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The Story of a Year

August 2, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

The Story of a Year was first published in The Atlantic Monthly in March 1865. Its next appearance in book form was as part of the collection The American Novels and Stories of Henry James, edited and with an introduction, by F.O. Matthiessen. published by Knopf in New York, 1947.

It is the first of four stories James wrote with the American Civil War as a background. The other tales are Poor Richard (1867), the ghost story The Romance of Certain Old Clothes (1868), and A Most Extraordinary Case (1868).

The Story of a Year

The American Civil War 1861-1865


The Story of a Year – critical commentary

It is difficult to understand this tale, except as a rather simplistic plea for male heroism and altruistic self-denial in the face of female inconstancy. John Ford is giving his fiancée every encouragement to form other relationships even before he departs for the war – and the moment he does join the Army of the Potomac, that is exactly what Lizzie does. And although she is pulled between her regard for both men, she is ultimately not faithful to her vows to John – just as his mother predicts.

The ambiguous ending is one which James would use many times in his later fictions. We do not know if Lizzie will really hold out against Mr Bruce or not – just as we are not quite sure what will become of Olive Chancellor at the end of The Bostonians or Isabel Archer at the end of Portrait of a Lady.

The American Civil War

What is not in doubt at all is the sympathy that James obviously felt for those who were conscripted into what was a very bloody battle. All his stories with a Civil War background emphasise the suffering and hardship of the participants. And although James himself was a Yankee with sympathies for the Unionist cause, he was alert to the general and national sense of suffering caused by the dispute.

Because we now think of James as a modernist writer, and bracket him conceptually (and chronologically) with other experimental writers of the twentieth century such as his friends Joseph Conrad and Virginia Woolf, it is amazing to realise that he was writing whilst the American Civil War was actually taking place. The introduction to this tale flags up both the background of war which had gone on for three years, and (in a very proto-modernist manner) the outcome of the story itself.

My story begins as a great many stories have begun within the last three years, and indeed as a great many have ended; for, when the hero is despatched, does not the romance come to a stop?”

James himself was conscripted into military service, but was excused duty because of a back injury he had sustained whilst pumping water to put out a fire in Boston. Nevertheless, he visited wounded soldiers in hospitals and recovery centres (rather like Walt Whitman) and it is worth noting that all these tales feature suffering and death on the part of all the participants.

There is a scene in his novel The Bostonians which illustrates this very well. In one of the pivotal meetings of the novel the heroine Verena Tarrant takes the hero Basil Ransom to look round Harvard University in Cambridge, just outside Boston. There in the Memorial Hall he looks on the names of those who have died on the opposite side.

The effect of the place is singularly noble and solemn … It stands there for duty and honour, it speaks of sacrifice and example, seems a kind of temple to youth, manhood, generosity. Most of them were young, all were in their prime, and all of them had fallen … For Ransom these things were not a challenge or a taunt; they touched him with respect, with the sentiment of beauty. He was capable of being a generous foeman, and he forgot, now, the whole question of sides and parties; the simple emotion of the old fighting-time came back to him, and the monument around him seemed an embodiment of that memory; it arched over his friends as well as enemies, the victims of defeat as well as the sons of triumph.


The Story of a Year – study resources

The Story of a Year The Complete Works of Henry James – Kindle edition – Amazon UK

The Story of a Year The Complete Works of Henry James – Kindle edition – Amazon US

The Story of a Year Complete Stories 1864—1874 – Library of America – Amazon UK

Red button The Cambridge Companion to Henry James – Amazon UK

The Story of a Year Complete Stories 1864—1874 – Library of America [$13.95] Amazon US

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

The Story of a Year


The Story of a Year – plot summary

Part I.   Lieutenant John Ford and his fiancée Lizzie Crowe contemplate his departure to the Civil War in Virginia. He encourages her not to sentimentalise his memory if he is killed. He wishes her to enjoy herself whilst he is away, and he also thinks their engagement should be kept secret. When they reach home, his call-up papers have arrived. John nevertheless reveals the engagement to his mother, who thinks Lizzie is shallow and that her son deserves a batter class of wife. John asks his mother to keep their conversation secret.

Part II.   Whilst John is away Lizzie enjoys a blissful sense of being at one with the world. Mrs Ford keeps a watchful and critical eye on her, and feels that the girl is patronising her because she only reads portions of John’s letters. Gradually, Lizzie begins to think less of he fiancé..

Part III.   Mrs Ford engineers a visit for Lizzie to Mrs Littlefield, where she dresses up and meets Mr Bruce at a dance. A relationship between them flourishes. He puts her onto the train back home, where they learn via newspapers that John has been severely injured in the war. When Lizzie gets back home Mrs Ford announces that she is going to her son and will nurse him.

Part IV.   Whilst Lizzie waits at home she is conflicted over her feelings for John and Mr Bruce. She becomes pale and ill, and even fantasises about committing suicide..She goes to stay with the local doctor’s housekeeper Miss Cooper, and they are visited by Mr Bruce.

Part V.   Lizzie is on her own when news arrives that John is worse and expected to die. Then Bruce arrives and proposes to her. She tentatively accepts him, but then John unexpectedly recovers and is sent home. Bruce arrives, but she turns him away. She re-unites herself with John, but she is kept away from him, because he is so fragile. Mrs Ford is also ill from her nursing efforts. John finally summons Lizzie, tells her he is going to die, and gives her his blessing for her relationship with Bruce. John dies the next day, and Bruce arrives to claim her. She bids him farewell, but he refuses to go.


The Story of a Year – principal characters
Lieutenant John Ford conscript in the Union army
Mrs Ford his mother, and Lizzie’s guardian
Elizabeth (Lizzie) Crowe a pretty girl of twenty
Mrs Littlefield a childless matron
Mr Bruce a tall, educated, and rich businessman
Mrs Cooper ugly housekeeper to local doctor

Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James Washington SquareWashington Square (1880) is a superb early short novel, It’s the tale of a young girl whose future happiness is being controlled by her strict authoritarian (but rather witty) father. She is rather reserved, but has a handsome young suitor. However, her father disapproves of him, seeing him as an opportunist and a fortune hunter. There is a battle of wills – all conducted within the confines of their elegant New York town house. Who wins out in the end? You will probably be surprised by the outcome. This is a masterpiece of social commentary, offering a sensitive picture of a young woman’s life.
Henry James Washington Square Buy the book from Amazon UK
Henry James Washington Square Buy the book from Amazon US

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US


Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.
© Roy Johnson 2013


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

The String Quartet

March 30, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

The String Quartet was written in January 1921 and first appeared in Monday or Tuesday (1921) – a collection of experimental short prose pieces Virginia Woolf had written between 1917 and 1921. It was published by the Hogarth Press and also included A Society, A Haunted House, An Unwritten Novel, Monday or Tuesday, Blue and Green, and Solid Objects.

The String Quartet

Virginia Woolf


The String Quartet – critical commentary

Composition

The story contains an impressionistic account of a string quartet performance, but in its own structure echoes the four parts of the traditional musical form – Allegro, Moderato, Minuet, and Sonata-Rondo

The introduction is an account of the narrator’s consciousness and a setting of the scene in the concert hall. This is followed in the next part by the first piece of music. When this finishes, the third part of the narrative returns to distracting events in the hall. And finally, in the fourth part of the story there is a second and more extended piece of music.

Words and music

Writing about music is notoriously difficult, because music itself is entirely abstract. It doesn’t mean anything, but can have a powerful emotional affect upon listeners.

Woolf chooses to render her account of these effects in the form of poetic language and impressionistic images:

‘Flourish, spring, burgeon, burst! … Fountains jet; drops descend … washing shadows over the silver fish, the spotted fish rushed down by the swift waters, now swept into an eddy

And in her account of the second piece of music she conjures up pictures of medieval romance:

the Prince, who was writing in the large vellum book in the oriel window, came out in his velvet skull-cap and furred slippers, snatched a rapier from the wall — the King of Spain’s gift, you know — on which I escaped …

Stream of consciousness

Virginia Woolf was developing the literary technique called ‘stream of consciousness’ at the same time as her famous contemporary James Joyce (of whose work she did not entirely approve) and the very little known Dorothy Richardson. The strategy attempts to reproduce the activity of human consciousness as it deals with the dizzying combination of original thoughts and the bombardment of sense impressions from the outside world.

The result is often a combination of semi-coherent reflections, observations of the material world, and further reactions to those observations – expressed simultaneously in the same way they are experienced. Added to this mixture will usually be the fragments and trivia of everyday life as it impinges on us.

The narrator in this story is conscious of being in the centre of London, of world political events, the weather, the price of housing, and the results of the influenza pandemic (which killed more people that the recent war in 1918-1919) as well as a household repair that has been overlooked:

If indeed it’s true, as they’re saying, that Regent Street is up, and the Treaty signed, and the weather not cold for this time of year, and even at that rent not a flat to be had, and the worst of influenza its after effects; if I bethink me of having forgotten to write about the leak in the larder …


The String Quartet – study resources

The String Quartet The Complete Shorter Fiction – Vintage Classics – Amazon UK

The String Quartet The Complete Shorter Fiction – Vintage Classics – Amazon US

The String Quartet The Complete Shorter Fiction – Harcourt edition – Amazon UK

The String Quartet The Complete Shorter Fiction – Harcourt edition – Amazon US

The String Quartet Monday or Tuesday and Other Stories – Gutenberg.org

The String Quartet Kew Gardens and Other Stories – Hogarth reprint – Amazon UK

The String Quartet Kew Gardens and Other Stories – Hogarth reprint – Amazon US

The String Quartet The Mark on the Wall – Oxford World Classics edition – Amazon UK

The String Quartet The Mark on the Wall – Oxford World Classics edition – Amazon US

The String Quartet The Complete Works of Virginia Woolf – Kindle edition

Blogging Woolf A String Quartet – complete text at Bartelby.com

Blogging Woolf A String Quartet – an alternative reading

Red button The Cambridge Companion to Virginia Woolf – Amazon UK

Red button Virginia Woolf – Authors in Context – Amazon UK

Red button The Cambridge Introduction to Virginia Woolf – Amazon UK

The String Quartet


The String Quartet – story synopsis

An un-named narrator has arrived at a musical recital in the centre of London, and reflects upon the invasion of a person’s thoughts by the trivial phenomena of everyday life.

Social chit-chat is exchanged amongst members of the audience, and underneath the trivia there is a search for some sort of meaning or significance.

A string quartet enters and plays what appears to be a Schubert composition but is said to be by Mozart. The narrator finds the emotions unlocked by the music unsettling and the audience distracting.

A second piece of music is rendered in romantic medieval imagery, which appears to engulf the narrator completely, until it is time to return to the street and go home.


The String Quartet – first appearance

Monday or Tuesday - first edition

Cover design by Vanessa Bell


The String Quartet – further reading

Red button Quentin Bell. Virginia Woolf: A Biography. New York: Harcourt Brace Jovanovich, 1972.

Red button Hermione Lee. Virginia Woolf. New York: Alfred A. Knopf, 1997.

Red button Nicholas Marsh. Virginia Woolf, the Novels. New York: St. Martin’s Press, 1998.

Red button John Mepham, Virginia Woolf. New York: St. Martin’s Press, 1992.

Red button Natalya Reinhold, ed. Woolf Across Cultures. New York: Pace University Press, 2004.

Red button Michael Rosenthal, Virginia Woolf: A Critical Study. New York: Columbia University Press, 1979.

Red button Susan Sellers, The Cambridge Companion to Virginia Woolf, Cambridge University Press, 2010.

Red button Virginia Woolf, The Common Reader. New York: Harvest Books, 2002.

Red button Alex Zwerdling, Virginia Woolf and the Real World. Berkeley: University of California Press, 1986.


Other works by Virginia Woolf

Virginia Woolf To the LighthouseTo the Lighthouse (1927) is the second of the twin jewels in the crown of her late experimental phase. It is concerned with the passage of time, the nature of human consciousness, and the process of artistic creativity. Woolf substitutes symbolism and poetic prose for any notion of plot, and the novel is composed as a tryptich of three almost static scenes – during the second of which the principal character Mrs Ramsay dies – literally within a parenthesis. The writing is lyrical and philosophical at the same time. Many critics see this as her greatest achievement, and Woolf herself realised that with this book she was taking the novel form into hitherto unknown territory.
Virginia Woolf To the Lighthouse Buy the book at Amazon UK
Virginia Woolf To the Lighthouse Buy the book at Amazon US

Woolf - OrlandoOrlando (1928) is one of her lesser-known novels, although it’s critical reputation has risen in recent years. It’s a delightful fantasy which features a character who changes sex part-way through the book – and lives from the sixteenth to the twentieth century. Using this device (which turns out to be strangely credible) Woolf explores issues of gender and identity as her hero-heroine moves through a variety of lives and personal adventures. Orlando starts out as an emissary to the Court of St James, lives through friendships with Swift and Alexander Pope, and ends up motoring through the west end of London on a shopping expedition in the 1920s. The character is loosely based on Vita Sackville-West, who at one time was Woolf’s lover. The novel itself was described by Nigel Nicolson (Sackville-West’s son) as ‘the longest and most charming love-letter in literature’.
Virginia Woolf - Orlando Buy the book at Amazon UK
Virginia Woolf - Orlando Buy the book at Amazon US

Kew GardensKew Gardens is a collection of experimental short stories in which Woolf tested out ideas and techniques which she then later incorporated into her novels. After Chekhov, they represent the most important development in the modern short story as a literary form. Incident and narrative are replaced by evocations of mood, poetic imagery, philosophic reflection, and subtleties of composition and structure. The shortest piece, ‘Monday or Tuesday’, is a one-page wonder of compression. This collection is a cornerstone of literary modernism. No other writer – with the possible exception of Nadine Gordimer, has taken the short story as a literary genre as far as this.
Virginia Woolf - Kew Gardens Buy the book at Amazon UK
Virginia Woolf - Kew Gardens Buy the book at Amazon US


Virginia Woolf: BiographyVirginia Woolf is a readable and well illustrated biography by John Lehmann, who at one point worked as her assistant and business partner at the Hogarth Press. It is described by the blurb as ‘A critical biography of Virginia Woolf containing illustrations that are a record of the Bloomsbury Group and the literary and artistic world that surrounded a writer who is immensely popular today’. This is an attractive and very accessible introduction to the subject which has been very popular with readers ever since it was first published..
Virginia Woolf - A Biography Buy the book at Amazon UK
Virginia Woolf - A Biography Buy the book at Amazon US


Virginia Woolf – web links

Red button Virginia Woolf at Mantex
Biographical notes, study guides to the major works, book reviews, studies of the short stories, bibliographies, web links, study resources.

Virginia Woolf web links Blogging Woolf
Book reviews, Bloomsbury related issues, links, study resources, news of conferences, exhibitions, and events, regularly updated.

Virginia Woolf web links Virginia Woolf at Wikipedia
Full biography, social background, interpretation of her work, fiction and non-fiction publications, photograph albumns, list of biographies, and external web links

Virginia Woolf web links Virginia Woolf at Gutenberg
Selected eTexts of her novels and stories in a variety of digital formats.

Virginia Woolf web links Woolf Online
An electronic edition and commentary on To the Lighthouse with notes on its composition, revisions, and printing – plus relevant extracts from the diaries, essays, and letters.

Virginia Woolf web links Hyper-Concordance to Virginia Woolf
Search texts of all the major novels and essays, word by word – locate quotations, references, and individual terms

Virginia Woolf web links Orlando – Sally Potter’s film archive
The text and film script, production notes, casting, locations, set designs, publicity photos, video clips, costume designs, and interviews.

Virginia Woolf web links Women’s History Walk in Bloomsbury
Tour of literary and political homes in Bloomsbury – including Gordon Square, Gower Street, Bedford Square, Tavistock Square, plus links to women’s history web sites.

Virginia Woolf web links Virginia Woolf Society of Great Britain
Bulletins of events, annual lectures, society publications, and extensive links to Woolf and Bloomsbury related web sites

Virginia Woolf web links BBC Audio Essay – A Eulogy to Words
Charming sound recording of radio talk given by Virginia Woolf in 1937 – a podcast accompanied by a slideshow of photographs.

Virginia Woolf web links A Family Photograph Albumn
Leslie Stephen compiled a photograph album and wrote an epistolary memoir, known as the “Mausoleum Book,” to mourn the death of his wife, Julia, in 1895 – an archive at Smith College – Massachusetts

Virginia Woolf web links Virginia Woolf first editions
Hogarth Press book jacket covers of the first editions of Woolf’s novels, essays, and stories – largely designed by her sister, Vanessa Bell.

Virginia Woolf web links Virginia Woolf – on video
Biographical studies and documentary videos with comments on Virginia Woolf and the Bloomsbury Group and the social background of their times.

Virginia Woolf web links Virginia Woolf Miscellany
An archive of academic journal essays 2003—2014, featuring news items, book reviews, and full length studies.

© Roy Johnson 2013


More on Virginia Woolf
Virginia Woolf – short stories
Virginia Woolf – greatest works
Virginia Woolf – criticism
Virginia Woolf – life and works


Filed Under: Woolf - Stories Tagged With: English literature, Literary studies, Modernism, The Short Story, Virginia Woolf

The Sweetheart of M. Briseux

July 13, 2013 by Roy Johnson

tutorial commentary, study resources, plot, and web links

The Sweetheart of M. Briseux first appeared in The Galaxy magazine for June 1873. It was not reprinted until 1919 as part of Travelling Companions along with six other early Henry James stories, published by Boni and Liveright in New York.

The Sweetheart of M. Briseux

Portrait of a Lady in a Yellow Shawl


The Sweetheart of M. Briseux – critical commentary

This is one of many stories James wrote about art and artists – particularly painters. The premise of the tale is simple enough, and represents a traditionally romantic view of art. Harold Staines is handsome and rich, but he lacks artistic talent. M. Briseux on the other hand is poor and unsuccessful – but he has both artistic insight and skill. Briseux is also a man of principle who turns down an offer of money in order to complete the portrait. The poor but talented artist is something of a cliché which has had a persistently vigorous life ever since it first came into being.

It is echoed here by the complementary cliché of the woman who chooses the poor hero over the rich wastrel. The woman in the portrait refuses Harold Staines when he challenges her, and throws her lot in with the poor Briseux instead. She thereby loses her comfortable position within the Staines family, and is forced to go back to her (poorer) home.


The Sweetheart of M. Briseux – study resources

The Sweetheart of M. Briseux The Complete Works of Henry James – Kindle edition – Amazon UK

The Sweetheart of M. Briseux The Complete Works of Henry James – Kindle edition – Amazon US

The Sweetheart of M. Briseux Complete Stories 1864—1874 – Library of America – Amazon UK

The Sweetheart of M. Briseux Complete Stories 1864—1874 – Library of America – Amazon US

The Sweetheart of M. Briseux The Cambridge Companion to Henry James – Amazon UK

The Sweetheart of M. Briseux Henry James at Wikipedia – biographical notes, links

The Sweetheart of M. Briseux Henry James at Mantex – tutorials, biography, study resources

The Sweetheart of M. Briseux


The Sweetheart of M. Briseux – plot summary

An un-named narrator is looking at paintings in the museum of a French provincial town. The gallery has acquired The Lady with a Yellow Shawl, an impressive work by the best-known local artist, Briseux. The narrator sees a woman in the gallery looking at the picture very intently, and suspects her to be the original subject of the portrait. Later in the day he meets her in the town and she tells him her story, which forms the remainder of the narrative,

She has lived under the protection of Mrs Lucretia Staines, an old friend of her mother. Mrs Staines has a handsome but shiftless son Harold, who decides to become an artist. They all travel to Rome, where he makes copies of old masters. Then he proposes to her, which at first is a delight to her, but then becomes a burden. Mrs Staines however approves the match.

They move on to Paris, where Harold makes copies in the Louvre, The woman delays the marriage, but then challenges him to paint her portrait, after which she promises to settle a date. Harold struggles with the portrait, and one day whilst he is absent from his studio during a sitting, the young painter Briseux appears and denounces the painting as rubbish.

He is hungry and destitute, but very confident about his own talent. She offers to give him money, but instead he finishes off the portrait.

Harold returns and is angry at this interference with his ‘work’: He tells her to leave the studio, but she sees the shabby figure of Briseux as a positive saviour, and that of the handsome Harold as a negative life force. She refuses to move. Harold says she must chose between them: she chooses Briseux, who then finishes off the painting.

She parts from the Staines family and goes back home. Briseux exhibits the picture at the Paris salon and it is deemed a masterpiece which establishes his reputation.

.


The Sweetheart of M. Briseux – principal characters
I the un-named American outer narrator
— an un-named woman who is the subject of the painting
Pierre Briseux a poor French painter
Mrs Lucretia Staines a disappointed widow
Harold Staines her handsome but untalented son

The Sweetheart of M. Briseux

Henry James – portrait by John Singer Sargeant


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The BostoniansThe Bostonians (1886) is a novel about the early feminist movement. The heroine Verena Tarrant is an ‘inspirational speaker’ who is taken under the wing of Olive Chancellor, a man-hating suffragette and radical feminist. Trying to pull her in the opposite direction is Basil Ransom, a vigorous young man from the South to whom Verena becomes more and more attracted. The dramatic contest to possess her is played out with some witty and often rather sardonic touches, and as usual James keeps the reader guessing about the outcome until the very last page.

The Sweetheart of M. Briseux Buy the book at Amazon UK
The Sweetheart of M. Briseux Buy the book at Amazon US

Henry James What Masie KnewWhat Masie Knew (1897) A young girl is caught between parents who are in the middle of personal conflict, adultery, and divorce. Can she survive without becoming corrupted? It’s touch and go – and not made easier for the reader by the attentions of an older man who decides to ‘look after’ her. This comes from the beginning of James’s ‘Late Phase’, so be prepared for longer and longer sentences. In fact it’s said that whilst composing this novel, James switched from writing longhand to using dictation – and it shows if you look carefully enough – part way through the book.
Henry James What Masie Knew Buy the book at Amazon UK
Henry James What Masie Knew Buy the book at Amazon US

Henry James The AmbassadorsThe Ambassadors (1903) Lambert Strether is sent from America to Paris to recall Chadwick Newsome, a young man who is reported to be compromising himself by an entanglement with a wicked woman. However, Strether’s mission fails when he is seduced by the social pleasures of the European capital, and he takes Newsome’s side. So a second ambassador is dispatched in the form of the more determined Sarah Pocock. She delivers an ultimatum which is resisted by the two young men, but then an accident reveals unpleasant truths to Strether, who is faced by a test of loyalty between old Europe and the new USA. This edition presents the latest scholarship on James and includes an introduction, notes, selected criticism, a text summary and a chronology of James’s life and times.
The Sweetheart of M. Briseux Buy the book at Amazon UK
The Sweetheart of M. Briseux Buy the book at Amazon US


Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.

© Roy Johnson 2013


More tales by James
More on literature
More on the novella
More on literary studies
More on short stories


Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

The Symbol

November 24, 2014 by Roy Johnson

tutorial, commentary, study resources, and web links

The Symbol was not published during Virginia Woolf’s lifetime. Her diaries in the late 1930s record her intention to write something which involved snow and the top of a mountain: ‘There are very few mountain summit moments. I mean, looking out at peace, from a height’. It is interesting to note that this seemingly positive image of a mountain top as the subject of a story contains no hints of the complexities of the narrative or the event which undercuts the ending in its finished version.

The Symbol

The Symbol – critical commentary

Some of Virginia Woolf’s experimental short stories are not much more than static tableaux – non-dramatic sketches of situations held together by related images (Kew Gardens). Some of them might be structured merely by the passage of time (Monday or Tuesday) or by the play of individual imagination (The Mark on the Wall). Others might introduce dramatic tension and the human subjects of conventional prose fiction – only to destroy them as misleading constructions of the imagination (An Unwritten Novel).

The Symbol is Woolf’s version of the ‘surprise ending’ – a story which appears to be concerned with one thing, but which turns out to be about something else – which is precisely the function of the symbol or the metaphor. It is significant that this story originally carried the title ‘Inconclusions’ but was replaced by ‘The Symbol’ during the revision of the typescript some time in 1941 – thus representing her last possible thoughts on the matter.

The mountain is there as a symbol of a challenge which attracts young men to explore it, to climb up it, and to overcome the dangers that it represents. The death of her dying mother is the guilt-inducing symbol of what the letter-writer wishes for – a life free from parental servitude with the possibility of following the family tradition of travel and exploration.

She has wished to explore, like the young men climbing the mountain, but instead has eventually taken the safe option of marriage. There is very little evidence in the text to suggest that a direct comparison is being made, but since there is no other substantial material in the narrative we are free to draw this inference.

Structure

The death of the mountaineers might seem to come as a surprise at the end of the story, but in fact all elements of the outcome of the story have been flagged up in the opening paragraph. The snow is ‘dead white’ [my emphasis]; the atmosphere on the mountain is ‘too high for breathing flesh or fur covered life’; and in the valley below there are ‘graves in the churchyard … recorded the names of several men who had fallen climbing’.

The letter-writer reflects upon the danger that the mountain represents to the local villagers, but does so with a thought which fits exactly her own situation when nursing her dying mother: ‘Ought one not to be ashamed of dwelling upon what after all can’t be cured?’


Study resources

The Symbol The Complete Shorter Fiction – Vintage Classics – Amazon UK

The Symbol The Complete Shorter Fiction – Vintage Classics – Amazon US

The Symbol The Complete Shorter Fiction – Harcourt edition – Amazon UK

The Symbol The Complete Shorter Fiction – Harcourt edition – Amazon US

The Symbol The Complete Works of Virginia Woolf – Kindle edition

Red button The Cambridge Companion to Virginia Woolf – Amazon UK

Red button Virginia Woolf – Authors in Context – Amazon UK

Red button The Cambridge Introduction to Virginia Woolf – Amazon UK

The Symbol


The Symbol – synopsis

The setting of the story is an Alpine summer resort visually dominated by the local snow-capped mountain. On the balcony of a local hotel an un-named woman is writing to her sister in England, whilst below a young man she knows vaguely is part of a group preparing for the ascent. She thinks the mountain is a symbol, but isn’t quite sure of what.

She reflects on her earlier life when she nursed her dying mother, and thinks how her mother’s death seemed to her at the time like a symbol – because it would release her from caring into the freedom to get married. Coming from an Anglo-Indian family of explorers, she had a desire to explore for herself, but opted for marriage instead.

In her letter she likens the Alpine resort to Birmingham, and mentions that the inhabitants (largely invalids) are dominated by their consciousness of the mountain, and she wonders if it could be ‘removed’ from them as an impediment. But she thinks it is perhaps selfish to be concerned with something which cannot be changed, and has been assured that the mountain is quite safe and benign.

Later that night she learns that the mountaineers, including the young man, have died trying to climb the mountain.


Virginia Woolf – Monk’s House at Rodmell


Other works by Virginia Woolf

Virginia Woolf Jacob's RoomJacob’s Room (1922) was Woolf’s first and most dramatic break with traditional narrative fiction. It was also the first of her novels she published herself, as co-founder of the Hogarth Press. This gave her for the first time the freedom to write exactly as she wished. The story is a thinly disguised portrait of her brother Thoby – as he is perceived by others, and in his dealings with two young women. The novel does not have a conventional plot, and the point of view shifts constantly and without any signals or transitions from one character to another. Woolf was creating a form of story telling in which several things are discussed at the same time, creating an impression of simultaneity, and a flow of continuity in life which was one of her most important contributions to literary modernism.
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Kew GardensKew Gardens is a collection of experimental short stories in which Woolf tested out ideas and techniques which she then later incorporated into her novels. After Chekhov, they represent the most important development in the modern short story as a literary form. Incident and narrative are replaced by evocations of mood, poetic imagery, philosophic reflection, and subtleties of composition and structure. The shortest piece, ‘Monday or Tuesday’, is a one-page wonder of compression. This collection is a cornerstone of literary modernism. No other writer – with the possible exception of Nadine Gordimer, has taken the short story as a literary genre as far as this.
Virginia Woolf - Kew Gardens Buy the book at Amazon UK
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Virginia Woolf: BiographyVirginia Woolf is a readable and well illustrated biography by John Lehmann, who at one point worked as her assistant and business partner at the Hogarth Press. It is described by the blurb as ‘A critical biography of Virginia Woolf containing illustrations that are a record of the Bloomsbury Group and the literary and artistic world that surrounded a writer who is immensely popular today’. This is an attractive and very accessible introduction to the subject which has been very popular with readers ever since it was first published..
Virginia Woolf - A Biography Buy the book at Amazon UK
Virginia Woolf - A Biography Buy the book at Amazon US


Virginia Woolf – web links

Virginia Woolf at Mantex
Biographical notes, study guides to the major works, book reviews, studies of the short stories, bibliographies, web links, study resources.

Blogging Woolf
Book reviews, Bloomsbury related issues, links, study resources, news of conferences, exhibitions, and events, regularly updated.

Virginia Woolf at Wikipedia
Full biography, social background, interpretation of her work, fiction and non-fiction publications, photograph albumns, list of biographies, and external web links

Virginia Woolf at Gutenberg
Selected eTexts of her novels and stories in a variety of digital formats.

Woolf Online
An electronic edition and commentary on To the Lighthouse with notes on its composition, revisions, and printing – plus relevant extracts from the diaries, essays, and letters.

Hyper-Concordance to Virginia Woolf
Search texts of all the major novels and essays, word by word – locate quotations, references, and individual terms

Orlando – Sally Potter’s film archive
The text and film script, production notes, casting, locations, set designs, publicity photos, video clips, costume designs, and interviews.

Women’s History Walk in Bloomsbury
Tour of literary and political homes in Bloomsbury – including Gordon Square, Gower Street, Bedford Square, Tavistock Square, plus links to women’s history web sites.

Virginia Woolf Society of Great Britain
Bulletins of events, annual lectures, society publications, and extensive links to Woolf and Bloomsbury related web sites

BBC Audio Essay – A Eulogy to Words
Charming sound recording of radio talk given by Virginia Woolf in 1937 – a podcast accompanied by a slideshow of photographs.

A Family Photograph Albumn
Leslie Stephen compiled a photograph album and wrote an epistolary memoir, known as the “Mausoleum Book,” to mourn the death of his wife, Julia, in 1895 – an archive at Smith College – Massachusetts

Virginia Woolf – on video
Biographical studies and documentary videos with comments on Virginia Woolf and the Bloomsbury Group and the social background of their times.

Virginia Woolf Miscellany
An archive of academic journal essays 2003—2014, more than 25 issues that were published between 1975 and 2002, and featuring news items, book reviews, and full length studies.

© Roy Johnson 2014


More on Virginia Woolf
Virginia Woolf – short stories
Virginia Woolf – greatest works
Virginia Woolf – criticism
Virginia Woolf – life and works


Filed Under: Woolf - Stories Tagged With: English literature, Literary studies, The Short Story, Virginia Woolf

The Tale

September 15, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

The Tale was written 1916 and first published 1917 in The Strand Magazine. It was posthumously collected in Tales of Hearsay, published by T. Fisher Unwin in 1925. The other tales in the volume were The Warrior’s Soul, Prince Roman. and The Black Mate. This is the only story Conrad wrote about the first world war.

The Tale


The Tale – critical commentary

Narrative

As was common in tales he was writing at this time, Conrad blends two narrative modes in one story here. The tale begins in third person omniscient narrative mode, with events related largely from the commander’s point of view. When asked to recount a story by the woman, his dramatisation of the incident of the two ships (although related by him in first person narrative mode) is cast as a third person narrative. He refers to the commander of the warship as ‘he’ – though it is fairly clear from the outset that he is talking about himself. Conrad’s tinkering with narrative modes is perfectly justified here – because the commander is giving an account of something he has himself experienced

The moral

Without a specialist knowledge of the rules of maritime engagement during a period of war, it’s hard to know what the commander’s other options were. Conrad is surely expecting his readers to be sympathetic to the commander, and yet his action of sending the crew of the other ship to their more-or-less certain death would be inexcusable, even if they were supplying the enemy with materials. The commander was in a position to seize the other vessel – though it could be argued that in times of war, subtle distinctions are frequently ignored or ‘lost’.


The Tale – study resources

The Tale Tales of Hearsay – CreateSpace editions – Amazon UK

The Tale Tales of Hearsay – CreateSpace editions – Amazon US

The Tale The Complete Works of Joseph Conrad – Kindle eBook

The Tale The Tale – eBook versions at Project Gutenberg

The Tale Joseph Conrad: A Biography – Amazon UK

Red button The Cambridge Companion to Joseph Conrad – Amazon UK

Red button Routledge Guide to Joseph Conrad – Amazon UK

Red button Oxford Reader’s Companion to Conrad – Amazon UK

The Tale Notes on Life and Letters – Amazon UK

The Tale Joseph Conrad – biographical notes

The Tale


The Tale – plot summary

A naval officer, on leave from the First World War, tells a woman a story at her request. It’s of an English naval commander who claims that the war at sea is not as distinct and definite as the war on land. Whilst on patrol somewhere in the North Sea his ship spots some wreckage late at night. It’s thought this could be some neutral country supplying replenishments to enemy submarines. The commander’s ship is then engulfed by fog, so they pull into a nearby cove, where they discover another ship. It is from a neutral country and has had engine trouble. However, the commander is suspicious, and decides to board the ship himself, to inspect.

The captain of the neutral ship is a ‘Northman’ who claims he has been becalmed by fog and his engines have failed, but have now been repaired. His story is plausible, and it tallies with the ship’s log book. He claims the cargo is being taken to a British port. Everything he says corresponds with what can be seen, and yet something in his manner makes the English commander doubt him.

The commander is suspicious because the other ship did not make itself known, and had the power to sail away. The other ship’s captain (who appears to have been drinking) claims that he does not know where he is. The commander increasingly feels he is being confronted by a huge lie, and yet he has no proof of anything amiss. The captain pleads that he is only engaged on the journey because he owns the ship and needs the money.

The English commander orders the Northman to take his ship out of the cove, and gives him false directions which take him onto rocks, where the ship sinks, with the loss of all on board. The commander – who has been talking about himself – does not know if he has condemned innocent or guilty men to death


Joseph Conrad – video biography


The Tale – principal characters
— an English naval commander
— the woman he is comforting
— the ‘Northman’

The Tale

first edition, Fisher Unwin 1925


The Cambridge Companion to Joseph ConradThe Cambridge Companion to Joseph Conrad offers a series of essays by leading Conrad scholars aimed at both students and the general reader. There’s a chronology and overview of Conrad’s life, then chapters that explore significant issues in his major writings, and deal in depth with individual works. These are followed by discussions of the special nature of Conrad’s narrative techniques, his complex relationships with late-Victorian imperialism and with literary Modernism, and his influence on other writers and artists. Each essay provides guidance to further reading, and a concluding chapter surveys the body of Conrad criticism.
Joseph Conrad Buy the book at Amazon UK
Joseph Conrad Buy the book at Amazon US


Joseph Conrad - writing table

Joseph Conrad’s writing table


Further reading

Red button Amar Acheraiou Joseph Conrad and the Reader, London: Macmillan, 2009.

Red button Jacques Berthoud, Joseph Conrad: The Major Phase, Cambridge: Cambridge University Press, 1978.

Red button Muriel Bradbrook, Joseph Conrad: Poland’s English Genius, Cambridge: Cambridge University Press, 1941

Red button Harold Bloom (ed), Joseph Conrad (Bloom’s Modern Critical Views, New Yoprk: Chelsea House Publishers, 2010

Red button Hillel M. Daleski , Joseph Conrad: The Way of Dispossession, London: Faber, 1977

Red button Daphna Erdinast-Vulcan, Joseph Conrad and the Modern Temper, Oxford: Oxford University Press, 1991.

Red button Aaron Fogel, Coercion to Speak: Conrad’s Poetics of Dialogue, Cambridge, Mass: Harvard University Press, 1985

Red button John Dozier Gordon, Joseph Conrad: The Making of a Novelist, Cambridge, Mass: Harvard University Press, 1940

Red button Albert J. Guerard, Conrad the Novelist, Cambridge, Mass: Harvard University Press, 1958

Red button Robert Hampson, Joseph Conrad: Betrayal and Identity, Basingstoke: Macmillan, 1992

Red button Jeremy Hawthorn, Joseph Conrad: Language and Fictional Self-Consciousness, London: Edward Arnold, 1979

Red button Jeremy Hawthorn, Joseph Conrad: Narrative Technique and Ideological Commitment, London: Edward Arnold, 1990

Red button Jeremy Hawthorn, Sexuality and the Erotic in the Fiction of Joseph Conrad, London: Continuum, 2007.

Red button Owen Knowles, The Oxford Reader’s Companion to Conrad, Oxford: Oxford University Press, 1990

Red button Jakob Lothe, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008

Red button Gustav Morf, The Polish Shades and Ghosts of Joseph Conrad, New York: Astra, 1976

Red button Ross Murfin, Conrad Revisited: Essays for the Eighties, Tuscaloosa, Ala: University of Alabama Press, 1985

Red button Jeffery Myers, Joseph Conrad: A Biography, Cooper Square Publishers, 2001.

Red button Zdzislaw Najder, Joseph Conrad: A Life, Camden House, 2007.

Red button George A. Panichas, Joseph Conrad: His Moral Vision, Mercer University Press, 2005.

Red button John G. Peters, The Cambridge Introduction to Joseph Conrad, Cambridge: Cambridge University Press, 2006.

Red button James Phelan, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008.

Red button Edward Said, Joseph Conrad and the Fiction of Autobiography, Cambridge Mass: Harvard University Press, 1966

Red button Allan H. Simmons, Joseph Conrad: (Critical Issues), London: Macmillan, 2006.

Red button J.H. Stape, The Cambridge Companion to Joseph Conrad, Cambridge: Cambridge University Press, 1996

Red button John Stape, The Several Lives of Joseph Conrad, Arrow Books, 2008.

Red button Peter Villiers, Joseph Conrad: Master Mariner, Seafarer Books, 2006.

Red button Ian Watt, Conrad in the Nineteenth Century, London: Chatto and Windus, 1980

Red button Cedric Watts, Joseph Conrad: (Writers and their Work), London: Northcote House, 1994.


Other writing by Joseph Conrad

Joseph Conrad Lord JimLord Jim (1900) is the earliest of Conrad’s big and serious novels, and it explores one of his favourite subjects – cowardice and moral redemption. Jim is a ship’s captain who in youthful ignorance commits the worst offence – abandoning his ship. He spends the remainder of his adult life in shameful obscurity in the South Seas, trying to re-build his confidence and his character. What makes the novel fascinating is not only the tragic but redemptive outcome, but the manner in which it is told. The narrator Marlowe recounts the events in a time scheme which shifts between past and present in an amazingly complex manner. This is one of the features which makes Conrad (born in the nineteenth century) considered one of the fathers of twentieth century modernism.
Joseph Conrad Buy the book from Amazon UK
Joseph Conrad Buy the book from Amazon US

Joseph Conrad Heart of DarknessHeart of Darkness (1902) is a tightly controlled novella which has assumed classic status as an account of the process of Imperialism. It documents the search for a mysterious Kurtz, who has ‘gone too far’ in his exploitation of Africans in the ivory trade. The reader is plunged deeper and deeper into the ‘horrors’ of what happened when Europeans invaded the continent. This might well go down in literary history as Conrad’s finest and most insightful achievement, and it is based on his own experiences as a sea captain. This volume also contains ‘An Outpost of Progress’ – the magnificent study in shabby cowardice which prefigures ‘Heart of Darkness’.
Joseph Conrad Buy the book from Amazon UK
Joseph Conrad Buy the book from Amazon US

© Roy Johnson 2013


Joseph Conrad web links

Joseph Conrad at Mantex
Biography, tutorials, book reviews, study guides, videos, web links.

Joseph Conrad – his greatest novels and novellas
Brief notes introducing his major works in recommended editions.

Joseph Conrad at Project Gutenberg
A major collection of free eTexts in a variety of formats.

Joseph Conrad at Wikipedia
Biography, major works, literary career, style, politics, and further reading.

Joseph Conrad at the Internet Movie Database
Adaptations for the cinema and television – in various languages. Full details of directors and actors, production notes, box office, trivia, and quizzes.

Works by Joseph Conrad
Large online database of free HTML texts, digital scans, and eText versions of novels, stories, and occasional writings.

The Joseph Conrad Society (UK)
Conradian journal, reviews. and scholarly resources.

The Joseph Conrad Society of America
American-based – recent publications, journal, awards, conferences.

Hyper-Concordance of Conrad’s works
Locate a word or phrase – in the context of the novel or story.


More on Joseph Conrad
Twentieth century literature
Joseph Conrad complete tales


Filed Under: Conrad - Tales Tagged With: English literature, Joseph Conrad, Literary studies, The Short Story

The Talented Mr Ripley

October 30, 2017 by Roy Johnson

tutorial, study guide, commentary, further reading, web links

The Talented Mr Ripley (1955) is the first of a series of crime thrillers by Patricia Highsmith featuring the character Tom Ripley. He is an ambitious young American who has come from an undistinguished background, but who has a taste for the good quality things in life, which are not within his means. The talents mentioned in the title turn out to include forgery, deception, mimicry, lying, and murder – from which he miraculously escapes detection.

The Talented Mr Ripley

There are five novels in the series, which have become known collectively as The Ripliad. They are self-contained and can be enjoyed separately – but a knowledge of their chronological development adds a great deal of depth to their meaning – particularly the ironic contrasts between Ripley’s refined social tastes and his shocking exploits.


The Talented Mr Ripley – commentary

Genre and morality

Patricia Highsmith’s novels are often categorised as mystery thrillers or detective stories. Yet the Ripley series in particular contain very little mystery and virtually no detection. That’s because we know who commits the crimes – Ripley himself. The only element of suspense in the narrative is the question ‘will he be found out?’ – to which the answer is ‘Amazingly – no’.

Highsmith is exploring a rather bleak, pessimistic, sometimes misanthropic view of the world in which virtue is not necessarily rewarded and mischief is not always punished. It also has to be said that this view is shot through with elements of black humour – another sign of the times in which she wrote.

The plot

Before she became a full time novelist, Patricia Highsmith wrote the stories for comic books (1942-1948). These have the virtue of being fast-moving tales with clearly defined characters and lots of dramatic twists. This background undoubtedly had an influence on her work as a novelist.

She is also a product of the age of existentialism. – ideas she had already explored in her dramatic and very successful first novel Strangers on a Train (1950) – the text of which is even more complex and psychologically searching than the famous film adaptation made by Alfred Hitchcock.

It is her fascination with aberrant and psychologically disturbed characters that give her stories such impact. In this there is clearly the influence of Dostoyevski – a founding father to the existentialists.

Tom Ripley is a vivid character not just because he commits murders and evades detection, but because he is ruthlessly honest about himself, and scathingly critical of everybody else as well. He knows that Dickie Greenleaf is a mediocre person, a talentless painter, and a spoiled playboy. Yet he is attracted to Greenleaf; indeed he wants to become him. He wears his clothes and jewellery, imitates his voice and his writing, and is happiest when living as him.

The homo-erotic element in this relationship is unmistakable – especially in Tom’s glorification of Dickie’s physical beauty and his disparagement of Marge, who he likens to the leader of a Girl Guide group. What is even more complex and interesting in thiis psychological farrago is that this study of male desire was created by not only a female author, but one who was avowedly homosexual in her own tastes and practices.

Tom’s character

Tom originally thought he might become an actor. His deprived background left him feeling he had no central identity to define a real self, so he thought that imitating someone else might provide him with an acceptable substitute. The events of The Talented Mr Ripley present a study of Tom’s identifying with someone else, to the extent that he wishes to become that person – Dickie Greenleaf.

He does not set out with malicious intentions. Fortune puts the opportunity in his way via Dickie’s father’s request that he try to persuade Dickie to come back from Europe. There is a clear echo of Henry James’ The Ambassadors here, which Patricia Highsmith signals quite clearly in the narrative.

In one sense Tom Ripley does become Dickie Greenleaf. He forges Dickie’s will and inherits his wealth, then he retires to live in a grand French house, with a playboy existence – pottering amongst his plants and painting when the mood takes him. So he replicates the lifestyle of Dickie’s which he so coveted. He also has a glamorous wife (with a rich father) to whom he is rather unconvincingly devoted.


The Talented Mr Ripley – film adaptations

There have been two major film adaptations of the novel. The first was made in 1960 by French director Rene Clement and is called Pleine Soleil, also known as Purple Noon. It stars Alain Delon as Ripley in what was his first major film.

The second was made by British director Anthony Minghella in 1999, starring Mat Damon as Ripley and Jude Law as Dickie Greenleaf. This version is beautifully photographed (by John Seale) and received several nominations and film awards

Minghella’s version takes some minor liberties with the story line and introduces new characters and plot complications. Minghella rather unnecessarily creates a second lead female (Meredith Logue, played by Cate Blanchett) and adds a third murder when Ripley kills Peter Smith-Kingsley (Jack Davenport) during the boat trip to Greece. But on the whole his film is amazingly faithful to the original text in terms of rhythm, tone, locations, and atmosphere.


The Talented Mr Ripley – study resources

The Talented Mr Ripley The Talented Mr Ripley – Penguin – Amazon UK

The Talented Mr Ripley The Talented Mr Ripley – Penguin – Amazon US

The Talented Mr Ripley The Talented Mr Ripley – Kindle – Amazon UK

The Talented Mr Ripley The Talented Mr Ripley – Kindle – Amazon US

The Talented Mr Ripley The Talented Mr Ripley – DVD film – Amazon UK

The Talented Mr Ripley The Talented Mr Ripley – DVD film – Amazon US

The Talented Mr Ripley Pleine Soleil – DVD film – Amazon UK

The Talented Mr Ripley Pleine Soleil – DVD film – Amazon US


The Talented Mr Ripley


The complete Ripliad

The Talented Mr. Ripley (1955)

Ripley Under Ground (1970)

Ripley’s Game (1974)

The Boy Who Followed Ripley (1980)

Ripley Under Water (1991)


The Talented Mr Ripley

Patricia Highsmith


The Talented Mr Ripley – plot summary

Tom Ripley is a young man living on the edge of legality in New York City. He is collecting cheques from people by issuing false income tax demands. He meets shipbuilder Herbert Greenleaf who asks for help in recovering his son Richard, who has gone to live in Italy. Tom has dinner at the Greenleaf house, where he lies about his academic record.

Crossing to Europe on board ship Tom reflects on his unhappy childhood and blames his Aunt Dottie for not making his life easier. In the (ficticious) town of Mongibello in Italy Tom locates Dickie and Marge Sherwood on the beach. They invite him back for lunch, after which he is sick.

When they meet again Tom explains his mission on behalf of Mr Greenleaf. Dickie invites Tom to live temporarily in his house. Tom finds Dickie commonplace but attractive. They go for lunch in Naples, then on to Rome for the night.

There is talk of travelling together, but Marge disapproves of their irresponsible behaviour. Dickie claims Marge is just a friend, but Tom spies and sees him kissing her. This puts Tom into a jealous rage. He dresses in Dickie’s clothes and imagines strangling Marge. Dickie suddenly appears in the room and there is an embarrassing scene.

Tom and Dickie argue about a proposed trip to Paris. Tom feels he is being squeezed out, and will be left alone at Christmas. They go to Cannes and San Remo, where Tom begins to hate Dickie because of his cold remoteness. When they go out on a boat Tom kills Dickie, steals his wallet, and scuttles the boat.

Tom returns to Mongibello and tells Marge that Dickie is stayIng in Rome for the winter. He steals Dickie’s clothes and makes arrangements to sell Dickie’s house and boat. He goes to Rome, where he writes a goodbye letter to Marge in Dickie’s name.

He goes to Paris at Christmas and enjoys living in someone else’s persona – shedding his own.. He spends the rest of winter in Rome, avoiding giving anyone his address. . However, a fleeting mistake brings Dickie’s friend Freddy Miles to the apartment. Knowing his deception will be exposed, Tom murders Freddy.

He dumps Freddy’s body on the Appian Way then prepares to leave for Majorca. But the body is found and the police arrive to question him. The scuttled boat is also found. Tom feels threatened by people trying to contact him.

The police return to say they think Tom Ripley is dead because of blood in the boat. Then Marge arrives, but he lies to her, gives her the slip, and goes instead to Palermo, Sicily.

In Palermo a letter arrives from Marge for Dickie. She is giving up on the relationship and going back to America. Tom receives notice from the bank that they suspect the signatures on Dickie’s cheques might be forgeries.

When he receives a letter from the police demanding his presence in Rome, he decides reluctantly to revert to being Tom Ripley. The police are also searching for Ripley, but when he presents himself to them he is easily able to convince them of his innocence.

He establishes himself in grand style in Venice, and is visited by Marge. She questions him closely about his time apparently spent with Dickie. Speculation continues about Dickie’s whereabouts. Herbert Greenleaf arrives to check on the latest news. Tom gives him an edited version.

Suddenly, Marge finds Dickie’s rings. Tom lies his way out of the tight corner, and fantasises about killing her. Private detective McCarron arrives to question Tom and Marge closely. Some days later Tom posts Mr Greenleaf a copy of Dickie’s will that he has forged.

Tom is preparing to go to Greece when Dickie’s luggage is found in the American Express office in Venice. Tom sails to Greece, all the time thinking he is about to be arrested. But on arrival in Athens a letter from Mr Greenleaf confirms that he accepts the terms of the will: Dickie’s entire inheritance is left to Tom.


The Talented Mr Ripley – characters
Herbert Greenleaf a rich and successful shipbuilder
Masie Greenleaf his wife, who is dying from lukemia
Richard (‘Dickie’) Greenleaf his son, a self-indulgent playboy and amateur painter
Marge Sherwood Dickie’s American girlfriend, a would-be writer
Tom Ripley a confidence man
Freddie Miles an American playboy friend of Dickie

© Roy Johnson 2017


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Twentieth century literature
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Filed Under: Patricia Highsmith Tagged With: English literature, Literary studies, Patricia Highsmith, The novel

The Third Person

June 6, 2012 by Roy Johnson

tutorial, commentary, study resources, and web links

The Third Person first appeared in a volume of stories published under the collective title The Soft Side in 1900. It is one of his many variations on the theme of the ghost story – this one being amusingly satirical.

The Third Person


The Third Person – critical commentary

Ghost stories

Henry James included a number of ghost stories amongst his production of shorter fictions. They were quite popular towards the end of the nineteenth century, and he was quite happy to respond to the commercial demand.

[It should be kept in mind that James employed many techniques to enhance his professional productivity. He hired a stenographist to take his compositions from dictation, and he hired an agent to handle his work in the world of proliferating magazines, journals, and publishing houses – both in England and America.]

The ghost stories range from the deadly and serious The Turn of the Screw in which one character (a child) is literally scared to death, via the similar Owen Wingrave, to playful narratives in which the characters see or believe in ghosts but we the reader are not called on to do so. Sir Edmund Orme even has a benevolent ghost whose task is to protect others from what he suffered.

The Third Person falls into this second category of amusing ghost stories. Two romantically imaginative elderly ladies inherit an old house, and as part of their appreciation of its history they conjure into being their scandalous ancestor. They do so in a spirit of competitive romanticism, and as usual in narratives of this kind there is no corroborative evidence to support the ‘sightings’ of the ghost. We are left in no doubt that they are figments of the ladies’ respective imaginations.

Tauchnitz editions

Tauchnitz was a firm of German publishers in Leipzig who originally produced dictionaries, Bibles, and editions of Greek and Roman classics. When they first introduced cheap paperback English language editions in the mid nineteenth century there were no general copyright agreements, so the books were printed with a warning on their front cover “Not to be introduced into England or into any British colony”.

This prohibition was widely ignored by travellers. Mainland Europe was seen as fertile ground for sexual laxity by the British during the nineteenth and early twentieth century, so anything ‘imported’ from there carried with it the suggestion of immorality. It is therefore deeply ironic that it is the vicar who puts the idea of the smuggled Tauchnitz novel into Amy’s head.


The Third Person – study resources

The Third Person The Complete Works of Henry James – Kindle edition – Amazon UK

The Third Person The Complete Works of Henry James – Kindle edition – Amazon US

The Third Person Complete Stories 1898—1910 – Library of America – Amazon UK

The Third Person Complete Stories 1898—1910 – Library of America – Amazon US

The third person The Third Person – Digireads reprint edition – Amazon UK

the third person The Third Person – eBook formats at Gutenberg Consortia

the third person The Third Person – read the story on line

Red button The Cambridge Companion to Henry James – Amazon UK

Red button The Prefaces of Henry James – Introductions to his tales and novels

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

The Third Person


The Third Person – plot summary

Part I. Two elderly and ‘artistic’ spinsters Susan and Amy Frush unexpectedly inherit an old house near the south-east coast of England. They decide to live there together, and hope to uncover some romantic or even scandalous secret from its past. When they discover a bundle of old letters in the cellar, they enlist the help of the local vicar in revealing its contents.

Part II. The same night Susan Frush sees a man in her bedroom with his head twisted on one side. .Conferring with her younger cousin Amy, they rapidly assume and celebrate the fact that the house is haunted by their own personal ghost. Shortly afterwards the vicar, having studied the old papers, reveals that their ancestor Cuthbert Frush was hanged.

Part III. After a further appearance of the ghost (this time to Amy) they manage to persuade themselves that he is both a handsome and attractive man. When the vicar then reveals that their ancestor was hanged for smuggling, they consider this a rather low-class and vulgar crime, but quickly put a romantic gloss on the facts of the case.

Part IV. As time goes on, the two cousins begin to feel a certain rivalry and possessiveness towards the ghost, who they now think of as their own ‘man in the house’. Susan invents meetings and sightings in order to assume the upper hand, and the two women quarrel over their respective levels of intimacy with the ghost.

Part V. Later they decide in a roundabout way to put an end to the ‘understanding’ they have regarding the ghost, but they are not sure what to do about it. Susan finally reveals that she has sent twenty pounds to the government tax office as an expiatory payment to compensate for her ancestor’s historic offence. Amy then travels to France for ten days and on return smuggles into the country a (by implication) scandalous paperback novel. In doing this they feel that they have finally exorcised the ghost by burying the fiction they have created and maintained.


Principal characters
Miss Susan Frush frumpy old spinster maid, painter
Miss Amy Frush her spinster cousin, ten years younger, writer
Mr Patten vicar at Marr
Marr country town in south-east England

Henry James portrait

Henry James – portrait by John Singer Sargeant


Ghost stories by Henry James

Red button The Romance of Certain Old Clothes (1868)

Red button The Ghostly Rental (1876)

Red button Sir Edmund Orme (1891)

Red button The Private Life (1892)

Red button Owen Wingrave (1892)

Red button The Friends of the Friends (1896)

Red button The Turn of the Screw (1898)

Red button The Real Right Thing (1899)

Red button The Third Person (1900)

Red button The Jolly Corner (1908)


Henry James's study

Henry James’s study


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The BostoniansThe Bostonians (1886) is a novel about the early feminist movement. The heroine Verena Tarrant is an ‘inspirational speaker’ who is taken under the wing of Olive Chancellor, a man-hating suffragette and radical feminist. Trying to pull her in the opposite direction is Basil Ransom, a vigorous young man from the South to whom Verena becomes more and more attracted. The dramatic contest to possess her is played out with some witty and often rather sardonic touches, and as usual James keeps the reader guessing about the outcome until the very last page.
The Third Person Buy the book at Amazon UK
The Third Person Buy the book at Amazon US

Henry James What Masie KnewWhat Masie Knew (1897) A young girl is caught between parents who are in the middle of personal conflict, adultery, and divorce. Can she survive without becoming corrupted? It’s touch and go – and not made easier for the reader by the attentions of an older man who decides to ‘look after’ her. This comes from the beginning of James’s ‘Late Phase’, so be prepared for longer and longer sentences. In fact it’s said that whilst composing this novel, James switched from writing longhand to using dictation – and it shows if you look carefully enough – part way through the book.
Henry James What Masie Knew Buy the book at Amazon UK
Henry James What Masie Knew Buy the book at Amazon US

Henry James The AmbassadorsThe Ambassadors (1903) Lambert Strether is sent from America to Paris to recall Chadwick Newsome, a young man who is reported to be compromising himself by an entanglement with a wicked woman. However, Strether’s mission fails when he is seduced by the social pleasures of the European capital, and he takes Newsome’s side. So a second ambassador is dispatched in the form of the more determined Sarah Pocock. She delivers an ultimatum which is resisted by the two young men, but then an accident reveals unpleasant truths to Strether, who is faced by a test of loyalty between old Europe and the new USA. This edition presents the latest scholarship on James and includes an introduction, notes, selected criticism, a text summary and a chronology of James’s life and times.
Longstaff's Marriage Buy the book at Amazon UK
Longstaff's Marriage Buy the book at Amazon US


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James web links Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.

© Roy Johnson 2012


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Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story, The Third Person

The Time Machine

July 25, 2016 by Roy Johnson

tutorial, commentary, study resources, and web links

The Time Machine (1888-1895) is the first of H.G. Wells’ works which made him instantly famous as a writer of science fiction novels at the end of the nineteenth century. He had studied biology and zoology at the National School of Science in South Kensington (later to become Imperial College London) under the tutelage of Charles Darwin’s friend and supporter, Thomas Huxley. Wells’ first novels featured a number of issues in theoretical science on which he also speculated in his journalism – time travel, genetic engineering, inter-planetary warfare, ecology, eugenics, and space travel – all of which he crafted into short, very readable fictions that appealed to a very wide public.

The Time Machine


The Time Machine – a note on the text

The Time Machine first saw light of day as a short story called ‘The Chronic Argonauts’ Wells published it as a student in three editions of the Science Schools Journal (April-June 1888). It then appeared, after several re-writes, in 1894 as The Time Machine in National Observer. but the serial version was halted whilst still incomplete because the editor of the magazine changed.

However, his original supporter W.E. Henley became the editor of the New Review and encouraged Wells to revise and expand the work. It then appeared as a monthly serial between January and May 1895, attracting considerable attention even before it appeared in single-volume book form published by William Heinemann in May 1895.

For full details of the history and development of the text, plus revisions to subsequent editions, see the note by Patrick Parrinder in the Penguin Classics edition of the novel.


The Time Machine – critical commentary

The conceits which underpin the credibility of the novel are developed in two parts. The first concerns the concept of what constitutes a ‘dimension’. The scientist (and time traveller) argues at the beginning of the story that if we can move in any one of three dimensions (length, breadth, thickness), and if time is considered the forth dimension, then why should we not be able to move in time as well? The idea is very seductive. Wells simply equates these ‘four’ dimensions as equal – and the rest follows naturally:

“There is no difference between time and any of the three dimensions of space except that our consciousness moves along it”, and “any real body must have extension in four directions: it must have Length, Breadth, Thickness, and Duration”.

This rather simplistic notion of time being a ‘dimension’ of the same order as length, breadth, and thickness is taken at face value by Wells, his outer-narrator, and the scientist himself. That having been argued (and ‘established’) Wells makes no effort at all to create a convincing method of explaining how these transitions in time will be made. Instead, the scientist constructs his time travel machine – a Heath-Robinson type of contraption, with ‘ivory bars’, ‘a brass rail’, ‘a saddle’, and a ‘starting lever’ which propels him eight hundred thousand years into the future. In a later essay (1933) commenting on his own work, Wells admitted that this was a form of literary-scientific sleight-of-hand:

For the writer of fantastic stories to help the reader play the game properly, he must help him in every possible unobtrusive way to domesticate the impossible hypothesis He must trick him into an unwary concession to get some plausible assumption and get on with the story whilst the illusion holds. … Hitherto, … the fantastic element was brought in by magic … It occurred to me that … an ingenious use of scientific patter might with advantage be substituted.

The second part of his conceit is the social conditions of the world his scientist visits. This world of the future (located in the Thames valley) of 802, 701 AD is comprised of a rag bag of elements that reflect interests Wells himself espoused – vegetarianism, socialist utopias, class conflict, and genetic mutation.

The creatures who live above ground – the Eloi – are etiolated and enfeebled because they have reached a stage of development in which all conflict and struggle has been removed from their lives. They exist in a state of idiotic collective bliss, surviving on a diet of fruit in communal halls. Even the differentiation between the sexes has almost disappeared. However, they are ‘supported’ by the Morlocks, who live underground and take their revenge for this injustice by eating the Eloi when they get the chance.

It is not entirely clear why the Morlocks, having mastered machinery, have not also retained the skills of husbandry, and why they are still afraid of light – including struck matches. Wells’ vision of a future world is not an altogether coherent set of circumstances, just a set of alarmist warnings.

Form

It has to be said that for such an early work, the novel is very neatly constructed – in three parts. The first two chapters of the novel outline the scientist’s ‘theory’ of travelling in the fourth dimension and his presentation of the model version of his time machine to his dinner guests. The second and main part of the work is his account of the temporal journey and his adventures in the future – which he gives as a first person narrative. Then the third part returns to the scene of the somewhat incredulous dinner guests where the outer narrator takes over to report that the scientist has embarked on another journey and has not been seen for three years.

This conclusion suggests that either something has gone wrong and the scientist is ‘stuck’ in some future (or past) date, or that he has somehow become a permanent time-traveller with no reason to return to his earthly ‘present’. Both of these possibilities reinforce the illusion that the time machine actually ‘works’.

In her introduction to the Penguin Classics edition of the book, Marina Warner describes The Time Machine as ‘a long short story’ , and there are good arguments to support this view. The work is only 25,000 words long, and it is composed essentially of one anecdote.

But on the other hand the book is built on a large and powerful idea with universal implications – even if the theory is flawed. And the scientist’s exploits amongst the Morlocks and Eloi are more complex and substantial than constitute the material of a short story. So it could be argued that the work is a short novel or even a novella.

Footnote

Regarding Wells’ quasi-scientific notions of ‘dimensions’ , there is an interesting but little-known novella which explores imaginary worlds of one, two, and three dimensions published only ten years earlier. It was written by Cambridge scholar and clergyman Edwin A. Abbott in 1884. . Flatland: A Romance of Many Dimensions explores (in a witty and fantastical manner) the idea that people living in a world of only x-dimensions cannot conceptualise anyone living in a world of x+1 dimensions. His examples range from people living in lines, squares, cubes, and spheres, and In one sense his satirical thesis supports Wells’ notion that time is merely another ‘dimension’. Abbott’s conclusion is that we, who live in a world of three dimensions, merely have difficulty conceptualising life in a world of four dimensions – or even more.


The Time Machine – study resources

The Time Machine The Time Machine – Penguin Classics – Amazon UK

The Time Machine The Time Machine – Penguin Classics – Amazon US

The Time Machine H.G. Wells Classic Collection – five novels – Amazon UK

The Time Machine H.G. Wells Biography – Amazon UK


The Time Machine

The Time Machine – first edition – 1895


The Time Machine – chapter summaries

1   A scientist (the Time Traveller) is explaining the geometry of four dimensions – length, breadth, thickness, and time. He produces a model of a time machine and sets it off into the future or maybe the past. He has a full scale model in his laboratory

2   A week later a group of observers assemble for dinner at the scientist’s house in Richmond. He appears in a ragged and dishevelled state. After dressing for dinner he then tells them that he has been time travelling for eight days.

3   He tells how got into the machine, pulled its levers, and shot forward in time at a vertiginous pace, traversing years in minutes. When he stops he encounters a huge Sphinx figure on a bronze pedestal, then is approached by small long-haired people.

4   It is the year 802, 701 AD. The elfin-like folk take the scientist into a large dilapidated hall where they eat fruit around low stone tables. Many common animals have become extinct. He tries to learn their language, but they have very little patience or concentration. There is little differentiation between the sexes. He perceives this society as a form of cvommunism, a social paradise in which there is no disease, no traffic, and no conflict. He also sees it as a society which is ‘resting’ in its historical development, having eliminated the need to struggle.

5   After exploring the area overlooking the Thames he finds that his time machine has disappeared. He searches desperately, concluding that it has been hidden inside the bronze pedestal. There are no shops, no machinery, and no old or infirm people in evidence. He rescues a woman-child Weena, who becomes attached to him. He sees ghosts, waterless wells, and a strange white animal resembling an ape. He reasons that another species lives underground – the Morlocks – who are like slaves to the Eloi, who live above ground.

6   After fearful hesitation he climbs down a well and discovers a system of underground tunnels and a hall of machinery. The Morlocks attack him, so he escapes back to the surface again.

7   In fear of the Morlocks he takes Weena to the Palace of Green Porcelain (in Wimbledon) and spends a night under then stars He plans to take her back with him in the time machine

8   When they reach the Palace it turns out to be a derelict museum which he plunders, retrieving a crowbar, some camphor, and a box of matches [which are 800,000 years old].

9   In returning he sets up camp in a wood and lights a fire. But he falls asleep and is set upon by the Morlocks. His camp fire sets the woods alight, and this drives away the Morlocks, who are afraid of light.

10   He returns to the pedestal, to find its doors open and the time machine inside. But as he enters, the doors close and the Morlocks attack him again. He fights them off with matches and the crowbar, and then escapes in the time machine.

11   However, he presses the accelerator and flies even further into the future, bringing the machine to a halt on a desolate stony beach where he is attacked by giant crabs. He goes even further into the future to discover that all animal life has disappeared, and he witnesses an eclipse.

`12   He gradually returns to the laboratory and his dinner guests. They are incredulous, but he has some flowers of an unknown species in his pocket that were put there by Weena. Next day the narrator goes to see him again, but the scientist takes off in the time machine again. Three years later he has still not returned.

Epilogue   The outer narrator reflects that the scientist might have gone back into prehistoric times, or he might be in the near future, when all society’s current problems have been solved.


More science fiction by H.G. Wells

The Time Machine The Invisible Man (1897) – Penguin Classics- Amazon UK

The Time Machine The Island of Doctor Moreau (1896) – Penguin Classics – Amazon UK

The Time Machine The Wheels of Chance (1896) – Penguin Classics- Amazon UK

The Time Machine The War of the Worlds (1898) – Penguin Classics- Amazon UK

The Time Machine The First Men in the Moon (1901) – Penguin Classics – Amazon UK

The Time Machine The Shape of Things to Come (1933) – Penguin Classics- Amazon UK

© Roy Johnson 2016


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Filed Under: H.G. Wells Tagged With: English literature, H.G. Wells, Literary studies, Science fiction, The novel

The Tone of Time

May 28, 2012 by Roy Johnson

tutorial, commentary, study resources, and web links

The Tone of Time first appeared in Scribner’s Magazine in November 1900 – a remarkably productive year for James in terms of shorter fiction. It was a period which saw the publication of The Great Good Place, Maud-Evelyn, Miss Gunton of Poughkeepsie, The Special Type, The Abasement of the Northmores, The Third Person, The Tree of Knowledge, and the story which is widely regarded as his finest – The Beast in the Jungle. He wrote all of these (and more) in addition to working on his next novel, The Sacred Fount (1901).

The Tone of Time

Leon Riesener – Eugene Delacroix (1798-1863)


The Tone of Time – critical commentary

The story turns on the coincidence that two women who were once rivals for the same man recognise each other via the effect his portrait has upon them. One of them paints the portrait on a verbal commission from the other, mediated via the narrator, who knows them both. The narrator acts as a catalyst, and even inherits the painting, without ever knowing the identity of the man in question.


The Tone of Time – study resources

The Tone of Time The Complete Works of Henry James – Kindle edition – Amazon UK

The Tone of Time The Complete Works of Henry James – Kindle edition – Amazon US

The Tone of Time Complete Stories 1898—1910 – Library of America – Amazon UK

The Tone of Time Complete Stories 1898—1910 – Library of America – Amazon US

The Tone of Time The Tone of Time – Digireads reprint edition – Amazon UK

The Tone of Time The Tone of Time – eBook formats at Gutenberg Consortia

Red button The Tone of Time – read the story on line

Red button The Cambridge Companion to Henry James – Amazon UK

Red button The Prefaces of Henry James – Introductions to his tales and novels

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

The Tone of Time


The Tone of Time – plot summary

Part I. Mrs Bridgenorth is a middle-aged lady who wishes to commission a portrait of an ideally handsome man to hang in her house. The narrator, a successful painter, recommends the task to a colleague Mary Tredick, who is very good at producing copies. She doesn’t wish to meet the patron, but produces a striking portrait of a man she has once known and loved unhappily.

Part II. When Mrs Bridgenorth is shown the portrait she recognises the subject and reveals that it is someone to whom she was engaged before he died, but who she refuses to name. She is so stricken with the portrait that she offers to double the fee. The narrator reports this to Mary Tredick, who suspects that Mrs Bridgenorth knows something, and she retrieves her painting. When confronted by the narrator Mary reveals that she was once in a relationship with the man, but he ‘failed’ her in favour of Mrs Bridgenorth, who tried to make him marry her. Mary has intuited all this from Mrs Bridgenorth’s intense reaction to the painting. The narrator offers to buy the picture from her, but she refuses, leaving it to him in her will instead. Eventually after her death he has possession of the painting but still doesn’t know the identity of its subject.


Principal characters
— an un-named male narrator
Mary Juliana Tredick a painter
Mrs Bridgenorth commissioner of the painting

Henry James portrait

Henry James – portrait by John Singer Sargeant


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James Washington SquareWashington Square (1880) is a superb early short novel, It’s the tale of a young girl whose future happiness is being controlled by her strict authoritarian (but rather witty) father. She is rather reserved, but has a handsome young suitor. However, her father disapproves of him, seeing him as an opportunist and a fortune hunter. There is a battle of wills – all conducted within the confines of their elegant New York town house. Who wins out in the end? You will probably be surprised by the outcome. This is a masterpiece of social commentary, offering a sensitive picture of a young woman’s life.
Henry James Washington Square Buy the book from Amazon UK
Henry James Washington Square Buy the book from Amazon US

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James Daisy MillerDaisy Miller (1879) is a key story from James’s early phase in which a spirited young American woman travels to Europe with her wealthy but commonplace mother. Daisy’s innocence and her audacity challenge social conventions, and she seems to be compromising her reputation by her independent behaviour. But when she later dies in Rome the reader is invited to see the outcome as a powerful sense of a great lost potential. This novella is a great study in understatement and symbolic power.
Daisy Miller Buy the book from Amazon UK
Daisy Miller Buy the book from Amazon US


Henry James – web links

Henry James web links Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

Henry James web links The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

Henry James web links The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

Red button A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

Henry James web links The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Henry James web links Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James web links Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

Henry James web links The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

Henry James web links The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James web links Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

Henry James web links Henry James on the Internet Movie Database
Adaptations of James’s novels and stories for the cinema and television – in various languages. Full details of directors and actors, production features, film reviews, box office, and even quizzes.

© Roy Johnson 2012


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Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story, The Tone of Time

The Touchstone

February 17, 2014 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

The Touchstone was published in 1900, and was Edith Wharton’s first novella. It’s an amazingly accomplished piece, considering that she did not think she had matured as a writer until more than a decade later, when she published Ethan Frome (1911), which she described as marking the end of her ‘apprenticeship’ as a writer.

The Touchstone

Margaret Aubyn’s letters


The Touchstone – critical commentary

Context

Edith Wharton was a great friend of Henry James, who had written a number of stories dealing with the relationship of authors to society in general, and the problems of biographical revelations in particular. James’s stories generally put the case for the right of authors to retain an autonomous degree of control over the details of their private lives, and he often depicts those who would reveal intimate aspects of a writer’s biography as sneaks, gossip-mongers, and prying busybodies. The most celebrated case of this kind is his novella The Aspern Papers (1888).

Edith Wharton follows this line of argument in The Touchstone. There is never any doubt in Glennard’s mind that by releasing Margaret Aubyn’s letters to the public, he is betraying both her and the one-sided relationship they had in the past. Moreover, he makes the decision to publish for rather dubious motives – because he needs the money in order to marry Alexa Trent, from whom he conceals the fact that the letters were written to him.

However, this view of publishing biographical materials is countered by Flamel’s view that to do so in the case of Margaret Aubyn would be a public service – because she is an important and renowned figure, and because no personal harm can be done to her since she is now dead. At first this appears to be a slippery, diabolical argument leading Glennard into a Faustian pact with his publisher, from which he profits again and again. Hence the dramatic significance of the royalty cheque he receives and his attempt to salve his conscience by paying Flamel a commission fee.

The reader is given ever reason to think that Flamel has underhand motives and is paving his way to seduce Alexa – but in fact he refuses the fee, and turns out to have acted honourably all along, even to the extent of going to live abroad, with the implication that he has been in love with Alexa but is sacrificing his own interests out of respect for hers.

The novella

The basic requirements of the novella form are that it should be short, concentrated, centred on a single theme, with few characters, and tightly focused in terms of time scale, characters, and location. The Touchstone fulfils all these requirements. It has three principal characters, the drama is centred upon Glennard’s moral struggle in his dealings with the other two – and his past relationship with Margaret Aubyn, who is a very good example of a character exerting influence from beyond the grave. And the letters themselves form an appropriate symbol of the central issue of the story – the revelation of biographical information about a well-known writer.

There is more than a hint that Margaret Aubyn is a thinly veiled portrait of Edith Wharton herself. And it’s also interesting to note that she publishes a volume with the title Pomegranate Seed – which Edith Wharton was to do herself when she wrote a story with that title thirty years later.


The Touchstone – study resources

The Touchstone Edith Wharton Stories 1891-1910 – Norton Critical – Amazon UK

The Touchstone Edith Wharton Stories 1891-1910 – Norton Critical – Amazon US

The Touchstone - eBook edition The Touchstone – eBook format at Project Gutenberg

The Touchstone - eBook edition The Touchstone – AudioBook format at Gutenberg

Edith Wharton - biography The Touchstone – paperback edition – Amazon UK

Red button A Historical Guide to Edith Wharton – Amazon UK

Edith Wharton The Cambridge Introduction to Edith Wharton – Amazon UK

The Touchstone


The Touchstone – plot synopsis

Part I.   New York lawyer Stephen Glennard sees a request for information relating to famous novelist Margaret Aubyn. He is in possession of hundreds of her letters written at a time when she was in love with him but when he was unable to reciprocate her feelings. He feels financially pinched and does not have enough money to marry Alexa Trent.

Part II.   He has been in love with Alexa for two years, and Margaret Aubyn has been dead for three. Glennard met Margaret Aubyn when he was at university, and after her husband died Glennard moved to work in New York, which is when her correspondence began. She decided to move to London, from where she continued her eloquent and vivid sequence of letters. Glennard realises that he is in possession of a rich seam of materials.

Part III.   Alexa reports that her aunt has invited her to live abroad in Europe for two years. This is to relieve the financial burden on her family which Alexa creates as the eldest unmarried daughter. Glennard tries to persuade her to marry him instead, and live frugally.

Part IV.   Glennard feels vaguely guilty that he has been standing in the way of Alexa finding a husband who can support her. His friend Flamel confirms that a collection of Margaret Aubyn’s letters would be very valuable to a publisher. Glennard plans to invest any money he might raise from such a sale.

Part V.   One year later Glennard is married to Alexa, they are living in the suburbs, and his investments are doing very well. Flamel has helped him to edit the letters, and their publication is a big success. Yet Glennard feels oppressed by a sense of regret that he has somehow betrayed Margaret Aubyn. He is worried that Alexa might discover his secret that the letters were written to him, and he is anxious about his pact with Flamel.

Part VI.   Margaret Aubyn’s letters are discussed by a group of people on Flamel’s yacht, following which Alexa asks Glennard to buy her a copy of the Letters. Alexa appears to have closer and closer ties with Flamel.

Part VII.   Alexa knows that Glennard was acquainted with Margaret Aubyn in his earlier university days. Glennard invites Flamel to dinner, where this connection is revealed. Glennard is anxious about how much his wife and Flamel know respectively about each other’s knowledge of the situation.

Part VIII.   Glennard is so worried about what Alexa might discover that he decides to move back into to New York so that he will have less personal contact with her because of social life in the city. A royalty cheque appears as a result of the publishing success, and he feels more guilty than ever. Friends report on a public reading of the Letters at the Waldorf Hotel. Glennard suspects that Flamel might have revealed his secret to Alexa.

Part IX.   Glennard gives Alexa the chance to discover his secret by letting her see a letter from his publisher. Alexa meanwhile continues to have more and more private meetings with Flamel.

Part X.   Time goes on, and Glennard still does not discuss his guilty secret with Alexa, as a consequence of which they begin to drift further and further apart. He sees a picture of Margaret Aubyn in a magazine and begins to imaginatively re-live their relationship.

Part XI.   Glennard goes to the cemetery and scatters flowers on Margaret Aubyn’s grave.

Part XII.   Glennard’s morbid connection with Margaret Aubyn continues and leads him into a solitary way of life. But he is suddenly shocked to encounter Alexa and Flamel together in an out-of-the-way part of Manhattan. He sends Flamel a cheque as commission for his part in placing the letters with a publisher. When Flamel pays him a surprise visit, Glennard reveals that the letters were written to him, and he lies to Flamel, claiming that Alexa was aware of the fact. Flamel rejects his arguments and his action as insulting, and tears up the cheque.

Part XIII.   Glennard wonders if Alexa does not realise the letters were written to him, and he begins to value her again. He challenges her in a jealous outburst over her meeting with Flamel, who she tells him is leaving for Europe. She also reveals her distaste for the letters and the ‘inheritance’ they provided for the establishment of their marriage. She argues that the money should be repaid. Glennard asks her if Flamel is leaving because he loves Alexa, and he admits that he has deceived Flamel, who has behaved honourably throughout the episode.

Part XIV.   Alexa makes sacrifices and they live frugally. Glennard calculates that it will take two years to repay the money. He is tortured by his inability to make amends to the dead Margaret Aubyn, and he wallows in self-pity. However, Alexa argues that Margaret Aubyn has given him the opportunity to ‘discover himself’, even if it was via a base action on his part.


The Touchstone – principal characters
Stephen Glennard a New York lawyer
Alexa Trent his fiancé, and later his wife
Mrs Margaret Aubyn a celebrated novelist, his former lover
Barton Flamel a rich aesthete and collector

Video documentary


Further reading

Louis Auchincloss, Edith Wharton: A Woman of her Time, New York: Viking, 1971,

Elizabeth Ammons, Edith Wharton’s Argument with America, Georgia: University of Georgia Press, 1982, pp.222. ISBN: 0820305138

Janet Beer, Edith Wharton (Writers & Their Work), New York: Northcote House, 2001, pp.99, ISBN: 0746308981

Millicent Bell (ed), The Cambridge Companion to Edith Wharton, Cambridge: Cambridge University Press, 1995, pp.232, ISBN: 0521485134

Alfred Bendixen and Annette Zilversmit (eds), Edith Wharton: New Critical Essays, New York: Garland, 1992, pp.329, ISBN: 0824078489

Eleanor Dwight, Edith Wharton: An Extraordinary Life, New York: Harry N. Abrams, 1994, ISBN: 0810927950

Gloria C. Erlich, The Sexual Education of Edith Wharton, California: University of California Press, 1992, pp.223, ISBN: 0520075838

Susan Goodman, Edith Wharton’s Women: Friends and Rivals, UPNE, 1990, pp.220, ISBN: 0874515246

Irving Howe, (ed), Edith Wharton: A collection of Critical Essays, London: University of North Carolina Press, 1986,

Jennie A. Kassanoff, Edith Wharton and the Politics of Race, Cambridge: Cambridge University Press, 2004, pp.240, ISBN: 0521830893

Hermione Lee, Edith Wharton, London: Vintage, new edition 2008, pp.864, ISBN: 0099763516

R.W.B. Lewis, Edith Wharton: A Biography, New York: Harper and Rowe, 1975, pp.592, ISBN: 0880640200

James W. Tuttleton (ed), Edith Wharton: The Contemporary Reviews, Cambridge: Cambridge University Press, 1992, pp.586, ISBN: 0521383196

Candace Waid, Edith Wharton’s Letters from the Underworld, London: University of North Carolina Press, 1991,

Sarah Bird Wright, Edith Wharton A to Z: The Essential Reference to Her Life and Work, Fact on File, 1998, pp.352, ISBN: 0816034818

Cynthia Griffin Wolff, A Feast of Words: The Triumph of Edith Wharton, New York: Perseus Books, second edition 1994, pp.512, ISBN: 0201409186


Edith Wharton's writing

Edith Wharton’s writing


Other works by Edith Wharton

Edith Wharton - The Custom of the CountryThe Custom of the Country (1913) is Edith Wharton’s satiric anatomy of American society in the first decade of the twentieth century. It follows the career of Undine Spragg, recently arrived in New York from the midwest and determined to conquer high society. Glamorous, selfish, mercenary and manipulative, her principal assets are her striking beauty, her tenacity, and her father’s money. With her sights set on an advantageous marriage, Undine pursues her schemes in a world of shifting values, where triumph is swiftly followed by disillusion. This is a study of modern ambition and materialism written a hundred years before its time.
Edith Wharton - The Custom of the Country Buy the book from Amazon UK
Edith Wharton - The Custom of the Country Buy the book from Amazon US

Edith Wharton - The House of MirthThe House of Mirth (1905) is the story of Lily Bart, who is beautiful, poor, and still unmarried at twenty-nine. In her search for a husband with money and position she betrays her own heart and sows the seeds of the tragedy that finally overwhelms her. The book is a disturbing analysis of the stifling limitations imposed upon women of Wharton’s generation. In telling the story of Lily Bart, who must marry to survive, Wharton recasts the age-old themes of family, marriage, and money in ways that transform the traditional novel of manners into an arresting modern document of cultural anthropology.
Edith Wharton - The House of Mirth Buy the book from Amazon UK
Edith Wharton - The House of Mirth Buy the book from Amazon US


Edith Wharton – web links

Edith Wharton at Mantex
Biographical notes, study guides to the major novels, tutorials on the shorter fiction, bibliographies, critiques of the shorter fiction, and web links.

The Short Stories of Edith Wharton
This is an old-fashioned but excellently detailed site listing the publication details of all Edith Wharton’s eighty-six short stories – with links to digital versions available free on line.

Edith Wharton at Gutenberg
Free eTexts of the major novels and collections of stories in a variety of digital formats – also includes travel writing and interior design.

Edith Wharton at Wikipedia
Full details of novels, stories, and travel writing, adaptations for television and the cinema, plus web links to related sites.

The Edith Wharton Society
Old but comprehensive collection of free eTexts of the major novels, stories, and travel writing, linking archives at University of Virginia and Washington State University.

The Mount: Edith Wharton’s Home
Aggressively commercial site devoted to exploiting The Mount – the house and estate designed by Edith Wharton. Plan your wedding reception here.

Edith Wharton at Fantastic Fiction
A compilation which purports to be a complete bibliography, arranged as novels, collections, non-fiction, anthologies, short stories, letters, and commentaries – but is largely links to book-selling sites, which however contain some hidden gems.

Edith Wharton’s manuscripts
Archive of Wharton holdings at the Beinecke Rare Book and Manuscript Library

© Roy Johnson 2014


Filed Under: The Novella, Wharton - Stories Tagged With: Edith Wharton, English literature, Literary studies, The Novella

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