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Cesar Birotteau

August 2, 2018 by Roy Johnson

tutorial, study guide, commentary, further reading

Cesar Birotteau had been in Balzac’s ‘bottom drawer’ as a rough draft for six years before it was published. Finally Le Figaro offered him 20,000 Francs if he could make it ready for 15 December 1837. He had despaired of interesting publishers in an apparently lightweight tale of a mediocre shopkeeper. But Balzac correctly believed that Birotteau’s commercial rise and fall illustrated important features of business enterprise and speculative investment that underpinned the workings of what might be called ‘early capitalism’.

Cesar Birotteau

Cesar Birotteau – original illustration


Cesar Birotteau – commentary

Structure

The structure of the novel could not be more simple – or more dramatic. This is reflected in its full title, which is Histoire de la grandeur et decadence de Cesar Birotteau – History of the rise and fall of Cesar Birotteau.

Part I covers Birotteau’s commercial rise – the success of his perfume business, his election to deputy mayor, and the expansion of his property in Paris. But embedded within all this success there are some over-confident financial investments and rash dealings with shady speculators, including the notary Roguin. This part of the novel culminates in the expensive grand ball to which he invites all his influential associates.

Part II plots his downfall – beginning a week after the ball when the bills must be paid. The corrupt notary Roguin absconds with his clients’ money, which precipitates Birotteau into a cascade of debt. He tries to raise money from various bankers without success, and is finally declared bankrupt. He takes a menial job (as do his wife and daughter) and they eventually scrape enough to pay off part of the debt. His former assistant Popinot eventually pays the rest and marries his daughter Cesarine. But Birotteau is overcome by the emotional strain and the reversal in his fortunes, and he dies at the wedding party.

Thus Part I of the novel concludes with Birotteau at the height of his success with a lavish party. Part II echoes this event, with Birotteau having repaid his debts and recovered his honour, with another party celebrating his daughter’s marriage. But Birotteau is worn out with worry and emotional strain – and he dies. The symmetry and the dramatic trajectory of rise and fall are striking.

The financial theme

Part I shows how easy it is, following a modest commercial success, to become drawn into an ever more extravagant style of living. This seductive process is compounded by two further evils of economic life. The first is spending money which has not yet been earned. The second is speculating in schemes over which one has no financial control and which have a high factor of risk, such as gambling on the stock exchange or speculating on the value of real estate.

Part II reveals how difficult it is to recover from a financial disaster. First Balzac outlines in great detail the workings of the law relating to bankruptcy – and in particular how the creditors can stack the odds in their own favour, even to the extent of creating ‘false creditors’. Second, he dramatises quite relentlessly how bankers can control the availability of credit through self-interested networking. Finally he shows the life-sapping efforts necessary to repay debts through the medium of hard work.

Balzac was well aware of all these forces – because he had first-hand knowledge of them. He borrowed money, enjoyed a lavish life-style, and invested in rash speculative ventures which collapsed. He was declared bankrupt, and worked his way out of debt by colossal efforts of literary industry – which eventually killed him at the age of fifty-two. You could almost say that Cesar Birotteau was a prophetic account of his own life story – since he overworked himself to get out of debt, married late, and died shortly afterwards.

La Comedie Humaine

In common with many of the other novels and stories which make up Balzac’s grand vision of French society, Cesar Birotteau features characters who crop up in other works. They might be simply named en passant such as the money-lender Gobseck and the judge Camusot, or they might play a substantial role such as the banker Nucingen and the travelling salesman Gaudissart.

The connections between these named characters and their recurrence in various works is one of the things that gives La Comedie Humaine its spectacular social depth.

Anselme Popinot, the modest and club-footed assistant to Birotteau, is the nephew of Jean-Jules Popinot, who is initially in charge of investigating the court case featured in A Commission in Lunacy.

Sarah Gobseck appears as la belle Hollandaise, the prostitute and mistress of the notary Roguin. She is the grand-niece of the money-lender Jean-Esther Gobseck and the mother of Esther Gobseck who becomes mistress to Lucien Rubempre – both of whom feature in Gobseck and Scenes from a Courtesan’s Life.

Maxim de Trailles crops up in a role he frequently occupies in https://mantex.co.uk/la-comedie-humaine/La Comedie Humaine. He is a rake and a compulsive gambler who is helping to ruin Sarah Gobseck, as he does Anastasie de Restaud in Old Goriot.

Gaudissart the boastful salesman who boosts the sales of Popinot’s hair restorer Cephalic Oil features in a number of later works. He goes on to become the owner of a boulevard theatre and is a key figure in Cousin Pons.

The wealthy banker Frederic Nucingen appears in several novels in La Comedie Humaine, particularly the important volumes Old Goriot, Lost Illusions, and Cousin Bette. His mistress is Esther Gobseck (daughter of Sarah) and his wife Delphine becomes the long-term lover of Eugene de Rastignac.


Balzac – selected reading

The best current editions of the major novels are those published in the Oxford World’s Classics paperback series. Each volume contains a critical introduction, a note on the text, a bibliography of further reading, a biographical chronology of Honore de Balzac, and most importantly a series of explanatory notes giving historical, geographical, and scientific information about details mentioned in the text.

Cesar Birotteau – Penguin Classics – Amazon UK

Pere Goriot – Oxford Classics – Amazon UK

Eugenie Grandet – Oxford Classics – Amazon UK

Cousin Bette – Oxford Classics – Amazon UK

Ursule Mirouet – Penguin Classics – Amazon UK

Selected Stories – NYRB – Amazon UK

Cambridge Companion to Balzac – Cambridge UP – Amazon UK

Cesar Birotteau


Cesar Birotteau – plot summary

I   Having been made deputy mayor, Cesar Birotteau’s ambition is inflamed. He wants to expand his business and put on a social show, whilst his wife Constance urges caution and restraint. He plans to borrow money to invest in a dubious real estate scheme. He also claims to have discovered a cure for baldness.

II   Birotteau has arrived in Paris from Tours. Apprenticed to perfumier Rogon, he learns the details of the trade and during the Revolution becomes an ardent Royalist. He rises to the position of head clerk and dreams only of quiet retirement to Chinon. He falls in love with attractive shop girl Constance and marries her in 1800.

Birotteau buys the perfume business from Rogon and moves to a more fashionable location. He ‘invents’ skin creams ‘Double Paste of Sultan’ and ‘Carminative Balm’. Constance advises him to distribute wholesale at a discount. The business prospers and expands. Birotteau is successful but uneducated. He takes on commonplace ideas and dotes on his daughter Cesarine.

Birotteau employs as chief clerk the ambitious and unscrupulous Ferdinand du Tillet, who tries to seduce Constance. He is dismissed, but steals money from the shop. Tillet then sets himself up as a man of means and becomes a stockbroker then a banker.

III   The notary Roguin has impoverished himself by keeping la belle Hollondaise (Sarah Gobseck) as mistress. He has also misappropriated the funds of his clients. Du Tillet persuades him to ‘borrow’ more and invest them secretly in a speculative scheme involving land in the Madeleine district. He persuades Roguin’s mistress and Mme Roguin to do the same. Mme Roguin at this point also becomes du Tillet’s lover.

Du Tillet makes money and influential contacts. But Sarah Gobseck loses money to pay the gambling debts of her lover Maxime de Trailles. Du Tillet invents a scheme to use money from Birotteau and Claparon, a ‘straw man’ whom he recruits. Birotteau proposes to set up young Popinot in a shop to sell his new hair restorer.

IV   Birotteau goes ahead with plans to extend his home into the neighbour’s house. He negotiates an agreement with the obsessive landlord Molineux. He orders the nuts for producing the hair-restoring oil, ‘Comagene Essence’.

V   Birotteau discusses the Madeleine land project with his uncle Pillerault who has also invested. He checks with scientist Vauquelin that the oil will be good for the scalp. Preparations are made for the house extension and the launch of the second shop.

VI   Popinot engages the services of Gaudissart to promote the new hair oil, now called ‘Cephalic Oil’. There is a dinner for the Madeleine investors, joined by du Tillet’s straw man Claparon, who is a sham operating out of his social depth. Meanwhile there is also a dinner to celebrate the launch of Popinot’s hair oil. Judge Popinot arrives to take his young nephew to draw up legal papers.

VII   Birotteau extends the guest list of his grand ball to include lots of dignitaries. The apartments are given an expensive refurbishment. The grand ball is an extravagant success. But there are hints of problems to come.

Part II

I   A week later Birotteau feels burdened by debt and uncertainty as the bills for his expansion start to arrive. His promissory notes are being refused, and he has no ready cash. The young notary Crottat breaks the bad news. Roguin has held the Madeleine scheme finances without giving receipts. He has squandered the money and disappeared. Sarah Gobseck’s furniture has been sequestered and she has been assassinated. Birotteau has a breakdown, during which time he is visited by Claparon, demanding money for the Madeleine scheme.

II   Birotteau seeks help from his uncle and his lawyer, but the case is hopeless. Meanwhile Cephalic Oil is a success and Finot works as a tireless publicist, placing adverts in the press. Birotteau seeks credit from the lofty banker Keller, who refers him to his business-man brother, who wants to see the deeds of the Madeleine scheme.

III   The Kellers refuse credit, but du Tillet lends him money, with the malign intention of ruining his former boss. He also gives him a false letter of recommendation to the banker Nucingen. Birotteau reveals his plight to Constance, who supports him.

IV   Birotteau appeals to Nucingen, who flatters him, but refers him back to du Tillet. When du Tillet refuses, Birotteau applies to the phoney banker Claparon, who is no use either. Even young Popinot refuses to help him – on the advice of his uncle the judge.

V   Popinot reverses his decision, but Pellerault says it is too late because Birotteau’s public reputation is now ruined. Birotteau’s brother the priest responds, but with only a thousand Francs. Pellerault and Popinot make one last attempt to raise the money, but it fails. Birotteau is forced to declare himself bankrupt and he resigns his position as deputy mayor. Constance then applies to Royalist connections, securing jobs for her husband and daughter. She is employed by Popinot. Birotteau accepts his downfall.

VI   Balzac explains the tangled web of influences and procedures that obtain in Parisian bankruptcy cases. Birotteau is examined by Molineux but protected by Pellerault. All Birotteau’s assets are sold off and the creditors receive almost sixty percent of their claims. Birotteau, his wife, and his daughter work tirelessly to pay off the rest of the debt.

VII   Eighteen months later Birotteau is able to make a partial payment to his creditors. Du Tillet is forced to pay a high price for land that Popinot owns. Constance reveals du Tillet’s original theft and burns his love letters to her. Popinot then pays off the remainder of the debt and restores the Birotteaus to their former home. Birotteau re-visits the Bourse in triumph, having cleared his name. He returns to his old home at the wedding celebrations of Popinot and Cesarine – but the emotional strain is too much for him and he dies of a broken heart.


Cesar Birotteau – characters
Cesar Birotteau Parisian perfumier, deputy mayor and Royalist
Constance Birotteau his attractive and loyal wife
Cesarine Birotteau his pretty daughter
Ferdinand du Tillet Birotteau’s former head clerk who becomes a ‘banker’
Anselme Popinot Birotteau’s modest club-footed apprentice
Roguin Parisian notary who absconds with clients’ money
Mme Roguin his estranged wife who becomes du Tillet’s lover
Sarah Gobseck la belle Hollandaise, Roguin’s mistress
Maxime de Trailles Sarah Gobseck’s lover, a compulsive gambler
Jean-Baptiste Molineux a mean and monomaniac landlord
Claude Pillerault retired honest ironmonger, uncle to Constance
Nicolas Vauquelin a famous chemist
Gaudissart a successful travelling salesman
Charles Claparon a bogus banker, stooge to du Tillet

© Roy Johnson 2018


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Charles Dickens biography

September 30, 2009 by Roy Johnson

Charles Dickens biography1812. Charles Dickens was born in Portsmouth. His father was a clerk in naval pay office: hard-working but unable to live within income. Several brothers and sisters.

1822. Family settles in Camden Town, London. Father gets into financial trouble. Charles put to work in shoe-blacking factory (traumatic event for child). Father imprisoned for debt, and family (except Charles) visit him in Marshalsea Prison.

1827. Dickens becomes a clerk in Grays’ Inn firm of solicitors. Studies shorthand and becomes freelance reporter in the Courts of Law and Parliament. Praised for his speed and accuracy.

1830. Dickens meets Maria Beadnell and falls madly in love with her. She treats him coldly and calls him ‘boy’.

1833. Dickens publishes his first story – ‘Dinner at Poplar Walk’ in Monthly Magazine.

1836. Sketches by Boz successful early fiction earns 150 pounds for the copyright. Commissioned to write stories to accompany sporting prints. Invents Mr Pickwick for Pickwick Papers and the whole enterprise a big success. On the strength of this he marries Catherine Hogarth. Ten children follow. Dickens an enthusiastic family man fond of home entertainments and amateur theatricals.

1837.Writes his fiction as regular monthly instalments for magazine publication. Publication of Oliver Twist begins.

1838. Dickens and illustrator Hablot Browne travel to Yorkshire to see the boarding schools. Publication of Nicholas Nickleby begins.

1841. Publication of The Old Curiosity Shop begins.

1841. Travels in Scotland and United States. Disappointed by experience of the U.S.

1842. Begins work on Martin Chuzzlewit.

1844.Dickens and family travel to Italy.  Successfully treated Madame de la Rue with hypnotism.

1846. Family tours in Italy, Switzerland and France, returning to London the following year. Dickens involved in philanthropic work for the rescuing of prostitutes and other issues of social concern. Publication of Dombey and Son begins.

1848. Dickens’ sister Fanny dies.

1849. Publication of David Copperfield begins.

1850. Begins his own weekly magazine, Household Words, which combines entertainment with a sort of reforming social purpose. Heavy work both writing and editing it. Dickens indefatigable journalist.

1851. His wife Catherine Dickens suffers a nervous collapse.  John Dickens, the father of Charles Dickens, dies.  His daughter Dora Dickens dies when she is only eight months old.

1852. Publication of Bleak House begins.

1853. Dickens gives the first of what were to be very popular public readings from his works.

1854. Publication of Hard Times begins.

1855. Secret meetings with Maria Beadnell, his first love, at her suggestion. Dickens disappointed by the experience. Family move to Gad’s Hill, Rochester. Dickens involved in theatrical ventures with friend Wilkie Collins (author of The Woman in White) through which he meets actress Ellen Ternan, who probably becomes his mistress. Publication of Little Dorrit begins.

1857. Hans Christian Anderson visits Gad’s Hill.

1858. Separates from wife with considerable publicity and bitterness. Begins new weekly, All the Year Round. Gives public readings and acts out dramatised scenes from his work which are very popular. Quarrels with Thackeray.

1859. A Tale of Two Cities published.

1860. Begins publishing Great Expectations in All the Year Round to boost flagging circulation. Burns quantities of his personal letters. Death of Dickens’ brother Alfred.

1863. Dickens’ mother dies. Reconciled with Thackeray.

1864. Death of Dickens’ son Walter in India. First installment of Our Mutual Friend is printed.

1865. Dickens is involved in the Stapelhurst railway accident, along with Ellen Ternan and her mother. Ten people killed and fifty injured. Dickens tries to prevent publicity, to avoid embarrassment.

1867. Despite poor health, embarks on punishing tour of American to give lucrative readings which help to boost sales of his magazine and novels.

1869. Dickens ordered by his doctors to discontinue the public readings. begins writing The Mystery of Edwin Drood.

1870. Further public readings as a ‘farewell tour’ in England. Private audience with Queen Victoria. More amateur theatricals. Dies of stroke. Buried in Poet’s Corner, Westminster Abbey, with full public honours.


The Oxford Companion to DickensThe Oxford Companion to Dickens offers in one volume a lively and authoritative compendium of information aboutDickens: his life, his works, his reputation and his cultural context. In addition to entries on his works, his characters, his friends and places mentioned in his works, it includes extensive information about the age in which he lived and worked.These are the people, events and institutions which provided the context for his work; the houses in which he lived; the countries he visited; the ideas he satirized; the circumstances he responded to; and the culture he participated in. The companion thus provides a synthesis of Dickens studies and an accessible range of information.


Charles Dickens – web links

Dickens study resources Charles Dickens at Mantex
Biographical notes, book reviews, tutorials and study guides, free eTexts, videos, adaptations for cinema and television, further web links.

Dickens basic information Charles Dickens at Wikipedia
Biography, major works, literary techniques, his influence and legacy, extensive bibliography, and further web links.

Free eBooks on Dickens Charles Dickens at Gutenberg
A major collection of free eTexts of the major works in a variety of formats.

Charles Dickens Dickens on the Web
Major jumpstation including plots and characters from the novels, illustrations, Dickens on film and in the theatre, maps, bibliographies, and links to other Dickens sites.

Charles Dickens The Dickens Page
Chronology, eTexts available, maps, filmography, letters, speeches, biographies, criticism, and a hyper-concordance.

Dickens film adaptations Charles Dickens at the Internet Movie Database
Adaptations of the major novels and stories for the cinema and television – in various languages

Charles Dickens A Charles Dickens Journal
An old HTML website with detailed year-by-year (and sometimes day-by-day) chronology of events, plus pictures.

Dickens Concordance Hyper-Concordance to Dickens
Locate any word or phrase in the major works – find that quotation or saying, in its original context.

Major Dickens web links Dickens at the Victorian Web
Biography, political and social history, themes, settings, book reviews, articles, essays, bibliographies, and related study resources.

Charles Dickens Charles Dickens – Gad’s Hill Place
Something of an amateur fan site with ‘fun’ items such as quotes, greetings cards, quizzes, and even a crossword puzzle.

© Roy Johnson 2009


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Charles Dickens critical guide

June 26, 2009 by Roy Johnson

introductory study, background, and resources

This is an introductory survey of Dickens and the major parts of his work written for students and general readers who perhaps want to know more about this perennially popular novelist. Donald Hawes begins Charles Dickens – A Critical Guide with a sketch of Dickens’s life – the hardships he suffered as a child, his early success as a writer with Sketches by Boz, and then his rapid rise to be the most successful writer in both England and America.

Charles Dickens critical guideIt’s easy to forget Dickens’s astonishing productivity: he regularly composed more than one novel at once, wrote and published his own weekly newspaper, and contributed to other people’s journals as well. This is to say nothing of his prodigious physical energy: walks of up to forty miles a day taken at high speed.

And for all the close association with Englishness and London in particular, he also travelled widely in Europe, living in France and Italy on a regular basis.

What follows is chapters which offer accounts of his major works, alternating with studies of themes and issues important to his work as a whole.

The first give potted plot summaries as well as critical insights which will be particularly useful for beginners. The latter explore recurrent symbols and those topics which Dickens made his own – for example nineteenth century London and its relation to the labyrinthine system of jurisprudence which permeates Bleak House, or the prisons, most notably in Little Dorrit.

Donald Hawes clearly knows Dickens’s work inside out, and all his arguments are illustrated by well-chosen details from the best known works. In most cases he gives some notion of their contemporary reception, plus an account of how these reputations have lasted into the twentieth century.

There’s a very good chapter on Dickens’s unforgettable rogues, villains, and comic masterpieces, analysing why they so brilliantly conceived and executed. Another on the theatre places Dickens’s enthusiasm for the genre firmly in the realm of what we would now call ‘popular culture’ – since at that time, in mid nineteenth century there was little else the lower orders could enjoy. The same was also true of Dickens’s public readings from his own works – which both made him rich and probably shortened his life.

I hadn’t previously realised just how much Dickens’s friend John Forster had played in the composition, revision, and editing of his writing, but there’s a good chapter on Dickens’s relationship with his friends and contemporaries.

Other topics considered include prisons, education, doctors and hospitals, social class, Christmas, and even a section on animals – especially dogs and ravens (both of which Dickens possessed).

So, Hawes covers all the major novels, the stories, and some of the occasional writing. With this and the thematic chapters, plus an extensive bibliography of further reading, there’s everything here for someone who wants a comprehensive departure point for further Dickens studies.

© Roy Johnson 2007

Charles Dickens critical guide Buy the book at Amazon UK

Charles sDickens critical guide Buy the book at Amazon US


Donald Hawes, Charles Dickens, London: Continuum, 2007, pp.167, ISBN 0826489648


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Charles Dickens criticism

May 6, 2015 by Roy Johnson

annotated bibliography of criticism and comment

Charles Dickens criticism is a bibliography of critical comment on Dickens and his works, with details of each publication and a brief description of its contents. The details include active web links to Amazon where you can buy the books, often in a variety of formats – new, used, and as Kindle eBooks and print-on-demand reissues. The listings are arranged in alphabetical order of author.

The list includes new books and older publications which may now be considered rare. It also includes versions of older texts which are much cheaper than the original. Others (including some new books) are often sold off at rock bottom prices. Whilst compiling these listings a hardback copy of Fred Kaplan’s Charles Dickens: A Biography was available at Amazon for one penny.

Charles Dickens criticism

Dickens – Peter Ackroyd, London: Mandarin, 1991. Presents an illustrated introduction to the public and private life of the popular Victorian novelist.

Dickens at Work – John Butt and Jane Tillotson, London: Methuen, 1957. Illustrates what modes of planning Dickens evolved as best suited to his genius and to the demands of serial publication, monthly or weekly; how he responded to the events of the day; and how he yet managed to combine the freshness of this ‘periodical’, almost journalistic approach with the art of the novel.

The Violent Effigy: A Study in Dickens’ Imagination – John Carey, London: Faber and Faber, 2008. This study sees Dickens as not a moralist or social commentator but as an anarchic comic genius, who was drawn irresistibly to the sinister and grotesque – murderers, frauds and public executions, bottled babies, wooden legs, walking coffins, corpses, umbrellas, waxworks, and living furniture.

Dickens: The Critical Heritage – Philip Collins (ed), London: Routledge, 1982. A collection of reviews and critical essays which trace the development of Dickens’ reputation as a novelist from his original publications up to the late twentieth century.

Dickens and Crime – P.A.W. Collins, London: Macmillan, 1965.

Dickens and His Readers – G.H. Ford, Norton, 1965. Attempts to explain the fluctuations in Dickens’ critical and popular reputation.

The Dickens Critics – George Ford and Lauriat Lane (eds). New York: Cornell University Press, 1961.

The Life of Charles Dickens – John Forster, Benediction Classics, 2011. The first comprehensive biography, written by his contemporary and friend.

Charles Dickens and the House of Fallen Women – Jenny Hartley, London: Methuen, 2009. An account of the refuge Dickens created with the financial backing of the heiress Angela Burdett Courts, Chronicles cast-off women, pickpockets, prostitutes, abandoned children, and others from the darkest streets of London.

Who’s Who in Dickens – Donald Hawes, London: Routledge, 2001. Contains a physical and psychological profile of each character, a critical look at his characters by past and present influential commentators and over forty illustrations of major characters drawn by Dickens’ contemporaries.

The Dickens World – Humphrey House, Oxford University Press, 1960. Minor works and journals as well as the novels are used to provide critical analysis of Dickens’ prowess as a reporter of Victorian life.

Dickens’s Villains: Melodrama, Character, Popular Culture – Juliet John, Oxford University Press, 2003. This interdisciplinary study locates the rationale for Dickens’s melodramatic characters in his political commitment to the principle of cultural inclusivity and his related resistance to ‘psychology’.

Dickens and Mass Culture – Juliet John, Oxford University Press, 2013. Examines Dickens’s cultural vision and practice – his model of authorship, journalism, public readings, relations with America, and the commercial, cultural, and political aspects of Dickens’s populist vision and legacy.

Charles Dickens: His Tragedy and Triumph – Edgar Johnson, Viking Press, 1977. This is universally regarded as the definitive biography and a highpoint in critical scholarship.

The Cambridge Companion to Charles Dickens – John O. Jordan, Cambridge University Press, 2001. Contains fourteen specially-commissioned chapters by leading international scholars, who provide diverse but complementary approaches to the full span of Dickens’s work, with particular focus on his major fiction.

Dickens: A Biography – Fred Kaplan, William Morrow & Co, 1988. Well regarded critical biography by a Dickens specialist.

Dickens and his Illustrators – Frederick G. Kitton, Emerson Publishing, 2013. Detailed studies of the illustrators who worked with Dickens, examining the relationships between author and artists, drawing on correspondence between them and reproducing preparatory sketches.

Dickens the Novelist – F.R. Leavis and Q.D. Leavis, London: Chatto and Windus, 1970. In seven typically robust and uncompromising chapters, the Leavises grapple with the evaluation of a writer who was still open to dismissal as a mere entertainer, a caricaturist not worthy of discussion in the same breath as Henry James.

Charles Dickens: The Major Novels – John Lucas, Harmondsworth: Penguin, 1992. This study of five major novels by Dickens looks at the tensions between the private and public aspect of his work.

A Companion to Dickens – David Paroissien, Oxford: Blackwell, 2008. Includes original essays by leading Dickensian scholars on each of Dickens’s fifteen novels, and puts his work into its literary, historical, and social contexts.

Charles Dickens: Critical Issues – Lyne Pykett, London: Palgrave Macmillan, 2002. Looks at the author as a Victorian ‘man of letters’, and explores his cultural and critical impact both on the definition of the novel in the nineteenth century and the subsequent development of the form in the twentieth.

Authors in Context: Charles Dickens – Andrew Sanders, Oxford University Press, 2009. Explores Dickens’s interest in the urban phenomenon which so marks nineteenth-century culture, and looks at the vital interconnection between his life and his art.

The Oxford Companion to Charles Dickens – Paul Schlicke (ed), Oxford University Press, 2011. Features more than 500 articles, throwing new and often unexpected light on the most familiar of Dickens’s works, and exploring the experiences, events, and literature on which he drew. There is also a chronology of Dickens’ life, a list of characters in his works, a list of entries by theme, a family tree, three maps, and an invaluable bibliography.

Dickens and the City – F.S. Schwarzbach, Athlone Press, 1979. Traces the fascinating and often dramatic relationship of the novels to the ever changing Victorian urban scene. The novels emerge not only as valuable historical documents, astonishing in their accuracy of detail, but as a unique contribution to the growth of modern urban culture.

Charles Dickens – Michael Slater, Yale University Press, 2011. The core focus is Dickens’ career as a writer and professional author, covering not only his big novels but also his phenomenal output of other writing–letters, journalism, shorter fiction, plays, verses, essays, writings for children, travel books, speeches, and scripts for his public readings,

The Narrative Art of Charles Dickens – Harvey Peter Sucksmith, Oxford University Press, 1970.

Going Astray: Dickens and London – Jeremy Tambling, London: Routledge, 2008. Drawing on all Dickens’ published writings (including the journalism but concentrating on the novels), this study considers the author’s kaleidoscopic characterisations of London: as prison and as legal centre; as the heart of empire and of traumatic memory; as the place of the uncanny; as an old curiosity shop.

Charles Dickens: A Life – Claire Tomalin, London: Penguin, 2012. Highly regarded critical biography by award-winning writer.

Dickens and Religion – Dennis Walder, London: Routledge, 2007. Dickens’s religion is shown to be that of a great popular writer, who created a unique kind of fiction, and a unique relationship with his readers, by the absorption and transformation of less respectable contemporary forms, from fairy-tale and German romance to tract and print.

© Roy Johnson 2015


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Charles Dickens greatest works

September 30, 2009 by Roy Johnson

introductory notes to his most outstanding novels

Charles Dickens greatest worksCharles Dickens (1812-1870) is a novelist whose work appeals to both general readers and serious literary critics alike. This is because at its best it operates at two levels simultaneously. Entertaining incidents and characters abound at the surface level, and deep beneath them exist profoundly serious themes and psychological insights into human nature. His early novels are rich in enjoyable knockabout entertainment, and his later works explore the darker side of moral and social issues with which he was so concerned throughout the whole of his working life.

Turn to any work in his huge output, and you will find linguistic invention, tremendous imaginative flair, memorable characters, vivid scene-painting, dramatic incidents, high comedy and tragic pathos packed into alternate chapters, and an overwhelming sense of joie de vivre.

There was a time when his fondness for melodrama and plots which hinged on improbable coincidence were thought to be fatal weaknesses, but modern readers now tend to be more tolerant of these nineteenth century conventions. They focus attention instead on his endless inventiveness and his mastery of the novel form.

Readers with less literary experience might choose to begin with early works such as The Pickwick Papers, Oliver Twist , or even David Copperfield. Those used to reading long novels with complex plots and a huge cast of characters could go straight to the late, great masterpieces such as Dombey and Son, Bleak House, or Great Expectations.

Your choice of editions is enormous. The most scholarly, with full introductions, notes, glossaries, and background details are the Oxford University Press and Penguin Books editions.


Charles Dickens Pickwick PapersPickwick Papers (1836-37) was Dickens’ first big popular success, written when he was only twenty-four years old. It was issued in twenty monthly parts and is not so much a novel as a series of loosely linked sketches and changing characters featured in reports to the Pickwick Club. These episodes recount comic excursions to Rochester, Dingley Dell, and Bath; duels and elopements; Christmas festivities; Mr Pickwick inadvertently entering the bedroom of a middle-aged lady at night; and in the end a happy marriage. Much light-hearted fun, and a host of memorable characters.

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Charles Dickens Oliver TwistOliver Twist (1837-38) expresses Dickens’ sense of the vulnerability of children. Oliver is a foundling, raised in a workhouse, who escapes suffering by running off to London. There he falls into the hands of a gang of thieves controlled by the infamous Fagin. He is pursued by the sinister figure of Monks who has secret information about him. The plot centres on the twin issues of personal identity and a secret inheritance (which surface again in Great Expectations). Emigration, prison, and violent death punctuate a cascade of dramatic events. This is the early Victorian novel in fine melodramatic form. Recommended for beginners to Dickens.

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Charles Dickens Dombey and SonDombey and Son (1847-48) is Dickens’ version of the King Lear story, in which Dombey, the proud and successful head of a shipping company, loses his son, wife, and daughter because of neglect and his lack of sympathy towards them. Even his second wife is driven into the arms of his villainous business manager – with disastrous results. Eventually his empire collapses, and he lives on in tragic desolation – until his daughter Florence returns and finds a way back to his heart. This is the first of Dickens’ great and powerful masterpieces.

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David CopperfieldDavid Copperfield (1849-50) is a thinly veiled autobiography, of which Dickens said ‘Of all my books, I like this the best’. As a child David suffers the loss of both his father and mother. He endures bullying at school and a life of poverty when he goes to work. The book is packed with memorable characters such as Mr Micawber, the fawning Uriah Heep, and the earth-mother figure Clara Peggotty. The plot involves Dickens’ recurrent topics of thwarted romance, financial insecurity and misdoings, and the terrible force of the legal system which haunted him all his life.

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Charles Dickens Bleak HouseBleak House (1852-53) is a powerful critique of the legal system. Characters waiting to gain their inheritance from a will which is the subject of a long-running court case are ruined when the delays and costs of the case swallow up the whole estate. At the same time, Ester Summerson, one of Dickens’ most saintly heroines, is surrounded by mystery regarding her parentage and pressure to marry a man she respects but does not love. Unraveling the mystery results in scandal and deaths. Many memorable characters, including ace sleuth Inspector Bucket; Horace Skimpole a criminally irresponsible house guest; and Krook – the ‘chancellor’ of the rag and bone department, who dies from spontaneous combustion – something which Dickens actually believed could happen.

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Charles Dickens Little DorritLittle Dorrit (1855-57) features Dickens’ recurrent themes of prison, debt, and the negative effects of wealth. William Dorrit and his daughter Amy have been paupers for so long that they actually live in the Marshalsea debtor’s prison. When he is suddenly released because of an inheritance, his place is taken by the middle-aged hero Arthur Clenham when he falls on hard times. Amy is devoted to them both. There is also a murky sub-plot involving doubtful parentage, a mysterious secret, and a villain with two names. Also includes a satirical critique of nineteenth century government bureaucracy in his depiction of the Circumlocution Office. Another of the greatest of Dickens’ works.

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Charles Dickens A Tale of Two CitiesA Tale of Two Cities (1859) was Dickens’ account of the French Revolution – with the story switching between London and Paris. It views the causes and effects of the Revolution from an essentially private point of view, showing how personal experience relates to public history. The characters are fictional, and their political activity is minimal, yet all are drawn towards the Paris of the Terror, and all become caught up in its web of suffering and human sacrifice. The novel features the famous scene in which wastrel barrister Sydney Carton redeems himself by smuggling the hero out of prison and taking his place on the scaffold. The novel ends with the memorable lines: “It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to, than I have ever known.”

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The Oxford World Classics are the best editions of Dickens’ work. They are largely based on the most accurate versions of the texts; and they feature introductory essays, a biography, explanatory notes, textual variants, a bibliography of further reading, and in some cases missing or deleted chapters. They are also terrifically good value.

 

Great ExpectatonsGreat Expectations (1860-61) traces the adventures and moral development of the young hero Pip as he rises from humble beginnings in a village blacksmith’s. Eventually, via good connections and a secret benefactor, he becomes a gentleman in fashionable London – but loses his way morally in the process and disowns his family. Fortunately he is surrounded by good and loyal friends who help him to redeem himself. Plenty of drama is provided by a spectacular fire, a strange quasi-sexual attack, and the chase of an escaped convict on the river Thames. There are a number of strange psycho-sexual features to the characters and events, and the novel has two subtly different endings – both adding ambiguity to the love interest between Pip and the beautiful Stella.

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The Cambridge Companion to Charles DickensThe Cambridge Companion to Charles Dickens contains fourteen essays which cover the whole range of Dickens’s writing, from Sketches by Boz through to The Mystery of Edwin Drood. Some address important thematic topics: childhood, the city, and domestic ideology. Others consider the serial publication and Dickens’s distinctive use of language. Three final chapters examine Dickens in relation to work in other media: illustration, theatre, and film. The volume as a whole offers a valuable introduction to Dickens for students and general readers, as well as fresh insights, informed by recent critical theory.


Charles Dickens – web links

Dickens study resources Charles Dickens at Mantex
Biographical notes, book reviews, tutorials and study guides, free eTexts, videos, adaptations for cinema and television, further web links.

Dickens basic information Charles Dickens at Wikipedia
Biography, major works, literary techniques, his influence and legacy, extensive bibliography, and further web links.

Free eBooks on Dickens Charles Dickens at Gutenberg
A major collection of free eTexts of the major works in a variety of formats.

Charles Dickens Dickens on the Web
Major jumpstation including plots and characters from the novels, illustrations, Dickens on film and in the theatre, maps, bibliographies, and links to other Dickens sites.

Charles Dickens The Dickens Page
Chronology, eTexts available, maps, filmography, letters, speeches, biographies, criticism, and a hyper-concordance.

Dickens film adaptations Charles Dickens at the Internet Movie Database
Adaptations of the major novels and stories for the cinema and television – in various languages

Charles Dickens A Charles Dickens Journal
An old HTML website with detailed year-by-year (and sometimes day-by-day) chronology of events, plus pictures.

Dickens Concordance Hyper-Concordance to Dickens
Locate any word or phrase in the major works – find that quotation or saying, in its original context.

Major Dickens web links Dickens at the Victorian Web
Biography, political and social history, themes, settings, book reviews, articles, essays, bibliographies, and related study resources.

Charles Dickens Charles Dickens – Gad’s Hill Place
Something of an amateur fan site with ‘fun’ items such as quotes, greetings cards, quizzes, and even a crossword puzzle.

© Roy Johnson 2009


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Charles Dickens web links

December 11, 2010 by Roy Johnson

a selection of web-based archives and resources

This short selection of Charles Dickens web links offers quick connections to resources for further study. It’s not comprehensive, and if you have any ideas for additional resources, please use the ‘Comments’ box below to make suggestions.

Charles Dickens web links

Charles Dickens – web links

Dickens study resources Charles Dickens at Mantex
Biographical notes, book reviews, tutorials and study guides, free eTexts, videos, adaptations for cinema and television, further web links.

Dickens basic information Charles Dickens at Wikipedia
Biography, major works, literary techniques, his influence and legacy, extensive bibliography, and further web links.

Free eBooks on Dickens Charles Dickens at Gutenberg
A major collection of free eTexts of the major works in a variety of formats.

Charles Dickens Dickens on the Web
Major jumpstation including plots and characters from the novels, illustrations, Dickens on film and in the theatre, maps, bibliographies, and links to other Dickens sites.

Charles Dickens The Dickens Page
Chronology, eTexts available, maps, filmography, letters, speeches, biographies, criticism, and a hyper-concordance.

Dickens film adaptations Charles Dickens at the Internet Movie Database
Adaptations of the major novels and stories for the cinema and television – in various languages

Charles Dickens A Charles Dickens Journal
An old HTML website with detailed year-by-year (and sometimes day-by-day) chronology of events, plus pictures.

Dickens Concordance Hyper-Concordance to Dickens
Locate any word or phrase in the major works – find that quotation or saying, in its original context.

Major Dickens web links Dickens at the Victorian Web
Biography, political and social history, themes, settings, book reviews, articles, essays, bibliographies, and related study resources.

Charles Dickens Charles Dickens – Gad’s Hill Place
Something of an amateur fan site with ‘fun’ items such as quotes, greetings cards, quizzes, and even a crossword puzzle.


The Oxford Companion to Dickens The Oxford Companion to Dickens offers in one volume a lively and authoritative compendium of information about Dickens: his life, his works, his reputation and his cultural context. In addition to entries on his works, his characters, his friends and places mentioned in his works, it includes extensive information about the age in which he lived and worked: the people, events and institutions which provided the context for his work; the houses in which he lived; the countries he visited; the ideas he satirized; the circumstances he responded to; and the culture he participated in. The companion thus provides a synthesis of Dickens studies and an accessible range of information.


Charles Dickens - pen

Mont Blanc pen – Charles Dickens special edition


The Cambridge Companion to Dickens The Cambridge Companion to Charles Dickens contains fourteen essays which cover the whole range of Dickens’s writing, from Sketches by Boz through to The Mystery of Edwin Drood. Some address important thematic topics: childhood, the city, and domestic ideology. Others consider the serial publication and Dickens’s distinctive use of language. Three final chapters examine Dickens in relation to work in other media: illustration, theatre, and film. The volume as a whole offers a valuable introduction to Dickens for students and general readers, as well as fresh insights, informed by recent critical theory.

© Roy Johnson 2010


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Charles Dickens: an introduction

July 18, 2009 by Roy Johnson

short biography and literary background

The new Very Interesting People series from Oxford University Press provides authoritative bite-sized biographies of Britain’s most fascinating historical figures. These are people whose influence and importance have stood the test of time. Each book in the series is based on the biographical entry from the world-famous Oxford Dictionary of National Biography. Michael Slater sketches the main outline of Dickens’ life – the boyhood in Chatham and Rochester, his love of reading and amateur theatricals, and then the shocking, seminal event in his young life when his father was put into the Marshalsea debtor’s prison and Dickens himself was set to work in a blacking factory, sticking labels on bottles. This was an event which was to shape much of his later fiction, as well as his own psychology and his attitudes to social reform.

Charles Dickens: an introductionAfter this difficult start to life, and despite being very largely self-educated, he fought his way into literature via journalism and court reporting. By the time he was in his mid twenties he had catapulted himself to fame with Pickwick Papers. Thereafter, he became a cultural and publishing phenomenon, producing masterpieces at a rate that puts most of today’s writers to shame.

On the strength of this success he married and settled down to a life of stupendous creativity and some amazing enterprise. He was active in controlling his own commercial potential as a writer, and he campaigned vigorously on the cause for authors’ copyright.

His fame also led him to develop a parallel career as a public speaker, and he gave regular dramatised readings from his own works, travelling to America on lecture tours and taking holidays in France and Italy.

Slater’s account manages to balance aspects of Dickens’ personal life with the development of his literary work. For instance, he doesn’t shirk the fact that Dickens like many other rich middle-class Victorian men became interested in the plight of ‘fallen women’, but at the same time he was able to produce his great masterpieces in books such as Dombey and Son, Bleak House, and Little Dorrit.

Yet whilst his fame spread and both his family and his bank-balance grew, his marriage slid into the doldrums, and he made matters worse by falling in love with Ellen Ternan, an actress the same age as his own young daughter.

The later years of his life appear to have been tinged with darkness. His relationships with his (ten) children was not good; he seems to have been implacably hostile to his wronged wife; and his health was not robust. Nevertheless, he worked on – and eventually it was his work rate and his dramatic readings which cut short his life at fifty-eight.

For a publication of this size, there’s a lot of inline source referencing that takes up space which could have been much better used by offering a bibliography and suggestions for further reading. But it’s a book which you can be quite confident is based on a scholarly knowledge of its subject. Most importantly, it makes you want to read the great works – or even better read them again.

© Roy Johnson 2007

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Michael Slater, Charles Dickens, Oxford: Oxford University Press, 2007, pp.111, ISBN: 0199213528


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Chronicles of Bustos Domecq

December 16, 2015 by Roy Johnson

short stories, satirical sketches, and parodies of criticism

Chronicles of Bustos Domecq (1979) is a collection of short fiction that Jorge Luis Borges wrote in collaboration with his fellow Argentinean, the novelist Adolfo Bioy Casares. Both of them wrote stories, reviews, and skits for a variety of newspapers and literary journals – particularly Sur, founded by their friend Victoria Ocampo in 1931.

Their stories explore the playful, imaginative, and sometimes fantastic relationship between fiction and reality which Borges was to make his hallmark in works such as the famous collection of stories Fictions. His collaborator Casares was a writer, journalist, and translator best known for his science fiction novel The Invention of Morel

Chronicles of Bustos Domecq

Jorge Luis Borges

Honorio Bustos Domecq was an Argentinean man of letters. A brief note on Domecq written by Dr Gervasio Montenegro (Argentine Academy of Letters) acts as an introduction and preface to the stories. This preface itself arouses our suspicions, for it is written in an absurdly inflated and self-regarding manner. Montenegro showers praise on his own achievements as a writer, and damns the work of Domecq with praise so faint it is almost insulting. It is no surprise to learn that both Domecq and Montenegro are entirely fictitious.

Homage to Cesar Paladion is a biographical sketch of the Argentinean writer whose ‘poetical method’ was inspired by the fact that T.S.Eliot and Ezra Pound quoted from Baudelaire, Verlaine, and The Odyssey in their work. Paladion took this approach one step further by ‘appropriating’ entire works from other writers. He had books such as The Hound of the Baskervilles and Uncle Tom’s Cabin printed under his own name and at his own expense.

In another story a newspaper reporter goes to interview Ramon Bonavena, the author of a six-volume masterwork called North-Northwest. When asked to give an account of the work’s genesis for his admiring readers, Bonavena explains that he set out with the idea of a large scale historical drama exposing social injustices in the province where he lived. However, when faced with legal difficulties, he decided to limit his subject matter – and chose to write about the objects on the right-hand corner of his desk.

The skill in the telling of these stories lies in a combination of conceptual manipulation, structural artifice, and stylistic flair. The credibility of the essential concept behind each story is established by reference to real places and real people. This material is then blended with quite credible life histories that are actually fictitious.

The absurdity of each proposition is usually concealed until the story is well under way – by which time the reader is prepared to entertain it as acceptable. And once the absurdity is revealed, the story is short enough to prevent the conceit becoming tedious.

A study of the poetical works of F.J.C.Loomis traces the development of his publications from his breakthrough Bear in 1911, through Pallet, Beret, Scum, Moon, and Perhaps? which was published posthumously following his death from dysentery in 1931. Bustos Domecq explains that Loomis’s particular genius was for an exact match between the title of his works and their contents. He points out that “The words Uncle Tom’s Cabin do not readily communicate to us all the details of its plot.” In the case of Loomis all the common poetical trappings of metaphor, symbol, rhythm, and alliteration are stripped away to create an exact match between title and content – because each text consists of just the single word of its title.

G.A.Baralt is an Argentinean attorney who has written a multi-volume study of the Brotherhood Movement. This movement is based on the observation that at any given time, all over the world, some people will be doing exactly the same thing. This could be anything from getting out of bed to striking a match. At the conclusion of the story Baralt is compiling, as a supplement to the main study – a list of all possible Brotherhoods, including those who thought about a particular topic two minutes ago, or those who three minutes ago forgot about it.

Some of the stories are amazingly prophetic, given some of the more absurd ‘developments’ in modern art in recent decades. The tales deal with what we would now call ‘happenings’ (random gatherings of people) uninhabitable architecture, ‘concave’ sculpture (composed from the space between objects) and the work of an ‘abstract’ artist all of whose canvases are covered in black shoe polish.

Bustos Domecq emerges as a comic figure in his own right from the stories he relates. As an occupational sideline he sells tickets for events that don’t take place, orders drinks he doesn’t pay for, and publishes (strictly by subscription in advance) the work of a worthless poet. He is pompous, self-regarding, and his literary style is amusing in itself – filled with creaking and orotund journalese, recent archaisms, irrelevances, and non-sequiturs.

The weaker examples of this collection lapse into silliness and mere whimsy, but the basic approach is quite subtle – given that the stories contain amusingly absurd ideas and are related by not only an unreliable narrator but one with an off-beat, almost bizarre literary style.

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© Roy Johnson 2015


Jorge Luis Borges, Chronicles of Bustos Domecq, New York: E.P.Dutton, 1979, pp.143. ISBN: 0525080473


Jorge Louis Borges links

Chronicles of Bustos Domecq Jorge Luis Borges – biography

Chronicles of Bustos Domecq Borges Center – University of Pittsburgh

Chronicles of Bustos Domecq BBC Radio 4 audio documentary

Chronicles of Bustos Domecq Paris Review – Interview


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Close reading tutorials

March 21, 2014 by Roy Johnson

tutorials in literary criticism and close critical analysis

What is close reading?

Close reading means not only reading and understanding the meanings of the individual printed words of a text: it also involves making yourself sensitive to all the nuances and connotations of a language as it is used by skilled writers.

This can mean anything from a work’s particular vocabulary, sentence construction, and imagery, to the themes that are being dealt with, the way in which the story is being told, and the view of the world that it offers. It involves almost everything from the smallest linguistic items to the largest issues of literary understanding and judgement.

  • language
  • meaning
  • structure
  • philosophy

Close reading can be seen as four separate levels of attention which we can bring to the text. Most normal people read without being aware of them, and employ all four simultaneously. The four levels or types of reading become progressively more complex. The most advanced forms of close reading combine all these features in an effort to reveal the full and even hidden meanings in a work.

A close reading exercise is not a guessing game or a treasure hunt: it is an attempt to understand the mechanisms by which a narrative is constructed and its meanings generated. However, a really successful close reading can only be made when you know the work as a whole.

The tutorials listed here offer a variety of approaches to close reading. Some focus attention on details of literary style; others concentrate on how the meaning(s) of a text are constructed. All of them pay close attention to the language being used.


Charles Dickens – Bleak House

Bleak House close readingThis tutorial looks at the famous opening passage of Bleak House and examines Dickens’s use of language, simile, and metaphor. It argues that whilst Dickens is often celebrated for the vividness of his descriptions, the true genius of his literary power is in imaginative invention.

redbtn Close reading – Bleak House.

 

If you wish to read the complete novel in conjunction with these tutorial notes, it is available free at Project Gutenberg.

redbtn Bleak House (full text)


Joseph Conrad – An Outpost of Progress – I

Close reading tutorialsThis is the first of two close reading tutorials on Conrad’s early tale An Outpost of Progress. This one looks at the opening of the story and examines the semantic values transmitted in Conrad’s presentation of the narrative. That is, how the meaning(s) of the story are embedded in even the smallest details of of the prose.

redbtn Close reading – An Outpost of Progress

 

If you wish to read the complete story in conjunction with these tutorial notes, it is available free at Project Gutenberg.

redbtn An Outpost of Progress (full text)


Katherine Mansfield – The Voyage

Close reading tutorialsThis tutorial looks at one of the opening paragraphs of Katherine Mansfield’s short story The Voyage. It covers the standard features of a writer’s prose style – in the use of vocabulary, syntax, rhythm, tone, narrative mode, and figures of speech; but then it singles out the crucial issue of point of view for special attention. Mansfield was one of the only writers to establish a first-rate world literary reputation on the production of short stories alone.

redbtn Close reading – The Voyage

If you wish to read the complete story in conjunction with these tutorial notes, it is available free at Project Gutenberg.

redbtn The Voyage (full text)


Joseph Conrad – An Outpost of Progress – II

Close reading tutorialsThis is the second of two close reading tutorials on Conrad’s early tale An Outpost of Progress. It looks at the details of Conrad’s style as a master of English prose (even though it was his third language). The tutorial looks at his ‘signature’ use of abstract language to intensify the moral seriousness, the satirical irony, and the emotional drama of his narratives.

redbtn Close reading – An Outpost of Progress

If you wish to read the complete story in conjunction with these tutorial notes, it is available free at Project Gutenberg.

redbtn An Outpost of Progress (full text)


Virginia Woolf – Monday or Tuesday

Close reading tutorialsVirginia Woolf used the short story as an experimental platform on which to test out her innovations in language and fictional narrative. This tutorial offers a detailed reading of the whole of the experimental story Monday or Tuesday. It shows how its mixture of lyrical images, speculative thoughts, and fragments of story-line add up to more than the sum of its parts.

redbtn Close reading – Monday or Tuesday

If you wish to read the complete story in conjunction with these tutorial notes, it is available free at Project Gutenberg.

redbtn Monday or Tuesday (full collection)


D.H.Lawrence – Fanny and Annie

Close reading tutorialsD.H.Lawrence was the first world-class writer to have emerged from the working class. His work was passionate, sensual, and controversial. This tutorial looks at the opening paragraphs of his short story Fanny and Annie published in 1922. It considers in particular his use of the rhetorical devices of repetition and alliteration to impart a poetic impressionism to his writing.

redbtn Close reading – Fanny and Annie.

If you wish to read the complete story in conjunction with these tutorial notes, it is available free at Project Gutenberg.

redbtn Fanny and Annie (full text)

© Roy Johnson 2014


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Collaboration

October 26, 2013 by Roy Johnson

tutorial, commentary, and study resources

Collaboration was first published in The English Illustrated Magazine for September 1892. It next appeared in the collection of Henry James tales The Private Life published in London by Osgood McIllvaine in 1893. The other stories included in this volume were The Wheel of Time, Lord Beaupre, The Visits, Owen Wingrave, and The Private Life.

Collaboration

Henri Fantin-Latour (1836-1904)


Collaboration – story synopsis

An un-named American artist living in Paris holds regular soirees for his friends, who are poets, musicians, and critics of various nationalities. There is rivalry and contention on nationalistic and aesthetic questions such as ‘the novel’ and ‘artistic temperament’.

The French poet Vendemer likes the music of the German composer Heidenmauer, who reciprocates by liking the Frenchman’s poems. Heidenmauer sets some of the poems to music, which impresses the author. As a result Heidenmauer then asks Vendemer to collaborate with him on an opera, an offer which he accepts. Vendemer believes that Art knows no patriotism or boundaries.

The narrator is reproached by ultra-patriotic Madame de Brindes for encouraging this collaboration. Having lost husband and relatives during the Franco-Prussian war of 1870—1871, she is inimical to all things German. Unless the collaboration is stopped, she will call off the engagement of her daughter Paula to Vendemer. She appeals to the narrator, asking him to persuade Vendemer to cancel the project – but his attempt fails.

Heidenmauer and Vendemer go to live together in Italy, short of money but fuelled by their creative enthusiasm. The engagement is called off as threatened, and yet Paula plays Heidenmauer’s compositions at the piano. The narrator sees this as the triumph of Art over prejudice.


Principal characters
I the un-named narrator, an American artist and bon viveur
Alfred Bonns an American journalist and critic
Herman Heidenmauer a Bavarian composer
Madam Marie de Brindes a ‘poor’ anti-German Frenchwoman
Paula de Brindes her daughter with no dowry
Felix Vendemer a French poet, Paula’s fiancé

Study resources

Collaboration The Complete Works of Henry James – Kindle edition – Amazon UK

Collaboration The Complete Works of Henry James – Kindle edition – Amazon US

Collaboration Complete Stories 1874—1884 – Library of America – Amazon UK

Collaboration Complete Stories 1874—1884 – Library of America – Amazon US

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

Collaboration


Collaboration – critical commentary

This tale is hardly more than a sketch or an anecdote. James clearly sides with the argument that ‘art knows no boundaries’. Although he was obviously sensitive to national temperaments and schools of art, about which he wrote a great deal – see French Novelists and Poets for example – James was a committed internationalist. He was after all born in the United States, educated largely in Europe, lived in England, France, and Italy for most of his adult life, and eventually took up British nationality as a symbol of solidarity during the First World War – at a time when America was maintaining its isolationist position of non-interference.

He also believed that the practice of the arts was a high and noble calling – though this story is unusual in having a musician as one of its principal characters. More usually, his artist figures are writers or painters. It is also relatively rare for him to create sympathetic characters in his work who are German.


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James Daisy MillerDaisy Miller (1879) is a key story from James’s early phase in which a spirited young American woman travels to Europe with her wealthy but commonplace mother. Daisy’s innocence and her audacity challenge social conventions, and she seems to be compromising her reputation by her independent behaviour. But when she later dies in Rome the reader is invited to see the outcome as a powerful sense of a great lost potential. This novella is a great study in understatement and symbolic power.
Daisy Miller Buy the book from Amazon UK
Daisy Miller Buy the book from Amazon US

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

© Roy Johnson 2014


Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

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