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Poor Richard

August 4, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

Poor Richard first appeared in The Atlantic Monthly magazine over three issues in June—August 1867. Its next appearance in book form was as part of the collection Stories Revived published in London by Macmillan 1885. This is the one of four stories James wrote with the American Civil War as a background. The other stories are The Story of a Year (1865), A Most Extraordinary Case (1868), and The Romance of Certain Old Clothes (1868).

Poor Richard

The American Civil War – 1861-1865


Poor Richard – critical commentary

The title

The term Poor Richard is taken from a famous American publication, Poor Richard’s Almanack which was written and published each year in Philadelphia by Benjamin Franklin between 1732 and 1758. It was a very popular compilation of weather forecasts, practical household hints, and puzzles, and was padded out with aphorisms and proverbs related to thrift, industry, and frugality. Hence the link to Richard Maule’s progress via work, abstinence, and honesty.

Interpretation

It is difficult to see this story as anything but a warning against the fickleness of women. Gertrude ‘encourages’ Richard; she is in love with Captain Severn; and when Severn is killed in the war she is prepared to marry Major Lutterel, even though she does not love him. She is only twenty-four; she is rich, and she’s good-looking. There is no reason for her to accept an offer from a much older man for whom she feels no affection. Lutterel is thirty-six and he has no money.

Another way to see the story is as a short Bildungsroman – a narrative of growth and education into wisdom. Richard starts out as a drunken wastrel, and then propelled by his love for Gertrude manages to give some clarity and purpose to his life. He does not get the girl, but in the end he tells the truth, he sells the farm, does the honourable social thing by joining in the war, and on return takes up paid employment. That is a success of sorts.


Poor Richard – study resources

Poor Richard The Complete Works of Henry James – Kindle edition – Amazon UK

Poor Richard The Complete Works of Henry James – Kindle edition – Amazon US

Poor Richard Complete Stories 1864—1874 – Library of America – Amazon UK

Poor Richard Complete Stories 1864—1874 – Library of America – Amazon US

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

Poor Richard


Poor Richard – plot summary

Part I.   Wastrel and poor orphan Richard Maule is in love with rich Gertrude Whittaker. He tries to persuade her to love him, and even proposes marriage. But she offers him only friendship in return, plus a willingness to help him ‘improve’.

Part II.   Richard and Gertrude are old school friends. She has inherited a lot of money from her father. Richard has done virtually nothing except work on the farm he has inherited and allowed to run down. But the prospect of winning Gertrude inspires him to reform his life. Gertrude meanwhile decides it will help Richard if she introduces him to Captain Severn.

Part III.   Severn is a serious, honourable, but poor man who accepts Gertrude’s comforts when he is injured in the Civil War. But he hasn’t enough money to marry, so they remain just good friends.

Gertrude invites Richard and Severn to meet each other – but they are joined unexpectedly by Major Lutterel and the event is ruined. Richard feels ill at ease in this more sophisticated company.

Part IV.   After tea, they all go for a walk, during which Richard and Severn exchange opinions on Gertrude, and realise that they are rivals for her favour. Richard gauchely tries to impress everyone with his knowledge of the local river. There is a complex tension of competition between all three men for Gertrude’s attention.

Part V.   Richard cultivates a regime of hard work and self-denial, hoping to overcome his obsession with Gertrude. One day he rides over to see her, only to discover Captain Severn just leaving and Gertrude very upset. Richard accuses her of being in love with Severn.

She is in fact holding out against both Severn and Richard, and it brings her little joy. But on mature reflection, she begins to see positives in Richard’s simplicity She drives over to his farm where he is apologetic for his behaviour. His courtesy and simple behaviour win her over.

News arrives of a defeat for the Unionists in the Civil War in Virginia. Richard and Major Lutterel leave Gertrude’s house, only to meet Captain Severn on his way to pay her his last respects before re-joining his regiment. Richard lies to Severn about Gertrude being away from home, and Major Lutterel is complicit in the deception, because he wishes to keep away all rivals, having decided that he wishes to marry Gertrude himself.

Richard wishes to reveal his guilt to Gertrude about the deception, but fails to do so because she receives him in a very neutral manner. He goes home with Major Lutterel, gets drunk, and by next day he is very ill with typhoid fever.

Part VI.   Colonel Lutterel arrives at Gertrude’s house with the news of Richard’s illness. They drive over to see him, and Gertrude arranges nursing support for him. Whilst Richard is ill, Colonel Lutterel increases the intensity of his attentions to Gertrude, who although she is not in love with him is prepared to countenance a possible alliance.

The Major arrives at Gertrude’s house with the news that Richard is getting better and Captain Severn has been killed. He asks her to marry him, and although she tells him she does not love him, she is prepared to accept the offer.

Part VII.   Gertrude makes her preparations for the marriage in secret, with a heavy heart. Major Lutterel visits Richard, where he denies having any news of Captain Severn, and reveals that he is engaged to Gertrude. Richard takes a stoical view, and hopes that his disappointment will help him recover. When he meets Gertrude she is pale and unhappy: he implores her to give up the plan to marry Major Lutterel. Suddenly Major Lutterel arrives, and Richard reveals the truth about Captain Severn’s last failed visit to see Gertrude. Gertrude breaks off her engagement with Lutterel and forgives Richard.

Richard sells the farm, pays off his debts, and joins the war. When he returns at the end of the war he finds employment in his old neighbourhood. Gertrude also sells up, and goes to live in Florence.


Poor Richard – principal characters
Richard Maule a poor orphan of twenty-four
Gertrude Whittaker a rich young woman of twenty-four
Fanny Maule Richard’s sister, a friend of Gertrude
Captain Edmund Severn a Unionist soldier of twenty-eight
Major Lutterel a recruiting officer of thirty-six with no money
Mrs Martin Captain Severn’s sister

Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James Washington SquareWashington Square (1880) is a superb early short novel, It’s the tale of a young girl whose future happiness is being controlled by her strict authoritarian (but rather witty) father. She is rather reserved, but has a handsome young suitor. However, her father disapproves of him, seeing him as an opportunist and a fortune hunter. There is a battle of wills – all conducted within the confines of their elegant New York town house. Who wins out in the end? You will probably be surprised by the outcome. This is a masterpiece of social commentary, offering a sensitive picture of a young woman’s life.
Henry James Washington Square Buy the book from Amazon UK
Henry James Washington Square Buy the book from Amazon US

Henry James The Aspern PapersThe Aspern Papers (1888) is a psychological drama set in Venice which centres on the tussle for control of a great writer’s correspondence. An elderly lady, ex-lover of the writer, seeks a husband for her daughter. But the potential purchaser of the papers is a dedicated bachelor. Money is also at stake – but of course not discussed overtly. There is a refined battle of wills between them. Who will win in the end? As usual, James keeps the reader guessing. The novella is a masterpiece of subtle narration, with an ironic twist in its outcome. This collection of stories also includes three of his accomplished long short stories – The Private Life, The Middle Years, and The Death of the Lion.
Henry James The Aspern Papers Buy the book from Amazon UK
Henry James The Aspern Papers Buy the book from Amazon US

Henry James The Spoils of PoyntonThe Spoils of Poynton (1896) is a short novel which centres on the contents of a country house, and the question of who is the most desirable person to inherit it via marriage. The owner Mrs Gereth is being forced to leave her home to make way for her son and his greedy and uncultured fiancee. Mrs Gereth develops a subtle plan to take as many of the house’s priceless furnishings with her as possible. But things do not go quite according to plan. There are some very witty social ironies, and a contest of wills which matches nouveau-riche greed against high principles. There’s also a spectacular finale in which nobody wins out.
Henry James The Spoils of Poynton Buy the book from Amazon UK
Henry James The Spoils of Poynton Buy the book from Amazon US


Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

© Roy Johnson 2013


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Filed Under: James - Tales Tagged With: English literature, Henry James, Literary studies, The Short Story

Pride and Prejudice

January 24, 2010 by Roy Johnson

tutorial, characters, criticism, video, resources

Pride and Prejudice (1813) has the famous opening line “It is a fact universally recognised that a man with a fortune must be in search a wife.” It’s a story of the empty-headed and garrulous Mrs Bennet, who has but one aim in life – to find a good match for each of her daughters. Her husband is a mild-mannered and indolent man, much given to making witty cynicisms, and he refuses to take this vulgar prospect seriously.

Jane Austen - portrait

Jane Austen

The pride of the title belongs to its hero Mr Darcy, and the prejudice to heroine Elizabeth Bennet, who has lessons to learn from life. This was Jane Austen’s first major success as a novelist – though not the first of her books to be written. It’s a perfect place for readers to start – witty, sophisticated writing, and some well-observed character sketches. It seems as fresh today as ever.


Pride and Prejudice – plot summary

Pride and PrejudiceMr. Bingley, a wealthy young gentleman, rents a country estate near the Bennets called Netherfield. He arrives in town accompanied by his fashionable sisters and his good friend, Mr. Darcy. While Bingley is well-received in the community, Darcy begins his acquaintance with smug condescension and proud distaste for all the ‘country’ people. Bingley and Jane Bennet begin to grow close despite Mrs. Bennet’s embarrassing interference and the opposition of Bingley’s sisters, who consider Jane socially inferior. Elizabeth is stung by Darcy’s haughty rejection of her at a local dance and decides to match his coldness with her own wit.

At the same time Elizabeth begins a friendship with Mr. Wickham, a militia officer who relates a prior acquaintance with Darcy. Wickham tells her that he has been seriously mistreated by Darcy. Elizabeth immediately seizes upon this information as another reason to hate Darcy. Ironically, but unbeknownst to her, Darcy finds himself gradually drawn to Elizabeth.

Just as Bingley appears to be on the point of proposing marriage he quits Netherfield, leaving Jane confused and upset. Elizabeth is convinced that Bingley’s sisters have conspired with Darcy to separate Jane and Bingley.

Before Bingley leaves, Mr. Collins, the male relative who is to inherit Longbourn, makes a sudden appearance and stays with the Bennets. He is a recently ordained clergyman employed by the wealthy and patronizing Lady Catherine de Bourgh. Though he was partially entreated to visit by his patroness, Collins has another reason for visiting: he wishes to find a wife from among the Bennet sisters.

Mr. Bennet and Elizabeth are amused by his self-important and pedantic behaviour. He immediately enters pursuit of Jane; however, when Mrs. Bennet mentions her preoccupation with Mr. Bingley, he turns to Elizabeth. He soon proposes marriage to Elizabeth, who refuses him, much to her mother’s distress. Collins quickly recovers and proposes to Elizabeth’s close friend, Charlotte Lucas, who immediately accepts him. Once the marriage is arranged, Charlotte asks Elizabeth to come for an extended visit.

In the spring, Elizabeth joins Charlotte and her cousin at his parish in Kent. The parish is adjacent to Rosings Park, the grand manor of Mr. Darcy’s aunt, Lady Catherine de Bourgh, where Elizabeth is frequently invited. While calling on Lady Catherine, Mr. Darcy encounters Elizabeth. She discovers from a cousin of Darcy that it was he who separated Bingley and Jane. Soon after, Darcy admits his love of Elizabeth and proposes to her. Insulted by his high-handed and insulting manner of proposing, Elizabeth refuses him. When he asks why she should refuse him, she confronts him with his sabotage of Bingley’s relationship with Jane and Wickham’s account of their dealings.

Deeply shaken by Elizabeth’s vehemence and accusations, Darcy writes her a letter justifying his actions. The letter reveals that Wickham soon dissipated his legacy-settlment (from Darcy’s father’s estate), then came back to Darcy requesting permanent patronage; he became angry when rejected, accusing Darcy of cheating him. To exact revenge and to make off with part of the Darcy family fortune, he attempted to seduce Darcy’s young sister Georgiana – to gain her hand and fortune, almost persuading her to elope with him – before he was found out and stopped. Darcy justifies his actions from having observed that Jane did not show any reciprocal interest in his friend; thus his aim in separating them was mainly to protect Bingley from heartache.

After reading the letter, Elizabeth begins to question both her family’s behaviour and Wickham’s credibility; she concludes that Wickham is not as trustworthy as his easy manners would indicate, and that her early impressions of Darcy may not have been accurate. Soon after receiving the letter Elizabeth returns home.

Some months later, during a tour of Derbyshire with her aunt and uncle, Elizabeth visits Pemberley, Darcy’s estate. Unexpectedly, Darcy arrives at Pemberly as they tour its grounds. He makes an effort to be gracious and welcoming to them, thus strengthening Elizabeth’s newly favourable impression of him. Darcy then introduces Elizabeth to his sister Georgiana. He treats her uncle and aunt very well, and finds them of a more sound character than her other relatives, whom he previously dismissed as socially inferior.

Elizabeth and Darcy’s renewed acquaintance is cut short when news arrives that Elizabeth’s younger sister Lydia has run away with Wickham. Initially, the Bennets believes that Wickham and Lydia have eloped, but soon it is surmised that Wickham has no plans to marry Lydia. Lydia’s antics threaten the family’s reputation and the Bennet sisters with social ruin. Elizabeth and her aunt and uncle hurriedly leave Derbyshire, and Elizabeth is convinced that Darcy will avoid her from now on.

Soon, thanks to the intervention of Elizabeth’s uncle, Lydia and Wickham are found and married. After the marriage, Wickham and Lydia make a visit to Longbourne. While bragging to Elizabeth, Lydia comments that Darcy was present at the wedding. Surprised, Elizabeth sends an inquiry to her aunt, from whom she discovers that Darcy was responsible for both finding the couple and arranging their marriage at great expense to himself.

Soon after, Bingley and Darcy return to the area. Bingley proposes marriage to Jane, and this news starts rumours that Darcy will propose to Elizabeth. Lady Catherine travels to Longbourn with the sole aim of confronting Elizabeth and demanding that she never accept such a proposal. Elizabeth refuses to bow to Lady Catherine’s demands. When news of this obstinacy reaches Darcy, it convinces him that her opinion of him has changed. When he visits, he once again proposes marriage. Elizabeth accepts, and the two become engaged.

Elizabeth and Darcy settle at Pemberley where Mr. Bennet visits often. Mrs. Bennet remains frivolous and silly, and often visits the new Mrs. Bingley and talking of the new Mrs. Darcy. Later, Jane and Bingley move from Netherfield to avoid Jane’s mother and Meryton relations and to locate near the Darcys in Derbyshire. Elizabeth and Jane manage to teach Kitty greater social grace, and Mary learns to accept the difference between herself and her sisters’ beauty and mixes more with the outside world. Lydia and Wickham continue to move often, leaving their debts for Jane and Elizabeth to pay off. At Pemberley, Elizabeth and Georgiana grow close, though Georgiana is surprised by Elizabeth’s playful treatment of Darcy. Lady Catherine stays very angry with her nephew’s marriage but over time the relationship between the two is repaired and she eventually decides to visit them. Elizabeth and Darcy also remain close with her uncle and aunt.


Study resources

Pride and Prejudice Pride and Prejudice – Oxford Classics – Amazon UK

Pride and Prejudice Pride and Prejudice – Oxford Classics – Amazon US

Pride and Prejudice Pride and Prejudice – Norton Critical Editions – Amazon UK

Pride and Prejudice Pride and Prejudice – Norton Critical Editions – Amazon US

Pride and Prejudice Jane Austen Complete Works – 6-book Boxed Set – Amazon UK

Pride and Prejudice Pride and Prejudice – Audio book – Amazon UK

Pride and Prejudice Pride and Prejudice – 1995 BBC TV drama on DVD – Amazon UK

Pride and Prejudice Pride and Prejudice – Brodie’s Notes – AMazon UK

Pride and Prejudice Pride and Prejudice – York Notes (Advanced) – AMazon UK

Pride and Prejudice Pride and Prejudice – York Notes (GCSE) – Amazon UK

Pride and Prejudice Pride and Prejudice – Cliffs Notes – Amazon UK

Red button Pride and Prejudice – eBook at Project Gutenberg – [FREE]

Red button Pride and Prejudice – audioBook at LibriVox – [FREE]

Red button Pride and Prejudice – Routledge Guide

Red button Oxford Illustrated Jane Austen – 6-book boxed set

Red button Jane Austen: Selected Letters – Amazon UK

Red button The Cambridge Companion to Jane Austen – Amazon UK

Red button The Complete Critical Guide to Jane Austen – Amazon UK

Red button Jane Austen: A Biography

Red button Jane Austen at Wikipedia – biographical notes, links

Red button Jane Austen at Mantex – tutorials, web links, study materials


Principal characters
Mr Bennet Head of family, with wife and daughters, much given to sardonic criticism
Mrs Bennet His frivolous and excitable wife, socially ambitious for her daughters
Jane Bennet The eldest daughter – 22 years old – who is considered a local beauty
Elizabeth Bennet Second eldest daughter – 20 years old – intelligent, attractive, and witty
Mary Bennet The plain Bennet daughter – bookish and unsociable
Catherine (Kitty) Bennet The Fourth Bennet daughter – 17 years old
Lydia Bennet The youngest Bennet daughter – 15 years old – frivolous, flirtatious, and headstrong
Charles Bingley Gentleman without an estate – 22 years old – friend of Darcy
Caroline Bingley Bingley’s proud and snobbish sister
Fitzwilliam Darcy Wealthy estate owner – 28 years old – friend of Bingley
George Wickham Officer in the militia and old acquaintance of Darcy
William Collins Clergyman cousin to Mr Bennett – and heir to his estate
Lady Catherine de Bourgh Wealthy, haughty, domineering, and condescending
Mr Gardiner Mrs Bennett’s brother, and a friend to the family

Pride and Prejudice – film version

2005 adaptation, with Donald Sutherland and Keira Knightly


Genesis of the text

The novel was originally titled First Impressions by Jane Austen, and was written between October 1796 and August 1797. It was submitted for publication to a London bookseller by her father, but rejected.

Austen revised the text between 1811 and 1812, re-naming it Pride and Prejudice, and sold the manuscript outright for 110. It was published in three volumes in January 1813, priced at 18s. Two further editions were published in the next four years.

The scholarly edition produced by R.W.Chapman in 1923 has become the standard edition on which many modern editions of the novel are based.


Jane Austen’s writing

Jane Austen - manuscript page

the manuscript of Sanditon


Selected criticism

Red button F.W. Bradbrook, Jane Austen and her Predecessors, Cambridge: Cambridge University Press, 1966.

Red button Julia Prewitt Brown, Jane Austen’s Novels: Social Change and Literary Form, Cambridge (Mass), 1979.

Red button Marilyn Butler, Jane Austen and the War of Ideas, Oxford: Oxford University Press, 1975, revised 1987.

Red button W.A. Craick, Jane Austen: the Six Novels, London: Methuen, 1965.

Red button D.D. Devlin, Jane Austen and Education, London, 1975.

Red button Alistair M. Duckworth, The Improvement of the Estate: A Study of Jane Austen’s Novels, Baltimore (Md) and London, 1971.

Red button Sandra M. Gilbert and Susan Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth-century Literary Imagination, New Haven and London, 1979.

Red button John Halperin (ed), Jane Austen Bicentenary Essays, Cambridge: Cambridge University Press, 1975.

Red button Barbara Hardy, A Reading of Jane Austen, London, 1975.

Red button Joycelyn Harris, Jane Austen’s Art of Memory, Cambridge, 1989.

Red button Claudia L. Johnson, Jane Austen: Women, Politics, and the Novel, Chicago and London, 1988.

Red button Margaret Kirkham, Jane Austen: Feminism and Fiction, Brighton and Totawa (NJ) 1983.

Red button Mary Lascelles, Jane Austen and her Art, Oxford: Oxford University Press, 1963.

Red button A. Walton Litz, Jane Austen: a Study of her Artistic Development, Oxford: Oxford University Press, 1965.

Red button Juliet McMaster (ed), Jane Austen’s Achievement, London: Macmillan, 1976.

Red button David Monaghan, Jane Austen in a Social Context, Totawa (NJ) 1981.

Red button Laura G. Mooneyham, Citical Essays on Jane Austen, Twayne Publishers, 1998.

Red button Susan Morgan, In the Meantime: Character and Perception in Jane Austen’s Fiction, Chicago, 1980.

Red button Norman Page, The Language of Jane Austen, London: Blackwell, 1972.

Red button K.C. Phillips, Jane Austen’s English, London: Andre Deutsch, 1970.

Red button Adrian Poole, The Cambridge Companion to Jane Austen , London: Macmillan, 1976.

Red button Warren Roberts, Jane Austen and the French Revolution, New York, 1979.

Red button B.C. Southam, Jane Austen’s Literary Manuscripts: A Study of the Novelist’s Development through the Surviving Papers, London and New York, 1964.

Red button B.C. Southam (ed), Critical Essays on Jane Austen, London: Routledge and Kegan Paul, 1969.

Red button B.C. Southam (ed), Jane Austen: the Critical Heritage, 2 vols, London: Routledge and Keegan Paul, 1968-87.

Red button Alison G. Sulloway, Jane Austen and the Province of Womanhood, Philadelphia, 1989.

Red button Tony Tanner, Jane Austen, London: Macmillan, 1986.

Red button Ian Watt (ed), Jane Austen: a Collection of Critical Essays, Englewood Cliffs (NJ): Prentice-Hall, 1963.


Pride and Prejudice – film version

1940 version, with Greer Garson and Laurence Olivier


Other novels by Jane Austen

Sense and SensibilitySense and Sensibility (1811) casts two young and marriageable sisters Elinor and Marianne Dashwood as representatives of ‘sense’ and ‘sensibility’ respectively. Elinor bears her social disappointments with dignity and restraint – and thereby gets her man. Marianne on the other hand is excitable and impetuous, following her lover to London – where she quickly becomes disillusioned with him. Recovering and gaining more ‘sense’, she then finally sees the good qualities in her old friend Colonel Brandon, who has been waiting in the wings and is now conveniently on hand to propose marriage.
Jane Austen greatest works Buy the book at Amazon UK
Jane Austen greatest works Buy the book at Amazon US

 

Northanger AbbeyNorthanger Abbey (1818) opens in the drawing rooms of Bath. The heroine is imaginative Catherine Morland who falls in love with Henry Tilney, a young clergyman. When he invites her to meet his family at the Abbey however, she sees nothing but Gothic melodrama at every turn – since they were very fashionable at the time. Her visions of medieval horror prove groundless of course. This is Jane Austen’s satirical critique of Romantic cliché and excess. But Catherine eventually learns to see the world in a realistic light – and gets her man in the end. This volume also contains the early short novels Lady Susan and The Watsons, as well as the unfinished Sanditon.
Jane Austen greatest works Buy the book at Amazon UK
Jane Austen greatest works Buy the book at Amazon US

 

Mansfield ParkMansfield Park (1814) is more serious after the comedy of the earlier novels. Heroine Fanny Price is adopted into the family of her rich relatives. She is long-suffering and passive to a point which makes her almost unappealing – but her refusal to tolerate any drop in moral standards eventually teaches lessons to all concerned. (All that is except standout character Mrs Norris who is a sponging and interfering Aunt you will never forget.) The hero Edmund is dazzled by sexually attractive Mary Crawford – but in the nick of time sees the error of his ways and marries Fanny instead. Slow moving, but full of moral subtleties.
Jane Austen greatest works Buy the book at Amazon UK
Jane Austen greatest works Buy the book at Amazon US

 

EmmaEmma (1816) Charming and wilful Emma Woodhouse amuses herself by dabbling in other people’s affairs, planning their lives the way she sees fit. Most of her match-making plots go badly awry, and moral confusion reigns until she abandons her self-delusion and wakes up to the fact that stern but honourable Mr Knightly is the right man for her after all. As usual, money and social class underpin everything. Some wonderful comic scenes, and a rakish character Frank Churchill who finally reveals his flaws by making the journey to London just to get his hair cut.

Jane Austen greatest works Buy the book at Amazon UK
Jane Austen greatest works Buy the book at Amazon US

 

PersuasionPersuasion (1818) is the most mature of her novels, if one of the least exciting. Heroine Anne Elliott has been engaged to Captain Wentworth, but has broken off the engagement in deference to family and friends. Meeting him again eight years later, she goes against conventional wisdom and accepts his second proposal of marriage. Anne is a sensitive and thoughtful character, quite unlike some of the earlier heroines. Jane Austen wrote of her “She is almost too good for me”. There is a shift of location to Lyme Regis for this novel, which reveals for the first time a heroine acting from a deep sense of personal conviction, against the grain of conventional wisdom.
Jane Austen greatest works Buy the book at Amazon UK
Jane Austen greatest works Buy the book at Amazon US

© Roy Johnson 2010


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Filed Under: Jane Austen Tagged With: 19C Literature, English literature, Jane Austen, Literary studies, study guide

Prince Roman

September 7, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

Prince Roman was written by Joseph Conrad in 1910 and first published in 1911 in The Oxford and Cambridge Review. It was posthumously collected in Tales of Hearsay, which was first published by T. Fisher Unwin in 1925. The tale is based on the real life story of Prince Roman Sanguszko of Poland (1800–81). The other tales in the collection are The Black Mate, The Warrior’s Soul, and The Tale

Prince Roman

Prince Sanguszko’s coat of arms


Prince Roman – critical commentary

Content

This is an unashamedly patriotic piece of writing on Conrad’s part. Prince Roman is a Pole who gives up his comfortable position in the aristocracy to fight as a (virtually) unknown soldier resisting Russian oppression. When captured, he has every opportunity to escape punishment, but declares himself unequivocally committed to Polish liberation. As a result he suffers a quarter of a century in the nineenth century Tsarist equivalent of the GULAG – the Siberian mines – before returning to live in humble circumstances on what should have been his own estate before devoting his life to helping other people. There is none of the ambiguity and complexity that is normally found in Conrad’s other works, nor any of the light ironic touches in his commentary within the narration.

History

The story is based on the real life history of Prince Roman Stanislaw Sanguszko (1800–1881) who was a Polish aristocrat, patriot, political and social activist. Conrad’s fictional account is remarkably faithful to the historical details of Sanguszko’s life – though in some regards the truth is even more remarkable than the fiction. For instance, part of the punishment for taking part in the insurrection was that he should walk in chains to his place of exile. This was a distance of 3,300 kilometres which took ten months to complete.

Narrative

The main problem with the tale, from a technical point of view, is that it mixes narrative modes in a way that reflects adversely on the overall artistic effect. The story begins in first person narrative mode: the un-named narrator recalls having seen as a child this fabled Polish patriot, when Roman was an old man. That is, the narrative starts at the end of its chronological events.

The narrator then fills in the details of Roman’s background – information of a biographical nature which could be publicly available. But gradually, the narrative slips into third person omniscient mode. We are presented with Roman’s thoughts and feelings whilst he is in the Polish army of resistance – information which would not be available to anyone but Roman himself.

Then at the end of the tale, Conrad returns to a first person narrative mode, with the un-named narrator rounding off the sad but heroic account of Prince Roman’s life story. Conrad makes these transitions quite smoothly, and most readers are unlikely to complain, but in terms of strict narrative credibility and logic they are illegitimate.


Prince Roman – study resources

Prince Roman Tales of Hearsay – CreateSpace editions – Amazon UK

Prince Roman Tales of Hearsay – CreateSpace editions – Amazon US

Prince Roman The Complete Works of Joseph Conrad – Kindle eBook

Prince Roman Prince Roman – eBook versions at Project Gutenberg

Prince Roman Joseph Conrad: A Biography – Amazon UK

Red button The Cambridge Companion to Joseph Conrad – Amazon UK

Red button Routledge Guide to Joseph Conrad – Amazon UK

Red button Oxford Reader’s Companion to Conrad – Amazon UK

Prince Roman Notes on Life and Letters – Amazon UK

Prince Roman Joseph Conrad – biographical notes

Prince Roman


Prince Roman – plot summary

An un-named narrator recalls as a child once meeting Prince Roman, who by that time was a bald and deaf old man. This reminiscence forms the springboard for a potted life history, which is the substance of the narrative. Roman comes from an aristocratic Polish family. His wife dies two years after the birth of their daughter, and Roman is badly affected by the loss. He finds solace by retreating into the countryside, and whilst there hears news of a successful patriotic uprising against the occupying Russians. Roman renounces his position as a military office in the Tsar’s army and announces his intention of joining the nationalist rebels. His father understands Roman’s patriotism, but thinks this is rather rash and impolitic.

Roman summons an old family servant and confides in him his intention of volunteering in the partisan army. He enlists under a false name (Sergeant Peter) and distinguishes himself for courage and valour. However, although unharmed, he is eventually taken prisoner by the Russians. There he is recognised by his captors. News of his arrest is sent to St Petersburg, where his family use their wealth and influence to plead for clemency.

The military commission that tries his case attempts to guide his responses to questioning to bring about an acquittal, but he states quite bluntly that he joined the rebellion from ‘political conviction’. He is condemned to the Siberian mines, which at that time was considered a living death. Because of his disgrace, his daughter inherits his estates, and lives abroad – in the South of France and Austria. Twenty-five years later, on his release, Roman goes to live in a modest house on one of the estates and dedicates himself to doing public good.


Joseph Conrad – video biography


Joseph Conrad’s writing

Joseph Conrad - manuscript page

Manuscript page from Heart of Darkness


The Cambridge Companion to Joseph ConradThe Cambridge Companion to Joseph Conrad offers a series of essays by leading Conrad scholars aimed at both students and the general reader. There’s a chronology and overview of Conrad’s life, then chapters that explore significant issues in his major writings, and deal in depth with individual works. These are followed by discussions of the special nature of Conrad’s narrative techniques, his complex relationships with late-Victorian imperialism and with literary Modernism, and his influence on other writers and artists. Each essay provides guidance to further reading, and a concluding chapter surveys the body of Conrad criticism.
Joseph Conrad Buy the book at Amazon UK
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Joseph Conrad - writing table

Joseph Conrad’s writing table


Further reading

Red button Amar Acheraiou Joseph Conrad and the Reader, London: Macmillan, 2009.

Red button Jacques Berthoud, Joseph Conrad: The Major Phase, Cambridge: Cambridge University Press, 1978.

Red button Muriel Bradbrook, Joseph Conrad: Poland’s English Genius, Cambridge: Cambridge University Press, 1941

Red button Harold Bloom (ed), Joseph Conrad (Bloom’s Modern Critical Views, New Yoprk: Chelsea House Publishers, 2010

Red button Hillel M. Daleski , Joseph Conrad: The Way of Dispossession, London: Faber, 1977

Red button Daphna Erdinast-Vulcan, Joseph Conrad and the Modern Temper, Oxford: Oxford University Press, 1991.

Red button Aaron Fogel, Coercion to Speak: Conrad’s Poetics of Dialogue, Cambridge, Mass: Harvard University Press, 1985

Red button John Dozier Gordon, Joseph Conrad: The Making of a Novelist, Cambridge, Mass: Harvard University Press, 1940

Red button Albert J. Guerard, Conrad the Novelist, Cambridge, Mass: Harvard University Press, 1958

Red button Robert Hampson, Joseph Conrad: Betrayal and Identity, Basingstoke: Macmillan, 1992

Red button Jeremy Hawthorn, Joseph Conrad: Language and Fictional Self-Consciousness, London: Edward Arnold, 1979

Red button Jeremy Hawthorn, Joseph Conrad: Narrative Technique and Ideological Commitment, London: Edward Arnold, 1990

Red button Jeremy Hawthorn, Sexuality and the Erotic in the Fiction of Joseph Conrad, London: Continuum, 2007.

Red button Owen Knowles, The Oxford Reader’s Companion to Conrad, Oxford: Oxford University Press, 1990

Red button Jakob Lothe, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008

Red button Gustav Morf, The Polish Shades and Ghosts of Joseph Conrad, New York: Astra, 1976

Red button Ross Murfin, Conrad Revisited: Essays for the Eighties, Tuscaloosa, Ala: University of Alabama Press, 1985

Red button Jeffery Myers, Joseph Conrad: A Biography, Cooper Square Publishers, 2001.

Red button Zdzislaw Najder, Joseph Conrad: A Life, Camden House, 2007.

Red button George A. Panichas, Joseph Conrad: His Moral Vision, Mercer University Press, 2005.

Red button John G. Peters, The Cambridge Introduction to Joseph Conrad, Cambridge: Cambridge University Press, 2006.

Red button James Phelan, Joseph Conrad: Voice, Sequence, History, Genre, Ohio State University Press, 2008.

Red button Edward Said, Joseph Conrad and the Fiction of Autobiography, Cambridge Mass: Harvard University Press, 1966

Red button Allan H. Simmons, Joseph Conrad: (Critical Issues), London: Macmillan, 2006.

Red button J.H. Stape, The Cambridge Companion to Joseph Conrad, Cambridge: Cambridge University Press, 1996

Red button John Stape, The Several Lives of Joseph Conrad, Arrow Books, 2008.

Red button Peter Villiers, Joseph Conrad: Master Mariner, Seafarer Books, 2006.

Red button Ian Watt, Conrad in the Nineteenth Century, London: Chatto and Windus, 1980

Red button Cedric Watts, Joseph Conrad: (Writers and their Work), London: Northcote House, 1994.


Other writing by Joseph Conrad

Joseph Conrad Lord JimLord Jim (1900) is the earliest of Conrad’s big and serious novels, and it explores one of his favourite subjects – cowardice and moral redemption. Jim is a ship’s captain who in youthful ignorance commits the worst offence – abandoning his ship. He spends the remainder of his adult life in shameful obscurity in the South Seas, trying to re-build his confidence and his character. What makes the novel fascinating is not only the tragic but redemptive outcome, but the manner in which it is told. The narrator Marlowe recounts the events in a time scheme which shifts between past and present in an amazingly complex manner. This is one of the features which makes Conrad (born in the nineteenth century) considered one of the fathers of twentieth century modernism.
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Joseph Conrad Heart of DarknessHeart of Darkness (1902) is a tightly controlled novella which has assumed classic status as an account of the process of Imperialism. It documents the search for a mysterious Kurtz, who has ‘gone too far’ in his exploitation of Africans in the ivory trade. The reader is plunged deeper and deeper into the ‘horrors’ of what happened when Europeans invaded the continent. This might well go down in literary history as Conrad’s finest and most insightful achievement, and it is based on his own experiences as a sea captain. This volume also contains ‘An Outpost of Progress’ – the magnificent study in shabby cowardice which prefigures ‘Heart of Darkness’.
Joseph Conrad Buy the book from Amazon UK
Joseph Conrad Buy the book from Amazon US

© Roy Johnson 2013


Joseph Conrad web links

Joseph Conrad at Mantex
Biography, tutorials, book reviews, study guides, videos, web links.

Joseph Conrad – his greatest novels and novellas
Brief notes introducing his major works in recommended editions.

Joseph Conrad at Project Gutenberg
A major collection of free eTexts in a variety of formats.

Joseph Conrad at Wikipedia
Biography, major works, literary career, style, politics, and further reading.

Joseph Conrad at the Internet Movie Database
Adaptations for the cinema and television – in various languages. Full details of directors and actors, production notes, box office, trivia, and quizzes.

Works by Joseph Conrad
Large online database of free HTML texts, digital scans, and eText versions of novels, stories, and occasional writings.

The Joseph Conrad Society (UK)
Conradian journal, reviews. and scholarly resources.

The Joseph Conrad Society of America
American-based – recent publications, journal, awards, conferences.

Hyper-Concordance of Conrad’s works
Locate a word or phrase – in the context of the novel or story.


More on Joseph Conrad
Twentieth century literature
Joseph Conrad complete tales


Filed Under: Conrad - Tales Tagged With: English literature, Joseph Conrad, Literary studies, The Short Story

Princess Bibesco

August 11, 2018 by Roy Johnson

Princess Bibesco (1897-1945) was a marginal but interesting figure of the modernist period – a rich socialite and writer. She was born in 1897 as Elizabeth Charlotte Lucy Asquith, the daughter of Herbert Asquith by his second wife. The family lived in Cavendish Square, but when Asquith became liberal Prime Minister in 1908, Elizabeth was raised in the PM’s official residence at 10 Downing Street. (Nancy Cunard and her mother moved into the Cavendish Square house.) Elizabeth was a spirited and gifted child who during the First World War organised fund-raising events to support servicemen.

Princess Bibesco

Elizabeth Bibesco in 1919

At the age of nineteen she appeared on stage at the Palace Theatre in a sketch she wrote herself, and she organised an exhibition of portraits by the American artist John Singer Sargent at the Grafton Galleries. In 1918 she played small roles in two silent movies by D.W. Griffith, Hearts of the World and The Great Love.

At nineteen she fell in love with an American diplomat, which caused a scandal in her family. Sister-in-law Cynthia Asquith wrote in her diary: ‘This really is too much. To marry an American is bad enough – but a poor American …’. Shortly afterwards in 1919 Elizabeth married Prince Antoine Bibesco, a Romanian diplomat who had been posted to London as first secretary to the embassy. He was twenty-two years older than her.

After the marriage she lived in Paris in a house on the Ile St Louis, overlooking Notre Dame. Her husband was a great friend of the French writer Marcel Proust, who used the Prince as a model for his character Saint-Loup in Remembrance of Things Past. The Princess (as she now was) became part of his circle, and Proust was eventually godfather to her daughter Priscilla.

In the early 1920s she met members of the Bloomsbury Group and began an affair with John Middleton Murry. He was married at the time to Katherine Mansfield, who rapidly put a stop to the relationship. She wrote to the Princess: ‘I am afraid you must stop writing these little love letters to my husband while he and I live together. It is one of those things which is not done in our world’. This was completely untrue, but it had the intended effect.

John Middleton Murry

John Middleton Murry

Between 1921 and 1940 Elizabeth published three collections of short stories, four novels, and a book of poetry. Her literary style is lyrical and allusive, with a lightness of touch that skims across her narratives (and it has to be said, is quite like that of her ‘rivals’ Katherine Mansfield and Virginia Woolf):

Poor Miss Wilcox! She had tried brightness and common-sense, Milton and lawn-tennis, the arch and the aloof. She would have liked to have been seductive and a little wicked, but she had found it easier to be dignified and very good. Easier but no more satisfactory. Evidently charm was a strange, mysterious thing, for which there was no recipe. A dangerous force governing many things and subject to no law.

As an adult she struggled with alcoholism, but travelled with her husband in his capacity as a diplomat to Washington and Madrid. Whilst in the Spanish capital she met and befriended Jose Antonio Primo de Rivera, the leader of the fascist Falange and eldest son of the military dictator. There is some evidence of an affair between them. He was executed by the Republicans during the Civil War, but Princess Bibesco dedicated her last novel The Romantic to him in 1940.

She lived in Romania during the Second World War, dying there from pneumonia in 1945 at the age of forty-eight. She was buried in the Bibesco family vault in Bucharest.

Balloons – Gutenberg.org

I Have Only Myself to Blame (1921)
Balloons (1922)
The Fir and the Palm (1924)
The Whole Story (1925)
There Is No Return (1927)
The Romantic (1940)
Haven (1951)

© Roy Johnson 2018


Princess Bibesco


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Filed Under: Biography, Bloomsbury Group Tagged With: Cultural history, Literary studies, princess bibesco

Print Culture bibliography

October 27, 2009 by Roy Johnson

book history, bibliographic studies, and textual culture

Abdurgham, Alison. Women in Print: Writing and Women’s Magazines from the Restoration to the Accession of Victoria. London: Allen & Unwin, 1972.

Altick, Richard Daniel. The English Common Reader: A Social History of the Mass Reading Public, 1800-1900. 2nd ed. Columbus: Ohio State UP, 1998.

Armbruster, Carol, ed. Publishing and Readership in Revolutionary France and America. Westport, CT: Greenwood Press, 1993.

Anderson, Benedict R. O’Gorman. Imagined Communities: Reflections on the Origins and Spread of Nationalism. Rev. ed. London: Verso, 1991.

Anderson, Patricia. The Printed Image and the Transformation of Popular Culture 1790-1860. Oxford: Clarendon P of Oxford UP, 1991.

Armstrong, Adrian. Technique and Technology: Script, Print, and Poetics in France 1470-1550. New York: Oxford UP, 2000.

Barker, Hannah and David Vincent. Language, Print, and Electoral Politics, 1790-1832: Newcastle-under-Lyme Broadsides. Rochester, NY: Boydell P/Parliamentary History Yearbook Trust, 2001.

Baron, Naomi S. Alphabet to Email: How Written English Evolved and Where It’s Heading. London: Routledge, 2000.

Barton, David and Nigel Hall, eds. Letter Writing as a Social Practice. Philadelphia: John Benjamins, 2000.

Bazerman. Charles. The Languages of Edison’s Light. Cambridge, MA: Massachusetts Institute of Technology P, 1999.

—. Shaping Written Knowledge. Madison: U of Wisconsin P, 1988.

Bell, William, Laurel Brake, and David Finkelstein, eds. Nineteenth-Century and the Construction of Identities. New York: St. Martin’s P, 2000.

Besnier, Niko. Literacy, Emotion, and Authority. Cambridge, UK: Cambridge UP, 1995.

Birkerts, Sven. The Gutenberg Elegies: The Fate of Reading in an Electronic Age. Winchester, MA: Faber and Faber, 1994.

Blaney, Peter W. M. The First Folio of Shakespeare. Washington, DC: Folger Library Publications, 1991.

Bobrick, Benson. Wide as the Waters: The Story of the English Bible and the Revolution It Inspired. New York: Simon & Schuster, 2001.

Bolter, Jay David. Writing Space: Computers, Hypertext and the Remediation of Print. 2nd ed. Hillsdale, NJ: Lawrence Erlbaum Associates, 2001

Bolter, Jay David and Richard Grusin. Remediation: Understanding New Media. Cambridge, MA: Massachusetts Institute of Technology, pp.295, 1999.

Borgmann, Albert. Holding on to Reality: The Nature of Information at the Turn of the Millennium. Chicago: U of Chicago P, 1999.

Brewer, John. The Pleasures of the Imagination: English Culture in the Eighteenth Century, New York: Farrar, Straus and Giroux, 1997.

Burke, Sean, ed. Authorship: From Plato to the Postmodern: A Reader. Edinburgh: Edinburgh UP, 1995.

Cadman, Eileen, Gail Chester, and Agnes Pivot. Rolling Our Own: Women as Printers, Publishers and Distributors. London: Minority P Group, 1981.

Carlson, David R. English Humanist Books: Writers and Patrons, Manuscript and Print, 1475-1525. Toronto: U of Toronto P, 1993.

Cavallo, Guglielmo and Roger Chartier, eds. A History of Reading in the West. Trans. Lydia G. Cochrane. Amherst: U of Massachusetts P, 1999.

Certeau, Michel de. The Practice of Everyday Life. Trans. Steven Rendall. Berkeley: U of California P, 1984.

Chambers, Douglas. The Reinvention of the World: English Writing 1650-1750. London: Arnold/Hodder Headline Group, 1996.

Chambers, Douglas. The Reinvention of the World: English Writing 1650-1750. London: Arnold/Hodder Headline Group, 1996.

Chartier, Roger. The Cultural Uses of Print in Early Modern France. Trans. Lydia G. Cochrane. Princeton: Princeton UP, 1988.

—, ed. The Culture of Print: Power and the Uses of Print in Early Modern Europe. Trans. Lydia G. Cochrane. Princeton: Princeton UP, 1989.

—. The Order of Books: Readers, Authors, and Libraries in Europe Between the Fourteenth and Eighteenth Centuries. Trans. Lydia G. Cochrane. Stanford: Stanford UP, 1994.

Chaytor, H. J. From Script to Print: An Introduction to Medieval Vernacular Literature. London: W. Heffer and Sons, 1945.

Crain, Patricia A. The Story of A: The Alphabetization of America from The New England Primer to The Scarlet Letter. Stanford: Stanford UP, 2000.

Crosby, Alfred W. The Measure of Reality: Quantification and Western Society, 1250-1600. Cambridge, UK: Cambridge UP, 1997.

Cuddihy, John Murray. The Ordeal of Civility: Freud, Marx, Levi-Strauss, and the Jewish Struggle with Modernity. 2nd ed. Boston: Beacon P, 1987.

Darnton, Robert. The Forbidden Best-Sellers of Pre-Revolutionary France. New York: Norton, 1995.

Darnton, Robert and Daniel Roche. Revolution in Print: The Press in France, 1775-1800. Berkeley: U of California P, 1989.

Davidson, Cathy N. Revolution and the Word: The Rise of the Novel in America. New York: Oxford UP, 1986.

DeRitter, Jones. The Embodiment of Characters: The Representation of Physical Experiences on Stage and in Print, 1728-1749. Philadelphia: U of Pennsylvania P, 1994.

Dock, Julie Bates. The Press of Ideas: Readings for Writers on Print Culture and the Information Age. Boston: Bedford Books/St. Martin’s P, 1996.

Dolan, Frances E. Whores of Babylon: Catholicism, Gender and Seventeenth-Century Print Culture. Ithaca: Cornell UP, 1999.

Eberly, Rosa A. Citizens Critics: Literary Public Spheres. Urbana: U of Illinois P, 2000.

Eisenstein, Elizabeth L. Grub Street Abroad: Aspects of the French Cosmopolitan Press from the Age of Louis XIV to the French Revolution. Oxford: Clarendon P of Oxford UP, 1992.

—. The Printing Press as an Agent of Change. 2 vols. Cambridge, UK: Cambridge UP, 1979.

Eliot, Simon. Some Patterns and Trends in British Publishing, 1800-1919. London: Bibliographical Society, 1994.

Elsky, Martin. Authorizing Words: Speech, Writing, and Print in the English Renaissance. Ithaca: Cornell UP, 1989.

Ezell, Margaret J. M. Social Authorship and the Advent of Print. Baltimore: Johns Hopkins UP, 1999.

Farrell, Thomas J. Walter Ong’s Contributions to Cultural Studies: The Phenomenology of the Word and I-Thou Communication. Cresskill, NJ: Hampton, 2000.

Febvre, Lucien Paul Victor and Henri-Jean Martin. The Coming of the Book: The Impact of Printing, 1450-1800. Trans. David Gerard. Ed. Geoffrey Nowell-Smith and David Wootton. London: Verso, 1997.

Ford, Worthington Chauncey. The Boston Book Market, 1679-1700. New York: Burt Franklin, 1972. Reprint of 1917 ed.

Fox, Adam. Oral and Literate Culture in England, 1500-1700. New York: Oxford UP, 2000.

Frasca-Spada, Marina and Nicholas Jardine, eds. Books and the Sciences in History. Cambridge, UK: Cambridge UP, 2000.

Freedman, Joseph S. Philosophy and the Arts in Central Europe, 1500-1700: Teaching and Texts in Schools and Universities. Aldershot, UK: Ashgate, 1999.

Fuller, Mary C. Voyages in Print: English Travel to America 1576-1624. Cambridge, UK: Cambridge UP, 1995.

Gilmartin, Kevin. Print Politics: The Press and Radical Opposition in Early Nineteenth-Century England. Cambridge, UK: Cambridge UP, 1996.

Gitelman, Lisa. Scripts, Grooves and Writing Machines: Representing Technology in the Edison Era. Stanford: Stanford UP, 1999.

Goggin, Maureen Daly, ed. Inventing a Discipline: Rhetoric Scholarship in Honor of Richard E. Young. Urbana, IL: National Council of Teachers of English, 2000.

Goody, Jack. The Logic of Writing and the Organization of Society. Cambridge, UK: Cambridge UP, 1986.

—. The Power of the Written Tradition. Washington, DC: Smithsonian Institution P, 2000.

Graff, Harvey J. The Labryrinths of Literacy: Reflections on Literacy Past and Present. Rev. ed. Pittsburgh: U of Pittsburgh P, 1995.

—. The Legacies of Literacy: Continuities and Contradictions in Western Culture and Society. Bloomington: Indiana UP, 1987.

—. Literacy in History: An Interdisciplinary Research Bibliography. New York: Garland, 1981.

—. The Literacy Myth: Cultural Integration and Social Structure in the Nineteenth-Century City. New York: Academic P, 1979.

—, ed. Literacy and Social Development in the West: A Reader. New York: Cambridge UP, 1981.

Grafton, Anthony, April Shelford, and Nancy G. Siraisi. New Worlds, Ancient Texts: The Power of Tradition and the Shock of Discovery. Cambridge, MA: Belknap P of Harvard UP, 1992.

Gray, Floyd. Gender, Rhetoric, and Print Culture in French Renaissance Writing. Cambridge, UK: Cambridge UP, 2000.

Green, Ian. Print and Protestantism in Early Modern England. New York: Oxford UP, 2001.

Greetham, D. C. Textual Scholarship: An Introduction. New York: Garland, 1992. Includes extensive bibliography.

Gronbeck, Bruce E., Thomas J. Farrell, and Paul A. Soukup, eds. Media, Consciousness, and Culture: Explorations of Walter Ong’s Thought. Newbury Park, CA: Sage Publications, 1991.

Habermas, Jurgen. The Structural Transformation of the Public Sphere. Trans. Thomas Burger and Frederick Lawrence. Cambridge, MA: Massachusetts Institute of Technology P, 1989.

Harrison, Peter. The Bible, Protestantism, and the Rise of Natural Science. Cambridge, UK: Cambridge UP, 1998.

Hart, James David. The Popular Book: A History of America’s Literary Taste. New York: Oxford UP, 1950.

Havelock, Eric A. The Muse Learns to Write. New Haven: Yale UP, 1986.

Hayes, Kevin J. Poe and the Printed Word. Cambridge, UK: Cambridge UP, 2000.

Headrick, Daniel R. When Information Came of Age: Technologies of Knowledge in the Age of Reason and Revolution, 1700-1850. New York: Oxford UP, 2000.

Heim, Michael. Electric Language: A Philosophical Study of Word Processing. New Haven: Yale UP, 1987.

Hindman, Sandra L., ed. Printing the Written Word: The Social History of Books, circa 1450-1520. Ithaca: Cornell UP, 1991.

Hobart, Michael E. and Zachary S. Schiffman. Information Ages: Literacy, Numeracy, and the Computer Revolution. Baltimore: Johns Hopkins UP, 1998.

Howard-Hill, T. H. British Literary Bibliography and Textual Criticism, 1890-1969. Volume 6 of and index to British Literary Bibliography. Oxford: Clarendon P of Oxford UP, 1980.

Isaac, Peter and Barry McKay, eds. The Mighty Engine: The Printing Press and Its Impact. New Castle, DE: Oak Knoll P, 2000.

Ivins, William. Prints and Visual Communication. Cambridge, MA: Harvard UP, 1953.

Jagodzinski, Cecile M. Privacy and Print: Reading and Writing in Seventeenth-Century England. Charlottesville: UP of Virgina, 1999.

Johns, Adrian. The Nature of the Book: Print and Knowledge in the Making. Chicago: U of Chicago P, 1998.

Johnson-Eilola, Johndan. Nostalgic Angels: Rearticulating Hypertext Writing. Norwood, NJ: Ablex, 1997.

Jordan, John O. and Robert L. Patten, eds. Literature in the Marketplace: Nineteenth-Century British Publishing and Reading Practices. Cambridge, UK: Cambridge UP, 1995.

Kaestle, Carl F., Helen Damon-Moore, Lawrence C. Stedman, Katherine Tinsley, and William Vance Trollinger, Jr. Literacy in the United States: Readers and Reading Since 1880. New Haven: Yale UP, 1991.

Kaufer, David S. and Kathleen M. Carley. Communication at a Distance: The Influence of Print on Sociocultural Organization and Change. Hillsdale, NJ: Lawrence Erlbaum Associates, 1993.

Keller-Cohen, Deborah, ed. Literacy: Interdisciplinary Conversations. Cresskill, NJ: Hampton P, 1994.

Kernan, Alvin. Samuel Johnson and the Impact of Print. Princeton: Princeton UP, 1989.

Kilgour, Frederick G. The Evolution of the Book. New York: Oxford UP, 1998.

Kintgen, Eugene R. Reading in Tudor England. Pittsburgh: U of Pittsburgh P, 1996.

Knoppers, Laura Lunger. Constructing Cromwell: Ceremony, Portrait, and Print, 1645-1661. Cambridge, UK: Cambridge UP, 2000.

Kramnick, Jonathan Brody. Making the English Canon: Print-Capitalism and the Culture of the Past, 1700-1770. Cambridge, UK: Cambridge UP, 1998.

Lanham, Richard A. The Electronic Word: Democracy, Technology and the Arts. Chicago: U of Chicago P, 1993.

—. Literacy and the Survival of Humanism. New Haven: Yale UP, 1983.

Laspina, James Andrew. The Visual Turn and the Transformation of the Textbook. Mahwah, NJ: Lawrence Erlbaum Associates, 1998.

Leith, Philip. Formalism in AI and Computer Science. Chichester, UK: Ellis Horwood, 1990.

Logan, Robert. The Alphabet Effect: The Impact of the Phonetic Alphabet on the Development of Western Civilization. New York: William Morrow, 1986.

—. The Sixth Language: Learning & Living in the Internet Age. Toronto: Stoddart Publishing, 2000..

Love, Harold. The Culture and Commerce of Texts: Scribal Publication in Seventeenth-Century England. Amherst: U of Massachusetts P, 1998.

Luke, Carmen. Pedagogy, Printing, and Protestantism: The Discourse on Childhood. Albany: State U of New York P, 1989.

Manguel, Alberto. A History of Reading. New York: Penguin, 1996.

Marotti, Arthur F. Manuscript, Print, and the English Renaissance Lyric. Ithaca: Cornell UP, 1995.

Marotti, Arthur F. and Michael D. Bristol, eds. Print, Manuscript, and Performance: The Changing Relationships of the Media in Early Modern England. Columbus: Ohio State UP, 2000.

Martin, Henri-Jean, The History and Power of Writing, Chicago: University of Chicago Press, 1995, trns. Lynda G. Cochrane, pp.591, ISBN 0226508366

—. Print, Power, and People in Seventeenth-Century France. Trans. David Gerard. Metuchen, NJ: Scarecrow, 1993.

Mayer, Thomas F. and D. R. Woolf, eds. The Rhetorics of Life-Writing in Early Modern Europe: Forms of Biography from Cassandra Fedele to Louis XIV. Ann Arbor: U of Michigan P,1995.

Mazzio, Carla and Douglas Trevor, eds. Historicism, Psychoanalysis, and Early Modern Culture. New York: Routledge, 2000.

McGrath, Alister. In the Beginning: The Story of the King James Bible and How It Changed a Nation, a Language and a Culture. New York: Doubleday, 2001.

McIntosh, Carey. The Evolution of English Prose: Style, Politeness, and Print Culture. Cambridge, UK: Cambridge UP, 1998.

McKenzie, D. F. Bibliography and the Sociology of Texts. New York: Cambridge UP, 1999.

—. Oral Culture, Literacy, and Print in Early New Zealand: The Treaty of Waitangi. Wellington, NZ: Victoria UP, 1985.

McLuhan, Marshall. The Gutenberg Galaxy: The Making of Typographic Man. Toronto: U of Toronto P, 1962.

—. Understanding Media: The Extensions of Man. New York: McGraw-Hill, 1964.

Melendez, A. Gabriel. So All Is Not Lost: The Poetics of Print in Nuevomexicano Communities, 1834-1958. Albuquerque: U of New Mexico P, 1997.

Miller, Perry. The New England Mind: The Seventeenth Century. Cambridge, MA: Harvard UP, 1939.

Milton, John. ‘A Fuller Course in the Art of Logic Conformed to the Method of Peter Ramus’. Ed. and Trans. Walter J. Ong and Charles J. Ermatinger. Complete Prose Works of John Milton: Volume 8. Ed. Maurice Kelley. New Haven: Yale UP, 1982. 206-407

Mitch, David F. The Rise of Popular Literacy in Victorian England: The Influence of Private Choice and Public Policy. Philadelphia: U of Pennsylvania P, 1992.

Mitchell, W. J. T. Iconology: Image, Text, Ideology. Chicago: U of Chicago P, 1987.

—. Picture Theory. Chicago: U of Chicago P, 1995.

Morison, Samuel Eliot. The Founding of Harvard College. Cambridge, MA: Harvard UP,
1935.

—. Harvard College in the Seventeenth Century. 2 vols. Cambridge, MA: Harvard UP,
1936.

Moss, Ann. Printed Commonplace Books and the Structuring of Renaissance Thought. Oxford: Clarendon P of Oxford UP, 1996. Also see Yeo; Rechtien.

Oliphant, Dave and Robin Bradford, eds. New Directions in Textual Studies. Austin: Harry Ransom Humanities Research Center, U of Texas.

Ong, Walter J. The Barbarian Within: And Other Fugitive Essays and Studies. New York: Macmillan, 1962.

—. Faith and Contexts. 4 vols. Ed. Thomas J. Farrell and Paul A. Soukup. Atlanta: Scholars Press, 1992-1999; now distributed by Rowman & Littlefield.

—. Interfaces of the Word: Studies in the Evolution of Consciousness and Culture. Ithaca: Cornell UP, 1977.

—. ‘Literature, Written Transmission of.’ The New Catholic Encyclopedia. Ed. William J. McDonald. 15 vols. New York: McGraw-Hill, 1967. Reprinted in An Ong Reader; Challenges for Further Inquiry.

—. An Ong Reader: Challenges for Further Inquiry. Ed. Thomas J. Farrell and Paul A. Soukup. Cresskill, NJ: Hampton P, forthcoming.

—. Orality and Literacy: The Technologizing of the Word. London: Methuen, 1982.

—. The Presence of the Word: Some Prolegomena for Cultural and Religious History. New Haven: Yale UP, 1967.

—. Ramus, Method, and the Decay of Dialogue: From the Art of Discourse to the Art of Reason. Cambridge, MA: Harvard UP, 1958.

—. Review of Butler’s The Origin of Printing in Europe. The Historical Bulletin 19 (Mar. 1941): 68.

—. Review of McLuhan’s The Gutenberg Galaxy. America 107 (Sept. 15, 1962): 743, 747. Reprinted in An Ong Reader: Challenges for Further Inquiry.

—. Rhetoric, Romance, and Technology: Studies in the Interaction of Expression and Culture. Ithaca: Cornell UP, 1971.

Perkinson, Henry J. How Things Got Better: Speech, Writing, Printing, and Cultural Change. Westport, CT: Bergin & Garvey, 1995.

Peters, Julie Stone. Theatre of the Book 1480-1880: Print, Text and Performance in Europe. New York: Oxford UP, 2000.

Popkin, Jeremy D. The Press, Revolution, and Social Identities in France, 1830-1835. University Park: Pennsylvania State UP, 2001.

—. Revolutionary News: The Press in France, 1789-1799. Durham: Duke UP, 1990.

Postman, Neil. Amusing Ourselves to Death: Public Discourse in the Age of Show Business. New York: Viking Penguin, 1985.

Price, Leah. The Anthology and the Rise of the Novel from Richardson to George Eliot. Cambridge, UK: Cambridge UP, 2000.

Radway, Janice A. A Feeling for Books: The Book-of-the-Month Club, Literary Taste, and Middle-Class Desire. Chapel Hill: U of North Carolina P, 1997.

Rechtien, John G. Thought Patterns: The Commonplace Book as Literary Form in Theological Controversy during the English Renaissance. Diss. St. Louis U, 1975. Ann Arbor: UMI, 1975.

Rhodes, Neil and Jonathan Sawday, eds. The Renaissance Computer: Knowledge Technology in the First Age of Print. London: Routledge, 2000.

Richardson, Brian. Printing, Writers and Readers in Renaissance Italy. Cambridge, UK: Cambridge UP, 1999.

Rose, Mark. Authors and Owners: The Invention of Copyright. Cambridge, MA: Harvard UP, 1993.

Schmidt, Leigh Eric. Hearing Things: Religion, Illusion, and the American Enlightenment. Cambridge, MA: Harvard UP, 2000.

Schulte, Henry F. The Spanish Press, 1470-1966: Print, Power, and Politics. Urbana: U of Illinois P, 1968.

Secord, James A. Victorian Sensation: The Extraordinary Publication, Reception, and Secret Authorship of Vestiges of the Natural History of Creation. Chicago: U of Chicago P, 2000.

Sharpe, Kevin. Reading Revolutions: The Politics of Reading in Early Modern England. New Haven: Yale UP, 2000.

Sharratt, Peter. ‘The Present State of Studies on Ramus.’ Studi francesi 47-48 (1972): 201-13.

—. ‘Ramus 2000.’ Rhetorica: A Journal of the History of Rhetoric 18 (2000): 399-455.

—. ‘Recent Work on Peter Ramus (1970-1986).’ Rhetorica: A Journal of the History of Rhetoric 5 (1987): 7-58.

Solomon, Harry M. The Rise of Robert Dodsley: Creating the New Age of Print. Carbondale: Southern Illinois UP, 1996.

Spufford, Margaret. Small Books and Pleasant Histories. Athens: U of Georgia P, 1982.

Stephens, Mitchell. The Rise of the Image, the Fall of the Word. New York: Oxford UP, 1998.

Street, Brian V. Literacy in Theory and Practice. Cambridge, UK: Cambridge UP, 1984.

Sutherland, John A. Fiction and the Fiction Industry. London: Athlone, 1978.

—. Victorian Fiction: Writers, Publishers, Readers. New York: St. Martin’s P, 1995.

Taylor, Mark C. and Esa Saarinen. Imagologies: Media Philosophy. London: Routledge, 1994.

Tebeaux, Elizabeth. The Emergence of a Tradition of Technical Writing in the English Renaissance, 1475-1640. Amityville, NY: Baywood Publishing, 1997.

Topham, Jonathan R. ‘Scientific Publishing and the Reading of Science in Nineteenth-Century Britain: A Historiographical Survey and Guide to Sources.’ Studies in the History and Philosophy of Science 31 (2000): 559-612. Includes extensive bibliography.

Treglown, Jeremy and Bridget Bennett, eds. Grub Street and the Ivory Tower: Literary Journalism and Literary Scholarship from Fielding to the Internet. New York: Clarendon P of Oxford UP, 1998.

Ulmer, Gregory. Teletheory: Grammatology in the Age of Video. New York: Routledge, Chapman & Hall, 1989.

Tyson, Gerald P. and Sylvia S. Wagonheim, eds. Print and Culture in the Renaissance: Essays on the Advent of Printing in Europe. Newark: U of Delaware P/Associated U Presses, 1986.

Warner, Michael. The Letters of the Republic: Publication and the Public Sphere in Eighteenth-Century America. Cambridge, MA: Harvard UP, 1990.

Watt, Ian. The Rise of the Novel: Studies in Defoe, Richardson, and Fielding. Berkeley: U of California P, 1957.

Watt, Tessa. Cheap Print and Popular Piety, 1550-1640. Cambridge, UK: Cambridge UP, 1991.

Weber, Harold M. Paper Bullets: Print and Kingship under Charles II. Lexington: UP of Kentucky, 1996.

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Wheale, Nigel. Writing and Society: Literacy, Print and Politics in Britain, 1590-1660. London: Routledge, 1999.

Williams, Gordon. Shakespeare, Sex and the Print Revolution. London: Athlone, 1996.

Woolf, Daniel. Reading History in Early Modern England. Cambridge, UK: Cambridge UP, 2000.

Wyss, Hilary E. Writing Indians: Literacy, Christianity, and Native Community in Early America. Boston: U of Massachusetts P, 2000.

Yeo, Richard. Encyclopaedic Visions: Scientific Dictionaries and Enlightenment Culture. Cambridge, UK: Cambridge UP, 2001. Includes commonplace books.

Zaret, David. Origins of Democratic Culture: Printing, Petitions, and the Public Sphere in Early Modern England. Princeton: Princeton UP, 2000.

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© Roy Johnson 2009


Reproduced with the permission of the author –

Thomas J. Farrell, Associate Professor, Department of Composition, University of Minnesota at Duluth; Duluth, MN


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Professor Fargo

June 23, 2013 by Roy Johnson

tutorial, commentary, study resources, plot, and web links

Professor Fargo first appeared in The Galaxy magazine for August 1874. Its next appearance in book form was in the collection of stories Travelling Companions published in New York by Boni and Liveright in 1919.

Professor Fargo

Phineas Taylor Barnum 1810-1891


Professor Fargo – critical commentary

The story seems to combine elements of comic burlesque with a savage criticism of the shabby fraudulence in the ‘spiritual’ showman – something which would surface again in the character of Selah Tarrant in The Bostonians (1886). Its subject appears to be aimed at the market for popular fiction for which James was writing around this time, but there are two issues worthy of note in artistic terms.

The first of these is that all three male characters in the story do the same thing: they attempt to persuade their audiences with the power of rhetoric. The narrator is a travelling salesman whose livelihood rests on persuading other people to purchase the goods he sells – which remain unspecified. The Colonel claims to have ‘inventions’ and mathematical formulae which he thinks will be of great benefit to society. Perhaps because he doesn’t follow the conventional method of writing down his ideas, he is forced to describe them orally. But nobody in the audiences can understand what he is talking about, and his ‘inventions’ have all failed – which has led him to be dependent upon the Professor.

The Professor himself is an out-and-out fraud. He claims he can communicate with people who are dead, and that he has special powers of ‘spiritual’ and personal ‘magnetism’ which he singularly fails to demonstrate during his performances. However, the second detail worthy of note is that the Professor does eventually wield some sort of personal persuasiveness on Miss Gifford – who abandons her own father and takes up with the florid mountebank Fargo.

This sudden reversal of allegiance is not unlike that demonstrated by the young girl in James’s story Adina written earlier in the same year. Adina is engaged to marry a somewhat unattractive classical scholar, but she suddenly elopes with a handsome young Italian man to whom she has hardly even spoken. The common element of lack of speech is perhaps telling. James obviously believed that some people were susceptible to being attracted by sheer animal magnetism, even if they did leave behind them a distinct trace of ‘Frailty, thy name is woman’.


Professor Fargo – study resources

Professor Fargo The Complete Works of Henry James – Kindle edition – Amazon UK

Professor Fargo The Complete Works of Henry James – Kindle edition – Amazon US

Professor Fargo Complete Stories 1874—1884 – Library of America – Amazon UK

Professor Fargo Complete Stories 1874—1884 – Library of America – Amazon US

Red button The Cambridge Companion to Henry James – Amazon UK

Red button Henry James at Wikipedia – biographical notes, links

Red button Henry James at Mantex – tutorials, biography, study resources

Professor Fargo


Professor Fargo – plot summary

Part I. An un-named narrator decides to wait for three days in a sleepy little American town for a business contact to return. In the town hall he encounters Professor Fargo, who is preparing the evening’s demonstration of spiritualism and mental magnetism. They exchange opinions regarding spiritualism – the narrator being firmly sceptical. Later the same day he sees the Professor again, engaged with a pretty deaf-mute girl in the public cemetery.

Part II. The narrator attends the evening show. The Professor’s performance is poor and without any results. Then his partner Colonel Gifford presents a new mathematical method, which nobody in the audience understands. Then his daughter the deaf-mute girl presents miracles of multiplication on a blackboard.

Next day the narrator meets all three performers at breakfast at the inn where they are all staying. He compliments the Colonel on his mathematical theories. The sombre Colonel reveals that he does not subscribe to the Professor’s quack claims. He himself has practical inventions which he hopes will benefit society; he has lost his wife; and he resents being dependent on the Professor, who he thinks a vulgar fraud. Because all the Colonel’s experiments have so far failed, the Professor has persuaded him to feature his gifted daughter in their act.

Later the same day, the Colonel unburdens himself further to the narrator. The Professor drinks heavily and treats visitors at the inn to his philosophy of ‘spiritual magnetism’. The Colonel then denounces these claims publicly, following which the Professor proposes to prove his powers with a practical demonstration.

Part III. Six weeks later the narrator sees another of their performances in New York. Their fortunes have sunk even lower than before. The Colonel has let the Professor off his challenge (because it was made whilst drunk). Whilst out walking with the narrator, the Colonel has a sudden inspiration for a major new idea. But when they arrive at the Colonel’s lodging they find the Professor is there: he offers the narrator a free ticket for the evening’s performance.

However, there is no audience at all, and when the manager demands rent for the hall, the Professor is unable to pay. The narrator offers to pay the Colonel’s half of the bill. The Professor proposes to form a new act featuring the girl – but the Colonel indignantly refuses. However, when faced by a choice of loyalties, the girl goes off with the Professor. The Colonel is completely crushed by this outcome, and is placed in an asylum, where he continues his meaningless mathematical ‘experiments’.


Principal characters
I the un-named narrator, a commercial traveller
Professor Fargo a fat and florid showman
Colonel Gifford a ‘mathematician and inventor, his partner
Miss Gifford a poor but pretty young deaf mute girl, his daughter

Professor Fargo - Henry James portrait

Henry James – portrait by John Singer Sargeant


Further reading

Biographical

Red button Theodora Bosanquet, Henry James at Work, University of Michigan Press, 2007.

Red button F.W. Dupee, Henry James: Autobiography, Princeton University Press, 1983.

Red button Leon Edel, Henry James: A Life, HarperCollins, 1985.

Red button Philip Horne (ed), Henry James: A Life in Letters, Viking/Allen Lane, 1999.

Red button Henry James, The Letters of Henry James, Adamant Media Corporation, 2001.

Red button Fred Kaplan, Henry James: The Imagination of Genius, Johns Hopkins University Press, 1999

Red button F.O. Matthieson (ed), The Notebooks of Henry James, Oxford University Press, 1988.

Critical commentary

Red button Elizabeth Allen, A Woman’s Place in the Novels of Henry James London: Macmillan Press, 1983.

Red button Ian F.A. Bell, Henry James and the Past, London: Palgrave Macmillan, 1993.

Red button Millicent Bell, Meaning in Henry James, Cambridge (MA): Harvard University Press, 1993.

Red button Harold Bloom (ed), Modern Critical Views: Henry James, Chelsea House Publishers, 1991.

Red button Kirstin Boudreau, Henry James’s Narrative Technique, Macmillan, 2010.

Red button J. Donald Crowley and Richard A. Hocks (eds), The Wings of the Dove, New York: W.W. Norton and Company, 1978.

Red button Victoria Coulson, Henry James, Women and Realism, Cambridge University Press, 2009.

Red button Daniel Mark Fogel, A Companion to Henry James Studies, Greenwood Press, 1993.

Red button Virginia C. Fowler, Henry James’s American Girl: The Embroidery on the Canvas, Madison (Wis): University of Wisconsin Press, 1984.

Red button Jonathan Freedman, The Cambridge Companion to Henry James, Cambridge University Press, 1998.

Red button Judith Fryer, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford: Oxford University Press, 1976

Red button Roger Gard (ed), Henry James: The Critical Heritage, London: Routledge, 1968.

Red button Tessa Hadley, Henry James and the Imagination of Pleasure, Cambridge University Press, 2009.

Red button Barbara Hardy, Henry James: The Later Writing (Writers & Their Work), Northcote House Publishers, 1996.

Red button Richard A. Hocks, Henry James: A study of the short fiction, New York: Twayne Publishers, 1990.

Red button Donatella Izzo, Portraying the Lady: Technologies of Gender in the Short Stories of Henry James, University of Nebraska Press, 2002.

Red button Colin Meissner, Henry James and the Language of Experience, Cambridge University Press, 2009

Red button John Pearson (ed), The Prefaces of Henry James, Pennsylvania State University Press, 1993.

Red button Richard Poirer, The Comic Sense of Henry James, Oxford: Oxford University Press, 1967.

Red button Hugh Stevens, Henry James and Sexuality, Cambridge University Press, 1998.

Red button Merle A. Williams, Henry James and the Philosophical Novel, Cambridge University Press, 1993.

Red button Judith Woolf, Henry James: The Major Novels, Cambridge University Press, 1991.

Red button Ruth Yeazell (ed), Henry James: A Collection of Critical Essays, Longmans, 1994.


Other works by Henry James

Henry James The BostoniansThe Bostonians (1886) is a novel about the early feminist movement. The heroine Verena Tarrant is an ‘inspirational speaker’ who is taken under the wing of Olive Chancellor, a man-hating suffragette and radical feminist. Trying to pull her in the opposite direction is Basil Ransom, a vigorous young man from the South to whom Verena becomes more and more attracted. The dramatic contest to possess her is played out with some witty and often rather sardonic touches, and as usual James keeps the reader guessing about the outcome until the very last page.

Buy the book at Amazon UK
Buy the book at Amazon US

Henry James What Masie KnewWhat Masie Knew (1897) A young girl is caught between parents who are in the middle of personal conflict, adultery, and divorce. Can she survive without becoming corrupted? It’s touch and go – and not made easier for the reader by the attentions of an older man who decides to ‘look after’ her. This comes from the beginning of James’s ‘Late Phase’, so be prepared for longer and longer sentences. In fact it’s said that whilst composing this novel, James switched from writing longhand to using dictation – and it shows if you look carefully enough – part way through the book.
Henry James What Masie Knew Buy the book at Amazon UK
Henry James What Masie Knew Buy the book at Amazon US

Henry James The AmbassadorsThe Ambassadors (1903) Lambert Strether is sent from America to Paris to recall Chadwick Newsome, a young man who is reported to be compromising himself by an entanglement with a wicked woman. However, Strether’s mission fails when he is seduced by the social pleasures of the European capital, and he takes Newsome’s side. So a second ambassador is dispatched in the form of the more determined Sarah Pocock. She delivers an ultimatum which is resisted by the two young men, but then an accident reveals unpleasant truths to Strether, who is faced by a test of loyalty between old Europe and the new USA. This edition presents the latest scholarship on James and includes an introduction, notes, selected criticism, a text summary and a chronology of James’s life and times.
Longstaff's Marriage Buy the book at Amazon UK
Longstaff's Marriage Buy the book at Amazon US


Henry James – web links

Henry James at Mantex
Biographical notes, study guides, tutorials on the Complete Tales, book reviews. bibliographies, and web links.

The Complete Works
Sixty books in one 13.5 MB Kindle eBook download for £1.92 at Amazon.co.uk. The complete novels, stories, travel writing, and prefaces. Also includes his autobiographies, plays, and literary criticism – with illustrations.

The Ladder – a Henry James website
A collection of eTexts of the tales, novels, plays, and prefaces – with links to available free eTexts at Project Gutenberg and elsewhere.

A Hyper-Concordance to the Works
Japanese-based online research tool that locates the use of any word or phrase in context. Find that illusive quotable phrase.

The Henry James Resource Center
A web site with biography, bibliographies, adaptations, archival resources, suggested reading, and recent scholarship.

Online Books Page
A collection of online texts, including novels, stories, travel writing, literary criticism, and letters.

Henry James at Project Gutenberg
A major collection of eTexts, available in a variety of eBook formats.

The Complete Letters
Archive of the complete correspondence (1855-1878) work in progress – published by the University of Nebraska Press.

The Scholar’s Guide to Web Sites
An old-fashioned but major jumpstation – a website of websites and resouces.

Henry James – The Complete Tales
Tutorials on the complete collection of over one hundred tales, novellas, and short stories.

© Roy Johnson 2013


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Put Out More Flags

May 2, 2018 by Roy Johnson

tutorial, study guide, web links, plot summary

Put Out More Flags (1942) is the sixth novel by Evelyn Waugh. It deals with British society at the outbreak of war in 1939 and features characters who first appeared in his earlier novels Decline and Fall (1928), Vile Bodies (1930), and Black Mischief (1932). Most of the characters are drawn from upper-class society, but there are also satirical portraits from metropolitan Bohemia and the higher echelons of government and publishing. The story line is dominated by the outrageously unscrupulous character Basil Seal – a clever, womanising, ne’er-do-well.
Put Out More Flags


Put Out More Flags – commentary

This is something of a transitional work for Evelyn Waugh, containing much of the comic satire (and the characters) of his earlier novels, but at the same time it looks forward to the more serious elements of Brideshead Revisited (1945) and the Sword of Honour trilogy (1952-1961).

Whilst being largely a farcical comedy, it also contains interesting elements of well-observed social history – particularly the decline of the English upper class, the institutions of government, and ideological movements of the period in what we would now call ‘culture wars’.

Social history

The novel opens with Basil Seal’s sister, Barbara, trying to maintain a sense of normality in her two-hundred-year old country manor house. The servant class, on which her family’s privileged comforts have depended for generations, is melting away in the face of better employment prospects elsewhere. “Edith and Olive and me have talked it over and we want to go and make aeroplanes”.

For servants, the pay would be better working in a manufacturing industry, but they would also have more personal liberty and be free of the patronising and authoritarian discipline imposed by traditional upper-class employers. They would be free of the stifling deference required by the landed gentry who for generations had regarded themselves as superior beings.

This well-observed social development is also accompanied by a movement in the opposite direction – the arrival of evacuees from the larger cities. To protect children from the threats of bombing which were expected, it was government policy for them to be sent into the countryside. This social experiment had mixed results. Not all of the evacuees wanted to be there, and not all were suited to rural living. Waugh makes comic plunder of these issues in the scenes where Basil Seal acts as a bogus billeting officer.

Fashionable art

One of Evelyn Waugh’s favourite targets for satire in his early novels was contemporary fashions in the arts. In Decline and Fall the society Margot Beste-Chetwynde (later Lady Metroland) destroys a historic Tudor building to put in its place a monstrosity of plate glass, leather walls, and modernist furniture. In Put Out More Flags Waugh aims at the literary world. Much mention is made of the two proletarian poets Parsnip and Pimpernel.

They were great supporters of the republican cause during the Spanish Civil War, but as soon as Britain was under threat they emigrated to the United States. This is a satirical dig at Christopher Isherwood and W.H. Auden who did exactly that in 1939.

Poppet Green is a feather-brained ‘artist’ who follows whatever the latest fad happens to be – which in 1939 was surrealism. Her subjects are:

bodiless heads, green horses, and violet grass, seaweed, shells, and fungi, neatly executed, conventionally arranged in the manner of Dali. Her work in progress on the easel was an overlarge, accurate but buttercup-coloured head of the Aphrodite of Melos, poised against a background of bull’s-eyes and barley sugar.

She is also a communist – of a particularly simple-minded type. When her friend Ambrose Silk goes to work in the Ministry of Information, she immediately labels him a ‘fascist’ – and even worse, a Trotskyist. She thinks in slogans and labels: this is an accurate account of left wing orthodoxy at the time.

Characterisation

Ambrose Silk is a more subtle and nuanced example of fashion. He is a dandy and an aesthete who has been a communist sympathiser – a fellow traveller in the jargon of the time. Waugh pokes fun at him on two fronts. He is terrified of what might happen to him if the Germans invade Britain – since he is aware that the Nazis have persecuted left sympathisers. And more comically, he is writing a memoir Monument to a Spartan which describes his love for Hans, a German brown shirt fascist youth.

Ambrose eventually morphs into a slightly tragic figure – exiled in Ireland – which rescues him from being a two-dimensional character. The same is true of Angela Lyne, Basil’s ‘so-called’ lover. She is estranged from her husband the dilettante architect Cedric, and at the outset of the novel she is returning from the south of France where she has been fruitlessly waiting for Basil.

She closes her grand London home and moves into a top floor flat in Grosvenor Square. There, she gradually becomes a sad and lonely alcoholic. She maintains a veneer of respectability on her rare appearances in public – only ever drinking Vichy water. Alone, she slumps into an oblivion of vodka and Calvados cocktails. There are some truly touching scenes as this rich and fashionable society woman slowly degenerates and loses touch with reality.

So, amidst all the absurdity and tomfoolery in the rest of the novel, Waugh displays a mature touch as a writer in creating characters who change in time, who are not two-dimensional or vehicles for fun. Another example is Alastair Digby-Vaine Trumpington. He first appeared in the very opening scene of Decline and Fall, a Hooray Henry at Oxford, and he has lived a very conventional upper-class life ever since. Very rich, slightly naive, yet maintaining a ‘schoolboy’ sense of honour:

For him there was no ‘they’. England was at war; he, Alastair Trumpington was at war. It was not the business of any politician to tell him when or how he should fight. But he could not put this into words

And true to his principles, whilst the other characters are all trying to scuttle into cosy government sinecures or soft commissions as officers, Alastair volunteers to join the ranks. He endures the miseries of basic training without complaint (although he makes sure his wife Sonia has booked a comfortable nearby hotel for weekends). And in the end he is volunteering for Special Services – though it does seem to be the Boy’s Own Adventure prospects which appeal to him. But he is a character who develops, and he obviously represents what Waugh sees as the remaining strand of decency in upper-class values.


Put Out More Flags – study resources

Put Out More Flags – Penguin – Amazon UK

Put Out More Flags – Penguin – Amazon US

Six novels by Evelyn Waugh – Amazon UK

Evelyn Waugh: A Life Revisited – Amazon UK

Evelyn Waugh: The Height of his Powers – essay

Books of the Times: Put Out More Flags – essay

Put Out More Flags

Evelyn Waugh – by Henry Lamb


Put Out More Flags – plot summary

Chapter I.   At the outbreak of the Second World War Barbara Sothill’s country manor at Malfrey loses staff who prefer to work in factories. The estate is surrounded by evacuees from Birmingham. Lady Cynthia Seal asks her friend Sir Joseph Mainwaring to find a position for her wayward son. Angela Lyne returns in disappointment from the south of France, having been let down by her lover Basil Seal. In Fitzrovia, mixing with arty bohemians, Basil is living in a dissolute manner, and he bungles the army interview that is arranged for him.

Ambrose Silk visits the Ministry of Information where memos are exchanged regulating the display of personal effects in government offices. As an aesthete and a well-known left-wing sympathiser, he is concerned about his safety in the event of a German invasion. Basil is in the same building, promoting the idea of annexing Liberia.

Chapter II.   Basil goes to stay with his sister at Malfrey, where three delinquent evacuee children are forced onto them. Basil pretends to be a billeting officer and dumps the children onto a retired couple in their beautiful old home. When a few days later they are at their wits end, Basil charges the couple money to take the children elsewhere.

Alastair Trumpington endures the petty bureaucracy of life in the ranks. Ambrose Silk is working at the Ministry of Information, worried that even fellow-travellers might be at risk. Angela Lyne has shut down her home and is enduring a lonely existence in a Grosvenor Square flat. Alastair Trumpington is involved in absurd training exercises.

Chapter III.   Basil sells the three delinquent evacuee children to an adjacent billeting officer and returns to London. He bluffs his way into the War Office and is taken on as an intelligence agent by an old acquaintance. Lord Peter Pastmaster is trying out a girl with a view to marriage. They meet a bemused and drunk Angela Lyne at a cinema. Basil consoles her.

Cedric Lyne goes to see his estranged wife before his departure for Norway. Basil plans to reveal Poppet and Ambrose as communist sympathisers. Cedric is met by a shambolic embarkation of troops at the port.

Ambrose writes about his lost love for Hans, a German brown shirt youth in Mr Bentleys new magazine The Ivory Tower. Basil persuades Ambrose to change his memoir, making it more pro-German. He then reports him to the War Office as a Nazi sympathiser.

When warrants are issued for arrests Basil helps Ambrose escape to Ireland and takes over his Bloomsbury flat – to which he invites Susie, secretary to his boss. The police are only able to arrest Mr Rampole, the magazine publisher. Cedric Lyne is in a disoriented state on the battlefield and is killed in an attack.

Epilogue

Sir Joseph Mainwaring believes all the myths and rumours circulating about the war. Alastair is posted to coastal defence and wishes for more excitement. Rampole reads ‘light fiction’ in prison, and Basil joins a special service unit.


Put Out More Flags – main characters
Basil Seal a disinherited playboy, womaniser, and confidence man
Lady Cynthia Seal his widowed mother
Sir Joseph Mainwaring a government minister and confidant to Lady Seal
Barbara Sothill Basil’s sister
Mrs Angela Lyne Basil’s lover, daughter of a millionaire
Cedric Lyne her estranged husband, a dilettante architect
Ambrose Silk left-wing gay Jewish aesthete
Alastair Trumpington an aristocratic bohemian
Sonia Trumpington his wife
Poppet Green a surrealist painter and ‘communist’

© Roy Johnson 2018


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Pygmalion

December 8, 2014 by Roy Johnson

tutorial, commentary, study resources, plot, web links

Pygmalion was written in 1912 and first performed in England at His Majesty’s Theatre, London in April 1914, with Mrs Patrick Campbell in the lead role as Eliza Doolittle. She was a fifty year old grandmother at the time (‘with increasing girth’) but impressed audiences with her delivery of both Cockney and received pronunciation.

Pygmalion

Pygmalion and Galatea

In Ovid’s Metamorphoses Pygmalion was a Cypriot sculptor who hated women and vowed never to marry. However, when he carved a statue of a woman out of ivory (called Galatea) she was so beautiful he fell in love with his own work. At the festival of Aphrodite (goddess of love) he secretly made a wish for a bride who would be a living likeness. On arriving home he kissed the statue and found that its lips were warm. The goddess had granted his wish, the statue came to life, and he married her. They had a son called Paphos.


Pygmalion – critical commentary

Playtext and literary studies

As a subject of literary studies, the playtext of Pygmalion is a complex and problematic object. It is worth remembering that a playtext is only the intermediate vehicle of which a staged performance represents the ‘realisation’ of the text. Playtexts are only a recorded set of instructions to directors and actors – but in traditional literary studies (in Europe and America) they are treated as the equivalent of poetry and prose fiction.

Like many other plays, Pygmalion exists is a number of different versions. The controversial ending was changed on a number of occasions by theatrical producers and directors, and Shaw himself wrote supplementary materials which he added to the original play in an attempt to ‘explain its meaning.

The text itself is an almost bizarre mixture of literary modes. It begins with an essay on phonetics and a biographical sketch of the linguist Henry Sweet. The play itself is a combination of spoken dialogue and stage directions which vary from amazingly trivial details (‘on her daughter’s right’) to lengthy passages in prose fiction, fleshing out the mise en scene, and even intrusions by Shaw himself, passing comment on the events he is creating.

In its ‘complete’ form, the text also includes additional material for each Act which may or may not be performed and which were added for cinema adaptations. And the end of the play is now conventionally followed by a prose explanation of ‘what happened next’, written by Shaw four years after the first performance. This contains his justification for the absence of a conventional ‘happy ending’; generalisations about bachelors and marriage; and a development of the character of Clara Enysford Hill, someone who had barely figured at all in the previous five Acts.

Language

Modern readers may find the language used by the characters nothing remarkable, but it should be borne in mind that at the time of its first performances Shaw was challenging the orthodox notions of decency on stage.

Higgins uses expressions such as ‘Where the devil are my slippers’ – which although it seems quite innocuous in the twenty-first century, probably marked the limit of what was acceptable in the early twentieth, when society was still emerging from a long age of Victorian prudery. But Mrs Pearce warns him that he should not swear in front of Eliza:

there is a certain word I must ask you not to use … It begins with the same letter as bath … Only this morning, sir, you applied it to your boots, to the butter, and to the brown bread.

Higgins doesn’t use the word. It is saved up by Shaw for the coup de theatre in Act Three when Eliza, having succeeded in transforming her pronunciation, lets slip her lower class origins when she replies to Freddy’s suggestion that he walk with her across the Park. She exclaims – ‘Walk! Not bloody likely. I am going in a taxi.’ The use of this single word bloody was enough to cause a sensation on the Edwardian stage.

Shaw’s stage directions

In the early part of his literary career Shaw wrote five unsuccessful novels, and the instructions given to director and actors in Pygmalion suggest that he continued to think in the mode of someone writing prose fiction.

The stage directions range from issues of complete insignificance (slightly to her left) via what are authorial comments (hearing in it the voice of God, rebuking him for his Pharisaic want of charity to the poor girl) to the frankly absurd in terms of possible staging (Torrents of heavy summer rain).

Phonetics, shorthand, and spelling

In his preface to the play text, Shaw makes quite clear his interest in the subject of phonetics, as well as the origins of the Henry Higgins character in the figure of well-known Oxford philologist Henry Sweet.

Higgins claims he can pinpoint the origins of a London inhabitant to within a couple of streets by their pronunciation, and he is taking shorthand notes on Eliza’s speech at the beginning of the action.

Shorthand is a system of recording speech by symbols which represent sounds rather than the letters which are used for conventional writing. The best-known version of this system was devised by Sir Isaac Pitman in the middle of the nineteenth century, and became very popular in Britain and the United States.

There was a great deal of interest in these matters at the end of the nineteenth century, and Shaw put a great deal of time (and his own money) into a doomed experiment to reform English spelling. He and many others thought spelling in English could be simplified and regulated to iron out apparent difficulties. This approach did not sufficiently take into account the fact that speech and writing are two separate systems. The futility of these attempts were very pithily (and accurately) satirised by Mark Twain in his Plan for the Improvement of English Spelling.

It is worth noting that this same period also gave rise to another experiment in artificial language which was doomed to failure – the invention of Esperanto, a totally fabricated, so-called international language created by a Polish linguist Ludwik Zamenhof in 1887.

Esperanto was an amalgam of Latinate languages and it made sense to anyone who had studied French, Spanish, Italian and Latin. However, because of its artificiality and the fact that it did not therefore reflect a culture, it lacked life and remained a flat inanimate system of vocabulary and grammar.


Pygmalion – study resources

Pygmalion Pygmalion – Penguin edition – Amazon UK

Pygmalion Pygmalion – York Notes – Amazon UK

Pygmalion Pygmalion – 1938 film – Amazon UK

Pygmalion Pygmalion – Penguin edition – Amazon US

Pygmalion My Fair Lady – at Amazon US

Pygmalion Pygmalion – at Wikipedia

Daily Telegraph article
Mark Bostridge discusses the origins of the play, its sensational first night, and the problems of its controversial ending.


Pygmalion – plot summary

Act One

Mrs Eynsford-Hill with her daughter Clara and son Freddy are sheltering from the rain in Covent Garden after a concert with some others. When Freddy is despatched to find a cab he bumps into Eliza, a Cockney flower girl. She tries to sell her produce to a bystander Colonel Pickering, whilst nearby Professor Henry Higgins is taking notes on her pronunciation. Higgins then identifies everyone’s origins from their accents. It emerges that he and Pickering are both interested in phonetics and were on their way to meet each other. Higgins claims he can transform Eliza into a Duchess by changing her accent and speech. He gives her some loose change, which enables her to take a cab back home.

Act Two

Pickering is visiting Higgins in his ‘laboratory’ when Eliza turns up, offering to pay for elocution lessons. She wants to speak properly so that she can get a job working in a shop. Pickering challenges Higgins to make her socially acceptable, and offers to pay for the lessons. Higgins patronises Eliza, but offers to take her on permanently when she reveals that she has no family. The housekeeper Mrs Pearce offers common sense objections, but Higgins over-rules them. Pickering wonders about Higgins’ probity, but Higgins reveals that he distrusts women and is therefore a confirmed bachelor. Mrs Pearce reappears to ask Higgins to be more careful about his language and his table manners, and announces the arrival of Eliza’s father, Mr Doolittle. After verbal skirmishes with Higgins, Doolittle arranges to sell Eliza for five pounds. As he leaves, Eliza re-enters in clean new clothes.

Act Three

Some months later Higgins arrives at his mother’s house. She reproaches him for his lack of good manners and for still being a bachelor. He has invited Eliza to visit his mother on her ‘at-home’ day. The Enysford Hills and Pickering arrive, followed by Eliza, who speaks with exaggerated correctness. But during the ensuing conversation she lapses into topics from lower-class life and swears as she takes her leave. Higgins and Pickering congratulate themselves on the improvements they have brought about, but Mrs Higgins warns them that they have neglected to think about Eliza’s future.

Act Four

Higgins, Pickering, and Eliza arrive home at midnight following her successful debut in society. Higgins complains that he is tired of their experiment and now finds the whole thing a bore. Eliza explodes with anger at his self-centredness. She perceives that she has no future. He suggests that she marry someone. They argue about what belongs to her, and he accuses her of treating him badly. They part violently on bad terms.

Act Five

Next morning at Mrs Higgins’ house Higgins and Pickering arrive, worried that Eliza has disappeared. Mr Doolittle arrives, transformed into the appearance of a toff by the good fortune of an inheritance from an American benefactor. He complains that his newfound wealth has brought him nothing but problems. Mrs Higgins reveals that Eliza is upstairs and she hopes to reconcile her with her son. But when Eliza appears Higgins insults and patronises her again.

Eliza explains that she has learned to be a lady from the good example of politeness and respect presented to her by Pickering. Doolittle reveals that he is on his way to get married, and asks Pickering to help him through the ceremony. This leaves Higgins and Eliza to continue their argument. He claims that he cannot change and that he treats everybody in the same way. He continues to be arrogant and patronising, whilst inviting her back to live with him. She explains that a woman wants both respect and love, and that is what Freddy is offering her. When challenged by Higgins she claims she can even support herself by working in phonetics, something he has taught her so well. The play ends inconclusively.


Pygmalion – film version


1938 film version – Leslie Howard and Wendy Hiller


Pygmalion – principal characters
Mrs Eynsford Hill fallen upper-class woman
Freddy her unemployed and talentless son
Clara her unmarried and snobbish daughter
Colonel Pickering a retired army officer
Henry Higgins an upper-class professor of phonetics
Mrs Pearce housekeeper to Higgins
Eliza Doolittle a Cockney flower-seller
Mr Alfred Doolittle her father, a dustman

Filed Under: 20C Literature Tagged With: English literature, George Bernard Shaw, Literary studies, Theatre

R.C.Trevelyan – Beelzebub

October 5, 2009 by Roy Johnson

Hogarth Press first edition book jacket designs

 

Beelzebub - first edition

 
R.C. Trevelyan, Beelzebub and other poems, Hogarth Living Poets, second series, Number 3.

“R.C. Trevelyan, member of a distinguished Victorian family and brother of the Cambridge historian G.M. Trelyan, had been an Apostle at Trinity College, friend of the Woolfs for years, and by the 1920s was a classical scholar, a translator (Sophocles, Aeschylus, Lucretius, Theocritus), and a poet. He would eventually publish over twenty volumes of poetry.”

J.H. Willis Jr, Leonard and Virginia Woolf as Publishers: The Hogarth Press 1917-1941

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Hogarth Press studies

Woolf's-head Publishing Woolf’s-head Publishing is a wonderful collection of cover designs, book jackets, and illustrations – but also a beautiful example of book production in its own right. It was produced as an exhibition catalogue and has quite rightly gone on to enjoy an independent life of its own. This book is a genuine collector’s item, and only months after its first publication it started to win awards for its design and production values. Anyone with the slightest interest in book production, graphic design, typography, or Bloomsbury will want to own a copy the minute they clap eyes on it.

Woolf's-head Publishing Buy the book at Amazon UK
Woolf's-head Publishing Buy the book at Amazon US

The Hogarth Press Leonard and Virginia Woolf as Publishers: Hogarth Press, 1917-41 John Willis brings the remarkable story of Leonard and Virginia Woolf’s success as publishers to life. He generates interesting thumbnail sketches of all the Hogarth Press authors, which brings both them and the books they wrote into sharp focus. He also follows the development of many of its best-selling titles, and there’s a full account of the social and cultural development of the press. This is a scholarly work with extensive footnotes, bibliographies, and suggestions for further reading – but most of all it is a very readable study in cultural history.

The Hogarth Press Buy the book at Amazon UK
The Hogarth Press Buy the book at Amazon US

© Roy Johnson 2005


Filed Under: Hogarth Press Tagged With: Art, Bloomsbury, Graphic design, Hogarth Press, Literary studies, R.C.Trevelyan

Radical Larkin

June 21, 2014 by Roy Johnson

‘A Study of Reading [and Writing] Habits’

Radical Larkin, John Osborne’s second book on Philip Larkin is (like the first) polemical: ‘Larkin died in 1985. No-one now under 40 (and few enough aged 50) can really be said to have known the man. The future of his reputation is passing irrevocably out of the hands of those who knew him and into those who did not’. It also strikes postures: ‘Ladies and Gentlemen, in place of the obdurately English poet of the critical consensus, I offer you Philip Larkin, master of deterritorialization’.

Radical LarkinThe pugilistic Osborne (a light heavy-weight) throws some below the belt punches at such distinguished Larkin commentators as Andrew Motion, who believes that the poems are autobiographical (‘as Larkin’s biographer he would say that, wouldn’t he?’), Trevor Tolley (‘A master of thinking inside the box’), Anthony Thwaite (who ‘twice recycled Larkin’s Betjeman review without referencing the source’), and James Booth (‘not because he is the worst exponent’ of ‘the conventional view of Philip Larkin as a lyric poet….but its best’.) David Timms and Richard Palmer stand jointly accused of having ‘converted [Larkin] from what he is, the greatest poet of doubt and ambiguity since Hardy, into a poet of certitude, often to the point of bigotry’. Even Archie Burnett, editor of Philip Larkin: The Complete Poems (2012), to which Osborne declares himself greatly indebted, is taken to task for including ‘mere scraps of verse’ (Burnett’s own phrase) in his magisterial compilation.

Osborne’s reiterated contention is that Larkin’s poems are not autobiographical but rather the creations of ‘a professional intertextualist’ which require ‘a post-authocentric’ reading and analysis. He focuses on such seminal poems as An Arundel Tomb, The Whitsun Weddings, This Be the Verse and Aubade – as well as his second novel A Girl in Winter.

Warming to these themes, Osborne liberally sprinkles his text with such unattractive words and phrases as ‘Phonocentrism’, ‘Anti-Textualism’, ‘Radical Ekphrasis’, ‘Radical Deterritorialization’ and ‘Radical De-essentialism’. At one point his taste for neologisms leads him astray. He heads one section ‘A monstrance against the sexing of texts.’ The word monstrance either means ‘demonstration or proof’ in Middle English or ‘an open or transparent vessel in which the host is exposed’ in contemporary English. Osborne actually wants to launch ‘an assault’ upon ‘biographicalism’ and his choice of words is baffling.

Unlike Larkin’s, much of Osborne’s language is convoluted, and presumably directed at a ‘post-modernist’ readership. Summarising his contentions in Larkin, Ideology and Critical Violence, Osborne reminds his readers that Larkin’s techniques ‘include ellipsis, a four-act structure with closing reversal, asymmetrical stanza lengths and rhyme schemes, plus a battery of disaggregative linguistic devices such as split similes, negative qualifiers, oxymora and rampant paronomasia’. In this new book, such doubtful coinages as ‘the sexing and racing of narrators or addressees’ do little to aid comprehension.

In his chapter on The Whitsun Weddings, Osborne triumphantly ‘proves’ – largely thanks to Burnett’s researches – that Larkin’s famous train journey (from Hull to King’s Cross) never took place, and cautions that most of his poems ‘tell one nothing about the gender, race, class or nationality of either their narrators or their addressees’. Yet Larkin’s champions and detractors ‘fill in the missing information by jumping to the conclusion that the protagonist is always and only a white, male, middle-class Englishman named Philip Larkin’. Osborne presses his ‘intertextual’ reinterpretation of The Whitsun Weddings to a ludicrous conclusion when he suggests that the line ‘Free at last!’ reflects not only the poet’s well-known passion for jazz and its roots in African-American spirituals and blues, but also echoes Martin Luther King’s famous peroration in his 1963 ‘I Have a Dream’ speech in Washington, DC so ‘the reader has been licensed to speculate whether the narrator might be an American visitor to these shores, and not necessarily a white one’. These putative Americans (whatever their ‘racing’ or ‘sexing’) might well expostulate: ‘Pur-leeze!’

But Radical Larkin does contain original insights into some of the poet’s ‘greatest hits’. Four examples substantiate the point. As a poem, Vers de Société relates ‘the foibles of polite society. In Larkin this becomes something else: a meditation on the merits of social life, the life lived in company, versus those of the meditative life, the life of solitude’. Then, This Be The Verse, with its much-quoted opening lines

They fuck you up, your mum and dad,
They may not mean to, but they do.

is described as ‘a tweet-sized poem of atomic destructiveness detonated by laughter’. Larkin’s last great poem, Aubade, is ‘a masterpiece which affords a barometric reading of late millennial Western culture as encapsulated in its ideologies of death’. And finally, commenting on At Grass, Osborne shows that he is perfectly capable of writing clearly while offering a perceptive analysis:

…it surely offers as complex a statement as may be found in our literature of the mixed emotions with which we approach the constraints and the liberations of the later stages of life. This subsuming of the elegiac into a more nuanced address to the neglected subject of retirement is a good example of Larkin’s genius for involving poetic genres only to elude them…

Unfortunately, such astute judgements are few and far between in the densely-packed pages of Radical Larkin. Too much space is taken up by Osborne’s (generally informed) comments on Western art, sculpture and literature. And, unless one applauds his statements that ‘it would do no harm to Larkin studies if for the foreseeable future we desisted from visiting the (imaginary) certitudes of the life upon the work but rather visited the (real) polyvalency of the work upon the life’, or ‘not only do [Larkin’s] poems sabotage conventional pieties regarding church, state, nationality, marriage, gender, race and capital, but in the process they play a central role in the cultural transition to postmodern indeterminacy’, I can only recommend this book to those willing to struggle with the postmodern terminology.

© John White 2014

Buy the book at Amazon UK
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John Osborne, Radical Larkin: Seven Types of Technical Mastery, London: Palgrave Macmillan, 2014, pp. 292, ISBN: 0230348246


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Filed Under: Literary Studies Tagged With: English literature, Literary studies, Philip Larkin

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