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Franz Kafka web links

December 8, 2010 by Roy Johnson

a selection of web-based archives and resources

This short selection of Franz Kafka web links offers quick connections to resources for further study. It’s not comprehensive, and if you have any ideas for additional resources, please use the ‘Comments’ box below to make suggestions.

Franz Kafka - portrait

Kafka Franz Kafka at Mantex
Biographical notes, book reviews and study guides on the major works, video presentations and documentaries, adaptations for cinema and television, and links to Kafka archives.

Franz Kafka web links Franz Kafka at Project Gutenberg
A major collection of free eTexts in a variety of formats – in both English and German.

Franz Kafka web links Franz Kafka at Wikipedia
Biographical notes, social background, survey of the stories and novels, publishing history, translations, critical interpretation, and extensive bibliographies.

Franz Kafka web links Franz Kafka at the Internet Movie Database
Adaptations for the cinema and television – in various languages. Full details of directors, actors, production features, box office, film reviews, and even quizzes.

Franz Kafka video Kafka in Love
Video photomontage featuring portraits of Kafka, his friends and family, and locations in Prague – with a rather schmaltzy soundtrack in Yiddish and English.

Franz Kafka web links Kafka-Metamorphosis
A public Wiki dedicated to Kafka and his work, featuring the short stories, interpretations, and further web links.

Franz Kafka web links Kafka Society of America
Academic group with annual meetings and publications. Also features links to other Kafka-related sites

Franz Kafka web links Oxford Kafka Research Centre
Academic group based at Oxford University that tracks current research and meetings. [Doesn’t seem to have been updated since 2012.]

Franz Kafka web links The Kafka Project
Critical editions and translations of Kafka’s work in several languages, plus articles, literary criticism, bibliographies.

Franz Kafka Tribute to Franz Kafka
Individual fan site (created by ‘Herzogbr’) featuring a collection of texts, reviews, and enthusiast essays. Badly in need of updating, but contains some interesting gems.

Kafka photos Finding Kafka in Prague
Quirky compilation of photos locating Kafka in his home town – with surrealist additions and weird sound track.

Red button Who Owns Kafka?
Essay by Judith Butler from the London Review of Books on the contentious issues of ownership of Kafka’s manuscripts where they are currently held in Israel – complete with podcast.

Red button The Kafka Archive – latest news
Guardian newspaper report on the suitcase full of Kafka and Max Brod’s papers released by Israeli library.

Red button Franz Kafka: an illustrated life
Book review of a charming short biography with some unusual period photos of Kafka and Prague.


The Cambridge Companion to Kafka
This collection of essays offers a comprehensive account of Kafka’s life and work, providing a rounded contemporary appraisal of Central Europe’s most distinctive Modernist. Contributions cover all the key texts, and discuss Kafka’s writing in a variety of critical contexts such as feminism, deconstruction, psycho-analysis, Marxism, and Jewish studies. Other chapters discuss his impact on popular culture and film. The essays are well supported by supplementary material including a chronology of the period and detailed guides to further reading, and will be of interest to students of Comparative Literature.

© Roy Johnson 2010


More on Franz Kafka
More on the novella
More on literary studies
More on short stories


Filed Under: Franz Kafka Tagged With: Franz Kafka, Literary studies, Modernism, The novel, The Short Story

Freya of the Seven Isles

August 30, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

Freya of the Seven Isles was written in late 1910–early 1911. It was first published in Metropolitan Magazine in early 1912 and in London Magazine for July 1912. It was then collected in ’Twixt Land and Sea, published by J.M.Dent & Sons in 1912. The other tales in the collection were A Smile of Fortune and The Secret Sharer.

Freya of the Seven Isles

Paul Gaugin 1848-1903


Freya of the Seven Isles – critical commentary

Narrative

Conrad is rightly celebrated as a writer who creates highly wrought narratives with complex time schemes, which are often constructed to produce amazing feats of ironic and tragic drama. The complexity is often created by having both an inner and an outer narrator as sources of information about events and characters, or by having the information assembled in an order which does not follow the actual chronology of events. This can sometimes make extra intellectual demands on the reader – but at their best they carry with them compensating artistic effects of a high order. It is no accident that Conrad (along with his contemporary and friend Henry James) is seen as one of the precursors of the Modernist movement.

However, it has to be said that these complexities of narrative technique are not always kept under control: see comments on Nostromo (1904) and Under Western Eyes (1911) for instance. Conrad sometimes seems to forget who is telling the story, and first person narratives often drift to become an account of events in third person omniscient mode.

In the case of Freya of the Seven Isles there is a breakdown in the logic of the narrative which results in people giving an account of events they have not witnessed or cannot know about. The sequence or chain of knowledge is as follows:

  1. The outer narrator receives a letter written to him by someone in the Mesman office in Macassar. The letter mentions Nielsen, which prompts the narrator’s reminiscence.
  2. His reminiscence becomes the principal narrative, and the narrator is a participant in events. He is acquainted with Nielsen and Freya.
  3. The tale gradually turns into a narrative in third person omniscient mode. That is, it includes the thoughts and feelings of the characters in the tale.
  4. When the outer narrator tows Jasper Allen out to sea in Part II, he draws attention to the fact that it is the last time he ever sees Jasper, Nielsen, Freya, and Heemskirk together.
  5. This point is reinforced in Part III, when the narrator points out that it is the last time he ever sees Jasper. Yet he knows what Jasper’s secret plans are, later in the tale.
  6. At the end of Part III the narrator goes back to London, yet from Part IV onwards, the third person omniscient narrative continues. There are scenes, thoughts, fears, and feelings which cannot have been transmitted to the narrator – for a number of reasons:
    • there is nobody else in the scene to relay the information
    • the subject is missing ((Jasper, Heemskirk)
    • the subject is dead (Freya)
  7. Late in the tale, Conrad seems to remember that information about events was prompted by the letter. The narrator observes ‘All this story, read in my friend’s very chatty letter.’ But the information in the letter could only be related to events as seen in Macassar. His friend could not possibly know about Freya’s thoughts and fears when being secretly spied upon by Heemskirk. (for instance).
  8. Nielsen visits the narrator in London to reveal the news of Freya’s death – but he too cannot know about the thoughts and feelings of characters in scenes in which he was not present.

What you make of these weaknesses will depend upon your levels of tolerance, but it is worth pointing to them if only because Conrad seems to go out of his way to make his narrative logic and credibility more complex than it needs to be. All of these events could have been conveyed in traditional third person omniscient narrative mode


Freya of the Seven Isles – study resources

Freya of the Seven Isles Freya of the Seven Isles – CreateSpace editions – Amazon UK

Freya of the Seven Isles Freya of the Seven Isles – CreateSpace editions – Amazon US

Freya of the Seven Isles Complete Works of Joseph Conrad – Kindle eBook

Freya of the Seven Isles Freya of the Seven Isles – eBook versions at Project Gutenberg

Freya of the Seven Isles Joseph Conrad: A Biography – Amazon UK

Red button The Cambridge Companion to Joseph Conrad – Amazon UK

Red button Routledge Guide to Joseph Conrad – Amazon UK

Red button Oxford Reader’s Companion to Conrad – Amazon UK

Freya of the Seven Isles Notes on Life and Letters – Amazon UK

Freya of the Seven Isles Joseph Conrad – biographical notes

Freya of the Seven Isles


Freya of the Seven Isles – plot summary

Part I.   The un-named narrator gives an account of Nielsen, a Dane who is an experienced seaman in the Eastern Malayan Archipelago. He is frightened of both the Dutch and the Spanish authorities, and has settled on a remote island. Following the death of his wife, their beautiful daughter Freya goes to live with him on the island.

She is courted by Jasper Allen, the owner of Bonito, a fast and elegant brig, who feels that the narrator might be a rival for Freya. Nielsen is more worried about the authorities than Jasper’s courtship of his daughter. Jasper puts lots of effort into maintaining the brig, regarding it as a potential home for Freya, who he hopes to marry.

Part II.   Nielsen’s hospitality is abused by Heemskirk, the commander of a gunboat, who is also interested in Freya. The narrator counsels Freya to keep Jasper as quiet as possible. She wishes to become mistress of the elegant brig Bonito.

Part III.   A few weeks later the narrator meets Jasper in Singapore. Jasper and Freya are planning to elope, but she wants him to delay until she is twenty-one, which leaves them eleven months left to wait. Jasper has taken on a dubious mate Schultz, who is given to drink and stealing.

The narrator visits Nielsen shortly before Freya’s birthday, immediately following visits from Jasper and Heemskirk, who has been particularly obnoxious. The visit also seems to have upset Freya. The narrator leaves on the eve of the planned elopement, then has to return to England. He writes to both Jasper and Freya but hears nothing in return.

Part IV.   The narrative goes back to Heemskirk’s visit. He annoys Nielsen and provokes his sense of insecurity, especially regarding Freya. He sneaks up, trying to spy on Freya and Jasper. Freya feels she must try to protect both Jasper and her father. Jasper wants to take her away there and then; but she advises caution and waiting. They all have dinner together, then Jasper leaves for his ship accompanied by Nielsen. In their absence a drunken Heemskirk menaces and molests Freya, who ends up smacking his face very hard. When Nielsen returns he naively thinks that Heemskirk has toothache. Neilsen urges Freya not to upset a man who has political influence in the region. In the morning Heemskirk spies on Freya who is watching Jasper’s brig departing – then he slinks off.

Part V.   Heemskirk makes some unspecified political arrangements with the ‘authorities’, then steams out in his gunboat to intercept Jasper in the Bonito. He accuses him of illegal trading, and takes over the brig, towing it towards Macassar. But he deliberately wrecks the brig on a reef at high tide.

Part VI.   The Bonita’s stock of arms has disappeared – which arouses suspicions of illegal arms trading by Jasper. It emerges that the arms were stolen and sold by Schultz, but when he makes his confession to the authorities they refuse to believe him. He ends up cutting his own throat. The brig meanwhile is looted whilst it is stranded on the reef.

Time passes, and the outer narrator is in London when he is visited by Nielsen, who fills in the rest of the tale.

After getting news of the wreck of the Bonito, Freya becomes ill, then tells her father everything about the elopement plan. Nielsen goes to see Jasper, who is in terminal despair. Nielsen sells up and takes Freya to live in Hong Kong. She reproaches herself for not being more courageous and dies of pneumonia.


Joseph Conrad – video biography


Freya of the Seven Isles – main characters
I the un-named narrator
Nielsen a Danish widower
Freya his attractive daughter
Jasper Allen English owner of the fast brig Bonito
Heemskirk Dutch commander of the gunboat Neptun
Schultz a drunken and kleptomaniac mate

Freya of the Seven Isles

First edition – J.M.Dent & Sons 1912


The Cambridge Companion to Joseph ConradThe Cambridge Companion to Joseph Conrad offers a series of essays by leading Conrad scholars aimed at both students and the general reader. There’s a chronology and overview of Conrad’s life, then chapters that explore significant issues in his major writings, and deal in depth with individual works. These are followed by discussions of the special nature of Conrad’s narrative techniques, his complex relationships with late-Victorian imperialism and with literary Modernism, and his influence on other writers and artists. Each essay provides guidance to further reading, and a concluding chapter surveys the body of Conrad criticism.
Joseph Conrad Buy the book at Amazon UK
Joseph Conrad Buy the book at Amazon US


Joseph Conrad - writing table

Joseph Conrad’s writing table


Further reading

Red button Amar Acheraiou Joseph Conrad and the Reader, London: Macmillan, 2009.

Red button Jacques Berthoud, Joseph Conrad: The Major Phase, Cambridge: Cambridge University Press, 1978.

Red button Muriel Bradbrook, Joseph Conrad: Poland’s English Genius, Cambridge: Cambridge University Press, 1941

Red button Harold Bloom (ed), Joseph Conrad (Bloom’s Modern Critical Views, New York: Chelsea House Publishers, 2010

Red button Hillel M. Daleski , Joseph Conrad: The Way of Dispossession, London: Faber, 1977

Red button Daphna Erdinast-Vulcan, Joseph Conrad and the Modern Temper, Oxford: Oxford University Press, 1991.

Red button Aaron Fogel, Coercion to Speak: Conrad’s Poetics of Dialogue, Cambridge, Mass: Harvard University Press, 1985

Red button John Dozier Gordon, Joseph Conrad: The Making of a Novelist, Cambridge, Mass: Harvard University Press, 1940

Red button Albert J. Guerard, Conrad the Novelist, Cambridge, Mass: Harvard University Press, 1958

Red button Robert Hampson, Joseph Conrad: Betrayal and Identity, Basingstoke: Macmillan, 1992

Red button Jeremy Hawthorn, Joseph Conrad: Language and Fictional Self-Consciousness, London: Edward Arnold, 1979

Red button Jeremy Hawthorn, Joseph Conrad: Narrative Technique and Ideological Commitment, London: Edward Arnold, 1990

Red button Jeremy Hawthorn, Sexuality and the Erotic in the Fiction of Joseph Conrad, London: Continuum, 2007.

Red button Owen Knowles, The Oxford Reader’s Companion to Conrad, Oxford: Oxford University Press, 1990

Red button Jakob Lothe, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008

Red button Gustav Morf, The Polish Shades and Ghosts of Joseph Conrad, New York: Astra, 1976

Red button Ross Murfin, Conrad Revisited: Essays for the Eighties, Tuscaloosa, Ala: University of Alabama Press, 1985

Red button Jeffery Myers, Joseph Conrad: A Biography, Cooper Square Publishers, 2001.

Red button Zdzislaw Najder, Joseph Conrad: A Life, Camden House, 2007.

Red button George A. Panichas, Joseph Conrad: His Moral Vision, Mercer University Press, 2005.

Red button John G. Peters, The Cambridge Introduction to Joseph Conrad, Cambridge: Cambridge University Press, 2006.

Red button James Phelan, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008.

Red button Edward Said, Joseph Conrad and the Fiction of Autobiography, Cambridge Mass: Harvard University Press, 1966

Red button Allan H. Simmons, Joseph Conrad: (Critical Issues), London: Macmillan, 2006.

Red button J.H. Stape, The Cambridge Companion to Joseph Conrad, Cambridge: Cambridge University Press, 1996

Red button John Stape, The Several Lives of Joseph Conrad, Arrow Books, 2008.

Red button Peter Villiers, Joseph Conrad: Master Mariner, Seafarer Books, 2006.

Red button Ian Watt, Conrad in the Nineteenth Century, London: Chatto and Windus, 1980

Red button Cedric Watts, Joseph Conrad: (Writers and their Work), London: Northcote House, 1994.


Other writing by Joseph Conrad

Joseph Conrad Lord JimLord Jim (1900) is the earliest of Conrad’s big and serious novels, and it explores one of his favourite subjects – cowardice and moral redemption. Jim is a ship’s captain who in youthful ignorance commits the worst offence – abandoning his ship. He spends the remainder of his adult life in shameful obscurity in the South Seas, trying to re-build his confidence and his character. What makes the novel fascinating is not only the tragic but redemptive outcome, but the manner in which it is told. The narrator Marlowe recounts the events in a time scheme which shifts between past and present in an amazingly complex manner. This is one of the features which makes Conrad (born in the nineteenth century) considered one of the fathers of twentieth century modernism.
Joseph Conrad Buy the book from Amazon UK
Joseph Conrad Buy the book from Amazon US

Joseph Conrad Heart of DarknessHeart of Darkness (1902) is a tightly controlled novella which has assumed classic status as an account of the process of Imperialism. It documents the search for a mysterious Kurtz, who has ‘gone too far’ in his exploitation of Africans in the ivory trade. The reader is plunged deeper and deeper into the ‘horrors’ of what happened when Europeans invaded the continent. This might well go down in literary history as Conrad’s finest and most insightful achievement, and it is based on his own experiences as a sea captain. This volume also contains ‘An Outpost of Progress’ – the magnificent study in shabby cowardice which prefigures ‘Heart of Darkness’.
Joseph Conrad Buy the book from Amazon UK
Joseph Conrad Buy the book from Amazon US

© Roy Johnson 2013


Joseph Conrad web links

Joseph Conrad at Mantex
Biography, tutorials, book reviews, study guides, videos, web links.

Joseph Conrad – his greatest novels and novellas
Brief notes introducing his major works in recommended editions.

Joseph Conrad at Project Gutenberg
A major collection of free eTexts in a variety of formats.

Joseph Conrad at Wikipedia
Biography, major works, literary career, style, politics, and further reading.

Joseph Conrad at the Internet Movie Database
Adaptations for the cinema and television – in various languages. Full details of directors and actors, production notes, box office, trivia, and quizzes.

Works by Joseph Conrad
Large online database of free HTML texts, digital scans, and eText versions of novels, stories, and occasional writings.

The Joseph Conrad Society (UK)
Conradian journal, reviews. and scholarly resources.

The Joseph Conrad Society of America
American-based – recent publications, journal, awards, conferences.

Hyper-Concordance of Conrad’s works
Locate a word or phrase – in the context of the novel or story.


More on Joseph Conrad
Twentieth century literature
Joseph Conrad complete tales


Filed Under: Conrad - Tales Tagged With: English literature, Joseph Conrad, Literary studies, The Short Story

Gabrielle de Bergerac

June 26, 2013 by Roy Johnson

tutorial,  commentary, study resources, plot, and web links

Gabrielle de Bergerac first appeared in The Atlantic Monthly over three issues, between July and September 1869. Its next appearance in book form was when published by Boni and Liveright in New York, 1919.

Gabrielle de Bergerac

Bergerac – the old town


Gabrielle de Bergerac – critical commentary

This is a story from the early part of James’s oeuvre as a writer of stories – or ‘tales’ as he preferred to call them. It is serious, well orchestrated, and deals with some serious political issues as part of its narrative. But it is a story clearly not composed from any elements of personal experience, so much as reading and the world of the active imagination. It has a distinctly Balzacian flavour beneath the rather more romantic story of a vulnerable young woman under siege from an unwanted suitor

It is also, rather unusually for James, set roughly a century prior to its composition, and contains many elements of political and social history. The most striking element of course is the materialist and almost Marxist interpretation of the ruined chateau at Fossy given by Coquelin. He is aware of its former splendour, but realises the social cost at which it has been built and maintained – on the labours of people of the lower classes to which he belongs.

It is his passionate articulation of these beliefs that wins over Gabrielle to admire him so much – even though on the occasion of their visit she presents a different, more romantic interpretation. But she has the honesty to later reveal that she didn’t really believe the case she was making.

And if the story has certain romantic elements – the poor but brave hero; the scheming villain; the vulnerable motherless heroine; the dramatic confrontation in Coquelin’s room – it certainly doesn’t have a romantic outcome. The hero and heroine do eventually marry, but they lose their children in straightened social circumstances in Paris, and are then both executed as Girondistes as part of the revolution.


Study resources

Gabrielle de Bergerac The Complete Works of Henry James – Kindle edition – Amazon UK

Gabrielle de Bergerac The Complete Works of Henry James – Kindle edition – Amazon US

Gabrielle de Bergerac Complete Stories 1864—1874 – Library of America – Amazon UK

Gabrielle de Bergerac Complete Stories 1864—1874 – Library of America – Amazon US

Gabrielle de Bergerac Gabrielle de Bergerac – read the text of the story on line

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

Gabrielle de Bergerac


Gabrielle de Bergerac – plot summary

Part I.   The outer narrator receives a painting in lieu of a debt from Baron de Bergerac. It is a portrait of his aunt, who was executed during the French revolution. The Baron recounts his family history, mainly from the point of view of his childhood – which forms the remainder of the narrative.

When he is a child (‘the Chevalier’) the Baron’s father appoints Pierre Coquelin as his tutor. Coquelin is a poor would-be writer who has fought in the French colonies in America and been wounded. He is a follower of Rousseau, and teaches the boy Greek and Roman classics.

The father also has a scheme to marry a somewhat dissolute family friend Viscount Gaston de Treuil to his sister Gabrielle, because neither of them have any money, and it will save the expense of her becoming a spinster, financially dependent on the family. Gabrielle has lived a very sheltered life, but she is attracted to Coquelin who is younger and more romantic than the Viscount.

She is told that the Viscount is waiting to inherit money from an elderly relative before he proposes marriage to her, but he does propose before leaving to curry favour with the relative. The offer of marriage is expressed in a patronising manner, full of self-aggrandisement. Her response is noncommittal. He promises to return in three months with more money. Afterwards they visit Coquelin in his cottage where he shows them some sketches, including a portrait of Gabrielle. She agrees to ‘wait’ for three months before deciding on the Viscount’s offer.

Part II.   The summer period is a countryside idyll for the boy and his tutorOne day they come across Gabrielle and her friend in the house of a dying peasant. The boy realises that Coquelin is in love with his aunt. The tree of them visit a ruined chateau in the region. Coquelin takes a materialist and class-conscious view of its history, whereas Gabrielle argues for a romantic view of its past glories. Then Coquelin climbs to the highest point of the building (at great personal risk) and has difficulty getting down again.

Part III.   Back home, the boy imitates his tutor’s daring, and ends up falling in a river. He becomes ill, and whilst recovering overhears his aunt Gabrielle and Coquelin talk about their love for each other. The relationship is made problematic by their differences in social class. It becomes apparent that she has been deeply moved by his class critique of the ruined chateau, and didn’t really believe in her own argument. Coquelin knows that she is supposed to be ‘waiting’ for the Viscount’s return – though she says she will never marry him. In fact she feels that she cannot marry anyone – so Coquelin decides to leave.

The Viscount arrives, having inherited from his now-deceased relative. But Gabrielle refuses his offer – much to her brother’s anger. The Baron and the Viscount get the story of what has happened out of the young boy, who immediately tells his aunt. They go to the cottage where Coquelin is preparing to leave. The Baron and the Viscount arrive, and there is a violent show down, during which the Viscount attacks Gabrielle with his sword. She immediately reverses her decision of renunciation and announces that she will leave with Coquelin.

The aftermath of the story is that Gabrielle and Coquelin were married, had children (who died) and lived off his painting and writing in Paris. But during the revolution, they were both executed as Girondists


Principal characters
I the un-named outer narrator,
Baron de Bergerac an aristocratic French estate owner
I the narrator, his son (the Chevalier)
Pierre Coquelin the boy’s poor but educated tutor
Viscount Gaston de Treuil pompous friend of the family
Gabrielle de Bergerac the Baron’s unmarried sister

Gabrielle de Bergerac - Henry James portrait

Henry James – portrait by John Singer Sargeant


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James Washington SquareWashington Square (1880) is a superb early short novel, It’s the tale of a young girl whose future happiness is being controlled by her strict authoritarian (but rather witty) father. She is rather reserved, but has a handsome young suitor. However, her father disapproves of him, seeing him as an opportunist and a fortune hunter. There is a battle of wills – all conducted within the confines of their elegant New York town house. Who wins out in the end? You will probably be surprised by the outcome. This is a masterpiece of social commentary, offering a sensitive picture of a young woman’s life.
Henry James Washington Square Buy the book from Amazon UK
Henry James Washington Square Buy the book from Amazon US

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US

© Roy Johnson 2013


Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

Gaspar Ruiz

September 14, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

Gaspar Ruiz was written shortly after Nostromo in 1904–5. It was published in The Strand Magazine in 1906, and collected in A Set of Six, published in 1908 (UK) and 1915 (US). The other stories in this collection of Joseph Conrad’s work were The Informer, The Brute, The Duel, Il Conde, and An Anarchist. This story was the only piece of Conrad’s fiction ever adapted by the author for cinema, as Gaspar the Strong Man, 1920.

Gaspar Ruiz


Gaspar Ruiz – critical commentary

In the ‘Author’s Note’ which acts as an introductory essay to A Set of Six in which this tale appears, Conrad observes that he wrote the story within a month of finishing Nostromo, and claims that ‘apart from the locality … the novel and the story have nothing in common, neither mood, nor intention and, certainly, not the style’. This statement just serves to illustrate the observation made by D.H.Lawrence that we should ‘trust the tale, not the teller’.

Gaspar Ruiz is so similar to Nostromo that it could almost be unused section from the novel. Quite apart from the Latin-American setting, it has more of the characteristics of a novel than a story – or even a tale.

There are simply too many large scale events which obtrude and disrupt such a short piece of fiction. There is a firing squad execution; a miraculous survival; an earthquake; a switching of political allegiance; a changing geographic location; an undramatised rise from poverty to large scale political success; an almost ludicrous man-cannon merger; a death and a suicide. This is all too much for even the most elastic of literary forms – the tale – to bear.

Conrad also seeks to justify the content of his tale with the most threadbare appeals to verisimilitude in his introduction. He claims that the character of Gaspar Ruiz comes from a documentary source:

The curious who may be mistrusting my imagination are referred to that printed document, Vol. II, I forget the page, but it is somewhere not far from the end.

And the final semi-ludicrous episode of Ruiz having the cannon strapped to his back is justified on even thinner grounds:

the gun episode did really happen, or at least I am bound to believe it because I remember it, described in an extremely matter-of-fact tone, in some book I read in my boyhood; and I am not going to discard the beliefs of my boyhood for anybody on earth.

These remarks might in fact be tongue-in-cheek – Conrad throwing sops out to the reading public that ‘these things really did happen, and I have proof’. But as contemporary readers we are fully justified in disatending completely to these claims – be they true or not. The fact is that these disparate dramatic incidents do not add up to a coherent whole or a satisfactory narrative composition.

It is not the a-chronological arrangement of their elements which is in question. Most of the information comes to the reader from Santierra’s account, though as is common in Conrad’s work, there are frequent drifts into third-person omniscient narrative mode.

In fact the narrative begins in third person omniscient narrative mode; then it shifts into first person narrative mode as Santierra takes over the story. Later when Gaspar Ruiz is escaping from under a pile of dead bodies, Conrad is forced back into third person mode in order to give an account of his feelings and wishes.

A novel such as Nostromo is a large scale account of complex characters and events – a novel of the type that Henry James described as ‘loose baggy monsters’. That is, it can incorporate all sorts of digressions, over-dramatic episodes, and non-essential characters without losing credibility. The same cannot be said for Gaspar Ruiz.


Gaspar Ruiz – study resources

The Informer A Set of Six – CreateSpace editions – Amazon UK

The Informer A Set of Six – CreateSpace editions – Amazon US

The Informer The Complete Works of Joseph Conrad – Kindle eBook

The Informer A Set of Six – eBook versions at Project Gutenberg

The Informer Joseph Conrad: A Biography – Amazon UK

Red button The Cambridge Companion to Joseph Conrad – Amazon UK

Red button Routledge Guide to Joseph Conrad – Amazon UK

Red button Oxford Reader’s Companion to Conrad – Amazon UK

The Informer Notes on Life and Letters – Amazon UK

The Informer Joseph Conrad – biographical notes

Gaspar Ruiz


Gaspar Ruiz – plot summary

Part I.   Gaspar Ruiz joined the republican forces during a revolutionary war in an un-named South American country. He was captured by the Royalist forces and forced to bear arms. Having been recaptured by the republicans, he is about to be shot as a deserter and a traitor.

Part II.   The detainees are locked in a cellar before being executed later in the day. When they need water, buckets cannot be passed through the window bars. Lieutenant Santierra, sends for the door key, but the officer in charge is having his siesta.

Part III.   The story flashes forwards fifty years as Santierra, now a General, recalls his youthful chagrin. He has organised a delay in the executions, but now seems to have made matters worse. Gaspar Ruiz persuades him to release his tied hands.

Part IV.   The soldiers think Gaspar Ruiz is trying to escape: Santierra has to deflect an attempt to shoot him. But Gaspar Ruiz bends the window bars and distributes water to the prisoners. Later the same day he goes meekly to be executed, along with the other prisoners.

Part V.   Bullets hit Gaspar Ruiz, but they do not kill him.He remains motionless beneath a pile of bodies. A soldier slashes his neck with a sword, but this does not kill him either. He escapes at night and hides in a nearby house.

Part VI.   Santierra then recounts (many years later) the story of the old Royalist and his daughter Donna Ermina in whose house Gaspar Ruiz sought refuge. The old man is Spanish and has lost everything in the revolution, and has become deranged. They hide Gaspar Ruiz in a shed.

Part VII.   Gaspar Ruiz recovers slowly, but he realises that he cannot go anywhere without the fear of recapture and almost certain execution.

Part VIII.   Santierra patrols this same area and passes the house each night. He talks to the girl, who tells him that Gaspar Ruiz wants safe passage and seeks an audience with a senior commander to explain his case. Santierra and his colleague Robles head an attempt to arrest Ruiz that night, but when they get to the house there is an earthquake. Ruiz saves the lives of Robles and Santierra, then rescues Donna Ermina from the wreckage and escapes.

Part IX.   Santierra and his troops are guarding the destroyed town against looters. When Santierra moves to Santiago, Gaspar Ruiz turns up there again, and conducts a successful raid against the Royalists as proof of his adherence to the revolutionary cause. Its leader, San Martin, makes him a captain as a reward. He is appointed to protect the southern border whilst the army takes the revolutionary war into Peru.

Part X.   Gaspar Ruiz establishes his own army, goes from strength to strength, and under the influence of Donna Ermina reverts to the Royalist cause, calling himself Colonel of the King of Spain The revolutionaries return from success in Peru, but they fail to capture him.

Part XI.   Ruiz sends his wife and child over the mountains to safety, but they are betrayed and arrested. Santierra is captured by Ruiz’s men, but he is spared because Ruiz recognises him. He uses him as a negotiator to attempt a recovery of Donna Ermina and his child from a fortress where they are being held. All attempts to attack the fortress fail, and when a cannon is requisitioned it arrives without any firing platform. Gaspar Ruiz has the cannon fastened to his own back so it can be fired at the fortress – a strategy which kills him.

Part XII.   Santierra is given the task of escorting Donna Ermina and her child. As a well-known Royalist, Donna Ermina is very fearful of what will happen to her. She gives the child to Santierra, then throws herself off a cliff. Santierra later adopts the child as his own daughter, and makes her his heiress.


Joseph Conrad – video biography


Gaspar Ruiz – principal characters
Lieutenant Santierra officer in army of liberation – becomes a general
Gaspar Ruiz a simple and very strong peasant
Dona Erminia daughter of a royalist
General Robles revolutionary commander

Joseph Conrad’s writing

Joseph Conrad - manuscript page

Manuscript page from Heart of Darkness


The Cambridge Companion to Joseph ConradThe Cambridge Companion to Joseph Conrad offers a series of essays by leading Conrad scholars aimed at both students and the general reader. There’s a chronology and overview of Conrad’s life, then chapters that explore significant issues in his major writings, and deal in depth with individual works. These are followed by discussions of the special nature of Conrad’s narrative techniques, his complex relationships with late-Victorian imperialism and with literary Modernism, and his influence on other writers and artists. Each essay provides guidance to further reading, and a concluding chapter surveys the body of Conrad criticism.
Joseph Conrad Buy the book at Amazon UK
Joseph Conrad Buy the book at Amazon US


Joseph Conrad - writing table

Joseph Conrad’s writing table


Further reading

Red button Amar Acheraiou Joseph Conrad and the Reader, London: Macmillan, 2009.

Red button Jacques Berthoud, Joseph Conrad: The Major Phase, Cambridge: Cambridge University Press, 1978.

Red button Muriel Bradbrook, Joseph Conrad: Poland’s English Genius, Cambridge: Cambridge University Press, 1941

Red button Harold Bloom (ed), Joseph Conrad (Bloom’s Modern Critical Views, New Yoprk: Chelsea House Publishers, 2010

Red button Hillel M. Daleski , Joseph Conrad: The Way of Dispossession, London: Faber, 1977

Red button Daphna Erdinast-Vulcan, Joseph Conrad and the Modern Temper, Oxford: Oxford University Press, 1991.

Red button Aaron Fogel, Coercion to Speak: Conrad’s Poetics of Dialogue, Cambridge, Mass: Harvard University Press, 1985

Red button John Dozier Gordon, Joseph Conrad: The Making of a Novelist, Cambridge, Mass: Harvard University Press, 1940

Red button Albert J. Guerard, Conrad the Novelist, Cambridge, Mass: Harvard University Press, 1958

Red button Robert Hampson, Joseph Conrad: Betrayal and Identity, Basingstoke: Macmillan, 1992

Red button Jeremy Hawthorn, Joseph Conrad: Language and Fictional Self-Consciousness, London: Edward Arnold, 1979

Red button Jeremy Hawthorn, Joseph Conrad: Narrative Technique and Ideological Commitment, London: Edward Arnold, 1990

Red button Jeremy Hawthorn, Sexuality and the Erotic in the Fiction of Joseph Conrad, London: Continuum, 2007.

Red button Owen Knowles, The Oxford Reader’s Companion to Conrad, Oxford: Oxford University Press, 1990

Red button Jakob Lothe, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008

Red button Gustav Morf, The Polish Shades and Ghosts of Joseph Conrad, New York: Astra, 1976

Red button Ross Murfin, Conrad Revisited: Essays for the Eighties, Tuscaloosa, Ala: University of Alabama Press, 1985

Red button Jeffery Myers, Joseph Conrad: A Biography, Cooper Square Publishers, 2001.

Red button Zdzislaw Najder, Joseph Conrad: A Life, Camden House, 2007.

Red button George A. Panichas, Joseph Conrad: His Moral Vision, Mercer University Press, 2005.

Red button John G. Peters, The Cambridge Introduction to Joseph Conrad, Cambridge: Cambridge University Press, 2006.

Red button James Phelan, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008.

Red button Edward Said, Joseph Conrad and the Fiction of Autobiography, Cambridge Mass: Harvard University Press, 1966

Red button Allan H. Simmons, Joseph Conrad: (Critical Issues), London: Macmillan, 2006.

Red button J.H. Stape, The Cambridge Companion to Joseph Conrad, Cambridge: Cambridge University Press, 1996

Red button John Stape, The Several Lives of Joseph Conrad, Arrow Books, 2008.

Red button Peter Villiers, Joseph Conrad: Master Mariner, Seafarer Books, 2006.

Red button Ian Watt, Conrad in the Nineteenth Century, London: Chatto and Windus, 1980

Red button Cedric Watts, Joseph Conrad: (Writers and their Work), London: Northcote House, 1994.


Other writing by Joseph Conrad

Joseph Conrad Lord JimLord Jim (1900) is the earliest of Conrad’s big and serious novels, and it explores one of his favourite subjects – cowardice and moral redemption. Jim is a ship’s captain who in youthful ignorance commits the worst offence – abandoning his ship. He spends the remainder of his adult life in shameful obscurity in the South Seas, trying to re-build his confidence and his character. What makes the novel fascinating is not only the tragic but redemptive outcome, but the manner in which it is told. The narrator Marlowe recounts the events in a time scheme which shifts between past and present in an amazingly complex manner. This is one of the features which makes Conrad (born in the nineteenth century) considered one of the fathers of twentieth century modernism.
Joseph Conrad Buy the book from Amazon UK
Joseph Conrad Buy the book from Amazon US

Joseph Conrad Heart of DarknessHeart of Darkness (1902) is a tightly controlled novella which has assumed classic status as an account of the process of Imperialism. It documents the search for a mysterious Kurtz, who has ‘gone too far’ in his exploitation of Africans in the ivory trade. The reader is plunged deeper and deeper into the ‘horrors’ of what happened when Europeans invaded the continent. This might well go down in literary history as Conrad’s finest and most insightful achievement, and it is based on his own experiences as a sea captain. This volume also contains ‘An Outpost of Progress’ – the magnificent study in shabby cowardice which prefigures ‘Heart of Darkness’.
Joseph Conrad Buy the book from Amazon UK
Joseph Conrad Buy the book from Amazon US

© Roy Johnson 2013


Joseph Conrad web links

Joseph Conrad at Mantex
Biography, tutorials, book reviews, study guides, videos, web links.

Joseph Conrad – his greatest novels and novellas
Brief notes introducing his major works in recommended editions.

Joseph Conrad at Project Gutenberg
A major collection of free eTexts in a variety of formats.

Joseph Conrad at Wikipedia
Biography, major works, literary career, style, politics, and further reading.

Joseph Conrad at the Internet Movie Database
Adaptations for the cinema and television – in various languages. Full details of directors and actors, production notes, box office, trivia, and quizzes.

Works by Joseph Conrad
Large online database of free HTML texts, digital scans, and eText versions of novels, stories, and occasional writings.

The Joseph Conrad Society (UK)
Conradian journal, reviews. and scholarly resources.

The Joseph Conrad Society of America
American-based – recent publications, journal, awards, conferences.

Hyper-Concordance of Conrad’s works
Locate a word or phrase – in the context of the novel or story.


More on Joseph Conrad
Twentieth century literature
Joseph Conrad complete tales


Filed Under: Conrad - Tales Tagged With: English literature, Joseph Conrad, Literary studies, The Short Story

Georgina’s Reasons

May 28, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

Georgina’s Reasons first appeared in serial form in the New York newspaper The Sun for July—August 1884. This was a serious newspaper which ranked alongside the more famous broadsheets The New York Times and the New York Herald Tribune. The story was then reprinted in book form amongst Stories Revived published in England and America in 1885.

Georgina's Reasons


Georgina’s Reasons – critical commentary

There only seem to be three points to be made about this tale. The first is obvious and explicit; the second less so; and the third only emerges in the light of reading James’s other stories with a similar theme.

The first is that whatever Georgina’s reasons are, she keeps them to herself. Obviously she is wilful and defiant towards her parents. She disobeys them and thwarts their ambitions. But she gains nothing from marrying Raymond in secret then going back to live at home. She has not gained any independence.

Obviously she deceives Raymond, mistreats him, and behaves even more outrageously towards her own child. Then – although we are not shown how she does it – she claws her way into higher society via a bigamous marriage to Mr Roy.

In other words she is a completely unscrupulous status seeker with no moral framework other than rampant self-interest and a total disregard for the feelings of others. She is like the precursor of an ambitious bitch from some television soap opera.

In contrast (the second point) Raymond Benyon appears to be the model of high-principled moral integrity. He agrees to keep their marriage secret, despite having no earthly motive for doing so. And he sticks to this absurd agreement even when attractive alternatives are on offer.

But is he so honourable? He realises that because he is technically married, he ought not to become entangled with unmarried women, but he does so nevertheless. So far, so understandable. But then he cannot bring himself to explain to Kate Theory why he is so reluctant to develop their relationship – and at the end of the tale he makes quite a cruel suggestion that they ‘wait’ before marrying – at the same time as applying for another commission at sea.

His excuse to himself is that the ‘wait’ is only until the death of his wife, to whom he is still legally married. But she is only thirty years old at the time. He is prevaricating wimpishly at the expense of Kate’s feelings for him.

If these two observations are put together, they form the basis for the third point of argument – that this story is yet another of the many James wrote which offer a cautionary tale against emotional entanglements with women, and the perilous consequences of being married. Read alongside other tales such as Benvolio, , and The Path of Duty there is every reason to believe that James was giving expression (whether consciously or unconsciously) to the dilemma he faced in his own relations with women, marriage, and sexuality. He would not resolve this dilemma until quite late in his own life.


Geotgina’s Reasons – study resources

Georgina's Reasons The Complete Works of Henry James – Kindle edition – Amazon UK

Georgina's Reasons The Complete Works of Henry James – Kindle edition – Amazon US

Georgina's Reasons Complete Stories 1884—1891 – Library of America – Amazon UK

Georgina's Reasons Complete Stories 1884—1891 – Library of America – Amazon US

Georgina's Reasons Georgina’s Reasons – paperback edition – Amazon UK

Georgina's Reasons Georgina’s Reasons – paperback edition [$5.84] Amazon US

Georgina's Reasons Georgina’s Reasons – Kindle edition

Georgina's Reasons Georgina’s Reasons – eBook formats at Gutenberg

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

Georgina's Reasons


Georgina’s Reasons – plot summary

Part I.   Georgina Gressie causes distress to her successful family when she announces that she wishes to marry Raymond Benyon, a humble lieutenant in the navy. She acts in a contradictory manner with Raymond, and argues that they should see less of each other, but marry as quickly as possible. She argues for marrying in secret and continuing to live with her parents.

Part II.   Georgina announces to Mrs Portico that she has been married for a year, and wishes to go to Europe. She has pretended to her family that her relationship with Raymond Benyon is over. He is away at sea, and she is pregnant. She has sworn Raymond to permanent secrecy regarding their marriage. Mrs Portico suggests that she should tell her parents, but Georgina refuses indignantly.

Part III.   However, Mrs Portico consents to the trip and they go to Genoa, where Georgina gives birth to a son, who she immediately gives away to an Italian surrogate mother. Mrs Portico feels guilty about conspiring in this sort of conduct, and thinks of adopting the child herself. She is increasingly critical of Georgina, and secretly writes to Raymond to tell him about his son, offering to bring him up herself. However, shortly afterwards she dies of malarial fever. Georgina returns to New York.

Part IV.   Ten years later Kate Theory is looking after her consumptive sister Mildred in Naples. They have been visited by Captain Benyon, who Kate thinks has a ‘lost love’ in his past. His commodore has left him in charge of the Louisiana whilst away. They have met via the US consul, and Raymond is attracted to them, despite his self-imposed rule of staying away from unmarried women.

Mildred reveals privately to Raymond their fear that they will not like their brother’s wife Agnes, who is due to visit. Raymond also worries that Mildred seems to be pushing her sister Kate at him, because he is falling for her despite himself. He leaves abruptly, and when Kate returns she is devastated.

Part V.   Ten days later Raymond has admitted to himself that he is in love with Kate, but feels he must renounce their relationship because technically he is still married. Agnes Theory has turned out to be an empty-headed bore. Raymond half declares himself to Kate, and then is shown a portrait of Georgina, who has married a rich New York businessman. He thinks back in great anger about the manner in which Georgina has deceived him, particularly with regard to their child, for whom he has searched, fruitlessly. He now feels that Georgina has put herself within his power.

Part VI.   Back in New York, Raymond visits Georgina and finds her beautiful and completely unrepentant. He wants a divorce, but she refuses. Instead she introduces him to her husband Mr Roy. Raymond could reveal her bigamous status, but doesn’t. She sends him off with the suggestion that he should marry again without getting a divorce. He feels constrained by the promise he originally made to her, and cannot find a way out of this dilemma. Finally, he decides to renounce Kate. He tells her they must wait to get married and asks the navy for a new commission.


Principal characters
Catherine Conduit the narrator, third cousin to Eunice
Eunice a rich orphan of twenty-one
Mr Caliph Eunice’s trustee, an old family friend
Adrian Frank Mr Caliph’s step-brother
Mrs Lizzie Ermine a society busybody and bore

Georgina's Reasons - Henry James portrait

Henry James – portrait by John Singer Sargeant


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The BostoniansThe Bostonians (1886) is a novel about the early feminist movement. The heroine Verena Tarrant is an ‘inspirational speaker’ who is taken under the wing of Olive Chancellor, a man-hating suffragette and radical feminist. Trying to pull her in the opposite direction is Basil Ransom, a vigorous young man to whom Verena becomes more and more attracted. The dramatic contest to possess her is played out with some witty and often rather sardonic touches, and as usual James keeps the reader guessing about the outcome until the very last page.

Georgina's Reasons Buy the book at Amazon UK
Georgina's Reasons Buy the book at Amazon US

Henry James What Masie KnewWhat Masie Knew (1897) A young girl is caught between parents who are in the middle of personal conflict, adultery, and divorce. Can she survive without becoming corrupted? It’s touch and go – and not made easier for the reader by the attentions of an older man who decides to ‘look after’ her. This comes from the beginning of James’s ‘Late Phase’, so be prepared for longer and longer sentences. In fact it’s said that whilst composing this novel, James switched from writing longhand to using dictation – and it shows if you look carefully enough – part way through the book.
Henry James What Masie Knew Buy the book at Amazon UK
Henry James What Masie Knew Buy the book at Amazon US

Henry James The AmbassadorsThe Ambassadors (1903) Lambert Strether is sent from America to Paris to recall Chadwick Newsome, a young man who is reported to be compromising himself by an entanglement with a wicked woman. However, Strether’s mission fails when he is seduced by the social pleasures of the European capital, and he takes Newsome’s side. So a second ambassador is dispatched in the form of the more determined Sarah Pocock. She delivers an ultimatum which is resisted by the two young men, but then an accident reveals unpleasant truths to Strether, who is faced by a test of loyalty between old Europe and the new USA. This edition presents the latest scholarship on James and includes an introduction, notes, selected criticism, a text summary and a chronology of James’s life and times.
Longstaff's Marriage Buy the book at Amazon UK
Longstaff's Marriage Buy the book at Amazon US

© Roy Johnson 2013


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James web links Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

Glasses

April 3, 2012 by Roy Johnson

tutorial, commentary, study resources, and web links

Glasses was first published in the Atlantic Monthly in 1896. Henry James records in his Notebooks “A little idea occurred to me the other day for a little tale that Maupassant would have called Les Lunettes though I’m afraid The Spectacles won’t do”. The story does have the sort of ironic twist that Maupassant featured in some of his own stories – of which James was a great admirer. It features the ever-present un-named first person narrator through whom the events of the story are presented.

Glasses


Glasses – critical commentary

The main theme

The principal theme of the story is signaled throughout by images of sight, seeing, looking, and appearance. The narrator’s occupation is looking at people and representing them in paintings. It is Flora Saunt’s eyes to which he is first attracted and which give him the inspiration to paint her portrait

However, we learn that these eyes are also her point of weakness, and she feels socially threatened by the prospect of wearing glasses.

Mrs Meldrum is a fairly conventional figure of fun because of the odd juxtaposition of her manner and her appearance.- ‘the heartiest, the keenest, the ugliest of women’ with ‘the tread of a grenadier and the voice of an angel’. She has

a big red face indescribably out of a drawing, from which she glared at you through gold-rimmed aids to vision, optic circles of such diameter and so frequently displaced that some one had spoken of her as flattering her nose against the glass of her spectacles.

This comic vision is rammed home countless times throughout the narrative, with her spectacles referred to variously as ‘nippers’, ‘pince nez, and ‘great goggles’.

Geoffrey Dawling on the other hand is physically unattractive: ‘a long, lean confused, confusing young man, with a bad complexion and large protrusive teeth’ – but the narrator feels that he is a gentleman because he is reassured by his ‘good green eyes’.

Dawling has fallen in love with Flora without even having met her – after seeing her portrait in the exhibition. It is significant that Flora at first rejects his attentions out of hand as unthinkable, but she later blossoms as his wife – but only when she can no longer see him.

During the course of the story people repeatedly stare at each other – through spectacles, a telescope, and opera glasses. And emotional scenes invariably bring tears to somebody’s eyes.

A secondary issue

It is interesting to note how Flora’s fate is closely tied to her physical appearance and her income. She is an orphan, living in straightened circumstances, but has one advantage – her good looks. She knows that she must use those looks to attract a husband, because she is aware that she does not have a good figure. She also realises that if she were to wear glasses, this would reduce her chances of capturing a suitable husband.

And the conventions of society on this issue support her, for when she reveals her ocular weakness (as James might put it) to her fiancé Lord Iffield, he breaks off the engagement. Two interesting developments flow from that.

An engagement at that time could not be broken off lightly, without causing damage to social ‘reputation’ – particularly that of the woman. Iffield transfers the blame for the rupture onto Flora, so that he cannot be accused of ‘breach of contract’ – but offers her money as compensation. It is not made clear if she accepts it or not.

Blemishes

Contemporary readers might find it mildly amusing that so much fuss is made about the issue of having to wear glasses – though Flora’s eyesight is very seriously affected, to the extent that she eventually becomes blind.

What they will not fail to notice however, is a sudden flash of corrosive and wholly gratuitous anti-semitism on James’s part when the narrator arrives in Folkestone to visit his mother.

The place was full of lodgings, and the lodgings were at that season full of people, people who had nothing to do but stare at one another on the great flat down. There were thousands of little chairs and almost as many little Jews; and there was music in an open rotunda, over which the little Jews wagged their big noses.

This sort of thing takes some explaining away, even with allowance made for some ‘historical context’ – the more so since it is not an isolated instance in James’s work. There are many cases of Jews making a fleeting appearance in his fiction, and almost all are cast as negative stereotypes.


Glasses – study resources

Glasses The Complete Works of Henry James – Kindle edition – Amazon UK

Glasses The Complete Works of Henry James – Kindle edition – Amazon US

Glasses Complete Stories 1892—1898 – Library of America – Amazon UK

Glasses Complete Stories 1892—1898 – Library of America – Amazon US

Glasses The Complete Tales (Vol 9) – Paperback edition – Amazon UK

Glasses Selected Tales – Penguin Classics edition – Amazon UK

Glasses Glasses – eBook formats at Project Gutenberg

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

Glasses


Glasses – plot summary

The narrator is on holiday in Folkstone to visit his mother. In the company of a family friend Mrs Meldrum (who wears glasses) he meets Flora Saunt.

Flora is an attractive orphan eking out a small inheritance, living in the shadow of people who are taking advantage of her. She is full of self-confidence and is surrounded by admirers.

The narrator introduces his mother to Flora and proposes to paint her portrait. He asks her about a problem she is rumoured to have with her eyes. Flora protests that there is nothing whatever wrong with her. Her upper class admirers then snub the narrator’s mother.

Flora’s admirer Lord Iffield buys her portrait when it is exhibited at the Royal Academy, then Geoffrey Dawling arrives at the narrator’s studio to purchase the preliminary sketches, merely on the strength of having seen the portrait.

Dawling becomes deeply enamoured of Flora, and refuses to take the narrator’s critical advice about her. Flora accuses the narrator of trying to put pressure on her to marry Dawling.

The narrator sees Flora whilst he is out shopping, but is puzzled that she doesn’t see him. He discovers her secretly wearing glasses to inspect a toy.

The narrator discusses this revelation with Dawling, who wishes to check the source of the narrator’s suspicions – Mrs Meldrum. Dawling reports back from Folkstone that Flora has a horror of looking like Mrs Meldrum, but that he will continue to pursue her.

Flora reveals the desperation of her plight to the narrator. She feels that she must marry before revealing her eye problem – because her face is her one good feature, since she ‘no figure’. When it is announced that Flora has become engaged to Lord Iffield, Mrs Meldrum tries to protect Dawling from the shock.

Dawling goes abroad and the narrator goes to America for a year. When he returns he meets Flora in Folkstone. She is a shadow of her former self, and is living with Mrs Meldrum.

Mrs Meldrum reveals to the narrator that Flora confessed her condition to Lord Iffield, who then backed out of their engagement and offered her financial compensation. Flora is living on next to nothing but the charity of Mrs Meldrum.

The Narrator goes back to America for three years, whilst Flora and Mrs Meldrum go abroad. When the narrator returns to London he sees Flora at the opera, looking more beautiful and well off than she has ever done before.

But when he goes to join her in her theatre box he discovers that she has gone blind. She has in fact married Dawling, who continues to be devoted to her. The narrator hurries to Mrs Meldrum for a full account of events, but she doesn’t want to discuss the matter.


Principal characters
I the un-named narrator, a portrait painter
— his invalid mother in Folkestone
Mrs Meldrum his mother’s friend
Flora Louisa Saunt an orphan, with a beautiful face but ‘no figure’
Bertie Hammond Synge one of Flora’s admirers
Lord Iffield an admirer of Flora’s who becomes engaged to her
Lord Considine another admirer of Flora’s
Geoffrey Dawling an awkward but decent Oxbridge admirer of Flora’s

Henry James's study

Henry James’s study


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US

Henry James Daisy MillerDaisy Miller (1879) is a key story from James’s early phase in which a spirited young American woman travels to Europe with her wealthy but commonplace mother. Daisy’s innocence and her audacity challenge social conventions, and she seems to be compromising her reputation by her independent behaviour. But when she later dies in Rome the reader is invited to see the outcome as a powerful sense of a great lost potential. This novella is a great study in understatement and symbolic power.
Daisy Miller Buy the book from Amazon UK
Daisy Miller Buy the book from Amazon US

© Roy Johnson 2012


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James web links Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

Greville Fane

November 23, 2012 by Roy Johnson

tutorial, commentary, study resources, and web links

Greville Fane first appeared in the Illustrated London News in two weekly parts during September 1892. At this period in his career Henry James had decided to limit himself the short stories (or ‘tales’ as he called them) whilst he was concentrating on what was to be his disastrous attempt to succeed in the theatre. His dramatisation of The American was touring England at the time, and he had other dramas circulating amongst theatre managers for their consideration.

In keeping with his habitual industry, he produced something like a tale per month over a period of two years. Literary productivity is one of the features of this light but touching story.

Greville Fane


Greville Fane – critical comment

Greville Fane is a jeu d’esprit in a light mood – not unlike the other stories of literary life James produced during the 1890s – such as The Coxon Fund, The Figure in the Carpet, and The Abasement of the Northmores.

James strikes a delicate balance between comedy and pathos in his depiction of Mrs Stormer – just as his anonymous narrator is required to do for the obituary that is commissioned from him. Mrs Stormer (Greville Fane) is a literary hack completely without talent:

She could invent stories by the yard, but she couldn’t write a page of English. She went down to her grave without suspecting that though she had contributed volumes to the diversion of her contemporaries she had not contributed a sentence to the language.

Yet she is remarkably industrious, and as we gradually learn how badly she is treated by her own two children, we are invited to feel a sympathy for her comparable to that felt by the narrator. She keeps her son in complete idleness, and works for a year to produce the three novels that will pay for her daughter’s wedding – all the time being paid less and less for what she writes. James knew very well the values and the payments of the literary marketplace.

The story originated in an anecdote about the novelist Anthony Trollope who was famed for his prodigious industry as a novelist (whilst also holding down a full time position at the Post Office). Trollope trained his younger son Frederic to become a novelist, but the son chose instead to be a sheep farmer in Australia – and failed in business.


Greville Fane – study resources

Greville Fane The Complete Works of Henry James – Kindle edition – Amazon UK

Greville Fane The Complete Works of Henry James – Kindle edition – Amazon US

Greville Fane Complete Stories 1892—1898 – Library of America – Amazon UK

Greville Fane Complete Stories 1892—1898 – Library of America – Amazon US

Greville Fane The Complete Tales of Henry James – Volume 8 – Digireads reprint UK

Red button The Cambridge Companion to Henry James – Amazon UK

Greville Fane Greville Fane – eBook formats at Project Gutenberg

Greville Fane


Greville Fane – plot summary

An un-named writer is asked to produce a ‘tactful’ obituary of a lady writer, Mrs Stormer, who produced three books a year under the pen name Greville Fane. He reveals that she was commercially successful, but without any real talent. She also had ambitions to train her son Leolin to become a writer, and spoils him in the attempt. In fact both her children feel embarrassed by their mother’s lack of good taste.

She pours money and effort into Leolin on the basis that he must have full experience of life in order to convert it into the substance of fiction. He takes advantage of his mother’s indulgence, becomes extravagantly well dressed, and produces nothing.

When her daughter marries the bland nonentity Sir Basil Luard, Mrs Stormer works for a year to pay for the wedding, all the time accepting ever less in payment for her work. Her daughter then keeps her at arm’s length because she looks down on her lack of social connections.

Since Leolin Stormer fails to deliver, his mother starts to pay him for ideas and characters that she can transform into fiction herself. But eventually she dies, and Leolin marries an older woman for her money.


Principal characters
I the anonymous narrator
Mrs Stormer a mediocre but successful lady novelist (Greville Fane)
Leolin Stormer her talentless and idle son
Lady Ethel Luard her snobbish and selfish daughter
Sir Baldwin Luard Ethel’s husband, a vacuous mediocrity

Henry James's study

Henry James’s study


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James Washington SquareWashington Square (1880) is a superb early short novel, It’s the tale of a young girl whose future happiness is being controlled by her strict authoritarian (but rather witty) father. She is rather reserved, but has a handsome young suitor. However, her father disapproves of him, seeing him as an opportunist and a fortune hunter. There is a battle of wills – all conducted within the confines of their elegant New York town house. Who wins out in the end? You will probably be surprised by the outcome. This is a masterpiece of social commentary, offering a sensitive picture of a young woman’s life.
Henry James Washington Square Buy the book from Amazon UK
Henry James Washington Square Buy the book from Amazon US

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US

© Roy Johnson 2012


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James web links Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Greville Fane, Henry James, Literary studies, The Short Story

Guest’s Confession

July 13, 2013 by Roy Johnson

tutorial, commentary, web links, and study resources

Guest’s Confession first appeared in The Atlantic Monthly for October—November 1872. It was reprinted years later as part of Travelling Companions published after James’s death in 1919.

Guest's Confession


Guest’s Confession – plot summary

Part I.   The narrator David is waiting for his elder step-brother to arrive during the summer holidays in a small town. David’s account of his brother emphasises the differences and rivalry between them. Walking in the countryside, he enters a small church during a rainstorm to find that the organ is being played by a young woman. He sings along to her playing, and they exchange pleasantries.

When the rain stops he goes to meet Edgar, his step-brother, reflecting critically on his egoism. When he arrives, Edgar is full of neurotic self-concern, and he reveals that he has been swindled out of twenty thousand dollars by a man called John Guest.

Part II.   Shortly afterwards they walk out in the village and encounter John Guest in the company of a coquettish woman Mrs Clara Beck. Edgar immediately wishes to challenge Guest, but David sees positive qualities in the handsome and debonair figure. Edgar has appointed solicitors. Guest pleads for ‘understanding’ and restraint.

The two men argue their cases. Guest accuses Edgar of being insane. David suggests that as a compromise, Guest should write out an apology. .Edgar demands that Guest kneel before him and beg for forgiveness. In addition to his demand for the money, he then dictates a confession which he forces Guest to sign. When Guest’s daughter Laura arrives to collect him, she turns out to be the same woman David met in the church.

Part III.   David feels disconcerted by his divided loyalties and by his part in the scene of humiliation. He meets Laura again in the village, along with her chaperone Mrs Beck. He spends more and more time with them whilst Guest is back in New York, and he feels increasingly frustrated by Mrs Beck’s constant presence.

Mr Crawford arrives claiming cousinship with Mrs Beck, and David sees that he is paying court to her. The two men compare their respective ‘intentions’ and ‘claims’ regarding the two women.

Part IV.   David wishes to pursue his interest in Laura but worries about what she will think if she learns of the part he played in her father’s shame. She however does not take him very seriously and thinks he is spoiled, idle, and too rich. She reveals that he reminds her of her father – because they are both honest and youthful-looking.

David teases Mrs Beck about her choice of Guest or Crawford as the object of her affections. Guest writes from New York to his daughter Laura, telling her he has had to sell their house. David suggests that this would be a good opportunity to go to live in Italy. He plays the organ in the church for her, then declares his love for her and offers her money to help her father. She refuses both offers.

Part V.   Edgar is still ill in bed when he receives news that Guest has repaid his debt, but Edgar refuses to return the signed ‘confession’. Guest returns from New York, and Mrs Beck switches her attentions to him, away from Crawford. David makes an appeal to Laura before her father can reveal what he knows about him to her. But when Guest confronts them both he excoriates David completely, and will accept no apology or compromise. David asks Laura to be patient, and meanwhile attends Edgar, who is dying. Edgar leaves David nothing in his will, but puts aside twenty thousand dollars to found a hospice. However, David inherits the confession as part of Edgar’s effects. He tries to re-negotiate with Guest, but they quarrel again.

Part VI.   Having heard of Guest’s money problems, Mrs Beck switches her attentions back to Crawford. David refuses to return the confession when Guest asks for it. When he next meets Guest he presents him with an ultimatum: remove the objection to his marrying Laura, or he will show her the confession. But following a bucolic epiphany, David returns to a completely distraught Guest and burns the confession in front of him. He then feels free to ‘claim’ Laura.


Guest’s Confession – principal characters
David the rich, vain, and self-regarding narrator
Edgard Musgrave his invalid, older, clever step-brother
John Guest a handsome swindler who has been ill
Laura Guest his daughter
Mrs Clara Beck a childish and coquettish chaperone of thirty-six
Mr Crawford the owner of a silver mine in Arizona

Study resources

Guest's Confession The Complete Works of Henry James – Kindle edition – Amazon UK

Guest's Confession The Complete Works of Henry James – Kindle edition – Amazon US

Guest's Confession Complete Stories 1864—1874 – Library of America – Amazon UK

Guest's Confession Complete Stories 1864—1874 – Library of America – Amazon US

Guest's Confession Guest’s Confession – eBook formats at Gutenberg

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

Guest's Confession


Guest’s Confession – further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James Washington SquareWashington Square (1880) is a superb early short novel, It’s the tale of a young girl whose future happiness is being controlled by her strict authoritarian (but rather witty) father. She is rather reserved, but has a handsome young suitor. However, her father disapproves of him, seeing him as an opportunist and a fortune hunter. There is a battle of wills – all conducted within the confines of their elegant New York town house. Who wins out in the end? You will probably be surprised by the outcome. This is a masterpiece of social commentary, offering a sensitive picture of a young woman’s life.
Henry James Washington Square Buy the book from Amazon UK
Henry James Washington Square Buy the book from Amazon US

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US

© Roy Johnson 2013


Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

Happiness

October 17, 2013 by Roy Johnson

tutorial, synopsis, commentary, and study resources

Happiness was probably written in early 1925. It is one of a number of short stories by Virginia Woolf set at a party in the Westminster home of Richard and Clarissa Dalloway, the hosts of the central social event in her novel Mrs Dalloway (1925)

Happiness

Virginia Woolf


Happiness – critical commentary

This is a study in egoism and self-absorption of a particularly acute variety. Stuart Elton thinks of himself in the most self-congratulatory manner – likening himself to the petals of a rose.

He is socially rude, and is smug about his self-sufficiency – a state of being which is so fragile he is terrified of any unforeseen event in his life. He prides himself on having successfully avoided commitment to a woman earlier in his life, and he is typical of the male narcissist figures who appear in Virginia Woolf’s work. It is interesting to note that he finds solace in the very symbolically male physical object of a paper knife.

It has to be said that in all these short sketches and stories based on figures circulating in Clarissa Dalloway’s drawing room, there is a common theme of a failure of communication. Occasions which are designed to offer social interaction to her guests are revealed as a series of communication breakdowns, gulfs of empathy, and studies in solipsism.

It is also worth noting that Stuart Elton will still be playing with the paper knife when he appears again in A Simple Melody written later the same year – though he will be viewed from someone else’s perspective, in a far less critical light:

Mr Carslake saw him [Stuart Elton] standing alone lifting a paper knife up in his hands … Stuart was the gentlest, simplest of creatures, content to ramble all day with undistinguished people, like himself, and this oddity — it looked like affectation to stand in the middle of a drawing room holding a tortoise-shell paper knife in his hand — was only manner.

This may of course reveal a lack of perception and good judgement on Mr Carslake’s part, but it certainly illustrates Woolf’s penchant for expressing the relative nature of social perceptions.


Happiness – study resources

Happiness The Complete Shorter Fiction – Vintage Classics [£6.74] Amazon UK

Happiness The Complete Shorter Fiction – Vintage Classics – Amazon US

Happiness The Complete Shorter Fiction – Harcourt edition – Amazon UK

Happiness The Complete Shorter Fiction – Harcourt edition – Amazon US

Happiness Monday or Tuesday and Other Stories – Gutenberg.org

Happiness Kew Gardens and Other Stories – Hogarth reprint – Amazon UK

Happiness Kew Gardens and Other Stories – Hogarth reprint – Amazon US

Happiness The Mark on the Wall – Oxford World Classics edition – Amazon UK

Happiness The Mark on the Wall – Oxford World Classics edition – Amazon US

Happiness The Complete Works of Virginia Woolf – Kindle edition

Red button The Cambridge Companion to Virginia Woolf – Amazon UK

Red button Virginia Woolf – Authors in Context – Amazon UK

Red button The Cambridge Introduction to Virginia Woolf – Amazon UK

Happiness


Happiness – story synopsis

Stuart Elton, a middle-aged bachelor, is in conversation with Mrs Sutton, a would-be actress. They actually exchange very few words, because his interior monologue is all about himself, and he perceives her as a menace to his precious sense of selfhood. He also has some unspecified ailment which prevents him from eating lobster.

She perceives him as happy and fortunate, and complains about not getting on in the theatre. But he isn’t listening to what she’s saying. She is exasperated by what seems to be his impregnable self-containment.

He feeds her scraps of inconsequential information, and meanwhile thinks of himself as if pursued by wolves. He thinks back to an earlier period of his life involving a woman from whom he eventually ‘recovered’. He is very glad not to be dependent upon anyone, and he feels that the slightest disturbance in the balance of his relationship with the outside world will shatter his sense of satisfaction.


Happiness – further reading

Red button Quentin Bell. Virginia Woolf: A Biography. New York: Harcourt Brace Jovanovich, 1972.

Red button Hermione Lee. Virginia Woolf. New York: Alfred A. Knopf, 1997.

Red button Nicholas Marsh. Virginia Woolf, the Novels. New York: St. Martin’s Press, 1998.

Red button John Mepham, Virginia Woolf. New York: St. Martin’s Press, 1992.

Red button Natalya Reinhold, ed. Woolf Across Cultures. New York: Pace University Press, 2004.

Red button Michael Rosenthal, Virginia Woolf: A Critical Study. New York: Columbia University Press, 1979.

Red button Susan Sellers, The Cambridge Companion to Virginia Woolf, Cambridge University Press, 2010.

Red button Virginia Woolf, The Common Reader. New York: Harvest Books, 2002.

Red button Alex Zwerdling, Virginia Woolf and the Real World. Berkeley: University of California Press, 1986.


Other works by Virginia Woolf

Virginia Woolf To the LighthouseTo the Lighthouse (1927) is the second of the twin jewels in the crown of her late experimental phase. It is concerned with the passage of time, the nature of human consciousness, and the process of artistic creativity. Woolf substitutes symbolism and poetic prose for any notion of plot, and the novel is composed as a tryptich of three almost static scenes – during the second of which the principal character Mrs Ramsay dies – literally within a parenthesis. The writing is lyrical and philosophical at the same time. Many critics see this as her greatest achievement, and Woolf herself realised that with this book she was taking the novel form into hitherto unknown territory.
Virginia Woolf To the Lighthouse Buy the book at Amazon UK
Virginia Woolf To the Lighthouse Buy the book at Amazon US

Woolf - OrlandoOrlando (1928) is one of her lesser-known novels, although it’s critical reputation has risen in recent years. It’s a delightful fantasy which features a character who changes sex part-way through the book – and lives from the sixteenth to the twentieth century. Using this device (which turns out to be strangely credible) Woolf explores issues of gender and identity as her hero-heroine moves through a variety of lives and personal adventures. Orlando starts out as an emissary to the Court of St James, lives through friendships with Swift and Alexander Pope, and ends up motoring through the west end of London on a shopping expedition in the 1920s. The character is loosely based on Vita Sackville-West, who at one time was Woolf’s lover. The novel itself was described by Nigel Nicolson (Sackville-West’s son) as ‘the longest and most charming love-letter in literature’.
Virginia Woolf - Orlando Buy the book at Amazon UK
Virginia Woolf - Orlando Buy the book at Amazon US

Kew GardensKew Gardens is a collection of experimental short stories in which Woolf tested out ideas and techniques which she then later incorporated into her novels. After Chekhov, they represent the most important development in the modern short story as a literary form. Incident and narrative are replaced by evocations of mood, poetic imagery, philosophic reflection, and subtleties of composition and structure. The shortest piece, ‘Monday or Tuesday’, is a one-page wonder of compression. This collection is a cornerstone of literary modernism. No other writer – with the possible exception of Nadine Gordimer, has taken the short story as a literary genre as far as this.
Virginia Woolf - Kew Gardens Buy the book at Amazon UK
Virginia Woolf - Kew Gardens Buy the book at Amazon US


Virginia Woolf: BiographyVirginia Woolf is a readable and well illustrated biography by John Lehmann, who at one point worked as her assistant and business partner at the Hogarth Press. It is described by the blurb as ‘A critical biography of Virginia Woolf containing illustrations that are a record of the Bloomsbury Group and the literary and artistic world that surrounded a writer who is immensely popular today’. This is an attractive and very accessible introduction to the subject which has been very popular with readers ever since it was first published..
Virginia Woolf - A Biography Buy the book at Amazon UK
Virginia Woolf - A Biography Buy the book at Amazon US


Virginia Woolf – web links

Virginia Woolf at Mantex
Biographical notes, study guides to the major works, book reviews, studies of the short stories, bibliographies, web links, study resources.

Blogging Woolf
Book reviews, Bloomsbury related issues, links, study resources, news of conferences, exhibitions, and events, regularly updated.

Virginia Woolf at Wikipedia
Full biography, social background, interpretation of her work, fiction and non-fiction publications, photograph albumns, list of biographies, and external web links

Virginia Woolf at Gutenberg
Selected eTexts of her novels and stories in a variety of digital formats.

Woolf Online
An electronic edition and commentary on To the Lighthouse with notes on its composition, revisions, and printing – plus relevant extracts from the diaries, essays, and letters.

Hyper-Concordance to Virginia Woolf
Search texts of all the major novels and essays, word by word – locate quotations, references, and individual terms

Orlando – Sally Potter’s film archive
The text and film script, production notes, casting, locations, set designs, publicity photos, video clips, costume designs, and interviews.

Women’s History Walk in Bloomsbury
Tour of literary and political homes in Bloomsbury – including Gordon Square, Gower Street, Bedford Square, Tavistock Square, plus links to women’s history web sites.

Virginia Woolf Society of Great Britain
Bulletins of events, annual lectures, society publications, and extensive links to Woolf and Bloomsbury related web sites

BBC Audio Essay – A Eulogy to Words
Charming sound recording of radio talk given by Virginia Woolf in 1937 – a podcast accompanied by a slideshow of photographs.

A Family Photograph Albumn
Leslie Stephen compiled a photograph album and wrote an epistolary memoir, known as the “Mausoleum Book,” to mourn the death of his wife, Julia, in 1895 – an archive at Smith College – Massachusetts

Virginia Woolf first editions
Hogarth Press book jacket covers of the first editions of Woolf’s novels, essays, and stories – largely designed by her sister, Vanessa Bell.

Virginia Woolf – on video
Biographical studies and documentary videos with comments on Virginia Woolf and the Bloomsbury Group and the social background of their times.

Virginia Woolf Miscellany
An archive of academic journal essays 2003—2014, featuring news items, book reviews, and full length studies.

© Roy Johnson 2014


More on Virginia Woolf
Virginia Woolf – short stories
Virginia Woolf – greatest works
Virginia Woolf – criticism
Virginia Woolf – life and works


Filed Under: Woolf - Stories Tagged With: English literature, Literary studies, The Short Story, Virginia Woolf

Him with his Foot in his Mouth

July 14, 2017 by Roy Johnson

tutorial, commentary, study resources, web links

Him with his Foot in his Mouth first appeared in The Atlantic Monthly for November 1982. It is currently published with four other stories in a collection of the same name. The other stories are What Kind of Day Did You Have?, A Silver Dish, Cousins, and Zetland: By a Character Witness.

Him with his Foot in his Mouth


Him with his Foot in his Mouth – commentary

The surface detail of the story is Herschel Shawmut’s irrepressible urge to puncture pretentiousness and boredom with his insulting put-downs. Most of his victims deserve their fate. It is significant that the one person who doesn’t is the spinsterish librarian to whom he is writing with an apology.

Yet beneath this tragi-comic character sketch there are a number of serious social themes at work. Number one is Shawmut’s identity as a Jew in modern America. He is the son of Russian immigrants (as was Saul Bellow) and he has grown up with close ties to his family. He visits his dementia-stricken mother in a nursing home, and doesn’t resent the fact that she fails to recognise him, but talks admiringly of his rich brother Philip, who has recently plunged Herschel into debt with a crooked business scheme.

Philip has severed all his emotional ties with family and has assimilated with modern America by joining the worst excesses of dog-eat-dog capitalism. He is vulgar, wealthy, corrupt, and has a ‘perfect’ (perfectly horrendous) wife who breeds vicious pit-bull terriers.

Herschel Schawmut is qualified to fit into the intellectual milieu of college and university teaching that he inhabits. He has written a best-selling textbook on musical appreciation, and he conducts performances of classical music on television programs. But he feels himself an outsider, and his imaginative sympathies keep being drawn back to his early days as an immigrant. This is a theme Bellow had explored extensively in his earlier novel Humboldt’s Gift (1975) and he was to return to later in The Bellarosa Connection (1989).

The put-downs

Bellow is very fond of the quip and the one-liner in his writing. He quotes some of Winston Churchill’s bon mots approvingly and gives Herschel a series of witty (and insulting) put-downs which provide the basis for his feeling socially ostracised. The reader is invited to share the amusement factor because his victims are pretentious social bores, but Herschel’s indulgence and its negative consequences puts him into the category of the ‘holy fool’

A talkative woman apologises at the end of dinner: ‘I realize now that I monopolized the conversation, I talked and talked all evening. I’m so sorry. . . . ‘That’s all right,’ I told her, ‘You didn’t say a thing.’ ”

When a wealthy philanthropic lady announces that she is going to write her memoirs, he asks her ‘Will you use a typewriter or an adding machine?’

Schulteiss was one of those bragging polymath types who give everybody a pain in the ass. Whether it was Chinese cookery or particle physics or the connections of Bantu with Swahili (if any) or why Lord Nelson was so fond of William Beckford or the future of computer science, you couldn’t interrupt him long enough to complain that he didn’t let you get a word in edgewise … One of the guests said to me that Schulteiss was terribly worried that no one would be learned enough to write a proper obituary when he died. “I don’t know if I’m qualified” I said, “but I’d be happy to do the job, if that would be any comfort to him.”

Story or novella?

This piece could be considered as a long story or a short novella. Bellow was fond of both literary genres. But there are a number of arguments for classifying it as a novella. The strongest of these is the fact of there being so many unifying literary elements in the work.

Everything is mediated through the perspective of one character – Shawmut himself as first-person narrator. It has his anti-social joking as a recurrent theme and the initiating purpose in the plot – his letter of apology and explanation to Clara Rose.. It deals with his increasing sense of alienation – ending logically enough in his exile across the Canadian border, with the police at his heels. It has a number of other characters – but they all function as fictional entities in relation to Shawmut himself.

It’s true that the story does not have any strict unity of place – but none of the locations are imaginatively developed, nor do they have any special bearing on the events of the narrative.

Recurrent figures

Crooked businessmen and rapacious lawyers are recurrent figures in Bellow’s fiction – but so too are best friends who turn out to be Judas-characters, and even brothers who cheat members of their own family.

Philip Shawmut, Herschel’s bother, claims to be a successful businessman – but his success is built on corruption and illegality. When he learns that Herschel has spare money, he relieves him of it, claiming it is going into a scheme reclaiming spare parts from accident-wrecked motor vehicles. The scheme is in fact a cover for stolen luxury cars that are being cannibalised for parts in short supply. And the money invested goes straight to the account of Philip’s wife. When the business is exposed as fraudulent and Philip dies, Herschel is left as legal director with a mountain of debt.

It is not surprising that Bellow works into the narrative references to Balzac’s Cousin Bette and Cousin Pons – both of them novels that concern betrayal by relatives and instances of the greed to acquire someone else’s wealth. For good measure he also includes mention of King Lear.

Herschel is befriended by Eddie Walish in his early days as a teacher of music, but the same friend sends him a comprehensive account of all his personal weaknesses and faults thirty-five years later. The message is quite plain: you can’t trust anybody. And you certainly cannot trust lawyers, who not only give you bad advice and present enormous bills for their services, but also squeeze you for special favours.


Him with his Foot in his Mouth – resources

Him with his Foot in his Mouth – Penguin Classics – Amazon UK

Him with his Foot in his Mouth – Penguin Classics – Amazon US

Humboldt’s Gift Saul Bellow – Collected Stories – Penguin Classics – Amazon UK

Humboldt’s Gift Saul; Bellow – Collected Stories – Penguin Classics – Amazon US

Humboldt's Gift Saul Bellow (Modern Critical Views) – essays and studies – Amz UK

Humboldt's Gift Saul Bellow (Modern Critical Views) – essays and studies – Amz US

A Saul Bellow bibliography

Cambridge Companion to Saul Bellow – Amazon UK

Him with his Foot in his Mouth


Him with his Foot in his Mouth – synopsis

Herschel Shawmut is writing to retired librarian Carla Rose to apologise for an offensive quip he made at her expense thirty-five years previously. He recalls his early days at the college where they both worked. He was befriended by Eddie Walish who has recently written him a letter listing all his faults – one of which is his habit of insulting people with cruel one-liner put-downs.

Shawmut is writing from retreat in Vancouver, British Columbia where he is hiding ‘on legal advice’. He has alienated himself from local intellectual society by his gaucheness and his put-downs.

He explains his ambiguous relationship with America as a Jew and a feeling of being an outsider. He writes approvingly of the radical Jewish and homosexual poet Alan Ginsburg as a similar character. Despite his self-awareness he continues to make amusing but socially disruptive remarks amongst his university colleagues and their wives.

He has been swindled by his rich brother Philip and has employed lawyers to fight the case. His brother is a ‘creative businessman’ with whom he has invested money, largely for sentimental reasons of family loyalty. The money has been used in illegal land deals, and following Philip’s death Shawmut is responsible for the company’s debts. He appoints his brother-in-law Hansl Genauer as legal advisor and absconds to Canada to avoid prosecution.

Shawmut visits his mother in a nursing home, but she does not recognise him. Genauer tries to gain control of his money, and then extracts favours from him. But Shawmut then insults a rich woman Genauer wishes to marry. In the end, Shawmut is in complete retreat in Vancouver, expecting the US authorities to arrive at any time to arrest him.


Him with his Foot in his Mouth – characters
Herschel Shawmut an elderly Jewish professor of classical music
Gerda Shawmut his wife, who is dying
Philip Shawmut his brother, a rich ‘creative businessman’
Hansl Genauer his brother-in-law, a dubious lawyer
Carla Rose a retired librarian living in Florida
Eddie Walish a literary professor, once Shawmut’s friend

© Roy Johnson 2017


More on Saul Bellow
More on the novella
More on short stories
Twentieth century literature


Filed Under: Saul Bellow Tagged With: English literature, Literary studies, Saul Bellow, The Short Story

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