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Literature and the Internet

November 1, 2009 by Roy Johnson

resources, techniques, and issues for literary studies

In the field of literary studies, people have been creating digitized texts and making concordances for quite some time now. But until the advent of the Web it was difficult to get an overview of criticism and scholarship which was easily available. In fact it’s still not easy. As the authors of this excellent guide Literature and the Internet point out, it remains common for the latest work to be made available only in the form of conventionally printed books and the dinosaur publishing methods of scholarly journals.

Literature and the Internet But at last the Internet is now making ever more material easily available to us, and it is the purpose of this guide to advise students, teachers, and scholars how to make the most of the opportunity to retrieve it. They start with a general survey of the pros and cons of the Internet for literary studies, quite rightly pointing out that despite all its obvious advantages, there are still many shortcomings:

It has large and obvious gaps, it cannot cover the literary ground as even a moderately well-stocked library can, and it cannot equal the contemporary appeal of a good bookstore.

In fact the differences between books in libraries and texts on the Net are intelligently explored, before we get down to some practical advice on usability. This centres logically enough on using search engines, and they offer an explanation of the different techniques which can be deployed, as well as alerting users to the differences in kind amongst the sources which might be located.

The centre of the book is an extensive list of resources. These are arranged as web site address – in categories ranging from libraries, journals, literary periods, literary criticism, discussion groups and email distribution lists, to individual authors – from Achebe to Zola – and their home pages.

Mercifully, these lists are annotated with useful evaluative comments, making clear distinctions between sites which are commercial, fan pages, and the results of scholarly research. It’s interesting to note how many of the award-winning sites are the work of dedicated individuals (such as Jack Lynch at Pennsylvania and Mitsuharu Matsuoka in Japan) and departments in little-known colleges in the back of nowhere. Major institutions are noticeably thin on the ground.

I felt reassured that the authors had done their homework, had visited the sites they discuss – and were not frightened of levelling criticism at some quite well known names in the literary establishment. They point out the need for more qualitative evaluation of online resources and web site reviews.

This is followed by advice on the evaluation of sites, including a series of basic questions we can ask on arrival. Is the information accurate? Is it complete? And is there any acknowledgement of the sources being used?

There is also a section for teachers, discussing how computers and the Internet can be used in literary studies, with suggestions (for instance) for hypertext assignments and web essays – though I hope their term Webliographies doesn’t catch on.

They consider the nature of electronic texts – from plain ASCII, through the Standard Generalized Markup Language (SGML) and HyperText Markup Language (HTML), and even as far as the Text Encoding Initiative (TEI) and Extensible Markup Language (XML).

These are only touched on lightly, with their differences briefly explained, but this is a valuable topic to raise in the consciousness of students and teachers, especially in the light of controversies surrounding the form in which commercial electronic books are being issued.

The guide ends with considerations of the theoretical and political connections between literary studies in an era of digitized text – exploring some of the notions raised in recent years by Jay Bolter, George Landow, and J. Hillis Miller.

They even have some interesting comments to make on the likely impact of Information Technology on academic careers – including the vexed issue of academic publishing, which must surely be due for major convulsions in the next few years.

Many people have argued that it’s now rather pointless issuing printed resource guides which will be quickly outdated. But there is a reason for such publications. The fact is that it’s often quicker to locate information in a book, rather than searching through files or favourites using a browser.

Certainly, I’m very pleased that this book is on my desk, and I look forward to exploring its suggestions and passing on any gems to my own students – who are currently learning how to write, link, zip, and upload their first web essays.

Literature and the Internet   Buy the book at Amazon UK

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© Roy Johnson 2000


Stephanie Browner, Stephen Pulsford, and Richard Sears, Literature and the Internet: A Guide for Students, Teachers, and Scholars, London/New York: Garland, 2000, pp.191, ISBN: 0815334532


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MLA Style Guide

February 24, 2014 by Roy Johnson

What is the MLA Style Guide?

MLA Style GuideMLA stands for the Modern Language Association (of America). Its style manual has the full title MLA Style Manual and Guide to Scholarly Publishing. This presents a full set of protocols for the writing and presentation of documents and research in the humanities (literature, languages, media studies, and cultural studies). The guide and its standards are in general use throughout north America and Europe.

The guide does not cover the protocols used in disciplines such as history, sociology, philosophy, or sciences. These use either the Chicago Manual of Style or the Harvard System of referencing.

In the notes which follow, the terms citation (US usage) and referencing (UK usage) are used interchangeably.

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What does the MLA Style Guide do?

The MLA Style Guide offers a complete set of standards showing you how to present academic writing and research. These standards are not questions of correct or incorrect writing: they are merely a coherent system which ensure consistency and rigour in the presentation of academic writing. The standards show you how to –

  • embed quotations
  • cite secondary sources
  • give bibliographic references
  • present names and titles
  • avoid plagiarism
  • cite electronic sources

How does the MLA Style Guide work?

The MLA citation style uses a simple two-part system for citing sources. When you refer to or quote from a secondary source within your work, you provide a citation which points to an alphabetical list of Works Cited that appears at the end of the essay or term paper. The citation is an abbreviation given in brackets (Smith 128) and the full details of this source are listed at the end of your work. This example refers to page 128 in work written by someone called Smith.

This system of referencing identifies and credits the sources you have used in the essay. It allows someone reading the essay to identify and if necessary consult these secondary sources.


References within your text

In MLA style, you place references to secondary sources in the essay to briefly identify them and enable readers to find them in the list of Works Cited. These references should be kept as brief and as clear as possible.

Give only the minimum information needed to identify a source. The author’s last name and a page reference are usually sufficient. Example – (Barber 45).

Place the reference as close as possible to its source, preferably where a pause would naturally occur, which is often at the end of a sentence.

Information in the brackets should not repeat information given in the text. If you include an author’s name in a sentence, you don’t need to repeat it in your reference.

The reference should precede the punctuation mark that concludes the sentence, clause, or phrase that contains the cited material.

Electronic and online sources are cited just like print resources in references. If an online source lacks page numbers, omit numbers from the bracketed references.

Examples

Author’s name in text Browning has expressed this concern (122-25).
Author’s name in reference This concern has been expressed (Browning 122-25).
Multiple authors This hypothesis has proved very persuasive (Bradley, Morgan, and Smith 46).
Two works cited (Beetham 68; Covington 34)
Volumes and pages Robinson 3: 14-19
Corporate authors (United Nations, Economic Report 51-56)
Online sources Fetting, pars. 5-8)

List of Works Cited

References cited in the text of an essay or a research paper must appear at the end of your work in a list of Works Cited. This is also known as a bibliography. This list provides the information necessary to identify and retrieve each source that has been used in your work.

Arrange the entries in alphabetical order of the authors’ last names (surnames), or by the title for any sources without authors.

Capitalize the first word and all other principal words of the titles and subtitles of cited works listed. Do not capitalize articles, prepositions, coordinating conjunctions, or the “to” in infinitives. (The Angel at the Grave)

The titles of books and journals should be shown in italics. Choose a font in which the italic style contrasts clearly with the regular style.

Shorten the publisher’s name. For example, omit articles, business abbreviations (Co., Inc.), and descriptive words (Press, Publisher).

When multiple publishers are listed, include all of them, placing a semicolon between each.

When more than one city is listed for the same publisher, use only the first city.

Use the conjunction ‘and’, not an ampersand [&], when listing multiple authors of a single work.

Do not use the abbreviations p. or pp. to designate page numbers.

Indentation: Align the first line of the entry flush with the left margin, and indent all subsequent lines (5 to 7 spaces) to form a ‘hanging indent’.


Bibliographic description

References to an entire book should include the following elements:

  • author(s) or editor(s)
  • complete title
  • edition, if indicated
  • place of publication
  • shortened name of publisher
  • date of publication
  • medium of publication

The basic format

Lastname, Firstname. Title of Book. Place of Publication: Publisher, Year of Publication. Medium of Publication.

One author

Nabokov, Vladimir. Strong Opinions. New York: McGraw-Hill, 1973. Print.

Another work, same author

—. Speak, Memory: An Autobiography Revisited. New York: Knopf, 1999. Print.

Two authors

Cresswell, Susan, and Charles Hoffman. Theaters of Experiment. London: Thames and Hudson, 2004. Print.

Three authors

Loewen, Thomas, Bentham Ginsberg, and Stuart Jacks. Analyzing Democratic Government. 3rd ed. New York: Norton, 1994. Print.

More than three authors

Sander, Jefferton et al. Beyond the Utility Principle. London: Heinemann, 1993. Print.

Editor (anthology or collection of essays)

Hillman, Charles, and Margery Hamilton, eds. Defining Milton’s Poetics. Cambridge: Cambridge University Press, 2004. Print.

No author or editor

The Writers’ and Artists’ Yearbook. 2014 ed. London: A and C Black. 2014. Print


Articles in books

Jones, Josephine Teresa. “Within These Walls.” Feminism and its Relation to Architecture. Ed. Maureen Harrington. New York: Lexington Books, 2010. 109-24. Print.

Reprinted article

Huntford, Thomas. “The Misreading of Ken Kesey.” Review of Contemporary Fiction 4.3 (1985): 30-43. Rpt. in Contemporary Literary Criticism. Ed. Carleen Rilmont. Vol. 61. Detroit: Gale, 1990. 308-10. Print.

Articles or entries from reference books

If the article or entry is signed, put the author’s name first; if it is unsigned, give the title first. For well-known reference works, it is not necessary to include full publication information. Include only the title of the reference source, edition, and date of publication.

Dictionary entry

“Hostages.” Def. 1a. Shorter Oxford Dictionary. 1993. Print.

Encyclopedia entry

Merrington, Barbara. “Cooking with Gas.” The Oxford Encyclopedia of Food and Drink in America. Ed. Andrew F. Smith. Vol. 2. 2004. Print.


Articles in journals, magazines, and newspapers

References to periodical articles must include the following elements:

  • author(s)
  • article title
  • publication title
  • volume number
  • publication date
  • inclusive page numbers
  • medium of publication

Issue numbers should be stated as decimals to a given volume number. For instance, the number 25.4 refers to Volume 25, issue 4. When citing newspapers, it is important to specify the edition used (early ed. or late ed.) because different editions of a newspaper might contain different material.

Journal article, one author

Mentone-Cassidy, David. “Beyond Boundaries: Reaching Multi-Cultural Development.” Journal of Tourism Research 37.4 (2010): 141-63. Print.

Journal article, two authors

Langton, Jennifer, and Warren Furst. “Exploring Challenges and Opportunities Associated with Sharing Medical Resources.” International Journal of Hospital Management 29.2 (2010): 261-7. Print.

Magazine article

Keinster, Donald A. “Corporate Greed: The New Economics.” Vanity Fair 23 Nov. 2012: 84-91. Print.

Newspaper article, no author

“American Independence Day: The View from England.” The Guardian 31 May 2012, 16. Print.


Film, video, or audio recordings

Film

Manhattan. Dir. Woody Allen. 1979. Videocassette. MGM/UA Home Video, 1991.

Sound recording

Bob Dylan. Highway 61 Revisited. Columbia / Sony, 2004. CD.

Specific song

Bob Dylan. “Desolation Row.” Highway 61 Revisited. Columbia / Sony, 2004. CD.

CD-ROM

Citations should include the medium of the electronic publication (CD-ROM), the name of the vendor that made the material available on CD-ROM, and publications dates for the version used, if relevant.

“Matrimony.” Encyclopaedia Britannica. CD-ROM. London: Encyclopaedia Britannica Inc. Multimedia, 2014.


Citing online sources

References to online sources, like those for printed sources, should provide the information that both identifies a source and allows it to be located and retrieved again.

All references should include the medium of publication (Web) and the date the content was viewed.

If the source is difficult to locate, you should list the complete Web address (URL) within angle brackets after the date. In many cases, it is also necessary to identify the Web site or the database that has made the material available on line.

There are currently no fixed standards governing the organization and presentation of online publications. Consequently, the information that is available can vary widely from one resource to another. In general, references to online works require more information than references to print sources.

For instance, the online encyclopaedia Wikipedia is being edited and updated all the time – so in some instances it might be necessary to record not only the date of an entry being visited, but even the time of day.

See sections 5.6.1-4 in the MLA Handbook for more complete information on creating references to online sources.

Web page

This example includes the optional URL. All other examples below use the shorter citation format.

Cornell University Library. ‘Introduction to Research’. Cornell University Library. Cornell University, 2009. Web. 19 June 2009 <http://www.library.cornell.edu/resrch/intro>.

Personal web site

If a work is untitled, you may use a genre label such as Home page, Introduction, etc.

Remington, Gregory. Home page. Web. 16 Nov. 2008.

Entry in an online encyclopedia

‘Epstein, Jacob’. Encyclopaedia Britannica Online. Encyclopedia Britannica, 1999. Web. 27 Apr. 2009.

Article from a less familiar online reference book

Norton, John S. ‘European History and Islam’. Encyclopedia the Muslim World. Ed. Richard C. Martin. New York: Macmillan Reference-Thomson/Gale, 2004. Web. 4 July 2009.

Article in an online periodical

If pagination is unavailable or is not continuous, use n. pag. in place of the page numbers.

Chatterton, Heather. ‘The Epidemic in Saratoga’. Salon 19 Feb. 1999: n. pag. Web. 12 July 1999.

Article in a full-text journal accessed from a database

Valentino, Jose Antonio. ‘The Other Side of Facebook’. New Yorker 86.28 (2010): 54-63. Academic Search Premier. Web. 25 Jan. 2011.

Online book with print information

Henderson, Robert. South of Boston. 2nd ed. New York: Henry Holt, 1915. Google Books. Web. 30 June 2009.

The examples of MLA style and format listed on this page include many of the most common types of sources used in academic research. For additional examples and more detailed information about MLA citation style, refer to the following resources:

MLA Style Manual and Guide to Scholarly Publishing. 3rd ed. New York: Modern Language Association of America, 2008. Print. [Amazon US]

MLA Style Manual and Guide to Scholarly Publishing. 3rd ed. New York: Modern Language Association of America, 2008. Print. [Amazon UK]

MLA Handbook for Writers of Research Papers. 7th ed. New York: Modern Language Association of America, 2009. Print. [Amazon US]

MLA Handbook for Writers of Research Papers. 7th ed. New York: Modern Language Association of America, 2009. Print. [Amazon UK]

The Chicago Manual of Style: The Essential Guide for Writers, Editors and Publishers. 16th ed. Chicago: University of Chicago, 2010. Print. [Amazon US]

The Chicago Manual of Style: The Essential Guide for Writers, Editors and Publishers. 16th ed. Chicago: University of Chicago, 2010. Print. [Amazon UK]

© Roy Johnson 2014



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Moodle for Language Teaching

November 11, 2009 by Roy Johnson

online language-learning activities using Moodle

I have been critical of some of these Moodle guides in the past. That’s because most of them are not much more than an explanation of Moodle’s individual features, but no suggestions about how they might be used to create dynamic eLearning courses, exploiting the interactivity that Moodle offers. Moodle for Language Teaching is far more useful, because it approaches these issues the other way round. It starts with the premise of online learning design, then shows how it can be done using Moodle.

Moodle 1.9 for Language TeachingJeff Stanford very sensibly begins by explaining the structure of a course in Moodle, and how its parts relate to each other. It’s important if you haven’t used Moodle before to understand the difference between course content and the extras that can be attached via blocks and add-on modules. [You also need to get used to the names of all these features.] All this will help you to conceptualise your course design, and it explains clever supplements such as Mobile Quiz which allows the downloading of quiz questions onto mobile phones.

Stanford also explains how to choose all the important settings for a course – the various permissions, users, course timetable, and what will be shown to students in the way of grades, results, and feedback. All of these options are amazingly detailed and customisable from within Moodle – so long as you know your way around the various settings.

All of his explanations are offered in a direct ‘Here’s how to do it’ manner, with screenshots showing you what to expect and copious lists of free software to help you achieve what you’re looking for. But be warned! Take anything new one step at a time, and don’t expect to create a richly interactive multimedia course in just a few days. Or – if you are new to Moodle – even a few weeks.

He explains how to create quizzes – and here’s an extra tip from someone who did this the hard way. You should learn how to categorise and store your quiz questions groups, so that you can re-use them in different combinations. This will save you the laborious effort of re-keying questions and their multiple possible answers.

The book understandably uses language learning as its pedagogic objective, but in fact almost all of the features of Moodle discussed could be used for creating courses in other subjects. For instance the glossary building activity to create lists of key terms and a ‘word a day’ feature; the Chat module, which acts in the same way as other Instant Messaging systems; or the ‘Hot Potatoes’ quiz-making module.

It’s assumed that the second language being taught is English, so this makes both the ideas and the examples useful for teachers of English, communication skills, or other language-oriented courses.

Many of the stages of course creation involve entering small items of information into a data base using forms. There is quite a conceptual gap between the data entry process and what appears on screen as the final result to a user. You should expect to find this quite arduous at first, but then straightforward once you’ve done it a few times.

There are lots of different types of quizzes possible – missing words, multiple choice questions, matching words, or matching pictures to text – and you can also shuffle questions so that no two people see them in the same order (which I can assure you helps to minimize copying by students using adjacent screens).

For a language course he naturally explains the use of audio and video files to enhance learning. There’s a free add-on module called NanoGong which can be used in conjunction with a quiz to produce vocabulary, pronunciation, intonation, and word stress exercises. You can also make short podcasts or add dictation exercises to which students reply in writing.

There are any number of opportunities to allow students to interact with each other, compare notes, see each other’s blog entries, rate discussion contributions, swap messages via email and the forum, and comment on each other’s work. But here’s another tip from hard won experience. Before you design a course, make sure how much time the tutor (even if that is you) can spend monitoring all this activity and participation in group work. Many institutions see online learning as a way of saving the expense of tutor time, rather than enhancing the student’s learning experience.

Writing activities are relatively straightforward. Students enter text and save their efforts as a journal, a blog, their profile, or as an assignment. You’ll be lucky if they do just one of these. But they do like feedback on any work submitted – so the book quite rightly ends with a section explaining the huge variety of assessment and grading systems that are available in Moodle.

In fact there is so much guidance and support available that it won’t all fit in this (fairly long) book. So two additional chapters have been placed on the publisher’s web site. These cover making your Moodle course materials look nice on screen, and preparing your students to use Moodle.

I’ve a feeling that the publishers Packt have learned from feedback on their earlier Moodle guides, and have wisely gone down the road of putting the designer’s needs first. Their formula works well here, and this guide for me is a better manual for designing courses than all the others currently available. We’ve been designing customized Moodle courses at www.texman.net for the last few years now, and having a guide like this at the outset would have flattened what at times was a painfully steep learning curve.

Moodle for Language Teaching   Buy the book at Amazon UK

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© Roy Johnson 2009


Jeff Stanford, Moodle 1.9 for Second Language Teaching, Birmingham: Packt, 2009, pp.505, ISBN: 1847196241


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Moodle Teaching Techniques

April 10, 2010 by Roy Johnson

creative effective online learning courses using Moodle

As a course management system, Moodle has more technical features than its commercial rivals, but that’s not the only reason it’s being taken up by schools, universities, and colleges. In the jargon of educationalists, it’s a ‘constructivist’ program. This means that it allows users to learn through building their own experience of learning, possibly in contact with other students. It is student-oriented, rather than teacher-led, and it promotes learning through doing rather than just passive reception. If anybody tells you it’s an easy software program to use, they’re lying. Most people will need all the help they can get, even if they are putting some ready-made course materials into Moodle’s default templates. That’s why books such as Moodle Teaching Techniques exist – to explain the principles of eLearning design at the same time as offering a guided tour of some Moodle features.

Moodle 1.9 Teaching TechniquesThe first chapter in Rice and Nash’s guide details the variety of strategies people use when learning, and it identifies the tools within Moodle which can be used to include them in an eLearning programme. This is useful at beginners and intermediate levels, when it’s not always easy to understand the difference in purpose of, say, a quiz and a lesson.

The next step – quite logically – is the creation of a structure for a course. It is now a generally accepted fact that courses need to be split into small, easily manageable units – whether these are called topics, modules, units, lessons, or chapters. The recommendation here is to use Moodle’s forum tool for creating these discrete parts. This is quite reasonable – but users will need to make clear to themselves the distinctions between student, group, forum, class, and course which flow from this decision. It is not immediately clear in Moodle what the consequences of making one choice rather than another will be.

The same is true when it comes to allocating permissions. Moodle permits a number of levels of privacy and security, and you will need to consider carefully the benefits and potential disadvantages of allowing students to see, for instance, each other’s work and teacher’s comments upon it. Fortunately, each stage of their recommendations is illustrated with screen shots showing how to effect the required configuarations.

They are quite right to assume that Chat will be an attractive feature for students – particularly youngers ones who have grown up in a world of Messenger and Facebook. But it seems odd to discuss all Chat’s possible uses before any course materials and structure have been shown. Unless you already know how to use Moodle, this book itself would need to be used in conjunction with another – such as Using Moodle or Moodle: E-Learning Course Development.

The issue of assessment is focussed exclusively on the creation of quizzes – which can be a rather complex and often counter-intuitive matter in Moodle. They show how a quiz can be timed, limited, and controlled – but they miss one important feature which could save course designers lots of time. That is the creation of categories for question banks in which the quiz questions can be saved for future re-use. These are, after all, the fundamental and re-usable learning objects which form the basis of a Moodle course.

Next they cover the use of the lesson to promote learning. The course materials should be chunked and their sequence controlled, with a series of checks on undestanding included at each stage. And if you didn’t already appreciate the fact, it’s worth knowing that Moodle records every single student activity on a course – so it’s possible to see how many attempts have been made at a quiz, how long was spent on each page, and how many correct answers have been accumulated. This allows for a lot of revision and fine tuning of the materials between each itteration of the course.

Then they cover features which will probably only be used on courses in further and higher levels of education (and training) – the use of the Wiki feature, the Glossary, the Workshop, and the Choice activity. It’s typical of Moodle’s use of confusing terminology that ‘Choice’ is what most normal people would call a Poll or a Survey.

And at the end comes a chapter which should more logically, but perhaps less inspiringly, come first – course management. You really do need to know how to set up a course so that students can find their way around, see what’s available, and keep track of their learning.

I continue to believe that the definitive guide to using Moodle as a course design and management tool is still to be written. It will be a hefty tome if it ever appears – but in the meantime, users will have to cope with these slimmer (but still expensive) volumes which offer pointers in roughly the right direction.

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© Roy Johnson 2010


William Rice and Susan Smith Nash, Moodle 1.9 Teaching Techniques, Birmingham: Pakt Publishing, 2010, pp.200, ISBN 1849510067


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Online Course Design – a bibliography

October 30, 2009 by Roy Johnson

Online Course Design  Laurel Alexander, Education & Training on the Internet: An essential source for students, teachers and education providers, Plymouth: Internet Handbooks, 2000, pp. 192, IBSN 1840253460. Guide to online resources for students and tutors. Exstensive listings of online courses in UK and abroad.

Online Course Design  Tom Boyle, Design for Multimedia Learning, London: Prentice Hall, 1997, pp.240, ISBN 0132422158. Software and media for creating learning programs. Slightly dated now, but sound on basic principles.

Online Course Design  Stephanie Browner, Stephen Pulsford, and Richard Sears, Literature and the Internet: A Guide for Students, Teachers, and Scholars, London/New York: Garland, 2000, pp.191, ISBN 0815334532. Popular guide to resources, techniques, and issues for literary studies classes.

Online Course Design  Alan Clarke, Designing Computer-Based Learning Materials, London: Gower, 2001, pp.196, ISBN 0566083205. Practical design principles – from conception to evaluation.

Online Course Design  Jason Cole & Helen Foster, Using Moodle, Sebastopol: O’Reilly, (second edition) 2007, pp.266, ISBN 059652918X. Clear and straighforward guide to course design using the open source virtual learning environment Moodle.

Online Course Design  Julia Duggleby, How to be an Online Tutor, Hampshire: Gower, 2000, pp.158, ISBN: 0566082470. Simple guidance notes for online tutors and course authors. Suitable for those working on community-based education.

Online Course Design  D. R. Garrison and Terry Anderson, E-Learning in the 21st Century: A Framework for Research and Practice, London: Routledge, 2003, pp.167, ISBN 0415263468. Course design – from planning and authorship, through to evaluation and assessment. Largely theoretical.

Online Course Design Duncan Grey, The Internet in School, London: Cassell, 1999, pp.155, ISBN: 0304705314. Guide to equipment, policies, and resources for teachers.

Online Course Design  Irene Hammerich and Claire Harrison, Developing Online Content: the Principles of Writing and Editing for the Web, New York: John Wiley, 2002, pp.384, ISBN 0471146110. The principles of writing and editing for the Web.

Online Course Design Reza Hazemi, Stephen Hailes, and Steve Wilbur (eds) The Digital University: Reinventing the Academy, London: Springer Verlag, 1998, pp.307, ISBN 1852330031. Academic essays on the e-Learning revolution.

Online Course Design   Silvina P. Hillar, Moodle 1.9 English Teacher’s Cookbook, Birmingham: Pakt Publishing, 2010, pp.207, ISBN: 1849510881

horton-2

Online Course Design  William K. Horton, Designing Web-Based Training : How to Teach Anyone Anything Anywhere Anytime, John Wiley & Sons, 2000, pp.640, ISBN: 047135614X. Best-selling guide to all aspects of instructional design and writing for web-based training materials. Highly recommended.

Online Course Design  Bob Hughes, Dust or Magic: Secrets of Successful Multimedia Design, London: Addison-Wesley, 2000, pp.264, ISBN 0201360713. Amusing and thought-provoking study of working on multimedia projects – from web design to CD-ROM and interactive video.

Online Course Design  William W. Lee and Diana L. Owens, Multimedia-Based Instructional Design, San Fransisco (CA): Jossey-Bass, 2000, pp.357, ISBN 0787951595.

Online Course Design  Roger Lewis and Quentin Whitlock, How to Plan and Manage an E-learning Programme, London: Gower,2003,pp.185,ISBN 0566084244. Practical step-by-step guide to planning, designing, and managing online learning courses – will apeal in particular to managers and administrators.

Online Course Design  Patrick J. Lynch and Sarah Horton, Web Style Guide, New Haven: Yale University Press, 1999, pp.164, ISBN: 0300076754. Excellent web site design guide. Originally written for medical students at Yale. Concentrates on design principles and navigation.

Online Course DesignMarguerita McVay Lynch, The Online Educator: A guide to creating the virtual classroom, New York/London: Routledge, 2002, pp.170, ISBN: 0415244226. Complete guide to designing and teaching online courses. Recommended.

Online Course Design  Robin Mason and Frank Rennie, eLearning: the key concepts, London: Routledge, 2006, pp.158, ISBN 0415373077

Online Course Design  Jakob Nielsen, Designing Web Usability: The Practice of Simplicity, Indiananapolis (Ind): New Riders, 2000, pp.420, ISBN: 156205810X. Nielsen puts speed and simplicity of access above all else in this tutorial on Web site design which pulls no punches. Fully illustrated with good and bad examples. Recommended.

Online Course Design  Jakob Nielsen and Marie Tahir, Homepage Usability: 50 websites deconstructed, Indiananapolis, (Ind): New Riders, 2002, pp.315, ISBN: 073571102X. Neilsen shows the strengths and weaknesses of famous web sites – and offers his own makeovers of their home pages.

Online Course Design  Jonathan and Lisa Price, Hot Text: Web Writing that Works, Indianapolis (IN): New Riders, 2002, pp.507, ISBN 0735711518. Professional-level manual on how to write, structure, and edit information for the Web. Highly recommended.

Online Course Design  Roy Rada, Understanding Virtual Universities, Bristol: Intellect, 2001, pp.122, ISBN 1841500526. Course design and construction for online learning.

Online Course Design  William H. Rice IV, Moodle Teaching Techniques, Birmingham UK: Pakt, 2007, pp.172, ISBN 184719284X

Online Course Design  William H. Rice, Moodle: E-Learning Course Development, Packt Publishing: Birmingham, 2006, pp.236, ISBN 1904811299.

Online Course Design  William H. Rice, Moodle 1.9 Teaching Techniques, Packt Publishing: Birmingham, 2010, pp.200, ISBN 1904811657.

Online Course Design  Karen Schriver, Dynamics in Document Design, New York (NY): John Wiley and Sons, 1997, ISBN: 0471306363. Wide-ranging academic and practical study in design theory and applications – with arguments for professionalism in design.

Online Course Design  Patti Shank (ed) the Online Learning idea book, San Francisco: John Wiley, 2007, pp.354, ISBN 0787981680

Online Course Design Jeff Stanford, Moodle 1.9 for Second Language Teaching, Birmingham: Packt, 2009, pp.505, ISBN 1847196241

Online Course Design  John Whalley, Theresa Welch, Lee Williamson, E-Learning in FE, London: Continuum, 2006, pp.118, ISBN 0826488625

© Roy Johnson 2009


Filed Under: How-to guides Tagged With: Bibliographies, Course design, Education, Online learning

Open Source Research

September 5, 2010 by Roy Johnson

why tax-funded research should be in the public domain

Open Source Research offers a new challenge to higher education. In the UK a traditional academic teaching post carried three requirements – teaching, research, and administration. Time and energy were normally allocated to these activities in either equal parts, or at least in that order of precedence. Good teachers gave lectures, conducted seminars and tutorials, looked after their allocation of students, and participated (however reluctantly) in departmental committees and faculty boards. That was in the past.

With the introduction of the (Labour) government’s Research Assessment Exercise (RAE) all that changed. The emphasis of job descriptions morphed entirely into measurable research and tangible outcomes. We know the result: staff transferred as much teaching as possible onto poorly-paid and inexperienced part-time teachers – usually post-graduate students hoping the experience would give them some advantage in the greasy-pole process of seeking tenure.

Open Source ResearchIt is now not uncommon to hear of staff packing any remaining teaching commitments into one term (or semester) – giving them two-thirds of a year free to do as they wish. At professorial level it’s even worse. At my former university a well-known academic with an international reputation on a six-figure salary taught for two hours once a fortnight, refused to make his email address or his telephone number available to anyone, and lived outside the UK, jetting in for his celebrity seminars every two weeks and returning home the same day.

Nice work if you can get it – all at taxpayers’ expense. The only down side to this system so far at the academics are concerned is that they are under an obligation to write articles and books and get them published. Failure to do so usually means being punished with a heavier teaching load or even worse, with extra departmental duties.

So the system, if it is working properly, means that academic staff members investigate some self-chosen topic of interest in their discipline. They then write articles that are published in academic journals, and any book-length studies are produced by academic or commercial publishing houses. They are given the time to do this work, there is even a system of sabbatical leave (a term, semester, or year off work) and they are paid salaries throughout.

Notwithstanding the nature of such employment codes, the economics of this system warrant further scrutiny. In the case of academic journals it would appear that no money actually changes hands. Academics publish their work with no payment. They do so with the incentive of professional kudos and points added to their RAE ratings. But in fact the publisher charges university and college libraries an enormous amount for subscription to the journal. This is true even in the digital age when more and more publications fail to find their way into print. The recorded number of people who actually read these scholarly articles is truly microscopic. Figures between one and five readers per article are quite common. So the system is expensive and inefficient.

Towards Electronic JournalsIn the case of academic and commercial book publishers the system is a little more murky, but similar principles apply. Most in-house university presses are heavily subsidised, even if they claim to be economically independent of their parent-host. [They commonly do not have to factor in the cost of office and storage space, and maybe not even staff salaries.] Nevertheless, they produce worthy, non-popular works which are sold to an audience of college and university libraries at a huge cost.

Here is a case in point. I have recently reviewed a very good publication of this kind (many are far from good) – a collection of essays on literature and cultural history which retails at the handsome figure of one hundred and twenty pounds. That is more than twenty times the price of a popular classic, and way beyond the book-purchasing budget of most normal human beings.

The authors of this compilation may not be too worried about this state of affairs. They have their academic salaries, they will have received a small sum (or maybe even nothing) for their chapters. Their reward comes from enhanced academic status or an invitation to speak at a conference, the costs of which will be paid by their employer.

Commercial book publishers operate virtually the same system. A very small advance payment on future possible sales will be acceptable for an author whose wages are anyway being paid. If the book sells, the publisher profits far more than the author (who is not primarily motivated by sales income); and if it doesn’t sell, it goes into the slush pile of remaindered titles along with all the many other unsold books. The author can still add this publication to the departmental RAE submission and go on to write more books that don’t sell.

There are two things fundamentally wrong with this state of affairs. One is that public funding is being used and abused, the other is that the whole system of research, its publication and its consumption could be conducted far more efficiently (and at almost zero cost) by using the resources of the Internet.

It is now more than ten years since Steven Harnad published his Subversive Proposal that the results of academic research should be made available via a process of digital ‘self-archiving’ in the form of Web pages. He even thought through the process of peer approval, comments and corrections so that the final product was just as rigorously inspected as a traditional journal article. His main objective at the time was to overcome the terribly laborious process of academic print publishing that can result in delays of up to two years before an article sees light of day. But in fact the same arguments can be made to suggest that research funded by taxpayers money should automatically be put into the public domain. After all, if the public has paid for it, the results should be available to everybody.

Nobody would lose from such a system, and all interested parties would stand to gain in some way. The academic staff member writes a paper and publishes research findings onto a web site – maybe one established by the host university. The content of the paper goes through any peer appraisal and revision process, and then is put into immediate circulation and made available to the public – far more quickly than its print equivalent. The university keeps the public kudos of a ‘contribution to knowledge’; the author is likely to have far more readers and more feedback; and the public has access to work that it has paid for.

Of course there may be special cases. Some science departments have financial partnerships with commercial and industrial companies which involve copyright, patents, and intellectual property rights issues. This is another example of taxpayers subsidising commercial interests, but these might reasonably be excluded from such schemes. But the vast majority of research is carried out in subjects with little or no commercial value at all. It lies unread, unloved, and ignored, buried far out of sight in departmental archives and library vaults.

Doctorow - Content - book jacketThere isn’t even any reason why those with a saleable product shouldn’t publish in print as well as digitally. If an article of a book-length study proves popular in its Web space, that is a compelling endorsement so far as print publishers are concerned. And the arguments regarding free online access versus for sale in print are now well known. Making something available free on line enhances the chance of people buying the same thing in printed format, especially in minority interest and specialist subjects.

So – just as any information gathered by a government should be made available free of charge to the public (population statistics, government spending figures, Ordnance Survey maps) the results of research conducted in publicly-funded universities should be available to the people who pay for it through their taxes. In fact whilst they’re at it, I can’t think of any reason why universities shouldn’t publish their course syllabuses and teaching materials as well – can you?

© Roy Johnson 2010


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Plan and Manage E-learning

July 4, 2009 by Roy Johnson

Plan and Manage E-learning looks at the practical steps that need to be taken to create E-learning courses and the infrastructure that supports them. It covers all aspects of this process – including planning, course design, materials creation, course delivery, and tutoring. Lewis and Whitlock take a Web-oriented approach to their exposition. Each step is broken down into manageable chunks, and they use a wide range of examples and plenty of checklists to make this a very practical route map in course design.

Plan and Manage E-learningDespite its reliance on technology, E-learning is heavily dependent for its success on personal interaction, and they spend a lot of space offering support for teachers and learners. This is the part of online learning which is often forgotten by people racing to get onto the technological bandwagon. Much of their content is a sensible and practical approach to course planning – every step geared to think carefully about aims and how they are to be achieved. There are lots of checklists of things to take into account when planning, designing, and running a learning program.

They even deal with tricky issues such as online assessment and moderation, as well as the costs of development time, making the materials cost-effective, and cost-recuperation via clever marketing.

This book will be of most use to course designers, heads of department, or training managers who have been given the task of organising learning programs by people who think it’s just a matter of transferring information quickly from paper to screen.

© Roy Johnson 2004

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Roger Lewis and Quentin Whitlock, How to Plan and Manage an E-learning Programme, London: Gower, 2003, pp.185, ISBN 0566084244


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Reading at University

June 18, 2009 by Roy Johnson

reading [and writing] skills for academic work

Students in higher education probably spend more time reading at university than doing anything else – at least in terms of studying. And the same is probably true for their teachers as well. But do we always read as efficiently as we might? This book sets out to explore all aspects of this key technique of reading skills. The Fairbairns (Mr and Mrs) very wisely point out that reading is not just one, but a set of skills – and they encourage choosing your reading approach according to the nature of the task.

Reading skills It is certainly true that many inexperienced students are hampered by the unconscious habit of reading everything at the same speed and with the same degree of attention. They also encourage readers to become more aware of what they are reading, why they are reading, and what is the academic objective of their reading task. They trace the development of reading skills and discuss the pros and cons of different types of reading – such as speed reading, skimming, searching, scanning, and sampling.

There are some useful tips on analysing academic books and reading lists, as well as how to take notes whilst reading. They even include a chapter which explains how to quote and cite references in academic writing; and another called ‘Reading your Own Work’ which is effectively how to edit and proof-read your writing before submitting it for assessment.

All this advice is aimed at undergraduate students – but most of it will be just as useful to other groups, such as trainee teachers who need to unravel some of the mysteries of the learning process at the same time as sharpening their own study skills.

© Roy Johnson 2001

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Gavin J. Fairbairn and Susan A. Fairbairn, Reading at University: A Guide for Students, Buckingham/Philadelphia: Open University Press, 2001, pp.209, ISBN: 033520385X


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Sample Essay Government

August 26, 2009 by Roy Johnson

sample from HTML program and PDF book

G.C.E. ‘A’ level

Students working at this level are expected to show that they have a firm grasp of the basic concepts and principles of the subject. They should also demonstrate that they are capable of extending their understanding into more advanced aspects of the discipline. They are required to show that they have studied selected aspects of the subject in considerable detail. Essays set at this level require the student to produce clear and thoughtful answers with some sense of organised construction and evidence of close analysis and coherent argument.


Question

What has the premiership of Mrs. Thatcher told us about the need for reform of the powers of the British prime minister?

Answer

The government and politics of Great Britain is concerned with the use of political power. It should, therefore, come as no surprise that many of the debates concerning British politics tend to concentrate on the institutions which supposedly wield power. One such debate is concerned with the proposition that the Prime Minister has replaced the Cabinet as the centre of political power in British government.

Most people would agree that Mrs. Thatcher has displayed many of the classical characteristics associated with Prime Ministerial government. She has used her powers of patronage to gradually replace the Heathite ‘wets’ in the cabinet with people who share her radical beliefs. Furthermore Mrs. Thatcher has convened various ad hoc and ‘standing’ Cabinet committees (the choice of membership is up to her) to by-pass full Cabinet meetings.

A case in point was the ad hoc committee set up to consider Michael Heseltine’s proposals for helping the inner cities. Heseltine’s report (based on his visits to Merseyside after the 1981 riots in Toxteth) advocated vastly increased spending on inner city regeneration but the amount was drastically slashed because all the other members of that committee were Thatcher loyalists who were committed (as she was) to reducing public spending. Thus Heseltine was isolated when faced with a committee loaded against him.

To add to this Mrs Thatcher has often attempted to stifle Cabinet discussion by firmly controlling the Cabinet agenda and minutes. This was why Michael Heseltine eventually resigned over the Westland affair and it provides a good example of how the use of the powers of a Prime Minister can seriously damage his or her de facto power. Mrs. Thatcher’s undoubted dominance has been aided by strict party discipline of Conservative MPs in the House of Commons and the prerogative to call a general election at a time most beneficial to the Conservative Party.

However all these characteristics have been displayed by Prime Ministers in the pre-Thatcher era. For instance Harold Wilson came under considerable criticism for his Ministerial appointments after the 1964 General election because they were based on loyalty rather than any reasons of merit. Richard Crossman also cited many cases of the operation of Wilson’s ‘kitchen Cabinets’ which were composed of the Prime Minister’s personal cronies. Crossman claimed that it was these bodies which took all the major decisions and that the full Cabinet was by-passed. Wilson also attempted to control the Cabinet agenda in a way which would stifle discussion. This was shown by his failed attempt to restrict Cabinet discussion over the devaluation of the pound in 1967.

Strict party discipline in the House of Commons has been with us since the Reform Act of 1867 and so it is not a phenomenon peculiar to the Thatcher years. Similarly the power of dissolution has been used by successive Prime Ministers to try and enable their party to win the general election. In 1935 for instance, the National Government gained a majority of 247 thanks to the decision of Stanley Baldwin to hold a general election after Great Britain had applied sanctions against fascist Italy.

Therefore as far as these classic characteristics of Prime Ministerial power are concerned, Mrs Thatcher has only continued to pursue the same lines of action as other Prime Ministers before her. From this evidence it can only be concluded that as far as these classic characteristics are concerned, the Premiership of Mrs Thatcher has not told us anything new about the need for reform of the powers of the Prime Minister.

It is certainly true that Mrs. Thatcher has used these powers more effectively than most. However this does not mean that we are provided with any further justifications for reform of the powers of the Prime Minister. However this is not to say that Mrs. Thatcher’s Premiership has not demonstrated the need for reform. In certain areas Mrs. Thatcher has greatly enhanced her own powers in a way that none of her predecessors did.

The Prime Minister’s control over Cabinet appointments is nothing new. But Mrs. Thatcher has extended such blatant patronage to the higher ranks of the higher Civil Service. Before 1979 the convention was that the Prime Minister merely ratified candidates put in front of them by the Civil Service itself. But Mrs. Thatcher has deliberately interfered in the appointment of top Civil Servants because she wants to avoid any possibility of Civil Service obstruction towards her monetarist policies. This has entailed appointing so-called ‘can-do’ men who will advise on policy as well as carry it out in a manner which shows them to be totally committed to government ideas.
This politicization of the Civil Service has been matched by a decision making structure which has brought Civil Servants far more into policy making than ever before. All this has been Mrs. Thatcher’s creation.

There are very serious dangers concerning these events. For instance what will be the reaction of a future Labour or SLD government who face a supposedly neutral higher career Civil Service staffed with Thatcher appointees committed to Thatcherite policies? Since 1979, Mrs. Thatcher has appointed 43 Permanent Secretaries and 138 Deputy Secretaries. Will the Civil Service become a political football with all parties trying to shape it in their own image? Moreover one of the great virtues of a totally neutral Civil Service is the fact that it will provide an idea of the possible dangers of a policy.

A Civil Service which is as committed to policy objectives as the politicians may well become so shortsighted as to laugh off serious dangers in the same way as the politicians do, with the end result being a policy disaster which could affect the whole country. To add to this there is always the danger that civil servants may conspire with the politicians to falsify public information (such as unemployment statistics) in order to win votes for the party in power. In fact with the abolition of the Central Review Policy Staff and the subsequent creation of the ‘Number Ten Policy Unit’ an intricate system of objective advice and information has virtually disappeared.

The very fact that all this has been the work of one woman and her team of advisers shows that there has been a serious erosion of the ‘separation of powers’ principle within the executive structure. Any reform of Prime Ministerial power should concentrate on trying to stop politicians blatantly shaping a very powerful higher Civil Service according to their own needs. Mrs. Thatcher has created this trend and consequently it is her Premiership which has shown the true need for the reform of Prime Ministerial powers in terms of the power of the Prime Minister over the higher Civil Service.


Tutor Comment

This is a very competent essay with a number of very positive features, the most important of which is that it answers the question in a serious and intelligent manner. You also offer evidence to support your arguments and make a successful attempt to be ‘even-handed’ in your consideration of the issues involved. There are weaknesses too, but they are of a minor stylistic nature and can easily be corrected with more practice. You became slightly repetitious at some points (‘powers of the Prime Minister … Prime Ministerial power’) and some of your paragraphs are rather long. [I have indicated where a change of topic calls for a new paragraph.] At this level such thorough work fully deserves a good ‘A’ grade.

© 2003

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Sample Essay Literary Studies

August 26, 2009 by Roy Johnson

sample essay from PDF book

Access to further and higher education

This example is from an access course which offers students an introduction to literary studies. It allows them to explore their own potential for the subject before either passing on to ‘A’ level or undergraduate study. The student in this case has a much higher than usual ability in analytic and conceptual skills, and a very firm sense of structure in essay construction. However, because the conventions of academic writing take some time to acquire, there is still plenty of comment to be made about the details of this essay.


Question

Present an analysis of the main characters in Thomas Hardy’s story, ‘The Withered Arm’. In other words, say what we know about them in terms of their physical appearance, their psychological motivation, and their relationship to each other.

Answer

Thomas Hardy tells the story of ‘The Withered Arm’ using three main characters: Rhoda Brook, Farmer Lodge, and Gertrude Lodge; and three subsidiary characters: the son of Farmer Lodge and Rhoda Brook, ‘Conjurer’ Trendle and the executioner Davies. The drama is played out in and around Hardy’s imaginary village of Holmstoke and town of Casterbridge, and the action takes place between the years 1819 and 1825. Rhoda Brook is introduced in the opening paragraphs of the story as a forlorn character – the eternal fallen and abandoned woman.

When the story opens Hardy describes her as thirty-years-old, thin and faded (p.25). But, as the story is developed, he gives many clues to her previous appearance, and a clear picture emerges of a tall, large-framed woman of enduring strength, with well defined features (p.34) dark, handsome eyes (p.27) and an abundance of dark hair. We can appreciate that, at the age of seventeen, it would have been a girl of considerable attraction to whom Farmer Lodge was drawn.

Rhoda’s affair with Lodge gave them a son – who is twelve years old when the story begins. But the relationship does not appear to have endured. Lodge has not spoken to Rhoda for years, (p.26) and always ignores his son whenever he sees him.

Although the relationship is long over for Lodge, it is plain that Rhoda has continued to hold on to the idea that there might be, in time, some sort of compensation for what she must have seen as a ruined life. All chances of such an event happening vanished with the arrival of Gertrude as Lodge’s wife (p.36) but the kind of reparation that lay in Rhoda’s mind is revealed by the importance of the wedding ring with which the spectre in her nightmare torments her (p.31). Rhoda had, it seems, dreamed of marriage and respectability.

Although she has had a hard life, Rhoda is not a hard woman. She is, for example, inclined to be indulgent with her son by allowing him to stay at home instead of sending him to work in the fields (p.36). When she meets Gertrude in the flesh she responds readily to her ‘sweet voice and winning glance’ and quickly forms a good relationship with her which borders on affection.

When Gertrude first reveals to her the blight on her arm, Rhoda feels some elation that the beauty of the young girl has been tarnished (p.36) but she also feels the beginnings of a guilt which is to become obsessive. She is a simple countrywoman strongly inclined towards superstitious beliefs and, during her years of rejection and relative isolation, she knows that she has been called a witch (p.35). Her troubled mind refuses to accept the blight on Gertrude’s arm for the coincidence that it really is (p.34) and she allows herself to believe that she might indeed have some malignant powers and, in fact, be responsible for Gertrude’s suffering.

Gertrude Lodge enters the story as the nineteen year old bride of Farmer Lodge. Hardy gives a clear picture of her appearance at that time through the eyes of Rhoda Brook’s son, who reports back to his mother that Gertrude is a small, pretty young woman, doll-like, with fair hair, blue eyes, and a soft complexion. She is almost the perfect opposite to the tall and darkly handsome Rhoda.

Although little more than a girl, Gertrude is mature and ‘a lady complete’ (p.29) and immediately on her arrival in the village sets about the duties of the yeoman’s wife by bringing gifts to the poorer people in the parish. She is however, timid by nature, and has a natural shyness, as is shown by the ordeal of her first public appearance in church (p.30).

When the blight first appears on her arm Gertrude’s enlightened and educated mind accepts it as a natural misfortune. Although blessed with good looks she is not vain, for she confides to Rhoda that she herself ‘does not much mind it’ (p.36). But she does mind the effect that she thinks it has on Farmer Lodge. She is astute enough to realise that personal appearance is very important to him, and she begins to fear losing his love.

When the suggestion to visit conjurer Trendle is first made, Gertrude rejects the idea out of hand as superstitious nonsense (p.37). But as the condition becomes worse, she abandons reason and is willing to try Trendle’s powers. During the following five years Gertrude’s interest in her arm declines into an obsession, and she becomes ‘irritable and superstitious’ (p.42), seeking a cure in the wildest of remedies from herbs to black magic. The pursuit of a cure demonstrating considerable single-mindedness and strength of purpose.

Although she loves her husband, Gertrude is distanced from him by age and her irrational fears, and is unable to discuss the misery of her affliction calmly with him. She is tortured by the belief that the disappearance of the blight from the arm will re-generate her husband’s lost interest in her, and she summons up all of her dwindling strength to face the awful contact with the freshly-hanged corpse. An encounter which proves altogether too much for her ‘delicate vitality’ (p.54).

In contrast to the liberal and detailed description of the two women, Hardy gives very little information about the physical appearance of Farmer Lodge. He is, at the time of his marriage to Gertrude, about forty years old (p.25) and in the prime of his life. We are told that his face is clean-shaven, and has a ‘bluish vermilion hue’, which suggests a very dark-haired man, otherwise there are no clues on which to build a picture.

Lodge is a man of considerable means, the inheritor of land which has been owned by his family for over two hundred years (p.42). He is a proud man, and given to ostentation. He brings his new wife home in a bright, handsome new gig (p.27) wears ‘great seals’ in his waistcoat, and swells with pride when he makes his first public appearance with his bride (p.30). Appearances do seem to be important to him.

Lodge’s behaviour during the telling of the story shows him to be an enigma. He is able, publicly, to ignore his son completely (p.29) and yet harbour notions of adopting him. He is unable to give Gertrude the comfort and reassurance that she needs when the blight first appears and flies into a fury at the mention of superstitious village beliefs (p.45). He is however gentle enough to her when he suggests ‘for her own good’ (p.42) that she rids herself of her hoard of quack cures.

He becomes ‘gloomy and silent’ (p.41) as time passes, but in spite of Gertrude’s distress gives her no real cause to think that he has ceased to love her. He does not appear to have contributed any of his considerable wealth towards the upkeep of Rhoda and his son, for they live in a dilapidated cottage, relying for their living on Rhoda’s hard work as a milkmaid and the boy’s occasional poaching (p.30). And yet in Rhoda’s hour of desperate need he takes time away from his business to attend the trial of his son, and appears with Rhoda to claim his corpse for burial (p.53); although he has no tears to shed for the boy. His subsequent softening of character is as puzzling as the rest of his behaviour.

Of the minor characters in the story much less detail is given. The ill-fated boy – we are provided with no name or physical description – is bright-minded, perceptive and impressionable when judged by his reports about Gertrude Lodge (p.30). But there are suggestions of the lack of discipline – his carving of the chair (p.27) reluctance to work in the fields (p.32) and his poaching – which led him into the trouble which bring his life to a tragically early end. There is an interesting comparison between the grey-bearded, red-faced Trendle, who affects not to believe in his powers, and the hangman Davies, an old man who earns his living as a jobbing gardener, but who insists that his ‘real calling ‘ is that of an Officer of Justice (p.50).

Hardy takes quite unrelated happenings and links them through bitterness and superstition to produce this gloomy drama. The affair between Rhoda and Lodge, and her subsequent rejection with the burden of an illegitimate child, sets the seeds of bitterness which Lodge’s eventual marriage to enter Rhoda’s frustrated mind. Gertrude’s unfortunate but natural affliction becomes, for Rhoda, a source of guilt fed by superstition and her own unhappiness. Gertrude’s fear of losing Lodge’s love displaces her natural reason and deteriorates into an obsession. Lodge’s inability to give comfort and reassurance to his young wife allows her mental anguish to fester for years and leads her to seek the most outrageous of cures. The boy’s lack of discipline leads to the grisly scene which brings them all together again for the last time.


Tutor comment

This is a first rate piece of work Ken. You have obviously read the story very attentively, and the remarks you make about it indicate a mature perception. You also give plenty of evidence of ‘close reading’ – that is, paying scrupulously close attention to the text in its detail. I was also struck by the very firm control you have over your material: the sense of a solid and well-planned structure was very striking.

The only thing I felt was missing was that there might have been a little more explication of the change in Gertrude’s nature as she becomes more distressed. Her moral deterioration might then have been linked to Hardy’s sense of ‘tragic fatalism’ which is very strong in this story.

You have made very good progress on the course, and you are now operating at a level which is the equivalent of university undergraduate studies. This gets an A- grade on this course.

© 2003

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