excellent illustrated exhibition catalogue
This is a short but very charming book, published by the National Portrait Gallery. It explores the impact of Bloomsbury personalities on each other, as well as how they shaped the development of British modernism. But most of all it is a delightful collection of portrait paintings and photographs, with accompanying biographical notes. It’s an introductory essay which outlines the development of Bloomsbury, followed by a series of portraits and the biographical sketches of the major figures.
The paintings are supplemented by some quite rare photographs – most of which I suspect came from the National Portrait Gallery for which this publication was once an exhibition catalogue. The characters portrayed are what might be called the usual suspects: Leonard Woolf, Virginia Woolf, Lytton Strachey, Duncan Grant, Vanessa Bell, Ottoline Morrell, John Maynard Keynes, Bertrand Russell, and Dora Carrington, for instance.
It was amusing to note that throughout the pages, Lytton Strachey seems to be in a state of permanent horizontal recline, lounging in a succession of deckchairs and armchairs, which the accompanying text maintains was ‘conducive to a life of intense mental activity’ – forgetting that Virginia Woolf, a far more productive author, often wrote standing up.
The biographical sketches themselves are an entertaining mixture of historical fact, contextualisation, and discreetly gossipy personal details. They also comment on the painted portraits too – so we get an element of psychological interpretation as well.
I was fascinated by some of the small details – such as Lytton Strachey re-naming Reginald Partridge Ralph; E.M.Forster setting fire to his trousers when visiting Virginia Woolf; Frances Partridge modelling creations by Issey Miyake; and an aged Gerald Brenan being kidnapped from an old people’s home in Pinner and taken back to die in his spiritual home in southern Spain.
This is an excellent introduction for newcomers, and there is enough novelty to keep regular Bloomsbury fans interested too. All the paintings and photographs are beautifully reproduced, and the book is well designed and printed. It’s become a best-seller on this site.
© Roy Johnson 2005
Frances Spalding, The Bloomsbury Group, London: National Portrait Gallery, 2005, pp.108, ISBN 1855143518
More on biography
More on the Bloomsbury Group
Twentieth century literature



Bloomsbury Portraits is an updated and redesigned edition of Richard Shone’s study of the painters of the Bloomsbury group.
Virginia Woolf is a readable and well illustrated biography by John Lehmann, who at one point worked as her assistant at the
Among the Bohemians: Experiments in Living 1900—1930 was written by Virginia Nicholson, Quentin Bell’s daughter and grand-daughter of Vanessa Bell, who was Virginia Woolf’s sister. Bloomsbury lies at the heart of the book in its portraits of Ralph Partridge, Virginia Woolf, Duncan Grant,
Virginia Woolf, a biography by Hermione Lee is strongly recommended if you would prefer something more advanced and intellectually demanding. It assumes you know the general background to her life and the Bloomsbury group. Lee writes from an academic perspective, and extricates Woolf from clichs about madness and modernism to reveal a vigorous artist whose work is politically probing as well as psychologically delicate. This is one for the serious literary scholar – but it’s nevertheless very readable.
Vanessa Bell, Francis Spalding’s excellent biography, sets out a portrait of this complex and talented woman who sacrificed a great deal of her time and efforts to looking after other people. She managed to stay on friendly terms with her lover, her husband, and her ex-lover – and to keep them friendly with each other. At the same time she was an active member of the
South from Granada is a travel writing classic in which the writer and cultural historian
E.M.Forster: A Life is a readable and well illustrated biography by P.N. Furbank. This book has been much praised for the sympathetic understanding Nick Furbank brings to Forster’s life and work, as well as to his relationships with other members of the Bloomsbury Group. He produced his now-classic novels whilst he was quite young, gave up writing fiction, and devoted his later years to political essays and literary criticism. This is also a very scholarly book, with plenty of fascinating details of the English literary world during Forster’s surprisingly long life. Very well written too.
A Life of Dora Carrington 1893-1932 Because of her Bohemian lifestyle, her connection with the Bloomsbury group, her bobbed hair, and her outspoken views,
Portrait of a Marriage is a double biography of
Ottoline Morrell: Life on a Grand Scale This biography reveals Ottoline Morrell, London’s leading literary hostess during the first three decades of the 20th century. Augustus John, the Asquiths, T.S. Eliot,
Bertrand Russell: 1872-1920 The Spirit of Solitude is the first volume of Ray Monk’s acclaimed biography of Bertrand Russell, covering the first 50 years of his life. It deals with his childhood, his early works including Principia Mathematica, his relationships with prominent contemporaries, his bizarre sex life, his conscientious objection in World War I, and his visits abroad. Russell was an active member of the Bloomsbury Group, and had tempestuous relationships with both men and women.
Duncan Grant – a Biography Francis Spalding’s book is the standard account of his life, which stretched from the Victorian age into the modern era. Duncan Grant was one of the best-known names on the British art scene and one of the most charismatic members of the Bloomsbury set. His life spanned great changes in society and art, from Edwardian times to the 1970s. Although he was a homosexual, he lived devotedly and worked throughout his life with fellow artist and former lover
Bloomsbury Recalled Quentin Bell was one of the last surviving members of the Bloomsbury circle. Here he offers a candid portrait gallery of major and peripheral Bloomsbury figures. His father,
Roger Fry, Virginia Woolf’s authorised biography, traces the development of his aesthetic practice and theories – after first graduating in science from Cambridge. He was the oldest member of the Bloomsbury Group, and influenced much of its ideas concerning fine and decorative arts. In partnership with his one-time lover Vanessa Bell, he was the founder of the Omega workshop, and he became a leading art critic as well as a successful painter in his own right. Don’t expect any spicy personal details: Woolf concentrates on his aesthetic theories and his public life.



