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The Spoils of Poynton

May 2, 2011 by Roy Johnson

tutorial, commentary, study resources, and web links

The Spoils of Poynton (1896) is a short novel which James wrote in his late period, following the catastrophe of his excursion into the theatre, just before the composition of What Masie Knew, The Wings of the Dove and The Golden Bowl. It was first serialised in the Atlantic Monthly under the title of The Old Things then extensively revised by James for publication as a single volume in 1897.

The Spoils of Poynton

Wakehurst Place Mansion

Even though the novel ostensibly concerns a battle of wills over the possession of a beautiful contry house and its collection of antiques and furnishings, there is very little description of these objects themselves. They are merely presented (and accepted) as ‘wonderful’. Nevertheless, James includes a delicate sprinkling of very witty observations about good taste (and lack of it) in the decoration of houses. This was an interest he shared with his friend and fellow-novelist Edith Wharton, whose seminal work on the subject, The Decoration of Houses (1897) was published at exactly the same time as The Spoils of Poynton.


The Spoils of Poynton – critical commentary

One of the most striking features of The Spoils of Poynton is its similarity to Jane Austen’s Mansfield Park (1814). Both are about the forces competing for moral dominance focussed on the possession of a country house. Both feature heroines who are young, relatively poor, and who uphold scrupulous, even fastidious standards of rectitude which cause them to put themselves under a great deal of emotional stress.

Fleda Vetch is separated from her family, and lives under the bounty of Mrs Gereth, just as Fanny Price lives with her richer uncle and aunt Bertram at Mansfield Park. Fleda is much of the time secretly in love with her protectress’s son Owen, as is Fanny with Edmund Bertram.

Both Owen Gereth and Edmund Bertram are unaware that they are selflessly loved and protected by the heroine of the narrative, and meanwhile make relationships with other women who are morally suspect (Mona Brigstock and Mary Crawford respectively).

Both heroines choose to keep their feelings hidden from others, and endure enormous amounts of self-sacriifice and denial in order to protect the object of their affections. Both of them maintain incredibly high standards of moral scruple in the face of other characters tempting them to do otherwise.

In both cases an inheritance and rise in social position is at stake. The stories are variations of the Cinderella theme. But the difference is that Fanny Price eventually gets her man, whereas Fleda Vetch waits too long and loses both her man, Owen Gereth, and the treasures of Poynton Park, which goes up in flames.


The Spoils of Poynton – study resources

The Spoils of Poynton The Spoils of Poynton – Oxford Classics – Amazon UK

The Spoils of Poynton The Spoils of Poynton – Oxford Classics – Amazon US

The Spoils of Poynton The Spoils of Poynton – Penguin Classics – Amazon UK

The Spoils of Poynton The Spoils of Poynton – Penguin Classics – Amazon US

The Spoils of Poynton The Spoils of Poynton – Kindle eBook edition

The Spoils of Poynton The Spoils of Poynton – (unabridged) Audio book

The Spoils of Poynton The Spoils of Poynton – eBook editions at Gutenberg

The Spoils of PoyntonThe Spoils of Poynton – Video film (5 disk boxed set)

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

The Spoils of Poynton


The Spoils of Poynton – plot summary

Mrs Adela Gereth has lovingly nurtured a collection of art objects and furnishings in a grand old house at Poynton Park, but when her husband dies the property is inherited by her naive son Owen. She fears he will marry someone with no taste and the spirit of the house will become neglected or even violated. She befriends the sensitive and intelligent Fleda Vetch to share her concerns. But Owen becomes engaged to Mona Brigstock, who has no feeling for aethetic beauty at all, and who merely sees Poynton as a material acquisition. Fleda is in love with Owen, but conceals the fact.

Henry James The Spoils of PoyntonWhen Mona demands that Mrs Gereth vacate Poynton as a condition of her marrying Owen, Fleda feels divided loyalties between helping Owen or his mother. Mrs Gereth goes to live at Ricks, a much smaller house which has been allocated to her, but she also takes all the best items from the collection at Poynton. Mona threatens to call off the marriage to Owen unless the goods are returned. Owen asks Fleda to negotiate with his mother for the return of the goods. She perversely dissimulates her love of Owen to Mrs Gereth in order to preserve what she perceives to be his ‘honour’. However, Mrs Gereth devines the truth of the matter and offers to hand over Poynton and its contents if Fleda will marry Owen.

Mona meanwhile delays the marriage and her mother Mrs Brigstock discovers that Owen has fallen in love with Fleda. Owen and Fleda eventually declare their love for each other, but she insists that Mona must first give him up voluntarily, so that he does not break his promise to marry her.

Knowing that her son and Fleda are in love and likely to marry, Mrs Gereth returns the ‘spoils’ to their spiritual home at Poynton. But Mona takes that as a signal for action, and holds Owen to his promise. They marry quickly, secretly, in a registry office.

Mrs Gereth and Fleda go to live at a much-improved Ricks, whilst Mona and Owen leave Poynton to go on a long vacation in India. Fleda eventually receives a letter from Owen offering to let her select a small momento from the objects at Poynton – but when she arrives there to do so, she finds that the house and its contents have been destroyed in a fire.


Principal characters
Mrs Adela Gereth a strong-minded widow in her 50s who collects beautiful objects
Owen Gereth her well-intentioned but naive son
Fleda Vetch a plain but intelligent young woman
Mrs Brigstock owner of Waterbath
Mona Brigstock her vulgar and greedy eldest daughter
Maggie Fleda’s married sister
Colonel Gereth Mrs Gereth’s brother-in-law
Waterbath a country house full of vulgar objects
Poynton Park a Jacobean house with a collection of beautiful objects
Cadogan Place temporary London home for Mrs Gereth
Ricks permanent alternative home for Mrs Gereth

Henry James's Study

Henry James’s study


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The AmbassadorsThe Ambassadors (1903) Lambert Strether is sent from America to Paris to recall Chadwick Newsome, a young man who is reported to be compromising himself by an entanglement with a wicked woman. However, Strether’s mission fails when he is seduced by the social pleasures of the European capital, and he takes Newsome’s side. So a second ambassador is dispatched in the form of the more determined Sarah Pocock. She delivers an ultimatum which is resisted by the two young men, but then an accident reveals unpleasant truths to Strether, who is faced by a test of loyalty between old Europe and the new USA. This edition presents the latest scholarship on James and includes an introduction, notes, selected criticism, a text summary and a chronology of James’s life and times.
Longstaff's Marriage Buy the book at Amazon UK
Longstaff's Marriage Buy the book at Amazon US

Henry James Washington SquareWashington Square (1880) is a superb early short novel, It’s the tale of a young girl whose future happiness is being controlled by her strict authoritarian (but rather witty) father. She is rather reserved, but has a handsome young suitor. However, her father disapproves of him, seeing him as an opportunist and a fortune hunter. There is a battle of wills – all conducted within the confines of their elegant New York town house. Who wins out in the end? You will probably be surprised by the outcome. This is a masterpiece of social commentary, offering a sensitive picture of a young woman’s life.
Henry James Washington Square Buy the book from Amazon UK
Henry James Washington Square Buy the book from Amazon US

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James web links Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.

© Roy Johnson 2011


More on Henry James
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Filed Under: Henry James Tagged With: English literature, Henry James, Literary studies, The novel, The Spoils of Poynton

The Story in It

June 19, 2012 by Roy Johnson

tutorial, commentary, study resources, and web links

The Story in It first appeared in Anglo-American Magazine in January 1902, It is collected in Volume XI of The Complete Tales of Henry James (Rupert Hart-Davis) 1964.

Henry James portrait

Henry James – portrait by John Singer Sargeant


The Story in It – commentary

This is the story of a small and undramatic romance; it’s a story in which the characters discuss romance as the subject matter of fiction; and it’s a story which rather cleverly reflects upon itself in quite a modern manner.

Maude Blessingbourne has a crush on Colonel Voyt, and although she is not aware of it, she is staying with his clandestine lover Mrs Dyott. This accounts for the tension and the rivalry between the two women. When Colonel Voyt arrives for the first visit, Maude bolts upstairs to change her dress – which turns out to be the prettiest Mrs Dyott has ever seen her wearing.

Against Colonel Voyt’s objections Maude very passionately defends her argument that it is possible to make fictional drama out of virtue. This alerts Mrs Dyott to the true state of Maude’s feelings for the Colonel.

And although Mrs Dyott’s and Colonel Voyt’s behaviour is the conventional subject of fiction (illicit sexual relations) Maude’s story of quiet unspoken love is of no less interest to a writer skilful enough to make something of it – which is precisely what James does.

The story is therefore very modern in its spirit – in the sense that it comments ironically on its own subject. Another way of looking at it is that Henry James is demonstrating his skills as an author and simultaneously revealing the mechanisms by which his narratives are constructed. Fifty years later Vladimir Nabokov was doing the same thing in stories such as The Vane Sisters.

In fact James is well known as a novelist who can spin gold out of straw or generate drama out of scenes that are apparently static and lacking in any drama – as he does when describing the arrival of Colonel Voyt at Mrs Dyott’s house:

They met, as it were, twice: the first time while the servant was there and the second as soon as he was not. The difference was great between the two encounters, though we must add in justice to the second that its marks were at first mainly negative. This communion consisted only in their having drawn each other for a minute as close as possible—as possible, that is, with no help but the full clasp of hands. Thus they were mutually held, and the closeness was at any rate such that, for a little, though it took account of dangers, it did without words


The Story In It – study resources

The Story in It The Complete Works of Henry James – Kindle edition – Amazon UK

The Story in It The Complete Works of Henry James – Kindle edition – Amazon US

The Story in It Complete Stories 1898—1910 – Library of America – Amazon UK

The Story in It Complete Stories 1898—1910 – Library of America – Amazon US

The Story in It The Story in It – Digireads reprint edition – Amazon UK

The Story in It The Story in It – eBook at Project Gutenberg

The Story in It The Story in It – read the story on line

Red button The Cambridge Companion to Henry James – Amazon UK

Red button The Prefaces of Henry James – Introductions to his tales and novels

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

The Story in It


The Story in It – plot summary

Part I. Mrs Dyott and her friend the widow Mrs Maude Blessingbourne engage in subdued rivalry on a wet afternoon. Colonel Voyt and arrives and whilst Mrs Blessingbourne is out of the room he asks Mrs Dyott about a letter he sent earlier in the day, which she has burned – the implication being that it is compromising in nature.

Part II. When Mrs Blessingbourne returns they discuss French novels as distinct from English and American, and theories of drama in relation to moral and aesthetic values. The exchanges are mainly couched in the style of Wildean epigrams and paradoxes. Voyt appears to be flirting with Maude, who vigorously defends an argument that it is possible for a woman to be both good and romantic.

Part III. When Colonel Voyt has left Mrs Dyott challenges Maude about her theories and her behaviour. Maude reveals that she has a passion for someone who does not know about or share her feelings – and that is an example of goodness and romance combined.

A few days later Captain Voyt arranges to visit Mrs Dyott alone – confirming that they have an illicit relationship. She tells him that Maude is in love with him. Their own relationship is likened to the subject matter of drama and fiction, but they opine that Maude’s ‘shy romance’ could not be the material of any drama. As Colonel Voyt puts it: “Who but a duffer…would see the shadow of a ‘story’ in it?”


Principal characters
Mrs Dyott woman in illicit relationship with Colonel Voyt
Mrs Maude Blessingbourne her friend, a widow
Colonel Voyt a Tory member of parliament
Mrs Voyt his wife

Henry James's study

Henry James’s study


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Critical commentary

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.


Other works by Henry James

Henry James The BostoniansThe Bostonians (1886) is a novel about the early feminist movement. The heroine Verena Tarrant is an ‘inspirational speaker’ who is taken under the wing of Olive Chancellor, a man-hating suffragette and radical feminist. Trying to pull her in the opposite direction is Basil Ransom, a vigorous young man from the South to whom Verena becomes more and more attracted. The dramatic contest to possess her is played out with some witty and often rather sardonic touches, and as usual James keeps the reader guessing about the outcome until the very last page.
The Story in It Buy the book at Amazon UK
The Story in It Buy the book at Amazon US

Henry James What Masie KnewWhat Masie Knew (1897) A young girl is caught between parents who are in the middle of personal conflict, adultery, and divorce. Can she survive without becoming corrupted? It’s touch and go – and not made easier for the reader by the attentions of an older man who decides to ‘look after’ her. This comes from the beginning of James’s ‘Late Phase’, so be prepared for longer and longer sentences. In fact it’s said that whilst composing this novel, James switched from writing longhand to using dictation – and it shows if you look carefully enough – part way through the book.
Henry James What Masie Knew Buy the book at Amazon UK
Henry James What Masie Knew Buy the book at Amazon US

Henry James The AmbassadorsThe Ambassadors (1903) Lambert Strether is sent from America to Paris to recall Chadwick Newsome, a young man who is reported to be compromising himself by an entanglement with a wicked woman. However, Strether’s mission fails when he is seduced by the social pleasures of the European capital, and he takes Newsome’s side. So a second ambassador is dispatched in the form of the more determined Sarah Pocock. She delivers an ultimatum which is resisted by the two young men, but then an accident reveals unpleasant truths to Strether, who is faced by a test of loyalty between old Europe and the new USA. This edition presents the latest scholarship on James and includes an introduction, notes, selected criticism, a text summary and a chronology of James’s life and times.
Longstaff's Marriage Buy the book at Amazon UK
Longstaff's Marriage Buy the book at Amazon US


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James web links Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.

© Roy Johnson 2012


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story, The Story in It

The Story of a Masterpiece

August 3, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

The Story of a Masterpiece first appeared in The Galaxy magazine in January 1868. It was not reprinted during James’s own lifetime, and its next appearance in book form was as part of the collection Eight Uncollected Tales of Henry James published in New Brunswick by Rutgers University Press in 1950.

The Story of a Masterpiece

A Potrait of a Woman


The Story of a Masterpiece – critical commentary

The Painting

There are two interesting points of note here. The first is the direct reference to Robert Browning’s well known poem, My Last Duchess which features an Italian Duke showing somebody a portrait of his former wife who he has murdered. Baxter refers to his earlier portrait of Marian, somewhat ironically, as ‘My Last Duchess’ – because he was engaged to her at the time it was first started. The irony is lost on Lennox, who does not know the full truth of his wife-to-be’s past at that point in the story. Though Baxter does not have Marian murdered, but he does break off their engagement because he discovers she has a dubious reputation.

The second item of interest is James’s attempts to present different interpretations of paintings in a literary text. We as readers of course have no image to see, but he offers a persuasive account of how the earlier and the later portraits of Marian might reflect the painter’s attitude towards his model – or are perceived by their principal viewer Lennox according to his attitude to the sitter. When Lennox is enamoured of Marion he thinks the portraits wonderful, but as soon as he suspects her of deception, he views them as revealing her duplicity. This is a little precursor of modernist critical theory at work on the subjective nature of perception. And of course the magical literary trick is that there is no original portrait against which any interpretation can be judged. We only have the painting as described in the text.

And of course the fate of the painting – hacked to pieces because of the corruption it reveals to its owner – is a powerful precursor to the famous scene ot the end of Oscar Wilde’s The Picture of Dorian Gray (1890) when Dorian destroys both his own idealised image as a young man, and himself as the older and corrupt reality.

The ending

The story originally ended as described in the synopsis below. The painting is destroyed, and we are left in doubt about the outcome of the wedding – though on the whole it seems likely that it will still take place, even though the destruction of the portrait suggests that Lennox has seen a glaring weakness in Marian’s character. But James was prevailed upon by the editor of The Galaxy magazine to add the following paragraph to make the ending more explicit for his readers:

I need hardly add that on the following day Lennox was married. He had locked the library door on coming out the evening before, and he had the key in his waistcoat pocket as he stood at the altar. As he left town, therefore, immediately after the ceremony, it was not until his return, a fortnight later, that the fate of the picture became known. It is not necessary to relate how he explained his exploit to Marian and how he disclosed it to Baxter. He at least put on a brave face. There is a rumour current of his having paid the painter an enormous sum of money. The amount is probably exaggerated., but there can be no doubt that the sum was very large. How he has fared – how he is destined to fare – in matrimony, it is rather too early to determine. He has been married scarcely three months.

James was only young at the time, and would understandably feel compelled to comply with the wishes of an editor. But it is interesting to note that he re-introduces the element of doubt into the conclusion by saying ‘it is rather too early to determine’ the outcome of the marriage.

The story certainly fits well with others written around the same time which feature the duplicity and fickleness of women. This is certainly not an isolated instance. In his very first story A Tragedy of Error (1864) an unfaithful wife hires someone to kill her husband; in The Story of a Year (1865) a young woman vows to be faithful to her fiancé whilst he is away at war, and breaks her promise within a very short time; and in A Landscape Painter (1866) a young woman accepts a man’s proposal of marriage, then later reveals that she does not love him and has only married him for his money.


The Story of a Masterpiece – study resources

The Story of a Masterpiece The Complete Works of Henry James – Kindle edition – Amazon UK

The Story of a Masterpiece The Complete Works of Henry James – Kindle edition – Amazon US

The Story of a Masterpiece Complete Stories 1864—1874 – Library of America – Amazon UK

The Story of a Masterpiece Complete Stories 1864—1874 – Library of America – Amazon US

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

The Story of a Masterpiece


The Story of a Masterpiece – plot summary

Part I

Rich widower John Lennox becomes engaged to poor but pretty Marian Everett in Newport during the summer holidays When they return to New York he visits his friend Gilbert and finds Stephen Baxter painting a portrait he calls ‘My Last Duchess’ which looks surprisingly like Marian. Lennox offers to buy it, but someone else has already bought it.When he tells Marian the news, she reveals that she met Baxter in Europe. Lennox then arranges for Baxter to paint Marian’s portrait.

It is then revealed that Marian became engaged to Baxter whilst in Europe, but both being poor, they agreed to wait until there was an improvement in Baxter’s fortunes. But Baxter overhears a story of Marian’s having been indiscreet with another young man. He checks the story with Mrs Denbigh and discovers that there have been two indiscretions with men who were both rich and handsome. Baxter breaks off his engagement to her.

A year and a half passes before they meet up again in New York, at which point Baxter has gotten over his anger and disappointment. He now finds Marian shallow, and reveals to her that he has become engaged to a girl he left behind in Germany.

Part II

The commissioned portrait is eventually finished. It is a faithful likeness of Marian, but when Lennox contemplates it he feels that it reveals her essential heartlessness. Baxter feels some sympathy with Lennox, but when they inspect the portrait together Lennox is suspicious of Marian and Baxter’s past connection. Baxter admits that he was once in love with her – and Lennox convinces himself that it is Baxter’s disappointment at being rejected by Marian (as he believes) that shows through in the portrait.

Baxter does not betray Marian by revealing the truth of the matter. Lennox then questions Marian about her past with Baxter, but she is evasive. Nevertheless, she is worried that he might be disenchanted with her.

As the day of the marriage draws closer, Lennox feels more ill at ease. He sees the portrait on public display, alongside ‘My Last Duchess’ which he now thinks inferior. He contemplates buying his way out of the engagement by giving Marian all his money and escaping. The portrait is delivered to his home on the eve of the wedding, whereupon he hacks it to pieces.


The Story of a Masterpiece – characters
John Lennox a rich (millionaire) thirty-five year old widower
Marian Everett a pretty but penniless young woman
Gilbert a painter friend of Lennox
Stephen Baxter a painter friend of Gilbert
Mrs Denbigh Marian’s chaperone in Europe, a distant relative of Baxter
Sarah Baxter’s fiancée

Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James Washington SquareWashington Square (1880) is a superb early short novel, It’s the tale of a young girl whose future happiness is being controlled by her strict authoritarian (but rather witty) father. She is rather reserved, but has a handsome young suitor. However, her father disapproves of him, seeing him as an opportunist and a fortune hunter. There is a battle of wills – all conducted within the confines of their elegant New York town house. Who wins out in the end? You will probably be surprised by the outcome. This is a masterpiece of social commentary, offering a sensitive picture of a young woman’s life.
Henry James Washington Square Buy the book from Amazon UK
Henry James Washington Square Buy the book from Amazon US

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US


Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.
The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.

© Roy Johnson 2013


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

The Story of a Year

August 2, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

The Story of a Year was first published in The Atlantic Monthly in March 1865. Its next appearance in book form was as part of the collection The American Novels and Stories of Henry James, edited and with an introduction, by F.O. Matthiessen. published by Knopf in New York, 1947.

It is the first of four stories James wrote with the American Civil War as a background. The other tales are Poor Richard (1867), the ghost story The Romance of Certain Old Clothes (1868), and A Most Extraordinary Case (1868).

The Story of a Year

The American Civil War 1861-1865


The Story of a Year – critical commentary

It is difficult to understand this tale, except as a rather simplistic plea for male heroism and altruistic self-denial in the face of female inconstancy. John Ford is giving his fiancée every encouragement to form other relationships even before he departs for the war – and the moment he does join the Army of the Potomac, that is exactly what Lizzie does. And although she is pulled between her regard for both men, she is ultimately not faithful to her vows to John – just as his mother predicts.

The ambiguous ending is one which James would use many times in his later fictions. We do not know if Lizzie will really hold out against Mr Bruce or not – just as we are not quite sure what will become of Olive Chancellor at the end of The Bostonians or Isabel Archer at the end of Portrait of a Lady.

The American Civil War

What is not in doubt at all is the sympathy that James obviously felt for those who were conscripted into what was a very bloody battle. All his stories with a Civil War background emphasise the suffering and hardship of the participants. And although James himself was a Yankee with sympathies for the Unionist cause, he was alert to the general and national sense of suffering caused by the dispute.

Because we now think of James as a modernist writer, and bracket him conceptually (and chronologically) with other experimental writers of the twentieth century such as his friends Joseph Conrad and Virginia Woolf, it is amazing to realise that he was writing whilst the American Civil War was actually taking place. The introduction to this tale flags up both the background of war which had gone on for three years, and (in a very proto-modernist manner) the outcome of the story itself.

My story begins as a great many stories have begun within the last three years, and indeed as a great many have ended; for, when the hero is despatched, does not the romance come to a stop?”

James himself was conscripted into military service, but was excused duty because of a back injury he had sustained whilst pumping water to put out a fire in Boston. Nevertheless, he visited wounded soldiers in hospitals and recovery centres (rather like Walt Whitman) and it is worth noting that all these tales feature suffering and death on the part of all the participants.

There is a scene in his novel The Bostonians which illustrates this very well. In one of the pivotal meetings of the novel the heroine Verena Tarrant takes the hero Basil Ransom to look round Harvard University in Cambridge, just outside Boston. There in the Memorial Hall he looks on the names of those who have died on the opposite side.

The effect of the place is singularly noble and solemn … It stands there for duty and honour, it speaks of sacrifice and example, seems a kind of temple to youth, manhood, generosity. Most of them were young, all were in their prime, and all of them had fallen … For Ransom these things were not a challenge or a taunt; they touched him with respect, with the sentiment of beauty. He was capable of being a generous foeman, and he forgot, now, the whole question of sides and parties; the simple emotion of the old fighting-time came back to him, and the monument around him seemed an embodiment of that memory; it arched over his friends as well as enemies, the victims of defeat as well as the sons of triumph.


The Story of a Year – study resources

The Story of a Year The Complete Works of Henry James – Kindle edition – Amazon UK

The Story of a Year The Complete Works of Henry James – Kindle edition – Amazon US

The Story of a Year Complete Stories 1864—1874 – Library of America – Amazon UK

Red button The Cambridge Companion to Henry James – Amazon UK

The Story of a Year Complete Stories 1864—1874 – Library of America [$13.95] Amazon US

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

The Story of a Year


The Story of a Year – plot summary

Part I.   Lieutenant John Ford and his fiancée Lizzie Crowe contemplate his departure to the Civil War in Virginia. He encourages her not to sentimentalise his memory if he is killed. He wishes her to enjoy herself whilst he is away, and he also thinks their engagement should be kept secret. When they reach home, his call-up papers have arrived. John nevertheless reveals the engagement to his mother, who thinks Lizzie is shallow and that her son deserves a batter class of wife. John asks his mother to keep their conversation secret.

Part II.   Whilst John is away Lizzie enjoys a blissful sense of being at one with the world. Mrs Ford keeps a watchful and critical eye on her, and feels that the girl is patronising her because she only reads portions of John’s letters. Gradually, Lizzie begins to think less of he fiancé..

Part III.   Mrs Ford engineers a visit for Lizzie to Mrs Littlefield, where she dresses up and meets Mr Bruce at a dance. A relationship between them flourishes. He puts her onto the train back home, where they learn via newspapers that John has been severely injured in the war. When Lizzie gets back home Mrs Ford announces that she is going to her son and will nurse him.

Part IV.   Whilst Lizzie waits at home she is conflicted over her feelings for John and Mr Bruce. She becomes pale and ill, and even fantasises about committing suicide..She goes to stay with the local doctor’s housekeeper Miss Cooper, and they are visited by Mr Bruce.

Part V.   Lizzie is on her own when news arrives that John is worse and expected to die. Then Bruce arrives and proposes to her. She tentatively accepts him, but then John unexpectedly recovers and is sent home. Bruce arrives, but she turns him away. She re-unites herself with John, but she is kept away from him, because he is so fragile. Mrs Ford is also ill from her nursing efforts. John finally summons Lizzie, tells her he is going to die, and gives her his blessing for her relationship with Bruce. John dies the next day, and Bruce arrives to claim her. She bids him farewell, but he refuses to go.


The Story of a Year – principal characters
Lieutenant John Ford conscript in the Union army
Mrs Ford his mother, and Lizzie’s guardian
Elizabeth (Lizzie) Crowe a pretty girl of twenty
Mrs Littlefield a childless matron
Mr Bruce a tall, educated, and rich businessman
Mrs Cooper ugly housekeeper to local doctor

Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James Washington SquareWashington Square (1880) is a superb early short novel, It’s the tale of a young girl whose future happiness is being controlled by her strict authoritarian (but rather witty) father. She is rather reserved, but has a handsome young suitor. However, her father disapproves of him, seeing him as an opportunist and a fortune hunter. There is a battle of wills – all conducted within the confines of their elegant New York town house. Who wins out in the end? You will probably be surprised by the outcome. This is a masterpiece of social commentary, offering a sensitive picture of a young woman’s life.
Henry James Washington Square Buy the book from Amazon UK
Henry James Washington Square Buy the book from Amazon US

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US


Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.
© Roy Johnson 2013


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

The Sweetheart of M. Briseux

July 13, 2013 by Roy Johnson

tutorial commentary, study resources, plot, and web links

The Sweetheart of M. Briseux first appeared in The Galaxy magazine for June 1873. It was not reprinted until 1919 as part of Travelling Companions along with six other early Henry James stories, published by Boni and Liveright in New York.

The Sweetheart of M. Briseux

Portrait of a Lady in a Yellow Shawl


The Sweetheart of M. Briseux – critical commentary

This is one of many stories James wrote about art and artists – particularly painters. The premise of the tale is simple enough, and represents a traditionally romantic view of art. Harold Staines is handsome and rich, but he lacks artistic talent. M. Briseux on the other hand is poor and unsuccessful – but he has both artistic insight and skill. Briseux is also a man of principle who turns down an offer of money in order to complete the portrait. The poor but talented artist is something of a cliché which has had a persistently vigorous life ever since it first came into being.

It is echoed here by the complementary cliché of the woman who chooses the poor hero over the rich wastrel. The woman in the portrait refuses Harold Staines when he challenges her, and throws her lot in with the poor Briseux instead. She thereby loses her comfortable position within the Staines family, and is forced to go back to her (poorer) home.


The Sweetheart of M. Briseux – study resources

The Sweetheart of M. Briseux The Complete Works of Henry James – Kindle edition – Amazon UK

The Sweetheart of M. Briseux The Complete Works of Henry James – Kindle edition – Amazon US

The Sweetheart of M. Briseux Complete Stories 1864—1874 – Library of America – Amazon UK

The Sweetheart of M. Briseux Complete Stories 1864—1874 – Library of America – Amazon US

The Sweetheart of M. Briseux The Cambridge Companion to Henry James – Amazon UK

The Sweetheart of M. Briseux Henry James at Wikipedia – biographical notes, links

The Sweetheart of M. Briseux Henry James at Mantex – tutorials, biography, study resources

The Sweetheart of M. Briseux


The Sweetheart of M. Briseux – plot summary

An un-named narrator is looking at paintings in the museum of a French provincial town. The gallery has acquired The Lady with a Yellow Shawl, an impressive work by the best-known local artist, Briseux. The narrator sees a woman in the gallery looking at the picture very intently, and suspects her to be the original subject of the portrait. Later in the day he meets her in the town and she tells him her story, which forms the remainder of the narrative,

She has lived under the protection of Mrs Lucretia Staines, an old friend of her mother. Mrs Staines has a handsome but shiftless son Harold, who decides to become an artist. They all travel to Rome, where he makes copies of old masters. Then he proposes to her, which at first is a delight to her, but then becomes a burden. Mrs Staines however approves the match.

They move on to Paris, where Harold makes copies in the Louvre, The woman delays the marriage, but then challenges him to paint her portrait, after which she promises to settle a date. Harold struggles with the portrait, and one day whilst he is absent from his studio during a sitting, the young painter Briseux appears and denounces the painting as rubbish.

He is hungry and destitute, but very confident about his own talent. She offers to give him money, but instead he finishes off the portrait.

Harold returns and is angry at this interference with his ‘work’: He tells her to leave the studio, but she sees the shabby figure of Briseux as a positive saviour, and that of the handsome Harold as a negative life force. She refuses to move. Harold says she must chose between them: she chooses Briseux, who then finishes off the painting.

She parts from the Staines family and goes back home. Briseux exhibits the picture at the Paris salon and it is deemed a masterpiece which establishes his reputation.

.


The Sweetheart of M. Briseux – principal characters
I the un-named American outer narrator
— an un-named woman who is the subject of the painting
Pierre Briseux a poor French painter
Mrs Lucretia Staines a disappointed widow
Harold Staines her handsome but untalented son

The Sweetheart of M. Briseux

Henry James – portrait by John Singer Sargeant


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The BostoniansThe Bostonians (1886) is a novel about the early feminist movement. The heroine Verena Tarrant is an ‘inspirational speaker’ who is taken under the wing of Olive Chancellor, a man-hating suffragette and radical feminist. Trying to pull her in the opposite direction is Basil Ransom, a vigorous young man from the South to whom Verena becomes more and more attracted. The dramatic contest to possess her is played out with some witty and often rather sardonic touches, and as usual James keeps the reader guessing about the outcome until the very last page.

The Sweetheart of M. Briseux Buy the book at Amazon UK
The Sweetheart of M. Briseux Buy the book at Amazon US

Henry James What Masie KnewWhat Masie Knew (1897) A young girl is caught between parents who are in the middle of personal conflict, adultery, and divorce. Can she survive without becoming corrupted? It’s touch and go – and not made easier for the reader by the attentions of an older man who decides to ‘look after’ her. This comes from the beginning of James’s ‘Late Phase’, so be prepared for longer and longer sentences. In fact it’s said that whilst composing this novel, James switched from writing longhand to using dictation – and it shows if you look carefully enough – part way through the book.
Henry James What Masie Knew Buy the book at Amazon UK
Henry James What Masie Knew Buy the book at Amazon US

Henry James The AmbassadorsThe Ambassadors (1903) Lambert Strether is sent from America to Paris to recall Chadwick Newsome, a young man who is reported to be compromising himself by an entanglement with a wicked woman. However, Strether’s mission fails when he is seduced by the social pleasures of the European capital, and he takes Newsome’s side. So a second ambassador is dispatched in the form of the more determined Sarah Pocock. She delivers an ultimatum which is resisted by the two young men, but then an accident reveals unpleasant truths to Strether, who is faced by a test of loyalty between old Europe and the new USA. This edition presents the latest scholarship on James and includes an introduction, notes, selected criticism, a text summary and a chronology of James’s life and times.
The Sweetheart of M. Briseux Buy the book at Amazon UK
The Sweetheart of M. Briseux Buy the book at Amazon US


Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.

© Roy Johnson 2013


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

The Third Person

June 6, 2012 by Roy Johnson

tutorial, commentary, study resources, and web links

The Third Person first appeared in a volume of stories published under the collective title The Soft Side in 1900. It is one of his many variations on the theme of the ghost story – this one being amusingly satirical.

The Third Person


The Third Person – critical commentary

Ghost stories

Henry James included a number of ghost stories amongst his production of shorter fictions. They were quite popular towards the end of the nineteenth century, and he was quite happy to respond to the commercial demand.

[It should be kept in mind that James employed many techniques to enhance his professional productivity. He hired a stenographist to take his compositions from dictation, and he hired an agent to handle his work in the world of proliferating magazines, journals, and publishing houses – both in England and America.]

The ghost stories range from the deadly and serious The Turn of the Screw in which one character (a child) is literally scared to death, via the similar Owen Wingrave, to playful narratives in which the characters see or believe in ghosts but we the reader are not called on to do so. Sir Edmund Orme even has a benevolent ghost whose task is to protect others from what he suffered.

The Third Person falls into this second category of amusing ghost stories. Two romantically imaginative elderly ladies inherit an old house, and as part of their appreciation of its history they conjure into being their scandalous ancestor. They do so in a spirit of competitive romanticism, and as usual in narratives of this kind there is no corroborative evidence to support the ‘sightings’ of the ghost. We are left in no doubt that they are figments of the ladies’ respective imaginations.

Tauchnitz editions

Tauchnitz was a firm of German publishers in Leipzig who originally produced dictionaries, Bibles, and editions of Greek and Roman classics. When they first introduced cheap paperback English language editions in the mid nineteenth century there were no general copyright agreements, so the books were printed with a warning on their front cover “Not to be introduced into England or into any British colony”.

This prohibition was widely ignored by travellers. Mainland Europe was seen as fertile ground for sexual laxity by the British during the nineteenth and early twentieth century, so anything ‘imported’ from there carried with it the suggestion of immorality. It is therefore deeply ironic that it is the vicar who puts the idea of the smuggled Tauchnitz novel into Amy’s head.


The Third Person – study resources

The Third Person The Complete Works of Henry James – Kindle edition – Amazon UK

The Third Person The Complete Works of Henry James – Kindle edition – Amazon US

The Third Person Complete Stories 1898—1910 – Library of America – Amazon UK

The Third Person Complete Stories 1898—1910 – Library of America – Amazon US

The third person The Third Person – Digireads reprint edition – Amazon UK

the third person The Third Person – eBook formats at Gutenberg Consortia

the third person The Third Person – read the story on line

Red button The Cambridge Companion to Henry James – Amazon UK

Red button The Prefaces of Henry James – Introductions to his tales and novels

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

The Third Person


The Third Person – plot summary

Part I. Two elderly and ‘artistic’ spinsters Susan and Amy Frush unexpectedly inherit an old house near the south-east coast of England. They decide to live there together, and hope to uncover some romantic or even scandalous secret from its past. When they discover a bundle of old letters in the cellar, they enlist the help of the local vicar in revealing its contents.

Part II. The same night Susan Frush sees a man in her bedroom with his head twisted on one side. .Conferring with her younger cousin Amy, they rapidly assume and celebrate the fact that the house is haunted by their own personal ghost. Shortly afterwards the vicar, having studied the old papers, reveals that their ancestor Cuthbert Frush was hanged.

Part III. After a further appearance of the ghost (this time to Amy) they manage to persuade themselves that he is both a handsome and attractive man. When the vicar then reveals that their ancestor was hanged for smuggling, they consider this a rather low-class and vulgar crime, but quickly put a romantic gloss on the facts of the case.

Part IV. As time goes on, the two cousins begin to feel a certain rivalry and possessiveness towards the ghost, who they now think of as their own ‘man in the house’. Susan invents meetings and sightings in order to assume the upper hand, and the two women quarrel over their respective levels of intimacy with the ghost.

Part V. Later they decide in a roundabout way to put an end to the ‘understanding’ they have regarding the ghost, but they are not sure what to do about it. Susan finally reveals that she has sent twenty pounds to the government tax office as an expiatory payment to compensate for her ancestor’s historic offence. Amy then travels to France for ten days and on return smuggles into the country a (by implication) scandalous paperback novel. In doing this they feel that they have finally exorcised the ghost by burying the fiction they have created and maintained.


Principal characters
Miss Susan Frush frumpy old spinster maid, painter
Miss Amy Frush her spinster cousin, ten years younger, writer
Mr Patten vicar at Marr
Marr country town in south-east England

Henry James portrait

Henry James – portrait by John Singer Sargeant


Ghost stories by Henry James

Red button The Romance of Certain Old Clothes (1868)

Red button The Ghostly Rental (1876)

Red button Sir Edmund Orme (1891)

Red button The Private Life (1892)

Red button Owen Wingrave (1892)

Red button The Friends of the Friends (1896)

Red button The Turn of the Screw (1898)

Red button The Real Right Thing (1899)

Red button The Third Person (1900)

Red button The Jolly Corner (1908)


Henry James's study

Henry James’s study


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The BostoniansThe Bostonians (1886) is a novel about the early feminist movement. The heroine Verena Tarrant is an ‘inspirational speaker’ who is taken under the wing of Olive Chancellor, a man-hating suffragette and radical feminist. Trying to pull her in the opposite direction is Basil Ransom, a vigorous young man from the South to whom Verena becomes more and more attracted. The dramatic contest to possess her is played out with some witty and often rather sardonic touches, and as usual James keeps the reader guessing about the outcome until the very last page.
The Third Person Buy the book at Amazon UK
The Third Person Buy the book at Amazon US

Henry James What Masie KnewWhat Masie Knew (1897) A young girl is caught between parents who are in the middle of personal conflict, adultery, and divorce. Can she survive without becoming corrupted? It’s touch and go – and not made easier for the reader by the attentions of an older man who decides to ‘look after’ her. This comes from the beginning of James’s ‘Late Phase’, so be prepared for longer and longer sentences. In fact it’s said that whilst composing this novel, James switched from writing longhand to using dictation – and it shows if you look carefully enough – part way through the book.
Henry James What Masie Knew Buy the book at Amazon UK
Henry James What Masie Knew Buy the book at Amazon US

Henry James The AmbassadorsThe Ambassadors (1903) Lambert Strether is sent from America to Paris to recall Chadwick Newsome, a young man who is reported to be compromising himself by an entanglement with a wicked woman. However, Strether’s mission fails when he is seduced by the social pleasures of the European capital, and he takes Newsome’s side. So a second ambassador is dispatched in the form of the more determined Sarah Pocock. She delivers an ultimatum which is resisted by the two young men, but then an accident reveals unpleasant truths to Strether, who is faced by a test of loyalty between old Europe and the new USA. This edition presents the latest scholarship on James and includes an introduction, notes, selected criticism, a text summary and a chronology of James’s life and times.
Longstaff's Marriage Buy the book at Amazon UK
Longstaff's Marriage Buy the book at Amazon US


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James web links Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.

© Roy Johnson 2012


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Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story, The Third Person

The Tone of Time

May 28, 2012 by Roy Johnson

tutorial, commentary, study resources, and web links

The Tone of Time first appeared in Scribner’s Magazine in November 1900 – a remarkably productive year for James in terms of shorter fiction. It was a period which saw the publication of The Great Good Place, Maud-Evelyn, Miss Gunton of Poughkeepsie, The Special Type, The Abasement of the Northmores, The Third Person, The Tree of Knowledge, and the story which is widely regarded as his finest – The Beast in the Jungle. He wrote all of these (and more) in addition to working on his next novel, The Sacred Fount (1901).

The Tone of Time

Leon Riesener – Eugene Delacroix (1798-1863)


The Tone of Time – critical commentary

The story turns on the coincidence that two women who were once rivals for the same man recognise each other via the effect his portrait has upon them. One of them paints the portrait on a verbal commission from the other, mediated via the narrator, who knows them both. The narrator acts as a catalyst, and even inherits the painting, without ever knowing the identity of the man in question.


The Tone of Time – study resources

The Tone of Time The Complete Works of Henry James – Kindle edition – Amazon UK

The Tone of Time The Complete Works of Henry James – Kindle edition – Amazon US

The Tone of Time Complete Stories 1898—1910 – Library of America – Amazon UK

The Tone of Time Complete Stories 1898—1910 – Library of America – Amazon US

The Tone of Time The Tone of Time – Digireads reprint edition – Amazon UK

The Tone of Time The Tone of Time – eBook formats at Gutenberg Consortia

Red button The Tone of Time – read the story on line

Red button The Cambridge Companion to Henry James – Amazon UK

Red button The Prefaces of Henry James – Introductions to his tales and novels

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

The Tone of Time


The Tone of Time – plot summary

Part I. Mrs Bridgenorth is a middle-aged lady who wishes to commission a portrait of an ideally handsome man to hang in her house. The narrator, a successful painter, recommends the task to a colleague Mary Tredick, who is very good at producing copies. She doesn’t wish to meet the patron, but produces a striking portrait of a man she has once known and loved unhappily.

Part II. When Mrs Bridgenorth is shown the portrait she recognises the subject and reveals that it is someone to whom she was engaged before he died, but who she refuses to name. She is so stricken with the portrait that she offers to double the fee. The narrator reports this to Mary Tredick, who suspects that Mrs Bridgenorth knows something, and she retrieves her painting. When confronted by the narrator Mary reveals that she was once in a relationship with the man, but he ‘failed’ her in favour of Mrs Bridgenorth, who tried to make him marry her. Mary has intuited all this from Mrs Bridgenorth’s intense reaction to the painting. The narrator offers to buy the picture from her, but she refuses, leaving it to him in her will instead. Eventually after her death he has possession of the painting but still doesn’t know the identity of its subject.


Principal characters
— an un-named male narrator
Mary Juliana Tredick a painter
Mrs Bridgenorth commissioner of the painting

Henry James portrait

Henry James – portrait by John Singer Sargeant


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James Washington SquareWashington Square (1880) is a superb early short novel, It’s the tale of a young girl whose future happiness is being controlled by her strict authoritarian (but rather witty) father. She is rather reserved, but has a handsome young suitor. However, her father disapproves of him, seeing him as an opportunist and a fortune hunter. There is a battle of wills – all conducted within the confines of their elegant New York town house. Who wins out in the end? You will probably be surprised by the outcome. This is a masterpiece of social commentary, offering a sensitive picture of a young woman’s life.
Henry James Washington Square Buy the book from Amazon UK
Henry James Washington Square Buy the book from Amazon US

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James Daisy MillerDaisy Miller (1879) is a key story from James’s early phase in which a spirited young American woman travels to Europe with her wealthy but commonplace mother. Daisy’s innocence and her audacity challenge social conventions, and she seems to be compromising her reputation by her independent behaviour. But when she later dies in Rome the reader is invited to see the outcome as a powerful sense of a great lost potential. This novella is a great study in understatement and symbolic power.
Daisy Miller Buy the book from Amazon UK
Daisy Miller Buy the book from Amazon US


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James web links Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.

© Roy Johnson 2012


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story, The Tone of Time

The Tragic Muse

September 22, 2014 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

The Tragic Muse first appeared as a serial in The Atlantic Monthly from January 1889 through to 1890. The novel was then presented in three volumes published in America by the Boston publishers Houghton, Mifflin and Company in 1890, and in England by Macmillan at virtually the same time. It is one of the longest of Henry James’ novels, and deals with a subject dear to his heart – the relationships between life and art.

The Tragic Muse

first English edition in three volumes 1890


The Tragic Muse – critical commentary

The main theme

It is no surprise that this novel attracted very little attention when it was first published, and has generated so little citical commentary in the years since. The novel contains none of the careful organisation and tight structure of James’s more successful works, and its main theme of the artistic life versus social integration is not well realised.

Nick Dormer has a career as a member of parliament virtually handed to him on a silver dinner plate, but he turns it down in favour of his enthusiasm for painting. But his skill and his application as a painter are never convincingly presented. It is also difficult to believe that somebody would give up a parliamentary career on the strength of one painting which was deemed successful. He remains a weak and dilettantish figure throughout.

His sister Biddy’s activity as a sculptor is simply not realised at all. She merely hovers in her brother’s background as a fellow enthusiast.

Only Miriam’s transformation from pushy and ambitious would-be actress with few skills has any credibility attached to it. She develops via application and practice, through to a successful professional career. This part of the novel is altogether more convincing.

The length of the novel

This is possibly one of the slowest-moving of all James’s novels. It’s not only inordinately long (almost 200,000 words) but inordinately long-winded in terms of narrative technique and the recounting of events. The pace is so glacially slow at times that paragraph upon paragraph is devoted to issues as trivial as who might or might not turn up to a restaurant for lunch.

The result is a form of authorial ‘thinking out loud’ which includes multiple possibilities for almost every scene – all of which merely represent James’s point of view – not that of any of his characters. Thus the tale is essentially told, not shown.

James and the theatre

It is interesting to note that the overt subject matter of the novel (reflected in its title) of the stage and acting are topics which fascinated James and were to lead to his own ultimately disastrous excursions into playwrighting and the theatre. He converted his own early novel The American (1876) into a play which had modest success in the 1890s. On the strength of this he wrote a dozen plays, but all of them proved unsuccessful, and most famously his costume drama Guy Domville was booed off stage on its first night in England in 1895.

Nevertheless, although he was deeply wounded by the experience, he retained his interest in dramatic structures, and some of the works he conceived as dramas were later converted to novels which consist largely of conversations between the characters – such as The Other House (1896) and The Outcry.

It is also worth noting that almost all of his most carefully crafted works were later successfully adapted for the cinema – from Washington Square (1880) The Bostonians (1886) and The Portrait of a Lady (1881) to The Golden Bowl (1904). And a number of his shorter works have been turned into operas and plays, such as Owen Wingrave (1892) The Aspern Papers (1888) and The Turn of the Screw (1898).

However, despite the presence of drama in many of his novels and stories, the choice of theatre and acting as a serious topic for The Tragic Muse presents special difficulties for even so skilled a writer as James. It simply isn’t possible to give a convincing account of an evanescent art form such as the theatre in prose form.

He creates a persuasive sense that Miriam Rooth improves her acting skills as a result of learning from Madame Carré, and he evokes both the backstage and front of house atmosphere of the theatre very well, but the essence of what drama means eludes him.

The same is true in his choice of painting as Nick’s vocation. No matter how many brush strokes across canvass and paint-soaked rags are mentioned, it is virtually impossible to convey with words the visual quality of any work Nick produces. We are simply told that his portraits of Miriam (and he only paints two during the entire novel) are successful.

The actress

Contemporary readers might find it difficult to understand why Peter is confronted with a dilemma in his passion for Miriam. He is in love with her, but in order to make a relationship with her he must persuade her to give up the very thing in which she is passionately interested – the theatre.

During the nineteenth century (and into the middle of the twentieth) the profession of actress was regarded as not far short of prostitution. Peter is a diplomat – and could not possibly combine a relationship with an actress and his career.

There was a long-standing tradition of upper-class males who had casual and semi-official liaisons with actresses. One thinks of the Prince of Wales and Lillie Langtry (real name Emile Charlotte Le Breton). But these relationships could not normally be incorporated into polite society. In Peter’s own words of warning to Miriam “e;an actress would never be invited into the drawing room of a lady”e;.

So Peter realises that there is a total incompatibility between his duties and protocols as a diplomat and his passion for such a bohemian figure as an actress – a problem which he solves by his sudden decision to marry Biddy at the end of the novel.

Those who wish to take a psycho-analytic approach to the interpretation of the story will not fail to recognise that it is one (of many in James’s oeuvre) in which two men (very close friends, and cousins) are in love with the same woman – the magnetic figure of Miriam.

Loose ends

Given the enormous length of the novel, it is reasonable to complain that it contains far too many loose ends – lines of the plot which are unexamined, unfinished, or unexplained (to use the three part amplification figure which James employs throughout the narrative).

Nick’s elder brother, Percival Dormer, is suddenly mentioned towards the end of the novel, and for a moment it looks as if he will add to the significance of the family’s social fortunes – but he just as suddenly disappears and is never mentioned again. This is bad on two counts.

As the elder son, it is more likely that the family’s hopes would rest on him, not Nick. It is the elder son who would be expected to follow his father’s role in parliament, but all those hopes (and Mr Carteret’s money) are placed on Nick. These apparently minor details undermine a significant building block of the realist novel – social accuracy, plausibility, and consistency.

Biddy is an interesting character in embryo. She is spirited, independent, and like her brother inclined to practice art. But her activity as a sculptress is never persuasive and simply evaporates in the hurried and unsatisfying conclusion when she marries Peter and disappears to his next diplomatic posting.

Julia Dallow too is a potentially interesting character – a rich and attractive woman who wishes to engage in (Liberal) politics at a national and local level. She is the financial power behind the selection of a candidate for the constituency of Harsh – though it should be noted that this is a ‘rotten’ (more euphemistically a ‘pocket’) borough.

Gabriel Nash is like a Satan figure, coming in to plead the case for aestheticism and lure people (Nick in particular) away from their civic duty. Nash appears from nowhere, plants his ideas, then disappears again. Nobody knows where he lives, and when Nick tries to paint his portrait, he escapes, claiming to be ‘indestructible’.


The Tragic Muse – study resources

The Tragic Muse The Tragic Muse – Library of America – Amazon UK

The Tragic Muse The Tragic Muse – Library of America – Amazon US

The Tragic Muse The Tragic Muse – Kindle edition

The Tragic Muse The Tragic Muse – eBook versions at Project Gutenberg

Red button The Cambridge Companion to Henry James – Amazon UK

The Tragic Muse Henry James – biographical notes

The Tragic Muse Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, web links, study resources

The Tragic Muse


The Tragic Muse – plot summary

Chapter I.   Nicholas (Nick) Dormer is on a cultural visit to Paris with his widowed mother and sisters. Lady Dormer has severe doubts about the moral effects of the modern art they are viewing. Nick however believes that all art contributes to a general good.

Chapter II.   Nick is the second eldest son of a politician and a would-be painter who is aware of his limitations. His sister Bridget (Biddy) wants to be a sculptor. They meet Gabriel Nash, who is an aphoristic conversationalist and an aesthete. Biddy is intrigued by him.

Chapter III.   Grace Dormer and her mother go to lunch and discuss people’s marriage and money prospects. They are joined by their relative Peter Sherringham who reveals that Nick is being tipped for his father’s old seat as a member of parliament.

Chapter IV.   Everyone thinks that Nick should ‘apply’ for the seat – but he needs money to do so (because it is a rotten borough). Nash is against the plan: he offers to introduce the family to his friend Miriam Rooth, an actress, and her mother. The theatre is considered as an artistic medium. Nick thinks it is a feeble art form; Sherringham is an enthusiastic supporter; and Lady Dormer disapproves of it completely.

Chapter V.   His mother wishes that Nick were more active and enthusiastic about the chance of the parliamentary seat, and feels disappointed not to find Julia Dallow available as a potential financial supporter. Meanwhile Peter defends his enthusiasm for the theatre to Nick.

Chapter VI.   The family have a restaurant dinner with Julia Dallow who is the power behind the appointment of a candidate at Harsh, her estate and parliamentary rotten borough. Julia and Nick then discuss his prospects. He is sceptical about standing: she is willing to put up the money in order to keep out the Tories.

Chapter VII.   Nick and Peter meet Miriam Rooth and her mother at the home of Madame Carré. Miriam delivers recitations, but Madame Carré does not think she has any real talent. Peter however is keen to support and promote her.

Chapter VIII.   Miriam and her mother are living in reduced circumstances. She gives another recital next day at an event organised by Peter. He is embarrassed by her performance and thinks her vulgar – but is nevertheless attracted to her.

Chapter IX.   Gabriel Nash talks to Nick about his personal theories of the aesthetic life – turning his own feelings into a form of art. Nick is going to stand for parliament, but wishes to be a painter. He feels the force of the family’s political tradition as a burden.


The Tragic Muse

Paris Street – Caillebot


Chapter X.   Peter feels oppressed by the promise he has made to help Miriam, and he also fears he might be falling in love with her. She gives another pushy and bad recital chez Madame Carré. Peter also feels that critics treat actresses badly.

Chapter XI.   Peter and Miriam discuss her life of poverty-in-exile and speaking styles in the theatre. He argues that she is without a genuine personality, but makes herself into a work of art, and is acting all the time.

Chapter XII.   Peter is conscious that the protocols of his career in the diplomatic service mean that he should keep his theatrical enthusiasm under firmer control. He disregards Mrs Rooth’s superficiality, and the summer passes with MIriam still taking lessons from Madame Carré. Peter tries to educate her and pays for better lodgings. He thinks he might rise above personal issues, but when he goes back to London at the end of the summer he realises that he is completely in love with Miriam.

Chapter XIII.   Nick is elected as Liberal Party member of parliament for Harsh. His mother wants him to marry Julia, who has financed his campaign. But Nick is reluctant, not really interested in politics, and wishes to retain his freedom. However, Lady Agnes argues that it would help her and his two unmarried sisters to establish themselves socially, and this touches his sense of family duty.

Chapter XIV.   When Nick stays at Harsh with Julia and starts engaging with his political duties, he realises how they are enhanced by her presence.

Chapter XV.   Nick rows out to an island on the lake at Julia’s estate at Harsh and proposes to Julia in a little Roman temple. They tease each other and he puts on a front of frivolity. Julia says his mother and sisters can live in one of her spare houses – Broadwood.

Chapter XVI.   Nick visits his benefactor Mr Carteret at Beauclere and appreciate centuries of tradition that the house, grounds, and an old Abbey represents. Carteret is a liberal traditionalist with a well-informed but limited range of interests.

Chapter XVII.   Next morning Carteret dispenses advice to Nick on his parliamentary responsibilities – which depresses Nick. But he approves of Nick’s marriage plans and promises to bestow money on him to give him financial independence. Nick however reveals that Julia wishes to wait for a year to be married.

Chapter XVIII.   Peter feels that his ambition to succeed in his career is seriously compromised by his feelings for Miriam – who would be entirely unsuitable and unacceptable as a diplomat’s wife. He returns to Paris and encourages Mrs Rooth to take Miriam to London. She has meanwhile been taken up by admirer Basil Dashwood, who Peter claims to be keen to meet.

XIX.   Peter follows Miriam and Dashwood to Madame Carré’s where she demonstrates that she has improved her skills. He befriends Dashwood and claims he has a potential engagement for Miriam arranged on the English stage.

Chapter XX.   Peter takes Miriam and her mother to the Theatre Francais where he gives them a tour of its professional inner mechanisms and architecture – the theatre as seen from an actor’s point of view.


The Tragic Muse

Le Théatre Francais


XXI   Peter flirts with Miriam and offers to take her away from the theatre. They meet the star actress Mademoiselle Voisin, who takes them to her dressing room. Miriam is very impressed by her urbane style and the tradition of theatre that she represents. Peter repeats his offer to marry her – arguing that if she remains as an actress she will be excluded from polite society.

XXII   Nick is frustrated by Julia’s making him wait to be married. She wishes to mingle with political society, whereas he wants to get away from it. They come close to arguing, but she finally agrees to marry him in five week’s time.

XXIII   Nick retreats to his artist’s studio for the Easter holidays, where he is visited by Gabriel Nash, who expounds his theories of aestheticism once more. On seeing Nick’s paintings and drawings he insists that Nick has a talent it would be immoral to neglect.

XXIV   Nash thinks Nick ought to give up parliament and devote himself to painting. Nick is flattered but sceptical. Nash suggests that Nick should paint Miriam’s portrait.

XXV   Nick has begun to paint Miriam’s portrait. She has become successful on the stage and patronises Peter. Nick is determined not to fall in love with her.

XXVI   Miriam recounts the events of her theatrical success to Nick. It has been made possible by Peter’s buying the rights to a play, then giving them to her as a source of income. He continues with the portrait – only to be suddenly be confronted by Julia, who is shocked by the intimate scene she stumbles upon.

XXVII   That evening Julia explains in a jealous fit that she thinks Nick prefers art to the political life she has created for him. She feels he has betrayed her, breaks off their relationship, calls on her old friend Mrs Gresham, and goes off to Paris.

XXVIII   Julia meets her brother Peter in Paris and encourages him to pay attention to Biddy Dormer. Peter goes to London and tries to locate Miriam without success, but when he goes to Nick’s studio, he finds Biddy there.


The Tragic Muse

Sarah Bernhardt


XXIX   Peter and Biddy discuss Nick and Julia’s problems, the fact that Lady Agnes is upset because none of her children are married. They also consider the value of art, for which Nick is going to give up his parliamentary seat. Biddy is sculpting and thinks she will never marry. They look at Nick’s portrait of Marian, which is very good.

XXX   Peter takes Biddy and her friend to the theatre to see Miriam. He finds her transcendentally accomplished and develops grandiose visions of a publicly subsidised theatre. He discusses Miriam’s rise to fame with Dashwood, and feels patronised by him.

XXXI   Peter spends the afternoon with Miriam and her arty hangers-on. She expands upon her ambitions. He becomes her regular coach and dramaturg. He regards Dashwood as a lightweight, but remains ambiguous in his feelings towards Gabriel Nash.

XXXII   Mr Carteret becomes ill, and Nick is summoned to Beauclere. He feels ill at ease, partly because of his non-marriage to Julia, and partly because of his intention to quit parliament. Carteret summons him to tell him something important.

XXXIII   Carteret want to know about Nick’s marriage to Julia, on which his promised financial settlement depends. Nick gives him an embarrassed explanation of that particular truth, which upsets the old man. Later the same day he demands the full story, and Nick is forced to reveal his plan to quit politics – as a result of which he will forfeit sixty thousand pounds.

XXXIV   Nick is forced to reveal the whole story to his mother, who is mortified with disappointment. She feels that they might have to give up living at Broadwood following the rift with Julia and that Nick’s loss of Carteret’s legacy, plus giving up parliament is a shame the whole family must bear.

XXXV   Nick is tempted to go abroad, but realises that he must stay and face the consequences of his actions. He is visited by Gabriel Nash, who reveals that Peter is in love with Miriam Rooth, who in her turn is in love with Nick – ever since the meeting and silent clash with Julia in the studio.

XXXVI   Peter and Nash discuss Miriam’s prospects for success, and the fact that she is in love with Nick. Nash opines that she would give up the theatre for Nick – but that there would probably be a heavy price to pay.

XXXVII   In Miriam’s bohemian late afternoon salon she bandies with Peter, flatters Nick, and treats Dashwood like a skivvy. Peter feels mildly jealous of her praise for his friend and cousin Nick.

XXXVIII   Peter wonders why he feels any rivalry with his friend Nick when (theoretically) he has nothing at stake with Miriam. He applies for a new diplomatic posting and is given a position as ambassador to a state in Central America.

XXXIX   Peter goes to see Lady Agnes, who is still eaten up with Nick’s giving up parliament and his loss of prospects. She takes an exaggerated interest in Peter’s career development and salary, which he realises is a poorly disguised wish that he should marry her daughter Biddy.


The Tragic Muse

Sarah Benhardt as Cleopatra


XL   Whilst Peter is preparing himself for a move to the tropics, he is summoned by Miriam to a dress rehearsal next morning. He goes, and is obviously under her spell.

XLI   She summons him again the following day for a private assignation – but then forgets what she wished to discuss with him. He ends up confessing that he is leaving because he is desperately in love with her, and because he realises that a relationship with her is not possible.

XLII   Nick has begun to regret giving up parliament, and doesn’t think he has any genuine artistic talent either. He is visited by Peter, who has conflicting social engagements with Miriam and Lady Agnes.

XLIII   Biddy arrives at the studio and there is banter with Peter and Nick – then Miriam arrives with her mother. Peter and Biddy go shopping and discuss Miriam, on which topic Biddy full of practical good sense.

XLIV   Arriving at the studio, Miriam and her mother flatter Nick – and themselves. Nick continues a second portrait of Miriam promised to Peter whilst Mrs Rooth evaluates his belongings. The two women have invited Biddy to visit them, and they discuss Miriam’s strategy for dealing with Peter.

XLV   In the evening the first night of Miriam’s new play is a resounding success. Peter refuses to go back stage with Nick in the intervals, but at the final curtain he sends a request to Miriam on a visiting card – which she accepts.

XLVI   Peter goes back to Miriam’s house, where she joins him. He offers to marry her if she will give up the theatre. She refuses. They argue about the social and moral merits of the theatre. In desperation he asks for re-consideration in a year’s time. Mrs Rooth then arrives and promises to help him.

XLVII   Nick continues to drift morally, but when Julia returns from her travels abroad he feels that the family should give back the house they have borrowed from her. Julia accepts their offer, but then invites Biddy to live with her at Harsh. She then moves back into Broadwood and asks Lady Agnes and Grace to join her there again.

XLVIII   Miriam continues to be more and more celebrated, but Nick’s second portrait of her is unfinished. She visits for a sitting, flirts and philosophises with him, then leaves for a theatrical tour of the provinces.

XLIX   Gabriel Nash visits Nick’s studio and predicts that Nick will reach a compromise with Julia and will end up a painter of society portraits. Nick begins to paint Nash’s portrait, but Nash feels uncomfortable, argues that he is ‘indestructible’ and then suddenly disappears – never to return.

L   Some months later Nick spends Xmas at Broadwood with his mother and sisters, then goes to Paris for six weeks. Biddy visits Nick’s studio to tell him that Julia wants him to paint her portrait. Miriam suddenly appears with Dashwood, ready for the first night of her new role as Juliet. She arranges a box for Nick and Biddy.

LI   At the theatre that night Peter suddenly appears, back from his posting in the Americas. Nick reveals to him that Miriam has just married Dashwood. Peter immediately switches his attention to Biddy, then marries her and takes her on to his next posting abroad.


Henry James's study

Henry James’s study


The Tragic Muse – principal characters
I an un-named narrator who makes occasional appearances
Lady Agnes Dormer a haughty and traditionalist widow
Percival Dormer her eldest son, who never appears
Nicholas Dormer her younger son, a reluctant politician and would-be painter
Grace Dormer her eldest daughter
Bridget (Biddy) Dormer her youngest daughter, and would-be sculptor
Peter Sherringham a family cousin and diplomat, with an enthusiasm for the theatre
Mrs Julia Dallow Peter’s sister, a rich widow
Gabriel Nash an aesthete friend of Nick’s from Oxford
Miriam Rooth a half-Jewish actress
Mrs Rooth her mother, a widow
Rudolph Roth Miriam’s father, an artistic stockbroker
Madame Carré an old French actress
Mr Carteret a family friend and financial supporter of Nick
Mts Gresham a general factotum to Julia at Harsh
Basil Dashwood actor and admirer of Miriam

Further reading

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US


Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.

© Roy Johnson 2014


More on Henry James
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Filed Under: Henry James Tagged With: English literature, Henry James, Literary studies, The novel

The Tree of Knowledge

May 28, 2012 by Roy Johnson

tutorial, commentary, study resources, and web links

The Tree of Knowledge first appeared in the volume of short stories published under the collective title The Soft Side in 1900 – a remarkably productive year for Henry James. It was a period which saw the publication of The Great Good Place, Maud-Evelyn, Miss Gunton of Poughkeepsie, The Abasement of the Northmores, The Third Person, The Tone of Time, and the story which is widely regarded as his finest – The Beast in the Jungle. He wrote all of these (and more) in addition to working on his next novel, The Sacred Fount (1901).

The Tree of Knowledge

The artist’s studio


The Tree of Knowledge – critical commentary

This is one of many stories James wrote about artists and their varying degrees of success. Morgan Mallow is a hopelessly untalented sculptor who is blind to his own lack of skill but has apparently persuaded the people around him otherwise. The main point of the story is first his son’s realisation that his father is a fraud, and then the revelation that his devoted and supportive wife has been aware of his artistic failure all along.

The most noteworthy thing about the story is the lofty and droll manner in which James conveys Mallow’s lack of talent as a sculptor.

The room they sat in was adorned with sundry specimens of the Master’s genius…They were indeed of dimensions not customary in the products of the chisel and had the singularity that, if the objects and features intended to be small looked too large, the objects and features intended to be large looked too small…The creations [ …] stood about on pedestals and brackets, on tables and shelves, a little staring white population, heroic, idyllic, allegoric, mythic, symbolic, in which “scale” had so strayed and lost itself that the public square and the chimney-piece seemed to have changed places, the monumental being all diminutive and the diminutive all monumental


The Tree of Knowledge – study resources

The Tree of Knowledge The Complete Works of Henry James – Kindle edition – Amazon UK

The Tree of Knowledge The Complete Works of Henry James – Kindle edition – Amazon US

The Tree of Knowledge Complete Stories 1898—1910 – Library of America – Amazon UK

The Tree of Knowledge Complete Stories 1898—1910 – Library of America – Amazon US

The Tree of Knowledge The Tree of Knowledge – Digireads reprint edition – Amazon UK

The Tree of Knowledge The Tree of Knowledge – eBook formats at Gutenberg Consortia

The Tree of Knowledge The Tree of Knowledge – read the story on line

Red button The Cambridge Companion to Henry James – Amazon UK

Red button The Prefaces of Henry James – Introductions to his tales and novels

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

The Tree of Knowledge


The Tree of Knowledge – plot summary

Part I. Peter Brench is a bachelor and a writer of sorts who is very friendly with Morgan Mallow, a hopelessly untalented sculptor who gives himself great airs and lives on his wife’s money. Brench has been a long time admirer of Mrs Mallow and is godfather to her son Lance. Brench keeps to himself his belief that Mallow lacks talent, whilst Mrs Mallow helps to support the idea that her husband is an unrecognised genius.

Part II. When Lance comes of age he announces that he is giving up studying at Cambridge in favour of going to Paris to become an artist of some kind. Brench tries to dissuade him – without success. Mallow meanwhile recieves a commission from a wealthy Canadian to carve a tombstone.

Part III. Lance eventually returns from Paris, revealing to Peter Brench that he now realises the truth about his father’s lack of talent. Brench shares his own opinions, but asks him to conceal the truth for the sake of his mother’s feelings.

Part IV. Lance returns to Paris, but his father begins to put pressure on him to produce some tangible evidence of success. When Lance feels he can longer remain silent regarding his father’s fraudulence, he reveals to Brench that his mother has confessed to him that she too all along has secretly known about her husband’s lack of talent.


Principal characters
Peter Brench bachelor (50) and ‘writer’
Morgan Mallow his friend, a sculptor
Mrs Mallow Mallow’s wife
Lance (Lancelot) their son
Egidio their Italian footman

Henry James portrait

Henry James – portrait by John Singer Sargeant


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James Washington SquareWashington Square (1880) is a superb early short novel, It’s the tale of a young girl whose future happiness is being controlled by her strict authoritarian (but rather witty) father. She is rather reserved, but has a handsome young suitor. However, her father disapproves of him, seeing him as an opportunist and a fortune hunter. There is a battle of wills – all conducted within the confines of their elegant New York town house. Who wins out in the end? You will probably be surprised by the outcome. This is a masterpiece of social commentary, offering a sensitive picture of a young woman’s life.
Henry James Washington Square Buy the book from Amazon UK
Henry James Washington Square Buy the book from Amazon US

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James web links Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.

© Roy Johnson 2012


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story, The Tree of Knowledge

The Turn of the Screw

February 19, 2010 by Roy Johnson

tutorial, commentary, study resources, and web links

The Turn of the Screw (1898) is a classic ghost story which has defied conclusive interpretation ever since it was first published. A governess in a remote country house is in charge of two children who appear to be haunted by former employees, who are now supposed to be dead. But are they? The story is drenched in complexities – including the central issue of the reliability of the person who is telling the tale. This can be seen as a subtle, self-conscious exploration of the traditional theme of the haunted house, filled with echoes of sexual and social unease. Or is it simply, “the most hopelessly evil story that we have ever read”?

Henry James portrait

Henry James – by John Singer Sargeant


The Turn of the Screw – critical commentary

The film versions and the opera are explicit interpretations of the novella – because both of them make physically manifest the figures of Peter Quint and Miss Jessell. The text of the novella offers no such manifestations. These two characters do not appear in the story at all: they are only described by the governess and discussed by her with others.

At no time does anyone else see the figures the governess claims to have observed. She is always alone at such moments as her sightings occur. There is no evidence in the text that anybody else sees the figures the governess claims to see.

The governess ‘discusses’ Peter Quint and Miss Jessel with Mrs Grose, but in an oblique and ambiguous manner whereby she elicits confirmation of her impressions from the housekeeper, who has known Quint and Jessel as former employees and is gullible enough to share the views of the governess.

Because the narrative is delivered entirely from the point of view of the governess, readers only have her opinions and impressions on which to make judgements. She convinces herself for instance that the two children are devoted to her, but a close reading of their rections to her reveal a growing irritation and hostility. She becomes psychologically oppressive to them, and eventually frightens Miles to death.

And because she never reveals the content of the letter which was sent to the house, we never learn why Miles has been expelled from his school.

Narrative structure

The novella appears to be that of a classic ‘framed narrative’ – which is normally a ‘story within a story’. It is introduced as a tale told by one guest (Douglas) to others at a weekend house party. It is one of the others (un-named) who presents the story. However, once the narrative begins, these intermediary narrators never reappear.

The story also comes to the reader via an extraordinarily oblique route. It is introduced by one (outer) narrator who is part of a group assembled for a weekend house party. He describes a fellow guest (Douglas) reading the manuscript of someone else’s story.

The governess has written down her account of events and given the manuscript to Douglas. Some time later Douglas gives the outer narrator the original manuscript, and the narrator makes a copy of it. It is the copy which forms the main part of the narrative. No reason is given why the outer narrator didn’t present the original text.


The Turn of the Screw – study resources

The Turn of the Screw The Turn of the Screw – Oxford Worlds Classics – Amazon UK

The Turn of the Screw The Turn of the Screw – Oxford Worlds Classics – Amazon US

The Turn of the Screw The Turn of the Screw – Dover Thrift – Amazon UK

The Turn of the Screw The Turn of the Screw – Dover Thrift – Amazon US

The Turn of the Screw The Turn of the Screw – Penguin Classics – Amazon UK

The Turn of the Screw The Turn of the Screw – Penguin Classics – Amazon US

The Turn of the Screw The Turn of the Screw – Wordsworth Classics – Amazon UK

The Turn of the Screw The Turn of the Screw – Wordsworth Classics – Amazon US

The Turn of the Screw The Turn of the Screw – eBook versions at Project Gutenberg

The Turn of the Screw The Turn of the Screw – the preface to the 1908 New York edition

The Turn of the Screw www.turnofthescrew.com – a history of critical interpretations.

The Turn of the Screw The Turn of the Screw – Text, Contexts, Criticism – at Amazon UK

The Turn of the Screw The Turn of the Screw – A Reader’s Guide – at Amazon UK

The Turn of the Screw The Turn of the Screw – The Collier’s Weekly Version

Red button Henry James – biographical notes

Red button The Turn of the Screw – a book review

Red button The Turn of the Screw – audioBook version at LibriVox

Red button The Turn of the Screw – unabridged audioBook version

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, web links, study resources

The Turn of the Screw


The Turn of the Screw – plot summary

The plot summary that follows is deliberately brief – because it is difficult to give an account of the narrative without at the same time offering an interpretation of its deeper possible meanings.

The Turn of the ScrewAn unnamed narrator listens to a male friend reading a manuscript written by a former governess whom the friend claims to have known and who is now dead. The manuscript tells the story of how the young governess is hired by a man who has found himself responsible for his niece and nephew after the death of their parents. He lives in London and has no interest in raising the children. The boy, Miles, is attending a boarding school whilst his sister, Flora, is living at the country home in Essex. She is currently being cared for by the housekeeper, Mrs. Grose. The governess’s new employer gives her full charge of the children and explicitly states that she is not to bother him with communications of any sort. The governess travels to her new employer’s country house and begins her duties.

Miles soon returns from school for the summer just after a letter from the headmaster stating that he has been expelled. Miles never speaks of the matter, and the governess is hesitant to raise the issue. She fears that there is some horrid secret behind the expulsion, but is too charmed by the adorable young boy to want to press the issue.

Shortly after, the governess begins to see around the grounds of the estate the figures of a man and woman whom she does not recognize. These figures come and go at will without ever being seen or challenged by other members of the household, and they seem to the governess to be supernatural.

She learns from Mrs. Grose that her predecessor, Miss Jessel, and Miss Jessel’s illicit lover Peter Quint both died under curious circumstances. Prior to their death, they spent most of their time with Flora and Miles, and this fact takes on grim significance for the governess when she becomes convinced that the two children are secretly aware of the presence of the ghosts.

Later, Flora runs away from the house while Miles plays music for the Governess. They notice and go to find her. The governess and Mrs. Grose find her in a clearing in the wood, and the governess is convinced that she has been talking to Miss Jessel. When Flora is forced to admit this, she demands to never see the governess again. Mrs. Grose takes Flora away to her uncle, leaving the governess with Miles.

That night, they are finally talking of Miles’ expulsion when the governess sees the ghost of Quint at the window. The governess shields Miles, who screams at her as he attempts to see the ghost. The governess tells him that he is no longer under the control of the ghost, and finds that Miles has died in her arms.


Principal characters
Narrator an unnamed outer narrator
Douglas possessor of the original manuscript, who introduces the story to fellow guests
The uncle unnamed guardian of two young children
The governess unnamed young woman, who has written the original account of events
Mrs Grose the housekeeper at Bly
Miles a young schoolboy
Flora his sister
Peter Quint a former valet
Miss Jessel a former schoolmistress

The Turn of the Screw – film version

The Innocents – 1961 adaptation by Jack Clayton (dir)

There are several film versions of the story – of which Jack Clayton’s 1961 version starring Deborah Carr is perhaps the most widely admired. The story was adapted for the screen by William Archibald and Truman Capote, with additional scenes by novelist and playwright John Mortimer, and the version was re-named The Innocents – the title alone of which is a form of ‘interpretation’.

Red button See reviews of the film at the Internet Movie Database


Literary criticism

Red button Wayne Booth, The Rhetoric of Fiction, Chicago University Press, 1983.

Red button Robert Kinbrough, Henry James: ‘The Turn of the Screw’, New York: Norton Critical editions, 1966.

Red button T.J. Lustig, Henry James and the Ghostly, Cambridge University Press, 2010.

Red button Shlomith Rimmon, The Concept of Ambiguity: The Example of James, University of Chicago Press, 1977.

Red button John Carlos Rowe, The Theoretical Dimensions of Henry James, University of Wisconsin Press, 1986.

Red button Gerald Willen (ed), A Casebook on Henry James’s ‘The Turn of the Screw’, New York, Thomas Y. Crowell, 1969.

Red button Edmund Wilson, The Triple Thinkers, New York: Farrar, Straus Giroux, 1976.


Henry James's study

Henry James’s study


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Ghost stories by Henry James

Red button The Romance of Certain Old Clothes (1868)

Red button The Ghostly Rental (1876)

Red button Sir Edmund Orme (1891)

Red button The Private Life (1892)

Red button Owen Wingrave (1892)

Red button The Friends of the Friends (1896)

Red button The Turn of the Screw (1898)

Red button The Real Right Thing (1899)

Red button The Third Person (1900)

Red button The Jolly Corner (1908)


Other works by Henry James

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US

Henry James Daisy MillerDaisy Miller (1879) is a key story from James’s early phase in which a spirited young American woman travels to Europe with her wealthy but commonplace mother. Daisy’s innocence and her audacity challenge social conventions, and she seems to be compromising her reputation by her independent behaviour. But when she later dies in Rome the reader is invited to see the outcome as a powerful sense of a great lost potential. This novella is a great study in understatement and symbolic power.
Daisy Miller Buy the book from Amazon UK
Daisy Miller Buy the book from Amazon US


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James web links Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.

© Roy Johnson 2010


More on Henry James
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Filed Under: Henry James, James - Tales, The Novella Tagged With: English literature, Henry James, Literary studies, study guide, The Novella, The Turn of the Screw

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