satirical view of communist Russia. The story involves the arrival of the Devil into Moscow, causing all sort of comic mischief. This story is interspersed with chapters dealing with Pontius Pilate and the crucifixion of Jesus Christ, plus other sections related to an artist and his relationships with his art and his lover. All three layers of the story are blended into one with spellbinding imaginative force. Bulgakov burnt the manuscript of his book in despair when being persecuted under the Stalinist tyranny. Fortunately, he lived just long enough to re-write it.
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Neglected classics - Invisible ManInvisible Man (1952) Ralph Ellison’s powerful novel is the search of an unnamed black American man for his own identity in a society which denies it to him at every turn. It is told with a combination of deadly seriousness and great comic panache. The hero is presented with or stumbles into a range of roles – from Uncle Tom, through political activist, to Superstud and Black Muslim. He uncovers the racism and existential inauthenticity in all of them, and in the end ‘goes Underground’ as a form of escape. This novel is profound, beautifully written, and very funny. It’s a great shame Ralph Ellison wrote so little else.
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Neglected classics - The Lost StepsThe Lost Steps (1953) Alejo Carpentier’s novel is a story told twice. A disillusioned north-American musicologist flees his empty existence in New York City. He takes a journey with his mistress to one of the few remaining areas of the world not yet touched by civilization – the upper reaches of a great South American river. The novel describes his search, his adventures, the revival of his creative powers, and the remarkable decision he makes in a village that seems to be truly outside history. Wonderful evocations of Latin America from the writer who founded the idea of ‘Magical Realism’.
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Neglected classics - The Tin DrumThe Tin Drum (1956) This was Günter Grass’s first novel, and it is still probably his best. In it, he makes a brave and imaginative attempt to come to terms with the German experience between 1930 and 1950. Set in Danzig where Grass grew up, it starts with the rise of fascism, goes through the horrors of WWII, and ends just after the dubious Economic Miracle of the post-war years. The ambiguous hero is a dwarf who is pathologically attached to his toy drum, who wills himself not to grow, and whose voice can shatter glass. This is a comic yet disturbing fantasy which combines elements of Grass’s own biography with notions of collective and individual responsibility for German war guilt. Despite his later fame and productivity (plus the Nobel Prize in 1999) this novel will be due for renewed critical examination, following Grass’s recent confession that he enlisted in the Waffen-SS during the war.
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Neglected classics - Doctor ZhivagoDr Zhivago (1957) Boris Pasternak’s novel is a sprawling epic of the Russian revolution, a passionate love story, and a memorable portrait of a doctor-poet caught up in the merciless wheels of history. Zhivago seeks to do good and live with simple dignity, but his efforts are thwarted by war, a revolution in which he is forced to participate, and his love affair with Lara, who is married to a Bolshevik general. Pasternak received the Nobel Prize for this novel in 1958, but was forced to refuse it by the Soviet authorities at the time. Some commentators have criticised the novel for being rather traditional in its used of drama and suspense – but these features are precisely what gives it such appeal for general readers.
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Neglected classics - Wide Sargasso SeaWide Sargasso Sea (1966)
Jean Rhys’ novel is a rare case of a ‘prequel’ which is as interesting, well written, and as original as the work to which it refers. This is the story of Mr Rochester’s first wife (before Jane Eyre) and how he came to bring her from the West Indies. It’s a vivid evocation of the Caribbean; a psychologically convincing portrait of a woman’s identity under threat from the twin forces of male dominance and enforced deracination; and a wonderfully lyrical narrative, full of poetic imagery and brooding force. This book re-established Jean Rhys’s reputation after decades of neglect.
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Neglected classics - One Hundred Years of SolitudeOne Hundred Years of Solitude (1967) Gabriel Garcia Marquez is the novelist who really put ‘magical realism’ on the world literary map. This is a sprawling epic which conveys the essence of Latin America via the saga of the Buendia family that mirrors the history of Colombia. Like many of his works, it is set in the fictional town of Macondo, a place much like García Márquez’s native Aracataca. Mixing realism and fantasy, the novel is both the story of the decay of the town and an ironic epic of human experience. Readers should expect levitating priests, time which goes backwards, and plagues of flowers and civic forgetfulness. Marquez has gone on to write many more novels, but this one remains his greatest.
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Neglected classics - Lost Honour of Katarina BlumThe Lost Honour of Katharina Blum (1969) This work by Heinrich Böll is a short, dramatic novel loosely based on the Baader-Meinhof affair. It is Böll’s scathing critique of tabloid journalism at its worst and Germany’s panic-driven anti-terrorist laws. A young woman is arrested for harbouring her lover, a suspected terrorist, who is in fact an army deserter. She is harassed by the police and a particularly obnoxious reporter. When he confronts her at her mother’s funeral she agrees to give him her story; but when they meet up and he suggests they have sex, she shoots him instead. Böll is a left-wing Catholic in the mould of Graham Greene. This is an intelligent and sensitive response to the moral outcry over European ‘terrorism’ which began in the late 1960s.
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Neglected classics - The Golden GateThe Golden Gate (1989) Vikram Seth’s is a novel of modern life, written in verse , and set in California. It’s very charming, yet deals with important the fundamentals of life such as birth, friendship, love, and death. It was inspired by Pushkin’s novel in sonnet form, Eugene Onegin, and it contains some wonderfully poetic images and stunning rhymes. It’s a celebration of everyday existence, with strong ecological sympathies and an amazing variety of domestic pets. Guaranteed to please. Don’t let the idea of a novel in verse put you off: it’s a gem, and a linguistic treat. The text is presented, like Pushkin’s masterpiece, as one sonnet on each page. Every one is a self-contained work of art
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Neglected classics - The ConservationistThe Conservationist (1990) Nadine Gordimer has had a long and distinguished career as a novelist, but this has possibly emerged as her greatest work. A white South-African businessman keeps a farm in the country which he visits at weekends. He tries to do The Right Thing ecologically but cannot, because he does not truly live there. The Africans who work for him eventually emerge as the true inheritors of the earth. Gordimer charts the problems of a society divided by racism, colonialism, class, and political history. She expresses very eloquently the relationship between people and land. Fluent writing, great style, and lots of political commitment, but wrapped up in a non-judgemental way.
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© Roy Johnson 2009


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Twentieth Century Russian Novels

October 2, 2009 by Roy Johnson

Russian novels - St Petersburgrecommended classic reading

St Petersburg (1916) Andrei Biely (pseudonym of Boris Nikolaevich Bugaev) is a much-neglected figure from the period of modernist experimentation. He was a novelist, a poet, a theorist, and literary critic. His major work is a novel with a ticking bomb (concealed in a sardine can) at its centre – a sort of meditation on violence. It’s the story of the hapless Nikolai Apollonovich, a never-do-well who is caught up in revolutionary politics and assigned the task of assassinating a certain government official — his own father. Nikolai is pursued through the impenetrable Petersburg mists by the ringing hooves of the famous bronze statue of Peter the Great. It is not unlike James Joyce’s Ulysses in its literary experimentation, and in being concerned with the events one day in one city. But the experimentation is of a different kind. Biely was a symbolist and a mystic. He uses his poetic style in this novel to bring the city to life as if it were a living, breathing being.
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Russian novels - We - ZamyatinWe (1921) Yevgeny Zamyatin is also an unjustly neglected master of the school of experimental modernism which flourished in Russia until the early 1920s. His one novel is a very original science-fiction dystopia, and a satirical critique of the Russian revolution (which he had supported) as he saw it being betrayed by the forces of totalitarianism. It is a novel which deserves to be much better known. In a totally regulated society where people are known by numbers, two lovers embody irrational urges towards which the state is hostile. The novel was tragically prophetic of the Stalinism which was to come. It is written in a dazzlingly poetic and experimental style, and it was quite clearly the model for both Aldous Huxley’s Brave New World (1932) and George Orwell’s Nineteen Eighty-Four (1949). Both of these writers had read the novel: this, the original, is far superior. Do yourself a favour: add this to your reading list.
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Russian novels - Nabokov - MaryMary (1923) Vladimir Nabokov is a great Russian writer, even though he left the country in flight from the revolution in his youth, and spent the rest of his life in exile, living in Germany, America, and Switzerland. In fact he wrote half of his huge output in English. He represents the playful, experimental side of modernism which the Stalinists did their best to stamp out. His writing is amazingly stylish – rich in imagery, erudite, stuffed full of verbal tricks and special effects.

Of course he is best known for Lolita, which he wrote in English whilst living in America. But he wrote novels in Russian during the 1920s and 1930s whilst living in Germany. He can be very lyrical as he is in his early novels Mary and Glory (1932) where he evokes the raptures of youthful pleasures, and the discovery of passion and loss. His lyrical prose records a young Russian exile’s recollections of his first love affair. But the woman in question clearly symbolises his relationship with Russia. He is also good at a creating a marvellous sense of awe in contemplating the quiet aesthetic pleasures in everyday events and special moments of being.

Russian novels - King,Queen,KnaveOther novels such as King, Queen, Knave show a much darker side to his nature, with its focus on adultery, deception, and cruelty. These traits are taken to an uncomfortable extreme in Laughter in the Dark (1932) which plots the downfall of a man who runs off with a young girl who, when he is rendered blind in a car accident, secretly moves her lover in to live under the same roof. The sleazy pair of them torment the protagonist in a particularly gruesome fashion. This theme of the older man driven to self-destruction by desire for a younger woman was something Nabokov explored again in The Enchanter which he wrote in Paris in 1939, and twenty years later in Lolita which he wrote in English whilst teaching in an American college.
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Russian novels - The Gift - NabokovThe Gift (1936) is generally held to be the greatest of Nabokov’s Russian novels. It deals with the ironies and agonies of exile. It’s also the last of the novels Nabokov wrote in his native Russian language and the crowning achievement of that period in his literary career. It’s also his ode to Russian literature, evoking the works of Pushkin, Gogol, and others in the course of its narrative, and it also has at its centre a critique of Chernyshevsky. It is the story of Fyodor Godunov-Cherdyntsev, an impoverished émigré poet living in Berlin, who dreams of the book he will someday write – a book very much like The Gift. The novel plays the most pleasurable kind of havoc with conventional notions of narrative structure and linguistic protocol. It also includes a deeply felt fictionalisation of the murder of Nabokov’s own father in 1922 whilst he was attempting to stop a political assassination.
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Russian novels - The Master and MargaritaThe Master and Margarita (1940) Mikhail Bulgakov was originally a doctor. His early works The Diary of a Country Doctor and The White Guard are written in a lucid, plain style not unlike Chekhov (who was of course also a doctor). In the 1920s and 1930s Bulgakov turned to the theatre, and despite conflicts with the Stalinists at the height of their purges, he managed to survive just long enough to complete his masterpiece. The Master and Margarita is a wonderful mixture of realism and fantasy which offers a satirical view of communist Russia. The story involves the arrival of the Devil into Moscow, causing all sort of mischief and disruption. This is interspersed with chapters re-telling the story of Pontius Pilate and the crucifixion of Jesus Christ, plus other sections related to an artist and his relationships with his art and his lover. All three layers of the story are blended with spellbinding imaginative force.
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Russian novels - Doctor ZhivagoDr Zhivago (1957) Boris Pasternak is principally a poet so far as Russian literature is concerned, but it is his novel by which he is best known to the general reading public in the West. He was awarded the Nobel prize for it, but forced to turn it down by the Soviet authorities. This is a sprawling epic of the Russian revolution, a passionate love story, and a memorable portrait of a doctor-poet caught up in the wheels of history. Zhivago seeks to do good and live with simple dignity, but his efforts are thwarted by war, revolution, and his love affair with Lara, who is married to a Bolshevik general. Critical opinion has been somewhat divided over this work, with some readers seeing it as no more than a nineteenth century novel in disguise. With the general reading public however, it has never lost its appeal.
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Russian novels - One Day in the Life of Ivan DenisovichOne Day in the Life of Ivan Denisovitch (1962) This is the short novel that made Alexander Solzhenitsyn famous overnight. It recounts a typical day’s work, deprivation, and suffering of a prisoner in one of Stalin’s labour camps. Publication was ‘allowed’ as part of Krushchev’s post 1956 attack on Stalin and his legacy. The facts of the story were deliberately understated to meet the censor’s requirements at the time. It catapulted Solzhenitsyn to fame, and yet within a couple of years his work was banned again.

Solzhenitsyn writes in a simple, restrained style in which ornamentation is stripped away in favour of moral purpose. The results celebrate a stoical, almost puritan heroism in the face of all that the Russian people have had to endure – government-constructed poverty, war, political corruption, censorship, and totalitarian repression.

Russian novels - The First CircleThe First Circle (1968) This novel is set in a special research-cum-detention centre reserved for mathematicians and scientists who are nevertheless political prisoners. This is what might be called a novel of ideas, as the characters discuss the political and historical forces which have brought them to their present unjust imprisonment. Of the main characters, one is eventually released, another is sent off to a much harsher regime, and the third remains where he is. It is based very closely on Solzhenitsyn’s own experiences of his first period of imprisonment by the Stalinist regime.
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Russian novels - August 1914August 1914 (1984) This is the first part of a multi-volume epic, a historical novel on a grand scale about the origins of the Soviet Union and how communism came to take root there. Solzhenitsyn sees the Battle of Tannenberg at the start of the First World War as the first major turning point in this process. Using a range of modernist-cum-experimental techniques, he sets in motion a huge cast of characters against the backdrop of this decisive battle. The whole enterprise was called The Red Wheel. There were further volumes in the cycle published, but towards the end of his life Solzhenitsyn transferred most of his energy into books arguing for social and political reform – rather in the same manner as Tolstoy.
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Russian novels - Lenin in ZurichLenin in Zurich (1976) This is a short novel composed of some separate chapters from The Red Wheel. It focuses largely on Lenin in exile, immediately prior to his triumphant return in a sealed train to St Petersburg’s Finland Station. It’s a very interesting study, because Solzhenitsyn is clearly critical of Lenin as one of the central architects of communism – yet he narrates the story largely from Lenin’s point of view. Steeped in history, this is a major attempt at a political and psychological portrait of a historical figure.
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© Roy Johnson 2009

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Twentieth-century Britain: an introduction

July 14, 2009 by Roy Johnson

Politics. history, and society in 20th C Britain

This introductory history comes from a new series by Oxford University Press. They are written by specialists, aimed at the common reader, and offer an introduction to the main cultural and philosophical ideas which have shaped the western world. Kenneth Morgan’s account of Twentieth-century Britain begins with great éclat at the First World War. This was a politically much more complex issue than we are normally led to believe, and he reminds us of the contemporary political contradictions which are now often forgotten.

Twentieth-century Britain: a short introductionThen he goes on to the General Strike of 1926; the artistic influence of the Bloomsbury Group; the depressions of the 1930s; and Britain’s attempts to stay out of war until it was finally dragged into 1939 and its aftermath. It’s a slightly strange experience to read the social history of a century, much of which one has lived through oneself. If nothing else, it’s a reminder that the inevitable generalisations of a brief survey often fail to capture the depths and complexities of ‘what it was really like’.

I could hardly believe my eyes when he described the 1960s as ‘that miserable decade’ . Economically turbulent it might have been, but socially and culturally it was the most liberating, creative, and dynamic period I can ever remember.

He’s on much firmer ground when he deals with the social unrest of the 1970s and 1980s, with their strikes, high unemployment, inner city riots, and falling production.

However, the long view does have some advantages, such as helping to keep events in perspective. The Falklands/Malvinas war for example:

it seemed improbable that a war to retain these distant and almost valueless outposts, scarcely known to British people before the fighting began other than from postage stamps, would encourage a revived mystique of imperial grandeur … But the jingoism of the Falklands [triumph] petered out almost as soon as it began.

Yet I still question his overview from time to time. It seems unwise to the point of ill-judged to conclude his upbeat account of the end of the century with the image of the Millennium Dome – surely the most potent symbol of government vainglory and financial mismanagement imaginable.

But for those who want an overview, or those who would like the major themes revealed, this approach is speedy and efficient. This is a very interesting and attractive format – a small, pocket-sized book, stylishly designed, with illustrations, endnotes, suggestions for further reading, and an index.

© Roy Johnson 2005

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Kenneth O. Morgan, Twentieth Century Britain: A Very Short Introduction, Oxford: Oxford University Press, 2005, pp.128, ISBN: 019285397X


Filed Under: 20C Literature Tagged With: Cultural history, History, Literary studies, Twentieth-century Britain

Two Countries

June 1, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

Two Countries (also known as The Modern Warning) first appeared in magazine form in Harper’s New Monthly Magazine in June 1888, alongside a story by James’s contemporary William Dean Howells and a poem by Wordsworth. It was then reprinted in book form amongst The Aspern Papers and Other Tales published in England and America by Macmillan later the same year.

Cadenabbia Lake Como

Cadenabbia – Lago di Como


Two Countries – critical commentary

The international theme

The tale begins well enough with an exploration of one of Henry James’s favourite themes – the differences between America and Europe – specifically Britain. The two capital cities of London and New York are represented by Grice’s work as a lawyer and Sir Rufus Chasemore’s as a member of the English parliament – though the first part of the story is set on Lago di Como in Italy.

Macarthy Grice is a pompous and self-regarding ass – but he is proudly American. He represents the new American spirit of self-reliant republican independence – a society which had thrown off the shackles of an old conservative monarchism in a revolutionary war only a hundred years before. So – Macarthy regards his sister’s alliance with the arch-Tory Sir Rufus as an act of personal and socio-political betrayal.

Sir Rufus is the epitome of arrogant English sangfroid, who hides beneath a carapace of relentless ‘good manners’, refusing to be rattled or show any discomfiture even under the most severe provocation. It is significant that he become a diplomat during the course of the story. His is the lofty superiority of a class which believes it is ‘born to rule’.

But we are led to believe that Sir Rufus takes his revenge on American attitudes in the critical work The Modern Warning he produces following his tour of the North American continent. And the warning is to modernizers in Britain. It is not clear if the book will eventually be published or not – or even if the galley proofs still exist.

The ending

This is the principal weakness of the story. We might well tolerate the uncertainty over the publication of The Modern Warning and see the story as an exploration of Anglo-American relationships. Something might even have been made of Agatha’s divided loyalties to her husband and brother.

But there is no persuasive reason given for her suicide. And it is just not plausible that she would commit such an act out of a fear of being disloyal to Macarthy. The story takes a very abrupt turn into the melodramatic at that point, from which it does not recover.


Two Countries – study resources

Two Countries The Complete Works of Henry James – Kindle edition – Amazon UK

Two Countries The Complete Works of Henry James – Kindle edition – Amazon US

Two Countries Complete Stories 1884—1891 – Library of America – Amazon UK

Two Countries Complete Stories 1884—1891 – Library of America – Amazon US

Two Countries Two Countries – read the original publication

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

Two Countries


Two Countries – plot summary

Part I.   Macarthy Grice, a pompous young American lawyer joins his mother and his attractive sister Agatha on holiday at Cadenabbia in the Italian lakes. He is annoyed to discover that they have befriended Sir Rufus Chasemore, a conservative English MP, with whom he spars verbally.

Part II.   Next day his mother reveals that they know Sir Rufus quite well, and that there might be an ‘understanding’ between him and Agatha. Macarthy is angry at the idea and suggests that they leave immediately for Venice. He would prefer his sister not to marry at all, and would regard marriage to an Englishman as a form of betrayal. He reads something critical of Sir Rufus in a newspaper, and then is surprised when the Englishman seems quite unruffled by their sudden decision.

Part III.   Agatha has agreed to the Venice move because she sees that encouraging Sir Rufus further would lead nowhere. Moreover, Sir Rufus does not like Americans in general. He pays court to her anew, and both reveal that they have Irish ancestors. Finally, he proposes to her, but she refuses on grounds that she must look after her mother, and not take her away from her bother. She also argues that he should visit America.

Part IV.   Five years later Mrs Grice has dies, and Agatha is now Lady Chasemore and has been married for a year. She is returning to the USA on holiday for the first time. Her bother Macarthy is still unmarried and living alone. He disapproves of her marriage as an unpatriotic act. Sir Rufus has been promoted and she enjoys living in London. Sir Rufus behaves well (as a diplomat) on their visit, but privately does not like the USA.

Part V.   Macarthy provides introductions for Sir Rufus, who examines American institutions, but the distance remains between the two men. When Sir Rufus makes a tour of the States and Canada alone, Agatha reconnects with New York and her brother. When Sir Rufus returns from his fact-finding tour, he declares that American women are ‘plain’ and the country as a whole is a ‘fraud’. He announces that he will write a book about America, based on his experiences. Macarthy Grice is sneeringly critical of the idea, and thinks that Britain is ‘finished’.

Part VI.   A year later back in England, Agatha is horrified by the galley proofs of Sir Rufus’s book. He has produced a scathing critique of American ‘democracy’ as a warning to the British. This causes Agatha to defend America and what it stands for.

Part VII.   When Sir Rufus returns the next day he cannot understand her objections. She knows that Macarthy will feel deeply wounded and betrayed. She argues with Sir Rufus late into the night, and appeals to him on the grounds of her Irish ancestry. Eventually he agrees not to publish The MOdern Warning, even though ‘his country’ would be the loser.

Following this Agatha admires her husband for the sacrifice he has made – and made with such good grace. However, she worries that she will never know his true thoughts and feelings, because they are eternally hidden behind his ‘good manners’. Then she begins to feel guilty for having robbed him of the opportunity to make a contribution to his country and for being the source of a disappointment to him.

Finally, she changes her mind completely and insists that he publish his book. Her brother Macarthy visits London on holiday, but is met with the news that she has committed suicide by taking poison. Sir Rufus accuses Macarthy of ‘killing’ her because she was so frightened by the prospect of facing him, but the two men are later reconciled in their common grief. Macarthy Grice goes to the continent for the remainder of his holiday, and the book may or may not be published.


Principal characters
Macarthy Grice a young, pompous, and self-regarding American lawyer
Agatha Grice his attractive younger sister
Mrs Grice his mother
Sir Rufus Chasemore a conservative English MP
Lady Bolitho Chasemore’s sister

Two Countries - Henry James portrait

Henry James – portrait by John Singer Sargeant


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The BostoniansThe Bostonians (1886) is a novel about the early feminist movement. The heroine Verena Tarrant is an ‘inspirational speaker’ who is taken under the wing of Olive Chancellor, a man-hating suffragette and radical feminist. Trying to pull her in the opposite direction is Basil Ransom, a vigorous young man from the South to whom Verena becomes more and more attracted. The dramatic contest to possess her is played out with some witty and often rather sardonic touches, and as usual James keeps the reader guessing about the outcome until the very last page.

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Henry James What Masie KnewWhat Masie Knew (1897) A young girl is caught between parents who are in the middle of personal conflict, adultery, and divorce. Can she survive without becoming corrupted? It’s touch and go – and not made easier for the reader by the attentions of an older man who decides to ‘look after’ her. This comes from the beginning of James’s ‘Late Phase’, so be prepared for longer and longer sentences. In fact it’s said that whilst composing this novel, James switched from writing longhand to using dictation – and it shows if you look carefully enough – part way through the book.
Henry James What Masie Knew Buy the book at Amazon UK
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Henry James The AmbassadorsThe Ambassadors (1903) Lambert Strether is sent from America to Paris to recall Chadwick Newsome, a young man who is reported to be compromising himself by an entanglement with a wicked woman. However, Strether’s mission fails when he is seduced by the social pleasures of the European capital, and he takes Newsome’s side. So a second ambassador is dispatched in the form of the more determined Sarah Pocock. She delivers an ultimatum which is resisted by the two young men, but then an accident reveals unpleasant truths to Strether, who is faced by a test of loyalty between old Europe and the new USA. This edition presents the latest scholarship on James and includes an introduction, notes, selected criticism, a text summary and a chronology of James’s life and times.
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Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James web links Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.

© Roy Johnson 2013


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Two on a Tower

October 13, 2017 by Roy Johnson

tutorial, study guide, commentary, further reading, web links

Two on a Tower was first published by Sampson Low, London, in three volumes in 1882. it was written between two of Thomas Hardy’s major novels – The Return of the Native in 1878 and arguably his greatest work The Mayor of Casterbridge in 1886 – though it has to be said that he produced a number of other minor works around this time, such as The Trumpet Major (1880) and A Laodicean (1881). Hardy called the novel a ‘romance and a fantasy’, but there seem no valid reasons why it should not be judged by the same criteria as those used to assess his other works.

Two on a Tower


Two on a Tower – commentary

The sensation novel

The sensation novel was a literary genre developed in the mid nineteenth century by writers such as Wilkie Collins and Mary Elizabeth Braddon. They created plots that were designed to ‘jolt the reader’ (John Sutherland’s term) with elements of secret marriages, forged wills, bigamy, blackmail, murder, concealed identities, and other elements inherited from the late eighteenth-century Gothic – such as fraud, theft, kidnapping, and incarceration.

Thomas Hardy is not normally regarded as a novelist of the ‘sensationalist’ school, but there are certainly many elements of its literary devices in his work. Two on a Tower features several plot devices that span the melodrama and the sensation novel.

The relationship between the protagonist Swithin and Lady Viviette Constantine is presented as ‘peculiar’ because of the age difference and the apparent disparity in their status. Yet she is only eight years older than him; she has married into her position of Lady Constantine; and he is the son of a clergyman. They are not so far apart socially.

This age difference might seem inconsequential to readers today – but in the late nineteenth century it was considered somewhat risque to have a mature (and formerly married) woman making what are clearly sexual overtures to a young male.

The sudden arrival of unexpected news is also a favourite device of the sensation novel. On the very day that Swithin is setting off to secretly marry Viviette he receives an inheritance, but only on the condition that he remain single. On virtually the same day Viviette also receives a letter from her brother Louis Granville (who has not been mentioned in the novel up to that point) announcing his arrival to thwart her romance.

Bigamy

But the most glaring element of sensationalism is the fact that Swithin and Viviette enter into a secret marriage. The reasons for secrecy are bound up with the complex socio-economic issues arising from their perceived difference in status – which Hardy does not fully explain or justify. The secret provides a dramatic element to the events that follow – but the more significant issue is that the marriage remains unconsummated for quite some time.

Moreover, there are not just one but two instances of bigamy in the novel. When Swithin and Viviette get married in secret, they do so believing that Sir Boult Constantine is dead- from disease contracted during his African lion hunt. But the report is what we might currently call false news – so for quite some time Viviette is married to two men – Swithin and Sir Boult.

This is perhaps the main reason Hardy leaves her second marriage unconsummated for so long. Public moral attitudes might not (probably would not) have tolerated both technical bigamy and what would have been seen as sexual pluralism at that time. This voluntary state of chastity also stretches the reader’s credulity – almost to breaking point.

It subsequently turns out that Sir Blount has indeed died – but at a much later date than that reported. So the secret marriage between Swithin and Viviette remains invalid, because at the time of its being registered Viviette was not free to marry someone else.

But this revelation allows Hardy to introduce another sensationalist element into the plot. Sir Blount has not died of typhoid or any other tropical disease. He too has committed a form of bigamy by taking an African ‘wife’ whilst still married to Viviette – and then he has subsequently committed suicide in what we take to be a fit of existential despair.

Indeed, Viviette comes close to being a double bigamist – because she marries Swithin whilst her first husband is still alive. Later, having learned that her first husband is now dead, she consummates her marriage to Swithin, but then after he leaves for South Africa she marries the Bishop of Melchester – whilst she is pregnant with Swithin’s child.

The final twist

Close followers of Hardy’s psychology and his attitude to women and human relationships will notice a double twist at the end of the novel. Swithin returns from South Africa to be confronted by Viviette as the ‘older woman’. She is only in her early thirties, but is described as being in her ‘worn and faded aspect’. She has also had by this point two former husbands. Swithin realises with horror he no longer loves her – but out of a sense of loyalty he offers to marry her. She spares him the ordeal by dying on the spot

But his neighbour Tabitha Lark has meanwhile conveniently matured into ‘blushing womanhood’ and is not only a trained musician but someone ready to help him transpose his astronomical notes. In other words, she is a younger wife ready and in waiting.

So just as Angel Clare goes off with Tess d’Uurberville’s younger sister after his wife is hanged for the murder of Alec d’Urberville, Hardy has a ‘solution’ to the problem on hand that reveals a great deal about his own unconscious and not-so-unconscious wishes – and one which he was to act out in his own troubled life with such unhappy consequences.

Hardy had a largely unhappy marriage, but following the death of his first wife Emma, he married the much younger woman Florence Dugdale – who was forty years his junior. Unfortunately for him this marriage also turned out to be unsatisfactory, and Hardy spent the next sixteen years expressing his remorse in poems dedicated to his first wife.

Symbolism

It is possible to see Swithin’s interest in astronomy as a metaphor for intellectual ambition and his yearning for a world beyond everyday existence in a provincial backwater of south-west England. But a more obvious instance of symbolism is the Tower itself and the telescopes used in his observations.

Almost all the romance between Swithin and Viviette is conducted on the clearly phallic tower – which even acquires a ‘dome’ during the course of events. It is Viviette who supplies Swithin with an object lens for his telescope when he rather clumsily breaks the one he has just bought. She also supplies the ‘equatorial mount’ – a device for synchronising the telescope with the earth’s axis of rotation.

Given that Swithin and Viviette spend the greater part of the novel in an unconsummated ‘union’, the tower and the telescopes act as suggestive symbolic parallels to their relationship

A weakness?

Swithin St Cleve is devastated to find that someone has made the same astronomical discovery as himself and published a scholarly paper on the matter. He collapses during a rainstorm, catches a chill, and is thought to be near the point of death. However, his spirits rise and he recovers on hearing news of the arrival of a comet – which he observes through his new ‘equatorial’ telescope.

Now of all the people in a remote rural location who would know about the arrival dates and visibility of comets – it would be an astronomer. Yet we are led to believe that this occurrence is some form of therapeutic surprise to Swithin. In addition, the comet appears to be visible for not just a number of days, but for months – which is uncommon to the point of extreme improbability. It is not like Hardy to make mistakes of this magnitude in his work.

Geography

Almost all the events of the novel take place in an unspecified location in the south-west of England. But apart from mention of Bath, Southampton, and Melchester (Salisbury) there is very little attempt on Hardy’s part to integrate his narrative with the world of ‘Wessex’ that is built up so powerfully in his other novels.

In novels such as The Return of the Native (1876), The Woodlanders (1887), and Tess of the d’Urbervilles (1891) the landscape of Wessex is not only densely realised and vividly evoked; it becomes part of the narrative of events itself.

Egdon Heath presides over all the events of The Native with a brooding intensity. The woods, forests and coppices provide not only the background to events but the livelihoods of characters in The Woodlanders. And Tess is forced to work on the land as an agricultural labourer because of her tragic circumstances.

This sort of close relationship between the geography of the region and the events of the narrative simply do not exist in Two on a Tower. There is very little reason to believe that the events of the novel take place imaginatively within the boundaries of Hardy’s traditional ‘Wessex’.


Two on a Tower – study resources

Two on a Tower Two on a Tower – Penguin Classics – Amazon UK

Two on a Tower Two on a Tower – Penguin Classics – Amazon US

Two on a Tower Two on a Tower – Wordsworth Classics – Amazon UK

Two on a Tower Two on a Tower – Wordsworth Classics – Amazon US

Two on a Tower The Complete Works of Thomas Hardy – Kindle eBook

Cambridge Companion to Thomas Hardy – Amazon UK

Two on a Tower

Two on a Tower


Two on a Tower – plot synopsis

I.   Lady Constantine explores the memorial tower on her husband’s estate She meets the beautiful young man Swithin St Cleve who is studying astronomy

II.   Members of the local choir assemble for practice at Grandma Martin’s house. Tabitha Lark reports on Lady Constantine’s listlessness. Her husband Sir Blount Constantine is missing in Africa. Swithin hides upstairs in the house.

III.   Lady Constantine asks parson Torkingham’s advice on her vow to remain socially secluded during her husband’s visit to Africa. She agrees to maintain her vow.

IV.   Lady Constantine visits Swithin on the tower. He describes astronomy in emotive terms.. She asks him to check on Sir Blount who has been seen in London.

V.   The person on London is not Sir Blount. Swithin breaks his new object lens, but Lady Constantine replaces it. She cuts off a lock of his hair whilst he is asleep.

VI.   Swithin’s new telescope doesn’t work, but Lady Constantine agrees to buy him an ‘equatorial’ viewing instrument. The new project energises her.

VII.   She decides to buy the new instrument for herself, and let him have use of it. But local gossip about their relationship begins, so she puts the whole project into his name.

VIII .   She pays over the money for the instrument in secret then visits the new telescope at night with Swithin. She feels he is losing himself in the stars.

IX.   Swithin makes a new astronomical discovery, but then finds that someone else has just published the same results. He falls ill, and when Lady Constantine goes to visit him he is thought to be dying.

X.   Swithin’s spirits are revived by the arrival of a comet. Lady Constantine follows the news of his recovery at a distance.

XI.   Lady Constantine feels guilty about her romantic yearning for Swithin, and she vows to both deny herself and find him a suitable wife. At this very point Torkinham reveals that her husband died some time ago in Africa.

XII.   Sir Blount dies leaving his estate in debt. Much of his estate is sold off, and Lady Constantine is left in relative poverty. She goes to the tower and reveals her position to Swithin, wondering why he is so matter-of-fact in his response.

XIII.   They try to leave the tower, but are obstructed by the arrival of the rustics, who discuss Lady Constantine, Swithin, and the possibilities of a marriage. Swithin is shocked by what he overhears.

XIV.   The new knowledge inflames his passion, but when they meet she feels guilty at distracting him from his astronomy They think their relationship cannot succeed, and must be concealed from the general public.

XV.   Three months later they meet on the tower again. . He proposes a secret marriage, which will only be revealed when he becomes ‘famous’. In the meantime, they will continue to live separately. She agrees to the proposal.

XVI.   A sudden gale blows the protective dome off the tower and the gable end off his grandmother’s house. Plans are changed. She will go to Bath and arrange a marriage license. She gets a letter announcing the arrival of her brother from South America.

XVII.   Lady Constantine goes to Bath and despite her fears and misgivings she arranges a marriage license – though she is two days short of qualification.

XVIII.   Swithin sets out to join her in Bath, but the same morning he gets notice of an inheritance from his great-uncle. However, it stipulates that he must not marry before reaching twenty-five. He ignores the offer and sets off.

XIX .   They meet in Bath and after delays are married. But Viviette’s face is cut by a horse whip at the station – brandished by her brother. Fearing they will be recognised and exposed, they hide out in the Tower hut.

XX.   They observe the Aurora Borealis from the Tower, then the next day she goes back home.

XXI .   Swithin visits Viviette secretly at her home. She shows him round the house, and persuades him to be confirmed in church.

XXII.   Viviette’s brother Louis Glanville suddenly arrives at the house. Swithin hides, then leaves dressed in an old coat of Sir Blount’s. The rustics meet him on the way back and think they have seen a ghost.

XXIII.   Winter comes and goes. Viviette refurbishes the house in preparation for the forthcoming confirmation ceremony.

XXIV.   The confirmation ceremony takes place, during which Louis watches Swithin very closely.

XXV.   The visiting bishop is an old friend of Swithin’s father. He takes a keen interest in Swithin at the luncheon celebration that follows. In the evening he is taken to see the Tower.

XXVI.   Viviette. is at the Tower, but hides when the Bishop’s party arrives. Swithin shows them the observatory, but the Bishop appears to be suspicious of something.

XXVII.   Next day the Bishop accuses Swithin of having a woman in his room, and produces a bracelet as evidence. Swithin assures him he has done nothing wrong.

XXVIII.   Louis gives the bracelet to Tabitha and urges Viviette to encourage the Bishop. He tries to sow suspicion in his sister’s mind against Swithin.

XXIX.   Viviette and Tabitha divide their bracelets into two – which thwarts Louis in his suspicions. But he vows to set a trap for Viviette and Swithin.

XXX.   Louis invites Swithin to dinner, then insists that he stay over. When Swithin disappears during the night, Louis interrogates Viviette, who admits that she loves Swithin – who had merely gone back to the Tower to take a reading.

XXXI.   Viviette receives a proposal of marriage from the Bishop. Louis urges her to accept it, but she refuses. He leaves the house in a rage.

XXXII.   Viviette and Swithin decide to reveal their marriage to the Bishop and to Louis. Viviette’s solicitor sends word that Sir Blount died much later than was previously thought. Viviette realises that her current marriage to Swithin is therefore invalid.

XXXIII.   Viviette sends a letter of refusal to the Bishop. Swithin tells her not to worry about the legalities, and they plan to marry a second time.

XXXIV.   Viviette reads a letter from Swithin’s solicitor regarding his unclaimed inheritance. She fears that she is preventing him from advancing in his best interests. Swithin urges that they undertake a second marriage.

XXXV.   Her fears are confirmed when she reads the original inheritance letter from Swithin’s great-uncle, warning him against marriage. She decides to sacrifice her own happiness in Swithin’s best social interests. Finally she proposes postponing the marriage until he is twenty-five.

XXXVII.   Swithin sets off for the southern hemisphere, and his lodgings at the Tower are dismantled. Viviette has a vision of a golden-haired child, and decides she must follow Swithin.

XXXVIII.   She goes to Southampton but his ship has just left. She returns to Grandma Martin and writes letters to Swithin telling him that he cannot claim his inheritance.

XXXIX.   Louis goes to Melchester and tells the Bishop that Viviette is ready to marry him. The Bishop arrives next day, and Viviette accepts him, believing that it will leave Swithin free to claim his inheritance.

XL.   Swithin goes to America on the expedition to study the transit of Venus, and then settles on the South African cape. He receives a letter from his grandmother announcing Viviette’s marriage to the Bishop, and another from Viviette justifying her decision and giving him news of their child.

XLI.   Three years later a newspaper announces the death of the Bishop. Swithin’s researches are complete, so he goes home. He meets Viviette on the Tower and is horrified to find her aged and unattractive. Nevertheless, he offers to marry her, but she dies from the shock.


Two on a Tower – characters
Swithin St Cleve a handsome young astronomer
Sir Bount Constantine estate owner and African explorer
Lady Viviette Constantine his attractive young wife
Louis Glanville Viviette’s profligate brother
Dr Helmsdale the Bishop of Melchester

© Roy Johnson 2017


More on Thomas Hardy
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Filed Under: Thomas Hardy Tagged With: English literature, Literary studies, The novel, Thomas Hardy

Typhoon

October 27, 2014 by Roy Johnson

tutorial, commentary, study resources, and web links

Typhoon was written between September 1900 and January 1901. It was serialized in Pall Mall Magazine from January to March 1902, and first published in book form by G.P. Putnam’s Sons in New York in September 1902. Conrad repeatedly revised the text for its various English and American appearances. These revisions are a combination of minor matters of spelling and more important changes to the presentation of his two main characters, Jukes and MacWhirr.

Typhoon


Typhoon – critical commentary

The most obvious quality of this tale is the masterful account of the violent storm at sea. Conrad manages to evoke the ferocity and the terrible impact of the hurricane winds, the torrential rain, and the tempestuous seas with strings upon strings of atmospheric synonyms without repeating himself. The ship is convulsed, attacked, and almost destroyed – yet it survives.

The Nan-Shan was being looted by the storm with a senseless, destructive fury: trysails torn out of the extra gaskets, double-lashed awnings blown away, bridge swept clean, weather-cloths burst, rails twisted, light-screens smashed—and two of the boats had gone already. They had gone unheard and unseen, melting, as it were, in the shock and smother of the wave.

The triumph of practicality

At the outset, MacWhirr’s stuffy and unimaginative conservatism and Jukes’ youthful enterprise and enthusiasm are posited as opposing characteristics. MacWhirr reads the maritime manuals on dealing with storms, but chooses to ignore them. Jukes is meanwhile dashing about the ship making sure everything is ready to survive the hurricane.

But as soon as the typhoon really strikes, Jukes thinks everything is lost and he despairs of surviving the experience; whereas MacWhirr simply sticks stubbornly to the ‘right thing’ and finds practical solutions to immediate problems. He does not allow himself to be deflected from the tasks required to maintain order.

When the fighting breaks out amongst the Chinese passengers, MacWhirr despatches Jukes to stop it. When he is attacked by the panicking second mate, he has no hesitation in slugging him. And when the problem of the coolies’ money could threaten their presence in port, he creates a just and simple solution to the problem by dividing the money equally amongst them.

MacWhirr is even cast in quasi-comic form at the outset of the tale – a short man who wears a brown bowler hat and carries an unfurled umbrella, no matter what the weather. But it is his calmness, his taciturn manner, and his meticulous attention to detail which in the end saves his ship, passengers, and crew.

The narrative

Unusually for Conrad, this is a tale cast in third person omniscient narrative mode. He is able to switch freely from one point of view to another as the principal characters move around the ship during the typhoon.

The most impressive piece of narrative manipulation comes in the penultimate section of the tale where, having reached a calm point in the eye of the hurricane, Conrad has the gruff and taciturn MacWhirr realise that having reached this point in the ‘revolving storm’, there is another period of the typhoon the ship has yet to pass through

Before the renewed wrath of winds swooped on his ship, Captain MacWhirr was moved to declare, in a tone of vexation, as it were: “I wouldn’t like to loose her. [the ship]”

He was spared that annoyance.

This is wonderfully ironic understatement and lofty wit – for Conrad does not actually describe the second half of the storm, but immediately pans forward to its aftermath, with the Nan-Shan safely moored in Fu-chau harbour. And there, by describing the uncomprehending responses of the Captain’s and the engineer’s wives to the letters they receive, the toughness and heroism of the mariners is emphasised – as well as by implication, the gulf of comprehension which exists between those who have lived suburban lives on land and those who have braved extreme situations at sea which their loved ones simply could not comprehend.

The form of the narrative

Some features of this work might seem to suggest that it could be regarded as a novella. After all, it has only a few named characters, the very central figure of captain MacWhirr, the action all takes place on board the Nan-Shan, and the storm itself acts as a strongly unifying feature.

But working against such a claim is the fact that there is no necessary connection between the typhoon itself and the skirmish amongst the Chinese workers who are being transported back to the mainland. They form an important but not an integral part of the story. Interestingly enough, it was the plight of these workers (who are referred to as ‘cargo’) which first aroused Conrad’s interest: the typhoon was a secondary issue.

In addition to this, there is no real development, lesson, or outcome in the events. MacWhirr is the same man when he reaches Fu-chau as he was at the beginning – and so is Jukes. So the narrative, for the purposes of classification, seems to me a tale, which can stand with distinction alongside the many others of its kind in Conrad’s oeuvre.

Meteorological note

A typhoon is a ‘severe tropical cyclone’ characterized by a low-pressure center, strong winds, and a spiral arrangement of thunderstorms that produce heavy rain. When these occur in the Northwest Pacific Ocean they are called a typhoon. The same phenomenon occurring in the north Atlantic Ocean is called a hurricane.


Typhoon – study resources

Typhoon Typhoon – Oxford Classics – Amazon UK

Typhoon Typhoon – Oxford Classics – Amazon US

Typhoon Typhoon – Penguin Classics – Amazon UK

Typhoon Typhoon – Penguin Classics – Amazon US

Typhoon The Complete Works of Joseph Conrad – Kindle eBook

Typhoon Typhoon – eBook versions at Project Gutenberg

Typhoon Joseph Conrad: A Biography – Amazon UK

Red button The Cambridge Companion to Joseph Conrad – Amazon UK

Red button Routledge Guide to Joseph Conrad – Amazon UK

Red button Oxford Reader’s Companion to Conrad – Amazon UK

Typhoon Notes on Life and Letters – Amazon UK

Typhoon Joseph Conrad – biographical notes

Typhoon


Typhoon – plot summary

Part I. Captain MacWhirr is in charge of a newly built steam ship the Nan Shan, which has been transferred from a British to a Siamese flag, with a mixed cargo of goods and two hundred Chinese workers as passengers. They are sailing in the Formosa Strait in the South China Sea bound for Fu-chau, and the barometer is falling.

Part II. MacWhirr is a practical, undemonstrative man of few words. He prepares for what he thinks of as ‘dirty weather’. As the storm gets worse, there is discord in the engine room. Jukes the realistic first mate suggests changing course to avoid the worst of the storm, but MacWhirr stubbornly rejects all known advice in order to avoid altering course (and the cost of the extra fuel it would consume).

Part III. Jukes does his best to prepare the ship for the worst, but when the full force of the hurricane strikes the ship it is so ferocious that he thinks all is lost. He and MacWhirr cling to each other whilst they are pounded by waves and hail. MacWhirr puts his faith in the sound construction of the ship.

Part IV. The bosun arrives with the news that fighting has broken out amongst the Chinese workers below decks. The storm has smashed some wooden sea chests, and dollar coins are spilling loose. He has also discovered that some of the ship’s crew have panicked and are hiding themselves away. MacWhirr despatches Jukes to investigate, which he does reluctantly. Meanwhile, the second mate loses his nerve and panics, forcing MacWhirr s to knock him out. First engineer Rout works heroically in the engine room, from where Jukes reports to the captain.

Part V. In the engine room Jukes is convinced that the ship cannot survive the storm, and the engineer orders him out as a hindrance to his work. Jukes and the bosun take crew members into the bunker where the coolies are trying to get out. The crew subdue the coolies, then lock them in below decks. There is a lull in the hurricane, but MacWhirr realises that being a ‘revolving storm’, there will be a second part to come which could be even worse than the first. He reassures Jukes that by staying attentive, they might come through it.

Part VI. The tale ends with the ship in port at Fu-chau, having survived the second part of the storm. The principal characters are writing back home. On receiving their letters Mrs MacWhirr hopes her husband will remain at sea, and Mrs Laut and her mother similarly have no concept of her husband’s character or heroism. Jukes explains in a letter to his friend how MacWhirr solved the coolie dispute by dividing the dollars equally between them all – so as to create a minimum of trouble.


Typhoon – principal characters
Captain MacWhirr a practical man of few words
Jukes his chief mate
Solomon Rout the tall chief engineer
— the ship’s boatswain (not named)

Joseph Conrad – video biography


The Cambridge Companion to Joseph ConradThe Cambridge Companion to Joseph Conrad offers a series of essays by leading Conrad scholars aimed at both students and the general reader. There’s a chronology and overview of Conrad’s life, then chapters that explore significant issues in his major writings, and deal in depth with individual works. These are followed by discussions of the special nature of Conrad’s narrative techniques, his complex relationships with late-Victorian imperialism and with literary Modernism, and his influence on other writers and artists. Each essay provides guidance to further reading, and a concluding chapter surveys the body of Conrad criticism.
Joseph Conrad Buy the book at Amazon UK
Joseph Conrad Buy the book at Amazon US


Joseph Conrad - writing table

Joseph Conrad’s writing table


Further reading

Red button Amar Acheraiou Joseph Conrad and the Reader, London: Macmillan, 2009.

Red button Jacques Berthoud, Joseph Conrad: The Major Phase, Cambridge: Cambridge University Press, 1978.

Red button Muriel Bradbrook, Joseph Conrad: Poland’s English Genius, Cambridge: Cambridge University Press, 1941

Red button Harold Bloom (ed), Joseph Conrad (Bloom’s Modern Critical Views, New York: Chelsea House Publishers, 2010

Red button Hillel M. Daleski , Joseph Conrad: The Way of Dispossession, London: Faber, 1977

Red button Daphna Erdinast-Vulcan, Joseph Conrad and the Modern Temper, Oxford: Oxford University Press, 1991.

Red button Aaron Fogel, Coercion to Speak: Conrad’s Poetics of Dialogue, Cambridge, Mass: Harvard University Press, 1985

Red button John Dozier Gordon, Joseph Conrad: The Making of a Novelist, Cambridge, Mass: Harvard University Press, 1940

Red button Albert J. Guerard, Conrad the Novelist, Cambridge, Mass: Harvard University Press, 1958

Red button Robert Hampson, Joseph Conrad: Betrayal and Identity, Basingstoke: Macmillan, 1992

Red button Jeremy Hawthorn, Joseph Conrad: Language and Fictional Self-Consciousness, London: Edward Arnold, 1979

Red button Jeremy Hawthorn, Joseph Conrad: Narrative Technique and Ideological Commitment, London: Edward Arnold, 1990

Red button Jeremy Hawthorn, Sexuality and the Erotic in the Fiction of Joseph Conrad, London: Continuum, 2007.

Red button Owen Knowles, The Oxford Reader’s Companion to Conrad, Oxford: Oxford University Press, 1990

Red button Jakob Lothe, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008

Red button Gustav Morf, The Polish Shades and Ghosts of Joseph Conrad, New York: Astra, 1976

Red button Ross Murfin, Conrad Revisited: Essays for the Eighties, Tuscaloosa, Ala: University of Alabama Press, 1985

Red button Jeffery Myers, Joseph Conrad: A Biography, Cooper Square Publishers, 2001.

Red button Zdzislaw Najder, Joseph Conrad: A Life, Camden House, 2007.

Red button George A. Panichas, Joseph Conrad: His Moral Vision, Mercer University Press, 2005.

Red button John G. Peters, The Cambridge Introduction to Joseph Conrad, Cambridge: Cambridge University Press, 2006.

Red button James Phelan, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008.

Red button Edward Said, Joseph Conrad and the Fiction of Autobiography, Cambridge Mass: Harvard University Press, 1966

Red button Allan H. Simmons, Joseph Conrad: (Critical Issues), London: Macmillan, 2006.

Red button J.H. Stape, The Cambridge Companion to Joseph Conrad, Cambridge: Cambridge University Press, 1996

Red button John Stape, The Several Lives of Joseph Conrad, Arrow Books, 2008.

Red button Peter Villiers, Joseph Conrad: Master Mariner, Seafarer Books, 2006.

Red button Ian Watt, Conrad in the Nineteenth Century, London: Chatto and Windus, 1980

Red button Cedric Watts, Joseph Conrad: (Writers and their Work), London: Northcote House, 1994.


Other writing by Joseph Conrad

Joseph Conrad Lord JimLord Jim (1900) is the earliest of Conrad’s big and serious novels, and it explores one of his favourite subjects – cowardice and moral redemption. Jim is a ship’s captain who in youthful ignorance commits the worst offence – abandoning his ship. He spends the remainder of his adult life in shameful obscurity in the South Seas, trying to re-build his confidence and his character. What makes the novel fascinating is not only the tragic but redemptive outcome, but the manner in which it is told. The narrator Marlowe recounts the events in a time scheme which shifts between past and present in an amazingly complex manner. This is one of the features which makes Conrad (born in the nineteenth century) considered one of the fathers of twentieth century modernism.
Joseph Conrad Buy the book from Amazon UK
Joseph Conrad Buy the book from Amazon US

Joseph Conrad Heart of DarknessHeart of Darkness (1902) is a tightly controlled novella which has assumed classic status as an account of the process of Imperialism. It documents the search for a mysterious Kurtz, who has ‘gone too far’ in his exploitation of Africans in the ivory trade. The reader is plunged deeper and deeper into the ‘horrors’ of what happened when Europeans invaded the continent. This might well go down in literary history as Conrad’s finest and most insightful achievement, and it is based on his own experiences as a sea captain. This volume also contains ‘An Outpost of Progress’ – the magnificent study in shabby cowardice which prefigures ‘Heart of Darkness’.
Joseph Conrad Buy the book from Amazon UK
Joseph Conrad Buy the book from Amazon US

© Roy Johnson 2014


Joseph Conrad links

Joseph Conrad at Mantex
Biography, tutorials, book reviews, study guides, videos, web links.

Joseph Conrad – his greatest novels and novellas
Brief notes introducing his major works in recommended editions.

Joseph Conrad at Project Gutenberg
A major collection of free eTexts in a variety of formats.

Joseph Conrad at Wikipedia
Biography, major works, literary career, style, politics, and further reading.

Joseph Conrad at the Internet Movie Database
Adaptations for the cinema and television – in various languages. Full details of directors and actors, production notes, box office, trivia, and quizzes.

Works by Joseph Conrad
Large online database of free HTML texts, digital scans, and eText versions of novels, stories, and occasional writings.

The Joseph Conrad Society (UK)
Conradian journal, reviews. and scholarly resources.

The Joseph Conrad Society of America
American-based – recent publications, journal, awards, conferences.

Hyper-Concordance of Conrad’s works
Locate a word or phrase – in the context of the novel or story.


More on Joseph Conrad
Twentieth century literature
Joseph Conrad complete tales


Filed Under: Conrad - Tales Tagged With: English literature, Joseph Conrad, Literary studies

Ultima Thule

April 9, 2014 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

Ultima Thule was written in 1939/40 as the first chapter of a novel which was never finished – the second chapter being Solus Rex. It was one of the last pieces Vladimir Nabokov wrote in Russian before switching to write in English, which he continued to do for the next twenty years during his stay in America. It was first published in the emigré journal Novyy Zhornal in New York in 1942, and then appeared in English translation (by Dmitri and Vladimir Nabokov) in the New Yorker in 1973. It was then collected in the volume of stories A Russian Beauty and Other Stories published later the same year.

It is difficult to escape the suspicion that Nabokov embellished the story whilst engaged in the process of translation for the 1973 publication. The style of the piece has many of the features of his late, Rococo mannerism – the persistent use of alliteration, a straining for obscure vocabulary, and a wilful, almost irritating wordplay. There is certainly a case to be made for a scholarly comparison of the original 1942 Russian text with its revised counterpart of thirty years later.

Ultima Thule

Vladimir Nabokov


Ultima Thule – critical commentary

Nabokov published a number of ‘stories’ which were in fact chapters from longer works – such as his novels or his memoir Speak, Memory. This was common publishing practice at the time, and Nabokov was living a financially precarious life as an exile in an almost hand-to-mouth manner.

Ultima Thule is primarily a character study – and a protracted philosophic argument somewhat reminiscent of The Magic Mountain (a comparison which Nabokov would intensely dislike). It also contains fictional elements which are not developed – such as Sineusov’s relationship with his wife, a complex time sequence, and the ambiguous nature of Falter himself, who could be a charlatan or a gifted visionary.

These elements might have been taken up in later parts of the projected novel, and Nabokov comments on them in the introductory notes to A Russian Beauty and Other Stories in which the story appeared:

Perhaps, had I finished my book, readers would not have been left wondering about a few things: was Falter a quack? Was he a true seer? Was he a medium whom the narrator’s dead wife might have been using to come through with the blurry outline of a phrase which her husband did or did not recognise?

These authorial observations are doubly significant. First, from the point of view of the story itself, they reinforce the idea that Falter is a deliberately ambiguous figure. Sineusov describes his former tutor as if he were some sort of preternatural genius – but Falter is a shabby, down at heel character who works in the wine trade and stays in seedy hotels. Following his ‘vision’ he claims to have some transcendental insight into the human condition, but chops logic with Sineusov and gives specious arguments for not revealing the nature of this Universal Truth.

But the remarks also reveal something interesting about Nabokov’s methods and practice as a writer. He is at great pains to claim elsewhere that he composed all his works completely, in his head, then on his famous index cards, before he started writing them.

Following the posthumous publication of The Original of Laura, we now know that this claim is not to be taken at face value. The index cards which were published along with that last unfinished novel reveal that he was making up the story as he went along. And these retrospective observations on Ultima Thule demonstrate the same thing. If Nabokov did not know the answers to those questions his readers might ask, then the story was not complete in his mind when he came to write it.


Ultima Thule – study resources

Ultima Thule The Cambridge Companion to Nabokov – Amazon UK

Ultima Thule Zembla – the official Vladimir Nabokov web site

Ultima Thule The Paris Review – 1967 interview, with jokes and put-downs

Ultima Thule First editions in English – Bob Nelson’s collection of photographs

Ultima Thule Vladimir Nabokov at Wikipedia – biographical notes, links

Ultima Thule Vladimir Nabokov at Mantex – tutorials, web links, study materials

Ultima Thule Brian Boyd, Vladimir Nabokov: The Russian Years, Princeton University Press, 1990.

Ultima Thule Brian Boyd, Vladimir Nabokov: The American Years, Princeton University Press, 1991.

Ultima Thule Laurie Clancy, The Novels of Vladimir Nabokov. New York: St. Martin’s Press, 1984.

Ultima Thule Neil Cornwell, Vladimir Nabokov: Writers and their Work, Northcote House, 2008.

Ultima Thule Jane Grayson, Vladimir Nabokov: An Illustrated Life, Overlook Press, 2005.

Ultima Thule Norman Page, Vladimir Nabokov: Critical Heritage, London: Routledge, 1997

Ultima Thule David Rampton, Vladimir Nabokov: A Critical Study of the Novels. New York: Cambridge University Press, 1984.

Ultima Thule Michael Wood, The Magician’s Doubts: Nabokov and the Risks of Fiction. Princeton, New Jersey: Princeton University Press, 1995.


Ultima Thule – plot summary

The narrator, an artist Gospodin Sineusov is grief-stricken following the death of his wife. He addresses her as if she were alive and recounts their meeting with his former tutor Adam Falter.

Sineusov thinks that Falter is gifted with ‘volitional substance’ and claims that he is an exceptional individual. But some time later Sineusov hears that Falter has had a violent seizure in a hotel on the Riviera, then gone slightly mad. Falter is treated by an Italian psychologist Dr Bonomini, who questions him about the seizure. Falter claims that he revealed to Bonomini the solution to ‘the riddle of the universe’ – but the shock of this revelation killed him (though actually, it was a heart attack).

Whilst his wife is in hospital, Sineusov is commissioned to produce illustrations for a Nordic epic called Ultima Thule. When the epic’s author disappears and his wife dies, Sineusov nevertheless continues to work on the series of drawings as a distraction from his grief. He decides to return to Paris.

Before leaving he asks Falter to reveal what he told the Italian doctor. Falter refuses, and instead they have a cat and mouse philosophic debate about ‘essences’ and ‘being’. Falter insists that he has had a gigantic Truth revealed to him, and Sineusov enters into a guessing game, but Falter eludes all attempts to extract the secret from him.

Sineusov poses questions such as ‘Does God exist?’ and ‘Is there an afterlife?’ But Falter argues that the questions are falsely predicated and evades answering them. He then reflects on human beings and their fear of death – and finally leaves.

Sineusov later receives a bill for 100 francs for the consultation, and is left feeling that he must remain alive so as to preserve the memory of his dead wife.


Vladimir Nabokov Collected Stories   Vladimir Nabokov: The Collected Stories – Amazon UK
Vladimir Nabokov Collected Stories   Vladimir Nabokov: The Collected Stories – Amazon US


Other work by Vladimir Nabokov

Pale FirePale Fire is a very clever artistic joke. It’s a book in two parts – the first a long poem (quite readable) written by an American poet who we are encouraged to think of as someone like Robert Frost. The second half is a series of footnoted commentaries on the text written by his neighbour, friend, and editor. But as we read on the explanation begins to take over the poem itself, we begin to doubt the reliability – and ultimately the sanity – of the editor, and we end up suspended in a nether-world, half way between life and illusion. It’s a brilliantly funny parody of the scholarly ‘method’ – written around the same time that Nabokov was himself writing an extensive commentary to his translation of Pushkin’s Eugene Onegin.
Vladimir Nabokov - Pale Fire Buy the book at Amazon UK
Vladimir Nabokov - Pale Fire Buy the book at Amazon US

PninPnin is one of his most popular short novels. It deals with the culture clash and catalogue of misunderstandings which occur when a Russian professor of literature arrives on an American university campus. Like many of Nabokov’s novels, the subject matter mirrors his life – but without ever descending into cheap autobiography. This is a witty and tender account of one form of naivete trying to come to terms with another. This particular novel has always been very popular with the general reading public – probably because it does not contain any of the dark and often gruesome humour that pervades much of Nabokov’s other work.
Vladimir Nabokov - Pnin Buy the book at Amazon UK
Vladimir Nabokov - Pnin Buy the book at Amazon US

 

Collected StoriesCollected Stories Nabokov is also a master of the short story form, and like many writers he tried some of his literary experiments there first, before giving them wider reign in his novels. This collection of sixty-five complete stories is drawn from his entire working life. They range from the early meditations on love, loss, and memory, through to the later technical experiments, with unreliable story-tellers and the games of literary hide-and-seek. All of them are characterised by a stunning command of language, rich imagery, and a powerful lyrical inventiveness.
Vladimir Nabokov - Collected Stories Buy the book at Amazon UK
Vladimir Nabokov - Collected Stories Buy the book at Amazon US

© Roy Johnson 2014


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Filed Under: Nabokov - Stories Tagged With: English literature, Literary studies, The Short Story, Vladimir Nabokov

Ulysses

January 31, 2010 by Roy Johnson

tutorial, characters, study resources, video, textual history

Ulysses (1922) is probably the greatest novel of the twentieth century, and certainly Joyce’s finest work. Taking Homer’s Odyssey as a structural framework, Joyce builds on it a complex narrative of Dublin characters on one day – Thursday 16 June 1904. Each chapter features a different prose-style to match its theme or subject. One chapter is even written in a manner which traces the history of English prose, from the Renaissance to modern advertising jargon.

James Joyce - portrait

James Joyce

It also includes two versions of the ‘stream of consciousness’ technique. This sought to reproduce the apparently chaotic manner in which our perceptions of the external world mingle themselves with ideas and memories in an undifferentiated and unstoppable river of thought. This includes the famous final chapter which is an unpunctuated eighty page soliloquy of Molly Bloom as she lies in bed at night, thinking over her life and the events of the previous day.

Rather like Picasso, Joyce had a multiplicity of styles, any one of which was enough to make lesser writers famous as they imitated him. Ulysses is a cornerstone of modern English Literature – written by an Irishman in Trieste, Zurich, and Paris.


Ulysses – plot summary

Ever since Stuart Gilbert published his explanation of the novel in James Joyce’s ‘Ulysses’, it has been conventional to refer to the separate chapters of the book by the names of their originals in the Greek epic.

Telemachus
Stephen Dedalus spends the early morning hours of June 16, 1904, remaining aloof from his mocking friend, Buck Mulligan, and Buck’s English acquaintance, Haines. As Stephen leaves for work, Buck orders him to leave the house key and meet them at the pub at 12:30.

Nestor
Around 10:00 am, Stephen teaches a history lesson to his class at Garrett Deasy’s boys’ school. After class, Stephen meets with Deasy to receive his wages. The narrow-minded and prejudiced Deasy lectures Stephen on life. Stephen agrees to take Deasy’s editorial letter about cattle disease to acquaintances at the newspaper.

Proteus
Stephen spends the remainder of his morning walking alone on Sandymount Strand, thinking critically about his younger self and about perception. He composes a poem in his head and writes it down on a scrap torn from Deasy’s letter.

Calypso
At 8:00 am the same morning, Leopold Bloom fixes breakfast and brings his wife her mail and breakfast in bed. One of her letters is from Molly’s concert tour manager, Blazes Boylan. Bloom suspects he is also Molly’s lover. Bloom returns downstairs, reads a letter from their daughter, Milly, then goes to the outside lavatory.

The Lotus Eaters
At 10:00 am, Bloom picks up an amorous letter from the post office – he is corresponding with a woman named Martha Clifford under the pseudonym Henry Flower. He reads the tepid letter, ducks briefly into a church, then orders Molly’s lotion from the pharmacist. He runs into Bantam Lyons, who mistakenly gets the impression that Bloom is giving him a tip on the horse Throwaway in the afternoon’s Gold Cup race.

Hades
Around 11:00 am, Bloom rides with Simon Dedalus (Stephen’s father), Martin Cunningham, and Jack Power to the funeral of Paddy Dignam. The men treat Bloom as somewhat of an outsider. At the funeral, Bloom thinks about the deaths of his son and his father.

Aeolus
At noon, Bloom is at the offices of the Freeman newspaper, negotiating an advertisement for Keyes, a liquor merchant. Several idle men, including editor Myles Crawford, are hanging around in the office, discussing political speeches. Bloom leaves to secure the ad. Stephen arrives at the newspaper with Deasy’s letter. Stephen and the other men leave for the pub just as Bloom is returning.

Lestrygonians
At 1:00 pm, Bloom runs into Josie Breen, an old flame, and they discuss Mina Purefoy, who is in labour at the maternity hospital. Bloom stops in Burton’s restaurant, but he decides to move on to Davy Byrne’s for a light lunch. Bloom reminisces about an intimate afternoon with Molly on Howth. Bloom leaves and is walking toward the National Library when he spots Boylan on the street and ducks into the National Museum.

Scylla and Charybdis
At 2:00 pm Stephen is informally presenting his theory on Hamlet in the National Library to the poet AE and the librarians John Eglinton, Best, and Lyster. AE is dismissive of Stephen’s theory and leaves. Buck enters and jokingly scolds Stephen for failing to meet him and Haines at the pub. On the way out, Buck and Stephen pass Bloom, who has come to obtain a copy of Keyes’ ad.

The Wandering Rocks
This episode consists of nineteen short views of characters, major and minor, as they make their way around Dublin in the afternoon. Within each subsection, short, disjunctive paragraphs pop up that depict a simultaneous action in some other part of the city. It serves as an interlude between the first and last nine episodes.

Sirens
At 4:00 pm Simon Dedalus, Ben Dollard, Lenehan, and Blazes Boylan converge at the Ormond Hotel bar. Bloom notices Boylan’s car outside and decides to watch him. Boylan soon leaves for his appointment with Molly, and Bloom sits morosely in the Ormond restaurant – briefly mollified by Dedalus’s and Dollard’s singing. Bloom writes back to Martha, then leaves to post the letter.

Cyclops
At 5:00 pm Bloom arrives at Barney Kiernan’s pub to meet Martin Cunningham about the Dignam family finances, but Cunningham has not yet arrived. The citizen, a belligerent Irish nationalist, becomes increasingly drunk and begins attacking Bloom’s Jewishness. Bloom stands up to the citizen, speaking in favour of peace and love over xenophobic violence. Bloom and the citizen have an altercation on the street before Cunningham’s carriage carries Bloom away.

Nausicaa
Bloom relaxes on Sandymount Strand around sunset, after his visit to Mrs. Dignam’s house nearby. A young woman, Gerty MacDowell, notices Bloom watching her from across the beach. Gerty subtly reveals more and more of her legs while Bloom surreptitiously masturbates. Gerty leaves, and Bloom dozes.

Oxen of the Sun
At 10:00 pm Bloom wanders to the maternity hospital to check on Mina Purefoy. Also at the hospital are Stephen and several of his medical student friends, drinking and talking boisterously about subjects related to birth. Bloom agrees to join them, though he privately disapproves of their revelry in light of Mrs. Purefoy’s struggles upstairs. Buck arrives, and the men proceed to Burke’s pub. At closing time, Stephen convinces his friend Lynch to go to the brothel section of town and Bloom follows, feeling protective.

Circe
This episode takes the form of a play script with stage directions and descriptions. The majority of the action occurs only as drunken, subconscious, anxiety-ridden hallucinations. Bloom finally locates Stephen and Lynch at Bella Cohen’s brothel. Stephen is drunk and imagines that he sees the ghost of his mother – full of rage, he shatters a lamp with his walking stick. Bloom runs after Stephen and finds him in an argument with a British soldier who knocks him out.

Eumaeus
Bloom revives Stephen and takes him for coffee at a cabman’s shelter to sober up. They meet a sailor who regales them with traveller’s tales. There is also talk about Irish nationalism. Bloom invites Stephen back to his house.

Ithaca
Well after midnight, Stephen and Bloom arrive back at Bloom’s house. They drink cocoa and talk about their respective backgrounds. Bloom asks Stephen to stay the night. Stephen politely refuses. Bloom sees him out and comes back in to find evidence of Boylan’s visit. Still, Bloom is at peace with the world and he climbs into bed, tells Molly of his day and requests breakfast in bed.

Penelope
After Bloom falls asleep, Molly remains awake, surprised by Bloom’s request for breakfast in bed. Her mind wanders to her childhood in Gibraltar, her afternoon of sex with Boylan, her singing career, and Stephen Dedalus. Her thoughts of Bloom vary wildly over the course of the monologue, but it ends with a reminiscence of their intimate moment at Howth and a positive affirmation.


Sackville Street Dublin

Sackville Street, Dublin


Study resources

Red button Ulysses – Oxford University Press 1922 version – Amazon UK

Red button Ulysses – Oxford University Press 1922 version – Amazon US

Red button Ulysses – Wordsworth Classics – Amazon UK

Red button Ulysses – Wordsworth Classics – Amazon US

Red button Ulysses – 1967 film version by Joseph Strick – Amazon UK

Red button Ulysses – audio book (abridged) – Amazon UK

Red button Ulysses – the Hans Gabler ‘corrected’ text edition – Amazon UK

Red button Ulysses – Cliffs Notes – Amazon UK

Red button Ulysses – Annotated Notes edition – Amazon UK

Red button Ulysses – audioBook version at LibriVox

Red button James Joyce’s ‘Ulysses’ – an introduction and explanation – Amazon UK

Red button The New Bloomsday Book – chapter-by-chapter guide

Red button Ulysses – eBook version at Project Gutenberg

Pointer James Joyce: A Critical Guide – Amazon UK

Red button The Cambridge Companion to James Joyce – Amazon UK

Red button James Joyce: Texts and Contexts – Amazon UK


Ulysses – a video introduction



Principal characters
Leopold Bloom a 38 year old Jewish Dublin newspaper advertising salesman
Marion (Molly) Bloom his 33 year old adulterous wife
Millicent Bloom their 15 year old daughter who does not appear in the novel
Rudy Bloom their son, who died 11 years ago
Stephen Dedalus aspiring poet in his early 20s
Simon Dedalus Stephen’s father, a drinker and singer
Malachi (Buck) Mulligan medical student and friend of Stephen’s
Hugh (Blazes) Boylan concert manager and Molly’s lover
Martha Clifford Bloom’s secret correspondent, a sexual tease
Bella Cohen a brothel keeper
Garret Deasy headmaster at school where Stephen teaches
Patrick Dignam a friend of Bloom who has recently died
Joe Hynes a reporter for Bloom’s newspaper
Minna Kennedy
Lydia Douce
flirtatious barmaids at the Ormond hotel
Ned Lambert a friend of Stephen Dedalus and others
Gerty MacDowell lame girl who flashes for Bloom
Kitty Ricketts prostitute working in Bella’s brothel
the citizen a belligerent Irish nationalist

Ulysses

Ulysses – first edition


Ulysses – textual history

The writing and publication history of Ulysses is almost as complicated as the novel itself. Joyce composed the novel over a seven year period between 1914 and 1921. Extracts from it first began to appear in the American magazine The Little Review from 1918, but publication was halted when the Nausicaa episode led to prosecution. At a trial in 1921, the magazine was declared obscene and as a result Ulysses was banned in the United States.

The first publication in book form was in France in February 1922 where the American Sylvia Beach’s Shakespeare and Company had 1,000 copies printed. The novel quickly became notorious, and copies were smuggled across the Channel into England.

Ulysses - manuscript One factor which complicates the textual history of the novel is that Joyce continued working on it, even after it had been published. The printer in Dijon had made errors; Ezra Pound had made cuts and changes to the episodes in circulation via magazines, and Joyce revised multiple copies of his work which had been produced by non-professional typists from his near-illegible handwritten manuscripts.

Joyce had an English patroness Harriet Shaw Weaver who paid for the publication of an English edition by the Egoist Press in October 1922. This contained so many typographical errors that it was issued with an apology from the publisher. When 500 copies were sent to America they were seized by the government authorities, and when the publisher ordered replacements, these were impounded and burned by the customs office at Folkstone.

Such was the book’s notoriety that pirated editions began to appear. In America, publisher Samuel Roth reprinted fourteen bowdlerized episodes and issued them in two volumes, complete with his own preface. When this aroused a protest from writers and artists in America and the UK, he retorted by printing a photographic forgery of the Shakespeare and Company edition

The ban on Ulysses was finally lifted in the United States in December 1933, the same week as prohibition was repealed. Random House published the first American edition in 1934, but this was based upon a pirated earlier edition which contained lots of typographical errors. The first authorised English edition was published by Bodley Head in 1936.

Various new editions appeared on both sides of the Atlantic in the years that followed, but all of them were based on earlier, flawed versions. As the date for the expiry of Joyce’s copyright began to draw near (in 1992, fifty years after his death) a number of publishers rushed to issue new editions. What they hoped to do was compile a clean and error-free version which could be copyrighted as ‘the definitive’ edition, and thus secure for them a lucrative monopoly for the next fifty years.

Ulysses The most spectacular of these attempts was that piloted by the German scholar Hans Walter Gabler, who proposed to ‘recover’ the original text by comparing surviving manuscripts, corrected proofs, and existing editions. He produced what was called a synoptic version, which was issued as Ulysses: The Corrected Text in 1986. This was designed to put an end to all uncertainties regarding the accuracy of the text.

But in 1988 an American scholar John Kidd published a blistering critique of Gabler and his work in The New York Review of Books. This pointed out flaws in Gabler’s methodology, listed weaknesses in his interpretation, and exposed new mistakes in the supposedly ‘corrected’ version. A huge academic argument ensued, conducted in the full light of public gaze. Scholarly opinion gradually turned against Gabler, and publishers in the UK and America have quietly withdrawn his edition.

In the meantime, the law on copyright has changed, the James Joyce estate has refused to authorise any further definitive editions, and various publishers have been issuing reprints of earlier editions, from that of 1922 onwards – so confusion continues to reign. As Joyce himself prophetically observed, “Ulysses [will] give Universities something to work on well into the next century.” Which is exactly the current state of affairs.


Dublin 1915

Dublin 1915


Further reading

Pointer Anthony Burgess, Joysprick: An Introduction to the Language of James Joyce, Andre Deutsch, 1973.

Pointer Robert H. Deming (ed), James Joyce: The Critical Heritage, 2 Vols, Routledge and Keegan Paul, 1970.

Pointer Richard Ellmann, James Joyce, Oxford University Press, 1959.

Pointer Richard Ellmann and Stuart Gilbert (eds), The Letters of James Joyce, 3 Vols, Faber, 1957-66.

Pointer Seon Givens, James Joyce: Two Decades of Criticism, New York: Vanguard Press, 1963.

Pointer Suzette A. Henke, James Joyce and the Politics of Desire, Routledge and Keegan Paul, 1990.

Pointer Harry Levin, James Joyce: a Critical Introduction, New York: New Directions, 1960.

Pointer Colin MacCabe (ed), James Joyce: New Perspectives, Harvester, 1982.

Pointer W.J. McCormack and Alistair Stead (eds), James Joyce and Modern Literature, Routledge and Keegan Paul, 1982.

Pointer Dominic Maganiello, Joyce’s Politics. London: Routledge & Kegan Paul, 1980.

Pointer Patrick Parrinder, James Joyce, Cambridge University Press, 1984.

Pointer C.H. Peake, James Joyce: The Citizen and the Artist, Arnold, 1977.

Pointer Jean-Michel Rabaté, Joyce Upon the Void, Macmillan, 1991.

Pointer Lee Spinks, James Joyce: A Critical Guide, Edinburgh: Edinburgh University Press, 2009

Pointer W.Y. Tindall, A Reader’s Guide to James Joyce, Thames and Hudson, 1959.


Trinity College Dublin

Trinity College Dublin (TCD)


Other works by James Joyce

James Joyce greatest works A Portrait of the Artist as a Young ManA Portrait of the Artist as a Young Man is Joyce’s first complete novel – a largely autobiographical account of a young man’s struggle with Catholicism and his desire to forge himself as an artist. It features a prose style whose complexity develops in parallel with the growth of the hero, Stephen Dedalus. The early pages are written from a child’s point of view, but then they quickly become more sophisticated. As Stephen struggles with religious belief and the growth of his sexual feelings as a young adult, the prose become more complex and philosophical. In addition to the account of his personal life and a critique of Irish society at the beginning of the last century, it also incorporates the creation of an aesthetic philosophy which was unmistakably that of Joyce himself. The novel ends with Stephen quitting Ireland for good, just as Joyce himself was to do – never to return.
James Joyce greatest works A Portrait of the Artist as a Young Man Buy the book at Amazon UK
James Joyce greatest works A Portrait of the Artist as a Young Man Buy the book at Amazon US

 

James Joyce greatest works UlyssesUlysses (1922) is one of the greatest novels of the twentieth century, and it is certainly Joyce’s most celebrated work. He takes Homer’s Odyssey as a structural framework and uses it as the base to create a complex story of characters moving around Dublin on a single day in June 1904. Each separate chapter is written in a different prose style to reflect its theme or subject. The novel also includes two forms of the ‘stream of consciousness’ technique. This was Joyce’s attempt to reproduce the apparently random way in which our perceptions of the world are mixed with our conscious ideas and memories in an unstoppable flow of thought. There is a famous last chapter which is an eighty page unpunctuated soliloquy of a woman as she lies in bed at night, mulling over the events of her life and episodes from the previous day.
James Joyce greatest works Ulysses Buy the book at Amazon UK
James Joyce greatest works Ulysses Buy the book at Amazon US


James Joyce – web links

James Joyce web links James Joyce at Mantex
Biographical notes, study guides to the major works, book reviews, studies of the short stories, bibliographies, web links, study resources.

James Joyce web links James Joyce at Project Gutenberg
A limited collection of free eTexts in a variety of digital formats.

James Joyce web links James Joyce at Wikipedia
Full biography, social background, interpretation of the major works, religion, music, list of biographies, and external web links.

James Joyce on film James Joyce at the Internet Movie Database
Adaptations for the cinema and television – in various languages. Full details of directors and actors, plus box office, technical credits, and quizzes.

James Joyce exhibition James Joyce Centre in Dublin
Exhibition centre, walking tours, lectures, and newsletter. The latest addition is a graphic novel version of ‘Ulysses’.

James Joyce web links The James Joyce Scholars’ Collection
University of Wisconsin – digitised scans of Finnegans Wake and out-of-print studies on Joyce’s language, plus rare critical studies.

James Joyce web links An Annotated Ulysses
An online version of Ulysses with hyperlinks giving explanations of obscure and classical references in the text.

James Joyce web links Cornell’s James Joyce Collection
Cornell University – a collection of letters, manuscripts, and books documenting the life and work of James Joyce on exhibition in 2005. Particularly strong on Joyce’s early life.

James Joyce web links A Bibliography of Scholarship and Criticism
Slightly dated but still useful web-based compilation of criticism and commentary – covers Joyce himself, plus the stories and novels.

© Roy Johnson 2010


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Filed Under: James Joyce Tagged With: English literature, James Joyce, Literary studies, study guide, The novel, Ulysses

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