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The Beldonald Holbein

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tutorial, commentary, study resources, plot, and web links

The Beldonald Holbein first appeared in Harper’s Magazine for October 1901. It was later collected with other tales in The Better Sort published in London by Methuen and in New York by Scribner in 1903.

The Beldonald Holbein

Holbein – Catherine Howard (1540)

The Beldonald Holbein – critical commentary

This is one of a number of stories Henry James wrote about artists – usually portrait painters. As a young man James had studied art, and the interest stayed with him throughout his long career as a novelist. In fact it is the relationship between visual and literary art which lies at the centre of this tale – and creates its central problem.

James enthusiastically records in his notebooks the original idea for this story – what he often calls the donné of the tale:

… little old ugly, or plain (unappreciated) woman, after dull, small life, in ‘aesthetic’ perceptive ‘European’ ‘air’. Element in it of situation of some other American woman (who has had lots of ‘Europe’ always) —thought so pretty (and so envied by my heroine) when younger&mdsh;and now so ‘gone’.

All these elements are present in the finished tale. Mrs Brash comes from her obscure American life and is specifically employed as an ugly old woman by the vain Lady Beldonald to act as a contrast to her own good looks. But the narrator and his friend Outereau see in Mrs Brash an unappreciated beauty of a kind they liken to a portrait by Holbein.

More than that, Lady Beldonald eventually realises that Mrs Brash is failing to fulfil the role for which she has been employed, and we are led to believe that Mrs Brash is despatched back to America where she sinks once again into plain obscurity.

This presents readers with a problem. How can Mrs Brash be ‘ugly’ when she first appears in the narrative, then miraculously becomes ‘attractive’ in the eyes of the narrator, Outereau, and Mrs Munden? It is obvious that they appreciate something in Mrs Brash’s appearance which has been neglected by her fellow Americans. But we have no way of knowing if these critical assessments are valid or not: all the information at our disposal is mediated via the un-named narrator.

The Beldonald Holbein – study resources

The Beldonald Holbein The Complete Works of Henry James – Kindle edition – Amazon UK

The Beldonald Holbein The Complete Works of Henry James – Kindle edition – Amazon US

The Beldonald Holbein Complete Stories 1898—1910 – Library of America – Amazon UK

The Beldonald Holbein Complete Stories 1898—1910 – Library of America – Amazon US

The Beldonald Holbein The Beldonald Holbein – Paperback – Amazon UK

The Beldonald Holbein The Beldonald Holbein – Paperback – Amazon US

The Beldonald Holbein The Beldonald Holbein – eBook formats at Project Gutenberg

Red button The Cambridge Companion to Henry James – Amazon UK

The Beldonald Holbein Henry James at Wikipedia – biographical notes, links

The Beldonald Holbein Henry James at Mantex – tutorials, biography, study resources

The Beldonald Holbein

The Beldonald Holbein – story synopsis

Part I   Mrs Munden proposes to the un-named narrator, an artist, that he paint a picture of her sister-in-law, the elderly but beautiful Lady Nina Beldonald. The commission is agreed but delayed because of the death of Nina’s black servant Miss Dadd, who has been hired to throw Nina’s beauty into sharp contrast.

Part II   Miss Dadd is replaced by an American relative Mrs Louisa Brash, who Nina employs because she is old and plain. But the narrator and his friend Paul Outreau feel that she is in fact a specially attractive ‘type’ – like a figure in a Holbein painting. The narrator asks Nina if he can paint Mrs Brash’s portrait, but she finds his suggestion offensive.

Part III   Nina cancels the commission for her own portrait. The narrator reconstructs Mrs Brash as an attractive figure who has not appreciated her own advantages. Having been ‘plain’ all her life, he wonders if she will be able to cope with being seen as attractive.

Part IV   The narrator and Mrs Munden feel responsible for Mrs Brash, who they fear may be turned away if she fails to perform the function for which she has been hired – which is to present a contrast to Lady Beldonald. However, they also feel they owe it to her to celebrate her attractiveness.

Part V   Mrs Brash eventually declines to sit for her portrait. Lady Beldonald then realises that she is an attractive woman, and sends her back to America, where she reverts to her former state of being – an elderly and plain woman. Lady Beldonald hires a new young and pretty servant, and offers to sit for her portrait after all – whereupon the narrator agrees.

The Beldonald Holbein – principal characters
— the un-named narrator, an artist
Paul Outereau the narrator’s friend, a French painter
Mrs Munden an American friend of the narrator
Lady Nina Beldonald an American ageing beauty
Miss Dadd a small black servant (who does not appear)
Mrs Louisa Brash Nina’s cousin, an ugly older woman

Henry James's study

Henry James’s study

Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.

Other works by Henry James

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

 

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US

Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.
Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

© Roy Johnson 2014

More tales by James
More on literature
More on the novella
More on literary studies
More on short stories

The Bellarosa Connection

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tutorial, commentary, study resources, and web links

The Bellarosa Connection (1989) is a novella in which Saul Bellow examines three aspects of what he calls ‘Jewish history’ – and to which might be added the epithet ‘Jewish immigrant history’. It’s also the first major piece of his fiction in which he addresses the issue of the Holocaust. As he said of this topic in an interview, commenting on the absence of these topics in his earlier work:

Somehow I managed to miss the significance of some very great events. I didn’t take hold of them as I now see I might have done. Not until The Bellarosa Connection. So I have lived long enough to satisfy a few neglected demands.

The Bellarosa Connection

In this novel (or novella) he looks at the plight of the Jews in Europe who in the twentieth century have been persecuted first by the Russians (and others) and then by the Germans. Many of them emigrated to America, where he examines two generations. The first was glad to escape persecution and worked hard to establish a new life. The second generation grew up as naturalised Americans, but they had a family background, a cultural tradition, and a ‘history’. They could either ignore this and become ‘Americanised’ or take on the burden of their social inheritance.

The Bellarosa Connection – critical comment

Literature and history

Whilst the characters in the novel are fictional constructs, Billy Rose was a real-life historical person. He was a famous theatrical impresario and a showman who amassed a huge personal fortune and founded a sculpture garden in Jerusalem. He also wrote the lyrics to popular songs such as Me and My Shadow and It’s Only a Paper Moon. However, suspicions exist that he paid ghost writers to do most of the work – a rumour that Bellow incorporates into the novella.

The rescue operation bearing his name is a fictional transposition of the fact that Billy Rose did become involved in organising fund-raising events in America for the aid of European Jews. Thus Saul Bellow is mingling fact and fiction here – in a way which became quite fashionable in post second world war American fiction.

The reader is being asked to ‘suspend disbelief’ – that is, to simultaneously accept information from a historical and an invented source. Questions arise such as “Did this really happen?” and “Is this really true?” and such doubts must be dealt with as a matter of aesthetic judgement by the reader. We ask ourselves – Are these events plausible? Do they make sense? Is the author pushing invention too far here?

We are being invited to accept the simultaneous existence of Billy Rose, a real-life historical figure whose biographical details can be looked up in Wikipedia, and the Fonsteins who are fictional constructs (even if they were based on people who Bellow knew personally).

The narrator

The reader’s dilemma in making these judgements is perhaps made easier by the sheer drive and panache of Bellow’s first person narrator. In most of his novels from Augie March onward he employs narrators who are clear substitutes for Bellow himself as a sophisticated intellectual with an enormous grasp of cultural history. He develops narrators who are witty, well-informed, and very entertaining. The result is that as readers we tend to believe what they are saying, even though we know they are fictional constructs.

He also employs a style of narration which is a fascinating admixture of street language, colloquial expressions, slang, and the vocabulary of intellectual and even philosophic discourse.

I was at the bar of parental judgement again, charged with American puerility. When would I shape up, at last! At the age of thirty-two, I still behaved like a twelve-year-old, hanging out in Greenwich Village, immature, drifting, a layabout, shacking up with Bennington girls, a foolish intellectual gossip, nothing in his head but froth—the founder, said my father with comic bewilderment, of the Mnemosyne Institute, about as profitable as it was pronounceable

What’s more, this narrative voice was consciously developed, and is a reflection of Bellow’s desire to fuse Eurocentric culture absorbed via his higher education with the American demotic in which he had been raised as the son of first-generation immigrants:

What I found was the relief of turning away from mandarin English and putting my own accents into the language My earlier books had been straight and respectable. As if I had to satisfy the demands of H. W. Fowler. But in Augie March I wanted to invent a new sort of American sentence. Something like a fusion of colloquialism and elegance … Street language combined with a high style.

Americanisation

Bellow sees the question of Jewish history in three phases. First is the flight of parents from anti-Semitism and poverty in Europe. Second is immigration and establishing an economic foothold in America. The third phase for their children is a choice between their Jewish heritage or assimilating as Americans. As his narrator makes quite clear:

“But if you want my basic view, here it is: The Jews could survive everything that Europe threw at them. I mean the lucky remnant. But now comes the next test—America. Can they hold their ground, or will the U.S.A. be too much for them?”

Immigration and race

In connection with the issue of race and American society,
as has been argued in a similar analysis of his late novel Ravelstein, it is slightly surprising that at no time does Bellow consider the subject of African-Americans who were also ‘immigrants’. They however were imported against their will into a protestant God-fearing society which then exploited and persecuted them.

Bellow is not obliged to cover every racial issue in the flux of American life, but the close parallels between European Jewish immigrants (fleeing from persecution) and Africans (imprisoned in a slave culture) did not seem to occur to him as a fruitful point of comparison. Bellow is very conscious of modern history, but the fact is that the Africans were made forcible ‘immigrants’ to American society from the sixteenth century onwards, whereas the Jewish diaspora affected America largely from the late nineteenth century.

The Bellarosa Connection – study resources

The Bellarosa Connection The Bellarosa Connection – Penguin – Amazon UK

The Bellarosa Connection The Bellarosa Connection – Penguin – Amazon US

The Bellarosa Connection The Bellarosa Connection – Library of America – Amazon UK

The Bellarosa Connection The Bellarosa Connection – Library of America – Amazon US

The Bellarosa Connection Saul Bellow – Collected Stories – Penguin Classics – Amazon UK

The Bellarosa Connection Saul; Bellow – Collected Stories – Penguin Classics – Amazon US

The Bellarosa Connection Saul Bellow (Modern Critical Views) – essays and studies – Amz UK

The Bellarosa Connection Saul Bellow (Modern Critical Views) – essays and studies – Amz US

Cambridge Companion to Saul Bellow – Amazon UK

The Bellarosa Connection

The Bellarosa Connection – plot summary

A successful and un-named academic specialises in memory studies. He wishes to record a history of emotions and states of being, conscious of his poor Jewish immigrant background. He recalls the story of his relative Harry Fonstein who escapes Hitler and flees to Italy where he works as a waiter in Rome.

Fonstein is arrested at a fascist reception and jailed, but then his escape is arranged by a clandestine operation organised by Billy Rose (‘Bellarosa’). Rose is a flamboyant theatrical impresario and newspaper gossip columnist who collects fine art and has made a fortune from show business. He keeps his rescue operation secret and will not even meet the people he saves. The narrator assumes that the Mafia are also involved in his operations.

Fonstein escapes to America where he is detained on Ellis Island. From there he is exported to Cuba, and forbidden to mention Billy Rose. In Cuba he works as an assistant and educates himself through part-time study.

A marriage is arranged with an overweight woman from America, which gives him naturalisation papers. He moves to New Jersey where he becomes successful running a plumbing supplies business. When he tries to thank Billy Rose for saving his life, all his overtures are rejected..

The narrator discusses ‘Jewish history’ with Fonstein’s obese wife Sorella, but finds the Nazi horrors ‘burdensome’. He then meets the Fonsteins on holiday in Israel, where Billy Rose is staying at the same hotel. Sorella reveals that Rose’s assistant kept a secret journal and papers documenting all Rose’s personal foibles and shady business deals. The narrator declines the offer of seeing the documents.

Sorella arranges a meeting with Billy Rose and uses the documents as blackmail in an attempt to persuade Rose to give her husband a brief audience. Rose vigorously defends his reputation and refuses her request. She throws the documents at him – but they go out of the window..

Some years later the narrator is asked for Fonstein’s contact details by a Rabbi who is seeking help for an insane man who claims to be a relative of Fonstein. The narrator makes phone calls to people who might know – and gets short shift from them.

When he finally locates the address, a young man is house-sitting. He reveals that the Fonsteins were killed in a motor accident six months earlier. They were on their way to their mathematically gifted son who had taken up gambling and was in trouble.

© Roy Johnson 2017

More on Saul Bellow
More on the novella
More on short stories
Twentieth century literature

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The Bench of Desolation

by

tutorial, commentary, study resources, and web links

The Bench of Desolation (1909) comes from the late period of James’s career as a writer of short stories, and with such a title readers might understandably assume it was similar to his late dark masterpieces such as The Beast in the Jungle and The Altar of the Dead. Indeed, the first two thirds of the story are marked by a mood of gloom which intensifies as the misery of the protagonist’s life becomes more protracted. But this atmosphere is completely dispelled by a resolution to the story which is as unexpected as it is improbable and unexplained.

The Bench of Desolation

a boring seafront

The Bench of Desolation – critical commentary

Is this story a lavish piece of wish-fulfilment on James’s part? It starts with the subject of one of his recurrent themes – the fearful prospect of marriage and its responsibilities. In fact it encompasses the fear of both the prospect and the consequences of marriage reflected in legal confrontation, public exposure, and financial punishment, followed by social death.

This clearly characterises the first part of the story, as Herbert Dodd is projected into his downward spiral of doom. But this scenario is completely dispelled in the latter part of the story. There is no credible justification provided for Herbert Dodd’s good fortune, and one can only think that it’s a form of wish-fulfilment on James’s part to come up with a resolution to this story which involves an old flame emerging from the past to offer both undiminished adoration and a large pot of money.

In fact the story suffers credibility weaknesses on two counts. First of all, no convincing motivation is provided for Kate Cookham’s ten year vigil. She has ruined Herbert financially by the original out-of-court settlement. He has subsequently married, become a widower, and sunk even lower in the social scale with no intervening contact between them to sustain either love or good will. But we are expected to believe that she has loved him and wished for his best interests throughout the decade. She even claims to have ‘hated’ what she was doing to him for ten years. We are given no explanation for her behaviour – only her statement of intent.

The second weakness is that not only has she worked and saved for a decade to repay him, but she is repaying his original two hundred and seventy pounds with interest. This original sum has accumulated simple interest of one hundred pounds a year to produce a total of twelve hundred and sixty pounds. That is a rate of return of thirty-seven per cent which even in the most prosperous years of the industrial revolution and the high point of British imperialism would have been impossible. Interest rates historically hover between three and ten percent. We can’t expect novelists to be professional economists or financial analysts, but we can object to their providing fairy tale pots of gold to furnish plot resolutions.

The story also has a rather uneven tone. At the beginning of the narrative Herbert Dodd is an almost comic figure – a vain, somewhat self-regarding character with a disdainful attitude to his low station in life. He could be seen as the Mr Pooter of the south coast. But as the misery of his blighted life begins to bite deeper, his seat on ‘the bench of desolation’ is a much more sombre affair. His state of tired resignation to a completely uneventful existence is something we are invited to take seriously. Having established this deeper mood, one would expect James to lead it towards a more logical and tragic conclusion, but instead of turning the screw tighter, he releases it to return to a mood of almost drawing room comedy.

Henry James portrait

Henry James – portrait by John Singer Sargeant

The Bench of Desolation – study resources

The Bench of Desolation The Complete Works of Henry James – Kindle edition – Amazon UK

The Bench of Desolation The Complete Works of Henry James – Kindle edition – Amazon US

The Bench of Desolation Complete Stories 1898—1910 – Library of America – Amazon UK

The Bench of Desolation Complete Stories 1898—1910 – Library of America – Amazon US

The Bench of Desolation The Collected Stories – Everyman’s Library Classics – Amazon UK

The Bench of Desolation The Bench of Desolation – read the story on line

Red button The Cambridge Companion to Henry James – Amazon UK

Red button The Prefaces of Henry James – Introductions to his works – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

The Bench of Desolation

The Bench of Desolation – plot summary

Herbert Dodd has inherited a shop selling old books and prints in a ‘fourth-rate’ seaside town on the south coast of England. He becomes engaged to Kate Cookham, one of his customers, but when he changes his mind she threatens to sue him for breach of promise. He settles out of court for four hundred pounds compensation, mortgages his business, and in fact only pays her two hundred and seventy pounds.

He confides his plight to an old flame Nan Drury, and ends up marrying her. They have two children who die, as does she. The solicitors handling his mortgage go into liquidation because one of its partners embezzles from the firm, and his business is seized by creditors. He gets a job working as a petty clerk for the local gas works and begins to wonder in his misery at what might have happened if he had challenged Kate Cookham over the four hundred pound settlement.

Ten years pass, and his life is reduced to a meaningless void, when suddenly a much-improved Kate Cookham returns from London, seeks him out on his lonely seafront bench, and invites him to tea at her hotel. She reveals that she has taken his money, invested it, and wants to pay him back – with interest, because she loved him all the time. He is shocked by the news of her offer, but a week later he accepts the money – and her.

Principal characters
Herbert Dodd a somewhat effete dealer in old books and prints
Kate Cookham a plain private teacher and governess
Nan Drury an old flame of Henry’s who he marries
Bill Frankel a man known to Kate of whom Henry feels jealous

Henry James's study

Henry James’s study

Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button Leon Edel, Henry James: A Life, Harper Collins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.

Other works by Henry James

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US

Henry James Daisy MillerDaisy Miller (1879) is a key story from James’s early phase in which a spirited young American woman travels to Europe with her wealthy but commonplace mother. Daisy’s innocence and her audacity challenge social conventions, and she seems to be compromising her reputation by her independent behaviour. But when she later dies in Rome the reader is invited to see the outcome as a powerful sense of a great lost potential. This novella is a great study in understatement and symbolic power.
Daisy Miller Buy the book from Amazon UK
Daisy Miller Buy the book from Amazon US

Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

© Roy Johnson 2012

More tales by James
More on literature
More on the novella
More on literary studies
More on short stories

The Birthplace

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tutorial, commentary, study resources, and web links

The Birthplace was first published in the collection The Better Sort in 1903. It is collected in Volume XI of The Complete Tales of Henry James (Rupert Hart-Davis) 1964.

Shakespeare's Birthplace

Shakespeare’s birthplace

The Birthplace – critical commentary

On the surface this appears to be a mildly amusing satirical dig at what we now call the ‘heritage industry’. Tourists and particularly foreigners flock to see the birthplace of a famous person in the hope that having seen some object or been in the same room as that person, they will thereby have some sort of transcendental experience that will provide them with a deep understanding of art, writing, philosophy, or other cultural value.

Maurice Gedge is appalled that the previous wardens (represented by Miss Putchin) and the visiting ‘pilgrims’ are interested in the place but not in the Work. They wish to see the birthplace, but are not interested in what the person born there created. And in Shakespeare’s case, even the authenticity of the birthplace is in doubt, since so little is known about him.

Rather cleverly, without ever naming him, James uses Shakespeare as a hook on which to hang his general argument. Very little is known about Shakespeare’s life, but the trustees wish to squeeze every ounce of cultural capital out of the smallest possible association.

It is this that Maurice Gedge rebels against, and then in an ideological volt-face to save his and his wife’s jobs, gives way to. He gives the pilgrims what they have come for – a cultural warm shower of half truths, romantic myths, and cultural platitudes.

But the story also contains within it a quite serious element of literary theory. It’s known as ‘the death of the author’ and was first made famous in 1967 by the French literary critic Roland Barthes. The theory, put in a very over-simplified form, is that there is no possible way to prove any causal link between authors’ lives and the works they produce. Therefore we should concentrate our critical attention onto the works themselves, not their authors. The novelist D.H. Lawrence put it another way when he said “Trust the tale, not the teller”.

That is the theory discussed between Maurice Gedge and Mr B.D. Hayes on the occasion of his first visit. Hayes quotes from Hamlet: “‘The play’s the thing’. Let the author alone.” Then he pushes the point further: “There should really, to clear the matter up, be no such Person”. And Maurice Gedge agrees: “There is no such Person.”

So – sixty-plus years before such ideas became formalised into what is now called ‘critical theory’, James was exploring the relationship between the Author and the Work. It has to be said that he was very resistant to any intrusions into his own private life, even though he had (until almost the end) very little to conceal. So it was a subject very dear to his heart.

The Birthplace – study resources

The Birthplace The Complete Works of Henry James – Kindle edition – Amazon UK

The Birthplace The Complete Works of Henry James – Kindle edition – Amazon US

The Birthplace Complete Stories 1898—1910 – Library of America – Amazon UK

The Birthplace Complete Stories 1898—1910 – Library of America – Amazon US

The Birthplace The Birthplace – Digireads reprint edition – Amazon UK

The Birthplace The Birthplace – eBook at Project Gutenberg

The Birthplace The Birthplace – read the story on line

Red button The Cambridge Companion to Henry James – Amazon UK

Red button The Prefaces of Henry James – Introductions to his tales and novels

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

The Birthplace

The Birthplace – plot summary

Part I. Maurice Gedge, a librarian and failed schoolmaster, is given the opportunity by a sponsor to become warden of Shakespeare’s birthplace (though Shakespeare is never actually named). Gedge and his wife start reading the Works and are determined to uphold the honour of His name.

Part II. Gedge is inducted into his custodial duties by one of the previous wardens, Miss Putchin. It becomes apparent that she (and the visitors) are more interested in the place as something like a holy shrine, rather than the famous person who lived there, or what he actually wrote.

Part III. Gedge takes to wandering round the house late at night to imbibe its spirit – but he realises that very few of its contents have any true connection or relationship with the Great Man. They are simply associated memorabilia, and the traces of previous visitors (or ‘pilgrims’ as they are called) in objects and signatures they have left behind.

Part IV. He begins to feel oppressed by the role he is required to play – trotting out ‘facts’ in which he does not believe in response to the demands of tourists. And he worries that the trustees might ‘inspect’ him and find him fraudulent. He tries to persuade his wife that they ought to admit the truth – that there are very few hard facts and very little evidence for all the claims being made about the place. She disagrees and argues that they ought to enhance the myths.

Part V. One day a young American couple arrive and Gedge finds that the husband agrees with him – that attention should be focused on the work of the great poet, and certainly not on such dubious items as the room where it was claimed (on no evidence) where he was born.

Part VI. Gedge feels his critical sense bolstered by this encounter, but he allows his scepticism to show through to the public. His original patron arrives as a representative of the trustees to give him a severe warning about ‘spoiling the show’. Gedge agrees to his wife that he will change his approach in order to protect their jobs.

Part VII. Over a year later, the young American couple visit again. Gedge is apprehensive, but he realises that they must have come to see him, since they know his views. He puts on a bravura performance as a tourist guide, full of clichés and gushing trivia. It turns out that his fame for delivering this sort of thing has spread across the Atlantic. Now he worries that he might be overdoing things in performing this deceit, but his sponsor arrives and doubles his salary in recognition of the increased income from receipts at the Birthplace.

Principal characters
Mr Grant-Jackson a banker, chair of the Birthplace committee
Maurice Gedge failed schoolmaster, librarian
Isabel Gedge his wife
Miss Putchin previous warden at the Birthplace
Mr and Mrs B.D. Hayes American couple from New York City

Henry James portrait

Henry James – portrait by John Singer Sargeant

Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Critical commentary

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Henry James's study

Henry James’s study

Other works by Henry James

Henry James Washington SquareWashington Square (1880) is a superb early short novel, It’s the tale of a young girl whose future happiness is being controlled by her strict authoritarian (but rather witty) father. She is rather reserved, but has a handsome young suitor. However, her father disapproves of him, seeing him as an opportunist and a fortune hunter. There is a battle of wills – all conducted within the confines of their elegant New York town house. Who wins out in the end? You will probably be surprised by the outcome. This is a masterpiece of social commentary, offering a sensitive picture of a young woman’s life.
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Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
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Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
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Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

© Roy Johnson 2012

More tales by James
More on literature
More on the novella
More on literary studies
More on short stories

The Black Mate

by

tutorial, commentary, study resources, plot, and web links

The Black Mate was written, according to Conrad’s own reckoning, in 1886. This would make it his earliest tale or short story (though it is not so short). But it was not published until 1908, and was then republished posthumously as part of the collection Tales of Hearsay in 1925. The other stories in the collection were The Warrior’s Soul, Prince Roman, and The Tale.

The Black Mate

The Black Mate – critical commentary

Narrative

The tale starts in first person narrative mode. The un-named narrator is a friend of the mate of the Sapphire Winston Bunter, and he is present in the restaurant conversation where the story begins. In fact Conrad rather coyly signals his presence in his own account of events.

There was also a very young shipmaster, with a little fair moustache and serious eyes, who said nothing, and only smiled faintly from time to time.

But on Bunter’s voyage aboard the Sapphire to Calcutta and back, events are presented in third person omniscient narrative mode, with the thoughts and feelings of the secondary and tertiary characters fully expressed.

Then when Bunter nears home and his wife inherits the money, the narrator suddenly reappears to present the conclusion to the story as a first person narrative again.

Conrad offers no explanation of how the information in the central part of the story reaches us, nor any persuasive logical reason why there should be two narrative modes at work in the one tale.

None of this would be terribly important were it not for the fact that Conrad has become celebrated for his inventive use of narrators and the complex structure of his tales and novels. But the fact is that he often makes mistakes in the logic and the narrative paths by which information reaches the reader – and this is an early example of that weakness, which is worth noting.

He also sometimes plays fast and lose with the conventions of tale-telling – as he does here. The narrator knows perfectly well at the outset of the tale why Bunter’s hair is so black, yet he conceals the fact from the reader with teasing hints that Bunter has a secret (without revealing what it is). In fact it is the narrator who advises Bunter to dye his hair in the first place. This device reduces the story to not much more than an elaborate and delayed joke.

The Black Mate – study resources

The Black Mate The Black Mate – CreateSpace editions – Amazon UK

The Black Mate The Black Mate – CreateSpace editions – Amazon US

The Black Mate The Complete Works of Joseph Conrad – Kindle eBook

The Black Mate The Black Mate – eBook versions at Project Gutenberg

The Black Mate Joseph Conrad: A Biography – Amazon UK

Red button The Cambridge Companion to Joseph Conrad – Amazon UK

Red button Routledge Guide to Joseph Conrad – Amazon UK

Red button Oxford Reader’s Companion to Conrad – Amazon UK

The Black Mate Notes on Life and Letters – Amazon UK

The Black Mate Joseph Conrad – biographical notes

The Black Mate

The Black Mate – plot summary

A number of sea captains meet at a restaurant in the Port of London. They tease Captain Johns, who thinks that only young seamen should be on ships. Then they discuss ghosts and comment on Bunter, the mate of the Sapphire who once lost a ship in the Indian Ocean and who has strikingly black hair.

Bunter complains to the narrator that Captain Johns has been treating him suspiciously, and has been trying to persuade him to share his belief in ghosts and spiritualism. He has also been oppressed by a berthing master who recognises him from somewhere. It seems that Bunter has some sort of secret, as well as the bad luck that has dogged him ever since the loss of his ship. He has been a captain, but is now forced to accept the position of mate.

The Sapphire sets off bound for Calcutta, and encounters rough seas in the Southern Ocean, which results in breakages of some of Bunter’s personal belongings. Captain Johns continues to harass Bunter with his belief in spiritualism and he regards any signs of scepticism as a personal insult. Then one night Bunter suddenly falls down a ladder and injures his head. There is a general mystery regarding the reason for this accident. When he recovers he tells Captain Johns that he was startled by an apparition and fell backwards in terror.

Bunter continues to be ill, and he is converted to a belief in spiritualism. Then he reveals that the fright has turned his hair white.

Meanwhile, back in London Mrs Bunter inherits money from a distant relative but cannot pass the good news on to her husband because the Sapphire is en route back from Calcutta. She goes to meet the ship at Dunkirk, along with the narrator.

In Dunkirk, Bunter reveals to the narrator that he merely slipped on some brass plates at the top of the ladder, and his hair turned white because he ran out of the hair dye he had been using to make himself look younger. The ghostly apparition was an invention to placate Captain Johns. Bunter leaves the Sapphire and goes off with his wife.

Joseph Conrad – video biography

The Black Mate – principal characters
I the un-named narrator, a friend of Bunter
Winston Bunter a former captain, now a mate
Mrs Bunter his wife
Captain Johns commander of the Sapphire
The Black Mate

The Black Mate

first edition 1925 Fisher Unwin

The Cambridge Companion to Joseph ConradThe Cambridge Companion to Joseph Conrad offers a series of essays by leading Conrad scholars aimed at both students and the general reader. There’s a chronology and overview of Conrad’s life, then chapters that explore significant issues in his major writings, and deal in depth with individual works. These are followed by discussions of the special nature of Conrad’s narrative techniques, his complex relationships with late-Victorian imperialism and with literary Modernism, and his influence on other writers and artists. Each essay provides guidance to further reading, and a concluding chapter surveys the body of Conrad criticism.
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Joseph Conrad - writing table

Joseph Conrad’s writing table

Further reading

Red button Amar Acheraiou Joseph Conrad and the Reader, London: Macmillan, 2009.

Red button Jacques Berthoud, Joseph Conrad: The Major Phase, Cambridge: Cambridge University Press, 1978.

Red button Muriel Bradbrook, Joseph Conrad: Poland’s English Genius, Cambridge: Cambridge University Press, 1941

Red button Harold Bloom (ed), Joseph Conrad (Bloom’s Modern Critical Views, New York: Chelsea House Publishers, 2010

Red button Hillel M. Daleski , Joseph Conrad: The Way of Dispossession, London: Faber, 1977

Red button Daphna Erdinast-Vulcan, Joseph Conrad and the Modern Temper, Oxford: Oxford University Press, 1991.

Red button Aaron Fogel, Coercion to Speak: Conrad’s Poetics of Dialogue, Cambridge, Mass: Harvard University Press, 1985

Red button John Dozier Gordon, Joseph Conrad: The Making of a Novelist, Cambridge, Mass: Harvard University Press, 1940

Red button Albert J. Guerard, Conrad the Novelist, Cambridge, Mass: Harvard University Press, 1958

Red button Robert Hampson, Joseph Conrad: Betrayal and Identity, Basingstoke: Macmillan, 1992

Red button Jeremy Hawthorn, Joseph Conrad: Language and Fictional Self-Consciousness, London: Edward Arnold, 1979

Red button Jeremy Hawthorn, Joseph Conrad: Narrative Technique and Ideological Commitment, London: Edward Arnold, 1990

Red button Jeremy Hawthorn, Sexuality and the Erotic in the Fiction of Joseph Conrad, London: Continuum, 2007.

Red button Owen Knowles, The Oxford Reader’s Companion to Conrad, Oxford: Oxford University Press, 1990

Red button Jakob Lothe, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008

Red button Gustav Morf, The Polish Shades and Ghosts of Joseph Conrad, New York: Astra, 1976

Red button Ross Murfin, Conrad Revisited: Essays for the Eighties, Tuscaloosa, Ala: University of Alabama Press, 1985

Red button Jeffery Myers, Joseph Conrad: A Biography, Cooper Square Publishers, 2001.

Red button Zdzislaw Najder, Joseph Conrad: A Life, Camden House, 2007.

Red button George A. Panichas, Joseph Conrad: His Moral Vision, Mercer University Press, 2005.

Red button John G. Peters, The Cambridge Introduction to Joseph Conrad, Cambridge: Cambridge University Press, 2006.

Red button James Phelan, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008.

Red button Edward Said, Joseph Conrad and the Fiction of Autobiography, Cambridge Mass: Harvard University Press, 1966

Red button Allan H. Simmons, Joseph Conrad: (Critical Issues), London: Macmillan, 2006.

Red button J.H. Stape, The Cambridge Companion to Joseph Conrad, Cambridge: Cambridge University Press, 1996

Red button John Stape, The Several Lives of Joseph Conrad, Arrow Books, 2008.

Red button Peter Villiers, Joseph Conrad: Master Mariner, Seafarer Books, 2006.

Red button Ian Watt, Conrad in the Nineteenth Century, London: Chatto and Windus, 1980

Red button Cedric Watts, Joseph Conrad: (Writers and their Work), London: Northcote House, 1994.

Other writing by Joseph Conrad

Joseph Conrad Lord JimLord Jim (1900) is the earliest of Conrad’s big and serious novels, and it explores one of his favourite subjects – cowardice and moral redemption. Jim is a ship’s captain who in youthful ignorance commits the worst offence – abandoning his ship. He spends the remainder of his adult life in shameful obscurity in the South Seas, trying to re-build his confidence and his character. What makes the novel fascinating is not only the tragic but redemptive outcome, but the manner in which it is told. The narrator Marlowe recounts the events in a time scheme which shifts between past and present in an amazingly complex manner. This is one of the features which makes Conrad (born in the nineteenth century) considered one of the fathers of twentieth century modernism.
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Joseph Conrad Heart of DarknessHeart of Darkness (1902) is a tightly controlled novella which has assumed classic status as an account of the process of Imperialism. It documents the search for a mysterious Kurtz, who has ‘gone too far’ in his exploitation of Africans in the ivory trade. The reader is plunged deeper and deeper into the ‘horrors’ of what happened when Europeans invaded the continent. This might well go down in literary history as Conrad’s finest and most insightful achievement, and it is based on his own experiences as a sea captain. This volume also contains ‘An Outpost of Progress’ – the magnificent study in shabby cowardice which prefigures ‘Heart of Darkness’.
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© Roy Johnson 2013

Joseph Conrad web links

Joseph Conrad at Mantex
Biography, tutorials, book reviews, study guides, videos, web links.

Joseph Conrad – his greatest novels and novellas
Brief notes introducing his major works in recommended editions.

Joseph Conrad at Project Gutenberg
A major collection of free eTexts in a variety of formats.

Joseph Conrad at Wikipedia
Biography, major works, literary career, style, politics, and further reading.

Joseph Conrad at the Internet Movie Database
Adaptations for the cinema and television – in various languages. Full details of directors and actors, production notes, box office, trivia, and quizzes.

Works by Joseph Conrad
Large online database of free HTML texts, digital scans, and eText versions of novels, stories, and occasional writings.

The Joseph Conrad Society (UK)
Conradian journal, reviews. and scholarly resources.

The Joseph Conrad Society of America
American-based – recent publications, journal, awards, conferences.

Hyper-Concordance of Conrad’s works
Locate a word or phrase – in the context of the novel or story.

More on Joseph Conrad
Twentieth century literature
Joseph Conrad complete tales

The Bloomsbury Group – 1886-1919

by

art, literature, philosophy, design, modernism

1832. Leslie Stephen born in Kensington Gore, London into a family of evangelical Christian reformers. Educated at Eton College.

1851. Enters Trinity Hall, Cambridge and is elected to the Apostles (a quasi-secret elite debating group). Graduates in 1854, and in 1857 becomes a fellow and tutor at Trinity.

1865. Renounces his religious beliefs, even though he was a clergyman.

1866. Roger Fry born in Highgate, London. George Eliot, Felix Holt the Radical. Lewis Carroll, Alice’s Adventures in Wonderland.

1869. Leslie Stephen marries Harriet Thackeray, the daughter of William Makepeace Thackeray, who died in 1875. He subsequently married Julia Prinsep Jackson, the widow of the publisher Herbert Duckworth.

1872. Birth of Bertrand Russell.

1873. Birth of Ottoline Violet Anne Cavendish Bentinck (later Ottoline Morrell).

1875 Leslie Stephen marries Julia Prinsep Jackson and settles at Hyde Park Gate in Kensington, London.

1877. Desmond MacCarthy born. Victoria declared Empress of India. Henry James, The American;

1879. E.M. Forster born in London. Vanessa Stephen (later Vanessa Bell) born at Hyde Park Gate. George Meredith, The Egoist. Henry James, Daisy Miller

1880. Lytton Strachey born at Clapham Common and raised at Lancaster Gate. Thoby Stephen born. Saxon Sydney-Turner born. Leonard Woolf born. First Anglo-Boer war in South Africa.

1881. Clive Bell born. Henry James, Washington Square and The Portrait of a Lady.

1882. Virginia Stephen (later Virginia Woolf) born at Hyde Park Gate.

1883. John Maynard Keynes born in Cambridge. Adrian Stephen born.

Bloomsbury RecalledBloomsbury Recalled is written by Quentin Bell, one of the last surviving members of the Bloomsbury circle. He offers a disarmingly candid portraits of his father, Clive Bell, who married the author’s mother, Vanessa Stephen (Virginia Woolf’s sister). He pursued love affairs while Vanessa, after a clandestine affair with art critic Roger Fry, lived openly with bisexual painter Duncan Grant, with whom she had a daughter, Angelica. Clive, Duncan and Vanessa were reunited under one roof in 1939, and the author conveys a sense of the emotional strain of growing up in ‘a multi-parent family.’ Acclaimed biographer of his aunt, Virginia Woolf, Bell here defends her as a feminist and pacifist. Along with chapters on John Maynard Keynes, Ottoline Morrell and art historian-spy Anthony Blunt, there are glimpses of Lytton Strachey, novelist David Garnett (Angelica’s husband) and Dame Ethel Smyth, the pipe-smoking lesbian composer, who fell in love with Virginia Woolf.
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1885. Duncan Grant born in Inverness, Scotland. Roger Fry enters King’s College Cambridge. Death of General Gordon at Khartoum.

1888. Roger Fry obtains a first class honours in natural sciences, but decides to study painting. Rudyard Kipling, Plain Tales from the Hills. Henry James, The Aspern Papers.

1892. Birth of David Garnett (son of translators Edward and Constant Garnett). Roger Fry studies painting in Paris. First edition of Vogue appears in New York. Birth of Vita Sackville-West. Thomas Hardy, The Well Beloved.

1893. Roger Fry’s first writings on art. Independent Labour Party founded. Birth of Dora Carrington in Hereford.

1894. Roger Fry gives university extension lectures at Cambridge on Italian art. Desmond MacCarthy enters Trinity College Cambridge.

1895. Death of Mrs Leslie Stephen. Virginia Stephen’s first mental breakdown. Oscar Wilde, The Importance of Being Earnest.

1896. Roger Fry marries Helen Coombe. Thomas Hardy, Jude the Obscure.

1897. E.M. Forster enters King’s College Cambridge. Desmond MacCarthy leaves Trinity College. Virginia Stephen attends Greek and history classes at King’s College London. Queen Victoria’s Diamond Jubilee. Henry James, The Spoils of Poynton and What Masie Knew.

1899. Roger Fry Giovanni Bellini. Clive Bell, Thoby Stephen, Lytton Strachey, Saxon Sydney-Turner, and Leonard Woolf all enter Trinity College Cambridge, and establish The Midnight Society – a reading group. Henry James, The Awkward Age.

1900. Roger Fry gives university extension classes on art at Cambridge. Freud’s Interpretation of Dreams, Einstein’s General Theory of Relativity, Joseph Conrad, Lord Jim

1901. Vanessa Stephen enters the Royal Academy Schools. Roger Fry becomes art critic of The Atheneum. E.M. Forster leaves Cambridge, travels in Greece and Italy, and begins writing A Room with a View. Death of Queen Victoria. Edwardian period begins.

1902. Duncan Grant attends Westminster Art School. Leonard Woolf, Saxon Sydney-Turner, and Lytton Strachey elected to ‘The Apostles’ – a semi-secret discussion group. All come under the influence of philosopher G.E. Moore. Clive Bell does historical research in London. Adrian Stephen enters Trinity College, Cambridge. John Maynard Keynes enters King’s College, Cambridge. Virginia Stephen starts private Greek lessons. Marriage of Philip and Ottoline Morrell. Henry James, The Wings of the Dove. Joseph Conrad, Heart of Darkness

1903. G.E. Moore, Principia Ethica. Roger Fry’s first exhibition of paintings and drawings. Desmond MacCarthy writes criticism for The Speaker. John Maynard Keynes elected to The Apostles. E.M. Forster’s first short stories published in the Independent Review. Henry James, The Ambassadors

The Bloomsbury GroupThe Bloomsbury Group is a short but charming book, published by the National Portrait Gallery. It explores the impact of Bloomsbury personalities on each other, plus how they shaped the development of British modernism. But most of all it’s a delightful collection of portrait paintings and photographs, with biographical notes. It has an introductory essay which outlines the development of Bloomsbury, followed by a series of portraits and the biographical sketches of the major figures.

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1904. Death of Sir Leslie Stephen. Virginia, Vanessa, and bothers move to Gordon Square, Bloomsbury. Clive Bell lives in Paris, doing more research. Lytton Strachey works on a fellowship dissertation on Warren Hastings (unsuccessful). Leonard Woolf leaves Cambridge and joins the civil service as an administrator in Ceylon. Saxon Sydney-Turner leaves Cambridge and becomes a clerk in the Estate Duty Office. Virginia Stephen’s first review published in The Guardian and she has her second mental breakdown. Bertrand Russell goes to teach at Harvard, where T.S. Eliot is one of his students. Henry James, The Golden Bowl.

1905. Publication of Euphrosyne: A Collection of Verse with anonymous contributions by Clive Bell, Saxon Sydney-Turner, Leonard Woolf, and Lytton Strachey. E.M. Forster, Where Angels Fear to Tread. Virginia Stephen teaching at Morley College London, an evening institute for working men and women. Thoby Stephens begins the Thursday evenings at Gordon Square for his friends. Vanessa organises The Friday Club, a discussion group for the arts. Oscar Wilde has theatrical success, but is put on trial and imprisoned.

1906. Roger Fry accepts curatorship of the Department of Painting, Metropolitan Museum of New York. Duncan Grant studies art in Paris. John Maynard Keynes joins the India Office. Thoby Stephen contracts typhoid fever whilst on holiday in Turkey and dies on return to England. Election of Philip Morrell as Liberal MP for Burnley, Lancashire. Labour Party formed.

1907. E.M.Forster, The Longest Journey. Vanessa Stephen marries Clive Bell. Virginia and Adrian Stephen move to 29 Fitzroy Square, where Thursday evenings begin again. Virginia working on her first novel. Desmond MacCarthy edits The New Quarterly. Lytton Strachey begins writing reviews for The Spectator. Play-reading Society started at 46 Gordon Square with the Bells, Adrian and Virginia Stephen, Lytton Strachey, and Saxon Sydney-Turner. Meets intermittently until 1914.

1908. E.M.Forster, A Room with a View. Julian Bell born. John Maynard Keynes leaves the civil service and becomes the lover of Duncan Grant.

1909. Roger Fry, ‘An Essay on Aesthetics’. He becomes editor of The Burlington Magazine. Lytton Strachey proposes to Virginia Stephen. Duncan Grant moves in to 21 Fitzroy Square. John Maynard Keynes elected to a fellowship at King’s College, Cambridge. Saxon Sydney-Turner and Virginia and Adrian Stephen go to the Wagner Festival in Bayreuth. Lady Ottoline Morrell visits the Thursday evening group at Fitzroy Square.

Among the BohemiansAmong the Bohemians: Experiments in Living 1900—1930 was written by Virginia Nicholson, Quentin Bell’s daughter and grand-daughter of Vanessa Bell, who was Virginia Woolf’s sister. Bloomsbury lies at the heart of the book in its portraits of Ralph Partridge, Virginia Woolf, Duncan Grant, Lytton Strachey, Dora Carrington, and Katherine Mansfield, plus peripheral figures such as Arthur Ransome, Rupert Brooke, Augustus John, Nina Hamnett, and Dylan and Caitlin Thomas. Very amusing, well written, and every page dense with top class gossip and anecdotes. She looks at their tangled love lives naturally, but also their radical ideas on money (and poverty) food, dress, and even child-raising. Highly recommended.
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1910. E.M.Forster’s Howards End is his first major success. The Dreadnought hoax takes place. Roger Fry meets Duncan Grant and the Bells, talks to the Friday Club, and is dismissed from the Metropolitan Museum by J.P. Morgan. Fry’s wife Helen confined to mental institution as incurably insane (where she dies in 1937). Virginia Stephen does voluntary work for women’s suffrage and spends time in a nursing home in Twickenham. Lytton Strachey meets Ottoline Morrell. First Post-Impressionist Exhibition at the Grafton Galleries organised by Roger Fry. Carrington wins scholarship to study at the Slade.

1911. E.M. Forster, The Celestial Omnibus and Other Stories. Virginia Stephen leases a house at Firle, Sussex. Roger Fry starts lecturing at the Slade School. The Bells and the Frys travel together in Turkey. Vanessa Bell starts an affair with Roger Fry. Leonard Woolf returns from Ceylon. John Maynard Keynes becomes a lecturer in economics at Cambridge. Virginia and Adrian Stephen move to Brunswick Square, where they share their house with Leonard Woolf, John Maynard Keynes, and Duncan Grant.

1912. Lytton Strachey, Landmarks in French Literature. E.M. Forster travels in India. John Maynard Keynes becomes editor of The Economic Journal. Leonard Woolf resigns from the colonial service and marries Virginia Woolf: they live in Clifford’s Inn, London and Asham House, Sussex. Second Post-Impressionist exhibition organised by Roger Fry. Sinking of the Titanic.

1913. Leonard Woolf, The Village and the Jungle (novel). Saxon Sydney-Turner joins the Treasury. John Maynard Keynes, Indian Currency and Finance. E.M. Forster returns from India and starts writing A Passage to India and Maurice. Leonard Woolf begins reviewing for the newly established The New Statesman and studies the Co-Operative movement. Omega Workshop founded by Roger Fry and Duncan Grant. Virginia Woolf has another nervous breakdown and attempts suicide. Vanessa Bell starts an affair with Duncan Grant. Vita Sackville-West marries Harold Nicolson. First crossword puzzle published. D.H. Lawrence, Sons and Lovers.

1914. Clive Bell, Art. Leonard Woolf, The Wise Virgins (novel). John Maynard Keynes joins the Treasury. Virginia and Leonard Woolf move to Richmond from Clifford’s Inn. Outbreak of first world war. James Joyce, Dubliners; Marcel Proust begins to publish Remembrance of Things Past.

1915. Clive Bell’s Peace at Once manifesto is ordered to be destroyed by Lord Mayor of London. E.M. Forster working in Alexandria with the Red Cross. Leonard and Virginia Woolf move into Hogarth House, Richmond. Virginia Woolf publishes her first novel, The Voyage Out. T.S. Eliot, ‘The Love Song of J. Alfred Prufrock’. Carrington meets Lytton Strachey at Ottoline Morrell’s estate at Garsington Manor, Oxford.

Portrait of a MarriagePortrait of a Marriage is a double biography of novelist Vita Sackville-West and her diplomat husband Harold Nicolson, written by their son Nigel. It is based on an autobiographical manuscript found after Vita’s death and describes the apparent success of the marriage, despite the fact that they both had homosexual relationships with other people. It also captures some of the flavour of these complex personal relationships within the Bloomsbury Group which made it famous – and notorious.
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1916. Lytton Strachey’s application for conscientious objection to serving in the war is denied, but he is granted exemption for medical reasons. Leonard Woolf, International Government: Two Reports: he is exempted from conscription for medical reasons. Clive Bell does ‘alternative labour’ working on Morrell’s farm at Garsington. John Maynard Keynes and friends takes over 46 Gordon Square, which then remains Keynes’ London Home. Vanessa Bell, Duncan Grant, and David Garnett (Duncan Grant’s lover) move to Charleston in Sussex so that Grant and Garnett can do alternative service on a farm. Bell and Grant then live there permanently. Virginia Woolf lectures to Richmond branch of the Women’s Co-Operative Guild, and does reviews for the Times Literary Supplement (which at that time were anonymous). Bertrand Russell dismissed from Trinity College Cambridge for anti-war activities. James Joyce, Portrait of the Artist as a Young Man.

1917. Leonard and Virginia Woolf buy a printing press as a therapeutic hobby for Virginia, and print Two Stories as the first publication of the Hogarth Press. Leonard edits The Framework for a Lasting Peace and becomes secretary to the Labour Party advisory committee on imperial and international questions. Virginia begins keeping a regular diary. Lytton Strachey and Carrington set up home together at Mill House, Tidmarsh, Berkshire. T.S. Eliot, Prufrock and Other Observations.

1918. Lytton Strachey, Eminent Victorians. Leonard Woolf becomes editor of The International Review and, Co-operation and the Future of Industry. Katherine Mansfield’s The Prelude published by the Hogarth Press. At the suggestion of Roger Fry and Duncan Grant, John Maynard Keynes persuades the Treasury to purchase works of art from the Degas sale in Paris. Angelica Bell born: (her father is actually Duncan Grant).

1919. The Hogarth Press publishes Virginia Woolf’s Kew Gardens and T.S. Eliot’s Poems, but do not publish James Joyce’s Ulysses, which had been offered to them. Virginia Woolf’s second novel Night and Day appears, and she starts brief friendship with Katherine Mansfield. John Maynard Keynes is the principal representative of the Treasury at the Versailles Peace Treaty, from which he resigns in protest at the war reparations imposed on Germany. He writes The Economic Consequences of the Peace. The Bells, the Woolfs, Keynes, Fry, and Grant meet Diaghilev’s Ballet Russes troupe in London, including Picasso, Derain, Stravinsky, Massine, Nijinski, and Lydia Lopokova. Woolfs move to Monk’s House, Rodmell, Sussex. Carrington marries Ralph Partridge (Lytton Strachey’s lover). Vita Sackville-West ‘elopes’ to Paris with Violet Trefusis.

redbtn The Bloomsbury Group 1920-1987 – Part Two of this timeline

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The Bloomsbury Group – 1920-1987

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1920. Roger Fry, Vision and Design (a series of essays). Leonard Woolf writes leaders for The Nation. Omega workshop closes. First meeting of the Bloomsbury group Memoir Club. Desmond MacCarthy becomes literary editor of The New Statesman. E.M. Forster becomes literary editor of the London Daily Herald. Duncan Grant has his first one-man show in London. Carrington, Partridge, and Strachey visit Gerald Brenan in Spain.

1921. Virginia Woolf publishes her collection of experimental short stories, Monday or Tuesday, then falls ill and inactive for four months. Lytton Strachey, Queen Victoria. Dora Carrington marries Ralph Partridge, but continues to live with Lytton Strachey (who is in love with Ralph Partridge). E.M. Forster works in India as temporary secretary to Maharajah of Dewas. Leonard Woolf, Stories from the East and Socialism and Co-operation. John Maynard Keynes, A Treatise on Probability.

1922. Virginia Woolf publishes her first modernist novel, Jacob’s Room and starts her love affair with Vita Sackville West. Leonard Woolf is defeated as Labour candidate for the Combined University constituency. John Maynard Keynes, A Revision of the Treaty. Vanessa Bell and Duncan Grant decorate Keynes’s rooms at King’s College, Cambridge. Lytton Strachey, Books and Characters: French and English. E.M. Forster, Alexandria: A History and a Guide. T.S. Eliot founder and editor of The Criterion. David Garnett, Lady into Fox. James Joyce’s, Ulysses published in Paris. Katherine Mansfield, The Garden Party.

1923. The Hogarth Press publishes T.S. Eliot’s, The Waste Land. John Maynard Keynes, A Tract on Monetary Reform: he becomes chairman of the board of The Nation and Atheneum, whilst Leonard Woolf becomes its literary editor. E.M. Forster, Pharos and Pharillon. Leonard and Virginia Woolf visit Gerald Brenan in Spain. Carrington begins an affair with Henrietta Bingham (one of Strachey’s former lovers).

1924. E.M. Forster’s A Passage to India widely acclaimed: (the composition of the novel was interrupted by the first world war – as was Thomas Mann’s The Magic Mountain). Virginia Woolf’s manifesto on modern literature, ‘Mr Bennett and Mrs Brown’. The Hogarth Press publishes Freud’s Collected Papers and begins the Psycho-Analytic Library. Lytton Strachey, Carrington, and Ralph Partridge move to Ham Spray House, Berkshire. The Woolfs (and the Hogarth Press) move to 52 Tavistock Square in Bloomsbury. First UK Labour government formed under Ramsey MacDonald (lasts nine months).

The Bloomsbury Group The Bloomsbury Group is a short but charming book, published by the National Portrait Gallery. It explores the impact of Bloomsbury personalities on each other, plus how they shaped the development of British modernism. But most of all it’s a delightful collection of portrait paintings and photographs, with biographical notes. It has an introductory essay which outlines the development of Bloomsbury, followed by a series of portraits and the biographical sketches of the major figures.

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1925. Virginia Woolf publishes both The Common Reader and Mrs Dalloway, then is ill for three months. Leonard Woolf, Fear and Politics: A Debate at the Zoo. Lytton Strachey’s play The Son of Heaven is performed, and he lectures on Pope at Cambridge. John Maynard Keynes marries Lydia Lopokova, and takes a lease on a house at Tilton, near Charleston, which remains his country home.

1926. UK General Strike. Adrian Stephen and his wife Karin obtain bachelor of medicine degrees to become psycho-analysts. Vanessa Bell and Duncan Grant decorate the house of Mr and Mrs St John Hutchinson. Roger Fry, Transformations. Ralph Partridge leaves Dora Carrington for Frances Marshall. Carrington begins an affair with Julia Strachey (Lytton Strachey’s sister). Vita Sackville-West wins Hawthornden Prize for her poem The Land.

1927. Virginia Woolf, To the Lighthouse. Clive Bell, Landmarks in Nineteenth Century Painting. Leonard Woolf, Essays on Literature, History, and Politics. E.M. Forster gives the Clark lectures at Cambridge, which are published as Aspect of the Novel. He also becomes a fellow of King’s College. Julian Bell enters King’s College as an undergraduate. Roger Fry becomes an honorary fellow of King’s College. His study Cezanne is published.

1928. Virginia Woolf, Orlando, a biographical ‘love note’ to Vita Sackville-West. Lytton Strachey, Elizabeth and Essex: A Tragic History. Desmond MacCarthy succeeds Edmund Gosse as senior literary critic of the Sunday Times. E.M. Forster, The Eternal Moment and Other Stories. Clive Bell, Civilization. Leonard Woolf, Imperialism and Civilization. Death of Thomas Hardy. First Oxford English Dictionary published. Carrington starts an affair with Bernard Penrose.

1929. Virginia Woolf, A Room of One’s Own, which was first delivered as a series of lectures at Cambridge. Roger Fry lectures at the Royal Academy. Collapse of New York Stock Exchange. Start of world economic depression. Second UK Labour government under Ramsay MacDonald.

1930. Leonard Woolf helps to found The Political Quarterly and becomes its first editor. Roger Fry, Henri Matisse. John Maynard Keynes, A Treatise on Money. Vanessa Bell has an exhibition of her paintings in London. Pipe-smoking lesbian feminist composer Ethyl Smyth falls in love with Virginia Woolf. Mass unemployment in UK. Death of D.H. Lawrence.

Virginia Woolf: A BiographyVirginia Woolf is a readable and well illustrated biography by John Lehmann, who at one point worked as her assistant at the Hogarth Press. It is described by the blurb as ‘A critical biography of Virginia Woolf containing illustrations that are a record of the Bloomsbury Group and the literary and artistic world that surrounded a writer who is immensely popular today’. An attractive and very accessible introduction to the writer and her intellectual milieu.

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1931. Virginia Woolf, The Waves. Leonard Woolf, After the Deluge. Lytton Strachey, Portraits in Miniature. John Maynard Keynes, Essays in Persuasion. John Lehmann joins the Hogarth Press for the first time. Resignation of UK Labour government, followed by formation of national coalition government.

1932. Virginia Woolf, The Common Reader. Death of Lytton Strachey from stomach cancer, followed by suicide of Dora Carrington. Exhibition of paintings by Vanessa Bell and Duncan Grant in London. New Signatures published by the Hogarth Press. Roger Fry, Characteristics of French Art and The Arts of Painting and Sculpture. Hunger marches start in UK.

1933. Virginia Woolf, Flush, a biography of Elizabeth Barrett Browning’s pet dog. Roger Fry appointed Slade professor of art at Cambridge and, Art History as an Academic Study. Clive Bell becomes art critic of The New Statesman and Nation. John Maynard Keynes, Essays in Biography.

1934. Clive Bell, Enjoying Pictures. E.M. Forster, Goldsworthy Lowes Dickinson. Death of Roger Fry, and publication of his Reflections on British Painting. Exhibition of Vanessa Bell’s paintings. Virginia Woolf publishes Walter Sickert: A Conversation.

1935. Private performance of Virginia Woolf’s unpublished play, ‘Freshwater: A Comedy in Three Acts’. John Maynard Keynes helps to establish the Arts Theatre in Cambridge. Leonard Woolf, Quack, Quack!.

1936. John Maynard Keynes, The General Theory of Employment, Interest and Money. E.M.Forster, Abinger Harvest, a collection of essays on literature and society. Virginia Woolf ill for two months. Death of George V in UK, followed by Edward VIII, who is forced to abdicate. Stalinist show trials in USSR. Julian Bell goes to participate in Spanish Civil War.

1937. Virginia Woolf, The Years. Vanessa Bell and Duncan Grant both have exhibitions of their paintings. John Maynard Keynes seriously ill. Julian Bell killed in Spain.

The Art of Dora CarringtonThe Art of Dora Carrington At the age of 38, Dora Carrington (1893-1932) committed suicide, unable to contemplate living without her companion, Lytton Strachey, who had died a few weeks before. The association with Lytton and his Bloomsbury friends, combined with her own modesty have tended to overshadow Carrington’s contribution to modern British painting. She hardly exhibited at all during her own lifetime. This book aims to redress the balance by looking at the immense range of her work: portraits, landscapes, glass paintings, letter illustrations and decorative work.

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1938. Virginia Woolf, Three Guineas, her ‘sequel’ to A Room of One’s Own. John Lehmann joins the Hogarth Press for the second time as its general manager, buying out Virginia Woolf’s financial interest. Leonard Woolf appointed as member of the Civil Service Arbitration Tribunal, on which he sits for seventeen years. Germans occupy Austria. Chamberlain meets Hitler to make infamous Munich ‘agreement’ to prevent war.

1939. Leonard Woolf, After the Deluge, vol.II, The Barbarians at the Gate, and a play, The Hotel. The Woolfs and the Hogarth Press move to 37 Mecklenburgh Square. Fascists win Civil War in Spain. Stalin makes pact with Hitler. Germany invades Poland. Britain and France declare war on Germany. James Joyce, Finnegans Wake.

1940. Virginia Woolf, Roger Fry: A Biography. Hogarth Press bombed in Mecklenburgh Square, moved to Herfordshire. Angelica Bell’s 21st birthday: ‘the last Bloomsbury party’.

1941. Virginia Woolf, Between the Acts, then commits suicide by drowning herself in the River Ouse. Death of James Joyce.

1942. Virginia Woolf’s essays The Death of the Moth and Other Essays published posthumously. Angelica Bell, Duncan Grant’s daughter, marries David Garnett, her father’s former lover. John Maynard Keynes elevated to the peerage and takes seat as Liberal in the House of Lords. He was also the chairman of the Committee for the Encouragement of Music and the Arts (which becomes the Arts Council in 1945).

1943. Virginia Woolf’s A Haunted House and Other Short Stories published posthumously. Vanessa Bell, Duncan Grant, and Quentin Bell complete paintings for the parish church at Berwick, near Firle, Sussex.

1944. John Maynard Keynes is senior British representative at the Bretton Woods International Conference to plan for the aftermath of war.

1945. E.M. Forster elected honorary fellow at King’s College Cambridge, and takes up permanent residence there after his mother’s death. John Maynard Keynes goes to America to negotiate a loan for Britain. United Nations founded. Huge Labour victory in UK general election. Clement Atlee becomes prime minister.

1946. Death of John Maynard Keynes. Leonard Woolf sells John Lehmann’s interest in the Hogarth Press to Chatto and Windus. Vita Sackville-West made Companion of Honour for her services to literature.

1947. E.M. Forster, Collected Tales. Posthumous publication of Virginia Woolf’s The Moment and Other Essays.

1948. Death of Adrian Stephen. T.S. Eliot awarded Nobel prize for literature (for the UK).

1949. Posthumous publication of John Maynard Keynes’s Two Memoirs.

1950. Bertrand Russell awarded the Nobel prize for literature. Posthumous publication of Virginia Woolf’s The Captain’s DeathBed and Other Essays.

1951. E.M.Forster, Two Cheers for Democracy (essays) and writes the libretto for Benjamin Britten’s opera Billy Budd. Desmond MacCarthy knighted.

1952. Death of Desmond MacCarthy. Death of George V. Accession of Queen Elizabeth II at 25.

1953. Leonard Woolf, Principia Politica (vol.III of After the Deluge and also publishes extracts from Virginia Woolf’s diaries as A Writer’s Diary. E.M. Forster, The Hill of Devi. Death of Stalin – and Prokofiev on same day. Nobel prize for literature – Winston Churchill (UK).

1956. Leonard Woolf publishes his correspondence with Lytton Strachey. Last meeting of the Memoir Club. Exhibition of paintings by Vanessa Bell.

The Bloomsbury ArtistsThe Bloomsbury Artists: Prints and Book DesignsThis volume catalogues the woodcuts, lithographs, etchings and other prints created by Vanessa Bell, Dora Carrington, Roger Fry and Duncan Grant – with various colour and black and white reproductions. Of particular interest are the many book jackets designed for the Hogarth Press, the publishing company established by Leonard Woolf and Virginia Woolf. Also included are ephemera such as social invitations, trade cards, catalogue covers, and bookplates.

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1957. Exhibition of paintings by Duncan Grant. Homosexuality decriminalised in UK.

1958. Posthumous publication of Virginia Woolf’s Granite and Rainbow: Essays. Duncan Grant decorates Russell Chantry, Lincoln Cathedral.

1959. Duncan Grant has retrospective exhibition of his paintings at the Tate Gallery.

1960. Leonard Woolf, Sowing: An Autobiography of the Years 1880-1904 and revisits Ceylon.

1961. Leonard Woolf, Growing: An Autobiography of the Years 1904-1911. Death of Vanessa Bell: memorial exhibition of her paintings.

1962. Leonard Woolf, Diaries in Ceylon 1904-1911. Death of Saxon Sydney-Turner. Death of Vita Sackville-West.

1964. Leonard Woolf, Beginning Again: An Autobiography of the Years 1911-1918. Death of Clive Bell. Vanessa Bell: A Memorial Exhibition of her Paintings by the Arts Council.

1965. Posthumous publication of Virginia Woolf’s Contemporary Writers. Death of T.S. Eliot.

1967. Leonard Woolf, Downhill All the Way: An Autobiography of the Years 1919-1939.

1969. Leonard Woolf, The Journey Not the Arrival Matters: An Autobiography of the Years 1939-1969. Portraits by Duncan Grant: An Arts Council exhibition. E.M. Forster awarded the Order of Merit. Death of Leonard Woolf.

1970. Death of E.M. Forster at the home of friends. Death of Bertrand Russell.

1971. Posthumous publication of E.M. Forster’s overtly homosexual novel, Maurice (written in 1913). Posthumous publication of Lytton Strachey by Himself: A Self Portrait.

1972. Publication of Roger Fry’s Letters 2 vols. Duncan Grant: exhibition of water colours and drawings. Posthumous publication of Lytton Strachey’s The Really Interesting Question and Other Papers. Posthumous publication of E.M. Forster’s The Life to Come and Other Stories.

1973. Posthumous publication of Virginia Woolf’s Mrs Dalloway’s Party: A Short Story Sequence. Vanessa Bell: Paintings and Drawings, An Exhibition.

1987. Death and burial of Gerald Brenan in Malaga, Spain.

© Roy Johnson 2003

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The Bloomsbury Group and War – 1/2

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internationalism, pacifism, and social resistance

Bloomsbury group and warAlmost without exception, the members of the Bloomsbury Group were opposed to the first world war. Their attitudes varied from outright pacifism through conscientious objection to quietism and a form of radical internationalism normally only found in figures such as Trotsky and Lenin. The origins of these attitudes – which were extremely unusual at the time – lay in the liberal, laissez-faire, free-thinking and non-religious beliefs which seemed to have spread from late nineteenth-century intellectuals such as Sir Leslie Stephen (father of the Bloomsbury Group) and the next generation of Cambridge undergraduates of the period 1895-1905 who were heavily influenced by the philosophy of G.E.Moore, whose Principia Ethica promoted ideals of friendship and love towards others.

Conscription began in 1915, and whilst the government lied to the country about conditions at the front for propaganda purposes, the Bloomsbury Group were tipped off about the horrors of the trenches by Maynard Keynes, who as a member of the Treasury, and had insider information on government matters. He had also visited soldiers convalescing at Cambridge. They were recovering from shell shock and the grim truths of bayonet charges and ‘going over the top’. None of them wanted to go back.

Art critic Clive Bell was the son of a nouveau-riche family who had made their money in coal-mining in southern Wales, but established a fake-Tudor manor in Wiltshire, invented a family crest, and sent him to Marlborough College. Despite this very conservative background, in 1915 Bell published a controversial pamphlet, Peace at Once, calling for a negotiated settlement to the conflict. This was considered an outrageous suggestion by the establishment of the time, and copies of his essay were burned by the Public Hangman. Bell resisted conscription on the grounds of being a conscientious objector, and he spent some of the war years doing what was called ‘alternative service’ on a farm owned by the politician Philip Morrell and his wife Ottoline.

hogarth_6Leonard Woolf came from a background quite unlike other members of the Bloomsbury Group. He was the son of a Jewish barrister. Nevertheless, he met his fellow Bloomsberries at Cambridge and like them was influenced by the ethical theories of G.E.Moore. He served in the colonial service between 1905 and 1911 and developed first hand a healthy distaste for imperialism.

With the outbreak of the war, he was rejected as unfit for military service, and campaigned actively for peace. He joined the Labour Party and the Fabian Society and became a regular contributor to the New Statesman. In 1916 he wrote International Government which outlined future possibilities for a international agency to enforce peace in the world. The book was incorporated by the British government in its proposals for a League of Nations at Geneva.

Woolf maintained his anti-war and internationalist stance throughout his life, except for the period of the 1930s and the Second World War, when he somewhat reluctantly accepted that the threat of fascism was worth fighting against. He was also, like George Orwell (who had also served in and quit the colonial service) one of the few British intellectuals who saw through to the totalitarian tyranny underpinning Stalin’s sham democracy.

Bertrand Russell was a contemporary of the other Bloomsberries at Cambridge, but unlike them he took up an academic career, teaching philosophy. Although he was elected to the Royal Society in 1908, Russell’s teaching career at Cambridge appeared to come to an end in 1916 when he was dismissed from Trinity College because of a conviction for anti-war activities. Two years later he was convicted again. This time he spent six months in prison. It was while in prison that he wrote his well-received Introduction to Mathematical Philosophy (1919).

He continued to hold radical and anti-war views throughout the rest of his (long) life. In the 1950s and 1960s he was politically active in the campaign for nuclear disarmament (CND) and he opposed the American war in Vietnam. He established the International War Crimes Tribunal in 1966 with Jean-Paul Sartre and other Nobel prize winners.

redbtn The Bloomsbury Group and War — Part 2

Bloomsbury GroupThe Bloomsbury Group is a short but charming book, published by the National Portrait Gallery. It explores the impact of Bloomsbury personalities on each other, plus how they shaped the development of British modernism. But most of all it’s a delightful collection of portrait paintings and photographs, with biographical notes. It has an introductory essay which outlines the development of Bloomsbury, followed by a series of portraits and the biographical sketches of the major figures.

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© Roy Johnson 2004

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internationalism, pacifism, and social resistance

Bloomsbury group and warThe painter Mark Gertler was a pacifist who refused to support Britain’s involvement in the First World War. After the Battle of the Somme he painted Merry-go-Round (1916). Considered by many art critics as the most important British painting of the First World War, Merry-go-Round, shows a group of military and civilian figures caught on the vicious circle of the roundabout. One gallery refused to show the painting because Gertler was a conscientious objector. Eventually it appeared in the Mansard Gallery in May, 1917.

Society hostess Ottoline Morrell was educated at home and at Somerville College, Oxford, where she studied politics and history. Her husband Philip Morrell became a Liberal MP (for Blackburn) following the general election in 1906. He was critical of the government’s position on the First World War. They sheltered a number of conscientious objectors on their farm estate at Garsington near Oxford, including Duncan Grant, Clive Bell, and Mark Gertler. It was there that Siegfried Sassoon, recuperating after a period of sick leave, was encouraged to go absent without leave in a protest against the war.

Much scoffing has been expressed by their guests in thinly-veiled depictions in their novels about the luxury and extravagance of Garsington – but the truth is that the Morrells were sailing financially close to the edge, and eventually they had to sell the entire estate. Because Ottoline Morrell had a brief relationship with one of her members of staff, it’s assumed that this provided the creative spark for D.H.Lawrence’s Lady Chatterley’s Lover.

The writer Gerald Brenan was unusual as a member of the Bloomsbury set, because he did serve in the war. He was the son of an army officer, and was partly educated at the military academy at Sandhurst. He served from 1914 to 1919 and was, as his biographer Jonathan Gaythorne-Hardy points out, a ‘brave, successful, conscientious and enthusiastic officer’. He spent over two years on the Western Front, reaching the rank of captain and winning a Military Cross and a Croix de Guerre.

David Bomberg - The Mudbath 1914

David Bomberg – The Mudbath 1914

Biographer Lytton Strachey was a conscientious objector during the war. He is famous for his confrontation with the board which interrogated objectors. His claims of pacifism were challenged by a board member asking him what he would do if he found a German soldier raping his sister. His witty riposte was ‘I should try and come between them’. What is less well known is that Strachey could easily have evaded the inquisition on medical grounds, but didn’t. Even less well known than that is the fact that he wrote a polemical essay against the war.

The painter Duncan Grant was a pacifist, like most of the members of the Bloomsbury group, In order to be exempted from military service during World War I, he and David Garnett (his lover at the time) moved to Wissett in the Suffolk countryside to become farm labourers. Although they were at first refused exemption by a tribunal, they appealed and were eventually recognised as conscientious objectors.

Harold Nicolson worked as a diplomat in the Foreign Office. Because of this, he was exempt military service during the first world war. After the end of the first world war he took part in the Paris Peace Conference, and he was very critical of the punitive reparations extracted by the allies (which also caused his fellow Bloomsburyite John Maynard Keynes to resign from the commission).

Between the wars he flirted briefly with Sir Oswald Mosley’s fascists, but then entered the House of Commons as National Labour Party member for Leicester West in 1935. (His wife refused to visit the constituency, regarding it as ‘bedint’ – a family slang term for ‘unacceptably low class’.)

He was very active as a parliamentarian, and became a keen supporter of Winston Churchill, especially during the second world war, when he was appointed private secretary to the Minister of Information in the government of national unity. He lost his seat in the 1945 election, and then despite joining the Labour Party, he failed to get back into parliament. He is a fairly rare example of someone from the upper class whose political allegiances moved leftwards as he got older.

Bloomsbury GroupThe Bloomsbury Group is a short but charming book, published by the National Portrait Gallery. It explores the impact of Bloomsbury personalities on each other, plus how they shaped the development of British modernism. But most of all it’s a delightful collection of portrait paintings and photographs, with biographical notes. It has an introductory essay which outlines the development of Bloomsbury, followed by a series of portraits and the biographical sketches of the major figures.

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John Maynard Keynes lectured in economics at Cambridge on and off from 1908. He also worked at the India Office and in 1913 as a member of the Royal Commission on Indian finance and currency, published his first book on the subject. His expertise was in demand during the First World War. He worked for the Adviser to the Chancellor of the Exchequer and to the Treasury on Financial and Economic Questions. Among his responsibilities were the design of terms of credit between Britain and its continental allies during the war, and the acquisition of scarce currencies.

He represented the Treasury at the Versailles Peace Conference, but resigned in strong opposition to the terms of the draft treaty which he set out in his next book Economic Consequences of the Peace, (1919). Keynes argued that the war reparations imposed on Germany could not be paid by a country which had been devastated by war. He warned that this would lead to further conflict in Europe – which of course turned out to be true.

The poet Rupert Brooke is often (quite erroneously) classed as a ‘war poet’ because some of his early works glamourised the idea of war – and he was in fact a fervent supporter of it. But he never saw active service. His poetry gained many enthusiasts and he was taken up by Edward Marsh, who brought him to the attention of Winston Churchill, who was at that time First Lord of the Admiralty. Through these connections he was commissioned into the Royal Naval Volunteer Reserve as a temporary Sub-Lieutenant shortly after his 27th birthday and took part in the Royal Naval Division’s Antwerp expedition in October 1914.

He sailed with the British Mediterranean Expeditionary Force on 28 February 1915 but developed sepsis from an infected mosquito bite. He died on 23 April 1915 off the island of Lemnos in the Aegean on his way to a battle at Gallipoli. As the expeditionary force had orders to depart immediately, he was buried in an olive grove on the island of Skyros, Greece.

redbtn The Bloomsbury Group and War — Part I

© Roy Johnson 2004

Bloomsbury RecalledBloomsbury Recalled is written by Quentin Bell, one of the last surviving members of the Bloomsbury circle. He offers a disarmingly candid portraits of his father, Clive Bell, who married the author’s mother, Vanessa Stephen (Virginia Woolf’s sister). He pursued love affairs while Vanessa, after a clandestine affair with art critic Roger Fry, lived openly with bisexual painter Duncan Grant, with whom she had a daughter, Angelica. Clive, Duncan and Vanessa were reunited under one roof in 1939, and the author conveys a sense of the emotional strain of growing up in ‘a multi-parent family.’ Acclaimed biographer of his aunt, Virginia Woolf, Bell here defends her as a feminist and pacifist. Along with chapters on John Maynard Keynes, Ottoline Morrell and art historian-spy Anthony Blunt, there are glimpses of Lytton Strachey, novelist David Garnett (Angelica’s husband) and Dame Ethel Smyth, the pipe-smoking lesbian composer, who fell in love with Virginia Woolf.
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cultural history – voices from the past

The Bloomsbury Group audio book is a collection of archive recordings taken from long-unheard BBC broadcasts and recordings from the Charleston Trust, many of them published here for the first time. They come in a two-CD boxed set, accompanied by a sixteen page explanatory booklet. Contributors to the Virginia Woolf Internet discussion group often comment on how astonishing it is to hear these voices from the past – and how remarkable their accents seem to us now. This is living proof that speech patterns and accents change over time.

The Bloomsbury Group audioRemember that Woolf began writing over a hundred years ago, and her father married Thackeray’s daughter – so these recordings carry with them direct links back as far as the Victorian era. For Bloomsbury Group aficionados and lovers of period nostalgia, this is a rare treat. Secondary Bloomsbury figures throw interesting light on life at that time via their first-hand accounts and memories of each other.

  • Virginia Woolf reading an extract from a radio talk on the importance of language
  • Leonard Woolf proffering a Who’s Who of the Bloomsbury Group
  • Desmond McCarthy meditating on ‘tears’ in literature
  • Duncan Grant discussing the infamous Dreadnought Hoax
  • Clive Bell remembering Lytton Strachey asking, ‘Who would you most like to see coming up the drive?’
  • Frances Partridge speaking about the Group’s larger influence
  • William Plomer discussing the Group’s exclusivity
  • David Garnett candidly describing the relationship between Lytton Strachey and Dora Carrington
  • David Cecil detailing Virginia Woolf’s day-to-day appearance
  • Angelica Garnett opining on various attitudes towards members of the Group
  • Harold Nicholson reciting a talk on the members and attitudes that dominated the Group
  • Vita Sackville-West talking about the inspiration behind Virginia Woolf’s Orlando
  • Quentin Bell exactingly describing the fashions of Virginia Woolf
  • Benedict Nicholson remembering Virginia Woolf’s visits to Sissinghurst
  • Margery Fry holding court on Virginia Woolf’s flights of fancy
  • Elizabeth Bowen recalling Bloomsbury parties and Virginia Woolf’s antics
  • Ralph Partridge reminiscing on time spent with Leonard and Virginia Woolf
  • John Lehmann describing his reactions to Woolf’s final novel, Between the Acts
  • Bertrand Russell on Lytton Strachey and his family
  • Gerald Brenan recalling times spent with Lytton Strachey, Ralph Partridge, and Dora Carrington
  • Grace Higgins describing daily life at Charleston, the Bloomsbury outpost in Sussex

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© Roy Johnson 2010

The Bloomsbury Group (Spoken Word), British Library; 2 CD audio set with 16 page booklet, edition (November 15, 2009), Language: English, ISBN: 0712305939

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