Mantex

Tutorials, Study Guides & More

  • HOME
  • REVIEWS
  • TUTORIALS
  • HOW-TO
  • CONTACT
>> Home / Archives for Creative writing

Children’s Writers’ and Artists’ Yearbook

May 25, 2009 by Roy Johnson

best-selling guide to publishers, agents, and outlets

This is the ‘writing for children’ version of the best-selling writer’s yearbook and manual, which has come up with a winning formula. It lists all the resources any serious writer could need – the names, addresses, and contact details for publishers and agents, outlets for freelancers, and institutions which offer help to writers. Woven between these listings (which are updated every year) there are specially commissioned essays and articles by famous authors and illustrators – such as Children’s Laureate Michael Morpurgo and JK Rowling; top editors and best-selling publishers; leading TV and radio producers, and other experts in the field of children’s media.

Childrens Writers and Artists YearbookThese give invaluable first-hand accounts of how the world of professional writing actually operates. Anyone aspiring to write for children will find these invaluable. The latest edition includes chapters entitled: How to Get an Agent; Learning to Write for Children; Writing Humour for Young Children; Do I Have to Have an Agent to Succeed?; What Does an Editor Do?; Eight Great Tips to Get Your Picture Book Published; UK Copyright Law; Writing Comedy for Children’s Television; Children’s Evergreens & Best Sellers; Out of the Slush Pile; Teenage Fiction; Marketing, Publicising and Selling Children’s Books; Illustrating for Children’s Books;

Like many other reference books, this guide represents very good value for money in terms of bulk information – but more importantly it’s information which is reliable, up-to-date, and difficult to locate elsewhere.

If you have any serious intention of entering the commercial market as a children’s writer or someone working in one of the associated creative arts – then this is a book which you will need sooner or later.

© Roy Johnson 2014

Children's Writers' and Artists' Yearbook   Buy the book at Amazon UK

Children's Writers' and Artists' Yearbook   Buy the book at Amazon US


Children’s Writers’ and Artists’ Yearbook, London: A & C Black, 7th revised edition 2014, pp.480, ISBN: 1408195127


More on creative writing
More on writing skills
More on publishing


Filed Under: Creative Writing, Publishing, Writing Skills Tagged With: Children's Writers' and Artists' Yearbook, Creative writing, Publishing, Writer's agents, Writing skills

Creative Web Writing

June 15, 2009 by Roy Johnson

guide to online possibilities for creative writers

Creative Web Writing is Jane Dorner’s latest book which examines the skills you need if you want to put your writing onto the Internet. Her emphasis is on creative writing. She is speaking to those people who have been creating poems and stories in their back rooms and getting nowhere. If you realise that the Internet presents lots of new possibilities, this is her explanation of how it works and what those possibilities are.

Creative Web WritingShe covers collaborative story-telling, research online, interactivity and flexible text, as well as the nuts and bolts of styling for screen reading. Most importantly, she explains the range of new markets, new technologies, and how to apply them. Creative genres are covered, including autobiography, poetry, broadcasting, screen-writing and writing for children. There’s also a very useful survey of the various delivery methods and payments for eBooks.

This is one of the most popular methods for aspiring authors to reach new readers. This section will be required reading if you are thinking of venturing into this world.

She also describes how to look carefully at contracts, how to submit your writing to an electronic publisher, and how to deal with Print on demand (POD) outlets.

The central part of the book deals with new forms of writing using Web technologies. This is one field in which she has clearly done her homework. She shows examples of writing in the form of Blogs (Web-logs) email (epistolary) narratives, fictions illuminated by graphics, the weird world of MUDs and MOOs, Flash-animated writing, and phonetic poetry.

Then she confronts the central problem for all writers working in a hypertext environment – the conflict between traditional linear story-telling and the random, fragmented, interactive experiences which the Web makes possible. The answer is, there’s no easy answer.

Computer games she sees as a powerful paradigm for new story-telling, with additional possibilities offered by SMS messaging via mobile phones, and Big Brother type interactive radio and TV programmes.

She also provides some useful tips on writing style [Keep it short – Get to the point] some interesting notes on copyright in relation to hyperlinking; and there are plenty of useful listings. Software for self-publishing, story-generation, and storyboarding. Writing courses, experimental writers and writing groups, and most useful of all – details of eBook publishers and what they pay.

And by the way, if you’ve not had a lot of success with traditional publishers – don’t worry too much. She explains why the market works against new writers and anything experimental. Read what she has to say, and you might not become rich and famous – but you’ll realise that it is possible to put your work before the digital public.

© Roy Johnson 2003

Creative Web Writing   Buy the book at Amazon UK

Creative Web Writing   Buy the book at Amazon US


Jane Dorner, Creative Web Writing, London: A & C Black, 2002, pp.166, ISBN: 0713658541


More on creative writing
More on writing skills
More on publishing


Filed Under: Creative Writing, Publishing, Writing Skills Tagged With: Creative Web Writing, Creative writing, Electronic Writing, Publishing, Web writing, Writing skills

Doing Creative Writing

July 6, 2009 by Roy Johnson

a guide for undergraduate and postgraduate students

Can creative writing actually be taught? Well – judging from the number of college and university courses devoted to the subject, and the number of books written about it, the answer appears to be ‘Why not?’ Steve May teaches at Bath Spa University , and Doing Creative Writing is an attempt to support students whilst they choose a suitable course, what to expect when they embark on it, how to organise themselves as writers, and what possibilities exist for a writer once the course has finished.

Doing Creative WritingApart from having the desire to write, not many students know what is involved in the process. His first two chapters argue the case for teaching creative writing against the advice of such lofty figures as Henry James, who believed that it could not be taught.

He uses music as an analogy: nobody would expect to pick up a clarinet (as they might a pen) and perform a Mozart concerto without learning how to play the instrument first.

The next section will be of vital interest to anyone planning to study creative writing in higher education. He looks at the way it is taught in the US and the UK; he explains the variety of reasons why such courses are offered; and he provides guidance for judging the calibre of the people teaching the subject. Not many people realise that some of the best ‘qualified’ (published writers) might well be employed on a part-time basis and paid at hourly rates.

When you’ve enrolled on your course, what can you expect to happen? You’ll have to get used to the idea of the seminar or workshop in which you’ll be expected to present your own work and have it discussed by fellow students. He gives advice on how to handle the feedback you will be given – and how to give your own when you in your turn become ‘the audience’.

He tackles head-on the often vexed issue of assessment in creative work. Be warned! These workshops might form part of your assessment – so don’t think these sessions are an easy option where you can sit back and just listen. He shows real-life examples of the criteria UK and US institutions use, and he emphasises the element of self-assessment or reflective writing which is common to both.

The last part of the book is dedicated to the techniques of creative writing – where to write, how to write, what to write about, what materials to use, and how to present the finished work.

He also includes some real-life case studies of students who have taken creative writing courses and the variety of paths their careers have taken; and finally there’s a useful bunch of recommendations for further reading.

This is a useful adjunct to books which focus on the techniques of creative writing (such as Ailsa Cox’s recent Writing Short Stories) and it’s obviously aimed at students with ambitions in creative writing course who may not know which course to choose – or what to expect when they get there.

© Roy Johnson 2007

Creative Writing   Buy the book at Amazon UK

Creative Writing   Buy the book at Amazon US


Steve May, Doing Creative Writing, London: Routledge, 2007, pp.152, ISBN: 0415402392


More on creative writing
More on writing skills
More on publishing


Filed Under: Creative Writing, The Short Story, Writing Skills Tagged With: Creative writing, Doing Creative Writing, Short stories, Writing skills

Editing your writing

October 14, 2012 by Roy Johnson

What is editing?

Editing is the final stage of the writing process. It takes place just before your work is due to be submitted. It involves the detailed inspection of your text with a view to regularising its spelling, punctuation, grammar, and even typographical layout.

In the world of publishing, this stage is called ‘proof-reading’. It is the point at which you check that all your details are correct, and you examine the document very closely for internal consistency prior to releasing it into public view.

Editing is a process of checking your work very carefully in order to –

  • remove any spelling mistakes
  • check your grammar
  • make your punctuation consistent
  • re-write any clumsy expressions

Editing methods

The degree to which your text needs to be closely edited will depend upon the nature of the of writing. A spelling mistake might be tolerated in a student essay, but in a report written for the public it would look very bad indeed.

The best way to edit your writing is to split the task into a number of separate stages. Edit for just one feature at a time. Go through the work checking your spelling, then go back again to check grammar – and so on. Use the list of features below as a guide.

This is because it is difficult (and very tiring) to hold all these issues in your head at the same time. You have a choice of doing this on a computer screen or on paper. Both methods have advantages and disadvantages.


Editing on screen

The major advantage of editing your work on screen is that you can make as many changes as you wish. The work is always up to date, in its very latest version. Another advantage is that you can see immediately the effect of any changes you make.

Spelling-checkers and even grammar-checkers are now built in to most text editors. You can use FIND and REPLACE to make global changes automatically. For instance, if you have spelled someone’s name ‘Murray’ throughout a document, then discovered it’s actually spelled ‘Murry’, use FIND/REPLACE, and select REPLACE ALL.

Don’t forget to SAVE your document after each change is made.

The only disadvantage of editing on screen is that you will loose earlier versions of your work unless you make a deliberate effort to save them separately.

Editing See more on Editing on screen and paper


Editing on paper

Some people prefer to edit on paper, for a number of very good reasons:

  • mistakes are easier to spot
  • it’s possible to have an overview
  • it looks more like the finished product
  • it creates a psychological distance from the text

Many people claim that there is a different between writing with a pen and with a keyboard. You can also see the original text, even after you have made an editing change.

The biggest disadvantage of editing on paper is that you have to re-type all changes into your original document.

Editing See more on Editing on screen and paper


Spelling

Mistakes in spelling are easy to spot, and they always create a very bad impression. Readers of your work are more likely to regard spelling mistakes as a sign of poor writing than any other feature.

It’s worth doing a spelling check twice during the editing process. Once before you begin editing, and then again after you have finished. The reason for this is that you might have introduced new typos and mistakes during the editing process.

You need to decide on alternative or English and American spellings of words such as analyze/analyse, judgement/judgment, and meter/metre. Make the spelling consistent throughout your document.

Check in particular on the spelling of names, places, foreign terms, and technical jargon.

Red button See more on spelling


Punctuation

Check that you have been consistent throughout your document in using the common marks of punctuation – the comma, semicolon, colon, and full stop.

If you are not sure about the use of the semicolon and the colon, leave them out. It’s possible to punctuate accurately using only the comma and the full stop.

What follows is an example of an entire paragraph which has been punctuated using only the comma and the full stop. [The subject is the structure of a paragraph.]

The central thought or main controlling idea of a paragraph is usually conveyed in what is called a topic sentence. This crucial sentence which states, summarises or clearly expresses the main theme, is the keystone of a well-built paragraph. The topic sentence may come anywhere in the paragraph, though most logically and in most cases it is the first sentence. This immediately tells readers what is coming, and leaves them in no doubt about the overall controlling idea. In a very long paragraph, the initial topic sentence may even be restated or given a more significant emphasis in its conclusion.

Red button See more on punctuation


Sentences

Make your sentences as short, simple, and direct as possible. This will always improve the quality of your writing. Follow the pattern Subject – Verb – Object

The table has metal legs.

Some people like raw vegetables.

My dissertation considers the biology of frogs.

Avoid starting sentences with conjunctions such as Although, Because, and Again. These often lead to grammatical problems of expression.

If any sentence in your document seems vague or problematical – re-write it, or split it up into two or more separate statements.

Avoid long sentences composed of one clause after another linked by and, commas, or conjunctions such as although, however, and because.

Editing See more on sentences


Paragraphs

The definition of a paragraph is that it deals with just one topic. It introduces the topic, explains its relevance to the subject being discussed, then comes to some form of conclusion. It might end with a statement that links the argument to the next paragraph.

The following is an example of a successful paragraph.

John Skelton was an East Anglian: he was a poet, also a clergyman, and he was extremely strange. Partly strange because the age in which he flourished – that of the early Tudors – is remote from us, and difficult to interpret. But he was also a strange creature personally, and whatever you think of him when we’ve finished – and you will possibly think badly of him – you will agree that we have been in contact with someone unusual.

Check for long paragraphs in your writing. If any go beyond one topic, split them up into separate paragraphs.

Avoid very short paragraphs. These can be used for dramatic effect – but only in journalism and creative writing.

Editing See more on paragraphs


Titles and sub-titles

Make sure that any titles or sub-titles in your writing are explanatory and consistent. They should identify the subject as briefly as possible.

Check for consistent use of capital letters. You might wish to use the traditional convention of capitalising only the most important words:

The Analysis of Amino-acids with a Spectrometer

Alternatively, the modern convention is to capitalize only the first word:

The analysis of amino-acids with a spectrometer

Notice that there is no need to punctuate titles with a full stop at the end. These are titles, not complete grammatical sentences.


Structure

The structure of a document is closely related to its purpose. But the structure of some documents may not become apparent until you have finished writing. Be prepare to use CUT and PASTE to re-order your topics and arguments to produce the best arrangement of its parts.

The best structure will depend upon the type of document. Its parts could be arranged using –

  • logical progression
  • increasing significance
  • equal significance
  • chronological order
  • narrative sequence
  • category groupings

Editing See more about structure here

© Roy Johnson 2012


More on How-To
More on literary studies
More on writing skills


Filed Under: How-to guides, Writing Skills Tagged With: Academic writing, Creative writing, Editing, Publishing, Writing skills

How to choose a dictionary

November 1, 2009 by Roy Johnson

from pocket-size to the world’s largest reference

Dictionaries can be something of a personal matter. People become very attached to their favourite amongst the most-used of all reference books. However, a few guidelines on how to choose a dictionary can easily be established. The first thing to understand is that they are not all the same. They have their own characters and peculiarities, and they are created for different users.

How to choose a dictionary - Oxford MinidictionaryLet’s start with the question of size. The smallest dictionaries, which you really can fit into your pocket, are only suitable for a quick check of spelling and meaning in most commonly used words. These are mini-books the size of cigarette packets, which often end up in your desk drawer. The Oxford English Minidictionary manages to pack 40,000 entries and 50,000 definitions into a miraculously small space – and throws in a few extra pages which offer solutions to common problems. Keep this in your briefcase, or take it along to the pub quiz, but for serious work you’ll need something bigger.

 

How to choose a dictionary - The Little Oxford Dictionary The Little Oxford Dictionary is the next size up. This is a more serious attempt to be useful, with 51,000 entries and supplementary information on each word, including how it should be pronounced. It also includes occasional panels of advice on grammar and good usage, plus a supplement of words which have come into the language during the 1990s. This is one for the desktop or your briefcase, and probably the smallest you can go if you are going to consult a dictionary regularly.

 

How to choose a dictionary - Collins Pocket DictionaryCollins offer an alternative to the Oxford domination of the dictionary market. Their books are popular because they generally make clear page layout a priority. The Collins Pocket Dictionary contains 44,500 definitions, plus advice on grammar and common problems. It claims to be ‘in colour’ – but all this turns out to mean is that headwords and their variants are printed in red – which makes the pages look as if they’ve got measles.

 

How to choose a dictionary - Heineman DictionaryAmongst the ‘portables’, the Heinemann English Dictionary is specially designed for use in schools. Not only is each entry very clearly presented, but parts of speech are spelt out in full, not abbreviated as is usual in dictionaries. Pronunciation is explained, and there are pull-out boxes with gems of etymology on certain words. It has been created with the UK National Curriculum in mind – and has proved to be popular as a reference for the classroom.

 

How to choose a dictionary - New Oxford DictionaryThe New Oxford Dictionary focuses on English as it is really used in the late 20th century. Compiled after in-depth analysis of computerized databases of current English, this dictionary is the first to base its coverage on the evidence of real English. A rapid-reference page design separates out parts of speech, word histories, and phrases. The most modern meaning of each word, as used by the majority of people, is placed first within each entry. Contemporary rules are given on question of usage, providing relevant advice on problems old and new. Word history notes explain the linguistic roots of words and tell the story of how a word’s meaning and form have changed over time. Modern pronunciations are also given, using the internationally recognized system.

If you are buying a dictionary for serious use, paperbacks can be a false economy. Very often, hardback editions only cost slightly more – and they will last you a lifetime. Treat yourself!

How to choose a dictionary - Chambers DictionaryIt’s official! The word techie – a devotee of technology – has made it into the Chambers Dictionary. And there are a slew of other net-specific words too, including netiquette, browsing, applet, spam, cybersex and cybercafé. It just goes to show how the world of computing and electronic communications has advanced and changed our world. Of course, there are also those other little things that have become part of our lives: Prozac, sound bite, cellulite…

 

How to choose a dictionary - Collins Millenium DictionaryCollins dictionaries have always scored well on contemporary relevance and accessibility. The latest ‘Millennium’ edition of the Collins English Dictionary has increased the previous content by twenty percent, and there are useful guiding headers at the top of the pages, and the headword entries are printed in a no-nonsense non-serif font which I find unexpectedly easy to read. Besides answering the questions usual to dictionaries there are many encyclopedic entries which make this a valuable work of general reference. It also carries notes on language use which might be studied by those who think they speak English correctly.

 

How to choose a dictionary - Collins Dictionary and ThesaurusCollins also have on offer a ‘two-books-in-one’ Dictionary and Thesaurus. This carries 71,000 entries, plus a quarter of a million synonyms. Normal dictionary entries appear in the top half of each page, whilst the bottom half presents lists of synonyms and antonyms. This is a simple but very effective device which encourages browsing and learning about language. A useful choice if you need to combine two sources of reference in one.

 

How to choose a dictionary - Concise Oxford DictionaryThe most popular of the one-volume desktop dictionaries is the Concise Oxford Dictionary. This contains explanations, pronunciation, and the etymology of over 40,000 headwords. It also adds notes on any disputed or controversial terms, and includes American spellings. This is a great favourite with writers and students, and a basic minimum for a civilized library. If you can only afford one dictionary – make it this one.

 

How to choose a dictionary - EncartaIf you want an illustrated dictionary, Encarta has recently been released as one volume – to some acclaim. It represents both the diversity of English as a language spoken around the world, and an attempt to capture up-to-date usage. If you want a picture of an aardvark and details of zygotes – Encarta has them. It offers variant spellings, meanings, and pronunciations in more than 100,000 entries comprising some 3.5 million words. If, for example, your Asian correspondent asks you for your biodata, you can quickly and painlessly learn that she needs your curriculum vitae. There are more than 3,000 black-and-white illustrations and 10,000 biographical and geographical entries. This is Microsoft making good use of its linguistic database.

 

How to choose a dictionary - New Shorter Oxford DictionaryMoving towards the heavier, more serious resources for writers, students, and teachers who want the sort of books in their homes which are normally only available in libraries, the New Shorter Oxford is a firm favourite. It’s big, comprehensive, and scholarly, and is based on the monumental Oxford English Dictionary. All entries have been re-written to reflect contemporary usage. This is one which should be considered as a minimum for serious writers and researchers. It comes in two handsomely-produced volumes, which are a sound investment. Its also just been re-issued in a Oxford’s new easy-to-read format.

 

How to choose a dictionary - Compact Oxford English DictionaryThe Compact OED [an accurate but amazingly misleading title] is just about as far as you would need to go without being a library acquisitions officer or a professional lexicographer. It’s a two-volume version of the complete OED – but photo-reduced, so that the text is laid out in a font size of about six points. The volumes are issued as a cased set with a magnifying glass – and you’ll need it. But here’s the good news. It works. So you save on storage space, yet have access to the contents of the twenty volume version. I picked one up second hand, and use it all the time.

 

How to choose a dictionary - The Oxford English Dictionary CompleteOf course when we get to the biggest and best dictionary of the English Language, and a towering monument of bibliographic scholarship – then it’s the complete Oxford English Dictionary. This is now twenty printed volumes and had become rather expensive to produce. There are the two options available. You can have the convenience, speed, and reliability of the whole database on a single disk. Keep it in your D: drive and the world’s biggest lexical resource can be summoned with a mouse-click. The alternative is to subscribe to the online version, which will be permanently updated. It’s worth noting that the OED editors have decided to adopt an all-inclusive policy. New English, slang, jargon, and even obscenities are all listed.

© Roy Johnson 2009


More on dictionaries
More on language
More on literary studies
More on writing skills


Filed Under: Dictionaries, How-to guides, Study skills, Writing Skills Tagged With: Choosing a Dictionary, Communication, Creative writing, Dictionaries, Oxford Dictionaries, Oxford English Dictionary, Reference

How to publish your writing

October 31, 2009 by Roy Johnson

guidance and resources for writers

If you wish to publish your writing, you need to learn about the publishing process, marketing your work, and targetting your audience. The web pages listed here deal with all those topics – and more besides.

publish your writingThe writer’s marketplace
This is a selection of best-selling writer’s guides. These list all the information you need for contacting publishers, agents, and editors. They cover book publishing, magazines, newspapers, and specialist outlets for photographers and illustrators. Most of them provide mini-essays and tutorials featuring advice from professional writers.

publish your writingEditing your writing
Guidance snotes on editing, re-writing, and creating structure – plus basic advice on topics such as sentences, paragraphs, headings, titles, punctuation, and spelling.

publish your writingPublishing on the Internet
A selection of guidance manuals on writing for the Web – showing the special skills for creating readable web pages, plus writers’ groups and specialist outlets for creative online writing.

publish your writingePublishing and eBooks
Guidance manuals on how to create eBooks on a budget, using email as a marketing tool, plus writing in other digital formats. This approach takes the cumbersome and expensive printing costs out of publishing your work.

publish your writingWriting for the Web
Three excellent guidance manuals on crafting what you write so that it can be effective when read on line. Writing for the screen is different than writing for print publication: these books explain the differences.

publish your writingWriting for magazines
Writing for magazines is probably the most profitable form of authorship in terms of payment-per-word. But weekly, monthly, and specialist publications are often neglected as a possibile outlet by aspiring writers. This selection of guidance manuals show what markets are available, and how to break into them.

publish your writingWriting for newspapers
Newspapers are the most difficult form of journalism for beginners to break into. And if you manage to get a foot in the door, you will need more than just writing skills. These manuals provide the basics of law, copyright, plagiarism, privacy, and the relationship between the proess and the public.

publish your writingPublish your academic writing
Lecturers in further and higher education are obliged to publish their work if they wish to be promoted. It’s a very competetive environment. These manuals will show you how to convert a piece of academic work into something that can be commercially published. They also show the new possibilities of online publishing – or ‘open access’ as it is starting to be known.

publish your writingBlogging – publish your writing
Blogging is a form of publishing open to everyone – no matter what the level of your writing skills. But if you want readers to come back to your blog pages, it will help if you know some of the protocols of good blog behaviour. These guidance manuals will show you how to set up a blog: it’s easy – takes two minutes. More importantly, they will show you how to craft even a short piece of writing so that visitors will want to come back for more.

publish your writingHow to write book reviews
One way to break into publishing is to review the books you read. You can post the results on Amazon or on book fan sites. It’s good practice at showing engagement with your subject. These guidance notes show you what’s required.

© Roy Johnson 2009


More on publishing
More on journalism
More on creative writing
More on writing skills


Filed Under: Creative Writing, How-to guides, Journalism, Publishing Tagged With: Academic writing, Communication skills, Creative writing, Publishing, Writing skills

How to Write

June 19, 2009 by Roy Johnson

basic writing skills explained in easy stages

This is an introductory guide to writing, aimed at people who think they can’t write, or for whom writing is an ordeal. Broken down into short topic-based chapters on everything from beginning to revising, it demystifies the writing process by taking the reader through each stage necessary to bring a piece of writing to a decent finish. Follow the advice, and you will learn how to write. Alastair Fowler kicks off by considering the advantages and disadvantages of composing and editing directly on a computer screen.

How to WriteThen comes a series of short chapters, each one dealing with a different aspect of the writing process: outlines, drafts, paragraphs, sentences, arguments, punctuation, researching, and grammar. His model is formal academic writing, but his advice will be of use to anybody who wants to understand writing skills and improve their own. He deals with those tricky issues that distress beginners, such as ‘making a start’, and offers tips which at first glance can seem counter-intuitive, but reveal a voice of experience:

For most sorts of writing, the best way to begin is not to. Or rather, to have already begun in the past.

He also covers how to plan what you intend to write, and how to create order in what it will contain; then how to flesh out your rough notes into a first draft.

Beginners will also find it reassuring that he shows how to get a feel for the scale of a piece of writing – how to assess the required length and thereby the scope of its content.

I also found his advice on paragraphs sound. Once you have grasped the concept of structure and rhythm in a paragraph, most other problems of construction and format should fall easily into place.

He goes into quite some detail on how to construct persuasive arguments. It is in this sense that the book really is fundamentally about writing essays, and I think on reflection that it’s for people who have mastered the basics of writing and who wish to hone their skills.

Next comes how to arrange the parts of a sentence to make meaning clearer, and then an explanation of all the common marks of punctuation, which he manages with being either pedantic or boring. (If you want advice on punctuation delivered in a humorous manner, try Lynne Truss’ excellent Eats, Shoots & Leaves.)

For those who really are brushing up their essay writing skills, Fowler has some useful advice on quotation – how to do it, and what real function it serves. The same is true of plagiarism, which he discusses in the light of re-working other people’s ideas in a legitimate manner.

He finishes with a conducted tour of the available reference books and guidance notes on writing skills – which is a lot more useful than just a bare, unannotated bibliography. It’s a short book, but probably all the more useful for that – and amazingly good value at the price.

© Roy Johnson 2006

How to write   Buy the book at Amazon UK

how to write   Buy the book at Amazon US


Alastair Fowler, How to Write, Oxford: Oxford University Press, 2006, pp.202, ISBN: 0199278504


More on journalism
More on creative writing
More on writing skills
More on publishing


Filed Under: Creative Writing, Journalism, Writing Skills, Writing Skills Tagged With: Creative writing, How to Write, Journalism, Writing skills

Internet Writer’s Guide

June 15, 2009 by Roy Johnson

advice  plus extensive online resources for authors

How can the Internet help authors today? Isn’t writing still just a matter of putting pen to paper? There are so many new developments in electronic publishing, free web space, media mergers, and online bookshops: won’t these take our attention away from being creative? Well yes, they might. But they also open up exciting new possibilities. That’s why Jane Dorner has written The Internet: A Writer’s Guide – as a road map through the maze.

Internet Writer's GuideShe starts from the most logical point – how to get connected, what equipment you need, and how to operate the essentials. In the discussion of email she begins to consider the special needs of writers – how to send attachments; how to submit work to publishers; even how to conduct email interviews.

On the Web, she explains the techniques of efficient searching, how sites are used for publishing, and what to do when it all goes wrong.

She touches on writing groups which exist in the form of mailing lists, websites, newsletters, chat groups, and conferences. The strength of this approach is that given a little trial and error, most writers will be able to locate the sort of forum which suits them best.

There’s an interesting chapter on electronic publishing and what are now becoming known as e-book readers. This is very timely, as the market potential for this type of distribution has just opened up again with the success of products such as the 3″ X 5″ PalmPilot – the latest version of which can download Web pages and e-books off the Net, but still fit in your shirt pocket.

She then explores both the new opportunities for writers created by the Internet and the practicalities of publishing on your own web site. I was glad to see that she didn’t waste too much time with coding and page layout, all of which can be picked up easily elsewhere. She concentrates instead on issues of copyright, payments, encryption, plagiarism, and censorship. These topics will be far more live issues for the majority of writers tempted by the possibilities of online publication.

But by far the best part of the book – the ‘killer app’ so far as most writers will be concerned – is the final chapter listing online resources. She gives annotated lists of all the sources a writer could possibly wish for – from libraries to bookshops, dictionaries to writing circles, newspapers to writing style guides, electronic publishers to free Internet service providers. Just working your way through the list with your browser open would be an education in itself. The list has been enlarged for the second edition – and made available at the book’s website.

What I like about this guide is that it combines a lightness of touch with a thoroughness of approach. It gets straight to the point, uses a minimum of technical jargon, and covers a wide range of topics pertinent to aspiring authors. If you are a writer, and you’re ready to explore a rich source of suggestions for what to do next with the Net, then buy this book. You will not regret it.

© Roy Johnson 2002

The Internet: A Writer's Guide   Buy the book at Amazon UK

The Internet: A Writer's Guide   Buy the book at Amazon US


Jane Dorner, The Internet : A Writer’s Guide, London: A & C Black, second edition 2001, pp.200, ISBN: 0713661267


More on creative writing
More on writing skills
More on publishing


Filed Under: Creative Writing, Writing Skills, Writing Skills Tagged With: Creative writing, Electronic Writing, Internet, Web writing, Writing Guide, Writing skills

On Writing Well

July 26, 2009 by Roy Johnson

best-selling guide to sharpening your writing style

William Zinsser is professional journalist (former writer and editor on the New York Herald Tribune) who manages to express a love of writing and an appreciation of good style without ever dragging readers into the swamps of grammatical nit-picking and rule-governed instruction. In On Writing Well he expresses himself in an urbane and conversational style typical of popular magazines. This is a reassuring approach for those who want a guided tour of writing issues, held by the hand of someone experienced in the craft. It’s rather like having a writing coach at your shoulder as he talks you through what writers think and the decisions they make.

On Writing Well He’s particularly alert to the fear of those who lack confidence. The first part of the book is taken up with his principal recommendations. These are to cultivate brevity and clarity, and to omit any form of ‘clutter’. He has some wonderful examples of equivocation, ambiguity, and deliberate obfuscation drawn from American public life – including such gems from Alexander Haigh as “at this juncture of maturization” [that is ‘now’] and “We must push this to a lower decibel of public fixation. I don’t think there’s much of a learning curve to be achieved in this area of content.”

He then covers the means by which this clarity is to be achieved. It involves, logically enough, choosing your words carefully, and developing a unity of approach and subject matter.

The third part of the book deals with different forms of writing – such as reportage, interviews, and travel writing. It also covers scientific writing, business and even sports. These chapters are aimed at aspiring journalists, but there’s much to be learned from such details as his sharp-eyed analysis of the travel cliché: ‘villages nestling‘ and ‘byways half-forgotten‘:

Half the sights seen in a day’s sightseeing are quaint, especially windmills and covered bridges

The latter part of the book relaxes into its real subject – journalism – on which Zinsser speaks with feeling about its craft and techniques. In fact he ends by giving a paragraph-by-paragraph account of writing a travel article, explaining the subject options, the choice of vocabulary, and the strategies of approach which he tried and rejected. There’s a certain amount of patting himself on the back after-the-event in this, but aspiring writers might find it interesting to be taken through the generation of a piece of work in this way.

At its best, this approach will make readers sensitive to the effects they produce, and at its weakest it’s like a well-written guidebook on ‘How to Write Stories for Magazines’. But on balance, more people are likely to improve their writing by becoming conscious of rhythm and structure than are likely to fall into the abyss of verbal entertainment which fails.

© Roy Johnson 2006

On Writing Well   Buy the book at Amazon UK

On Writing Well   Buy the book at Amazon US


William Zinsser, On Writing Well: The Classic Guide to Writing Nonfiction (6th edn), New York: Harper, 2006, pp.336, ISBN: 141775057X


More on writing skills
More on language
More on dictionaries


Filed Under: Creative Writing, Journalism, Writing Skills, Writing Skills Tagged With: Creative writing, Journalism, On Writing Well, Writing skills

Publishing on the Internet

October 2, 2009 by Roy Johnson

a selection of resources

What if your ambitions are for publishing on the Internet? After all, many writers now launch their work in writers forums, creative writing groups, and even in personal weblogs. The Internet has made it possible to reach a worldwide audience with just a few IT skills – and it’s all for free!

You have the chance to place your work in writers’ groups, you might create your own web site, or you could start blogging. In addition, you could promote your work via a personal website and an email newsletter. Whichever route you choose, you should be aware of the difference between writing for the screen and the printed page.

What follows is guidance and resources covering all these new possibilities. You need to know what is available for writers on the Internet, and where to find it. eBooks and email publishing are a very attractive and cost-effective option you can learn about easily. Blogging is cost-free and currently very hip. And knowing the difference between writing for the screen or for print will show that you know what you are doing.

Publishing on the InternetThe Internet: A Writer’s Guide
The main strength of Jane Dorner’s book is that she is a professional writer who practices what she writes about. She writes for both print and screen, and promotes her work via a personal web site. This book explores both the new opportunities for writers created by the Internet and the practicalities of publishing on your own site.

She touches on writing groups which exist in the form of mailing lists, websites, newsletters, chat groups, and conferences, and she also deals with eBooks plus annotated lists of all the sources a writer could possibly wish for – from libraries to bookshops, dictionaries to writing circles, newspapers to writing style guides, electronic publishers to free Internet service providers.
Buy the book from Amazon UK
Buy the book from Amazon US
 

Creative Web Writing - book jacketCreative Web Writing
If you are mainly interested in traditional creative writing Jane Dorner has another book which shows you the skills you need if you want to put your writing onto the Internet. She is speaking to those people who have been creating poems and stories in their back rooms and getting nowhere. This guide covers collaborative story-telling, research online, interactivity and flexible text, as well as the nuts and bolts of styling for screen reading. Most importantly, she explains the range of new markets, new technologies, and how to apply them.

Creative genres are covered, including autobiography, poetry, broadcasting, screen-writing and writing for children. She also describes how to look carefully at contracts, how to submit your writing to an electronic publisher, and how to deal with Print on demand (POD) outlets. There’s a very useful survey of the various delivery methods and payments for eBooks. This is one of the most popular methods for aspiring authors to reach new readers. This section will be required reading if you are thinking of venturing into this world.

The central part of the book deals with new forms of writing using Web technologies. This is one field in which she has clearly done her homework. She shows examples of writing in the form of Blogs (Web-logs) email (epistolary) narratives, fictions illuminated by graphics, the weird world of MUDs and MOOs, Flash-animated writing, and phonetic poetry.
Buy the book from Amazon UK
Buy the book from Amazon US
 

The Internet Writer's HandbookThe Internet Writer’s Handbook
Karen Scott’s book is a detailed guide to publishers of the two formats which are most digital – e-zines and e-books. It’s in the form of an international A-Z of the best websites for writers to target, with full contact details for all websites listed. She offers plenty of detail on how to submit your work , how much publishers will pay, and even how they are most likely to respond. The topics these eBook publishers cover range from poetry and fiction, through non-fiction feature writing, to specialist technical and hobbyist publications.
Buy the book from Amazon UK
Buy the book from Amazon US

return button Publish your writing

© Roy Johnson 2009


More on journalism
More on creative writing
More on writing skills
More on publishing


Filed Under: How-to guides, Journalism, Publishing, Writing Skills Tagged With: Creative writing, Electronic Writing, Journalism, Publishing, Writing skills

  • 1
  • 2
  • 3
  • Next Page »

Get in touch

info@mantex.co.uk

Content © Mantex 2016
  • About Us
  • Advertising
  • Clients
  • Contact
  • FAQ
  • Links
  • Services
  • Reviews
  • Sitemap
  • T & C’s
  • Testimonials
  • Privacy

Copyright © 2025 · Mantex

Copyright © 2025 · News Pro Theme on Genesis Framework · WordPress · Log in