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James Joyce web links

December 9, 2010 by Roy Johnson

a selection of web-based archives and resources

This short selection of James Joyce web links offers quick connections to resources for further study. It’s not comprehensive, and if you have any ideas for additional resources, please use the ‘Comments’ box below to make suggestions.

James Joyce - portrait

James Joyce – web links

James Joyce web links James Joyce at Mantex
Biographical notes, study guides to the major works, book reviews, studies of the short stories, bibliographies, web links, study resources.

James Joyce web links James Joyce at Project Gutenberg
A limited collection of free eTexts in a variety of digital formats.

James Joyce web links James Joyce at Wikipedia
Full biography, social background, interpretation of the major works, religion, music, list of biographies, and external web links.

James Joyce on film James Joyce at the Internet Movie Database
Adaptations for the cinema and television – in various languages. Full details of directors and actors, plus box office, technical credits, and quizzes.

James Joyce exhibition James Joyce Centre in Dublin
Exhibition centre, walking tours, lectures, and newsletter. The latest addition is a graphic novel version of ‘Ulysses’.

James Joyce web links The James Joyce Scholars’ Collection
University of Wisconsin – digitised scans of Finnegans Wake and out-of-print studies on Joyce’s language, plus rare critical studies.

James Joyce web links An Annotated Ulysses
An online version of Ulysses with hyperlinks giving explanations of obscure and classical references in the text.

James Joyce web links Cornell’s James Joyce Collection
Cornell University – a collection of letters, manuscripts, and books documenting the life and work of James Joyce on exhibition in 2005. Particularly strong on Joyce’s early life.

James Joyce web links A Bibliography of Scholarship and Criticism
Slightly dated but still useful web-based compilation of criticism and commentary – covers Joyce himself, plus the stories and novels.


James Joyce and Samuel Beckett

Very funny short film featuring James Joyce playing pitch and put with Samuel Beckett


The Cambridge Companion to James JoyceThe Cambridge Companion to James Joyce contains eleven essays by an international team of leading Joyce scholars. The topics covered include his debt to Irish and European writers and traditions, his life in Paris, and the relation of his work to the ‘modern’ spirit of sceptical relativism. One essay describes Joyce’s developing achievement in his earlier works (Stephen Hero, Dubliners, and A Portrait of the Artist as a Young Man). Another tackles his best-known text, asking the basic question ‘What is Ulysses about, and how can it be read?’ The issue of ‘difficulty’ raised by Finnegans Wake is directly addressed, and the reader is taken through questions of theme, language, structure and meaning, as well as the book’s composition and the history of Wake criticism.
The Cambridge Companion to James Joyce Buy the book here

© Roy Johnson 2010


More on James Joyce
Twentieth century literature
More on study skills


Filed Under: James Joyce Tagged With: English literature, James Joyce, Literary studies, Modernism, The novel

Jane Austen biographical studies

September 30, 2009 by Roy Johnson

Jane Austen biographical studiesDavid Cecil, A Portrait of Jane Austen, London: Constable, 1978.

R.W. Chapman (ed) Jane Austen’s Letters to her Sister Cassandra and Others, (2nd edn) London 1952, repr. 1979.

R.W. Chapman, Jane Austen: Facts and Problems, Oxford 1948, repr. 1970.

Edward Copeland (ed), The Cambridge Companion to Jane Austen, Cambridge University Press, 1997.

John Halperin, The Life of Jane Austen, Baltimore and London, 1984.

Claire Harman, Jane’s Fame: How Jane Austen Conquered the World, Cannongate Books, 2010.

Park Honan, Jane Austen: her life, London: Weidenfeld and Nicolson, 1987.

Elizabeth Jenkins, Jane Austen: a Biography, London: Gollancz, 1949.

Marghanita Laski, Jane Austen, London: Thames and Hudson, 1975.

Deirdre le Fay, Jane Austen’s Letters, Oxford University Press, 1997.

Valerie Grosvenor Myer, Obstinate Heart: Jane Austen – A Biography, Michael O’Mara Books, 1997.

Catherine Reef, Jane Austen: A Life Revealed, Houghton Mifflin, 2011.

Jon Spence, Becoming Jane Austen, Hambledon Continuum, 2007.

George Holbert Tucker, A Goodly Heritage: A History of Jane Austen’s Family, Manchester, 1983.

Claire Tomalin, Jane Austen: A Life, Penguin, 2003.


Jane Austen - biography - book jacketJane Austen: a Life is a biography which traces Jane Austen’s progress through a difficult childhood, an unhappy love affair, her experiences as a poor relation and her decision to reject a marriage that would solve all her problems – except that of continuing as a writer. Both the woman and the novels are radically reassessed in this biography. Her life was superficially uneventful, but Claire Tomalin brings out the flesh and blood woman who lies behind the cool, ironic prose.

 

The Complete Critical Guide to Jane AustenThe Complete Critical Guide to Jane Austen is a good introduction to Austen criticism and commentary. It includes a potted biography, an outline of the novels, and pointers towards the main critical writings – from Walter Scott to critics of the present day. It also includes a thorough bibliography which covers biography, criticism in books and articles, plus pointers towards specialist journals. It also has an interesting chapter discussing Austen on the screen. These guides are very popular.

© Roy Johnson 2009


Jane Austen web links
Jane Austen greatest works
Jane Austen biographical studies
Jane Austen life and works
Jane Austen literary criticism


Filed Under: Jane Austen Tagged With: Biography, Jane Austen, Literary studies, The novel

Jane Austen greatest works

September 30, 2009 by Roy Johnson

Jane Austen greatest worksJane Austen is renowned for her wit, her lightness of touch, and the elegance of her prose style. There isn’t a great deal of drama in her novels: people fall in and out of love; some of her heroines test our patience; and in the end there is usually a marriage. But the manner in which she orchestrates these events, and her shrewd insights into human frailties have made her an enduringly popular writer. She was writing (almost in secret) at a time when the whole of Europe was in thrall to the novelist Walter Scott. If you read her work now, it’s as fresh as if it had been written last week. Read Walter Scott now, and you’re likely to be asleep within ten pages.

 

Jane Austen greatest worksPride and Prejudice (1813) has the famous opening line “It is a fact universally recognised that a man with a fortune must be in search a wife.” It’s a story of the empty-headed and garrulous Mrs Bennet, who has but one aim in life – to find a good match for each of her daughters. Her husband is a mild-mannered and indolent man, much given to making witty cynicisms about his wife’s weaknesses, and he refuses to take this vulgar prospect seriously. The pride of the title belongs to its hero Mr Darcy, and the prejudice to heroine Elizabeth Bennet, who has lessons to learn from life. This was Jane Austen’s first major success as a novelist – though not the first of her books to be written. It’s a perfect place to start – witty, sophisticated writing, and some well-observed character sketches. It seems as fresh today as ever, and it’s no wonder it has been the subject of so many television and film adaptations.
Jane Austen greatest works Buy the book at Amazon UK
Jane Austen greatest works Buy the book at Amazon US

 

Jane Austen greatest worksSense and Sensibility (1811) casts two sisters Elinor and Marianne Dashwood as representatives of ‘sense’ and ‘sensibility’ respectively. Elinor bears her social disappointments with dignity and restraint – and thereby gets her man. Marianne on the other hand is excitable and impetuous, following her lover to London – where she quickly becomes disillusioned with him. Recovering and gaining more ‘sense’, she then sees the good qualities in her old friend Colonel Brandon, who has been waiting in the wings and is now conveniently on hand to propose marriage. Almost all the novels feature a heroine growing in moral intelligence through doubts and adversities – and this is no exception.
Jane Austen greatest works Buy the book at Amazon UK
Jane Austen greatest works Buy the book at Amazon US

 

Jane Austen greatest worksNorthanger Abbey (1818) starts in the drawing rooms of Bath. The heroine is imaginative Catherine Morland who falls in love with Henry Tilney, a young clergyman. When he invites her to meet his family at the Abbey however, she sees nothing but Gothic melodrama at every turn – since they were very fashionable at the time. Her visions of medieval horror prove groundless of course. This is Jane Austen’s satirical critique of Romantic cliché and excess. But Catherine eventually learns to see the world in a realistic light – and gets her man in the end. This volume also contains the early short novels Lady Susan and The Watsons, as well as the unfinished Sanditon.
Jane Austen greatest works Buy the book at Amazon UK
Jane Austen greatest works Buy the book at Amazon US

The Oxford World Classics are the best editions of Jane Austen’s work. They are largely based on the most accurate versions of the texts; and they feature introductory essays, a biography, explanatory notes, textual variants, a bibliography of further reading, and in some cases missing or deleted chapters. They are also terrifically good value.

Jane  Austen greatest worksMansfield Park (1814) is more serious after the comedy of the earlier novels. Heroine Fanny Price is adopted into the family of her rich relatives. She is long-suffering and passive to a point which makes her almost unappealing – but her refusal to tolerate any drop in moral standards eventually teaches lessons to all concerned. (All that is except standout character Mrs Norris who is a sponging and interfering Aunt you will never forget.) The hero Edmund is dazzled by sexually attractive Mary Crawford – but in the nick of time sees the error of his ways and marries Fanny instead. This is a slow moving narrative, but it is full of moral subtleties.
Jane Austen greatest works Buy the book at Amazon UK
Jane Austen greatest works Buy the book at Amazon US

 

Jane Austen greatest worksEmma (1816) Charming and wilful Emma Woodhouse amuses herself by dabbling in other people’s affairs, planning their lives the way she sees fit. Most of her match-making plots go badly awry, and moral confusion reigns until she abandons her self-delusion and wakes up to the fact that stern but honourable Mr Knightly is the right man for her after all. As usual, money and social class underpin everything. Some wonderful comic scenes, and a rakish character Frank Churchill who finally reveals his flaws by making the journey to London just to get his hair cut.

Jane Austen greatest works Buy the book at Amazon UK
Jane Austen greatest works Buy the book at Amazon US

 

Jane Austen greatest worksPersuasion (1818) is the most mature of her novels, if one of the least exciting. Heroine Anne Elliott has been engaged to Captain Wentworth, but has broken off the engagement in deference to family and friends. Meeting him again eight years later, she goes against conventional wisdom and accepts his second proposal of marriage. Anne is a sensitive and thoughtful character, quite unlike some of the earlier heroines. Jane Austen wrote of her “She is almost too good for me”. There is a shift of location to Lyme Regis for this novel, which reveals for the first time a heroine acting from a deep sense of personal conviction, against the grain of conventional wisdom.
Jane Austen greatest works Buy the book at Amazon UK
Jane Austen greatest works Buy the book at Amazon US

 

The Complete Critical Guide to Jane AustenThe Complete Critical Guide to Jane Austen is a good introduction to Austen criticism and commentary. It includes a potted biography, an outline of the novels, and pointers towards the main critical writings – from Walter Scott to critics of the present day. It also includes a thorough bibliography which covers biography, criticism in books and articles, plus pointers towards specialist journals. It also has an interesting chapter discussing Austen on the screen. These guides are very popular.
Jane Austen greatest works Buy the book at Amazon UK
Jane Austen greatest works Buy the book at Amazon US

© Roy Johnson 2009


Jane Austen greatest works
Jane Austen biographical studies
Jane Austen life and works
Jane Austen literary criticism


Filed Under: Jane Austen Tagged With: English literature, Jane Austen, Literary studies, The novel

Jane Austen life and works

September 30, 2009 by Roy Johnson

Jane Austen life and works1775. Jane Austen born in Steventon rectory, Hampshire, the daughter of a local rector. She was the youngest of seven children. Two brothers go on to serve at sea. Two others enter the church.

1780+. Her father was a competent scholar who encourages her education in English literature, French, and Italian.

1790. Early writing and experiments with what she described as ‘nonsense, burlesque and satire’.

1795. Lady Susan – a short novel written in epistolary form. Elinor and Marianne exists as first draft of what was to become Sense and Sensibility.

1796. Begins to write First Impressions, which was completed as Pride and Prejudice the following year. Reads Fanny Burney (1752-1840) the creator of ‘the novel of home life’.

1798. Northanger Abbey a deliberate satire of the type of Gothic Romance (The Mysteries of Udolpho, The Monk) then in vogue. It was sold – but not published. This and all her subsequent work was published anonymously.

1801. Father retires to live with family in Bath.

1805. Death of father. The Watsons written about this time.

1807. Family settles to live in Southampton.

1809. Family moves to Chawton, Hampshire (owned by Jane Austen’s brother). She writes all her novels in a corner of one sitting-room surrounded by the entire family.

1811. Sense and Sensibility published. Title pages states ‘By a Lady’. Immediate success.

1813. Pride and Prejudice published and goes into second edition same year.

1814. Mansfield Park published.

1815. Emma published. First translations into French appear.

1817. Writes Sanditon. Dies at Winchester. Buried in the cathedral. Persuasion published posthumously.


The Complete Critical Guide to Jane AustenThe Complete Critical Guide to Jane Austen is a good introduction to Austen criticism and commentary. It includes a potted biography, an outline of the novels, and pointers towards the main critical writings – from Walter Scott to critics of the present day. It also includes a thorough bibliography which covers biography, criticism in books and articles, plus pointers towards specialist journals. It also has an interesting chapter discussing Austen on the screen. These guides are very popular.

© Roy Johnson 2009


Jane Austen web links
Jane Austen greatest works
Jane Austen biographical studies
Jane Austen life and works
Jane Austen literary criticism


Filed Under: Jane Austen Tagged With: Biography, Jane Austen, Literary studies, The novel

Jane Austen literary criticism

September 29, 2009 by Roy Johnson

Jane Austen literary criticism F.W. Bradbrook, Jane Austen and her Predecessors, Cambridge: Cambridge University Press, 1966.

Julia Prewitt Brown, Jane Austen’s Novels: Social Change and Literary Form, Cambridge (Mass), 1979.

Marilyn Butler, Jane Austen and the War of Ideas, Oxford: Oxford University Press, 1975, revised 1987.

W.A. Craick, Jane Austen: the Six Novels, London: Methuen, 1965.

D.D. Devlin, Jane Austen and Education, London, 1975.

Alistair M. Duckworth, The Improvement of the Estate: A Study of Jane Austen’s Novels, Baltimore (Md) and London, 1971.

Sandra M. Gilbert and Susan Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth-century Literary Imagination, New Haven and London, 1979.

John Halperin (ed), Jane Austen Bicentenary Essays, Cambridge: Cambridge University Press, 1975.

Barbara Hardy, A Reading of Jane Austen, London, 1975.

Joycelyn Harris, Jane Austen’s Art of Memory, Cambridge, 1989.

Claudia L. Johnson, Jane Austen: Women, Politics, and the Novel, Chicago and London, 1988.

Margaret Kirkham, Jane Austen: Feminism and Fiction, Brighton and Totawa (NJ) 1983.

Mary Lascelles, Jane Austen and her Art, Oxford: Oxford University Press, 1963.

A. Walton Litz, Jane Austen: a Study of her Artistic Development, Oxford: Oxford University Press, 1965.

Juliet McMaster (ed), Jane Austen’s Achievement, London: Macmillan, 1976.

David Monaghan, Jane Austen in a Social Context, Totawa (NJ) 1981.

Laura G. Mooneyham, Romance, Language, and Education in Jane Austen’s Novels, New York and Basingstoke, 1988.

Susan Morgan, In the Meantime: Character and Perception in Jane Austen’s Fiction, Chicago, 1980.

Norman Page, The Language of Jane Austen, London: Blackwell, 1972.

K.C. Phillips, Jane Austen’s English, London: Andre Deutsch, 1970.

F.B. Pinion, A Jane Austen Companion, London: Macmillan, 1976.

Warren Roberts, Jane Austen and the French Revolution, New York, 1979.

B.C. Southam, Jane Austen’s Literary Manuscripts: A Study of the Novelist’s Development through the Surviving Papers, London and New York, 1964.

B.C. Southam (ed), Critical Essays on Jane Austen, London: Routledge and Kegan Paul, 1969.

B.C. Southam (ed), Jane Austen: the Critical Heritage, 2 vols, London: Routledge and Keegan Paul, 1968-87.

Alison G. Sulloway, Jane Austen and the Province of Womanhood, Philadelphia, 1989.

Tony Tanner, Jane Austen, London: Macmillan, 1986.

Ian Watt (ed), Jane Austen: a Collection of Critical Essays, Englewood Cliffs (NJ): Prentice-Hall, 1963.


The Complete Critical Guide to Jane AustenThe Complete Critical Guide to Jane Austen is a good introduction to Austen criticism and commentary. It includes a potted biography, an outline of the novels, and pointers towards the main critical writings – from Walter Scott to critics of the present day. It also includes a thorough bibliography which covers biography, criticism in books and articles, plus pointers towards specialist journals. It also has an interesting chapter discussing Austen on the screen. These guides are very popular.

© Roy Johnson 2009


Jane Austen web links
Jane Austen greatest works
Jane Austen biographical studies
Jane Austen life and works
Jane Austen literary criticism


Filed Under: Jane Austen Tagged With: Critical studies, Jane Austen, Literary studies, The novel

Jane Austen web links

December 9, 2010 by Roy Johnson

a selection of web-based archives and resources

This short selection of Jane Austen web links offers quick connections to resources for further study. It’s not comprehensive, and if you have any ideas for additional resources, please use the ‘Comments’ box below to make suggestions.

Jane Austen - portrait

Jane Austen Jane Austen at Mantex
Biographical notes, book reviews, study guides, videos, and web links.

Jane Austen web links Jane Austen at Project Gutenberg
A major collection of free eTexts in a variety of formats.

Wikipedia Jane Austen at Wikipedia
Biographical notes, social background, further reading, and web links.

Film adaptations Jane Austen at the Internet Movie Database
Adaptations for the cinema and television – in various languages. Full details of directors, actors, production, box office, film reviews, trivia, and even quizzes.

Birthplace Jane Austen’s House Museum in Chawton
Resources and a virtual tour at the house where Jane Austen was born. Contains an online shop, educational materials, and links to YouTube videos of conferences and celebration events.

Bath The Jane Austen Centre in Bath
Web site of the exhibition centre, featuring bus tours in the city , a newsletter, online shop, and a Jane Austen quiz.

Pemberley The Republic of Pemberley
Large-scale site covering resources. free eTexts, and discussion groups engaged in ongoing debates about the novels and their characters, plus lists of names and places.

Complete works The Complete Works of Jane Austen
Kindle eBook single download for £0.74 at Amazon – contains all the novels, plus early works. The equivalent of 2,250 pages of text.

Austen Society The Jane Austen Society of the UK
Web site of the semi-academic society, featuring publications, meetings, and discussion groups – plus items on clothing and forthcoming events.

Concordance A Hyper-Concordance to Jane Austen
Japan-based research tool which allows you to locate any word or phrase in context – covers all the novels and the early works.

Resources Jane Austen in Japan
Home pages of Jane Austen web sites, eTexts of all the novels, discussion groups, and academic resources. The work of Victorian specialist Mitsuharu Matsuoka.

Manuscripts Jane Austen’s Fiction Manuscripts
Digitised facsimilies of works in her own handwriting – 1,100 pages – see the original manuscripts of the novels in Jane Austen’s own writing, complete with scholarly annotated print versions of the text.


Cambridge Companion The Cambridge Companion to Jane Austen This fully updated edition offers clear, accessible coverage of the intricacies of Austen’s works in their historical context, with biographical information and suggestions for further reading. Major scholars address Austen’s six novels, the letters and other works, in terms accessible to students and the many general readers, as well as to academics. With seven new essays, the Companion now covers topics that have become central to recent Austen studies, for example, gender, sociability, economics, and the increasing number of screen adaptations of the novels.

© Roy Johnson 2010


Filed Under: Jane Austen Tagged With: English literature, Jane Austen, Literary studies, The novel

Jersey Villas

August 21, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

Jersey Villas was first published in Cosmopolitan Magazine in July—August 1892. Its next appearance in book form was as part of the collection The Real Thing and Other Stories, published by Macmilla in New York and London the following year in 1893. When it appeared in book form it was given a different title – Sir Dominick Ferrand.

It is one of a number of tales which James wrote on the theme of private papers and letters, the practice of biography, and the rights of an individual to privacy, even after death. James created a bonfire of his own personal papers in the fear of what writers and critics might find out about his private life after his demise. Of course we now know that he had a lot more to hide than was hitherto thought.

Jersey Villas

A davenport desk


Jersey Villas – critical commentary

The story is composed of two dramatic elements. The first is Peter Baron’s discovery of the letters in his writing desk, and his dilemma regarding what to do with them – to publish them, sell them, or hand them over to his editor Mr Locket. The second element is his developing romantic relationship with Mrs Ryves, which is reinforced by his writing a successful libretto for her musical composition.

For the first-time reader there is a dramatic tension (or mystery) in how these two elements are going to be related. James seems to be hinting at some mystical or intuitive connection between Mrs Ryves and Baron’s dealings with the letters. She is agitated or distressed whenever he tries to make a decision about them. There is also something of a mystery about her claims to be leaving Jersey Villas, followed by her failure to do so.

Her connection with the letters and her indecision about staying or leaving the Villas is easily explained at a later stage. She is the illegitimate daughter of Sir Dominick Ferrand, and the revelation of his private mis-doings will (or might) adversely affect her. She senses that Baron has discovered something and visits him on a ‘sudden fancy’ to check. Then as soon as he has told her about breaking the seals, she leaves the Villas and goes to Dover, where she is ‘looking at the Calais boat’ whilst in discussion with him. In other words, she is planning her escape to ‘Europe’ (which was considered a different world in the nineteenth century).

All the hints and development within the plot suggest that her erratic behaviour is the result of her knowing that Baron has her father’s letters. This explains why she is so keen that he burn them, and once she is secure in the knowledge that he has done so, she can relax and form a relationship with him.

But this interpretation of the story, which is certainly invited by the events of the story, rests on two or three flaws, and it is distinctly possible that James is playing fast and loose with his famous ambiguity and evasiveness in this instance. To begin with, at no point does Mrs Ryves know who has written the letters. There is no writing on the outside of the letters, and they are in packets that are sealed. She even tells Baron that she doesn’t want to know who wrote them.

It might be argued that she recognises the letters, or even that the davenport Baron bought originally belonged to her father. But there is also nothing in the text to support either of these two explanations – and she she is not raised in her paternal home, so it is very unlikely that any form of ‘recognition’ takes place.


Jersey Villas – study resources

Jersey Villas The Complete Works of Henry James – Kindle edition – Amazon UK

Jersey Villas The Complete Works of Henry James – Kindle edition – Amazon US

Jersey Villas Complete Stories 1892—1898 – Library of America – Amazon UK

Jersey Villas Complete Stories 1892—1898 – Library of America – Amazon US

Jersey Villas Jersey Villas – eBook versions at Project Gutenberg

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

Jersey Villas


Jersey Villas – plot summary

Part I.   Aspiring writer Peter Baron has been summoned by Mr Locket, the editor of The Promiscuous Review, to make changes to a story he has submitted. That morning he has made the acquaintence of Mrs Ryves, a fellow lodger of Mrs Bundy at Jersey Villas, a suburban lodging house. After his meeting with the editor, he walks down the Kings Road, dreaming of refurbishing his humble rooms. On the strength of his submitted story, he buys a small second-hand davenport, which he hopes could inspire his literary creation.

Part II.   Baron befriends Mrs Ryves and her son, and he writes lyrics for the songs she composes as an amateur pianist, guiltily conscious that he ought to be correcting his story for the magazine. He discovers that the davenport has a false back, where he finds packets of old letters. When Mrs Ryves calls, claiming she has been worried about him, he decides to tell her about his discovery. She urges him to keep the letters, and claims that she felt an instinct to ‘save’ the papers. And yet she also suggests that he burn them.

Part III.   Ten days later Baron visits Mr Locket and tells him he has new materials on Sir Dominick Farrand, an eminent stateman. He insists that they are genuine and not forgeries. Locket does not think the public will be much interested in him now that he is dead. Baron insists that he was a complex person, and that the letters reveal some dubious political dealings, as he had received money from people to whom he had awarded contracts. They also reveal evidence of an extra-marital affair. Baron and Locket circle round each other inconclusively over what is to be done.

Part IV.   When Mrs Ryves goes to Dover, Baron asks Mrs Bundy for information about her, but gets very little information. So he goes to Dover, where he meets Mrs Ryves with her son Sydney and Miss Teagle, a governess to Sydney. He reproaches Mrs Ryves for disappearing as soon as he made his discovery known to her. She claims that the papers ‘haunt’ her. He cannot understand why she is bothered about them at all. He wants to ask her to marry him, but realises that he has nothing to offer her.

Part V.   Next day Mr Locket turns up and ‘borrows’ the letters, which makes Baron anxious about his motives. Mrs Ryves writes from Dover about their musical collaboration. Then Locket summons him and offers £100 for the letters. Baron is conflicted over his options: he is badly in debt and needs the money, but he can see Locket profiteering from his advantageous position as influential editor.

Part VI.   When Baron returns to Jersey Villas he finds Mrs Ryves who claims she is packing to leave, but doesn’t appear to be doing so. He takes her out to dinner and the theatre, and later tries to improve his chances with her, but she puts him off.

Part VII.   Mr Locket turns up again next morning with an offer increased to £300, whilst meanwhile Mrs Ryves is leaving the Villas. Baron tries to plea bargain with Locket for his fiction to be accepted as part of the deal. Locket at first refuses, then gives in. But on reflection, Baron feels that it would be wrong to make money out of exposing someone’s reputation to disgrace, and he burns the letters.

Mrs Ryves returns to say that a music publisher has accepted their joint composition and wants more of the same. They share the £50 fee and at Dover return to the question of their future. She reveals that she is a ‘poor girl’ with no money, family, or friends. She ultimately rveals that she is the illegitimate daughter of Sir Dominick Ferrand. After a probationary period, they marry, have success in music publishing, and Baron even manages to get some of his fiction published in magazines.


Jersey Villas – principal characters
Peter Baron an aspiring young writer
Mr Locket editor of The Promiscuous Review
Mrs Ryves a poor widow and pianist
Sydney her young son
Mrs Bundy landlady at Jersey Villas
Miss Teagle governess to Sydney

Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James Washington SquareWashington Square (1880) is a superb early short novel, It’s the tale of a young girl whose future happiness is being controlled by her strict authoritarian (but rather witty) father. She is rather reserved, but has a handsome young suitor. However, her father disapproves of him, seeing him as an opportunist and a fortune hunter. There is a battle of wills – all conducted within the confines of their elegant New York town house. Who wins out in the end? You will probably be surprised by the outcome. This is a masterpiece of social commentary, offering a sensitive picture of a young woman’s life.
Henry James Washington Square Buy the book from Amazon UK
Henry James Washington Square Buy the book from Amazon US

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US

© Roy Johnson 2013


Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

John Delavoy

March 27, 2012 by Roy Johnson

tutorial, commentary, study resources, and web links

John Delavoy was first published in Cosmopolis magazine for January—February in 1898. It is one of the many stories Henry James wrote towards the end of the century that are concerned with literary life, critical reputations, the relationship between authors and biography, and the actual profession of ‘letters’ in its commercial workings. (Others include The Aspern Papers (1888), The Coxon Fund (1894), The Death of the Lion (1894), The Figure in the Carpet (1896), and The Abasement of the Northmores (1900),

James was intensely concerned with his own literary reputation, which had taken a powerful knock when he was booed off stage when taking the author’s bow at the first night of his play Guy Domville in 1895. He took great care in revising his own work, and both rewrote his own novels and composed powerfully defensive prefaces to them when they were published in the twenty-four volume New York edition of his selected works in 1910. John Delavoy deals with the relationship between author and magazine editor, where financial and aesthetic objectives sometimes produced dramatic collisions.

Henry James portrait

Henry James – portrait by John Singer Sargeant


John Delavoy – critical commentary

The narrative

The story at its outset seems destined to be relayed via the account of yet another of Henry James’s unreliable narrators. It begins with not one but two false identifications in the theatre. The narrator’s companion mistakes Beston for Lord Yarrocombe, and then the narrator himself assumes Miss Delavoy to be Delavoy’s wife, when she is in fact his sister.

Moreover, the narrator is full of false confidence and self-importance. Speaking of his own article, he describes it as

a summary of the subject, deeply interesting and treated, as I thought, with extraordinary art, of the work to which I gave the highest place in my author’s array.

And yet in the end he does not turn out to be unreliable. His rival the editor Beston is revealed as vulgar and unprincipled. He wishes to profit from Delavoy’s reputation as a novelist, but will not allow any examination of what he is famous for – his work – on the grounds that ‘relations between the sexes’ has no place in his magazine The Cynosure. The narrator (and Miss Delavoy) are presented as those who truly value the novelist’s work

James’s inspiration for this story sprang out of a similar conflict he had endured after writing an article on Alexander Dumas. A publisher turned it down on the grounds that the content of Dumas’s work was not acceptable. James records his own reaction and the germs for his inspiration in his Notebooks:

Oh the whole thing does open up as a donnée! Their hope that one would have given a ‘personal’ account of a distinguished man, a mere brief, reserved, simply intelligible statement of the subject matter [of] whose work is too scandalous to print. They want to seem to deal with him because he is famous—and he is famous because he wrote certain things which they won’t for the world have intelligibly mentioned. So they desire the supreme though clap-trap tribute of an intimate picture, without even the courage of saying on what ground they desire any mention of him at all.

So James settled the historical score against short-sighted magazine editors, yet curiously enough he didn’t match the achievement of his far more sombre tales. There is no ironic distance between narrator and the narrative he delivers. We are forced to take what he says at face value, and are led into accepting the story as a mildly amusing spat between upholders of aesthetic value and managers of the literary marketplace.

A secondary theme

It’s interesting to note that the themes of authorship, biography, and reputation are also linked with a recurrent preoccupation of James’s at the time – the question of whether to marry or not. In stories such as The Beast in the Jungle, Owen Wingrave, and The Altar of the Dead the decision to avoid marriage is seen as leading to emotional bankruptcy and even death. These powerful tales are generally regarded as amongst the highest achievements of James as an author of short stories.

James Delavoy is altogether lighter in tone, and we are given every reason to believe that the conclusion of the narrative is to be taken as a positive outcome which has resulted in marriage. The narrator reports ‘we had achived the union that—at least for resistance or endurance—is supposed to be strength’ He and Miss Delavoy are united in their admiration for the novelist’s work, and have that as intellectual comfort in the face of Beston’s empty triumph on The Cynosure with his crass pursuit of readership and cheap publicity.

Yet comparison with stories offering more sombre variations on the same theme reveals their amazing strength, John Delavoy is not nearly so aesthetically satisfying as Owen Wingrave, or The Beast in the Jungle. The conclusion to the story is amazingly rushed – as if James had lost interest in his subject and was eager to get it out of the way.

In fact the pencil sketch over which they have expended so much emotional energy is first described by the narrator ‘as a flower in the coat of a bridegroom’. Defenders of James’s achievement in this story might well wish to quote this as a clever pre-echo of the outcome, or even a sub-conscious wish on the part of the narrator.

James never did marry, but he certainly gave the matter a lot of thought. In this story he gives artistic expression to a heterosexual relationship with a positive if conventional outcome. But as an artistic resolution it does not seem persuasive or satisfying – as if he couldn’t really quite believe in it himself.


John Delavoy – study resources

John Delavoy The Complete Works of Henry James – Kindle edition – Amazon UK

John Delavoy The Complete Works of Henry James – Kindle edition – Amazon US

John Delavoy Complete Stories 1892—1898 – Library of America – Amazon UK

John Delavoy Complete Stories 1892—1898 – Library of America – Amazon US

John Delavoy The Complete Tales (Vol 9) – Paperback edition – Amazon UK

John Delavoy Selected Tales – Penguin Classics edition – Amazon UK

John Delavoy John Delavoy – print on demand reissue – Amazon UK

John Delavoy John Delavoy – eBook formats at Project Gutenberg

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

John Delavoy


John Delavoy – plot summary

An un-named narrator has written a literary appreciation of John Delavoy, a novelist who has recently died. At the first night performance of an unsuccessful play he sees Miss Delavoy, the novelist’s sister who is in morning for her brother. She is accompanied by Mr Beston, the editor of The Cynosure a literary magazine.

When the narrator visits Beston he persuades him to accept an article on Delavoy to make the public aware of his greatness. Beston is reluctant, but agrees on condition that Miss Delavoy approves it first – which she does.

Publication is delayed however, and Miss Delavoy is upset on the narrator’s behalf. She has drawn a sketch of Delavoy, the only known portrait, which is offered to Beston as an inducement to adorn the article and speed up publication.

But when the essay is set in galley proofs, Beston rejects it as unacceptable on the grounds that it is ‘indecent’ because it deals with ‘relations between the sexes’. He wants Miss Delavoy to write instead a personal memoir of her brother which will include lightweight gossip for his readers.

Miss Delavoy and the narrator are both outraged at this suggestion. She asks the narrator to be present at a meeting with Beston where she insists that he print the article. She also threatens to withdraw permission to use the portrait.

But Beston puts the interests of his circulation figures above all else, refuses to give in, and obviously has no appreciation of John Delavoy at all. The narrator tries to recover the portrait from him, but fails.

The portrait appears in the magazine, accompanied by a couple of pages of lightweight comment, and proves to be a big success. The narrator publishes his original article elsewhere – to little effect – but by way of compensation it is strongly implied that he marries Miss Delavoy.


Principal characters
I the un-named narrator, a writer and literary critic
Windon an unsuccessful dramatist
John Delavoy an ‘immense novelist’ who has recently died
Miss Delavoy his sister
Mr Beston editor of The Cynosure, a literary magazine

Henry James's study

Henry James’s study


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US

Henry James Daisy MillerDaisy Miller (1879) is a key story from James’s early phase in which a spirited young American woman travels to Europe with her wealthy but commonplace mother. Daisy’s innocence and her audacity challenge social conventions, and she seems to be compromising her reputation by her independent behaviour. But when she later dies in Rome the reader is invited to see the outcome as a powerful sense of a great lost potential. This novella is a great study in understatement and symbolic power.
Daisy Miller Buy the book from Amazon UK
Daisy Miller Buy the book from Amazon US

&copy Roy Johnson 2012


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James web links Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, John Delavoy, Literary studies, The Short Story

John Lehmann biography

February 5, 2013 by Roy Johnson

poet, editor, publisher, biographer, memorist

John Lehmann (full name Rudolph John Frederick Lehmann) was born in Buckinghamshire in 1907 into a wealthy family. His father was Rudolph Chambers Lehmann, an English writer and Liberal Party politician. His elder sisters were the novelist Rosamond Lehmann and the actress Beatrix Lehmann.

John Lehmann biography

John Lehmann was educated at the prestigious public school Eaton, and went on to study modern languages at Trinity College Cambridge, where he began writing poetry and forming gay relationships. Whilst at university he became a close friend of Julian Bell (Vanessa Bell’s son) which provided him with an introduction to the Bloomsbury Group.

His first collection of poetry A Garden Revisited (1931) was published by Leonard Woolf at the Hogarth Press, with which he formed a close attachment. He brought his contacts with the new young generation of poets to the press. The result was the groundbreaking collection New Signatures (1932) which included work by William Empson, Julian Bell and Lehmann himself from Cambridge, plus W.H. Auden, Stephen Spender, and Cecil Day Lewis from Oxford.

He worked as an assistant-cum-manager at the Press (described in his amusing memoir Thrown to the Woolfs) until differences of opinion with Leonard over the policy of publishing young writers caused a temporary rift between them.

John Lehmann left Britain and worked as a journalist, travelled to the U.S.S.R. (as it was called at that time) and wrote poetry in Vienna from 1932 to 1936. He then returned to Britain to launch the journal New Writing. This published the work of his contemporaries Christopher Isherwood, W.H. Auden, V.S. Pritchett, and Stephen Spender.

The magazine featured new writing from Europe and beyond mixed with photographic essays and examples of modern art, and it also included recent poetry. Its editorial line explicitly supported internationalism (especially the republicans in the Spanish Civil War) and it was politically ‘committed’ to the left at a time when the English establishment was dithering in the face of fascism.

It lasted for fourteen years, first under the aegis of the Bodley Head, then Lawrence and Wishart, before eventually being taken on by Leonard Woolf at the Hogarth Press. A cheaper version was launched as Penguin New Writing in 1939.

In 1938 Lehmann returned to favour with the Hogarth Press and joined it again as a full working partner, buying out Virginia Woolf’s fifty percent share in the company. He was an editor and general manager at a time when in addition to works by Virginia Woolf such as Between the Acts, A Haunted House, and The Death of the Moth, he oversaw the publication of works by Henry Green, George Orwell, and Jean-Paul Sartre.

However, the partnership foundered again 1945. Lehmann wanted to introduce modern business practices, raising share capital, and employing publicists and agents. But Leonard had always run the press as a streamlined independent enterprise, with a minimum of overheads – a policy which had been enormously successful and had brought in considerable profits.

So Lehmann understandably left and in 1946 set up his own publishing company, John Lehmann Limited with his sister Rosamond. He published books by young poets Thom Gunn and Laurie Lee, as well as the celebrated cookery writer, Elizabeth David. He also edited the paperback series Penguin New Writing between 1946 and 1950. After the collapse of his own company in 1952 he took over at the London Magazine and edited until handing over to fellow poet and critic Alan Ross in 1961.

In the late 1960s and 1970s he was a frequent visitor on the American lecture circuit. He subsequently wrote biographies of Rupert Brooke, Edith Sitwell, and Virginia Woolf, as well as three volumes of autobiography. He also wrote about his gay relationships in the persona of a fictional character Jack Marlowe. The late confessional novel In the Purely Pagan Sense (1976) offers an account of his promiscuous life in Berlin, Vienna, and London.

© Roy Johnson 2013


The Bloomsbury GroupThe Bloomsbury Group is a short but charming book, published by the National Portrait Gallery. It explores the impact of Bloomsbury personalities on each other, plus how they shaped the development of British modernism in the early part of the twentieth century. But most of all it’s a delightful collection of portrait paintings and photographs, with biographical notes. It has an introductory essay which outlines the development of Bloomsbury, followed by a series of portraits and the biographical sketches of the major figures.

Ralph Partridge Buy the book at Amazon UK
Ralph Partridge Buy the book at Amazon US


More on biography
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Filed Under: Biography, Bloomsbury Group Tagged With: Bloomsbury Group, Cultural history, English literature, John Lehmann, Publishing

John Maynard Keynes

March 30, 2015 by Roy Johnson

economist, philosopher, politician, and statesman

John Maynard Keynes Is a one-volume condensation and updated version of Robert Skidelsky’s monumental three-volume biography of the economist, political philosopher, and statesman which was originally published between 1983 and 2000.

John Maynard KeynesMaynard Keynes was born and raised in Cambridge, the seat of intellectual and political power, even more so then than now. He was also educated at Eaton – and yet his social origins were quite modest. One grandfather John Brown was an apprentice printer from Lancashire who later graduated from Owens College (Manchester University) and went on to become a preacher. The other grandfather made his fortune from cultivating dahlias and roses. His father John Neville Keynes went to University College London and then to Cambridge where he briefly became a lecturer and where he met Keynes’ mother, who was a student at Newnham Hall. However, Neville (the family used their middle names) did not feel suited to the life of a don, and became instead an administrator in the examinations board.

Keynes was raised in a fairly prosperous middle-class household, where he was coached by his parents and learned German from a governess. As a youngster he was tall, clever, rather sickly, and very under-confident regarding his own appearance. He proved to be particularly good at mathematics and algebra, but even so he was often taken out of various schools and educated at home. Nevertheless he succeeded in winning a scholarship to Eton in a competitive examination.

At Eaton he was at the top of an intellectual elite which existed in the heart of a social elite, and he thrived in the cultural ambiance, winning countless prizes. Yet remarkably, despite a mastery in classics and mathematics and his sensitivity to subjects such as medieval poetry, his favourite sport was the almost imbecilic Eton Wall game. Nevertheless, by the age of nineteen he went out in a blaze of glory to take up a scholarship he had won at King’s College Cambridge.

King’s is a ‘sister institution’ of Eton going back to its foundation in 1441 by Henry VI. Keynes threw himself into its many debating societies and clubs, and was almost immediately invited to join the semi-secret group of ‘Apostles’ (membership was for life) where he met Lytton Strachey, Leonard Woolf, Saxon Sydney-Turner, and E.M. Forster – through whom he was introduced to Thoby Steven and Clive Bell. This placed him centrally as a member of the Bloomsbury Group, which was later formed out of these friendships.

Like many others of his generation he came under the influence of G.E. Moore, whose Principia Ethica (1903) gave a theoretical rationale to their philosophy of ‘friendship. art, and the pursuit of happiness’. It also served as a moral justification for the practice of homosexuality which was common amongst public schoolboys and undergraduates at that time, despite the then recent conviction of Oscar Wilde which still cast its shadow over them.

As a postgraduate however, he abandoned the very subject for which he later became famous (Economics) in favour of preparation for the Civil Service examinations. On successfully completing these, he became a junior clerk in the India Office (hours 11.00 to 5.00 pm) a job with which he rapidly became bored. When he was offered a lecturing job back at Cambridge, he took it.

Lytton StracheyAt this point Keynes’s personal life became quite complex, with cross-connections that have since made the Bloomsbury Group famous. He was a friend and ex-lover of Lytton Strachey, who had fallen in love with his own cousin Duncan Grant. However, Grant was involved in an affair with fellow Apostle, Arthur Hobhouse, a former love-object of Keynes. When that affair came to an end Keynes and Grant became lovers – much to Strachey’s chagrin. None of George Moore’s abstract theorising about ‘the good’ and ‘the beloved person’ offered them any protection against the emotional ravages of jealousy, possessiveness, and sexual rivalry.The amazing thing is that they all remained friends.

Back in his spiritual (and actual) home Cambridge, Keynes devoted himself to lecturing on money, applying his talent for mathematics to the very inexact pseudo-science of economics. He also pursued journalism, meanwhile working on a major thesis on probability theory, supporting the Liberal cause and resolutely defending free trade. Whilst all this high-minded ethical philosophising and fiscal theorising was going on, Keynes was meanwhile cruising London parks and public baths, picking up rent boys, and recording his sexual encounters in his private diaries.

When the Bloomsberries began to meet in Fitzroy Square, this introduced the novelty of female company, where newly liberated women (such as the Stephen sisters, Virginia Woolf and Vanessa Bell) were free to mix safely with their brothers’ friends – since they were largely non-threatening homosexuals. Keynes gave group members advice on investments, and in some case even took over their financial affairs, as well as gambling on the stock exchange himself.

Duncan GrantHowever, this mixing with Bloomsbury also brought him personal distress. Duncan Grant started an affair with Adrian Stephen, which left Keynes having to console himself with a succession of Cambridge dons, though the two men continued to write to each other as friends. Keynes moved into Virginia Woolf’s menage in Brunswick Square, produced his study Indian Currency and Finance at high speed, and attended the Ballets Russes where he admired Nijinsky’s legs.

Suddenly this Edwardian bliss was shattered by two events – the advent of war in 1914, and an associated banking crisis. Keynes did not participate in the conflict, but he was drafted into the Treasury where his recommendations were accepted by Lloyd George and a banking collapse was averted. As a result, he rapidly became a secretary and adviser to the cabinet. At a personal level, he finally ‘lost’ Duncan Grant, who went to live with his lover David Garnett and Vanessa Bell in a ménage à trois.

When the war got worse, Keynes refused to be called up for service, and when summoned by the conscription tribunal sent them a letter saying he was too busy to attend. But he was put under pressure by his friends (particularly Lytton Strachey and Bertrand Russell) to resign from his work which they described as ‘finding ways to kill Germans more cheaply’.

However, Keynes rationalised his position to himself, and during the war he became the focal point of the Bloomsbury Group’s London base in the role of landlord at Gordon Square. He worked at the Treasury during the week and at weekends sojourned either with Ottiline Morrell at Garsington or with Vanessa Bell at Charleston.

Professionally he operated at a high level in Britain’s financial and political exchanges with its allies in the war effort – which founded the basis of his later success as a diplomatic ‘persuader’. The cultural high point of his mixing with the great and good came when he persuaded the prime minister to let him buy paintings from the collection of Degas for the National Gallery. His loyal Bloomsbury friends despaired of this social climbing, but then suddenly the end of the war changed everything.

Keynes played an important part in the Paris peace conference in 1919 and the economic base of the German war reparations – though his suggestions for a just solution were rejected. But out of this experience came his best-selling study The Economic Consequences of the Peace, a publication that made him internationally famous. He argued that the harsh reparations would leave Germany unable to pay – which proved to be the case, and resulted in the catastrophic devaluation of the Deutschmark in the early 1920s.

In the years that followed he divided his time between academic work in Cambridge and financial-political work in London. He also made a lot of money from investments and journalism, and spent it buying paintings by European modernists. He formed a syndicate to speculate on foreign currency exchanges, and even when it collapsed into bankruptcy, he immediately formed another – and made yet more money. Meanwhile his secretary Naomi Bentwick had fallen desperately in love with him. Despite their professional proximity, she seems not to have noticed that he was having an affair with his fellow Apostle, Sebastian Sprott.

Leonard WoolfIn the early 1920s Keynes was actively involved in solving the lingering problem of post-war reparations, something in which he participated as an economist, a government advisor, and (secretly) as an unofficial diplomatist. At the same time he formed a group to take over the liberal journal Nation and Athenaeum of which he made Leonard Woolf the editor. Then, in the midst of all this, he surprised everyone by falling in love with the Russian ballerina Lydia Lopokova, who stayed in England when Diaghilev de-camped to Monte Carlo.

The problem for Lydia was that she ran foul of Bloomsbury Group snobbishness, and was shunned by them as a feather-brained outsider. Fortunately, she was warmly welcomed by Keynes’s parents as a prospective daughter-in-law. After she received a decree nisi (from her bigamous husband Rodolpho Barocchi) she and Keynes got married in 1925, and were visited on their honeymoon by Ludwig Wittgenstein, who had to borrow the money for his train fare, having given away the millions of his inherited fortune.

Inspired by the public interest in ‘new economies’, Keynes visited the Soviet Union more than once, where he saw through the intellectual sham of Stalinism. Around this time he got to befriend fellow travellers Sydney and Beatrice Webb who swallowed whole the bogus statistics they were fed in Russia to produce Societ Communism: A New Civilization?, a book which famously shed its question mark between editions. Later he became friendly with the Fabians (and puritans) George Bernard Shaw and H.G.Wells.

For all his fame as a guru of economic trends, the Wall Street crash of 1929 took Keynes by surprise, and he lost heavily on his own investments. Nevertheless, he was invited to play a key role in the Economic Advisory Committee and thereby developed an insider knowledge of banking and exchange rates. The committee also involved him in a great deal of energy-sapping infighting amongst his fellow economists. But as the slump of the 1930s went on, his views became less popular. Keynes thought that Britain should spend its way out of the depression, a view which many observers thought was counter-intuitive.

Despite all Keynes theorising, he changed his mind on a number of economic fundamentals. He believed in a classical free trade policy, but embraced protectionism when it suited his purposes. He both supported the gold standard – and then opposed it. He was prepared to change his mind (and theories) to suit the facts – indeed he believed that economics was a form of ‘intuition’, which looks suspiciously like ‘make it up as you go along’.

In the early 1930s he lost a lot of personal friends – such as fellow Apostles Lytton Strachey and Roger Fry, and he also lost influence in the public sphere. He used the quiet period to complete his major opus The General Theory of Employment, Interest and Money. At a time when Cambridge was enthusiastically embracing Marxism, he dismissed it as a ‘hocus-pocus’ system of economics, and meanwhile his own investments recovered to increase their value by twenty-six times. A great deal of this money he spent on collecting valuable books, and on his pet project, a Cambridge Arts Theatre for King’s College.

In the late 1930s he had a period of ill health, and was admitted to a sanitarium in Wales for several weeks. And just as his health declined, so did his investments in London and on Wall Street, losing two thirds of their value, largely because he believed that ‘good’ investors should remain faithful to their original commitments, even during bad times.

When the war started Keynes was not given any official role, but he nevertheless devoted himself to the national economy and developed his thoughts in what was eventually to be published as the influential How to Pay for the War. He advanced a system of compulsory savings, which proved very unpopular. However, he fought hard to defend his ideas and was eventually re-admitted to the Treasury – though in the very ambiguous role of unpaid, part-time adviser to the Chancellor of the Exchequer.

Keynes’s next major task was to negotiate with Washington over Britain’s repayments to the USA under Roosevelt’s ‘lend-lease’ scheme. He embarked on this against a backdrop of American mistrust and even hostility towards the British. Unfortunately his first efforts were regarded as arrogant and presumptuous, confirming the American view of Britain as an arch-Imperialist power. His protracted negotiations were largely unsuccessful.

Even though he was never a member of Churchill’s wartime government, he dined regularly with the prime minister at his club (the Other Club), and Keynes was made a life peer in 1942. Throughout the war he acted as a bridge between the Treasury and the various committees created by the war cabinet.

Even whilst the war was still under way Keynes had started to think about the problem of how it would be financed when it eventually came to an end. First he came up with the idea of an International Clearing Bank (ICB) a notion he borrowed from the Germans. But meanwhile the Americans were devising a rival notion of their own – spearheaded by Harry White, an anti-British communist sympathiser. The two sides compared notes. Whilst all this was going on, Keynes was appointed to the board of the Bank of England, invited to chair a committee for the promotion of the arts (to become the Arts Council) and was supporting William Beverage in his revolutionary proposals for social security.

Keynes was deeply involved in lengthy negotiations with the Americans, but even when they reached a compromise agreement he had the problem of persuading the British government to accept the outcome. Against a backdrop of the Normandy landings in June 1944 Keynes and White presided over an international assembly of economists and diplomats at Bretton Woods in New Hampshire. Between them they hammered out and established the workings of what was to become the International Monetary Fund (IMF).

As the war with Germany drew towards its end Keynes was busy with plans for surviving the post-conflict period of austerity which would inevitably be necessary. This boiled down to seeking a long term low interest loan from the USA to pay for Britain’s war debts. Taken on as adviser to the new Labour government of 1945, Keynes was despatched yet again to the USA to negotiate. The meetings were long-winded, tedious, and unproductive, with Keynes’s health deteriorating rapidly throughout. The result (because of London’s intransigence) was a failure. The delegation was forced to accept a loan on America’s terms.

The following year Keynes travelled to Savannah for the inauguration of his brain-child, the IMF. As ever there were differences between the UK and the US on how things should be run, but Keynes had done his great work in creating the institution. He celebrated just in time, because he became ill on his return shortly afterwards, but had the satisfaction of dying in his own beloved home at Tilton in Sussex.

This is a masterful biography which has been widely praised – with very good reason. It rests on a profound degree of scholarship and is the result of something like twenty-five years’ research. The bibliography and critical apparatus at the end of the book alone comprises almost two hundred pages. Only a professional historian or economist will need the full three volumes from which it is drawn.

Letters to Monica Buy the book at Amazon UK

Letters to Monica Buy the book at Amazon US

© Roy Johnson 2015


Robert Skidelsky, John Maynard Keynes: 1883-1946: Economist, Philosopher, Statesman, London: Penguin, 2013, pp.1056, ISBN: 0143036157


Bloomsbury Group – web links

Bloomsbury Group - web links Hogarth Press first editions
Annotated gallery of original first edition book jacket covers from the Hogarth Press, featuring designs by Vanessa Bell, Roger Fry, and others.

Bloomsbury Group - web links The Omega Workshops
A brief history of Roger Fry’s experimental Omega Workshops, which had a lasting influence on interior design in post First World War Britain.

Bloomsbury Group - web links The Bloomsbury Group and War
An essay on the largely pacifist and internationalist stance taken by Bloomsbury Group members towards the First World War.

Bloomsbury Group web links Tate Gallery Archive Journeys: Bloomsbury
Mini web site featuring photos, paintings, a timeline, sub-sections on the Omega Workshops, Roger Fry, and Duncan Grant, and biographical notes.

Bloomsbury Group - web links Bloomsbury: Books, Art and Design
Exhibition of paintings, designs, and ceramics at Toronto University featuring Hogarth Press, Vanessa Bell, Dora Carrington, Quentin Bell, and Stephen Tomlin.

Bloomsbury Group - web links Blogging Woolf
A rich enthusiast site featuring news of events, exhibitions, new book reviews, relevant links, study resources, and anything related to Bloomsbury and Virginia Woolf

Bloomsbury Group - web links Hyper-Concordance to Virginia Woolf
Search the texts of all Woolf’s major works, and track down phrases, quotes, and even individual words in their original context.

Bloomsbury Group - web links A Mrs Dalloway Walk in London
An annotated description of Clarissa Dalloway’s walk from Westminster to Regent’s Park, with historical updates and a bibliography.

Bloomsbury Group - web links Women’s History Walk in Bloomsbury
Annotated tour of literary and political homes in Bloomsbury, including Gordon Square, University College, Bedford Square, Doughty Street, and Tavistock Square.

Bloomsbury Group - web links Virginia Woolf Society of Great Britain
News of events, regular bulletins, study materials, publications, and related links. Largely the work of Virginia Woolf specialist Stuart N. Clarke.

Bloomsbury Group - web links BBC Audio Essay – A Eulogy to Words
A charming sound recording of a BBC radio talk broadcast in 1937 – accompanied by a slideshow of photographs of Virginia Woolf.

Bloomsbury Group - web links A Family Photograph Albumn
Leslie Stephens’ collection of family photographs which became known as the Mausoleum Book, collected at Smith College – Massachusetts.

Bloomsbury Group - web links Bloomsbury at Duke University
A collection of book jacket covers, Fry’s Twelve Woodcuts, Strachey’s ‘Elizabeth and Essex’.


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More on the Bloomsbury Group
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Filed Under: Biography, Bloomsbury Group Tagged With: Biography, Bloomsbury Group, Cultural history

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