Mantex

Tutorials, Study Guides & More

  • HOME
  • REVIEWS
  • TUTORIALS
  • HOW-TO
  • CONTACT
>> Home / Archives for Bloomsbury Group

Gerald Brenan biography

September 17, 2009 by Roy Johnson

his life, writings, and adventures

Gerald Brenan biographyGerald Brenan (1894-1987) was born in Malta, the son of an English army officer. After spending some of his childhood in South Africa and India, he grew up in an isolated Cotswold village. He studied at Radley College and then the military academy at Sandhurst. Travel and adventure were to be his way of life, and at sixteen he ran away from home. His aim was to reach Central Asia but the outbreak of the Balkan War and shortage of money caused him to return to England. He studied to enter the Indian Police (as did his near-contemporary George Orwell) but on the outbreak of the First World War, he joined the army. He spent over two years on the Western Front, reaching the rank of captain and winning a Military Cross and a Croix de Guerre.

Following the end of the war, his fellow officer and friend Ralph Partridge introduced him to the fabled Bloomsbury Group. It was through Partridge that Brenan met Lytton Strachey, Dora Carrington, and Virginia Woolf. As soon as he was released from military service he packed a rucksack and left England aboard a ship bound for Spain. He was disillusioned with the way of life in England and with the stifling social and sexual hypocrisies of British bourgeois society. He rebelled against becoming part of it and, being a romantic and adventurer, resolved to seek a more breathable atmosphere in which to live.

He also wanted to educate himself and become a writer. As he records in his best known travel memoir, South from Granada, he felt ashamed that his public school upbringing had left him with a very poor education. He shipped 2,000 books out to his chosen destination – an area deep in Andalucia known as ‘La Alpujarra’.


South from GranadaSouth from Granada is a classic in which Brenan describes setting up home in a remote Spanish village in the 1920s. He has a marvellous grasp of geography; he captures the rugged atmosphere of the region; and he has a particularly detailed knowledge of botany. Local characters and customs are vividly recounted. Bloomsbury enthusiasts will be delighted his by hilarious accounts of visits made by Lytton Strachey and Virginia Woolf under very difficult conditions, as well as a meeting with Roger Fry in Almeria.


Ralph Partridge and Dora Carrington, recently married, also visited him with Lytton Strachey in 1920, and Carrington’s fondness for Brenan is thought to have started on this trip. She carried on an extensive correspondence with Brenan for the next several years and in 1922 they had a brief affair, which was rapidly discovered by Partridge. There was a year of silence between the three, before reconciliation took place and the often-stormy friendship continued for the remainder of their lives.

In 1930 he married the American poetess Gamel Woolsey. In 1934 the Brenans left Spain and were unable to return until 1953, partly because of the Spanish civil war. During the Second World War he was an Air Raid Warden and a Home Guard. They spent this time in Aldbourne and Brenan expressed his feelings of exile from Spain by completing three major works on Spanish life and literature. On his return to Spain he began a series of autobiographical works, including South from Granada, A Life of One’s Own, and A Personal Record.


The Spanish LabyrinthThe Spanish Labyrinth has become the classic account of the background to the Spanish Civil War. It has all the vividness of Brenan’s personal experiences and intelligent insights. He tries to see the issues in Spanish politics objectively, whilst bearing witness to the deep involvement which is the only possible source of much of this richly detailed account. As a literary figure on the fringe of the Bloomsbury Group, Gerald Brenan lends to this narrative an engaging personal style that has become familiar to many thousands of readers over the decades since it was first published


After the death of his wife in 1968, a young English student of the poetry of the Spanish saint – St. John of the Cross – joined Gerald as his secretary and companion. This young lady Lynda Jane Nicholson Price remained with him for 14 years. In the later part of his life he was confined to an old people’s home in Aldermaston, but a group of his Spanish friends ‘kidnapped’ him and took him back to what they regarded as his spiritual home, just outside Malaga. He died on January 19, 1987 while in the hands of the Spanish Medical Services who had undertaken to care for him. He was acclaimed for his services to Spanish literature, buried in Malaga, and a plaque dedicated to his work was fixed to the house where he had lived in Yegen. It reads:

“In this house for a period of seven years [1920-1934] lived the British Hispanist GERALD BRENAN, who universalised the name of Yegen and the customs and traditions of La Alpujarra. The Town Hall, grateful, dedicates this plaque.” YEGEN, 3 JANUARY, 1982


Gerald Brenan biography


Bloomsbury Group – web links

Bloomsbury Group - web links Hogarth Press first editions
Annotated gallery of original first edition book jacket covers from the Hogarth Press, featuring designs by Vanessa Bell, Roger Fry, and others.

Bloomsbury Group - web links The Omega Workshops
A brief history of Roger Fry’s experimental Omega Workshops, which had a lasting influence on interior design in post First World War Britain.

Bloomsbury Group - web links The Bloomsbury Group and War
An essay on the largely pacifist and internationalist stance taken by Bloomsbury Group members towards the First World War.

Bloomsbury Group web links Tate Gallery Archive Journeys: Bloomsbury
Mini web site featuring photos, paintings, a timeline, sub-sections on the Omega Workshops, Roger Fry, and Duncan Grant, and biographical notes.

Bloomsbury Group - web links Bloomsbury: Books, Art and Design
Exhibition of paintings, designs, and ceramics at Toronto University featuring Hogarth Press, Vanessa Bell, Dora Carrington, Quentin Bell, and Stephen Tomlin.

Bloomsbury Group - web links Blogging Woolf
A rich enthusiast site featuring news of events, exhibitions, new book reviews, relevant links, study resources, and anything related to Bloomsbury and Virginia Woolf

Bloomsbury Group - web links Hyper-Concordance to Virginia Woolf
Search the texts of all Woolf’s major works, and track down phrases, quotes, and even individual words in their original context.

Bloomsbury Group - web links A Mrs Dalloway Walk in London
An annotated description of Clarissa Dalloway’s walk from Westminster to Regent’s Park, with historical updates and a bibliography.

Bloomsbury Group - web links Women’s History Walk in Bloomsbury
Annotated tour of literary and political homes in Bloomsbury, including Gordon Square, University College, Bedford Square, Doughty Street, and Tavistock Square.

Bloomsbury Group - web links Virginia Woolf Society of Great Britain
News of events, regular bulletins, study materials, publications, and related links. Largely the work of Virginia Woolf specialist Stuart N. Clarke.

Bloomsbury Group - web links BBC Audio Essay – A Eulogy to Words
A charming sound recording of a BBC radio talk broadcast in 1937 – accompanied by a slideshow of photographs of Virginia Woolf.

Bloomsbury Group - web links A Family Photograph Albumn
Leslie Stephens’ collection of family photographs which became known as the Mausoleum Book, collected at Smith College – Massachusetts.

Bloomsbury Group - web links Bloomsbury at Duke University
A collection of book jacket covers, Fry’s Twelve Woodcuts, Strachey’s ‘Elizabeth and Essex’.

© Roy Johnson 2000-2014


More on Gerald Brenan
More on the Bloomsbury Group
More on literary studies
More on short stories


Filed Under: Bloomsbury Group, Gerald Brenan Tagged With: Biography, Bloomsbury Group, Cultural history, Gerald Brenan, Literary studies, South from Granada, The Spanish Labyrinth

Gerald Brenan: A Personal Record

May 26, 2009 by Roy Johnson

second volume of autobiography 1920-1972

This is the second volume of Gerald Brenan’s autobiographical writings. The first, A Life of One’s Own covers the period 1894 to 1920, and deals with his childhood and education, up to the point of his emergence from (honourable) service during the first world war. This volume starts with an account of his arrival in Spain as a young man of twenty-six – a subject he treats in a more general and less personal terms in his classic travel book South from Granada.

Gerald Brenan Although it purports to cover five decades, most of the book is devoted to his bohemian wanderings in the 1920s, which he spent oscillating between Spain and the Bloomsbury Group – of which he is not uncritical. Much of his narrative is dominated by an emotionally turbulent affair with Dora Carrington, who just happened to be married to his best friend Ralph Partridge. It also includes his dabblings with shop girls and prostitutes, and his attempts to secure allowances and inheritances so that he didn’t have to work.

He decided he was going to become a writer, but it was to be more than two decades before he got round to anything substantial. Having established a home in southern Spain, he returned to London to continue his on-off affair with Carrington and started to write a biography of Saint Teresa. In this period of his life he also mixed with various bohemians of whom he gives vivid character sketches – Arthur Whaley, Boris Anrep, Beryl de Zoete – almost all of whom had personal relations as tangled as his own.

The anguish of his affair with Carrington continued for years and is spelled out in quite intimate detail. She was married to Ralph Partridge but in love with Lytton Strachey, who was also in love with Partridge – and they all lived together. This is the Bloomsbury Group writ large. But as soon a long-awaited inheritance from an aunt arrived, Brenan got married to almost the first girl he met.

He is amazingly frank about this marriage, the first part of which was passed knowing that his wife was still in love with Llewelyn Powys, with whom she had been conducting an affair. He sticks at it and makes the marriage work, but the pages devoted to it are outnumbered by those on Carrington by ten to one.

There’s a vivid first-hand account of the Civil War in Malaga, following the military revolt which had started in the Spanish protectorates of Ceuta and Melilla in Morocco. He stuck it out as long as possible, then retreated to England to serve as an air-raid warden during the war.

The strange thing is that once he reaches 1940, the last three decades of his life are written off in no more than a few pages. However, I was mindful of the fact that he wrote these memoirs in the late 1960s, and there might have been an element of recapturing his lost youth in the enterprise.

In the post-war years he was spending his time doing nothing more demanding than writing letters to the newspapers. His social life included such heterogeneous folk as Dylan Thomas and Diana Dors. He inherited yet again following death of his father – though not as much as he felt he was entitled to.

In 1953 he and his wife returned to Spain, to the house which had been vacated during the Civil War. Before long he was engaged in an amorous adventure with Dora Carrington’s young niece, and couldn’t wait to tell his wife all about it.

His wife died in 1967, but Brenan had already started a relationship with a girl forty years younger than him. He sold his house and built a new one further inland, from which point he composed this memoir.

I must say that my regard for him as a human being went down quite a few notches reading this account, but he is undoubtedly a good writer, with a good eye for character and an interesting line in anecdotes. His reflections on the Bloomsbury Group are valuable, and South from Granada and The Spanish Labyrinth remain well established as classics.

© Roy Johnson 2000

Gerald Brenan Buy the book at Amazon UK

Gerald Brenan Buy the book at Amazon US


Gerald Brenan, Personal Record 1920-1972, New York: Knopf, 1975, pp.381, ISBN: 0394495829


More on biography
More on the Bloomsbury Group
More on literary studies
More on the arts


Filed Under: Biography, Gerald Brenan Tagged With: Biography, Bloomsbury Group, Cultural history, Gerald Brenan

Harold Nicolson biography

September 20, 2009 by Roy Johnson

diplomat, writer, socialite and politician

Harold Nicolson biographyHarold Nicolson (1886-1968) was born into an upper middle-class family in Tehran, where his father (Lord Carnock) was the British ambassador to Persia. as it then was. He was educated at Wellington College then Balliol College Oxford, where he graduated with a third-class degree. He entered the diplomatic service in 1908 and was posted to Constantinople where he became a specialist in Balkan affairs. In 1910 he met Vita Sackville-West and despite her reservations about his diplomatic career (and her parents’ about his social status) they married in 1912 and had two sons.

He published biographies of the French poet Verlaine and studies of other literary figures such as Tennyson, Byron, Swinburne, and Saint-Beuve. His first major success (and still probably his best book) was Some People (1927), a witty collection of short stories and character sketches based on people he had met in the diplomatic service.

He and his wife were fringe members of the Bloomsbury Group, as well as visitors to Ottoline Morrell’s weekend parties at Garsington in Oxfordshire. Whilst Vita had affairs with Virginia Woolf and Violet Trefusis, he had liaisons with a series of men, including the literary critic Raymond Mortimer. They had a rather unusual marriage in which they lived separately a lot of the time, wrote to each other on almost a daily basis protesting their undying love to each other, and continued to have affairs with members of their own sex. All of this was recorded by their son in his Portrait of a Marriage.

After the end of the first world war he took part in the Paris Peace Conference, and he was very critical of the punitive reparations extracted by the allies (which also caused his fellow Bloomsburyite John Maynard Keynes to resign from the commission). At the end of 1929 he left the diplomatic service and went to work for Lord Beaverbrook on the Evening Standard. Despite (or maybe because of) his literary skills, he hated journalism: “It is a mere expense of spirit in a waste of shame. A constant hurried triviality which is bad for the mind.”.

In the 1930s, he and his wife bought Sissinghurst Castle, in the rural depths of Kent, the county known as the garden of England. There they created the renowned gardens that are now run by the National Trust. However, during the week he lived at the Albany, the famous bachelor chambers just off Piccadilly in London. He flirted briefly with Sir Oswald Mosley’s fascists, but then entered the House of Commons as National Labour Party member for Leicester West in 1935. (His wife refused to visit the constituency, regarding it as ‘bedint’ – a family slang term for ‘unacceptably low class’.)

He was very active as a parliamentarian, and became a keen supporter of Winston Churchill, especially during the second world war, when he was appointed private secretary to the Minister of Information in the government of national unity. He lost his seat in the 1945 election, and then despite joining the Labour Party, he failed to get back into parliament.

He turned to broadcasting and returned to journalism as an occupation. He was personally acquainted with a wide variety of figures such as Ramsay MacDonald, David Lloyd George, Duff Cooper, Charles de Gaulle, Anthony Eden and Winston Churchill, along with a host of literary and artistic figures. His Diaries provide a rich source of information on the world of diplomacy and politics in the years 1910-1960, and record meetings with Picasso, Diaghilev, Matisse, Marcel Proust, and James Joyce.

He never achieved high office, and when eventually awarded a knighthood, he was so snobbish he felt it as an insult, because he thought he ought to be made a member of the Lords – so that he could escape what he felt as his ‘plebeian’ surname. He spent the latter part of his life writing and developing the gardens at Sissinghurst.


Harold Nicolson biography


Bloomsbury Group – web links

Bloomsbury Group - web links Hogarth Press first editions
Annotated gallery of original first edition book jacket covers from the Hogarth Press, featuring designs by Vanessa Bell, Roger Fry, and others.

Bloomsbury Group - web links The Omega Workshops
A brief history of Roger Fry’s experimental Omega Workshops, which had a lasting influence on interior design in post First World War Britain.

Bloomsbury Group - web links The Bloomsbury Group and War
An essay on the largely pacifist and internationalist stance taken by Bloomsbury Group members towards the First World War.

Bloomsbury Group web links Tate Gallery Archive Journeys: Bloomsbury
Mini web site featuring photos, paintings, a timeline, sub-sections on the Omega Workshops, Roger Fry, and Duncan Grant, and biographical notes.

Bloomsbury Group - web links Bloomsbury: Books, Art and Design
Exhibition of paintings, designs, and ceramics at Toronto University featuring Hogarth Press, Vanessa Bell, Dora Carrington, Quentin Bell, and Stephen Tomlin.

Bloomsbury Group - web links Blogging Woolf
A rich enthusiast site featuring news of events, exhibitions, new book reviews, relevant links, study resources, and anything related to Bloomsbury and Virginia Woolf

Bloomsbury Group - web links Hyper-Concordance to Virginia Woolf
Search the texts of all Woolf’s major works, and track down phrases, quotes, and even individual words in their original context.

Bloomsbury Group - web links A Mrs Dalloway Walk in London
An annotated description of Clarissa Dalloway’s walk from Westminster to Regent’s Park, with historical updates and a bibliography.

Bloomsbury Group - web links Women’s History Walk in Bloomsbury
Annotated tour of literary and political homes in Bloomsbury, including Gordon Square, University College, Bedford Square, Doughty Street, and Tavistock Square.

Bloomsbury Group - web links Virginia Woolf Society of Great Britain
News of events, regular bulletins, study materials, publications, and related links. Largely the work of Virginia Woolf specialist Stuart N. Clarke.

Bloomsbury Group - web links BBC Audio Essay – A Eulogy to Words
A charming sound recording of a BBC radio talk broadcast in 1937 – accompanied by a slideshow of photographs of Virginia Woolf.

Bloomsbury Group - web links A Family Photograph Albumn
Leslie Stephens’ collection of family photographs which became known as the Mausoleum Book, collected at Smith College – Massachusetts.

Bloomsbury Group - web links Bloomsbury at Duke University
A collection of book jacket covers, Fry’s Twelve Woodcuts, Strachey’s ‘Elizabeth and Essex’.

© Roy Johnson 2000-2014


More on Harold Nicolson
More on the Bloomsbury Group
Twentieth century literature
More on biography


Filed Under: Biography, Bloomsbury Group, Harold Nicolson Tagged With: Biography, Bloomsbury Group, Cultural history, Harold Nicolson

Harold Nicolson Diaries 1907-1964

July 11, 2009 by Roy Johnson

20th century diplomacy, literature, and politics

Harold Nicolson was a writer, a politician, and a diplomat – but he is best known as the husband of Vita Sackville-West, and thus by proxy a figure on the fringes of the Bloomsbury Group. He was quite a complex character, and one of the few examples I have come across of someone from the upper reaches of society whose political opinions moved from right to left during the course of life, rather than the other way round. Harold Nicolson’s Diaries is a record of his multi-faceted life.

Harold Nicolson Diaries 1907-1964This book is a compilation of both his diaries and letters – principally to his wife, from whom he spent most of their married life apart, something that might well have contributed to the longevity of their curious union (outlined in their son’s fascinating Portrait of a Marriage). It covers an immensely long period in historical terms – starting before the first world war and continuing through a restless life of politics, literature, travel, and high society hob-nobbing until the advent of the Beatles.

He was the only member of the peace conference that followed the second world war who had also been present at the first. For the majority of these pages (which represent only a small part of his complete diaries) he was either a diplomat or an MP. Surprisingly, for a snob and elitist, he was very critical of the punitive reparations extracted by the allies in 1918 (which also caused John Maynard Keynes to resign from the commission). Nicolson also petitioned the prime minister for the return of the Elgin Marbles to Athens, and he was passionately opposed to war, having fully absorbed the lessons of 1914-1918.

Lots of famous figures whiz through the pages in cameo performances: Winston Churchill, Lawrence of Arabia, Noel Coward, three generations of UK royalty, Konrad Adenauer, James Joyce (“a difficult man to talk to”) – and it is quite obvious that Nicolson isn’t name-dropping. These were simply the circles in which he mixed.

This work throws his collection of character sketches Some People into sharp positive relief, because for all the famous people and the important scenarios he finds himself involved with here, there is none of the artistic flair and the dramatic compression of his fictionalised narratives.

He resigned from the diplomatic service at the end of 1929 and went to work for Lord Beaverbrook on the Evening Standard, which he hated. He considered journalism “a mere expense of spirit in a waste of shame. A constant hurried triviality which is bad for the mind.”

Then he was torn between writing and politics, whilst he and his wife waited impatiently for his mother-in-law to die, so that they could inherit and be spared any worries about money (having in the meanwhile bought a castle). Actually, she spited them both, and left her money to their son.

He eventually got a seat as MP for Leicester (which Vita refused to visit) and settled into a busy life as an active parliamentarian. The inter-war years coverage is full of the rise of fascism, Italy’s attack on Abyssinia (Ethiopia), the abdication crisis, and then the full drama of the second world war, which provide his most inspired entries.

Although on the surface his political allegiances moved leftwards, he was a great admirer of Churchill, and he eventually regretted joining the Labour Party. He never achieved high office, and when eventually awarded a knighthood, he was so snobbish he felt it as an insult, because he thought he ought to be made a member of the Lords – so that he could escape his ‘plebeian’ surname.

Modern readers will have to choke back opinions which seem to come out of the political ark:

I believe that our lower classes are for some curious reason congenitally indolent, and that only the pressure of gain or destitution makes them work.

You know how I hate niggers …But I do hate injustice even more than I hate niggers

But the effort of restraint necessary is eventually worth it – because of the insights he affords into the workings of the English upper class, the oblique glimpses we get into power politics, the guided tours through London clubland, and his revelations about people as diverse as the Duke of Windsor (‘eyes…like fried eggs’) and Henry James (‘a late-flowering bugger’).

© Roy Johnson 2005

Buy the book at Amazon UK

Buy the book at Amazon US


Nigel Nicolson (ed), Harold Nicolson’s Diaries 1907-1964, London: Orion Books, 2005, pp.511, ISBN 075381997X


More on Harold Nicolson
More on the Bloomsbury Group
Twentieth century literature


Filed Under: Harold Nicolson Tagged With: Biography, Bloomsbury Group, Cultural history, Harold Nicolson, Harold Nicolson's Diaries 1907-1964

Hyde Park Gate News

July 25, 2009 by Roy Johnson

Bloomsbury juvenillia and journalism

This gem of Bloomsbury juvenilia was hidden for years in the British Library’s Department of Manuscripts. It comes to us now in a beautiful paperback edition with full scholarly notes and some contemporary photographs. Hyde Park Gate News is a compilation of family ‘newspapers’ written by Virginia Woolf (then Virginia Stephen) with her sister Vanessa and brother Thoby. What makes it of interest for Woolf scholars and readers is that it deals with the small events of domestic life out of which she was later to make so much imaginative use.

Hyde Park Gate News It’s a mixture of letters, stories, advice columns, answers to questions, and reports on family events – all retailed in a satirical and parodic fashion. The style is modelled on Tit Bits, which had been launched in 1881 and established a weekly circulation of around 500,000. The children satirise their parents, each other, and the visitors they received at the gloomy Victorian house at Hyde Park Gate. The entries reveal an amazingly precocious appreciation of literary genre, writing tone, rhetorical figures, and language in general. They are particularly good at ironic understatement and anti-climax:

Mr. Gerald Duckworth took a small walk this morning in Kensington Gardens. His young sisters and brothers accompanied him. He returned we hope without any fatigue.

It is interesting to note the seeds of material such as this from Vol II, No.35, Monday 12 September, 1892, reporting on their holiday in Cornwall, which would become a central feature in Woolf’s novel three decades later:

On Saturday morning Master Hilary Hunt and Master Basil Smith came up to Talland House and asked Master Thoby and Miss Virginia Stephen to accompany them to the lighthouse as Freeman the boatman said there was a perfect tide and wind for going there. Master Adrian Stephen was much disappointed at not being allowed to go.

The issues of the newspaper are charmingly reproduced in their original double-column format, complete with their original mis-spellings and hand-drawn illustrations. The whole collection is also supplemented by some facsimile reproductions of the originals, a collection of early family photographs, and explanatory biographies on the people mentioned.

Following a three year gap, the issues for 1895 take a more serious and accomplished tone (though Virginia was then still only thirteen years old). There is a satire (‘Miss Smith’) of a women’s movement figure; and the sort of philosophic meditations for which Woolf became famous in her later works:

I dreampt one night that I was God…I created several worlds in order to see which one was best…The people lived as one great family. But were they real? And what was I? Why did I exist? Who made me and who made my maker? Was everything a dream, but who were the dreamers?

And the last entry in the final issue of April 1895 is almost a pre-echo of the experimental fictions she was to produce many years later – and an amazingly composed piece of writing in its own right. We get an impression not only of perceptive self-portraiture but of an artistic bird which is poised, about to take flight:

Scene – a bare room, and on a black box sits a lank female, her fingers clutch her pen, which she dips from time to time in her ink pot and then absently rubs upon her dress. She is looking out of the open window. A church rears itself in the distance, a gaunt poplar waves its arms in the evening breeze. The horizon at the west is composed of a flat – on the south a ledge of chimney pots from which wreaths of smoke rise monotonously, on the north the gloomy outlines of bleak Park trees rise.

This is an elegantly produced volume from newcomers Hesperus Press which any fan of Woolf or Bloomsbury will be glad to add to their collection.

© Roy Johnson 2005

Hyde Park Gate News Buy the book at Amazon UK

Hyde Park Gate News Buy the book at Amazon US


Virginia Woolf, Vanessa Bell, Thoby Stephen (eds), Hyde Park Gate News, London: Hesperus Press, 2005, pp.240, ISBN: 1843911418


More on Virginia Woolf
Virginia Woolf – web links
Virginia Woolf – greatest works
Virginia Woolf – criticism
More on the Bloomsbury Group


Filed Under: Bloomsbury Group, Virginia Woolf Tagged With: Bloomsbury Group, Hyde Park Gate News, Literary studies, Virginia Woolf

Jacob’s Room

May 6, 2012 by Roy Johnson

tutorial, commentary, study resources, and web links

Jacob’s Room (1922) was the first of Virginia Woolf’s novels that she published herself, as co-founder of the Hogarth Press. She knew that the form of literary experimentation she contemplated would not be welcome by other publishers, so she took the opportunity to push her radical approach to narrative fiction as far as she could. The result was a big success in two senses. It produced a radical contribution to the modernist movement in a novel which sits coherently alongside other literary works such as T.S.Eliot’s The Waste Land (1923) and James Joyce’s Ulysses (1922). And it gave her the confidence to realise that she had succeeded in producing something new and original which expressed her own sense of an authentic ‘inner voice’.

I figure that the approach will be entirely different this time; no scaffolding; scarcely a brick to be seen; all crepuscular, but the heart, passion, humour, everything, as bright as fire in the mist. Then I’ll find room for so much—a gaiety—an inconsequence— a light spirited stepping at my sweet will. Whether I’m sufficiently mistress of things—that’s the doubt; but conceive Mark on the Wall, Kew Gardens, and Unwritten Novel taking hands and dancing in unity.

Virginia Woolf - portrait

Virginia Woolf


Jacob’s Room – critical commentary

Experimentation

This is the first of Virginia Woolf’s novels in which she made a radical and decisive shift away from conventional prose narrative. What the outcome would be, she wasn’t sure, but she realised that she was onto something quite new.

The most obvious innovation is that the narrative is discontinuous and the novel does not a have a plot in the conventional sense. The story starts on one topic or character, then switches to something or somebody else with no warning or explanation. Readers are dropped into a situation, and are left to work out the who, when, and where of the subject with very little assistance. Few clues are given, and after a few lines of developing a topic, Woolf changes it again to something else.

Connections between these fragments of narrative ultimately become perceptible, but only after a lot of patience and work on the reader’s part.

Point of view

There is also a repeatedly shifting point of view. A character such as Betty Flanders in the opening of the novel might be used as a focalising mechanism. We see events from her perspective or are presented with her inner thoughts – such as her ambiguous feelings about her correspondent and suitor Captain Barfoot. But then the narrative switches to present her not as the subject, but as the object of someone else’s point of view.

‘Scarborough,’ Mrs Flanders wrote on the envelope, and dashed a bold line beneath; it was her native town; the hub of the universe. But a stamp? She ferreted in her bag; then held it up mouth downwards; then fumbled in her lap, all so vigorously that Charles Steele in the Panama hat suspended his paint brush

Charles Steele has no connection with Betty, other than being on the beach at the same time, but for the next page or so we see Betty from his point of view as a figure in his painting, he speaks to Betty’s son, and we are given a glimpse into his thoughts about painting, and then he disappears and will never appear in the novel again.

Literary modernism

What is Virginia Woolf trying to achieve in this form of story telling? She had criticised contemporary fiction (particularly that of Arnold Bennett) in her 1919 essay Modern Novels because she thought most novelists failed to give a proper account of what life was like. They piled up fact after fact about their characters, but were unable to create any sense of the ‘pulse of life’ or the poetry of what it was like to be alive.

So her literary impressionism (or cubism?) was an attempt to give an account of the simultaneity of people’s existences as they lived alongside each other. Some connections were meaningful, others were no more than coincidence.

Interestingly enough, she uses the city as both a subject and symbol of modernism in exactly the same way as her contemporaries Marcel Proust In Search of Lost Time (1913), Andrei Bely St Petersburg (1913), James Joyce Ulysses (1922), and Alfred Döblin Berlin Alexanderplatz, (1929).

The throngs of people flowing incessantly across Waterloo Bridge are offered as a compressed image of anonymous urban humanity in its many guises.

All the time the stream of people never ceases passing from the Surrey side to the Strand; from the Strand to the Surrey side. It seems as if the poor had gone raiding the town, and now traipsed back to their own quarters, like beetles scurrying to their holes, for that old woman fairly hobbles towards Waterloo, grasping a shiny bag, as if she had been out into the light and now made off with some scraped chicken bones to her hovel underground. On the other hand, though the wind is rough and blowing in their faces, those girls there, striding hand in hand, shouting out a song, seem to feel neither cold nor shame. They are hatless. They triumph.

Reflections and communication

But there are further elements to her technical experimentation. She added to her narrative strategies the device of embedding lyrically poetic reflections on life and the natural world – passages which are a combination of prose poem and philosophic meditation. Mrs Flanders and Jacob send letters to each other in an attempt at communication which often fails for Betty, because Jacob does not reveal his inner life (something many parents will recognise) but Woolf interrupts the story to reflect on written correspondence:

Let us consider letters—how they come at breakfast, and at night, with their yellow stamps and their green stamps, immortalized by the postmark—for to see one’s own envelope on another’s table is to realize how soon deeds sever and become alien.

Almost all the conversations between characters are fragmentary – snatches of speech which do little more than identify a subject and demonstrate that some attempt at communication is taking place, despite the fact that in many cases waht is revealed is a lack of understanding.

The flux of time

There are also some well-orchestrated temporal shifts which contribute to the destabilization of the narrative flow but reinforce the sense of ‘architecture’ Woolf said she wished to bring to the novel. Jacob and his brother Archer are tutored as a boys by the young clergyman Mr Floyd, who makes an unsuccessful offer of marriage to Mrs Flanders.

But the letter Mr Floyd found on the table when he got up early next morning did not begin ‘I am much surprised’, and it was such a motherly, respectful, inconsequent, regretful letter that he kept it for many years; long after his marriage with Miss Wimbush of Andover; long after he had left the village.

The flash forward (technical term ‘prolepsis’) tells us that he later marries Miss Wimbush and leaves to live somewhere else. In fact within a short paragraph a potted life history gives the full trajectory of his future life as a clergyman, a college principal, and a writer, right up to his retirement, at which point he sees the mature Jacob in Piccadilly but does not speak to him.

Two hundred pages later, when the novel has followed Jacob’s development as a young man to (almost) full maturity the same incident is repeated, this time from Jacob’s point of view.

This fluid telescoping of time is also conducted at a macro level where the same scene might be described in the narrative present, then shift to consider how it might have seemed in the eighteenth or the nineteenth century.

Fragmentation

One problem in this technique of extreme fragmentation is that characters who seem important at one point in the narrative do not appear again and are not relevant to any major theme other than the fact that people’s lives sometimes overlap. There is no resolution to the Betty Flanders and Captain Barfoot connection for instance. He is an important suitor to Betty in the opening pages of the novel (even though he is already married – but to an invalid). But we never learn what happens to this connection. All it tells us is that Betty Flanders is obviously an attractive women to men of varied ages.

Woolf was to use all these techniques more successfully in her later works such as Mrs Dalloway, To the Lighthouse, Orlando, and The Waves, where they seem to have been anchored more coherently to the characters and the underlying themes. But it is here that she was trying them out for the first time.


Jacob’s Room – study resources

Jacob's Room Jacob’s Room – Oxford World Classics – Amazon UK

Jacob's Room Jacob’s Room – Oxford World Classics – Amazon US

Jacob's Room Jacob’s Room – Wordsworth Classics – Amazon UK

Jacob's Room Jacob’s Room – eBook formats at Project Gutenberg

Jacob's Room Jacob’s Room – the holograph draft – Amazon UK

Jacob's Room Jacob’s Room – Kindle annotated edition – Amazon UK

Red button Virginia Woolf – biographical notes

Red button Selected Essays – by Virginia Woolf – Amazon UK

Orlando The Complete Works of Virginia Woolf – Kindle edition – Amazon UK

Red button The Cambridge Companion to Virginia Woolf – Amazon UK

Red button Virginia Woolf – Authors in Context – Amazon UK

Red button The Cambridge Introduction to Virginia Woolf – Amazon UK

Red button Virginia Woolf at Wikipedia – biographical notes, links

Red button Virginia Woolf at Mantex – tutorials, web links, study resources

Jacob's Room


Jacob’s Room – plot summary

Virginia Woolf Jacob's RoomIt is extremely difficult to summarise the plot, for reasons that are made clear in the critical commentary above. Virginia Woolf was experimenting with a new form of narrative in which the ‘story’ shifts from one topic to another – even within the same paragraph or sentence. She tried to create a form of story telling in which several things are being discussed at the same time, creating an impression of simultaneity. This was not unlike the form of experimentation going on in the visual arts – particularly cubism, which strove to depict images of a single object from multiple points of view in the same two dimensional picture. For further comments on this feature of Virginia Woolf’s literary techniques, see my review article Virginia Woolf and Cubism.

Part I. Elizabeth (Betty) Flanders, recently widowed, is on holiday on a beach in Cornwall with her sons Archer and Jacob.

Part II. At home in Scarborough, Betty receives a marriage proposal from Reverend Floyd. Her friend Mrs Jarvis has romantic yearnings. Captain Barfoot (a married suitor) calls on Mrs Flanders.

Part III. Jacob goes to Trinity College Cambridge. He integrates with undergraduate life, though he’s a little awkward. Sunday lunch at a don’s house, and late night discussions with fellow students.

Part IV. Summer vacation. Jacob and his friend Timothy Durrant sail round the coast of Cornwall. They are present at a dinner party given by Timmy’s wealthy mother. He meets Clara Durrant.

Part V. Jacob in London after graduating, amidst scenes of metropolitan complexity. He visits the opera (Tristran and Isolde) with the Durrants. He writes a critical essay which is not published.

Part VI. Jacob socialises in London amidst artistic types. At November 5th celebrations he meets Florinda at a fancy dress party and takes her back to his lodgings.

Part VII. Jacob is present at a musical evening, and he meets Clara Durrant again.

Part VIII. Betty Flanders writes to Jacob, hoping for meaningful and substantial news. But Jacob does not reveal the essence of his life to her, which includes the fact that he realises that Florinda is a tart.

Part IX. Jacob goes hunting in Essex and socialises in upper middle class circles, and at the same times visits prostitutes. He also spends time in the British Museum Library, researching the poetry of Christopher Marlowe.

Part X. Ex-Slade School of Art student Fanny Elmer models for an artist and meets Jacob in his studio. She is deeply impressed with Jacob, and buys a copy of Tom Jones on his recommendation.

Part XI. Jacob inherits £100 from a relative and goes to France with his artistic friends. Betty Flanders visits the Scarborough moors with her friend Mrs Jarvis.

Part XII. Jacob travels on alone through Italy and Greece, writing to his friend Bonamy. He meets fellow English tourists Mr and Mrs Wentworth Williams and falls in love with the wife, Sandra.

Part XIII. The principal characters are seen in London during the summer. Bonamy’s gay infatuation with Jacob is made clear.

Part XIV. Bonamy and Betty Flanders clear out Jacob’s room following his death during the war.


Jacob’s Room – principal characters
Elizabeth (Betty) Flanders widow from Scarborough (45)
Archer Flanders her eldest son
Jacob Alan Flanders her middle son
John Flanders her youngest son
Charles Steele a painter on the beach in Cornwall
Mrs Pearce Cornish lodging house owner
Rebecca family servant
Captain Barfoot Betty’s correspondent and suitor (50)
Mrs Barfoot an invalid, his wife
Mr Dickens Mrs Barfoot’s wheelchair attendant
Seabrook Flanders Betty’s dead husband
Morty Betty’s brother who goes to the East
Andrew Floyd young clergyman and suitor to Betty
Mrs Jarvis Betty’s friend, a romantic and needy clergyman’s wife
Timothy (Timmy) Durrant Jacob’s friend at Cambridge who becomes a clerk in Whitehall
George Plummer Cambridge don and professor of physics
Mrs Plummer his wife
Mrs Pascoe a Cornish woman
Mrs Durrant Timmy’s rich mother
Clara Durrant Timmy’s sister
Richard Bonamy Jacob’s gay friend at Cambridge
Florinda a loose girl in bohemian London
Lauretta a prostitute
Fanny Elmer an ex-Slade student who falls for Jacob
Edward Cruttendon a friend of Jacob’s
Mallinson a painter friend of Jacob’s
Jinny Carslake a friend on the trip to Paris
Sandra Wentworth Williams flirtatious woman in hotel in Greece
Evan Williams her jealous husband

Jacob's Room

first edition, 1922 – cover design Vanessa Bell


Further reading

Red button Quentin Bell. Virginia Woolf: A Biography. New York: Harcourt Brace Jovanovich, 1972.

Red button Hermione Lee. Virginia Woolf. New York: Alfred A. Knopf, 1997.

Red button Nicholas Marsh. Virginia Woolf, the Novels. New York: St. Martin’s Press, 1998.

Red button John Mepham, Virginia Woolf. New York: St. Martin’s Press, 1992.

Red button Natalya Reinhold, ed. Woolf Across Cultures. New York: Pace University Press, 2004.

Red button Michael Rosenthal, Virginia Woolf: A Critical Study. New York: Columbia University Press, 1979.

Red button Susan Sellers, The Cambridge Companion to Vit=rginia Woolf, Cambridge University Press, 2010.

Red button Virginia Woolf, The Common Reader. New York: Harvest Books, 2002.

Red button Alex Zwerdling, Virginia Woolf and the Real World. Berkeley: University of California Press, 1986.


Virginia Woolf's handwriting

“I feel certain that I am going mad again.”


Other works by Virginia Woolf

Virginia Woolf To the LighthouseTo the Lighthouse (1927) is the second of the twin jewels in the crown of her late experimental phase. It is concerned with the passage of time, the nature of human consciousness, and the process of artistic creativity. Woolf substitutes symbolism and poetic prose for any notion of plot, and the novel is composed as a triptych of three almost static scenes – during the second of which the principal character Mrs Ramsay dies – literally within a parenthesis. The writing is lyrical and philosophical at the same time. Many critics see this as her greatest achievement, and Woolf herself realised that with this book she was taking the novel form into hitherto unknown territory.
Virginia Woolf To the Lighthouse Buy the book at Amazon UK
Virginia Woolf To the Lighthouse Buy the book at Amazon US

Woolf - OrlandoOrlando (1928) is one of her lesser-known novels, although it’s critical reputation has risen in recent years. It’s a delightful fantasy which features a character who changes sex part-way through the book – and lives from the sixteenth to the twentieth century. Using this device (which turns out to be strangely credible) Woolf explores issues of gender and identity as her hero-heroine moves through a variety of lives and personal adventures. Orlando starts out as an emissary to the Court of St James, lives through friendships with Swift and Alexander Pope, and ends up motoring through the west end of London on a shopping expedition in the 1920s. The character is loosely based on Vita Sackville-West, who at one time was Woolf’s lover. The novel itself was described by Nigel Nicolson (Sackville-West’s son) as ‘the longest and most charming love-letter in literature’.
Virginia Woolf - Orlando Buy the book at Amazon UK
Virginia Woolf - Orlando Buy the book at Amazon US

Kew GardensKew Gardens is a collection of experimental short stories in which Woolf tested out ideas and techniques which she then later incorporated into her novels. After Chekhov, they represent the most important development in the modern short story as a literary form. Incident and narrative are replaced by evocations of mood, poetic imagery, philosophic reflection, and subtleties of composition and structure. The shortest piece, ‘Monday or Tuesday’, is a one-page wonder of compression. This collection is a cornerstone of literary modernism. No other writer – with the possible exception of Nadine Gordimer, has taken the short story as a literary genre as far as this.
Virginia Woolf - Kew Gardens Buy the book at Amazon UK
Virginia Woolf - Kew Gardens Buy the book at Amazon US


Virginia Woolf: BiographyVirginia Woolf is a readable and well illustrated biography by John Lehmann, who at one point worked as her assistant and business partner at the Hogarth Press. It is described by the blurb as ‘A critical biography of Virginia Woolf containing illustrations that are a record of the Bloomsbury Group and the literary and artistic world that surrounded a writer who is immensely popular today’. This is an attractive and very accessible introduction to the subject which has been very popular with readers ever since it was first published..
Virginia Woolf - A Biography Buy the book at Amazon UK
Virginia Woolf - A Biography Buy the book at Amazon US

© Roy Johnson 2012


Virginia Woolf – web links

Red button Virginia Woolf at Mantex
Biographical notes, study guides to the major works, book reviews, studies of the short stories, bibliographies, web links, study resources.

Virginia Woolf web links Blogging Woolf
Book reviews, Bloomsbury related issues, links, study resources, news of conferences, exhibitions, and events, regularly updated.

Virginia Woolf web links Virginia Woolf at Wikipedia
Full biography, social background, interpretation of her work, fiction and non-fiction publications, photograph albumns, list of biographies, and external web links

Virginia Woolf web links Virginia Woolf at Gutenberg
Selected eTexts of the novels The Voyage Out, Night and Day, Jacob’s Room, and the collection of stories Monday or Tuesday in a variety of digital formats.

Virginia Woolf web links Woolf Online
An electronic edition and commentary on To the Lighthouse with notes on its composition, revisions, and printing – plus relevant extracts from the diaries, essays, and letters.

Virginia Woolf web links Hyper-Concordance to Virginia Woolf
Search texts of all the major novels and essays, word by word – locate quotations, references, and individual terms

Red button Virginia Woolf – a timeline in phtographs
A collection of well and lesser-known photographs documenting Woolf’s life from early childhood, through youth, marriage, and fame – plus some first edition book jackets – to a soundtrack by Philip Glass. They capture her elegant appearance, the big hats, and her obsessive smoking. No captions or dates, but well worth watching.

Virginia Woolf web links Women’s History Walk in Bloomsbury
Tour of literary and political homes in Bloomsbury – including Gordon Square, Gower Street, Bedford Square, Tavistock Square, plus links to women’s history web sites.

Virginia Woolf web links Virginia Woolf Society of Great Britain
Bulletins of events, annual lectures, society publications, and extensive links to Woolf and Bloomsbury related web sites

Virginia Woolf web links BBC Audio Essay – A Eulogy to Words
Charming sound recording of radio talk given by Virginia Woolf in 1937 – a podcast accompanied by a slideshow of photographs.

Virginia Woolf web links A Family Photograph Albumn
Leslie Stephen compiled a photograph album and wrote an epistolary memoir, known as the “Mausoleum Book,” to mourn the death of his wife, Julia, in 1895 – an archive at Smith College – Massachusetts

Virginia Woolf web links Virginia Woolf first editions
Hogarth Press book jacket covers of the first editions of Woolf’s novels, essays, and stories – largely designed by her sister, Vanessa Bell.

Virginia Woolf web links Virginia Woolf – on video
Biographical studies and documentary videos with comments on Virginia Woolf and the Bloomsbury Group and the social background of their times.

Virginia Woolf web links Virginia Woolf Miscellany
An archive of academic journal essays 2003—2014, featuring news items, book reviews, and full length studies.


More on Virginia Woolf
Virginia Woolf – web links
Virginia Woolf – greatest works
Virginia Woolf – criticism
More on the Bloomsbury Group


Filed Under: Virginia Woolf Tagged With: Bloomsbury Group, English literature, Jacob's Room, Literary studies, The novel, Virginia Woolf

John Lehmann biography

February 5, 2013 by Roy Johnson

poet, editor, publisher, biographer, memorist

John Lehmann (full name Rudolph John Frederick Lehmann) was born in Buckinghamshire in 1907 into a wealthy family. His father was Rudolph Chambers Lehmann, an English writer and Liberal Party politician. His elder sisters were the novelist Rosamond Lehmann and the actress Beatrix Lehmann.

John Lehmann biography

John Lehmann was educated at the prestigious public school Eaton, and went on to study modern languages at Trinity College Cambridge, where he began writing poetry and forming gay relationships. Whilst at university he became a close friend of Julian Bell (Vanessa Bell’s son) which provided him with an introduction to the Bloomsbury Group.

His first collection of poetry A Garden Revisited (1931) was published by Leonard Woolf at the Hogarth Press, with which he formed a close attachment. He brought his contacts with the new young generation of poets to the press. The result was the groundbreaking collection New Signatures (1932) which included work by William Empson, Julian Bell and Lehmann himself from Cambridge, plus W.H. Auden, Stephen Spender, and Cecil Day Lewis from Oxford.

He worked as an assistant-cum-manager at the Press (described in his amusing memoir Thrown to the Woolfs) until differences of opinion with Leonard over the policy of publishing young writers caused a temporary rift between them.

John Lehmann left Britain and worked as a journalist, travelled to the U.S.S.R. (as it was called at that time) and wrote poetry in Vienna from 1932 to 1936. He then returned to Britain to launch the journal New Writing. This published the work of his contemporaries Christopher Isherwood, W.H. Auden, V.S. Pritchett, and Stephen Spender.

The magazine featured new writing from Europe and beyond mixed with photographic essays and examples of modern art, and it also included recent poetry. Its editorial line explicitly supported internationalism (especially the republicans in the Spanish Civil War) and it was politically ‘committed’ to the left at a time when the English establishment was dithering in the face of fascism.

It lasted for fourteen years, first under the aegis of the Bodley Head, then Lawrence and Wishart, before eventually being taken on by Leonard Woolf at the Hogarth Press. A cheaper version was launched as Penguin New Writing in 1939.

In 1938 Lehmann returned to favour with the Hogarth Press and joined it again as a full working partner, buying out Virginia Woolf’s fifty percent share in the company. He was an editor and general manager at a time when in addition to works by Virginia Woolf such as Between the Acts, A Haunted House, and The Death of the Moth, he oversaw the publication of works by Henry Green, George Orwell, and Jean-Paul Sartre.

However, the partnership foundered again 1945. Lehmann wanted to introduce modern business practices, raising share capital, and employing publicists and agents. But Leonard had always run the press as a streamlined independent enterprise, with a minimum of overheads – a policy which had been enormously successful and had brought in considerable profits.

So Lehmann understandably left and in 1946 set up his own publishing company, John Lehmann Limited with his sister Rosamond. He published books by young poets Thom Gunn and Laurie Lee, as well as the celebrated cookery writer, Elizabeth David. He also edited the paperback series Penguin New Writing between 1946 and 1950. After the collapse of his own company in 1952 he took over at the London Magazine and edited until handing over to fellow poet and critic Alan Ross in 1961.

In the late 1960s and 1970s he was a frequent visitor on the American lecture circuit. He subsequently wrote biographies of Rupert Brooke, Edith Sitwell, and Virginia Woolf, as well as three volumes of autobiography. He also wrote about his gay relationships in the persona of a fictional character Jack Marlowe. The late confessional novel In the Purely Pagan Sense (1976) offers an account of his promiscuous life in Berlin, Vienna, and London.

© Roy Johnson 2013


The Bloomsbury GroupThe Bloomsbury Group is a short but charming book, published by the National Portrait Gallery. It explores the impact of Bloomsbury personalities on each other, plus how they shaped the development of British modernism in the early part of the twentieth century. But most of all it’s a delightful collection of portrait paintings and photographs, with biographical notes. It has an introductory essay which outlines the development of Bloomsbury, followed by a series of portraits and the biographical sketches of the major figures.

Ralph Partridge Buy the book at Amazon UK
Ralph Partridge Buy the book at Amazon US


More on biography
More on the Bloomsbury Group
More on literary studies
More on the arts


Filed Under: Biography, Bloomsbury Group Tagged With: Bloomsbury Group, Cultural history, English literature, John Lehmann, Publishing

John Maynard Keynes

March 30, 2015 by Roy Johnson

economist, philosopher, politician, and statesman

John Maynard Keynes Is a one-volume condensation and updated version of Robert Skidelsky’s monumental three-volume biography of the economist, political philosopher, and statesman which was originally published between 1983 and 2000.

John Maynard KeynesMaynard Keynes was born and raised in Cambridge, the seat of intellectual and political power, even more so then than now. He was also educated at Eaton – and yet his social origins were quite modest. One grandfather John Brown was an apprentice printer from Lancashire who later graduated from Owens College (Manchester University) and went on to become a preacher. The other grandfather made his fortune from cultivating dahlias and roses. His father John Neville Keynes went to University College London and then to Cambridge where he briefly became a lecturer and where he met Keynes’ mother, who was a student at Newnham Hall. However, Neville (the family used their middle names) did not feel suited to the life of a don, and became instead an administrator in the examinations board.

Keynes was raised in a fairly prosperous middle-class household, where he was coached by his parents and learned German from a governess. As a youngster he was tall, clever, rather sickly, and very under-confident regarding his own appearance. He proved to be particularly good at mathematics and algebra, but even so he was often taken out of various schools and educated at home. Nevertheless he succeeded in winning a scholarship to Eton in a competitive examination.

At Eaton he was at the top of an intellectual elite which existed in the heart of a social elite, and he thrived in the cultural ambiance, winning countless prizes. Yet remarkably, despite a mastery in classics and mathematics and his sensitivity to subjects such as medieval poetry, his favourite sport was the almost imbecilic Eton Wall game. Nevertheless, by the age of nineteen he went out in a blaze of glory to take up a scholarship he had won at King’s College Cambridge.

King’s is a ‘sister institution’ of Eton going back to its foundation in 1441 by Henry VI. Keynes threw himself into its many debating societies and clubs, and was almost immediately invited to join the semi-secret group of ‘Apostles’ (membership was for life) where he met Lytton Strachey, Leonard Woolf, Saxon Sydney-Turner, and E.M. Forster – through whom he was introduced to Thoby Steven and Clive Bell. This placed him centrally as a member of the Bloomsbury Group, which was later formed out of these friendships.

Like many others of his generation he came under the influence of G.E. Moore, whose Principia Ethica (1903) gave a theoretical rationale to their philosophy of ‘friendship. art, and the pursuit of happiness’. It also served as a moral justification for the practice of homosexuality which was common amongst public schoolboys and undergraduates at that time, despite the then recent conviction of Oscar Wilde which still cast its shadow over them.

As a postgraduate however, he abandoned the very subject for which he later became famous (Economics) in favour of preparation for the Civil Service examinations. On successfully completing these, he became a junior clerk in the India Office (hours 11.00 to 5.00 pm) a job with which he rapidly became bored. When he was offered a lecturing job back at Cambridge, he took it.

Lytton StracheyAt this point Keynes’s personal life became quite complex, with cross-connections that have since made the Bloomsbury Group famous. He was a friend and ex-lover of Lytton Strachey, who had fallen in love with his own cousin Duncan Grant. However, Grant was involved in an affair with fellow Apostle, Arthur Hobhouse, a former love-object of Keynes. When that affair came to an end Keynes and Grant became lovers – much to Strachey’s chagrin. None of George Moore’s abstract theorising about ‘the good’ and ‘the beloved person’ offered them any protection against the emotional ravages of jealousy, possessiveness, and sexual rivalry.The amazing thing is that they all remained friends.

Back in his spiritual (and actual) home Cambridge, Keynes devoted himself to lecturing on money, applying his talent for mathematics to the very inexact pseudo-science of economics. He also pursued journalism, meanwhile working on a major thesis on probability theory, supporting the Liberal cause and resolutely defending free trade. Whilst all this high-minded ethical philosophising and fiscal theorising was going on, Keynes was meanwhile cruising London parks and public baths, picking up rent boys, and recording his sexual encounters in his private diaries.

When the Bloomsberries began to meet in Fitzroy Square, this introduced the novelty of female company, where newly liberated women (such as the Stephen sisters, Virginia Woolf and Vanessa Bell) were free to mix safely with their brothers’ friends – since they were largely non-threatening homosexuals. Keynes gave group members advice on investments, and in some case even took over their financial affairs, as well as gambling on the stock exchange himself.

Duncan GrantHowever, this mixing with Bloomsbury also brought him personal distress. Duncan Grant started an affair with Adrian Stephen, which left Keynes having to console himself with a succession of Cambridge dons, though the two men continued to write to each other as friends. Keynes moved into Virginia Woolf’s menage in Brunswick Square, produced his study Indian Currency and Finance at high speed, and attended the Ballets Russes where he admired Nijinsky’s legs.

Suddenly this Edwardian bliss was shattered by two events – the advent of war in 1914, and an associated banking crisis. Keynes did not participate in the conflict, but he was drafted into the Treasury where his recommendations were accepted by Lloyd George and a banking collapse was averted. As a result, he rapidly became a secretary and adviser to the cabinet. At a personal level, he finally ‘lost’ Duncan Grant, who went to live with his lover David Garnett and Vanessa Bell in a ménage à trois.

When the war got worse, Keynes refused to be called up for service, and when summoned by the conscription tribunal sent them a letter saying he was too busy to attend. But he was put under pressure by his friends (particularly Lytton Strachey and Bertrand Russell) to resign from his work which they described as ‘finding ways to kill Germans more cheaply’.

However, Keynes rationalised his position to himself, and during the war he became the focal point of the Bloomsbury Group’s London base in the role of landlord at Gordon Square. He worked at the Treasury during the week and at weekends sojourned either with Ottiline Morrell at Garsington or with Vanessa Bell at Charleston.

Professionally he operated at a high level in Britain’s financial and political exchanges with its allies in the war effort – which founded the basis of his later success as a diplomatic ‘persuader’. The cultural high point of his mixing with the great and good came when he persuaded the prime minister to let him buy paintings from the collection of Degas for the National Gallery. His loyal Bloomsbury friends despaired of this social climbing, but then suddenly the end of the war changed everything.

Keynes played an important part in the Paris peace conference in 1919 and the economic base of the German war reparations – though his suggestions for a just solution were rejected. But out of this experience came his best-selling study The Economic Consequences of the Peace, a publication that made him internationally famous. He argued that the harsh reparations would leave Germany unable to pay – which proved to be the case, and resulted in the catastrophic devaluation of the Deutschmark in the early 1920s.

In the years that followed he divided his time between academic work in Cambridge and financial-political work in London. He also made a lot of money from investments and journalism, and spent it buying paintings by European modernists. He formed a syndicate to speculate on foreign currency exchanges, and even when it collapsed into bankruptcy, he immediately formed another – and made yet more money. Meanwhile his secretary Naomi Bentwick had fallen desperately in love with him. Despite their professional proximity, she seems not to have noticed that he was having an affair with his fellow Apostle, Sebastian Sprott.

Leonard WoolfIn the early 1920s Keynes was actively involved in solving the lingering problem of post-war reparations, something in which he participated as an economist, a government advisor, and (secretly) as an unofficial diplomatist. At the same time he formed a group to take over the liberal journal Nation and Athenaeum of which he made Leonard Woolf the editor. Then, in the midst of all this, he surprised everyone by falling in love with the Russian ballerina Lydia Lopokova, who stayed in England when Diaghilev de-camped to Monte Carlo.

The problem for Lydia was that she ran foul of Bloomsbury Group snobbishness, and was shunned by them as a feather-brained outsider. Fortunately, she was warmly welcomed by Keynes’s parents as a prospective daughter-in-law. After she received a decree nisi (from her bigamous husband Rodolpho Barocchi) she and Keynes got married in 1925, and were visited on their honeymoon by Ludwig Wittgenstein, who had to borrow the money for his train fare, having given away the millions of his inherited fortune.

Inspired by the public interest in ‘new economies’, Keynes visited the Soviet Union more than once, where he saw through the intellectual sham of Stalinism. Around this time he got to befriend fellow travellers Sydney and Beatrice Webb who swallowed whole the bogus statistics they were fed in Russia to produce Societ Communism: A New Civilization?, a book which famously shed its question mark between editions. Later he became friendly with the Fabians (and puritans) George Bernard Shaw and H.G.Wells.

For all his fame as a guru of economic trends, the Wall Street crash of 1929 took Keynes by surprise, and he lost heavily on his own investments. Nevertheless, he was invited to play a key role in the Economic Advisory Committee and thereby developed an insider knowledge of banking and exchange rates. The committee also involved him in a great deal of energy-sapping infighting amongst his fellow economists. But as the slump of the 1930s went on, his views became less popular. Keynes thought that Britain should spend its way out of the depression, a view which many observers thought was counter-intuitive.

Despite all Keynes theorising, he changed his mind on a number of economic fundamentals. He believed in a classical free trade policy, but embraced protectionism when it suited his purposes. He both supported the gold standard – and then opposed it. He was prepared to change his mind (and theories) to suit the facts – indeed he believed that economics was a form of ‘intuition’, which looks suspiciously like ‘make it up as you go along’.

In the early 1930s he lost a lot of personal friends – such as fellow Apostles Lytton Strachey and Roger Fry, and he also lost influence in the public sphere. He used the quiet period to complete his major opus The General Theory of Employment, Interest and Money. At a time when Cambridge was enthusiastically embracing Marxism, he dismissed it as a ‘hocus-pocus’ system of economics, and meanwhile his own investments recovered to increase their value by twenty-six times. A great deal of this money he spent on collecting valuable books, and on his pet project, a Cambridge Arts Theatre for King’s College.

In the late 1930s he had a period of ill health, and was admitted to a sanitarium in Wales for several weeks. And just as his health declined, so did his investments in London and on Wall Street, losing two thirds of their value, largely because he believed that ‘good’ investors should remain faithful to their original commitments, even during bad times.

When the war started Keynes was not given any official role, but he nevertheless devoted himself to the national economy and developed his thoughts in what was eventually to be published as the influential How to Pay for the War. He advanced a system of compulsory savings, which proved very unpopular. However, he fought hard to defend his ideas and was eventually re-admitted to the Treasury – though in the very ambiguous role of unpaid, part-time adviser to the Chancellor of the Exchequer.

Keynes’s next major task was to negotiate with Washington over Britain’s repayments to the USA under Roosevelt’s ‘lend-lease’ scheme. He embarked on this against a backdrop of American mistrust and even hostility towards the British. Unfortunately his first efforts were regarded as arrogant and presumptuous, confirming the American view of Britain as an arch-Imperialist power. His protracted negotiations were largely unsuccessful.

Even though he was never a member of Churchill’s wartime government, he dined regularly with the prime minister at his club (the Other Club), and Keynes was made a life peer in 1942. Throughout the war he acted as a bridge between the Treasury and the various committees created by the war cabinet.

Even whilst the war was still under way Keynes had started to think about the problem of how it would be financed when it eventually came to an end. First he came up with the idea of an International Clearing Bank (ICB) a notion he borrowed from the Germans. But meanwhile the Americans were devising a rival notion of their own – spearheaded by Harry White, an anti-British communist sympathiser. The two sides compared notes. Whilst all this was going on, Keynes was appointed to the board of the Bank of England, invited to chair a committee for the promotion of the arts (to become the Arts Council) and was supporting William Beverage in his revolutionary proposals for social security.

Keynes was deeply involved in lengthy negotiations with the Americans, but even when they reached a compromise agreement he had the problem of persuading the British government to accept the outcome. Against a backdrop of the Normandy landings in June 1944 Keynes and White presided over an international assembly of economists and diplomats at Bretton Woods in New Hampshire. Between them they hammered out and established the workings of what was to become the International Monetary Fund (IMF).

As the war with Germany drew towards its end Keynes was busy with plans for surviving the post-conflict period of austerity which would inevitably be necessary. This boiled down to seeking a long term low interest loan from the USA to pay for Britain’s war debts. Taken on as adviser to the new Labour government of 1945, Keynes was despatched yet again to the USA to negotiate. The meetings were long-winded, tedious, and unproductive, with Keynes’s health deteriorating rapidly throughout. The result (because of London’s intransigence) was a failure. The delegation was forced to accept a loan on America’s terms.

The following year Keynes travelled to Savannah for the inauguration of his brain-child, the IMF. As ever there were differences between the UK and the US on how things should be run, but Keynes had done his great work in creating the institution. He celebrated just in time, because he became ill on his return shortly afterwards, but had the satisfaction of dying in his own beloved home at Tilton in Sussex.

This is a masterful biography which has been widely praised – with very good reason. It rests on a profound degree of scholarship and is the result of something like twenty-five years’ research. The bibliography and critical apparatus at the end of the book alone comprises almost two hundred pages. Only a professional historian or economist will need the full three volumes from which it is drawn.

Letters to Monica Buy the book at Amazon UK

Letters to Monica Buy the book at Amazon US

© Roy Johnson 2015


Robert Skidelsky, John Maynard Keynes: 1883-1946: Economist, Philosopher, Statesman, London: Penguin, 2013, pp.1056, ISBN: 0143036157


Bloomsbury Group – web links

Bloomsbury Group - web links Hogarth Press first editions
Annotated gallery of original first edition book jacket covers from the Hogarth Press, featuring designs by Vanessa Bell, Roger Fry, and others.

Bloomsbury Group - web links The Omega Workshops
A brief history of Roger Fry’s experimental Omega Workshops, which had a lasting influence on interior design in post First World War Britain.

Bloomsbury Group - web links The Bloomsbury Group and War
An essay on the largely pacifist and internationalist stance taken by Bloomsbury Group members towards the First World War.

Bloomsbury Group web links Tate Gallery Archive Journeys: Bloomsbury
Mini web site featuring photos, paintings, a timeline, sub-sections on the Omega Workshops, Roger Fry, and Duncan Grant, and biographical notes.

Bloomsbury Group - web links Bloomsbury: Books, Art and Design
Exhibition of paintings, designs, and ceramics at Toronto University featuring Hogarth Press, Vanessa Bell, Dora Carrington, Quentin Bell, and Stephen Tomlin.

Bloomsbury Group - web links Blogging Woolf
A rich enthusiast site featuring news of events, exhibitions, new book reviews, relevant links, study resources, and anything related to Bloomsbury and Virginia Woolf

Bloomsbury Group - web links Hyper-Concordance to Virginia Woolf
Search the texts of all Woolf’s major works, and track down phrases, quotes, and even individual words in their original context.

Bloomsbury Group - web links A Mrs Dalloway Walk in London
An annotated description of Clarissa Dalloway’s walk from Westminster to Regent’s Park, with historical updates and a bibliography.

Bloomsbury Group - web links Women’s History Walk in Bloomsbury
Annotated tour of literary and political homes in Bloomsbury, including Gordon Square, University College, Bedford Square, Doughty Street, and Tavistock Square.

Bloomsbury Group - web links Virginia Woolf Society of Great Britain
News of events, regular bulletins, study materials, publications, and related links. Largely the work of Virginia Woolf specialist Stuart N. Clarke.

Bloomsbury Group - web links BBC Audio Essay – A Eulogy to Words
A charming sound recording of a BBC radio talk broadcast in 1937 – accompanied by a slideshow of photographs of Virginia Woolf.

Bloomsbury Group - web links A Family Photograph Albumn
Leslie Stephens’ collection of family photographs which became known as the Mausoleum Book, collected at Smith College – Massachusetts.

Bloomsbury Group - web links Bloomsbury at Duke University
A collection of book jacket covers, Fry’s Twelve Woodcuts, Strachey’s ‘Elizabeth and Essex’.


More on biography
More on the Bloomsbury Group
More on literary studies
More on the arts


Filed Under: Biography, Bloomsbury Group Tagged With: Biography, Bloomsbury Group, Cultural history

John Maynard Keynes biography

September 18, 2009 by Roy Johnson

economist and government political adviser

John Maynard Keynes biographyJohn Maynard Keynes (pronounced “Kaynz”) was one the most important figures in the history of economics. He revolutionized the subject with his classic study, The General Theory of Employment, Interest and Money (1936). This is generally regarded as one of the most influential social science treatises of the twentieth century. It quickly and permanently changed the way the world looked at the economy and the role of government in society. He was born in 1883 in Cambridge into an academic family. His father, John Nevile Keynes, was a lecturer at the University of Cambridge teaching logic and political economy. His mother Florence Ada Brown was a remarkable woman who was a highly successful author and a pioneer in social reform. She was also the first woman mayor of Cambridge. An interesting family detail is that although Keynes lived to the age of sixty-three, both his parents outlived him.

He was educated at Eton and King’s College Cambridge where his intelligence made him very successful. He was almost immediately elected into the secret society known as the Cambridge Apostles. There he met Lytton Strachey and Leonard Woolf, who became his lifelong friends. It was through these connections that he became part of the Bloomsbury Group.

In 1908 he began a serious affair with the painter Duncan Grant. Keynes had numerous affairs with other young men, but never he never had the slightest legal or social trouble, even though homosexuality was illegal at that time. This charmed life can be explained by his combination of personal brilliance, family and professional connections, and remarkable self-confidence. Keynes lectured in economics at Cambridge on and off from 1908. He also worked at the India Office and in 1913 as a member of the Royal Commission on Indian finance and currency, published his first book on the subject.

John Maynard Keynes - The Economic Consequences of the PeaceHe represented the Treasury at the Versailles Peace Conference, but resigned in strong opposition to the terms of the draft treaty which he set out in his next book Economic Consequences of the Peace, (1919). Keynes argued that the war reparations imposed on Germany could not be paid by a country which had been devastated by war. He warned that this would lead to further conflict in Europe – which of course turned out to be true.

In 1925 Keynes married a Diaghilev ballerina, Lydia Lopokova, but they never had children. With his wife he helped to found the Vic-Wells ballet. He also financed the establishment of the Arts Theatre, Cambridge. Although he never earned a great deal from either his academic or government appointments, he made himself quite rich by stock market investments. He was reputed to spend the first part of every day in bed, telephoning instructions to his stock-broker. Of course he had the advantage of knowing what the government’s economic policies were going to be (since he helped to establish them) – so this sort of activity is what we would today call ‘insider trading’.

In 1936 Keynes published his most important book A General Theory of Employment, Interest and Money. It revolutionized economic theory by showing how unemployment could occur involuntarily. Keynes argued that the lack of demand for goods and rising unemployment could be countered by increased government expenditure to stimulate the economy.

By 1937 Keynes’ health began to deteriorate. He would never be fully fit again. However, his expertise was such that he was given an honorary role in the Treasury during World War Two. One of the most important projects he was involved in during his last years was the setting up of the International Monetary Fund.

In 1942 Keynes was elevated to the peerage and took his seat in the House of Lords, where he sat on the Liberal benches. Around the same time he became chairman of the newly formed Committee for the Encouragement of Music and the Arts which, before the end of the war, was renamed the British Arts Council. He died in 1946.


John Maynard Keynes biography


Bloomsbury Group – web links

Bloomsbury Group - web links Hogarth Press first editions
Annotated gallery of original first edition book jacket covers from the Hogarth Press, featuring designs by Vanessa Bell, Roger Fry, and others.

Bloomsbury Group - web links The Omega Workshops
A brief history of Roger Fry’s experimental Omega Workshops, which had a lasting influence on interior design in post First World War Britain.

Bloomsbury Group - web links The Bloomsbury Group and War
An essay on the largely pacifist and internationalist stance taken by Bloomsbury Group members towards the First World War.

Bloomsbury Group web links Tate Gallery Archive Journeys: Bloomsbury
Mini web site featuring photos, paintings, a timeline, sub-sections on the Omega Workshops, Roger Fry, and Duncan Grant, and biographical notes.

Bloomsbury Group - web links Bloomsbury: Books, Art and Design
Exhibition of paintings, designs, and ceramics at Toronto University featuring Hogarth Press, Vanessa Bell, Dora Carrington, Quentin Bell, and Stephen Tomlin.

Bloomsbury Group - web links Blogging Woolf
A rich enthusiast site featuring news of events, exhibitions, new book reviews, relevant links, study resources, and anything related to Bloomsbury and Virginia Woolf

Bloomsbury Group - web links Hyper-Concordance to Virginia Woolf
Search the texts of all Woolf’s major works, and track down phrases, quotes, and even individual words in their original context.

Bloomsbury Group - web links A Mrs Dalloway Walk in London
An annotated description of Clarissa Dalloway’s walk from Westminster to Regent’s Park, with historical updates and a bibliography.

Bloomsbury Group - web links Women’s History Walk in Bloomsbury
Annotated tour of literary and political homes in Bloomsbury, including Gordon Square, University College, Bedford Square, Doughty Street, and Tavistock Square.

Bloomsbury Group - web links Virginia Woolf Society of Great Britain
News of events, regular bulletins, study materials, publications, and related links. Largely the work of Virginia Woolf specialist Stuart N. Clarke.

Bloomsbury Group - web links BBC Audio Essay – A Eulogy to Words
A charming sound recording of a BBC radio talk broadcast in 1937 – accompanied by a slideshow of photographs of Virginia Woolf.

Bloomsbury Group - web links A Family Photograph Albumn
Leslie Stephens’ collection of family photographs which became known as the Mausoleum Book, collected at Smith College – Massachusetts.

Bloomsbury Group - web links Bloomsbury at Duke University
A collection of book jacket covers, Fry’s Twelve Woodcuts, Strachey’s ‘Elizabeth and Essex’.

© Roy Johnson 2000-2014


More on biography
More on the Bloomsbury Group
Twentieth century literature


Filed Under: Bloomsbury Group Tagged With: Bloomsbury Group, Cultural history, John Maynard Keynes, The Economic Consequences of the Peace

John Middleton Murry

January 31, 2018 by Roy Johnson

poet, critic, pacifist, publisher

John Middleton Murry (1889)-1957) was an influential and prolific writer in the English modernist period. He is probably best known for his problematic marriage to fellow writer Katherine Mansfield and his association with D.H. Lawrence. He produced over sixty books plus countless essays on literature, social issues, and religious topics.

John Middleton Murry

Murry (without the ‘a’) was born in Peckham, the son of a clerk in the Inland Revenue. He was educated at Christ’s Hospital (‘Bluecoat School’) before winning an exhibition scholarship and going on to Brasenose College Oxford to study classics. He finished with a first class degree in 1910.

Whilst still an undergraduate he founded the magazine Rhythm, which was thought at the time to be a daringly suggestive title. Interestingly it was later re-named in 1914 as The Blue Review.

Around the same time Murry met the New Zealand writer Katherine Mansfield, who he made an associate editor of his magazine, which published some of her short stories. They embarked on a stormy relationship that included infidelities by both parties.

Murry was judged unfit for military service during the First World War, but he did work for the political intelligence service in the War Office as editor of the confidential Daily Review of the Foreign Press. He spent some time with pacifists and conscientious objectors who assembled at the home of Philip and Ottoline Morrell at Garsington Manor in Oxford.

There he became close friends with D.H. Lawrence and Frieda Von Richthofen. The relationships between the two couples were used as fictional material for Lawrence’s novel, Women in Love. Murry and Mansfield went to live as their neighbours, first in Buckinghamshire, then at Zennor in Cornwall. There was an attempt at communal living which collapsed fairly quickly.

In 1915 Murry and Lawrence established a new magazine called The Signature. Like many other small minority-interest publications it folded quickly – after only three issues. In 1918 Murry married Katherine Mansfield and they settled near Hampstead Heath, together with Ida Baker, one of Mansfield’s former lovers.

Murry was appointed in 1919 as editor of the literary magazine Athenaeum. It featured writing by Lytton Strachey, Virginia Woolf, and T.S. Eliot. Two years later it became The Nation and Athenaeum. Murry moved on to become founding editor of The Adelphi. This magazine featured a rather curious mixture of literature, quasi-Marxist politics, and a return-to-the-land ethos.

John Middleton Murry

Katherine Mansfield

When Katherine Mansfield moved to live in France with Ida Baker, Murry began a dalliance with Princess Bibesco – the daughter of Prime Minister Herbert Asquith. Mansfield hurried back to London in order to squash the liaison.

In 1922 Murry published what was to be his most popular and influential work, The Problem of Style. He also began an affair with Mansfield’s house-mate Dorothy Brett which resulted in a pregnancy and a miscarriage.

Following Mansfield’s death in 1924, Murry edited her stories, her journals, and her diaries. This was done with the intention of promoting her literary reputation, the success of which generated a considerable income for Murry in royalties. But in the time that has passed since these publications he has been criticised for watering down her more radical views.

Following the death of Lawrence in 1930, Murry began a brief affair with his widow Frieda. He married for the third time in 1931 and also began a brief phase as a Marxist. He then moved from a socialist to a radical Christian, pacifist, and communalist ideology.

In 1942 as a conscientious objector he bought a farm in Thelnethan in Sussex and set up a commune for fellow objectors to be run on co-operative lines. The experiment had mixed results, and it ended up with Murry managing it as a conventional farm on commercial lines.

He maintained his pacifist views consistently through the Second World War and became the editor of Peace News from 1940 to 1946. He also published biographical studies of Keats, John Clare, and Jonathan Swift.

Later he renounced pacifism and advocated a preventative war against the Soviet Union. He became a Conservative voter, an anti-feminist, and died in 1957 at Bury St Edmunds in Suffolk.

© Roy Johnson 2018


John Middleton Murry


More on biography
More on the Bloomsbury Group
More on literary studies
More on the arts


Filed Under: Biography, Bloomsbury Group Tagged With: Biography, Bloomsbury Group, Cultural history, English literature, Literary studies

  • « Previous Page
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • …
  • 11
  • Next Page »

Get in touch

info@mantex.co.uk

Content © Mantex 2016
  • About Us
  • Advertising
  • Clients
  • Contact
  • FAQ
  • Links
  • Services
  • Reviews
  • Sitemap
  • T & C’s
  • Testimonials
  • Privacy

Copyright © 2025 · Mantex

Copyright © 2025 · News Pro Theme on Genesis Framework · WordPress · Log in