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Little Dorrit

August 12, 2015 by Roy Johnson

tutorial, commentary, study resources, characters, and plot

Little Dorrit was first published in monthly instalment between December 1855 and June 1857, then in a single volume by Bradbury and Evans in 1857, with original illustrations by Hablot K. Browne. It was a huge and immediate success, with monthly instalments selling 35,000 copies in 1856.

Little Dorrit title page

first edition – title page

Little Dorrit – critical commentary

The principal theme

The overarching metaphor for the entire novel is that of the prison and imprisonment. The novel begins with two men in prison – Rigaud and Cavalletto – in Marseilles. In the very next chapter, a collection of English travellers (the Meagles family and Clennam) are ‘imprisoned’ in quarantine (against the plague) in the same location.

In fact the novel also ends in a prison during the hot months of summer, when debtor Arthur Clennam is nursed by Little Dorrit in the late stages of his illness. When Clennam finally gets home, it is to find his ‘mother’ imprisoned by her bitterness and self-inflicted martyrdom in the family home which has become almost a tomb.

William Dorrit has been in the Marshalsea prison for twenty-three years – so long that he has become its self-appointed father figure. His daughter Amy has even been born in the prison, and is the love object of John Chivery, the prison warder’s son.

When the newly-enriched Dorrits embark on their Grand Tour of Europe, even the convent at the summit of the Great Saint Bernard Pass is likened to a prison – because it is divided into Spartan cells.

There are also various forms of psychological imprisonment – in addition to Mrs Clennam. William Dorrit is first of all imprisoned in delusions of grandeur. He ignores the fact that he has been in a debtor’s prison for almost a quarter of a century, and gives himself lofty airs and graces, extracting handouts (which he calls ‘tributes’) from his fellow prisoners.

When Dorrit actually does become rich, he is almost equally deluded by his snobbish exercises in social climbing. He seeks out the wealthy and the fashionable in society, and conveniently ignores the fact that he is an ex-jailbird. It is significant that at the height of these endeavours, his psychological collapse takes him back to where he has come from when he makes a bizarre speech at the dinner given by Mrs Meagles, at which he believes he is back in the Marshalsea Prison.

In fact Dickens takes the metaphor of the prison to universal proportions when he creates one of his many pictures of London:

The last day of the appointed week touched the bars of the Marshalsea gate. Black, all night, since the gate had clashed on Little Dorrit, its iron stripes were turned by the early-glowing sun into stripes of gold. Far aslant across the city, over its jumbled roofs, and through the open tracery of its church towers, struck the long bright rays, bars of the prison of this lower world.

Ingratitude

A strong secondary theme running through the events of the narrative is ingratitude. It is often counterpoised against the saintly devotion of Little Dorrit and the gentlemanly code of honour that Arthur Clennam tries to maintain – often to his own disadvantage.

Tip and Fanny, Little Dorrit’s brother and sister, show no gratitude for what is done for them. Amy secures employment for her sister, who returns the favour with nothing but bad grace, and Tip goes from one job that is found for him to another – without a word of thanks or shame that he is so feckless. He even reproaches Clennam for not lending him money when he asks for it – though after an illness in Rome he appears to reform morally, offering to make his sister Amy rich, even if he inherits all his father’s money.

Henry Gowan displays similar levels of selfishness and a cynical unconcern for others. He has had a self-indulgent life, has run up personal debts, pretends to aspirations as a ‘painter’, yet claims he is ‘disappointed’ that his family has not done more for him. There is very little resolution to this strand of the novel.

Plot weaknesses

When Affrey Flintwinch hears noises and has ‘dreams’, the reader may realise that she is sensing that something is wrong in the house of Clennam. But Dickens does not really play fair with the reader, who can have no notion of a twin brother for Jeremiah Flintwinch, a fact which is concealed for the majority of the novel. This is the literary equivalent of pulling a rabbit out of a conjurer’s hat.

Similarly, Pancks’ uncovering of Dorrit’s inheritance is something the reader can know nothing about – it comes as something of a deus ex machina to move the plot forward from Book the First (Poverty) to Book the Second (Riches). There is no really satisfying explanation of how Panks located the information, and his own account is muddied by his idiosyncratic manner of speaking.

The full complications of the plot are exposed by Blandois in his blackmail attempt on Mrs Clennam at the dramatic climax of the novel. This too is resolved in a slightly unsatisfactory manner.

Whilst Blandois is something of a stock villan himself, complete with hooked nose and black moustache, his aquisition of the important information regarding the Clennam family secret comes from Flintwitch’s twin brother who he has met at a quayside tavern in Amsterdam. This is pushing the bounds of coincidence and improbability to an unacceptable degree for most modern tastes.

Another weakness is the lack of continuity between important elements and characters being introduced in the early part of the narrative, then not taken up again until much later. Of course this is a now-recognised feature of the serial novel – multiple plot lines and characters used as points of interest to drag readers through the part-issues of the whole work.


Little Dorrit – Study resources

Little Dorrit Little Dorrit – Oxford World’s Classics – Amazon UK

Little Dorrit Little Dorrit – Oxford World’s Classics – Amazon US

Little Dorrit Little Dorrit – Wordsworth Classics – Amazon UK

Little Dorrit Little Dorrit – Wordsworth Classics – Amazon US

Little Dorrit Little Dorrit – Kindle edition – Amazon UK

Red button Charles Dickens – biographical notes

Red button Little Dorrit – eBook at Project Gutenberg

Red button Little Dorrit – audioBook at LibriVox

Red button Little Dorrit – complete Hablot K. Browne illustrations

Red button The Cambridge Companion to Charles Dickens – Amazon UK

Red button Little Dorrit – York Notes at Amazon UK

Red button Little Dorrit – Brodie’s Notes at Amazon UK

Great Expectations Little Dorrit – Audio book (unabridged) – Amazon UK

Red button Charles Dickens’ London – interactive map

Red button Oxford Reader’s Companion to Charles Dickens – Amazon UK


Little Dorrit – plot summary

Book the First – Poverty

Ch. I   John Baptist Cavalletto and Monsieur Rigaud are being held in jail in Marseilles during a hot summer. Rigaud recounts the history of his marrying a rich young local widow, and her sudden death following an altercation between them. He is taken away to face trial.

Ch. II   Arthur Clennam is returning from twenty years in China following the death of his father. He is in quarantine with the Meagles family, to whom he relates his harsh upbringing. Mr Meagles recounts the history of their daughter Pet and her curious maid, Tattycoram. On release they make their adieux, and Tattycoram complains ambiguously to the mysterious Miss Wade.

Ch. III   Clennam arrives home on a miserable Sunday to a cheerless reception from his puritanical mother. He possesses a watch given to him by his dying father. Servant Mrs Flintwinch relates her curious marriage to Jeremiah and the fact that Clennam’s childhood sweetheart is now available as a widow. Clennam notices Little Dorrit in his mother’s room.

Ch. IV   Affrey Flintwinch has a ‘dream’ in which she sees her husband in a meeting with his double who takes away a metal box. Flintwinch catches his wife and threatens her in a menacing manner.

Ch. V   Clennam announces to his mother that he is quitting the family business, and in spite of her venomously wrathful response, he asks her if his late father has ever wronged somebody (which he suspects may be the case). His mother immediately appoints Flintwinch as a business partner. Affrey then tells Clennam about Little Dorrit, which arouses his curiosity.

Ch. VI   Although Dorrit is not named, the chapter recounts the history of his twenty-five year incarceration in the Marshalsea Prison. It includes the birth of his daughter Amy in the prison. He stays there so long that he becomes the ‘father of the Marshalsea’, to whom fellow inmates give ‘tributes’ (charitable gifts) when they are released.

Ch. VII   The history of Amy (Little Dorrit) and her childhood in the prison. She becomes a guardian to her helpless father, and finds employment for her elder sister Fanny as a dancer. Her brother ‘Tip’ fails in every job he is given, and ends up back in the prison as a debtor.

Ch. VIII   Outside the prison, Clennam meets Frederick Dorrit (‘Dirty Dick’) who introduces him to his brother William. Clennam meets Amy and her brother and sister. Dorrit explains the system of ‘Testimonials’, and Clennam gives him money. However, Clennam is caught by the night curfew and is forced to spend the night in the prison. He perceives a link between the Dorrit family and his mother.

Ch. IX   Clennam receives Amy at the prison, then they walk out into London, where he quizzes her about the connection with his family. She asks for understanding and tolerance for her father, and reveals that his main creditor is Tite Barnacle. On return they meet her simple and undeveloped friend Maggy.

Ch. X   Clennam visits the Circumlocution Office in search of information regarding Dorrit’s creditors. Barnacle Junior refers him to Tite Barnacle in Grosvenor Mews, who refers him back to the Office, where various officials are completely obstructive. He meets Mr Meagles, who is frustrating the enquiries of the patient inventor Doyce. They all repair to Bleeding Heart Yard, where Doyce lives.

Little Dorrit Flintwinch

Mr Flintwinch has a mild attack of irritability

Ch. XI   Rigaud has been acquitted at his trial, and escaped to avoid public censure. He meets Cavalletto at a boarding house in Chalons-sur-Soane and seeks to enlist him as a servant again – but Cavalletto escapes early the following morning.

Ch. XII   Clennam, Meagles, and Doyce visit Bleeding Heart Yard in search of Plornish, who finds it hard to obtain work (and has been in prison himself). Mrs Plornish explains their connections with Little Dorrit which come via Casby, the landlord of the Yard. Clennam arranges via Plornish to pay off Tip’s debt to a dubious horse trader.

Ch. XIII   Clennam then visits the Casby household, and realises that Casby is an empty fraud. He also meets Panks, the rent-collector, then his childhood sweetheart Flora Casby, who has become an embarrassing featherbrain. He feels so sorry for her that he accepts an invitation to stay for what turns out to be a comic dinner. Afterwards he walks with Panks into the city and comes across Cavalletto, who has been run over by a mail coach.

Ch. XIV   Little Dorrit arrives at Clennam’s lodgings with Maggy at midnight to ‘thank’ him for releasing Tip. She thinks Mrs Clennam has learned the secret of her prison home from Flintwinch. Amy and Maggy are locked out of the prison because it is so late, and spend a grim and frightening night in the streets, where they encounter a woman who is about to commit suicide.

Ch. XV   Affrey Flintwinch again encounters mysterious noises in the house, then overhears a dispute between her husband and Mrs Clennam. She is menaced by her husband once again.

Ch. XVI   Clennam walks to Twickenham to see Mr Meagles, and on his way. meets Doyce, who needs a business partner for his enterprise. Clennam thinks of falling in love with Minnie (Pet) Meagles, but then decides against it. Tattycoram has been in touch with Miss Wade, who has offered her a position if she needs one. Clennam asks Meagles for advice regarding a plan to join Doyce as partner.

Ch. XVII   The following day Clennam meets Henry Gowan at the ferry and immediately becomes jealous of him. The company are joined by Barnacle Junior for dinner, and Doyce reveals Gowan’s dubious background and feckless nature to Clennam, who remains deeply conflicted in his feelings about Pet.

Ch. XVIII   John Chivery, the Marshalsea lock-keeper’s son has nursed a life-long romantic passion for Amy. He presents cigars to William Dorrit on a Sunday, then locates Amy on the Iron Bridge, where he wishes to declare his feelings for her. But she refuses to let him do so.

Ch. XIX   William Dorrit tries to encourage his bedraggled brother Frederick to smarten himself up. He then notes that the lock-keeper Mr Chivery is not as friendly to him as usual and complains to Amy about Frederick’s descent into wretchedness. He falls into a passion of maudlin self-pity, alternating with periods of delusory self-aggrandisement. Amy watches over him throughout the night.

Ch. XX   Amy goes to visit her sister at the theatre where she is a dancer. Fanny takes Amy to see Mrs Merdle whose son has proposed marriage to her. Fanny has misled Mrs Merdle into thinking that she comes from a distinguished family. However, Mrs Merdle thinks it would be social suicide to have her son marry socially beneath him and she bribes Fanny to stay away from the boy, who is a hopeless booby. Fanny complains unjustly to her sister in a patronising manner.

Little Dorrit Maggie

Maggie – Little Mother

Ch. XXI   Mr Merdle’s prodigious wealth and his position in Harley Street at the pinnacle of Society. His step son Sparkler is a feckless wastrel who proposes marriage to young women at random. Merdle throws a lavish reception attended by prominent people from the Law, the Church, and the Treasury who toady up to him and dine at his expense whilst he consumes very little himself. Although his physician confirms that there is nothing physically wrong with him, Merdle suffers from a mysterious ‘complaint’.

Ch. XXII   Dorrit becomes critical of Clennam because his ‘testimonials’ are not sustained. Gatekeeper Chivery asks Clennam to visit his wife, who reveals that her son has fallen into a permanent fit of despair because he has been rejected by Amy. She pleads with Clennam to intercede with Amy on her son’s behalf. Clennam meets Amy on the bridge, then Maggy, who bears begging letters from Dorrit and Tip addressed to Clennam. He pays Dorrit, but not Tip.

Ch. XXIII   Meagles arranges for Clennam to become Daniel Doyce’s business partner. Clennam is visited at the workshop in Bleeding Heart Yard by Flora Casby and Mr F’s Aunt. Flora flirts with Clennam, claiming that she wants to help Little Dorrit. Pancks reveals that Casby had nothing to do with Little Dorrit’s placement with Mrs Clennam and he asks Clennam for information on the Dorrit family. Clennam tells him, on condition that Panks reveals any new information about them. Panks then collects rents in the Yard.

Ch. XXIV   Little Dorrit visits the Casby home where Flora says she wants to employ her. Flora paints an over-romanticised picture of herself and Clennam designed to establish a claim on him. After-dinner Panks interviews Amy: he knows all about her family and claims to know what her future will be. After this he becomes omnipresent in the lives of the Dorrits.

Ch. XXV   Panks’s second life lodging with the Ruggs in Pentonville. He invites John Chivery to a Sunday lunch and introduces him to Anastasia Rugg who has sued a local baker for breach of promise. Panks also befriends Cavalletto who is now lodging in Bleeding Heart Yard.

Ch. XXVI   Clennam cannot sustain his resolution not to be attracted to Pet Meagles, and he cannot fight down his dislike for his rival Henry Gowan. The cynic Gowan patronises Doyce and invites Clennam to visit his mother at Hampton Court. Over dinner there is a snobbish exchange on the nation’s decline and ancestor worship of the Barnacles and Stiltstalkings. Mrs Gowan quizzes Clennam about Pet, claiming that the Meagles are social climbing, trying to make an alliance with her family. Clennam tries to explain that this is not the case but she refuses to believe him.

Ch. XXVII   Meagles suddenly reports to Clennam that Tattycoram has gone missing. They trace her to an old house in Mayfair where she is staying with Miss Wade. Meagles entreats her to return to the family but she refuses. Miss Wade behaves scornfully to the two men and reveals that she like Tattycoram is an orphan with no name.

Ch. XXVIII   Meagles advertises for Tattycoram in the newspaper but in return only receives begging letters from the public. Clennam and Daniel Doyce go to the Meagles for the weekend, where Clennam meets Pet by the river. She plucks at Clennam’s heart strings by telling him how happy she is to be in love with Henry Gowan. Clennam thinks that she is destined to be unhappy but swallows his unrequited love and congratulates her.

Ch. XXIX   Mrs Clennam quizzes Little Dorrit about Panks who was taken to visiting the house more frequently. Little Dorrit tells her nothing. When Panks leaves, Affrey accidentally shuts herself out of the house, but Blandois (Rigaud) suddenly appears in the street and climbs through a window to let her in.

Ch. XXX   Blandois and Jeremiah Flintwinch appear to recognise each other when they meet. Blondois has arrived with a letter of introduction and credit from Paris. He wishes to meet Mrs Clennam who is surprisingly open and even confessional with him. He asks Flintwinch to show him around the house, tries (and fails) to get him drunk, and predicts that they will become close friends. Yet next day he goes straight back to Paris.

Ch. XXXI   Mrs Plornish’s impoverished father Old Nandy is let out of the workhouse for his birthday treat. Little Dorrit takes him to the prison, meeting her sister Fanny en route who snobbishly thinks Amy is lowering the family’s social standing. The birthday treat is paid for by Clennam who joins them whilst Dorrit loftily patronises Old Nandy. Tip appears and insults Clennam for not lending him money. Dorrit reproaches his son.

Ch. XXXII   Clennam seeks an audience with Little Dorrit at the prison and asks her why she has been avoiding him. He fails to see that she is in love with him. He wants to know if she’s hiding anything from him, which she denies. She feels completely embarrassed by his revelations regarding his feelings for Pet Meagles. Panks suddenly appears, takes Clennam to meet Mr Rugg, and reveals that they have uncovered some important documents.

Ch. XXXIII   Mrs Gowan explains to Mrs Merdle why and how she has ‘consented’ to the marriage of her son Henry to Pet Meagles. The truth is that they want her son Henry’s debts paid off. Mrs Merdle then reproaches her husband for being too preoccupied with his work. Edmund Sparkler appears and confirms that he is a dimwit who knows virtually nothing.

Ch. XXXIV   Although Clennam is still trying to be honourably fair to his rival Henry Gowan he is disturbed when Gowan reveals his cynical and disappointed views at not having succeeded socially and not been better treated by his family. The marriage goes ahead and is attended by many of the Barnacles.

Ch. XXXV   Panks reveals the he has uncovered a huge legacy due to Dorrit. He has financed the search with his own money plus loans from Rugg and Casby. Clennam goes to the Casby house where Flora is as garrulous as ever but kind to Amy. Clennam and Little Dorrit go to the prison and break the news to Dorrit, who promises to repay everybody.

Ch. XXXVI   Dorrit immediately becomes imperious with the prison Marshal; Fanny buys dresses and bonnets; and Tip re-pays Clennam’s loan in a condescending manner. There is a celebratory feast for all the Collegians then a grand departure at which they forget Amy. Clennam brings her down from her room where she has fainted.

Little Dorrit

a monthly instalment

Book the Second – Riches

Ch. I   The Dorrits, the Gowans, and Blandois all converge in a convent at the summit of the Saint Bernard Pass on route to Italy. Little Dorrit meets Pet Meagles (now Mrs Gowan) for the first time, befriends her, and shows her a message from Clennam.

Ch. II   Mr Dorrit has hired the lofty Mrs General at great cost to complete the education of his two daughters. Mrs General is devoid of opinions and is entirely composed of surface polish.

Ch. III   Fanny and Edward snobbishly reproach Amy for helping Mrs Gowan and for her connection with Clennam, who they now regard as beneath them socially. Dorrit mediates but thinks Clennam should cease to be acquainted with their family. Dorrit protests when he finds someone in their hotel rooms, but backs down when outfaced by Mrs Merdle. Amy now feels separated from her father and oppressed by the presence of a maid. The party eventually reaches Venice where Amy travels around alone.

Ch. IV   Little Dorrit writes to Clennam telling him she has met Pet Meagle and thinks she should have a better husband than Henry Gowan. She also tells him that she misses the Dorrit of old, and that she wishes to be remembered as she herself was previously. She asks Clennam not to forget her.

Ch. V   Dorrit complains about Amy to Mrs General because she is keeping the memory of the Marshalsea prison alive. He then cruelly reproaches Amy on entirely selfish grounds – to which Mrs General responds by offering tips on pronunciation. When Amy wishes to meet the Gowans, Tip reveals that they are friends of the Merdles. Dorrit sees this as a seal of approval – at which his brother Frederick suddenly erupts in protest against all this snobbery and money worship.

Ch. VI   Fanny and Amy visit Gowan who is painting the portrait of Blandois. When Gowan’s dog takes a dislike to Blandois, Gowan kicks it into submission. On the way back, Fanny and Amy meet Sparkler who is besotted with Fanny. He is invited into the house and then in the evening to the opera, where Blandois reveals that the dog is now dead.

Ch. VII   Fanny thinks Mrs General is setting her cap at her father. Sparkler is still in pursuit of Fanny. Henry Gowan grudgingly accepts a commission from Dorrit. Amy and her friend Minnie both dislike Blandois, who they think killed Gowan’s dog. There is a patronising visit from Mrs Merdle after which the family transfer to Rome.

Ch. VIII   Clennam takes up Doyce’s patent application with the Circumlocution Office, ‘starting again from the beginning’. He is missing Little Dorrit and starting to feel that he is now too old for sentimental attachments. Dowager Mrs Gowan calls on the Meagles and patronises them regarding her son and his wife. She continues to maintain the fiction that they pursued her family.

Little Dorrit Flora

Flora’s hour of inspection

Ch. IX   The Meagles decided to go to Italy to look after Pet, who is expecting a baby. Henry Gowan has run up further debts. Clennam sees Tattycoram with Miss Wade and Blandois. He follows them to Casby’s house, but is delayed in a comic interlude by Flora and Mr F’s Aunt. When he asks Casby about Miss Wade he gets no information. However, Panks reveals that Casby holds money for Miss Wade, which she collects occasionally.

Ch. X   Late one night Clennam meets Blandois going into his mother’s house, and wonders what the connection between them can be. Clennam protests his being there, but Mrs Clennam treats Blandois as a business contact. Flintwinch is summoned, and Mrs Clennam asks her son to leave whilst they conduct their business. Affrey Flintwinch cannot tell Clennam what is going on.

Ch. XI   Little Dorrit writes to Clennam from Rome describing the Gowan’s poor lodgings and Pet’s being very much alone. Gowan is continuing his dissolute lifestyle, and yet his wife continues to be devoted to him. They now have an infant son. Sparkler has followed Fanny to Rome, and Little Dorrit herself feels homesick and keeps the memory of her former poverty alive.

Ch. XII   Mr Merdle gives one of his lavish dinners which is attended by the Great and the Good. Powerful dignitaries regale each other with mind numbing anecdotes and jokes which are not funny. They agree to support the advancement of Sparkler, and are pleased to note his social connection with the now-wealthy Dorrit family. Merdle and Decimus Tite are brought together, after which it is announced that Sparkler is appointed to a high position in the Circumlocution Office.

Ch. XIII   Panks calls on Mrs Plornish in her new shop (Happy Cottage) in Bleeding Heart Yard. Cavalletto is frightened after seeing Blandois in the street. Clennam calls by and invites Pancks to dinner. Pancks reveals that he has invested thousands in one of Merdle’s enterprises. Clennam obliquely tells Panks of his misgivings about his mother. Panks tempts him with easy money to be made from investments. He thinks he can’t lose because of Merdle’s immense capital and government connections.

Ch. XIV   In Rome, Fanny feels trapped by her association with the gormless Sparkler, and is particularly resentful about being patronised by Mrs Merdle. She confides in Amy, but ends up engaged to be married to Sparkler.

Ch. XV   Dorrit wishes Amy to announce his forthcoming marriage to Mrs General, but she refuses to do so. There is a stand-off between the two women. Fanny gets married then goes off with Sparkler and Dorrit to England, leaving Amy alone in Rome with Mrs General.

Ch. XVI   Dorrit in London is visited by Merdle, who offers to ‘help’ him financially, now that they are connected by the marriage of their children. Dorrit basks in the glory of his association with the fabulously wealthy Merdle.

Little Dorrit

At Mr John Chivery’s tea table

Ch. XVII   Flora Casby visits Dorrit at his hotel, in quest of information about Blandois who has gone missing after visiting Clennam and Co. Dorrit visits Mrs Clennam that evening, but nobody has any additional information on Blandois. Further mysterious happenings are noted by Affrey Flintwinch.

Ch. XVIII   Dorrit is visited by John Chivery, who he first abuses but then gives £100 for a treat to the Collegians. He then travels across France to Italy making plans and buying presents for Mrs General on the way.

Ch. XIX   Dorrit arrives back in Rome late at night and is peeved to observe the close harmony between Little Dorrit and his brother Frederick. He insists that Frederick is ‘fading fast’ and begins paying court to Mrs General. However, it is Dorrit himself who is fading, and at a dinner given by Mrs Meagles he makes a speech believing he is back in the Marshalsea prison. Amy takes him back home, where he dies the same night.

Ch. XX   Panks has located Miss Wade at an address in Calais, which Clennam visits, seeking information about Blandois. She reveals that she has employed him for some dubious purpose in Italy, but will tell Clennam nothing further. She produces Tattycoram, and they argue about her sentimental links with the Meagles family.

Ch. XXI   Clennam reads a biographical note given to him by Miss Wade. In it she recounts her unhappy childhood as an orphan, and her perverse nature by which she spurns all offers of friendship and help. She forms passionate but conflicted attachments to both men and women, and feels a strong kinship with the cynic Henry Gowan.

Ch. XXII   Doyce goes to work abroad, leaving Clennam in sole charge of their enterprise. They discuss the need for fiscal caution. Cavalletto recognises Blandois from Clennam’s description, and agrees to go in search of him.

Ch. XXIII   Clennam is frustrated by his lack of information about Blandois. He visits his mother and appeals to her, but she refuses to help him or tell him anything. He also asks Affrey, but she is scared and merely refers to mysterious noises in the house and the recurrence what she calls her ‘dreams’.

Ch. XXIV   Fanny is bored with her husband Sparkler. Her brother Edward (Tip) has sacked and paid off Mrs General following the death of his father (and uncle). They are visited by Mr Merdle who is in a rather strange state. He borrows a penknife before leaving them.

Ch. XXV   Mrs Merdle attends a society party where rumours of a peerage for Mr Merdle are circulating. But the host is later called out when it is revealed that Merdle has committed suicide in the public baths. He has been exposed as a forger and a robber, and his bank collapses.

Ch. XXVI   Clennam has invested everything with Merdle, and is now ruined. He is distraught about his responsibility towards his partner Doyce. He makes a public confession of his culpability, despite Mr Rugg advising him to be cautious and restrained. He is imprisoned in the Marshalsea, and is given Little Dorrit’s old room.

Ch. XXVII   Young John Chivery battles with his feelings of rivalry whilst showering comforts on Clennam in the jail. He explains his discomfort in a comically ambiguous manner, but finally reveals to Clennam that Little Dorrit is in love with him. Clennam is puzzled and does not know what to do with this information.

Ch. XXVIII   Clennam is visited in jail: first by Ferdinand Barnacle, who advises him to give up his struggles with the Circumlocution Office; next by Mr Rugg who wants him to enter into litigation; and finally by Blandois, who writes a letter to Mrs Clennam giving her a week to accept his ‘proposal’ – which is a threat of blackmail. Blandois taunts Clennam regarding his connections with Miss Wade and Mrs Gowan. Mrs Clennam agrees to meet Blandois in a week’s time.

Little Dorrit

Damocles (Blandois)

Ch. XXIX   Little Dorrit returns from Italy and visits Clennam in jail. She has come with her brother Edward who is enquiring into his father’s will. Amy offers Clennam all her money to release him from bankruptcy, but Clennam turns down her offer on very high-minded principal, and even advises her to stay away from him and the prison, and enjoy a better life for herself.

Ch. XXX   Blandois visits Mrs Clennam, where Affrey finally rebels and refuses to obey Flintwinch’s commands. Blandois is threatening Mrs Clennam with information regarding the family’s secret history and the codicil to a will, all of which he has obtained from Flintwinch’s twin brother in Antwerp. He has also given copies of these compromising documents to Amy in the prison in a tightly controlled plot. It is also revealed that Mrs Clennam is not Arthur’s mother.

Ch. XXXI   Mrs Clennam gets up from her wheelchair to dash to the prison, where she confesses the truth to Amy, who forgives her in saintly fashion. They dash back to the house to meet the deadline set by Blandois, but on arrival they find that the house has collapsed, killing him.

Ch. XXXII   Clennam continues to be ill in jail. Casby bullies Panks, who finally rebels and resigns from his job as debt collector. He humiliates Casby by cutting off his hair in front of his tenants in Bleeding Heart Yard.

Ch. XXXIII   Mr Meagles goes in search of the papers secured by Blandois. He asks Miss Wade in Calais, who denies all knowledge of them. But on his return to London Tattycoram brings him the original metal box and wishes to be reunited with the Meagles family. He passes the box over to Little Dorrit and goes off in search of Doyce.

Ch. XXXIV   Little Dorrit once again offers to share her ‘entire fortune’ with Clennam, but he again refuses her offer, whereupon she reveals that she has no fortune – all her money disappeared in the Merdle collapse – and she confesses her profound love for him. Flora visits to recount her love for her ‘rival’ Amy, and Mr Meagles arrives with Doyce to take up his business again with Clennam, following which Clennam and Amy get married in a quiet ceremony.


Mont Blanc pen

Mont Blanc – Charles Dickens special edition


Little Dorrit – principal characters
John Baptist Cavalletto a Genoese sailor and adventurer
Monsieur Rigaud (later Lagnier, then Blandois) a bogus ‘gentleman’ and an assassin
Mr Meagles a retired banker
Mrs Meagles his wife
Minnie (Pet) their pretty and pampered daughter (20)
Tattycoram (Harriet) Pet’s conflicted maid, a foundling
Arthur Clennam a gentleman and former businessman (40)
Mrs Clennam his ‘mother’, a bitter and puritanical martyr
Jeremiah Flintwinch her servant and later business partner
Affrey Flintwinch his browbeaten and abused wife
Miss Wade a strong-willed man-hater and orphan
William Dorrit an elderly self-deluded debtor – the Father of the Marshalsea
Frederick Dorrit his brother, a down-at-heel clarionet player
Amy (Little) Dorrit William’s selfless and loyal daughter (20)
Fanny Dorrit her sister – a dancer
Edward (‘Tip’) Dorrit her feckless and wayward brother
Lord Decimus Tite Barnacle controller of the Circumlocution Office
Clarence Barnacle his son
Ferdinand Barnacle his lacklustre son
Mr Plornish a plasterer at Bleeding Heart Yard (30)
Sally Plornish his wife
Maggy Amy’s simple friend (28 – but mentally 10)
Daniel Doyce an engineer and inventor
Christopher Casby landlord of Bleeding Heart Yard
Flora Casby (Finching) his daughter, Clennam’s old sweetheart, now a garrulous and feather-brained widow
Pancks his nail-biting rent collector
Mr F’s Aunt Flora’s ‘legacy’ from her late husband Finching
Henry Gowan a talentless and cynical would-be ‘artist’
John Chivery Amy’s admirer, the prison lock-keeper’s son
Mrs Mary Chivery a tobacco shop keeper
Mr Merdle an unscrupulous and wealthy banker
Mrs Merdle his vicious social-climbing wife
Edmund Sparkler Mrs Merdle’s dim-witted son by her first husband
Mr Rugg Pentonville debt collector and Panks’s landlord
Amastasia Rugg his daughter, a husband-hunter
Lord Lancaster Stiltstalking a retired Circumlocution Office official
Mrs Gowan a snobbish elderly ‘Beauty’
Mrs General widow, governess to the Dorrits

Charles Dickens – Further reading

Biography

Red button Peter Ackroyd, Dickens, London: Mandarin, 1991.

Red button John Forster, The Life of Charles Dickens, Forgotten Books, 2009.

Red button Edgar Johnson, Charles Dickens: His Tragedy and Triumph, Little Brown, 1952.

Red button Fred Kaplan, Dickens: A Biography, Johns Hopkins University Press, 1998.

Red button Frederick G. Kitton, The Life of Charles Dickens: His Life, Writings and Personality, Lexden Publishing Limited, 2004.

Red button Michael Slater, Charles Dickens, Yale University Press, 2009.

Criticism

Red button G.H. Ford, Dickens and His Readers, Norton, 1965.

Red button P.A.W. Collins, Dickens and Crime, London: Palgrave, 1995.

Red button Philip Collins (ed), Dickens: The Critical Heritage, London: Routledge, 1982.

Red button Jenny Hartley, Charles Dickens and the House of Fallen Women, London: Methuen, 2009.

Red button Andrew Sanders, Authors in Context: Charles Dickens, Oxford University Press, 2009.

Red button Jeremy Tambling, Going Astray: Dickens and London, London: Longman, 2008.

Red button Donald Hawes, Who’s Who in Dickens, London: Routledge, 2001.

 


Other works by Charles Dickens

Charles Dickens Pickwick PapersPickwick Papers (1836-37) was Dickens’ first big success. It was issued in twenty monthly parts and is not so much a novel as a series of loosely linked sketches and changing characters featured in reports to the Pickwick Club. These recount comic excursions to Rochester, Dingley Dell, and Bath; duels and elopements; Christmas festivities; Mr Pickwick inadvertently entering the bedroom of a middle-aged lady at night; and in the end a happy marriage. Much light-hearted fun, and a host of memorable characters.
Charles Dickens Pickwick Papers Buy the book here

 

Charles Dickens Oliver TwistOliver Twist (1837-38) expresses Dickens’ sense of the vulnerability of children. Oliver is a foundling, raised in a workhouse, who escapes suffering by running off to London. There he falls into the hands of a gang of thieves controlled by the infamous Fagin. He is pursued by the sinister figure of Monks who has secret information about him. The plot centres on the twin issues of personal identity and a secret inheritance (which surface again in Great Expectations). Emigration, prison, and violent death punctuate a cascade of dramatic events. This is the early Victorian novel in fine melodramatic form. Recommended for beginners to Dickens.
Charles Dickens Oliver Twist Buy the book here


Charles Dickens – web links

Little Dorrit Charles Dickens at Mantex
Biographical notes, book reviews, tutorials and study guides, free eTexts, videos, adaptations for cinema and television, further web links.

Little Dorrit Charles Dickens at Wikipedia
Biography, major works, literary techniques, his influence and legacy, extensive bibliography, and further web links.

Little Dorrit Charles Dickens at Gutenberg
A major collection of free eTexts of the major works in a variety of formats.

Little Dorrit Dickens on the Web
Major jumpstation including plots and characters from the novels, illustrations, Dickens on film and in the theatre, maps, bibliographies, and links to other Dickens sites.

Little Dorrit The Dickens Page
Chronology, eTexts available, maps, filmography, letters, speeches, biographies, criticism, and a hyper-concordance.

Little Dorrit Charles Dickens at the Internet Movie Database
Adaptations of the major novels and stories for the cinema and television – in various languages

Little Dorrit A Charles Dickens Journal
An old HTML website with detailed year-by-year (and sometimes day-by-day) chronology of events, plus pictures.

Little Dorrit Hyper-Concordance to Dickens
Locate any word or phrase in the major works – find that quotation or saying, in its original context.

Little Dorrit Dickens at the Victorian Web
Biography, political and social history, themes, settings, book reviews, articles, essays, bibliographies, and related study resources.

Little Dorrit Charles Dickens – Gad’s Hill Place
Something of an amateur fan site with ‘fun’ items such as quotes, greetings cards, quizzes, and even a crossword puzzle.

© Roy Johnson 2015


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Filed Under: Charles Dickens Tagged With: Charles Dickens, English literature, Literary studies, The novel

Longstaff’s Marriage

May 12, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

Longstaff’s Marriage first appeared in magazine form in Scribner’s Monthly for August 1878. Stories by popular writers Bret Harte and Edward Egglestone appeared in the same issue, It was then reprinted in book form amongst The Madonna of the Future and Other Stories the following year.

Longstaff's Marriage


Longstaff’s Marriage – critical commentary

The principal feature of this story is the structural symmetry and the ironic reversals of the two ‘deathbed’ scenes. In the first the proud and beautiful Diana seems to have everything to gain when Longstaff makes his appeal to her, but she rejects his offer indignantly.

We are then asked to believe in two outcomes from this episode. The first is that the shock of this rejection somehow gives Longstaff the jolt he needs to restore his own health. Since we have no medical information about his state of being during his period of decline, this is very hard to judge.

The other is that at the same time Diana somehow retrospectively falls in love with Longstaff – even though she does not see him for more than two years. This is something of a stretch, but just about plausible.

But then comes another symmetrical twist which stretches credulity – to breaking point. Diana herself develops a wasting ailment which would be acceptable if she were simply pining away for love of Longstaff and might be restored on resumption of contact with him. Her proposal to him is acceptable enough as the neat plot twist – but she really is on her death bed and dies shortly afterwards.

This seems like a gain for plot structure at the expense of plausibility. The architecture of the story is firm enough, but its content is not satisfactory.


Longstaff’s Marriage – study resources

Longstaff's Marriage The Complete Works of Henry James – Kindle edition – Amazon UK

Longstaff's Marriage The Complete Works of Henry James – Kindle edition – Amazon US

Longstaff's Marriage Complete Stories 1874—1884 – Library of America – Amazon UK

Longstaff's Marriage Complete Stories 1874—1884 – Library of America – Amazon US

Longstaff's Marriage Longstaff’s Marriage – Kindle edition

Longstaff's Marriage Longstaff’s Marriage – Paperback edition [£4.49]

Longstaff's Marriage Longstaff’s Marriage – eBook versions at Gutenberg

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

Longstaff's Marriage


Longstaff’s Marriage – plot summary

Diana Belfield has inherited money and divided it with her cousin Agatha Gosling. The two women travel to Europe and are in Nice for the winter season. Agatha is much given to fantasising about their fellow residents, and they see Reginald Longstaff on the promenade regularly, she assumes that he is in love with Diana.

Longstaff introduces himself to Agatha and reveals that he is dying and very much in love with Diana. He asks Agatha not to reveal this to Diana until after his death.

Agatha keeps her promise, but some time later Longstaff’s servant asks Agatha to bring Diana to Longstaff’s sick bed, where he is thought to be dying. When they go there, he makes a moving appeal to Diana, asking her to marry him. Diana insists that she finds the idea appalling and suggests that they leave Nice immediately.

Their subsequent travels deteriorate in quality, so they decide to go back to America.Two years later Diana writes to Agatha to say that she is engaged – but then breaks it off. Diana then summons Agatha to say that she is dying and wants to go back to Europe. Diana is eager to travel widely before she dies, and they end up in Rome, where they meet Longstaff again.

Diana reveals to Agatha that she has been in love with Longstaff ever since refusing his offer of marriage, and she now believes he has recovered because of the hurt she inflicted on him. The implication is that she in her turn is now ‘dying of love’.

Agatha is sent in search of Longstaff, and when he visits the dying Diana it is she who proposes to him. The next day they are married, and shortly afterwards she dies.


Principal characters
Diana Belfield a tall, attractive, proud, American heiress
Agatha Gosling her cousin
Reginald Longstaff a young Englishman from an old, high-toned family

Henry James's study

Henry James’s study


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The BostoniansThe Bostonians (1886) is a novel about the early feminist movement. The heroine Verena Tarrant is an ‘inspirational speaker’ who is taken under the wing of Olive Chancellor, a man-hating suffragette and radical feminist. Trying to pull her in the opposite direction is Basil Ransom, a vigorous young man to whom Verena becomes more and more attracted. The dramatic contest to possess her is played out with some witty and often rather sardonic touches, and as usual James keeps the reader guessing about the outcome until the very last page.

Longstaff's Marriage Buy the book at Amazon UK
Longstaff's Marriage Buy the book at Amazon US

Henry James What Masie KnewWhat Masie Knew (1897) A young girl is caught between parents who are in the middle of personal conflict, adultery, and divorce. Can she survive without becoming corrupted? It’s touch and go – and not made easier for the reader by the attentions of an older man who decides to ‘look after’ her. This comes from the beginning of James’s ‘Late Phase’, so be prepared for longer and longer sentences. In fact it’s said that whilst composing this novel, James switched from writing longhand to using dictation – and it shows if you look carefully enough – part way through the book.
Henry James What Masie Knew Buy the book at Amazon UK
Henry James What Masie Knew Buy the book at Amazon US

Henry James The AmbassadorsThe Ambassadors (1903) Lambert Strether is sent from America to Paris to recall Chadwick Newsome, a young man who is reported to be compromising himself by an entanglement with a wicked woman. However, Strether’s mission fails when he is seduced by the social pleasures of the European capital, and he takes Newsome’s side. So a second ambassador is dispatched in the form of the more determined Sarah Pocock. She delivers an ultimatum which is resisted by the two young men, but then an accident reveals unpleasant truths to Strether, who is faced by a test of loyalty between old Europe and the new USA. This edition presents the latest scholarship on James and includes an introduction, notes, selected criticism, a text summary and a chronology of James’s life and times.
Longstaff's Marriage Buy the book at Amazon UK
Longstaff's Marriage Buy the book at Amazon US

© Roy Johnson 2013

Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.


More tales by James
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Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

Look at the Harlequins!

June 30, 2015 by Roy Johnson

tutorial, commentary, study resources, plot summary, links

Look at the Harlequins! was first published in the United States in 1974 by McGraw-Hill, then in the United Kingdom in 1975 by Wiedenfeld and Nicolson. It was the last of Nabokov’s novels to be published during his own lifetime, and was only superseded by his partial work-in-progress, The Original of Laura, which was published posthumously in 2009.

Look at the Harlequins!

first American edition


Look at the Harlequins! – critical commentary

This book was written in the final stages of Nabokov’s career as a novelist. He had taken his famously playful style to an almost ne plus ultra of literary self-indulgence in Ada or Ardor: A Family Chronicle in 1969, but Look at the Harlequins! wrings a final gasp of self-referentiality out of both his own life and his own books – both of which form the substance of this lightweight confection.

Vadim (the fictional character) has a life history that closely parallels that of Vladimir Nabokov. Vadim Vadimovich was born in Russia, displaced by the Bolshevik revolution, exiled in Paris and the south of France, and earned his living by writing novels and poetry, mixing amongst emigre literary circles, and later moving from France to a college professorship in America. The parallels between the fictional construction and Nabokov’s own life are quite obvious and do not need to be spelled out.

What is of interest is ‘what does he make of this fictionalisation of his own life?’ And the answer is – not very much. The work includes all sorts of biographical trivia: Nabokov’s interest in chess and its problems, his interest in butterflies (which he transfers onto another character), and his near obsession with rape and young girls.

Nabokov and paedophilia

When Nabokov wrote the afterward to Lolita he claimed that the idea for its principal subject had been inspired by a newspaper report of a sketch produced by an ape in the Jardin des Plantes showing the bars of its cage. This round-about appeal to our sympathy deflected attention from two uncomfortable facts.

The first uncomfortable fact is that the novel’s protagonist, Humbert Humbert, is not trapped or imprisoned by his obsession with under-age girls: he acts fully conscious of his desires with the free will of an adult. The second fact is that Nabokov had been writing about older men having sexual encounters with young girls ever since his earliest works – such as A Nursery Tale (1926) and <Laughter in the Dark (1932). Moreover, he wrote a whole novella based on that theme, The Enchanter (1939) and was still including mention of paedophilia in works as late as Ada or Ardor (1969) and Transparent Things (1972).

Readers taken in by his ‘explanation’ should heed the advice of D.H.Lawrence – to ‘Trust the tale, not the teller’. Nabokov was a master of manipulating his own public image – aided and abetted by both his wife and son. Look at the Harlequins! is almost defiantly, brazenly packed with episodes of an older man (Vadim, in this case) having sexual encounters with young girls – from the child Dolly Borg to his own daughter Isabella and her school friend at the end of the novel who – as he deliberately points out – is forty-five years younger than him.

Self-referentiality

The level of self-referentiality in this novel is Nabokov’s idea of an extended joke. He creates a fictional narrative which is closely modelled on elements of not only his own biography, but also the other works of fiction he has produced. Thus when Vadim refers to his first fictional work written in English, See Under Real (1939) the ‘knowing’ reader realises that Nabokov is alluding to The Real Life of Sebastian Knight which was indeed Nabokov’s first work written in English. Similarly, the work which makes Vadim rich is A Kingdom by the Sea (1962) the very title of which is taken from Lolita (1958) which catapulted Nabokov to fame when it was first published.

At one point Vadim gives an extended account of his novel The Dare which is a parody of Nabokov’s 1937 novel The Gift (Russian title, Dar~ – hence a multi-lingual pun). Vadim’s account of The Dare is as follows:

The novel begins with a nostalgic account of a Russian childhood (much happier, though not less opulent than mine). After that comes adolescence in England (not unlike my own Cambridge years); then life in émigré Paris, the writing of a first novel (Memoirs of a Parrot Fancier) and the tying of amusing knots in various literary intrigues. Inset in the middle part is a complete version of the book my Victor wrote ‘on a dare’ : this is a concise biography and critical appraisal of Fyodor Dostoyevski, whose politics my author finds hateful and whose novels he condemns as absurd …

Thus we have a real author (Vladimir Nabokov) withing a novel (Look at the Harlequins!) which is narrated by a fictional character (Vadim) who summarises one of his own novels (The Dare) which is written by a fictional character called Victor, based on the events of his fictional life – but which is actually a pastiche of Nabokov’s own 1936 novel The Gift which was based losely on the events of his own life. Nabokov even repeats this conceit later in Look at the Harlequins with a similar account of A Kingdon by the Sea which is a parody of Lolita. Self-referentiality does not come much thicker than this.

The problem with this technique is that rather like the obsessive puns and wordplay in Nabokov’s later works, the literary gesture loses its impact after a very few iterations, and rapidly becomes annoying. Moreover, it is an elitist device in that anyone who does not know Nabokov’s personal biography and his works of fiction is excluded from the supposedly amusing purpose of these references. Per contra, readers who know Nabokov’s work well have nothing new to learn from them.

The other problem connected with this auto and pseudo-biographical ‘playfulness’ is that it dilutes any possibility of the novel having a central theme or core subject. If there is any principal issue in Look at the Harlequins! it is ‘fake biography’ – which is neither amusing, interesting, nor important.

The unreliable narrator

Nabokov was very fond of using the device of an unreliable narrator – someone telling a story whose account is gradually revealed to be unsound, skewed, inaccurate, or even a pack of lies. His un-named narrator in The Eye (1930) manages to invent his own double, misjudge other characters, and fail to recognise that the other people in the story do not like him. Nabokov’s skill is in presenting the unreliable account of events in this novella in such a way that the reader is able to work out the truth of what is happening, behind the misleading surface account of events.

Later in his novel Pale Fire (1962) he has a narrator who edits, comments on, and interprets another man’s poem in such a way that the reader eventually realises that the interpretation is completely wrong and the editor is quite mad.

The Vadim Vadimovich of Look at the Harlequins! is closely related to such narrators. We only have his account of events, and he is obviously not reliable. His description of his spatial inabilities (which is very overdone) is a clear sign that he is neurotic, and he himself reveals that some of the scenes he describes are inventions.

He claims that he has a mental instability that he must confess to any women he is about to marry, but this is clearly an abberation invented by Nabokov which is never really convincing. Moreover, Vadim is not unreliable in any consistent manner. He refuses the opportunity to learn details of his first wife’s infidelity following her death, but in the very next chapter he acknowledges that the letter she showed him was from her lover.

Nabokov acknowledges within the text that there are rules in narratives: “The I of the book / Cannot die in the book”. In other words, if someone is presenting a narrative as a first person narrator, the story cannot include the death of the narrator. But similarly, if a narrator pretends to ignorance of some matter at one stage of the story, they cannot acknowledge the truth of it at a later stage – because first person narrators are in full possession of the facts at the outset, when they begin to compose a narrative. Other writers have fallen foul of this fictional trap when using first person narrators – most noticeably Joseph Conrad and Ford Maddox Ford.


Look at the Harlequins! – study resources

Look at the Harlequins! Look at the Harlequins! – Penguin Classics- Amazon UK

Look at the Harlequins! Look at the Harlequins! – Penguin Classics – Amazon US

Look at the Harlequins! Look at the Harlequins! – Penguin Classics – Amazon UK

Look at the Harlequins! Look at the Harlequins! – Penguin Classics – Amazon US

Look at the Harlequins! Look at the Harlequins! – Library of America – Amazon UK

Look at the Harlequins! Look at the Harlequins! – Library of America – Amazon US

Look at the Harlequins! The Cambridge Companion to Nabokov Amazon UK

Red button Vladimir Nabokov: The Russian Years – Biography: Vol 1

Red button Vladimir Nabokov: American Years – Biography: Vol 2

Red button Zembla – the official Nabokov web site

Red button The Paris Review – Interview with Vladimir Nabokov

Red button First editions in English – Bob Nelson’s collection

Red button Vladimir Nabokov at Wikipedia – biographical notes, links

Red button Vladimir Nabokov at Mantex – tutorials, web links, study materials

Look at the Harlequins!


Look at the Harlequins! – plot summary

Part One

1   Vadim Vadimovich arrives at the Cote d’Azur villa of his old university colleague Ivor Black, an actor and director.

2   Vadim recalls his precocious erotic puberty, his aristocratic connections, and his escape from Russia following the Bolshevik revolution. In England he is taken up by an aristocratic sponsor, Count Starov.

3   At the villa, Vadim meets Black’s sister Iris, who acts out charades with Ivor, pretending to be a deaf mute

4   Vadim gives an account of an obsessive nocturnal fear from which he suffers. He consults a psychiatrist, who recommends a dentist – and then Vadim reveals that these scenes are not real but inventions.

5   Vadim discusses literature with Iris in the garden of the villa. His memoir reveals his ambition whilst at Cambridge University to return to a post-revolutionary Russia as a famous writer. He writes and translates poems for Iris.

6   Vadim observes ‘nymphets’ on the beach. Iris acts and talks in a provocative manner. He contemplates the uneven nature of his sun tan, then inspects his naked body in Iris’s bedroom mirror. He plans to propose to Iris the next day.

7   Vadim and Iris walk to the beach, meeting the pianist Kanner on the way, collecting butterflies. Vadim recalls two youthful occasions of cramp seizures whilst swimming.

8   As a prelude to marriage, Vadim tries to explain to Iris his ‘mental aberarration’ concerning spatial orientation, but Iris simply explains it away for him.

9   In the garden at sunset Ivor does a comic imitation of Vadim to amuse his guests. Next day, when Ivor goes off fishing, Vadim takes Iris to bed. He recalls a similar scene he witnessed voyeuristically as a young boy.

10   Vadim and Iris get married and are visited by his patron Count Starov who quizzes Vadim about his finances and his intentions.. Vadim and Iris move to Paris, where eventually Vadim suffers from jealousy. He quizzes Iris about her past and begins to suspect her of infidelity.

11   Iris cannot learn Russian and has no access to Vadim’s writing. She starts writing a detective novel. Vadim publishes his first novel and starts the second. Iris goes briefly for Russian lessons with Nadezhda Starov, who has a dashing husband.

12   Iris gives Vadim a badly written and badly translated letter written to her fictional heroine for his comment. Vadim believes it might be from a real admirer – but screws it up and throws it away.

13   Ivor returns from the USA and goes to dinner with Vadim and Iris, following which Nadezhda’s husband turns up in the street, kills Iris, then shoots himself. When Nadezhda turns up for her husband’s funeral she offers to tell Vadim ‘everything’ – but he prefers not to know about what is obviously his wife’s infidelity.

Part Two

1   Following his wife’s death Vadim goes to stay with his friend Stephan Stephanov and mixes with other Russian emigres. He also has a very dubious relationship with a very young girl called Dolly Borg.

2   After describing his composition techniques, he hires a typist Lyuba Savich, who turns out to be an avid fan of his works. However, even though she is very attractive, he gets rid of her.

3   He continues to complain about his spatial ‘madness’, continues writing, gives lectures, and starts to look for a replacement typist.

4   He visits Oksman, manager of a Russian emigre bookshop in Paris, and former revolutionary. Oksman compliments Vadim on his novels, but gets their titles wrong.

5   Vadim’s second typist is Annette Blagovo, who makes lots of mistakes and criticises his work. She does not understand his writing at all.

6   Vadim describes a dream of his younger self and Annette in two beds in the same room. When he gets into Annette’s bed, an attractive maid enters the room, laughing.

7   Vadim writes Annette an absurdly detailed letter describing his difficulty recreating topographical space in his memory, which he regards as ‘madness’. He feels obliged to warn her about this , before making a proposal of marriage. But she agrees to become engaged anyway.

8   He goes to meet her parents to announce his intentions. Then, despite her inexperience and prudishness, he makes a clumsy and unsuccessful attempt to seduce her.

9   Vadim refuses to get married in grand style. His literary success continues in the late 1930s, and his work begins to appear in English.

10   He complains about translations of his work appearing in the USA and England, and then in the late 1930s he begins writing in the English language. He recalls the language he learned in his childhood, discusses the perils of switching from one language to another, then he goes to America.

Part Three

1   In America Vadim obtains a fellowship in European literature at Quirn University, and his writing becomes more widely known.

2   He and Annette have a child (Isabella) but the marriage rapidly goes cold. On a trip to New York City he meets Dolly Borg whom he knew as a child in Paris. She visits his office at Quirn, and they begin a sexual relationship.

3   Dolly arranges a rendezvous in a friend’s apartment in New York. When they arrive the meeting becomes a nightmare fantasy of thwarted expectations and bad taste. Vadim seems to collapse and is taken to hospital.

4   His wife Annette finds out about his affair with Dolly and leaves him She writes a letter in pro-Soviet tones and demands support payments.

Part Four

1   Vadim takes a sabbatical year from Quirn, buys a car, and drives West. After a year’s wandering he returns to the University and to new quarters. He begins an affair with the wife of his Head of Department.

2   There is a local tornado, after which he prepares his house for the arrival of his daughter Bel. She turns out to be clever and sexually precocious.

3   They go touring in his car together. She writes poetry which he pretends to enjoy, and there is a lot of suggestive foreplay. He is addressing his narrative to one of her school friends, Louise.

4   People at Quirn begin to question the nature of his relationship with Bel. He is invited to a party where he makes a public announcement about his ‘disability’ – prior to proposing to Louise, who says she will marry him nevertheless.

5   Louise calls round next morning at breakfast and meets Bel – with whom there is something of a rivalry and standoff.

6   Louise introduces lots of vulgarity into his household, and the relationship with Bel gets even worse.

7   Bel is sent to a Swiss finishing school and Vadim claims to miss her, whilst working on the novel which is to bring him fame and fortune (A Kingdom by the Sea. His relationship with Louise gets worse, and she makes contact with a former lover.

Part Five

1   Bel marries a young American and elopes to Russia. Vadim’s novel is a big success. He receives word from an intermediary that Bel needs his help. He grows a beard and obtains a false passport.

2   He takes a flight to Moscow and a connection to St Petersburg, the city of his birth. He is followed by an agent of some sort. But when he meets his informant she is a partly deranged woman who tells him that Bel has been taken away by her husband.

3   He flies back to Paris en route to New ~York. At Orly airport he is intercepted by the agent, who turns out to be a Soviet writer and an apparatchik. He insults Vadim for ‘betraying’ Russia in his writings – and Vadim punches him on the nose.

Part Six

1   Vadim resigns from his post at Quirn, and whilst clearing out his belongings meets a classmate of his daughter, forty-five years younger than him.

2   They travel together to Europe. Vadim gives her the index cards on which he has written his latest novel Ardis. He then goes for a walk, reflecting on what a successful writer he is. But at the end of the walk he finds it impossible to turn back.

Part Seven

1   Vadim has some form of mental seizure which he records in fantasmagoric images

2   He is transported to a hospital, suffering from some sort of paralysis or dementia. He perceives life as a series of lurid images composed from elements of his former life.

3   When he partially recovers he cannot remember his family name.

4   He recuperates in another hospital, joined by his still un-named fourth wife-to-be. She has read his confessional fragments from Ardis, and explains that his mental dilemma is based on a false premise.


Vladimir Nabokov - portrait

Vladimir Nabokov


Look at the Harlequins – principal characters
Vadim Vadimovich N. the narrator and protagonist
Ivor Black Vadim’s friend from Cambridge – an actor and director
Count Starov Vadim’s rich Russian patron
Iris Black’s sister, Vadim’s first wife
Kanner a pianist who collects butterflies
Stephan Stephanov Vadim’s friend in Paris
Lyuba Savich Vadim’s first typist
Oksman Russian bookshop owner in Paris
Annette Blogovo Vadim’s second typist and second wife
Isabel (Bel) Vadim and Annette’s daughter
Dolly Borg grand-daughter of Vadim’s Paris friend
Louise school friend of Bel, Vadim’s third wife
Waldemar Exkel Vadim’s Baltic assistant at Quirm
Gerrard Adamson Chair of English at Quirm
Louise Adamson his wife, Vadim’s lover
— a school friend of Bel, and Vadim’s fourth wife

Other work by Vladimir Nabokov

Pale FirePale Fire is a very clever artistic joke. It’s a book in two parts – the first a long poem (quite readable) written by an American poet who we are encouraged to think of as someone like Robert Frost. The second half is a series of footnoted commentaries on the text written by his neighbour, friend, and editor. But as we read on the explanation begins to take over the poem itself, we begin to doubt the reliability – and ultimately the sanity – of the editor, and we end up suspended in a nether-world, half way between life and illusion. It’s a brilliantly funny parody of the scholarly ‘method’ – written around the same time that Nabokov was himself writing an extensive commentary to his translation of Pushkin’s Eugene Onegin.
Vladimir Nabokov - Pale Fire Buy the book at Amazon UK
Vladimir Nabokov - Pale Fire Buy the book at Amazon US

 

PninPnin is one of his most popular short novels. It deals with the culture clash and catalogue of misunderstandings which occur when a Russian professor of literature arrives on an American university campus. Like many of Nabokov’s novels, the subject matter mirrors his life – but without ever descending into cheap autobiography. This is a witty and tender account of one form of naivete trying to come to terms with another. This particular novel has always been very popular with the general reading public – probably because it does not contain any of the dark and often gruesome humour that pervades much of Nabokov’s other work.
Vladimir Nabokov - Pnin Buy the book at Amazon UK
Vladimir Nabokov - Pnin Buy the book at Amazon US

 

Collected StoriesCollected Stories Nabokov is also a master of the short story form, and like many writers he tried some of his literary experiments there first, before giving them wider reign in his novels. This collection of sixty-five complete stories is drawn from his entire working life. They range from the early meditations on love, loss, and memory, through to the later technical experiments, with unreliable story-tellers and the games of literary hide-and-seek. All of them are characterised by a stunning command of language, rich imagery, and a powerful lyrical inventiveness.
Vladimir Nabokov - Collected Stories Buy the book at Amazon UK
Vladimir Nabokov - Collected Stories Buy the book at Amazon US

© Roy Johnson 2015


More on Vladimir Nabokov
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Nabokov’s Complete Short Stories


Filed Under: Vladimir Nabokov Tagged With: English literature, Literary studies, The novel, Vladimir Nabokov

Lord Beaupre

December 2, 2012 by Roy Johnson

tutorial, commentary, study resources, and web links

Lord Beaupre first appeared in Macmillan’s Magazine in April—June 1892. It was first called Lord Beauprey but then given its new title when the tale was reprinted in the collection The Private Life published in London by Osgood, McIlvaine in 1893.

Lord Beaupre

Wakehurst Place – West Sussex


Lord Beaupre – critical comment

The main dramatic interest in this tale is supplied by the bogus engagement between Guy and Mary. Despite the fact that Mary is reluctant to join in the scheme, and despite Guy’s cavalier attitude to its possible consequences, the reader is given every reason to believe that it will eventually turn into a sincere commitment and lead to marriage.

Mrs Gosselin believes that Guy is in love with her daughter, but that he does not yet realise it. Mary on her part believes that once the charade has served its purpose of keeping away marriageable young women, Guy will feel his way to make her a new and this time genuine proposal.

Other characters in the story are of the same opinion: they explain the peculiarity of an engagement without any declared dates by the idea that Mary is trying to ‘snare’ Guy, or that given time they will come to genuinely love each other.

This is exactly what happens. Guy certainly does come to realise how much Mary means to him – but only when it is too late, and she has accepted Bolton-Brown’s offer of marriage.


Lord Beaupre – study resources

Lord Beaupre The Complete Works of Henry James – Kindle edition – Amazon UK

Lord Beaupre The Complete Works of Henry James – Kindle edition – Amazon US

Lord Beaupre Complete Stories 1892—1898 – Library of America – Amazon UK

Lord Beaupre Complete Stories 1892—1898 – Library of America – Amazon US

Lord Beaupre The Complete Tales of Henry James – Volume 8 – Digireads reprint – UK

Lord Beaupre The Complete Works of Henry James – Kindle eBook edition

Lord Beaupre Lord Beaupré – eBook formats at Project Gutenberg

Red button The Cambridge Companion to Henry James – Amazon UK

Lord Beaupre


Lord Beaupre – plot summary

PartI. Guy Firminger is a young man with no occupation and no prospects. In conversation with old friends Mrs Gosselin and her daughter Mary, he discusses marriage and the condition of the young bachelor, bemoaning the fact that young men are seen as prey by mothers with daughters to marry.

Part II. Following three deaths in his extended family, Guy inherits the title Lord Beaupré and the wealth that goes with it. He then complains that as predicted he is being pursued by mothers and their daughters – especially by his plain eldest cousin, Charlotte Firminger. He suggests to Mary a scheme of pretending to be engaged in order to deflect the attention of would-be fortune hunters.

Part III. At a weekend party at his newly acquired estate at Bosco, the Gosselins coincide with just such a predatory mother and daughter, the Asburys. There is undeclared rivalry between Maude Asbury and Mary Gosslein for Guy’s favours, which culminate in an embarrassing scene – the outcome of which is that May Gosselin becomes engaged to Guy.

Part IV. However, this bogus engagement has been organised by Mrs Gosselin who claims she merely wishes to help Guy as an old family friend – though she is actually hoping that the engagement will lead to a sincere wish to marry. Mary herself disapproves of the deception, and points to its weaknesses and social unfairness.

Part V. Her brother Hugh also disapproves and thinks his American colleague Bolton-Brown is a more suitable candidate for Mary. Whilst Guy basks in the freedoms and comfort of his sham engagement, Hugh and Bolton-Brown return to America where they both work. Hugh tells his friend about the deception, and urges him to return to England.

Part VI. When people in society seem to suspect that something is not quite right about the engagement, Mary asks Guy to go away for three months. Guy goes to Homburg, where his is followed by his aunt and her daughter Charlotte. Bolton-Brown meanwhile arrives back from America and takes up residence close to Mrs Gosselin’s country house in Hampshire. He proposes to Mary.

But at this very point Guy returns from Germany. He and Mary go through the formalities of breaking off their engagement – even though it becomes clear that they now both have strong feelings for each other.

Mary agrees to marry Bolton-Brown, and Guy goes abroad again. Mrs Gosselin is disappointed that her plan has failed, and she prophecies difficulties ahead when Mary realises that she made the wrong choice. But in the meantime, Guy has married Charlotte, completing the symmetry of disappointments.


Principal characters
Guy Firminger a young first cousin to Lord beaupré, who inherits his title
Mrs Ashbury a socially ambitious mother
Maude Ashbury her daughter
Mrs Gosselin a socially powerful and ambitious woman
Mary Gosselin her daughter (23) an old friend of Guy
Hugh Gosselin her brother, a banker (30)
Frank Firminger Guy’s uncle
Charlotte Firminger his plain eldest daughter, Guy’s cousin, who he eventually marries
Mr Bolton-Brown a well-to-do American banker friend of Hugh, who Mary eventually marries
Lady Whiteroy a married admirer of Guy’s

Henry James portrait

Henry James – portrait by John Singer Sargeant


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James Washington SquareWashington Square (1880) is a superb early short novel, It’s the tale of a young girl whose future happiness is being controlled by her strict authoritarian (but rather witty) father. She is rather reserved, but has a handsome young suitor. However, her father disapproves of him, seeing him as an opportunist and a fortune hunter. There is a battle of wills – all conducted within the confines of their elegant New York town house. Who wins out in the end? You will probably be surprised by the outcome. This is a masterpiece of social commentary, offering a sensitive picture of a young woman’s life.
Henry James Washington Square Buy the book from Amazon UK
Henry James Washington Square Buy the book from Amazon US

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

© Roy Johnson 2013


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Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, Lord Beaupre, The Short Story

Lord Jim – a study guide

November 8, 2010 by Roy Johnson

tutorial, commentary, study resources, and web links

Lord Jim (1900) explores the tensions of European colonialism and its role in the East Indies in the late nineteenth century. Although the principal characters are English, the presence of Dutch, French, and German characters spreads the responsibility of ideological and cultural dominance during the highpoint of imperialism, and it does so over a geographic area which stretches from Aden in the Arabian Sea to Manila in the Philippines. It’s also a very dramatic story that explores one of Conrad’s favourite themes – moral redemption via suffering and renunciation.

Joseph Conrad - portrait

Joseph Conrad


Lord Jim – critical commentary

Narrative method

Lord Jim was the first of Conrad’s full length novels to feature as principal narrator Charles Marlow, the former sea captain. Marlow assembles the facts of the story from a number of different sources – from people he knows, and from information passed on to him from others. The details are then relayed to a group of people Marlow is addressing – and hence to the reader. However, they are not relayed in chronological order but re-arranged to create maximum dramatic effect.

Marlow knows the outcome of the whole story from the outset, and from times to time he offers tantalising glimpses into what is to come. But for the main part he withholds crucial items of information, which creates both dramatic tension and a sense of grim expectancy.

The narrative comprises a radically dislocated series of events. A conventional opening relates Jim’s career as chief mate of the Patna up to the very point of its accident in the Arabian Sea. But instead of describing the dramatic events of the Patna’s fate and the scandalous behaviour of its crew, the story suddenly jumps forward to the judicial inquest, and is then taken over by Marlow who reminisces about Jim from a point in time long after the events of the novel have concluded.

Marlow intersperses the narrative with sketches of other characters and accounts of other events, and it is only very gradually revealed that Jim has abandoned the Patna along with the other crew members. Thus the narrative expands and contracts in terms of the psychological interest with which Conrad imbues his characters. For instance the few moments that comprise Jim’s fears and misgivings as the ship is abandoned are stretched out over more than twenty pages, and the evening dinner at which Jim recounts these events to Marlow lasts more than fifty pages.

In common with his other novels narrated by Marlow (Heart of Darkness, Chance, and Youth) Conrad uses a literary sleight of hand to produce a narrative delivered by Marlow almost as if he were an eye-witness to events, even though he has only heard about them from the accounts of others. In the episode of the Patna‘s collision the narrative is actually passed back and forth between Jim (who tells Marlow what happened) and Marlow (who is relaying the story to his audience at a much later date).

“How long he stood stock-still by the hatch expecting every moment to feel the ship dip under his feet and the rush of water take him at the back and toss him like a chip, I cannot say. Not very long – two minutes perhaps.

Here is literary magic at work close to hand. Conrad simultaneously acknowledges uncertainty in the account of events (‘I cannot say …perhaps’) whilst giving the impression of honest accuracy (‘two minutes’).

The novel is as much about Marlow himself as the people whose story he tells. He is empathetic to Jim with very little reason to be so – except that he describes him in distinctly homo-erotic terms:

I looked at him. The red of his fair sunburnt complexion deepened suddenly under the down of his cheeks, invaded his forehead, spread to the roots of his curly hair. His ears became intensely crimson, and even the clear blue of his eyes was darkened many shades by the rush of blood to his head. His lips pouted a little, trembling as though he had been on the point of bursting into tears.

To an inattentive reader, Marlow appears to be describing Jim’s actions in the story (which he only knows about from Jim) but a great deal of the time he is imagining how Jim might have felt. He is appealing to his audience to empathise with Jim’s predicament in the drama he is reconstructing.

This is not unlike Marlow’s attitude to Kurtz in Heart of Darkness, where he is predisposed to Kurtz before he even meets him. He imagines the sort of person he must be and invests his actions with some sort of grandeur. We have no independent evidence by which to judge – only what Marlow tells us.

The narrative chain

The first part of the novel starts out with the story reaching readers in what appears to be a conventional third person omniscient narrative mode. We are given Jim’s background history and taken through his participation in the lead up to the Patna incident. But then an unnamed narrator reveals himself as a colleague of Marlow’s – to whom he hands over the narrative.

The story then purports to be Marlow relating events to a group of people who sit smoking in semi-darkness – a device Conrad was to use again in Heart of Darkness written two years later. The next three-quarters of the book is Marlow’s account of events. Jim tells him what happened on the Patna and then passes on the news of his subsequent life on future occasions when Marlow visits him a his outpost in Patusan.

But then the latter part of the novel is narrated in a manner which puts a great strain on any reader’s credulity. Marlow leaves Jim for the last time with a quarter of the novel still to go, never to see him again. So how does the story reach us?

The unnamed outer narrator (one of Marlow’s audience) tells us that just one of the listening group (described at the ‘privileged reader’) has the remainder of the story revealed to him. The information comes in the form of documents and an explanatory letter sent to him by Marlow. The principal document is a report written by Marlow of an account offeredto him by a dying man – Gentleman Brown.

There are all sorts of logical gaps, inconsistencies, and problems of credibility attached to this ending, and it must be said that this is not the only novel of Conrad’s that gave him difficulties in shaping a satisfactory conclusion to his story.

For instance, the concluding document details the conflict between Jim and Gentleman Brown as the warring groups battle against each other for dominance in Patusan. Brown survives the conflict and escapes, only to encounter illness and near death in the Indian Ocean. Marlow is providentially on hand as he dies, and so hears Brown’s account of the final conflict – which he of course relays as if he were a first-hand witness to the events.

But Brown escapes before the final scenes of Jim’s moral collapse and suicide, so Conrad rather implausibly suggests that these events were relayed to Marlow by Tamb’ Itam – Jim’s loyal bodyguard and servant. This is a man who earlier in the novel could barely speak English.

More importantly, even if we assume that the outer narrator, the ‘privileged reader’ of the documents and Marlow are all present at the two hundred and fifty page meeting which delivers the first three quarters of the narrative – we are not told how the ‘privileged reader’ passes on the story to the outer narrator.

It seems to me that Conrad simply creates problems for himself which could have been avoided. A simple third person omniscient narrative mode would have been a lot easier for delivering the story – or even a narrative recounted by Marlow with fewer contortions of plot and coincidence.

It is often claimed that this complex narrative mode allowed Conrad to show events and characters from multiple perspectives. But the fact is that almost everything we know – characters, setting, and events – are filtered through Marlow’s consciousness. He describes characters – and tells us what to think about them through both conventional description and layer upon layer of philosophising about the moral nature of man (rarely woman) in society.

It also has to be said that Conrad makes very little effort to put any distance between himself as autheor and Marlow as his fictional narrator. Readers have every reason to feel that Marlow is a mouthpiece for Conrad. His opinions are almost indistinguishable from those that Conrad records in his prefaces and notebooks. And Marlow slips repeatedly between the role of first person and third person omniscient narrator. It’s as if Conrad gets carried away with his own (admittedly gripping) story, and forgets the logic of the narrative structures he has built for himself.

The imperialist legacy

It should be noted that despite all of the high-minded sermonising and quasi-philosophic reflections that Conrad puts into Marlow’s words, the novel also contains many of the clichés of English Imperialism, handed to us straight from King Solomon’s Mines. The protagonist Jim is a young, handsome, blue-eyed, curly haired Billy Budd figure who dresses all in white. The natives eventually worship him as a figure of unimpeachable correctness. A mixed-race girl falls in love with him, and he even has a native guard who is so selflessly loyal to Jim that he even pretends to sleep so that he will not worry his master.


Lord Jim – study resources

Lord Jim Lord Jim – Oxford World’s Classics – Amazon UK

Lord Jim Lord Jim – Oxford World’s Classics – Amazon US

Lord Jim Lord Jim – Penguin Modern Classics – Amazon UK

Lord Jim Lord Jim – Penguin Modern Classics – Amazon US

Lord Jim Lord Jim – Wordsworth Classics – Amazon UK

Lord Jim Lord Jim – Wordsworth Classics – Amazon US

Lord Jim Lord Jim – Everyman Library Classics – Amazon UK

Lord Jim Lord Jim – Everyman Library Classics – Amazon US

Lord Jim Lord Jim – Norton Critical Editions – Amazon UK

Lord Jim Lord Jim – Cliffs Notes – Amazon UK

Lord Jim Lord Jim – York Notes – Amazon UK

Lord Jim Lord Jim – eBook versions at Project Gutenberg

Lord Jim Lord Jim – AudioBook MP3 unabridged – Amazon UK

Joseph Conrad Joseph Conrad: A Biography – Amazon UK

Red button The Cambridge Companion to Joseph Conrad – Amazon UK

Red button Routledge Guide to Joseph Conrad – Amazon UK

Red button Oxford Reader’s Companion to Conrad – Amazon UK

Pointer Notes on Life and Letters – Amazon UK

Pointer Joseph Conrad – biographical notes

Pointer Joseph Conrad at Wikipedia – biographical notes, links

Red button Joseph Conrad at Mantex – tutorials, biography, study resources

Lord Jim


Lord Jim – plot summary

Lord JimJim is a young English sailor fired with romantic dreams of heroism in the face of danger. On a sea voyage transporting pilgrims from Singapore to Jeddah in the Red Sea, his ship the Patna is involved in a collision. Thinking that the vessel is sinking, the crew (including Jim) abandon ship. However, the ship does not sink, but is rescued by a French boat and towed to safety. There is an official inquest into the incident in Bombay, before which the German captain absconds and at which Jim is stripped of his seaman’s certificate in dishonour.

Marlow meets Jim at the inquest and sympathises with his situation. Understanding Jim’s wish to remove himself from the disgrace, Marlow finds him work in a remote location. Jim is successful, but when a reminder of the Patna affair resurfaces, Jim walks away from his position. This pattern of events is repeated, with Jim retreating further and further from civilization.

He eventually is given a job as trading post chief by Stein, a friend of Marlow’s, and Jim finds himself in Patusan, a remote location in the East Indies. At first he is regarded suspiciously by the natives, but he makes himself popular by overthrowing a local war lord. He takes a common-law wife, and after two or three years feels that he has successfully reclaimed his self-respect and thrown off the shame of the Patna incident.

However, ‘Gentleman’ Brown a criminal marauding Englishman who has stolen a ship and run short of supplies, sails into Patusan and decides to plunder the natives at whatever the cost. He attacks the natives and sets up a temporary camp. Jim negotiates with him and persuades him to leave peacefully, so as to avoid further conflict. But he double-crosses Jim and attacks the natives again, killing the local chief’s son. Jim realises that he has betrayed the trust of the people who looked up to him, and he commits a form of suicide by allowing the local chief to shoot him.


Lord Jim – film version

FILM – Lord Jim (1965) – starring Peter O’Toole

Red button See reviews of the film at the Internet Movie Database


Principal characters
I an unnamed outer narrator who relays Marlow’s story
Charles Marlow a former sea captain, the principal narrator of events
Jim (James) a young English sailor, fired with notions of heroism (his surname is never revealed)
Fat German the cowardly captain of the Patna
Archie Ruthvel principal shipping master in Bombay
Captain Elliot master attendant in Bombay
Montague Brierly head of the Patna enquiry, a haughty naval assessor, captain of the Ossa, who commits suicide
Mr Jones chief officer of the Ossa
French Lieutenant gun boat officer who boards the stricken Patna
Chester seaman cum trader in Bombay with guano island scheme
Captain Robinson former pirate, his business partner
Denver rice mill owner in Rangoon to whom Marlow recommends Jim
Stein German trader and entomologist
Cornelius old cringing man, Jim’s predecessor in Patusan
Doramin Stein’s overweight ‘war comrade’ in Patusan – chief of the second regional power
Dain Waris Doramin’s brave son
Tunku Allang Rajah in Patusan
Sherif Ali robber baron war lord in Patusan
Jewel Jim’s mixed-race common-law wife, step-daughter of Cornelius
Tamb’ Itam Jim’s loyal native guard and servant
‘privileged reader’ an unnamed character to whom Marlow sends documents
‘Gentleman’ Brown ‘son of a baronet’ pirate and buccaneer

Biography


The Cambridge Companion to Joseph ConradThe Cambridge Companion to Joseph Conrad offers a series of essays by leading Conrad scholars aimed at both students and the general reader. There’s a chronology and overview of Conrad’s life, then chapters that explore significant issues in his major writings, and deal in depth with individual works. These are followed by discussions of the special nature of Conrad’s narrative techniques, his complex relationships with late-Victorian imperialism and with literary Modernism, and his influence on other writers and artists. Each essay provides guidance to further reading, and a concluding chapter surveys the body of Conrad criticism.


Joseph Conrad - manuscript page

Manuscript page from Heart of Darkness


Further reading

Red button Amar Acheraiou Joseph Conrad and the Reader, London: Macmillan, 2009.

Red button Jacques Berthoud, Joseph Conrad: The Major Phase, Cambridge: Cambridge University Press, 1978.

Red button Muriel Bradbrook, Joseph Conrad: Poland’s English Genius, Cambridge: Cambridge University Press, 1941

Red button Harold Bloom (ed), Joseph Conrad (Bloom’s Modern Critical Views, New Yoprk: Chelsea House Publishers, 2010

Red button Hillel M. Daleski , Joseph Conrad: The Way of Dispossession, London: Faber, 1977

Red button Daphna Erdinast-Vulcan, Joseph Conrad and the Modern Temper, Oxford: Oxford University Press, 1991.

Red button Aaron Fogel, Coercion to Speak: Conrad’s Poetics of Dialogue, Cambridge, Mass: Harvard University Press, 1985

Red button John Dozier Gordon, Joseph Conrad: The Making of a Novelist, Cambridge, Mass: Harvard University Press, 1940

Red button Albert J. Guerard, Conrad the Novelist, Cambridge, Mass: Harvard University Press, 1958

Red button Robert Hampson, Joseph Conrad: Betrayal and Identity, Basingstoke: Macmillan, 1992

Red button Jeremy Hawthorn, Joseph Conrad: Language and Fictional Self-Consciousness, London: Edward Arnold, 1979

Red button Jeremy Hawthorn, Joseph Conrad: Narrative Technique and Ideological Commitment, London: Edward Arnold, 1990

Red button Jeremy Hawthorn, Sexuality and the Erotic in the Fiction of Joseph Conrad, London: Continuum, 2007.

Red button Owen Knowles, The Oxford Reader’s Companion to Conrad, Oxford: Oxford University Press, 1990

Red button Jakob Lothe, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008

Red button Gustav Morf, The Polish Shades and Ghosts of Joseph Conrad, New York: Astra, 1976

Red button Ross Murfin, Conrad Revisited: Essays for the Eighties, Tuscaloosa, Ala: University of Alabama Press, 1985

Red button Jeffery Myers, Joseph Conrad: A Biography, Cooper Square Publishers, 2001.

Red button Zdzislaw Najder, Joseph Conrad: A Life, Camden House, 2007.

Red button George A. Panichas, Joseph Conrad: His Moral Vision, Mercer University Press, 2005.

Red button John G. Peters, The Cambridge Introduction to Joseph Conrad, Cambridge: Cambridge University Press, 2006.

Red button James Phelan, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008.

Red button Edward Said, Joseph Conrad and the Fiction of Autobiography, Cambridge Mass: Harvard University Press, 1966

Red button Allan H. Simmons, Joseph Conrad: (Critical Issues), London: Macmillan, 2006.

Red button J.H. Stape, The Cambridge Companion to Joseph Conrad, Cambridge: Cambridge University Press, 1996

Red button John Stape, The Several Lives of Joseph Conrad, Arrow Books, 2008.

Red button Peter Villiers, Joseph Conrad: Master Mariner, Seafarer Books, 2006.

Red button Ian Watt, Conrad in the Nineteenth Century, London: Chatto and Windus, 1980

Red button Cedric Watts, Joseph Conrad: (Writers and their Work), London: Northcote House, 1994.


Joseph Conrad - writing table

Joseph Conrad’s writing table


Other novels by Joseph Conrad

Joseph Conrad ChanceChance is the first of Conrad’s novels to achieve a wide commercial success, and one of the few to have a happy ending. It tells the story of Flora de Barral, the abandoned daughter of a bankrupt tycoon, and her long struggle to find happiness and dignity. He takes his techniques of weaving complex narratives to a challenging level here. His narrator Marlow is piecing together the story from a mixture of personal experience and conversations with other characters in the novel. At times it is difficult to remember who is saying what to whom. This is a work for advanced Conrad fans only. Make sure you have read some of the earlier works first, before tackling this one.
Joseph Conrad Buy the book from Amazon UK
Joseph Conrad Buy the book from Amazon US

The novels of Joseph Conrad - VictoryVictory (1915) is set in the legendary port of Surabaya and in an outpost of the Malayan archipelago. It is the story of Swedish recluse Axel Heyst, who rescues Lena, a young woman from a touring orchestra and runs off to live in remote seclusion, influenced by the pessimistic philosophy of his father. But he is pursued by two lying and scheming English gamblers, who believe he is concealing ill-gotten wealth. They corner him in his retreat, and despite the efforts of Lena to shield Heyst from their plans, there is a tragic confrontation which brings destruction into their island paradise.
Joseph Conrad Buy the book from Amazon UK
Joseph Conrad Buy the book from Amazon US

 


Joseph Conrad – web links

Joseph Conrad - tutorials Joseph Conrad at Mantex
Biography, tutorials, book reviews, study guides, videos, web links.

Red button Joseph Conrad – his greatest novels and novellas
Brief notes introducing his major works in recommended editions.

Joseph Conrad - eBooks Joseph Conrad at Project Gutenberg
A major collection of free eTexts in a variety of formats.

Joseph Conrad - further reading Joseph Conrad at Wikipedia
Biography, major works, literary career, style, politics, and further reading.

Joseph Conrad - adaptations Joseph Conrad at the Internet Movie Database
Adaptations for the cinema and television – in various languages. Full details of directors and actors, production notes, box office, trivia, and quizzes.

Joseph Conrad - etexts Works by Joseph Conrad
Large online database of free HTML texts, digital scans, and eText versions of novels, stories, and occasional writings.

Joseph Conrad - journal The Joseph Conrad Society (UK)
Conradian journal, reviews. and scholarly resources.

Conrad US journal The Joseph Conrad Society of America
American-based – recent publications, journal, awards, conferences.

Joseph Conrad - concordance Hyper-Concordance of Conrad’s works
Locate a word or phrase – in the context of the novel or story.

© Roy Johnson 2010


More on Joseph Conrad
Twentieth century literature
More on Joseph Conrad tales


Filed Under: Joseph Conrad Tagged With: English literature, Joseph Conrad, Literary studies, Lord Jim, The novel

Louisa Pallant

May 31, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

Louisa Pallant first appeared in magazine form in Harper’s New Monthly Magazine for February 1888, alongside contributions by William Dean Howells and George Du Maurier. It was then reprinted in book form in England and America later the same year.

Baveno Lake Maggiore

Baveno – Lago di Maggiore


Louisa Pallant – critical commentary

Intertexuality

Sometimes a work of literature may contains echoes or references to another work by a different author (and the same may be true for works of art or music). They may be placed there deliberately or unintentionally. And these references may (or may not) throw extra light onto either the earlier or the later work.

Here there is a clear echo of Great Expectations (1860-61). Charles Dickens’s character Miss Havisham has been jilted at the altar and has been eaten up with bitterness ever since. As a form of revenge upon men, she trains her young ward Estella to be deliberately stony hearted. When the young hero of the novel Pip falls in love with Estella, she encourages him, then takes delight in rejecting and humiliating him.

In Louisa Pallant, the roles are similar, although the outcome is different. Louisa has been ‘engaged’ to the narrator, but has rejected him in favour of Henry Pallant. We have the impression that she chose a richer man, but her marriage has not been a success, and her husband has both died and left her without very much money.

Louisa has produced a daughter who is cold, clever, calculating, and socially ambitious. Louisa herself admits that the girl is the embodiment of her own weaknesses and flaws – but much magnified. And on the balance of events in the tale, Linda gets what she wants – a rich husband.

Fortunately, Louisa is a benign version of Miss Havisham, and she is decent enough to warn Archie against her own daughter. In fact she hints that the warning is a sort of recompense to the narrator for the distress she caused him in the past. Archie escapes in time and is spared what could have been a painful and disastrous mistake.


Louisa Pallant – study resources

Louisa Pallant The Complete Works of Henry James – Kindle edition – Amazon UK

Louisa Pallant The Complete Works of Henry James – Kindle edition – Amazon US

Louisa Pallant Complete Stories 1884—1891 – Library of America – Amazon UK

Louisa Pallant Complete Stories 1884—1891 – Library of America – Amazon US

Louisa Pallant Louisa Pallant – paperback edition – Amazon UK

Louisa Pallant Louisa Pallant – paperback edition – Amazon US

Louisa Pallant Louisa Pallant – read the original text n line

Louisa Pallant Louisa Pallant – Kindle edition – Amazon UK

Louisa Pallant Louisa Pallant – Kindle edition – Amazon US

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

Louisa Pallant


Louisa Pallant – plot summary

Part I.   In the spa town of Homburg, an un-named narrator meets Louisa Pallant, a former inamorata, and Linda, her pretty young daughter. Louisa formerly rejected him in favour of Mr Henry Pallant, who has since died, leaving her short of money. Although the narrator claims to be glad to have escaped his commitment to her, he also blames her for his having remained a bachelor ever since.

Part II.   The narrator is particularly impressed with the daughter’s social aplomb and polish, and yet surprised that her mother seems slightly disappointed with her. The narrator’s nephew Archie arrives, and gets on well with Linda.

Part III.   Louisa warns the narrator that Archie is in danger of falling in love with her daughter, and that his mother (the narrator’s sister) would disapprove. She argues that the narrator ought to take him away, out of this danger. He at first prefers to remain in Homburg, but finally decides to leave – only to find that Louisa Pallant has already departed.

Part IV.   The narrator is angry at this sudden disappearance and hopes for a letter of explanation, but none comes. He and Archie travel on to Switzerland where Archie receives a letter from Louisa Pallant in Baveno on Lake Maggiore. The two men follow her there, where Louisa warns the narrator that the renewal of their relations is dangerous and much to his amazement speaks critically against her own daughter.

Part V.   Louisa warns him that Linda is cold, heartless, and has a ruthless ambition to succeed socially. He protests against this, but she insists that the girl is of her own making. She claims that Linda represents all her own faults and weaknesses, only magnified. Louisa wants to save Archie from the girl’s influence. The narrator wonders if this argument might be a bluff, and that she is saving Linda for somebody richer, with a title. But Louisa argues that princes often don’t have money, and that Linda will know all about Archie’s finances.

Part VI.   The two men return separately to their hotel across the lake, and the narrator worries about what Louisa might have said to Archie. But next day nothing seems any different, and the narrator goes to visit the two women alone. Louisa has spoken to Archie, but will not reveal the substance of what she has said. She advises the narrator to leave immediately. When he gets back to his hotel, Archie has left for Milan and then goes on to Venice alone. Time passes. Linda marries a rich Englishman, Archie remains single, and the narrator never discovers what was said.


Principal characters
I the un-named narrator, an American bachelor
Charlotte Parker the narrator’s sister
Archie Parker the narrator’s young nephew, heir to a fortune
Mrs Louisa Pallant a the narrator’s former lover, now a widow
Mrs Linda Pallant her pretty and gifted daughter

Louisa Pallant - Henry James portrait

Henry James – portrait by John Singer Sargeant


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The BostoniansThe Bostonians (1886) is a novel about the early feminist movement. The heroine Verena Tarrant is an ‘inspirational speaker’ who is taken under the wing of Olive Chancellor, a man-hating suffragette and radical feminist. Trying to pull her in the opposite direction is Basil Ransom, a vigorous young man to whom Verena becomes more and more attracted. The dramatic contest to possess her is played out with some witty and often rather sardonic touches, and as usual James keeps the reader guessing about the outcome until the very last page.

Louisa Pallant Buy the book at Amazon UK
Louisa Pallant Buy the book at Amazon US

Henry James What Masie KnewWhat Masie Knew (1897) A young girl is caught between parents who are in the middle of personal conflict, adultery, and divorce. Can she survive without becoming corrupted? It’s touch and go – and not made easier for the reader by the attentions of an older man who decides to ‘look after’ her. This comes from the beginning of James’s ‘Late Phase’, so be prepared for longer and longer sentences. In fact it’s said that whilst composing this novel, James switched from writing longhand to using dictation – and it shows if you look carefully enough – part way through the book.
Henry James What Masie Knew Buy the book at Amazon UK
Henry James What Masie Knew Buy the book at Amazon US

Henry James The AmbassadorsThe Ambassadors (1903) Lambert Strether is sent from America to Paris to recall Chadwick Newsome, a young man who is reported to be compromising himself by an entanglement with a wicked woman. However, Strether’s mission fails when he is seduced by the social pleasures of the European capital, and he takes Newsome’s side. So a second ambassador is dispatched in the form of the more determined Sarah Pocock. She delivers an ultimatum which is resisted by the two young men, but then an accident reveals unpleasant truths to Strether, who is faced by a test of loyalty between old Europe and the new USA. This edition presents the latest scholarship on James and includes an introduction, notes, selected criticism, a text summary and a chronology of James’s life and times.

Longstaff's Marriage Buy the book at Amazon UK
Longstaff's Marriage Buy the book at Amazon US


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

© Roy Johnson 2013


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

Madame de Mauves

June 18, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

Madame de Mauves first appeared in The Galaxy magazine for February—March 1874. It was reprinted a year later as part of James’s first book, The Passionate Pilgrim and Other Tales, published by Osgood in Boston, 1875.

Saint-Germain Spring

Saint-Germain in Spring – by Alfred Sisley


Madame de Mauves – critical commentary

This is an astonishingly mature work for such a young writer. James was only slightly over thirty years old at the time of the tale’s publication, and he had just come to the end of a ten year apprenticeship in writing reviews and short stories. He had yet to write any major work, but Madame de Mauves certainly points to his potential ability to do so. The theme of people entombed in unhappy relationships and solving their problems by renunciation is something he would explore in The Portrait of a Lady written only a few years later.

The international theme

As someone who had lived on both continents, James made the juxtaposition of America and Europe into one of his favourite subjects. Here the contrast is made between the two Americans Longmore and Euphemia de Mauves, and the Europeans (French) Count Richard de Mauves and his sister-in-law Madame Clarin.

Mauves belongs to an old aristocratic family which has no money. So he marries the wealthy Euphemia and reverts to family type by ignoring his marriage and indulging in petty affairs almost as a way of life. Madame Clarin explains all this to Longmore, including the fact that the family has a long tradition of suffering wives who have tolerated such behaviour for the sake of the family’s ‘name’ in society.

Count Mauves has noticed Longmore’s interest in his wife, and encourages his attentions, hoping that the two of them will begin an affair which will in its turn justify his own way of life. To contemporary readers this might seem like an improbably melodramatic plot device, but in fact it is based on the historically sound observation that amongst the upper classes, sexual fidelity has never been a high priority.

So long as the appearance of propriety was maintained and no scandal allowed to sully a family’s name (a collective responsibility) adulteries of all kinds could be incorporated into the practices of upper-class life. Husbands did not have to give any reasons for being absent from their families. Wives could amuse themselves with any number of married or single men (as Euphemia does with Longmore).

The prime objective was to consolidate the family unit as a symbol of accumulated capital and property – which is why Count Mauves’ eventual suicide has been criticised by some commentators as somewhat improbable. There is no reason why he should not merely revert to his previous adulteries and keep the family and its name intact and unsullied.

Of course all this throws French society into a very dubious light compared with the upright behaviour of the two principal Americans. Longmore and Euphemia clearly love each other, but she manages to persuade him to adopt the honourable route of renunciation and self-denial. Madame Clarin on the other hand offers Longmore a ‘devil’s pact’ argument that the family traditions provide an open pathway to socially sanctioned adultery. The two Americans take the honourable way out, at the expense of their own personal happiness.


Madame de Mauves – study resources

Madame de Mauves The Complete Works of Henry James – Kindle edition – Amazon UK

Madame de Mauves The Complete Works of Henry James – Kindle edition – Amazon US

Madame de Mauves Complete Stories 1874—1884 – Library of America – Amazon UK

Madame de Mauves Complete Stories 1874—1884 – Library of America – Amazon US

Madame de Mauves Madame de Mauves – eBook formats at Gutenberg

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

Madame de Mauves


Madame de Mauves – plot summary

Part I. Rich American Longmore has been in Saint Germain for six months when his fellow American acquaintance Mrs Draper introduces him to Madame Euphemia de Mauves. She is a rich American woman married to a Frenchman who is intent on spending all her money. She is domestically unhappy, and Mrs Draper encourages Longmore to ‘entertain’ her.

Part II. Euphemia has been educated in a convent and has generated a romantic ambition to marry an aristocrat. Her childhood friend Marie de Mauves invites her to the ancestral home in the Auvergne, where old Madame de Mauves advises her to ignore moral niceties and act pragmatically.

When Richard de Mauves arrives, Euphemia sees him as the epitome of an aristocratic gentleman – although he is in fact a wastrel with unpaid bills. When he proposes marriage, Euphemia is very happy. But her mother imposes a two-year ban on the relationship – but at the end of it she marries him.

Part III. Longmore visits Madame de Mauves and marvels at her resignation. Euphemia’s sister-in-law is married to a wholesale pharmacist who gambles and loses on the stock exchange, then commits suicide. The widow pays court to Longmore, who dislikes her.

He ought to join his old friend Webster in Brussels for a holiday, but feels obliged to ‘support’ Madame de Mauves in her unhappiness. Her husband absents himself from the family home, but is amazingly polite to Longmore and encourages him to keep visiting.

Part IV. Webster writes to Longmore, asking about their planned holiday. Longmore asks Euphemia if she is happy or not – and she tells him it is an entirely private matter, and encourages him to join his friend on holiday. As he takes his leave he is patronised by the Count. Longmore writes to his friend Mrs Draper with his assessment of Madame de Mauves and her husband.

Part V. Longmore goes to Paris, but instead of going on to Brussels, he lingers there, thinking about Madame de Mauves and wondering if he is in love with her or not. Whilst dining in the Bois de Boulogne he sees the Count with a woman of the streets. He returns immediately to Saint Germain where he and Madame de Mauves discuss her situation and his wish to ‘support’ her – during which the Count casually passes by. Longmore is teased and patronised by Madame Clarin.

Part VI.When Longmore next visits the house, Madame de Clarin recounts to him the family history of faithless husbands and long-suffering wives. She also reveals that because the Count’s latest ‘folly’ has been discovered, he has suggested to his wife that she take Longmore as her lover, to form a social quid pro quo.

Part VII. Longmore takes a bucolic interlude in which he meets a young artist and his lover at a country inn, then falls asleep in the forest and dreams of being separated from Madame de Mauves by her husband.

Part VIII. When Longmore next meets Madame de Mauves she wants him to make a big sacrifice for both of them (by renouncing her) – so that she can continue to have someone to look up to and respect.

Part IX. Lomgmore is deeply conflicted on the issue, and he wonders why Euphemia should be so self-denying and stoical. He retreats to Paris to think about his decision. Once again he bumps into the Count in a compromising situation. Longmore leaves Saint Germain, and the Count is severely discomfited.

Part X. Two years pass, then Longmore learns from Mrs Draper that the Count repented and begged to be re-accepted by Madame de Mauves. She refused to accept him, so he committed suicide. Longmore returns to America and remains there.


Principal characters
Longmore a rich young man from New York
Mrs Maggie Draper his American friend in England
Madame Euphemia de Mauves a rich American (née Cleve)
Count Richard de Mauves her philandering husband
Marie de Mauves Euphenia’s young friend
old Madame de Mauves Marie’s grandmother
Mrs Cleve Euphenia’s mother
Madame Clarin Euphemia’s sister-in-law
M. Clarin wholesale druggist and gambler

Madame de Mauves - Henry James portrait

Henry James – portrait by John Singer Sargeant


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The BostoniansThe Bostonians (1886) is a novel about the early feminist movement. The heroine Verena Tarrant is an ‘inspirational speaker’ who is taken under the wing of Olive Chancellor, a man-hating suffragette and radical feminist. Trying to pull her in the opposite direction is Basil Ransom, a vigorous young man from the South to whom Verena becomes more and more attracted. The dramatic contest to possess her is played out with some witty and often rather sardonic touches, and as usual James keeps the reader guessing about the outcome until the very last page.

Madame de Mauves Buy the book at Amazon UK
Madame de Mauves Buy the book at Amazon US

Henry James What Masie KnewWhat Masie Knew (1897) A young girl is caught between parents who are in the middle of personal conflict, adultery, and divorce. Can she survive without becoming corrupted? It’s touch and go – and not made easier for the reader by the attentions of an older man who decides to ‘look after’ her. This comes from the beginning of James’s ‘Late Phase’, so be prepared for longer and longer sentences. In fact it’s said that whilst composing this novel, James switched from writing longhand to using dictation – and it shows if you look carefully enough – part way through the book.
Henry James What Masie Knew Buy the book at Amazon UK
Henry James What Masie Knew Buy the book at Amazon US

Henry James The AmbassadorsThe Ambassadors (1903) Lambert Strether is sent from America to Paris to recall Chadwick Newsome, a young man who is reported to be compromising himself by an entanglement with a wicked woman. However, Strether’s mission fails when he is seduced by the social pleasures of the European capital, and he takes Newsome’s side. So a second ambassador is dispatched in the form of the more determined Sarah Pocock. She delivers an ultimatum which is resisted by the two young men, but then an accident reveals unpleasant truths to Strether, who is faced by a test of loyalty between old Europe and the new USA. This edition presents the latest scholarship on James and includes an introduction, notes, selected criticism, a text summary and a chronology of James’s life and times.
Longstaff's Marriage Buy the book at Amazon UK
Longstaff's Marriage Buy the book at Amazon US


Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

© Roy Johnson 2013


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

Madame de Treymes

July 1, 2014 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

Madame de Treymes was published in 1907. It was Edith Wharton’s first major work after the success of The House of Mirth which had been published two years previously. The tale features American expatriates living in France, and contrasts new world simplicity and individual freedoms with old world family traditions and manipulation.

Madame de Treymes

Paris: Rainy Street – Gustave Caillebotte 1848-1894


Madame de Treymes – critical commentary

This is a story straight out the mould of Henry James – with hints of Balzac. Democratically open but young and maybe naive American honesty is pitted again tradition-bound European guile with its money-centric and snobbish exclusivity hiding behind a hypocritical veil of religious values. The situation also has a slightly Gothic tinge: an unhappy young woman, trapped in a loveless marriage to a corrupt husband, with very little chance of escape, is hounded by ruthlessly devious relatives.

The central conundrum with which one is left at the end of the tale is Madame de Treymes’ possible motive(s) for deceiving Durham? She understands and explains the family’s traditional and tightly controlled attitudes (fuelled by religious belief) towards divorce. This would be entirely in keeping with social conventions at the time, when the Catholic church frowned upon divorce with a force which was a de facto prohibition.

But this apparently religious objection to divorce has a much more material basis in French society, which was governed by the Napoleonic Code that kept inherited wealth and property concentrated into family units rather than freely distributed amongst individuals. This explains the reason why the Malrive family wish to trade Fanny’s son in return for the divorce. She can exercise her rights to a divorce under civil law, but they keep the son, theoretically united with his father, and thereby prevent any wealth passing out of the family.

The other possible source of her ambiguous motivation is that she is attracted to Durham. After all, she is unhappily married herself (like Fanny) although she does have a lover. But she keeps Durham guessing in a rather flirtatious manner. There is also the fact that Durham certainly spends far more time in the story discussing matters with Madame de Treymes than he does with his purported love object, Fanny de Malrive. But there is no substantial evidence in the text to support this notion, and the potential romantic connection between the two of them is not developed in any way.

Novella?

This is a long story – which leads a number of commentators to consider it as a novella. Edith Wharton was certainly attracted to and proficient in the novella as a literary genre, as her early work The Touchstone (1900) and more famous Ethan Frome (1911) demonstrate.

And the clash between American individualism and French family tradition is certainly a unifying factor amongst the various elements of the story. But there are too many loose ends and unresolved issues in the narrative to qualify it as a novella.

Monsieur de Malrive’s misdeeds are left unexamined, as are those of Monsieur de Treymes. Durham’s attempts to help Madame de Malrive presumably come to nothing (because of the stranglehold the Malrive family has over the conflict) and the potential relationship between Durham and Madame de Treymes fizzles out with everyone going their own way. There is simply not a sufficiently powerful enough resolution to events. It is a reasonably successful story, but it lacks the compression of theme, structure, events, and place which is common to successful novellas.


Madame de Treymes – study resources

Madame de Treymes The Works of Edith Wharton – Amazon UK

Madame de Treymes The Works of Edith Wharton – Amazon US

Madame de Treymes Edith Wharton Collected Stories – Norton Critical – Amazon UK

Madame de Treymes Edith Wharton Collected Stories – Norton Critical – Amazon US

Madame de Treymes The Descent of Man and Other Stories – Project Gutenberg

Red button A Historical Guide to Edith Wharton – Amazon UK

Edith Wharton The Cambridge Introduction to Edith Wharton – Amazon UK

Madame de Treymes


Madame de Treymes – plot summary

Part I.   In Paris, American bachelor John Durham pays court to unhappily married Fanny de Malrive, his friend from childhood. She expresses a great enthusiasm for the simplicity and openness of her native America, as distinct from the constricted and rule-bound society into which she has married. But she lives in France for the sake of being near her son.

Part II.   She argues that French society and her husband threaten to corrupt the boy. Durham offers to marry her after she has been divorced. She thinks her husband’s family will not agree to a divorce, but that her sister-in-law Madame de Treymes might help.

Part III.   Durham has been a childhood friend of Fanny, but meeting her again in France he finds her much more sophisticated. Visiting her a few days later with his mother and sisters, he first meets Madame de Treymes, who he also finds fascinating.

Part IV.   Durham applies to his cousin Mrs Boykin for information about the mysterious Madame de Treymes. But she and her husband are comically xenophobic, and very critical of Madame de Treymes, whose lover is a Prince with gambling debts.

Part V.   By giving money at a charity event, Durham is invited to the Hotel de Malrive, the austere family home of Fanny’s in-laws. There he realises the stifling forces of cold and hostile tradition he will be up against. However, Madame de Treymes is sympathetic to his case and agrees to dine with him.

Part VI.   At Durham’s suggestion, the Boykins are suddenly flattered to invite a French aristocrat to dinner. Madame de Treymes tells Durham that the family will not consent to a divorce, and reveals that she has borrowed family money which she cannot repay. Durham believes that this to repay her lover’s gambling debts, and she is offering to trade her influence in exchange for his money. He refuses her offer.

Part VII.   Durham accepts the defeat of his hopes, but then suddenly Madame de Treymes arrives with the news that the Marquis de Malrive has decided not to oppose the divorce. She claims it was Durham’s honourable and sensitive approach which has changed things. Durham is slightly sceptical.

Part VIII.   Durham goes to Italy, but returns to the news that a money scandal has engulfed Prince d’Armillac, the lover of Madame de Treymes. Durham tries to thank and repay Madame de Treymes for the good services she has rendered him, but she claims that she has already been repaid – without saying in what form.

Part IX.   Durham goes to England with his mother and sisters whilst the legal process of divorce takes its course. However, on a business trip back to Paris he meets Madame de Treymes at the Hotel de Malrive. She explains her admiration for his having refused to gain Fanny by paying for influence with the family. She also reveals that it was not her influence which changed the family’s attitude to the divorce.

Part X.   She confesses that the family want to claim Fanny’s son which they can do under French law, which puts the family first, before individuals. Her earlier offer of assistance was a deceit, because the decision had already been taken. Durham realises that even telling Fanny all this will destroy his chances of marrying her. But then Madame de Treymes takes pity on Durham and his plight and reveals that even her last argument about possession of the boy was a deceit as well. Durham leaves to tell Fanny the whole story, knowing his chances of marrying her are gone.


Madame de Treymes – Principal characters
John Durham an American in France (40)
Marquise Fanny de Malrive his childhood friend, neé Fanny Frisbee
Madame Christiane de Treymes Fanny’s sister-in-law
Mrs Bessie Boykin Durham’s cousin
Elmer Boykin her husband
Prince d’Armillac Madame de Treymes’ lover, a gambler

Edith Wharton's house - The Mount

Edith Wharton’s 42-room house – The Mount


Further reading

Louis Auchincloss, Edith Wharton: A Woman of her Time, New York: Viking, 1971,

Elizabeth Ammons, Edith Wharton’s Argument with America, Georgia: University of Georgia Press, 1982, pp.222. ISBN: 0820305138

Janet Beer, Edith Wharton (Writers & Their Work), New York: Northcote House, 2001, pp.99, ISBN: 0746308981

Millicent Bell (ed), The Cambridge Companion to Edith Wharton, Cambridge: Cambridge University Press, 1995, pp.232, ISBN: 0521485134

Alfred Bendixen and Annette Zilversmit (eds), Edith Wharton: New Critical Essays, New York: Garland, 1992, pp.329, ISBN: 0824078489

Eleanor Dwight, Edith Wharton: An Extraordinary Life, New York: Harry N. Abrams, 1994, ISBN: 0810927950

Gloria C. Erlich, The Sexual Education of Edith Wharton, California: University of California Press, 1992, pp.223, ISBN: 0520075838

Susan Goodman, Edith Wharton’s Women: Friends and Rivals, UPNE, 1990, pp.220, ISBN: 0874515246

Irving Howe, (ed), Edith Wharton: A collection of Critical Essays, London: University of North Carolina Press, 1986,

Jennie A. Kassanoff, Edith Wharton and the Politics of Race, Cambridge: Cambridge University Press, 2004, pp.240, ISBN: 0521830893

Hermione Lee, Edith Wharton, London: Vintage, new edition 2008, pp.864, ISBN: 0099763516

R.W.B. Lewis, Edith Wharton: A Biography, New York: Harper and Rowe, 1975, pp.592, ISBN: 0880640200

James W. Tuttleton (ed), Edith Wharton: The Contemporary Reviews, Cambridge: Cambridge University Press, 1992, pp.586, ISBN: 0521383196

Candace Waid, Edith Wharton’s Letters from the Underworld, London: University of North Carolina Press, 1991,

Sarah Bird Wright, Edith Wharton A to Z: The Essential Reference to Her Life and Work, Fact on File, 1998, pp.352, ISBN: 0816034818

Cynthia Griffin Wolff, A Feast of Words: The Triumph of Edith Wharton, New York: Perseus Books, second edition 1994, pp.512, ISBN: 0201409186


Other works by Edith Wharton

Edith Wharton - The Custom of the CountryThe Custom of the Country (1913) is Edith Wharton’s satiric anatomy of American society in the first decade of the twentieth century. It follows the career of Undine Spragg, recently arrived in New York from the midwest and determined to conquer high society. Glamorous, selfish, mercenary and manipulative, her principal assets are her striking beauty, her tenacity, and her father’s money. With her sights set on an advantageous marriage, Undine pursues her schemes in a world of shifting values, where triumph is swiftly followed by disillusion. This is a study of modern ambition and materialism written a hundred years before its time.

Edith Wharton - The Custom of the Country Buy the book from Amazon UK
Edith Wharton - The Custom of the Country Buy the book from Amazon US

 

Edith Wharton - The House of MirthThe House of Mirth (1905) is the story of Lily Bart, who is beautiful, poor, and still unmarried at twenty-nine. In her search for a husband with money and position she betrays her own heart and sows the seeds of the tragedy that finally overwhelms her. The book is a disturbing analysis of the stifling limitations imposed upon women of Wharton’s generation. In telling the story of Lily Bart, who must marry to survive, Wharton recasts the age-old themes of family, marriage, and money in ways that transform the traditional novel of manners into an arresting modern document of cultural anthropology.

Edith Wharton - The House of Mirth Buy the book from Amazon UK
Edith Wharton - The House of Mirth Buy the book from Amazon US


Edith Wharton – web links

Edith Wharton at Mantex
Biographical notes, study guides to the major novels, tutorials on the shorter fiction, bibliographies, critiques of the shorter fiction, and web links.

Edith Wharton at Gutenberg
Free eTexts of the major novels and collections of stories in a variety of digital formats – also includes travel writing and interior design.

Edith Wharton at Wikipedia
Full details of novels, stories, and travel writing, adaptations for television and the cinema, plus web links to related sites.

The Edith Wharton Society
Old but comprehensive collection of free eTexts of the major novels, stories, and travel writing, linking archives at University of Virginia and Washington State University.

The Mount: Edith Wharton’s Home
Aggressively commercial site devoted to exploiting The Mount – the house and estate designed by Edith Wharton. Plan your wedding reception here.

Edith Wharton at Fantastic Fiction
A compilation which purports to be a complete bibliography, arranged as novels, collections, non-fiction, anthologies, short stories, letters, and commentaries – but is largely links to book-selling sites, which however contain some hidden gems.

Edith Wharton’s manuscripts
Archive of Wharton holdings at the Beinecke Rare Book and Manuscript Library

© Roy Johnson 2014


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Man and Wife

February 21, 2017 by Roy Johnson

tutorial, commentary, study resources, and web links

Man and Wife (1870) was one of the novels in which Wilkie Collins undertook to expose social injustice – in this case the absurdities which existed in British marriage laws. It was his ninth published novel. As someone who had briefly studied law himself, Collins took a keen interest in legal matters, particularly how they applied to domestic life. He himself never married, even though he maintained two separate families who lived quite close to each other in London’s fashionable West End. The novel explores both the social and legal problems which arise from bad law and the cruelties inflicted on women trapped in abusive marriages.

Man and Wife


Man and Wife – a note on the text

Man and Wife first appeared as a serial in Cassell’s Magazine between January and June 1870. It was simultaneously serialized in the United States by Harper’s Weekly and then published as a novel in three volumes by F.S. Ellis, to which Collins added a preface, a dedication, and an appendix. He often felt that he needed to explain and justify the subjects he chose for his novels, because they were considered slightly scandalous at the time, and many critics doubted the realistic validity of his subject matter.


Man and Wife – critical commentary

Principal issues

Readers will have no difficulty in appreciating that the main elements of the novel are the legal problems surrounding ‘irregular’ marriage, the social status of women, and irregularities and differences between the laws of England and of Scotland.

There are several long discussions between characters on the subject of the ‘irregular’ Scottish marriage. The essence of this is that a marriage did not need to be announced in advance (by the issuing of ‘banns’) did not need to take place in a place of worship, and did not need to be solemnised by a member of the church. A marriage could be legally established by mere assertion of the two parties concerned – with no scrutiny of the validity of their claim.

The problems and anomalies to which this arrangement might give rise are fully explored in the events of the novel, and full recognition is given to the fact that differences of legal opinion could arise on the status of a particular union.

Arnold Brinkworth marries Blanche Lundie in a perfectly orthodox manner in England – but is then shocked to discover that he is considered to have previously married Anne Silvester. This is because he merely announced himself as her husband and stayed overnight in the same remote inn where she was waiting for Geoffrey Delamayn.

Anne Silvester has a verbal agreement with Geoffrey Delamayne that they will marry in secret. She writes to him asserting their understanding, and he replies in agreement. And that letter alone is later regarded as ‘proof’ of their marriage.

Even though she later hates Delamayne, Anne agrees to respect the agreement and thereby sacrifices herself so that no shadow of scandal will blemish the marriage of her friend Blanche to Arnold. The tragic consequence of her action is that on the strength of this Delamayne eventually imprisons her (which the law permits) and plans to murder her so that he can marry the rich Mrs Glenarm.

Add to these instances the sad story of Hester Dethridge’s marriage to an abusive husband from which she cannot escape, and the reader is presented with a whole range of complexities arising from bad law and the uncertain outcome of marriage (at any time). Wilkie Collins was obviously sceptical of the institution, as he reveals rather satirically when describing the wedding ceremony:

Thus, the service began—rightly-considered the most terrible surely of all mortal ceremonies—the service which binds two human beings, who know next to nothing of each other’s natures, to risk the tremendous experiment of living together till death parts them—the service which says, in effect if not in words, Take your leap in the dark: we sanctify but we don’t insure it!

The sensation novel

Man and Wife is often seen as the opening work of Wilkie Collins’ ‘later period’ in which he took a ‘moral and didactic’ approach to social issues of the day. This is most evident in the close relationship of his marriage law subject matter and the constitutional changes taking place at the time, notably the Married Women’s Property Act (1870).

But the novel also contains many elements of the sensation novel which had made his earlier works of the 1860s so popular – notably secret marriage, bigamy, blackmail, domestic violence, incarceration, and murder.

The main plot gets under way with two non-marriages which assume legal status. The first is Anne’s proposal of a secret marriage to Geoffrey Delamayne. This takes place purely on paper – in a letter from Anne asserting their union which also contains Geoffrey’s affirmative reply.

The second occurs when Arnold visits Anne at the inn pretending to be her husband. This leads directly to what Collins presents as the absurdity of the ‘irregular Scottish marriage’. They are deemed to be married merely because they spend the night together under the same roof.

More seriously, because of this innocent accident Arnold later becomes guilty of bigamy when he marries Blanche. The whole of the second part of the novel is driven by attempts to unravel this Scottish marriage and to counter its social ramifications.

Part of the plotting and counter-plotting involves blackmail. The scurrilous waiter Bishopriggs gains possession of the vital letter of understanding between Anne and Geoffrey Delamayne. When Bishopriggs threatens to reveal its contents unless he is well compensated, Anne counter-threatens the same thing, which will make the letter worthless. (However, it is a serious flaw in the plot that he parts with it for the measly sum of five pounds.)

The mysterious figure of the dumb cook Hester Dethridge is eventually revealed as a victim of domestic violence. She is married to a man who is a drunkard, who takes and squanders all the money she earns, and who beats her savagely. Her written confession which presents this catalogue of abuse is clearly offered by Wilkie Collins as a polemical illustration of the lack of women’s rights at the time.

The abuse is so severe that Hester feels she has no alternative but to remove its source – so she eventually murders her husband. She rather improbably escapes detection – but she is ever afterwards haunted by a recurrent homicidal impulse.

This finds its ultimate outlet when she is forced to assist Geoffrey Delamayne in his attempt to murder Anne using the same method she has used. But instead of helping him, she strangles him – though he appears to have a stroke at the same moment. It is not altogether clear if she is the actual killer – but she is nevertheless incarcerated as a result – in a mental asylum from which she will not be released for the rest of her life.

Dramatic structure

Wilkie Collins produced the novel as a prose narrative for serial publication in Cassell’s Magazine. As such it sits alongside literary works in the novel genre produced by his contemporaries Dickens, Gaskell, Braddon, and Trollope. But it is quite clear that there is a strong sense of a stage drama underpinning the structure of the work.

The fact is that he first conceived the story as a play, and one of its principal weaknesses is that the narrative is comprised of a series of rather long-winded ‘conversational’ interludes sewn together by episodes of a quite different pace and style.

The main scenes in the unfolding of the plot are very static, and they take place usually in the drawing room, dining room, summer-house, library, or some other location easily rendered under the proscenium arch of a traditional stage.

There are lots of comings and goings in and out of doorways, and lots of situations packed with dramatic irony. It is closer in tone and genre to a country house comedy of manners than to the serious and dark melodrama into which the novel turns during its third and final volume.

Perhaps the most surprising structural weakness occurs at the end of the novel. Just as the story is being brought to its climax and the main theme of the story (the Anne-Geoffrey non-marriage) is being resolved – Collins interrupts the dramatic tension by inserting the potted biography of Hester Dethridge. This is a blatant passage of propaganda on the subject of women trapped in abusive relationships – and as such it completely disrupts the tone of the main narrative.

Moreover it culminates in Hester’s murder of her abusive husband in a scene which is very badly explained in terms of dramatic invention. We are asked to believe that Hester puts her hands through a lath and plaster wall, suffocates her husband with a wet towel, then somehow repairs the wall leaving ‘nothing disturbed or altered’. Geoffrey then plans to murder Anne in a gimcrack reprisal of the same method in the final scene, which is as rushed as it is far-fetched.


Man and Wife – study resources

Man and Wife Man and Wife – Oxford Classics – Amazon UK

Man and Wife Man and Wife – Oxford Classics – Amazon US

Man and Wife Man and Wife – Facsimilie Publisher – Amazon UK

Man and Wife Man and Wife – Facsimilie Publisher – Amazon US

Basil The Complete Works of Wilkie Collins – Kindle eBook

Basil Man and Wife – eBook formats at Gutenberg


Man and Wife 1875

1875 edition


Man and Wife – plot synopsis

Prologue

I. Ambitious John Vanborough feels that his wife is holding back his chances of rising socially. He discovers that his marriage is technically invalid and throws himself at rich widow Lady Jane Parnell.

II. He marries her, enters parliament, and becomes famous. Delamayne enters parliament and becomes solicitor general. Vanborough commits suicide, leaving his daughter Anne Sylvester to be raised by Lady Julia Lundie, where she is governess to Blanche her step-daughter.

The Story

There is a garden party at the estate of Sir Patrick Lundie. Anne Sylvester is at odds with the termagant Lady Lundie. Sir Patrick discusses inheritance with young Arnold Brinkworth, who proposes to Blanche Lundie. Anne bullies Geoffrey Delamayne into a secret marriage because he has been paying court to her. News arrives that Delamayne’s father is ill, so he deputes his friend Arnold to explain his absence to Anne.

Second Scene

Arnold takes the news to a distraught Anne at a nearby inn. They unwisely pass themselves off as newlyweds. Arnold misses his train and is forced to stay overnight. When Blanche arrives, Anne hides Arnold and gives Blanche a partial explanation.

Third Scene

Delamayne is in London. His father wishes him to marry, and his brother Julius presents an attractive alternative in rich widow Mrs Glenarm.

Fourth Scene

Blanche, Arnold, and Geoffrey assemble at Windygates to discuss Anne, who is in hiding . There are lots of dramatic ironies and much consideration of irregular Scottish marriages. A visiting surgeon makes a case against physical exercise, and predicts that Geoffrey is internally flawed. Anne suddenly returns to the house and is rejected by Geoffrey. Anne disappears again, and is pursued by Sir Patrick and Blanche. Anne sends Blanche a letter of terminal farewell. Sir Patrick urges marriage as a solution for Arnold and Blanche, to which Arnold agrees. Anne is traced to Glasgow.

Fifth Scene

In Glasgow Anne receives contradictory advice on her legal status under Scottish law. She then collapses at the hotel.

Sixth Scene

Geoffrey jousts verbally with Mrs Glenarm to whom he is secretly engaged. He trains for a running race – and shows signs of weakness. Blanche questions the waiter Bishopbriggs about Anne’s letter which he plans to use in blackmailing Geoffrey and Mrs Glenarm.

Seventh Scene

On the evening of his wedding Arnold is questioned by Sir Patrick about Geoffrey’s secret – which he feels he cannot honourably reveal. Arnold and Blanche marry and go on honeymoon. Letters arrive from Anne sacrificing herself and revealing the truth about her meeting with Arnold. Geoffrey’s marriage to Mrs Glenarm is announced in the newspapers, as is the attempted blackmail of Mrs Glenarm. Anne moves to London.

Eighth Scene

Anne confronts the blackmailer Bishopriggs and pays him five pounds for her letter.

Ninth Scene

Anne confronts Mrs Glenarm and they dispute the veracity of Geoffrey’s claim that Anne is married to Arnold.

Tenth Scene

Lady Lundie intervenes and interrogates the inn-keeper Mrs Inchbare. She then plots further with Mrs Glenarm.

Eleventh Scene

Lady Lundie confront’s Blanche and convinces her that Arnold was already married to Anne, her closest friend. She then takes her away to London.

Twelfth Scene

Anne visits Geoffrey in Fulham, and is rejected anew. But Sir Patrick interprets Anne’s letters to and from Geoffrey as proof that they were married under Scottish law.

Thirteenth Scene

Geoffrey loses the running race in Fulham and collapses after the event.

Fourteenth Scene

There is a meeting of lawyers to consider the legal status of the disputed marriage. Sir Patrick argues the case for Arnold and Blanche. He produces Anne’s ‘marriage’ letter which proves the case – and Anne chooses to sacrifice herself for Blanche’s sake.

Fifteenth Scene

Sir Patrick visits Lord Holcome who is dying. He has made a new will with provision for Geoffrey (and possibly Anne) but dies before the codicil can be signed.

Final Scene

Geoffrey Delamayne takes his ‘wife’ Anne to the lodgings run by Hester Dethridge. He plans to sue for a ‘divorce’ but cannot make a legal case. When his father dies, he imprisons Anne in the cottage. His brother Julius proposes to honour the unsigned codicil to his father’s will if Geoffrey will agree to a separation. Geoffrey refuses. and becomes ill. Hester sees an apparition of some kind and tells Geoffrey he must leave. Geoffrey reads Hester’s confession of how she killed her abusive husband. He prepares to murder Anne in the same way, but when he makes the attack through a bedroom wall he has a stroke, whilst Hester has another homicidal vision and kills him.

Epilogue

Six months later Hester has been placed in a mental asylum, Mrs Glenarm is in the process of becoming a nun, and Anne has become Lady Lundie by marrying Sir Patrick.


Man and wife – principal characters
Delamayne an ambitious lawyer who becomes Lord Holchester
Julius Delamayne his elder son, who inherits the title
Geoffrey Delamayne his profligate younger son
Lady Julia Lundie a proud Scottish widow
Blanche Lundie her young step-daughter
Sir Patrick Lundie a retired lawyer
Anne Silvester governess and friend to Blanche
Arnold Brinkworth friend of Geoffrey, suitor to Blanche
Hester Dethridge a dumb cook and landlady
Mrs Glenarm a rich young widow
Samuel Bishopriggs a crusty old Scottish waiter

Man and Wife – further reading

William M. Clarke, The Secret Life of Wilkie Collins, London: Ivan R. Dee, 1988.

Tamar Heller, Dead Secrets: Wilkie Collins and the Female Gothic, New Haven: Yale University Press, 1992.

Winifred Hughes, The Maniac in the Cellar: Sensation Novels of the 1860s, Princeton: Princeton University Press, 2014.

Sue Lonoff, Wilkie Collins and his Victorian Readers: A Study in the Rhetoric of Authorship, New York: AMS Press, 1982.

Catherine Peters, The King of Inventors: A Life of Wilkie Collins, Princeton: Princeton University Press, 2014.

Walter C. Phillips, Dickens, Reade, and Collins: Sensation Novelists, New York: Library of Congress, 1919.

Lynn Pykett, Wilkie Collins: New Casebooks, London: Palgrave-Macmillan, 1998.

Nicholas Rance, Wilkie Collins and Other Sensation Novelists: Walking the Moral Hospital, London: Palgrave-Macmillan, 1991.

© Roy Johnson 2017


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Manhattan Transfer

February 8, 2016 by Roy Johnson

tutorial, critical commentary, plot, and study resources

Manhattan Transfer was first published in 1925. It was the sixth literary work by John Dos Passos. Although he belonged to the same ‘lost generation’ as Ernest Hemingway and F. Scott Fitzgerald, he established a reputation as a literary modernist who incorporated documentary material into his fictions. He presented a vision of American society which was rich in sociological and political significance, and he was also radically expressive in delivering narratives that were dense with literary experimentation.

Manhattan Transfer


Manhattan Transfer – critical commentary

The novel has as its principal focus the city of New York and its development in the early years of the twentieth century, running from the period pre-1910 to the early 1920s (the ‘jazz age’) with its flappers and prohibition. Its characters are what D.H.Lawrence described as “the vast loose gang of strivers and winners and losers which seems to be the very pep of New York.”

New York is an American state (like Texas, California, or Nebraska) whose capital city is Albany – hence the term New York City, which distinguishes the city from the state. New York City is also located on Manhattan Island in the Hudson River, and has always been the gateway for immigration to the United States. Manhattan Transfer reflects the rich cultural and linguistic mix of this population influx, and Dos Passos reproduces speech, patois, and accents from French, Italian, Yiddish, English, and Irish to reflect the cosmopolitan nature of the city and its culture.

The radical novelist

John Dos Passos was a novelist, a painter, and a political activist. As a young man he was a social revolutionary, with sympathies for both anarchist and communist points of view. It is quite clear in Manhattan Transfer that the radicalism expressed by characters such as Emile and Congo Jack has his sympathy; that the shady dealings in local government are being exposed as political corruption; and that his presentation of American capitalism is as a viciously competitive system that has a dehumanising effect on its citizens.

Joe Harland is a former ‘Wizard of Wall Street’ who has lost everything in one of the many stock market crashes. It’s significant that he is related by family to the relatively secure Jimmy Hersh. But he is now out of money and out of work. And work is not easy to find – partly because times are hard, and partly because of protectionism amongst trade unions (which in America were notoriously associated with organised crime).

Dos Passos’s achievement in this novel (as in U.S.A.) is to incorporate these political elements without sliding into propaganda or overt bias. He sees good qualities in his rich and successful characters, and weaknesses in his down-and-out failures. He presents a wide perspective on American society and its immigrant composition, but neither its working Joe Does or its rich playboys are neglected, and neither are its marginal characters – such as the foreign barmen, occasional sailors and building workers, and even hobos, dropouts, and tragic victims of poverty level existence.

The modern city

It is interesting to note that Manhattan Transfer was written and published in a period within two decades at the beginning of the twentieth century which saw the production of a number of novels that featured the capital city as the symbol of modern industrial and commercial life. Andrei Biely’s Petersburg had appeared in 1916, set in what was then the capital of pre-revolutionary Russia. In 1922 James Joyce’s Ulysses featured the Irish capital Dublin as it was in 1904. Virginia Woolf’s Mrs Dalloway, published in 1925 is set exclusively in London, and Alfred Doblin’s Berlin Alexanderplatz (1929) is a portrait of the capital of the Wiemar republic of the 1920s.

All of these novels feature a fragmented literary style, varying points of view, and the use of montage effects which were probably influenced by the cinema, which had become a popular entertainment medium around the same time. In the cases of Joyce, Doblin, and Dos Passos there was also the inclusion of advertising, newspaper reports, and documentary material related to the events of their narratives.

Literary style

The dominant strain in American fiction during the period preceding Dos Passos was naturalism. This was an approach which took its subjects from the lower orders of society and put emphasis on the Darwinian struggle for survival. Influenced by French writers such as Zola and Maupassant, the naturalist school of novelists took a sociological approach to their rendering of social reality, and included topics which had hitherto been largely excluded from serious fiction (with the exception of Dickens) – topics such as crime, poverty, alcoholism, prostitution, disease, racism, violence, and political corruption.

Stephen Crane, Sinclair Lewis, Jack London, and Theodore Dreiser had been the popular exponents of this tendency in the period 1890-1920, and there are many elements of literary naturalism in Manhattan Transfer. Many of the characters are unemployed, there is no shortage of drunkenness, sexual promiscuity is rife, corruption exists in local politics, and there are deaths by fire, suicide, and motor accident.

But unlike the naturalist school, Dos Passos uses a huge variety of literary styles to create the sense of social multiplicity, cosmopolitanism, and urban development that pervades the world of Manhattan Transfer. This means that there is more emphasis on the novel as a work of art, rather than simply as a social manifesto.

Each chapter is prefaced by a paragraph of what can only be described as a prose poem, which signals the theme of the chapter. The sections and chapters that follow are delivered using a combination of conventional third person narrative mode, interior monologues, shifting points of view, fragments of newspaper reports, snatches of song, encyclopaedia entries, unattributed conversation, and sometimes an absence of conventional punctuation:

She stopped a second to look at the Plaza that gleamed white as motherofpearl … Yes this is Elaine Oglethorpe’s apartment … She climbed up onto a Washington Square bus. Sunday afternoon Fifth Avenue filed by rosily dustily jerkily. On the shady side there was an occasional man in a top hat and frock coat. Sunshades, summer dresses, straw hats were bright in the sun that glinted in squares on the upper windows of houses, lay in bright slivers on the hard paint of limousines and taxicabs.

Montage

The most radical and striking feature of Dos Passos’s literary style is his use of montage – cutting very rapidly from one character or scene to another. No sooner has one mini-drama got under way than the reader is whisked along to a different location and a different set of participants. This technique has a disorienting effect which emphasises the simulteneity of actions in various strata of society and the vibrancy of life in a modern cosmopolitan city.

This disorientation settles down as the text gradually reveals subtle connections between characters and events. But it has to be said that there is a price to be paid for the use of montage. Many of the characters are established as examples of individuals grappling with the problems of modern city life – but they simply do not reappear, so we are not given any account of their destinies.

There is only one character who is present from the beginning to the end of the narrative. That is Jimmy Herf – the artistic and visionary young boy who loses his mother, becomes a newspaper reporter, marries unsuccessfully, and ends by giving up his family and job to become a drifter.

U.S.A.

Manhattan Transfer is the forerunner to what is widely regarded as Dos Passos’s masterpiece, the trilogy U.S.A.. This comprises three separate but interlocking works – The 42nd Parallel published in 1930, Nineteen Nineteen which appeared in 1932, and The Big Money which completed the tryptich in 1936. This later work was even broader in scope, and took in American society at every level – from railroad hobos to Wall Street financiers and politicians.

Dos Passos is a neglected but important figure in the development of American modernism, and U.S.A. is a powerfully insightful representation of western capitalism. The novel also includes a rare depiction of those ideologies – socialism, communism, and anarchism – that offered an alternative to the dehumanising effects of naked market competition.


Manhattan Transfer – study resources

Manhattan Transfer Manhattan Transfer – Amazon UK
Manhattan Transfer Manhattan Transfer – Amazon US

Manhattan Transfer Dos Passos – Early Novels – Amazon UK
Manhattan Transfer Dos Passos – Early Novels – Amazon US

Manhattan Transfer The U.S.A. Trilogy – Amazon UK
Manhattan Transfer The U.S.A. Trilogy – Amazon US


Manhattan Transfer

John Dos Passos


Manhattan Transfer – chapter summaries

FIRST SECTION

1. Ferryslip – Young farm worker Bud Korpenning arrives in New York City, a virtual hobo, hoping to find employment. Ed Tatcher is an accountant who dotes on his young daughter Ellie. His wife Susie however is a self-pitying invalid.

2. Metropolis – Emile is a French waiter who serves a group of rich, drunk, and vulgar business people late into the night. In the early morning he discusses social injustices with Mario, an Italian anarchist sympathiser. Bud gets a job washing dishes. Susie leaves Ellie on her own all night. Irish milkman Gus McNeil wants to travel out West for a better life, but is run over in a street accident.

3. Dollars – Lawyer George Baldwin pursues Nellie McNeil regarding her husband’s accident and is struck by her good looks. They begin an affair whilst Gus is still in hospital. Emile is courting widowed shopkeeper Mme Rigaud. Jimmy Herf and his mother arrive by boat on the fourth of July. Baldwin wins Gus McNeil’s compensation claim, but tires of Nellie.

4. Tracks – Jimmy Herf and his invalid mother have dinner in their hotel rooms. She complains of her ailments: he lives in a teenage dreamworld of fantasies. Emile continues his unsuccessful courtship of Mme Rigaud. Nellie ends the affair with George Baldwin. Bud is in the Sailor’s Mission. Jimmy’s mother has a stroke. He visits his well-to-do aunt’s house where casual racism is the norm. Ed Thatcher resists the temptation of an allegedly surefire investment.

5. Steamroller – Jimmy’s mother dies, whereupon his uncle suggests that he start work in the family business, but Jimmy is not keen on the idea. Bud reveals to a fellow hobo that he has killed his stepfather, who was beating him. He feels he is being pursued and has nowhere to go – so he commits suicide by jumping off Brooklyn Bridge.

SECOND SECTION

1. Great Lady on a White Horse – Jimmy collects his girlfriend Ruth Prynne for Sunday lunch. He is now a cub reporter, she is an aspiring theatrical. Ellen meets George Baldwin for afternoon tea and flirts with Stan Emery and even her own husband Jojo.

2. Longlegged Jack of the Isthmus – Joe Harland is out of work, but he spends his last money on drinks whilst bragging about his previous success and his ‘bad luck’. Nicky Schatz is caught in a burglary by Stan and Ellie, but he has only stolen stage money. Ellen is in love with Stan but married to Jojo. Meanwhile Joe Harland is pursued by his landlady for unpaid rent. He cadges money from an old colleague. Casie is courted by Maurice McAvoy who is broke. Ellen leaves Jojo early one morning and takes a taxi to a hotel.

3. Nine Day’s Wonder – Paul Sandbourne looks at a girl on Fifth Avenue and gets run over by a passing truck. Jimmy Herf drinks away the afternoon with his rich college friends. They meet Ellen and her husband Jojo. Meanwhile Joe Harland spends his time in low bars. Ellen is a momentary theatrical success. It is 1914 and George Baldwin’s marriage is on the rocks because of his adultery with Ellen and others. Ellen is decorating her new flat when Casie arrives to announce that she is pregnant. Joe Harland is working as a night watchman on a building site. The workforce is threatened with a lockout. Stan brings Ellen to Jimmy’s flat on a secret date, but they are confronted by her husband in a farcical scene. Ellen Thatcher announces to her father that she and Joe Oglethorpe are divorcing.

4. Fire Engine – Impressario Harry Goldweiser is trying to seduce Elaine. Baldwin and Gus McNeil discuss some shady political doings, and Joe O’Keefe encounters Joe Harland again. Elaine puts a drunk Stanwood in her bath at the theatre. She then smuggles him out and takes him back to her flat in a taxi.

5. Went to the Animals’ Fair – George Baldwin takes Ellen out to a night club and tries to persuade her to take him on as her ‘protector’. Jimmy Herf and friends at a nearby table talk about a recent murder and the war. Jimmy and Ellen then discuss politics and the war with the anarchist barman Congo Jack. A drunken Baldwin threatens her with a gun. Jimmy walks home with Tony Hunter, who reveals that he is a homosexual who wants to kill himself.

6. Five Statutory Questions – Joe Harland and Joe O’Keef discuss the war and politics over drinks. Ellen is getting divorced and is pursued by Harry Goldweiser. She meets Stan, who reveals that he has married a young girl. Jimmy Herf meets his family relation Joe Harland, who wants to go to fight in the war.

7. Rollercoaster – Stan attends a political event. He is completely drunk, and when he gets home the apartment is on fire. He is overcome by smoke and killed in the fire.

8. One More River to Jordan – George Baldwin and Phil Sandbourne compare political notes. Ellen is still waiting for her divorce, and is besieged by oppressive well-wishers. She is pregnant with Stan’s baby. When Jimmy Herf walks her home she claims she is going to give up the stage and raise the child, but in fact she goes for an abortion.

THIRD SECTION

1. Rejoicing City That Dwelt Carelessly – James Merrivale arrives back in New York City after the war. Jimmy Herf is married to Ellen who he has met serving in the Red Cross overseas. They arrive back with a baby into the prohibition era. Joe O’Keefe helps to organise workers for a union wage claim, then visits the doctor for treatment for syphilis. George Baldwin is being groomed for a political position..

2. Nickleodeon – Ruth Prynne has possible throat cancer. She is down on her luck and meets an old suitor. Dutch Robertson is out of work and money, and so is his girlfriend Francie. Jimmy and Ellie are also out of work, but drown their sorrows in cocktails with Congo Jack, who is now a bootlegger.

3. Revolving Doors – Jake Silverman and his girl Rosie are posing as rich business people in a fraudulent deal. The Merrivales have breakfast before leaving for the bank. Nevada Jones is dancing with Tony Hunter, who has been to a psychiatrist. She is visited by Baldwin and McNeil. Anna Cohen gets fired from the sandwich bar. Gus McNeil curries political favours ahead of local elections. Jimmy visits Congo Jack doing bootleg business, but there is an attempted hijacking of the consignment of Champagne. James Merrivale discovers that his daughter Masie is about to marry John Cunningham, who is already married. Businessmen are approached for donations towards the local elections. Jimmy is living in cramped conditions with Ellie and their baby Martin. George Baldwin calls on Nevada Jones but catches her with Tony Hunter and ditches her. Ellen is at a bohemian party that is raided by detectives, but a phone call to the district attorney calls off the raid. Jimmy is living separately from Ellen. Jake Silverman is arrested for fraud.

4. Skyscraper – Jimmy gives up his job as a reporter and wanders around in a delirium of jumbled thoughts. Anna Cohen is involved in a strike at the sewing factory, and her mother reproaches her. Jimmy gets drunk with his out of work friends. Dutch Robertson holds up a cigar store. Mr Densch’s business is hit by the slump. A reporter takes the cigar store holdup story, and a few days later Jimmy reads an account of Dutch’s arrest.

5. The Burthen of Nineveh – Baldwin’s divorce is due to come through. He proposes to Ellen, but she delays making a decision. Buck squeezes money out of Alice, who cashes a cheque in her husband’s name. Jimmy meets Congo Jack who is now Armand Duval and rich (but might go to jail) and has married Nevada Jones. Mr Densch escapes from the USA, ten million dollars in debt. Jack Cunningham gets an Illegal divorce and marries Masie Merrivale. Dutch Robertson and Francie get twenty years for their crimes. Ellen collects a new dress from Mme Soubrine, where Anna is scabbing as a seamstress. There is a fire in the workshop and a girl is badly burned. Jimmy leaves friends at a party and sets off with no money and no objective.

© Roy Johnson 2016


Manhattan Transfer – principal characters
Bud Korpenning a 23 year old farmhand
Ed Thatcher an ambitious accountant
Susie Thatcher his wife, an invalid
Ellie Thatcher their daughter
Emile Loustec radical hotel worker
Marco an Italian anarchist
Congo Jack bartender, later a bootlegger
Gus McNeil an Irish milkman
Nellie McNeil his pretty wife
George Baldwin an attorney, later a politician
Phil Sandbourne his friend, an anarchist
Mme Ernestine Rigaud a widowed shopkeeper
Jimmy Herf a romantic dreamer, later a journalist
Mrs Lily Herf his mother, an invalid who dies
Mrs Emily Merrivale Lily’s sister, Jimmy’s aunt
Jeff Merrivale Jimmy’s uncle, who becomes his guardian
Ruth Prynne unemployed dancer, Jimmy’s girlfriend
#Jojo Oglethorpe a gay theatrical mountebank
Elaine Thatcher Oglethorpe his wife
Casandra Wilkins would-be theatrical
Stanwood Emery rich friend of George Baldwin
Joe Harland former bond trader, down on his luck
Harry Goldweiser lecherous theatrical impressario
Tony Hunter a young gay actor friend of Ruth
Nevada Jones Tony’s admirer, later married to Congo Jack
Dutch Robertson an out-of-work who turns to crime

Filed Under: 20C Literature Tagged With: English literature, John Dos Passos, Literary studies, The novel

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